Ash Brown

Manga Giveaway: Miss Kobayashi’s Dragon Maid Giveaway

March 29, 2017 by Ash Brown

It’s the last Wednesday of March and you know what that means! It’s once again time for a giveaway at Experiments in Manga! This month you all have the opportunity to win the first volume in Coolkyousinnjya’s surprisingly sweet and charming manga series Miss Kobayashi’s Dragon Maid as published in English by Seven Seas. And as usual, the giveaway is open worldwide.

Ever since I was little, I’ve loved dragons. While I’m not quite as obsessed with them as I once was, I’ve never grown out of my affection for dragons. And so when there’s a manga series that features dragons in some way–like Miss Kobayashi’s Dragon Maid–I can’t help but give it a try. I’ll admit, despite my established interest in dragons, I was initially a little wary of Miss Kobayashi’s Dragon Maid and was surprised by how much I enjoyed the first volume. The series has a few missteps, but overall it’s great fun and has some fantastic characters. And with the anime adaptation that’s currently airing, even more people are now aware of the charms of Miss Kobayashi’s Dragon Maid. Hopefully as a result they’ll be encouraged to seek out the original, too!

So, you may be wondering, how can you a copy of the Miss Kobayashi’s Dragon Maid, Volume 1?

1) In the comments below, tell me a little about one of your favorite dragons from a manga. (If you don’t have a favorite or don’t know of any, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that! Participants in the giveaway have one week to submit comments and can earn up to two entries. If you have trouble with the comment form, or if preferred, entries can also be sent directly to phoenixterran(at)gmail(dot)com. I will then post those comments here in your name. The giveaway winner will be randomly selected and announced on April 5, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Miss Kobayashi’s Dragon Maid Giveaway Winner

Pick of the Week: Sweet Witches

March 27, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, Michelle Smith and MJ Leave a Comment

MICHELLE: No matter which way I go this week, my pick will be from Kodansha. Ultimately, while I really look forward to more Cells at Work! and House of the Sun, it’s Sweetness & Lightning that beckons most strongly.

SEAN: The most tempting thing for me this week is Flying Witch Vertical’s new series about a witch adjusting to life in a rural town. It’s been called a Japanese Sabrina the Teenage Witch.

KATE: I second Michelle’s recommendation for the fifth volume of Sweetness & Lightning. I just binged on the first four volumes this weekend, and was genuinely impressed by the storytelling: it’s sweet and funny and sometimes very sad, but I never felt manipulated into sniffling or laughing. I also agree with Michelle’s observation that Sweetness & Lightning is one of the few food manga that focuses on stuff that an ordinary reader could make — another plus!

ASH: I’ll definitely be reading the next volume of Sweetness & Lightning, but since this is the only time I’ll be able to pick the Otomo tribute artbook, that’s the release I’m going to go with this week. Based on a volume that was presented when Otomo won the Grand Prize at the Angoulême International Comics Festival in 2015, and presented in a full-color hardcover, I expect it to be great.

ANNA: I’m not seeing a ton that is inspiring me this week, although it sounds like I should give Sweetness & Lightning a try for sure. I’m going to join in with Sean in picking Flying Witch, because often one can’t go wrong with new Vertical releases.

MJ: Count me in with the Flying Witch crowd! A cat on the cover will get me every time.

My Week in Manga: March 20-March 26, 2017

March 27, 2017 by Ash Brown

My News and Reviews

I actually managed to post another review at Experiments in Manga last week! That makes two weeks in a row, which hasn’t happened in a very long time. My goal of writing one review every month still remains, but when a month with five Wednesdays (like March this year) comes along, I’m going to try to do a second in-depth review or feature. That way, every week will have at least two posts, the usual My Week in Manga along with another feature of some sort. Anyway, as for the review that was posted last week, I took a look at Akira Himekawa’s The Legend of Zelda: Twilight Princess, Volume 1 which I enjoyed a great deal. The manga stands well on its own so someone doesn’t have to be familiar with the original video game it’s based on to enjoy it. The manga series is also notably darker than Himekawa’s previous all-ages adaptations of The Legend of Zelda video games.

