SEAN: June is bustin’ out all over! And while we don’t have that Rogers and Hammerstein manga just yet, we certainly have plenty of titles coming out next week.
ASH: (I would totally read that manga, btw.)
MJ: (Same.)
SEAN: J-Novel Club has the 4th volume of My Big Sister Lives in a Fantasy World, which promises to be more Haruhi-ish than ever before.
Kodansha digital has more Del Rey rescue volumes, as we get Nodame Cantabile 21 and Princess Resurrection 15.
They also have the 2nd digital volume of Drowning Love.
MICHELLE: Yay for Nodame and Drowning Love.
SEAN: I admit that I have for the most part dropped Fairy Tail. I am a shipper, though, and I do love me some Galevy. I will be picking up Fairy Tail: Rhodonite, then, a spinoff focused on Gajeel.
Noragami has a new volume, with Vol. 18! Man, remember when these were monthly?
ASH: I do! It’s great to catch up so quickly, but it does make the waits between volumes feel especially long.
SEAN: And there is a 6th Sweetness and Lightning.
MICHELLE: I could use a dose of wholesome food manga.
ASH: I’m really loving this series.
SEAN: On the Seven Seas front, we have the 2nd volume of Captive Hearts of Oz, which I found interesting enough to continue, and Alice in the Country of fans should love it.
ASH: The first volume intrigued me as well. It had it’s rough spots, but overall I was entertained.
SEAN: They’re also releasing a print version of the first Grimgar of Fantasy and Ash light novel, which J-Novel Club released back in December.
The big release next week is My Lesbian Experience with Loneliness, which everyone needs to pick up immediately. I reviewed it here.
MICHELLE: Hm, sounds interesting!
ASH: One of my most anticipated releases of the year! I’m glad to finally get a chance to read it.
MJ: This was somehow not on my radar at all, so thanks for fixing that!
SEAN: And there is a 3rd Please Tell Me, Galko-chan!, which I find far more amusing and fun than I’d expected to.
ASH: Same.
SEAN: Vertical Comics has a 7th Volume of Devil’s Line.
And now it’s time for Viz. Assassination Classroom 16 promises a heaping help of backstory.
Black Clover 7 promises more of what it is that Black Clover does best: reminding you of other shonen titles.
Even after 7 volumes, Bloody Mary still has vampires.
The 5th Everyone’s Getting Married is also out. Can they keep things from getting too angsty?
And things continue to go from bad to worse for the students in the 18th volume of Food Wars!.
MICHELLE: Ordinarily, I look forward to Food Wars! passionately, but this current arc is rather distressing.
ASH: I actually need to catch up to the current arc; I’ve fallen behind!
SEAN: Haikyu!! 12 is probably happy it doesn’t have to worry about cooking and can just focus on volleyball.
MICHELLE: Huzzah!
ASH: Yay!
SEAN: And the second to last volume of Kamisama Kiss! I will miss it!
ANNA: I’ve been stockpiling volumes because I don’t want it to be over.
SEAN: Kuroko’s Basketball has a 6th 2-in-1 omnibus, and continues to star Kuroko, against all odds.
MICHELLE: Further huzzah!
SEAN: Viz’s big release is Manga in Theory and Practice. A few years ago Tokyopop released a volume by Hakusensha’s editors on how to do shoujo manga. This might be the shonen equivalent, but its creator is none other than Hirohiko Araki, the creator of JoJo’s Bizarre Adventure! I cannot wait to read this.
ANNA: That sounds like a hoot.
ASH: I’m really looking forward to reading this.
MJ: Oh, interesting. Count me in.
SEAN: One Piece 3-in-1 20 should not be read without tissues handy, as it has the death that no one was expecting.
Seraph of the End has reached a dozen volumes, meaning it can now be profitable in syndication.
And So Cute It Hurts!! has unlucky Volume 13.
Lastly, but not leastly (oh, the grammar pain), there is a 6th Yona of the Dawn. Why can’t this be monthly?
ANNA: YES, WHY?????
MICHELLE: Aside from Fruits Basket, has a shoujo series ever had a monthly print release?
ASH: It seems like there must have been, but none immediately come to mind.
SEAN: A highly interesting week. What are you getting?


















Fifteen-year-old Tsukushi Tsukamoto doesn’t have any friends. He’s always rushed home after school to be there for his disabled mother, who is raising him on her own after his father passed away. After an eccentric fellow named Jin Kazama saves Tsukushi from bullies, Tsukushi is more than willing to grant Kazama the favor of playing a game of futsal with him. In fact, he runs six miles through the rain in order to fulfill his promise, and though he’s spectacularly awful at the game, he’s also a gutsy idiot and something about his enthusiasm rubs off on his teammates.
Little by little, Tsukushi manages to not completely suck, albeit only for brief moments at a time. Because of his ability to rekindle the joy of soccer in others, he is surprisingly chosen for the Interhigh team. Though he makes an error that costs them a penalty kick, he also makes a valiant save that rallies everyone’s spirits. I’m a sucker for those moments when the underdog first hears the crowd cheering for them so, predictably, this moment made me verklempt.









