SEAN: It’s a light week with no first volumes. A few books I’m looking forward to, but I’ll be Don Quixote again and give my pick to Hayate the Combat Butler. All my other lost causes have either ended or been dropped, but Hayate is still there, trickling out.
KATE: Whoa… I reviewed the first volume of Hayate back in 2006, when I was writing for PopCultureShock. I remember enjoying it, reading a few more volumes, and then… well, I think I lost track of it. Sean’s comments, however, reminded me that VIZ has been good about continuing series that never quite found the audience they deserved. (See Kaze Hikaru.) So my vote goes to Hayate the Combat Butler as well.
MICHELLE: My pick this week goes to the final volume of Complex Age. It’s been riveting and it’s been truly upsetting, but my hope is that it’ll end on an empowering note, too. I’m looking forward to it!
ASH: I’ve never actually read any of Hayate the Combat Butler (although perhaps I should). However, I have read the first part of Complex Age and found it to be surprisingly relatable and personally meaningful. I’m a few volumes behind in reading the series, but I join Michelle in choosing the final installment as my pick this week. I’m very glad that Kodansha Comics brought the series to my attention.
ANNA: It is such a light week! Of the titles that are coming out, Complex Age is the series that I’m most likely to finish, although like Ash I need to catch up. That’s my pick as well.
MJ: I’m still in catch-up mode from the summer when I was directing an opera, and since there’s nothing on this week’s pack that really grabs me, I’m going to dig back into the stuff I missed and finally take a look at One Peace Books’ I Hear the Sunspot. It sounds like exactly my kind of BL (if it is, in fact, BL). So let the catching up begin!























It’s 2052 and Tokio Watarai, a dream pilot, is coming home to Japan for the first time in three years. Although his ex-wife and son are in Japan, he’s actually returning for a job involving a girl who’s been sleeping for seven years since being found with her parents’ hearts in her stomach. Her name is Aoba, and when Tokio enters her dream it’s all about an island called Barbara in which kids can fly and cannibalism factors in to funeral rites. Soon, he learns that his son, Kiriya, actually invented Barbara. So how is Aoba able to dream about it?
By the end of the first volume, so very many plot threads are in the air that I was not at all sure that Hagio-sensei would be able to make everything make sense in the end. To use just one example: If Barbara is just a dream—and, indeed, no such island actually exists—then how is it possible that the blood of its residents is used for anti-aging medicine? And yet we see evidence that such advances are already in the works. And because of all this plot stuff, there’s not a lot of time for building solid relationships. There is angst aplenty, especially courtesy of Kiriya, but the whole Marienbad/Tokio hookup, for example, is just extremely random. The strongest bond, though, is definitely the love Tokio feels for his son and his regret over having been a crappy father.
































