Anne Happy, Vol. 5 | By Cotoji | Yen Press – There’s a new character introduced in this volume who I thought at first was going to be an antagonist but it turns out is merely another one of our broken, unlucky heroes. That said, “terminally shy” is not really unlucky so much as a basic personality flaw. As for the class, we’re looking beyond graduation, and while I will marvel if some of these ditzes manage to survive in the adult world, it’s a good thinking exercise to get them to ponder dreams they’d like to achieve—Botan as a school nurse is amusing and obvious, Hibari’s “botanical research technician” a bit less so. As for the culture festival, they’re doing a play, probably to continue trying to force them to interact with others till they can do it more naturally. Mildly recommended. – Sean Gaffney
Captive Hearts of Oz, Vol. 2 | By Ryo Maruya and Mamenosuke Fujimaru | Seven Seas – As I noted in my review of the first volume, folks did not particularly read Alice in the Country of Hearts for the reverse harem—or if they did, the worst volumes of it were only concerned with that. No, they read it for the dark subtext, and I am pleased that Captive Hearts of Oz is well aware of that and turns the dark subtext into text. There are some sweet, heartwarming moments, don’t get me wrong, such as Leon finding his courage and Nick’s daring rescue of Hayward. But there’s also chilling stuff here, as one of the crows we met earlier is vanished into black mist, and after seemingly being killed in the rapids, Nick just… comes back wrong. I am fully down with this series now. – Sean Gaffney
Fairy Tail: Rhodonite | By Kyouta Shibano | Kodansha Comics – This says volume two on it, but it’s actually a single volume spinoff—volume one was Twin Dragons of Sabertooth. This second volume deals with Gajeel and his past, and as such has a lot of cool fights, disturbing revelations and shonen stubbornness. But of course I didn’t get it for that reason. I got it because Gajeel x Levy 5-evah. And I am pleased to note that fans of this pairing will have a lot to work with, from Levy’s realization that she’s never really asked much about Gajeel’s past, to Juvia’s straight-up shipping of the two of them (who can blame her), to Gajeel’s pure and honest respect for Levy. They’ve come a long way from his beating her to unconsciousness and crucifying her. Recommended for Gajevy fans. – Sean Gaffney
Food Wars!: Shokugeki no Soma, Vol. 18 | Story by Yuto Tsukuda, Art by Shun Saeki | VIZ Media – I was hesitant going into this volume since the beginning of the “Erina’s horrible dad takes over” arc was rather distressing. It isn’t over yet, and several research societies get squashed in the shokugeki they requested to challenge the order to disband. Still, Yukihira does prevail in his rigged showdown with the fate of Polaris dormitory on the line, so there’s some hope. Too, we learn that Azami at one point idolized Yukihira’s dad and is now doing all of this because the “rotten and corrupt” culinary world “dared to ruin” him. Oh, and Erina now knows that the person she looks up to more than anyone is Yukihira’s dad, causing her to reflect on all the times she’s treated him shabbily. Probably my favorite part of this volume is seeing her among the Polaris gang; I hope she loosens up a bit more under their influence. – Michelle Smith
Haikyu!!, Vol. 12 | By Haruchi Furudate | VIZ Media – Ah, what a tremendously satisfying volume! With little preamble, the first game of the Spring Tournament preliminaries begins. Everyone is much more confident now after spending so much time practicing against strong Tokyo teams, and Karasuno makes it through its two exciting games, earning a spot in the qualifier round. Essentially, this volume offers both in-game awesomeness as well as training montages, as the two months between tournaments pass quickly, with various guys making improvements, Hinata and Kageyama’s new quick set upping its success rate, and even Tsukishima asking for tips on how to effectively block a superior player. It’s also great to see Hinata getting respect on a wider stage. Sounds like volume twelve will be a great one, too! – Michelle Smith
Murcielago, Vol. 2 | By Yoshimurakana | Yen Press – Hinako is on the cover of this volume, and she does get a chapter of focus to herself, which mostly serves to make us wonder if she’s meant to be sixteen years old or six. It’s also unclear exactly what her relationship with Kuroko is beyond ‘buddy with car.’ Kuroko certainly seems like she can handle things herself, finishing up the murder mansion subplot with a few more corpses and a lot more gore—though less than I expected, as the murderous maid loses a few limbs but not her life—something it’s hinted she may regret. We also begin a new arc, trying to rescue a girl from her father, who may be a serial killer. If you like lots of over the top violence and lesbian sex, Murcielago STILL may not be for you—it’s pretty twisted. – Sean Gaffney
Please Tell Me! Galko-chan, Vol. 3 | By Kenya Suzuki| Seven Seas – As with the second volume, this one ramps back on the sex talk, though there is still some as we discuss pubic hair and the benefits and drawbacks to large breasts. Mostly what we get is more character-based gags, as Galko and company go video shopping, visit an art museum, and have a school festival, which brings about the majority of the drama in the latter half of the volume—Galko is excellent at reading aloud, so is drafted as narrator of the school play. But this means she can’t do the festival with Otako and Ojou! Fortunately, she has a childhood friend who, while he’s attracted to her, also understands her needs, and the problem is solved to a degree. A lot of fun. – Sean Gaffney
Rose Guns Days Season Two, Vol. 3 | By Ryukishi07 and Nana Natsunishi | Yen Press – This ended up being a lot more idealistic than I was expecting, even if there was a bit of manufactured drama when Zel’s real identity is revealed. The chase is on to try to rescue her father and also help Rose not surrender to the Chinese—something Lee is happy to help with provided he can consolidate his power base. Also, turns out a few of the cast from Season One are not quite as killed off as they appeared. The whole season is set up like a heist film, and a heist is what you get in the end. If there’s a problem, it’s that it all goes far TOO smoothly—you get the sense that even more was cut from the visual novel to squeeze this one. On to season three, which is in 1949. – Sean Gaffney