Mikuri Moriyama is a 25-year-old licensed clinical psychologist who hasn’t been able to find a job after grad school. She’s been living with her parents and working for a temp agency, and when she’s laid off her father arranges for her to assume housekeeping duties for a guy he used to work with. Hiramasa Tsuzaki is 36 and single. He seems humorless and particular at first, but Mikuri finds that working for a hard-to-please guy makes it easier to know when she’s been successful. She performs her duties well, even managing to nurse Tsuzaki through an illness in such a business-like way that it’s not awkward for him. Things go well for a few months, then Mikuri’s father prepares to retire and move to the countryside. Rather than lose their mutually beneficial arrangement, Mikuri and Tsuzaki decide that she’ll move in with him and, for the sake of propriety, become his common-law wife. They proceed to perpetuate the ruse that they’re actually a real couple.
As Tsuzaki’s coworkers learn that he’s gotten married, his social calendar suddenly fills up in a way it never did before, while Mikuri notices that her aunt Yuri, with whom she’s very close, has been hesitant to invite her out as much as she used to before Mikuri got married. Spending time with Numata and Kazami is enjoyable for the couple, but it’s also risky, because nosy Numata snoops and learns there’s only a twin bed in the bedroom, and by volume two, Kazami is convinced that they’re faking it. Kazami is perhaps as equally developed as Tsuzaki himself, as we hear a great deal about his reservations about marriage, which all leads up to the big cliffhanger ending of volume two (which I shan’t spoil). Tsuzaki, meanwhile, is attempting in vain to keep from developing feelings for Mikuri. She persists in being business-like, and he 100% believes there’s no chance she’d ever reciprocate, so he often looks emotionless in front of her, only revealing his feelings when he’s alone. I love that neither one of them is spazzy; they’re in a somewhat trope-y arrangement, but they’re handling it like adults.



Even without knowing much about Dreamin’ Sun, I was sold by the fact that it’s an earlier series from Ichigo Takano, creator of orange, which I loved dearly. Dreamin’ Sun is more of a straightforward and comedic shoujo story in which characters do not contend with letters from their future selves or how to save a suicidal friend, but it still has a few poignant moments.
Yaichi is a single dad who works from home managing the rental property his parents left to him and his brother, Ryoji, after being killed in a car accident when the boys were teenagers. He considers his real job to be providing the best home he can to his daughter, Kana. On the day the story begins, Yaichi is expecting a guest—Mike Flanagan, the burly Canadian whom Ryoji married after leaving Japan ten years ago. Ryoji passed away the previous month and Mike has come to Japan to try to connect with Ryoji’s past and see for himself the many things he’d heard stories about from his husband.
It’s the story of Minare Koda, a waitress with a gift of fluency that catches the attention of a local radio producer, Mato. After secretly recording her drunken rant about her thieving ex and playing it over the air, he eventually takes the chance of giving her her own weekly show in a late-night time spot where she has the freedom to do some really kooky things. The first episode, for example, is a surreal audio drama about murdering said ex, Mitsuo. The next week, it’s time to bury the body on Mt. Fuji!
Yaichi is a single dad, earnestly raising his young daughter, Kana, whose life is upended by the arrival of Canadian visitor, Mike, husband to Yaichi’s estranged twin brother, Ryoji, who has just passed away. Yaichi greets Mike with awkwardness and not just a little homophobia, but is forced to invite him to stay after Kana, blissfully unaware of her father’s discomfort, insists that he must be welcomed into their home. Mike, stricken with grief, but anxious to connect with Ryoji’s family and childhood, gratefully accepts Yaichi’s grudging hospitality and settles into Ryoji’s old room.
Asahi is spending a pleasant afternoon with her parents and she’s just about to go in and have some cookies when the backyard pond reaches out and ensares her, transporting her to another world. There, she meets a friendly boy named Subaru who unfortunately has some very ruthless parents, who immediately decide to offer Asahi to the water dragon god to obtain prosperity.
In elementary school, Shoya Ishida often engaged in foolhardy stunts to stave off boredom. When hearing impaired transfer student Shoko Nishimiya joins his class and causes disruption within the class, she becomes Shoya’s target. Initially, the other kids laugh at Shoya’s antics but when he goes too far and destroys several hearing aids to the tune of $14,000, they swiftly condemn him. Now he’s the one who’s ostracized and this status continues into high school, long after Shoko transferred out again. Full of self-loathing, he’s preparing to commit suicide, but a chance reunion with Shoko inspires him to try to change.
Back and forth things go, with this group continuing to try to establish themselves as friends without seeming to genuinely like each other much. Eventually, they decide to film a movie together. For one scene, they need to acquire permission to film at their old elementary school. Shoya is the unwilling emissary, and an encounter with his odious former teacher leaves him feeling so awful about himself that he ends up lashing out at all his friends, seemingly trying to drive them away as he feels he deserves. This has the unintended side effect of causing Shoko to feel like she’s the cause of his unhappiness, prompting a desperate act.
Less clear is what Oima was aiming for with their group of friends. Even though Naoka was far more outwardly nasty to Shoko, at least she was open about it and expressed a great deal of self-loathing because of her behavior. With the help of another friend, Miyoko, she is encouraged to have a bit more optimism, and will probably end up doing okay. Even though she could’ve been fleshed out further, I do like Naoka as a character. But man oh man, do I hate Miki. She makes everything about herself—at one point revising the bullying narrative so that she and Shoko were co-victims—and doesn’t seem to grow at all. Everything she does seems fake, because most of it is, and I was baffled when the boy she fancies declared her to be “kind” after some weepy episode. Miki should get hit by a bus.