Elsewhere online, I came across a few interesting interviews to read. Over at Viz Media’s blog, speculative fiction author Taiyo Fujii talks a little about Orbital Cloud, his most recent novel to be translated into English. (I previously read and reviewed Gene Mapper, Fujii’s debut work of fiction which I rather enjoyed, so I’m looking forward to reading the award-winning Orbital Cloud.) Through the Painting is in the process of translating a 2013 Tokyo Manga Lab interview with Haruko Kumota, creator of the manga series Descending Stories: Showa Genroku Rakugo Shinju. (Kodansha Comics is releasing the series in English; it’s one of my most anticipated debuts of the year.) Finally, on the occasion of Yen Press’ recent release of Canno’s Kiss and White Lily for My Dearest Girl, Brigid Alverson interviewed Erica Friedman about yuri manga for Barnes & Noble. And speaking of Yen Press, the publisher announced a few manga licenses last week: Re:ZERO -Starting Life in Another World, Chapter 3: Truth of Zero by Tappei Nagatsuki, Shinichirou Otsuka, Daichi Matsuse; Is It Wrong to Try to Pick Up Girls in a Dungeon?: Sword Oratoria by Fujino Omori, Takashi Yagi; Hybrid x Heart by Masamune Kuji, Riku Ayakawa; and Gabriel Dropout by Ukami.

Quick Takes

The Ghost in the Shell, Volume 2: Man-Machine Interface by Masamune Shirow. It’s been well over a decade since I first read Masamune’s The Ghost in the Shell manga. While I had vague memories of the first volume, I remembered virtually nothing about the second. Kodansha Comics’ recent re-release of the series in a deluxe, hardcover edition provided an ideal opportunity for me to revisit the manga. (The deluxe edition presents the manga in right-to-left format with the original Japanese sound effects for the first time; it’s also supposed to have bonus content, but I’m not exactly sure what that additional material is supposed to be in second volume.) Upon rereading the second volume of The Ghost in the Shell, I think I know why I had trouble recalling anything about it–the manga seems to be more show than substance. At times I would find that I had stopped reading the seemingly nonsensical text entirely and was just turning pages and looking the artwork, much of which is in color. There is a story in there somewhere, as well as some interesting worldbuilding and philosophizing, but most of that seems to be happening in the copious footnotes rather than in the manga proper.

A Land Called Tarot by Gael Bertrand. Originally serialized in the Island comics anthology, A Land Called Tarot was recently released in a standalone hardcover collection with additional content. Except for a few sound effects, A Land Called Tarot is actually a wordless comic. There is no dialogue or narration, so readers must rely entirely on Bertrand’s artwork to interpret the characters, story, and setting. Fortunately, Bertrand is more than up to the task. The artwork in A Land Called Tarot is absolutely gorgeous. The cover design is actually somewhat misleading–the interior illustrations are marvelously detailed and beautifully colorful. The lack of words in the comic invites readers to pay even more attention to the artwork and to explore the nuances of the fantastic world that Bertrand has created. The comic follows an adventurous hero, the Knight of Swords, as he travels across the land and meeting its people, his journey taking him through both time and space. There are moments of action and battle, but there are also moments that are peaceful and serene and sometimes even little lonely. A Land Called Tarot is a wondrous delight. I unequivocally loved the comic hope to see more work by Bertrand in the future.

My Neighbor Seki, Volumes 5-7 by Takuma Morishige. I’m not really sure why I’ve fallen behind reading of My Neighbor Seki because I enjoy the series a great deal. The manga remains consistently delightful and is wonderfully charming. My introduction to the series was through its anime adaptation; the chapters in these three volumes happen to be released or serialized around the same time that the anime was being produced. The author’s notes seem to imply that the manga wasn’t initially anticipated to become as long as it now has (the series is actually still ongoing, as far as I can tell) but the anime understandably revitalized interest in My Neighbor Seki. I like both versions of My Neighbor Seki, but there’s more in the manga that was never adapted. I continue to be impressed by Morishige’s inventiveness and imagination in creating new and clever scenarios for the series’ characters. Not much has changed from the beginning of My Neighbor Seki, although occasionally Seki isn’t the only one actively participating in the games he plays instead of paying attention in class. His mother has been introduced, too. I hope to see her again as one of the recurring characters.