Makoto Kowata is a novice witch who, in the tradition of witches, has left home at the age of fifteen to become independent. Her parents are concerned about her safety, though, so she’s staying with relatives in Aomori, located in the Tohoko region where it’s easier to perform magic thanks to abundant wilderness and natural resources. Accompanying her is her familiar, a black cat named Chito who is indisputably my favorite character.














Fifteen-year-old Tsukushi Tsukamoto doesn’t have any friends. He’s always rushed home after school to be there for his disabled mother, who is raising him on her own after his father passed away. After an eccentric fellow named Jin Kazama saves Tsukushi from bullies, Tsukushi is more than willing to grant Kazama the favor of playing a game of futsal with him. In fact, he runs six miles through the rain in order to fulfill his promise, and though he’s spectacularly awful at the game, he’s also a gutsy idiot and something about his enthusiasm rubs off on his teammates.
Little by little, Tsukushi manages to not completely suck, albeit only for brief moments at a time. Because of his ability to rekindle the joy of soccer in others, he is surprisingly chosen for the Interhigh team. Though he makes an error that costs them a penalty kick, he also makes a valiant save that rallies everyone’s spirits. I’m a sucker for those moments when the underdog first hears the crowd cheering for them so, predictably, this moment made me verklempt.









Mikuri Moriyama is a 25-year-old licensed clinical psychologist who hasn’t been able to find a job after grad school. She’s been living with her parents and working for a temp agency, and when she’s laid off her father arranges for her to assume housekeeping duties for a guy he used to work with. Hiramasa Tsuzaki is 36 and single. He seems humorless and particular at first, but Mikuri finds that working for a hard-to-please guy makes it easier to know when she’s been successful. She performs her duties well, even managing to nurse Tsuzaki through an illness in such a business-like way that it’s not awkward for him. Things go well for a few months, then Mikuri’s father prepares to retire and move to the countryside. Rather than lose their mutually beneficial arrangement, Mikuri and Tsuzaki decide that she’ll move in with him and, for the sake of propriety, become his common-law wife. They proceed to perpetuate the ruse that they’re actually a real couple.
As Tsuzaki’s coworkers learn that he’s gotten married, his social calendar suddenly fills up in a way it never did before, while Mikuri notices that her aunt Yuri, with whom she’s very close, has been hesitant to invite her out as much as she used to before Mikuri got married. Spending time with Numata and Kazami is enjoyable for the couple, but it’s also risky, because nosy Numata snoops and learns there’s only a twin bed in the bedroom, and by volume two, Kazami is convinced that they’re faking it. Kazami is perhaps as equally developed as Tsuzaki himself, as we hear a great deal about his reservations about marriage, which all leads up to the big cliffhanger ending of volume two (which I shan’t spoil). Tsuzaki, meanwhile, is attempting in vain to keep from developing feelings for Mikuri. She persists in being business-like, and he 100% believes there’s no chance she’d ever reciprocate, so he often looks emotionless in front of her, only revealing his feelings when he’s alone. I love that neither one of them is spazzy; they’re in a somewhat trope-y arrangement, but they’re handling it like adults.