Of the Red, the Light, and the Ayakashi, Volumes 2-3 by Nanao. While I enjoyed the first volume of Of the Red, the Light, and the Ayakashi, especially its ominous atmosphere and the sense of foreboding it inspired, it’s taken me quite a while to finally get around to reading more of the series. Now I’m regretting my delay, because the next two volumes are just as enticing as the first, if not more so, and if anything the series is getting stronger as a whole. Granted, there’s still some annoying awkwardness surrounding some of the characters’ conversations in which they seem to talk around important topics and information simply because the reader isn’t supposed to know the details about them yet. But even with this fault, Of the Red, the Light, and the Ayakashi manages to remain engaging. Part of this is due to the series’ air of mystery and the way in which Nanao is able to stretch out the story without being manipulative. For example, an important reveal in the second volume which in many other stories would have been the major plot twist is simply one in a longer string of steady developments. Several more questions are raised for every one that is answered in the series; I am incredibly curious to learn more.

Manga the Week of 3/29/17

March 23, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: The 5th week of the month used to be a very quiet week, but this is manga boom time, so don’t expect quietness.

Dark Horse has the 2nd RG Veda omnibus, filled with early CLAMP pretty boys.

MJ: This never gets old for me.

Kodansha has a number of new titles. Cells at Work! has a 3rd volume.

ASH: The first volumes were a lot of fun, and surprisingly informative, too!

MICHELLE: Indeed!

ANNA: We got the first couple volumes in my library, but I have not yet read them due to them being perpetually checked out.

SEAN: And House of the Sun continues to be a very fast digital release with Vol. 3.

MICHELLE: Huzzah! Not that I have read the first two volumes or anything.

ANNA: Should I be happy about this? I haven’t read it either but I feel I should be excited if Michelle likes it!

MICHELLE: It’s shoujo from Dessert magazine, which also brought us Say I Love You. and My Little Monster. So, I’m basically just assuming it will be good because of that connection.

SEAN: There’s also a 9th volume of L♥DK, in case you’re reading the new digital Gakuen Prince volumes and want even more like that.

Otomo: A Global Tribute to the Mind Behind Akira is a new artbook from Kodansha dedicated to said mind, with lots of famous artists coming together to pay tribute.

ASH: I haven’t read much of Otomo’s work beyond Akira, but I’m really looking forward to this volume.

SEAN: Real Account gives us a 6th volume.

And there’s a 5th Sweetness and Lightning. Sorry for the lack of witty comments, I just don’t have much to say about these.

ASH: Awww, but Sweetness and Lightning is delightful!

MICHELLE: It is! As much as I love food manga, only Sweetness & Lightning regularly features things that I feel like I could conceivably make myself.

SEAN: Seven Seas also has a pile of titles, starting with the 4th volume of Monster Musume spinoff I Heart Monster Girls.

And the 4th and final volume of The Other Side of Secret, which is so very, very Comic Alive.

Servamp has a 9th volume, and rumor has it vampires still figure in it.

I know very little about the new debut, Species Domain, except that it runs in Bessatsu Shonen Champion and is another “Monster Girls” type series.

ASH: Personally, I’ve lost most of my interest in the various monster girl manga, but I know it’s a popular niche and so am glad for those who enjoy it.

SEAN: And the 5th Testament of Sister New Devil shows that Shonen Ace can be even worse than Comic Alive if it really wants to be.

MJ: Wow.

SEAN: Vertical debuts Flying Witch, which runs in Bessatsu Shonen Magazine and has both an anime and good word of mouth.

MJ: i’m probably interested in this.

ANNA: I’m maybe interested in this.

And there’s the now standard “Yen delayed these till one week later” releases. A 9th volume of Sekirei is out digitally.

And out in print, we have a 5th How to Raise a Boring Girlfriend. (Spoiler: girlfriend still boring.)

Lastly, there’s a 6th Prison School omnibus.

ASH: Assuming someone isn’t simply outright offended by Prison School (which would certainly be more than understandable), the series can actually be legitimately funny.

SEAN: Something for everyone next week. What are you getting?

The Legend of Zelda: Twilight Princess, Vol. 1

March 23, 2017 by Ash Brown

Creator: Akira Himekawa
Translator: John Werry
U.S. publisher: Viz Media
ISBN: 9781421593470
Released: March 2017
Original run: 2016

Akira Himekawa is the joint pen name of A. Honda and S. Nagano, two women who have been collaborators for over thirty years. The two-person creative team is probably best known for their work on the manga adaptations of The Legend of Zelda series of video games, although some North American readers may associate Himekawa with the Avatar: The Last Airbender comics as well. Despite being a fan of both franchises, I actually hadn’t made a point to read any of Himekawa’s work until after meeting the two women briefly at the Toronto Comic Arts Festival in 2014. Twilight Princess is the most recent entry in Himekawa’s series of The Legend of Zelda adaptations. Initially Twilight Princess was intended to be a children’s series, but when the original 2006 video game it was to be based on became the first in the franchise to be rated for teens, plans for that manga were cancelled. It wasn’t until 2016 that Himekawa would begin serializing Twilight Princess digitally, the first volume subsequently being released in Japan in print later that year. Viz Media’s English-language edition of Twilight Princess debuted in print in 2017.

Link is a young man trying to outrun his past. A year and a half ago he wandered into the border village of Ordon, hiding his personal history in hopes of establishing a new life for himself. Ordon is idyllic, seemingly a perfect place for Link to retreat. The land is said to have been blessed by the spirits and the village is well-known for its bountiful harvests. Although Link arrived as a stranger, he was warmly welcomed by the villagers and has since become an integral part of the community. Link loves Ordon and its people, but there’s always a small part of him that feels like he doesn’t quite belong. He is still plagued by guilt over the tragedies of his past, dealing with a weighty feeling of responsibility which is impossible to ignore. Having experienced disaster before, Link may be one of the few who can prevent it from happening again. Most of the other people in the sacred kingdom of Hyrule are unaware of the looming threat that the long-forgotten Twilight Realm poses. It’s a danger that grows even greater when the ambitions of one man to rule both the light and the dark begin to come to fruition. As the shadows of darkness gather around Ordon, Link will have to face his past and his fears, confronting the possibility that he will once again lose everything that he holds most dear.

Although I’ve played some of the original Twilight Princess, familiarity with the video game is not at all necessary to enjoy Himekawa’s adaptation. At least so far, the series can stand on its own as a work–the manga largely comes across as a freely-developed fantasy rather than a strict reimagining of a video game. Himekawa’s narrative in Twilight Princess is streamlined and quickly paced, incorporating elements of the original game in clever ways. Some of the wonder of having a world to leisurely explore and discover is lost as Twilight Princess is adapted into a different medium, but in exchange the manga emphasizes depth of characterization. As the protagonist, Link is generally the most fully-realized character. I really like Himkeawa’s multi-faceted interpretation of Link in Twilight Princess. While at heart Link is a troubled and brooding hero, he also exhibits happiness and joy and there are moments in the manga when his good-natured goofiness shines through. The Twilight Princess manga, much like the video game itself, is intended for a more mature audience than many of the previous incarnations of The Legend of Zelda. The story tends to be fairly dark and can be strikingly violent at times.

One of the things that I appreciate the most about Himekawa’s work on The Legend of Zelda manga is the creators’ ability to adjust their tone and style to fit the requirements of a given series. Himekawa’s skill and flexibility as artists can be seen as they move from one adaptation to the next, but can also be exhibited within a single manga. In Twilight Princess specifically there is a wonderful contrast between the serene, pastoral setting of Ordon and the ominous darkness and shadowy creatures encroaching upon it. The artwork in Twilight Princess is beautifully executed, ranging from the gorgeous to the grotesque as demanded by the story. In comparison, the storytelling itself isn’t nearly as strong. The first chapter of Twilight Princess in particular suffers from some awkward exposition and Link has a tendency to ask questions that he should already know the answers to having lived in Ordon for so long. Still, I do like the story, characters, and settings of Twilight Princess. In the past, Himekawa’s The Legend of Zelda manga have only been one or two volumes long. I would be surprised if Twilight Princess could end satisfactorily in such a short span, so I hope that the series will be longer to allow the story to unfold more naturally; I enjoyed the first volume of Twilight Princess a great deal and look forward to reading more.

Thank you to Viz Media for providing a copy of The Legend of Zelda: Twilight Princess, Volume 1 for review.

Pick of the Week: Delectable Digital

March 20, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, Michelle Smith and MJ Leave a Comment

SEAN: As I noted i n Manga the Week of, I think this week breaks the record for most volumes in one week, helped along by Kodansha’s burgeoning digital lineup, which I’m sure the rest of the team will be talking about below. My pick of this week is Barakamon, though, which is seemingly a slow-moving, relaxed series but in reality has moved from strength to strength, and the development of its characters in this volume in particular is amazing. It’s become one of my favorite manga series.

MICHELLE: There are several debuts this week that I’m really looking forward to, but the single volume I most want to read is the fourth and final That Wolf-boy Is Mine! The series surprised me with how good it was, and I wouldn’t miss the conclusion for anything.

KATE: I’m most excited about Kodansha’s latest digital offerings. The swoon-worthy covers for Altair: A Record of Battle and Hozuki’s Coolheadness are calling out to me.

ASH: Agh! I’m so conflicted! Once again, I’m probably most interested in Kodansha’s digital releases this week, but I don’t generally read manga digitally. I really hope to see some of these like Altair: A Record of Battle and Hozuki’s Coolheadness eventually make their way into print. In the meantime, my official pick for this week goes to Goodnight Punpun which continues to be an incredibly surreal and uncomfortable but powerful and resonate work.

ANNA: I have to say, I’m finding Kodansha’s digital releases very compelling, although so much is coming out, I can see myself losing track of titles I want to read fairly easily. That being said, Altair: A Record of Battle is what looks most interesting to me, so that’s my pick.

MJ: Like Kate and Ash, I’m pretty interested in Altair: A Record of Battle, but I think I’ll put my vote in for Hozuki’s Coolheadness, which seems likely to ping a lot of my personal preferences all at once. And if I only wish these were being made available in print, I guess we take what we can get.

My Week in Manga: March 13-March 19, 2017

March 20, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted an in-depth review of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta. It’s an important and fascinating manga which reveals the day-to-day lives and work of the people who are directly involved with the ongoing cleanup following the 2011 earthquake, tsunami, and nuclear disasters in Japan. On a related note, a while back I also reviewed Lucy Birmingham and David McNeill’s Strong in the Rain: Surviving Japan’s Earthquake, Tsunami, and Fukushima Nuclear Disaster which provides a fairly comprehensive and approachable overview of the disasters themselves as well as some of the initial recovery efforts. As for future in-depth reviews, I’m currently working on one for Akira Himekawa’s The Legend of Zelda: Twilight Princess, Volume 1 which I hope to post sometime later this week. (That would mean two reviews from me this month!) Initially I was planning to write a quick take on Nagabe’s The Girl from the Other Side, Volume 1 for today’s post, but I loved it so much that I want to delve into it more deeply, so expect to see a more comprehensive review for that manga in the relatively near future as well.

Quick Takes

Erased, Omnibus 1 (equivalent to Volumes 1-2) by Kei Sanbe. Although I haven’t actually watched it yet, Sanbe’s Erased manga was first brought to my attention due to its recent anime adaptation. I’ve heard very good things about it and so when Yen Press started releasing the original manga in a hardcover, omnibus edition it immediately caught my attention. Satoru Fujinuma has a peculiar ability which causes him to spontaneously travel back in time. Usually it happens just before some tragedy is about to occur, allowing him to try to prevent it, although doing so can sometimes cause problems for him personally. When a particularly traumatic event occurs, Satoru unexpectedly finds himself nearly two decades in his past, giving him the opportunity to try to stop a series of kidnappings and murders that haunted his childhood. While I found the story’s premise intriguing from the very start, it actually took me a little while to get into Erased. But by the end of the first volume I was hooked and by the end of the first omnibus I couldn’t wait to read more. (Also, fun fact!: Sanbe was one of Hirohiko Araki’s assistants and worked on JoJo’s Bizarre Adventure.)

The Legend of Zelda: Oracle of Seasons/Oracle of Ages by Akira Himekawa. Despite being a fan of The Legend of Zelda, I haven’t actually read very many of the video games’ manga adaptations. However, the Legendary Edition of Himekawa’s The Legend of Zelda manga that Viz Media has recently begun releasing may very well change that. With the handsome book designs, larger trim, color pages, and previously unreleased material, the new edition of the series is tremendously appealing. Oracle of Seasons/Oracle of Ages is the second volume in the Legendary Edition to be released, adapting the two linked video games of the same name. I haven’t actually played the Oracle games so I can’t comment on the adaptation itself, but the manga is fun and energetic. The series is aimed at younger readers which isn’t inherently a bad thing, but the story and characters can occasionally come across as somewhat simplistic as a result. The antagonists in particular seem to lack nuance and tend to be evil for evil’s sake. But as a whole the Oracle manga are enjoyable adventures, following a young Link, a warrior of destiny but still a knight-in-training, as he tries to figure out what he wants to do with his life even while he’s saving the kingdom.

Samejima-kun and Sasahara-kun by Koshino. Currently, Samejima-kun and Sasahara-kun is the only boys’ love manga by Koshino to have been released in English in print, but I enjoyed it so much that I hope there will one day be more translated. For a while there Samejima-kun and Sasahara-kun had gone out-of-print, but it’s more-or-less available again. (Digital Manga seems to be using some sort of print-on-demand service to restock titles lately; sadly, though adequate, the production quality isn’t quite as good.) Samejima and Sasahara are both college classmates and coworkers at a convenience store. Everything seemed to be going along fine between them until Samejima confesses that he has fallen in love with Sasahara, thereby putting their friendship in danger. At first Sasahara tries to ignore the development, wanting to just remain friends, but he comes to realize he enjoys the attention, if only he could get Samejima to believe him. Their relationship (as well as the eventual sex they have together) is endearingly awkward–Samejima obviously cares about Sasahara and vice versa, but they also annoy the hell out of each other in a way that only the closest friends can do. They’re an argumentative couple, but the manga’s humor makes it work.

Now with Kung Fu Grip!: How Bodybuilders, Soldiers and a Hairdresser Reinvented Martial Arts for America by Jared Miracle. It would be understandable, if inaccurate, to assume from its title and description that Miracle’s Now with Kung Fu Grip! is a work of popular history. I personally found the subject matter to be interesting and learned quite a bit, however the book is difficult to recommend to a casual reader. While Miracle’s style of writing isn’t overly academic, it is incredibly dense and as a whole the volume seems unfocused. Most people will do well to simply read the book’s conclusion which provides an adequate summary, foregoing the rest of the content unless more explicit detail is desired. The cover image, taken from the Chinese martial arts film Fearless, is somewhat misleading as well as the book is almost exclusively devoted to Japanese martial arts and the ways in which they’ve been incorporated into American culture. Now with Kung Fu Grip! is less about martial arts themselves and more about their social and historical contexts and the mythologies and stories that practitioners construct around them. In particular, Miracle ties the evolution of Japanese martial arts traditions in America to their commercialization and to the changing interpretations and expectations of idealized American masculinity over time.

Manga the Week of 3/22/17

March 16, 2017 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: …eurgh.

Dark Horse has the 4th and final volume of Dangan Ronpa. Will anyone survive? And will any more manga spinoffs be licensed?

J-Novel Club debuts another series with a ludicrous-seeming premise, In Another World With My Smartphone. Still, they’ve won me over with ridiculous books before…

ASH: Though I’ve fallen way behind in my light novel reading, I do continue to be amused by the absurdity of some of these titles.

ANNA: That is sort of hilarious, but I’m just not a light novel reader. If only someone would bring back the 12 Kingdoms books…..

ASH: YES! I would love that so much.

MICHELLE: I was thinking about those books just the other day! I also would read the Saiunkoku light novels.

SEAN: Kodansha has a pile of stuff, including three more digital debuts. Altair: A Record of Battles is a long-running manga from Shonen Sirius, and it’s supposed to look fantastic. Also, more historical manga, yay! Basically, this is the sort of title the Off the Shelf column was made for.

ASH: I was not aware of this series at all! Definitely sounds like something that I’d be interested in reading.

MICHELLE: I don’t know much about it, but many of the covers are gorgeous, so that’s encouraging.

ANNA: Huh, this does sound intriguing.

MJ: Well, huh. I think you’re right!

SEAN: BLAME! Academy And So On is a spinoff of the main BLAME! manga that I think is similar to Spoof on Titan. It’s also digital only.

MICHELLE: I don’t know… I really loved BLAME!, perhaps to the point where I wouldn’t find a spoof amusing.

ANNA: I still need to read BLAME!.

SEAN: It’s not all digital. Clockwork Planet makes its print debut. It’s also Shonen Sirius, but seems to be more SF steampunk and fanservice.

And some series are ending, as we get the 7th and final volume of Forget Me Not.

The next digital debut next week is also a “Hey, Michelle and MJ!” sort of series. Hozuki’s Coolheadedness is a long-running series from Weekly Morning, about a deputy of the King of Hell and his daily life. It’s won awards.

ASH: I’ve seen a little bit of the anime adaptation and it was great fun. I suspect the manga is as well!

MICHELLE: Totally on my list!

MJ: Oh yeah, this, so much this.

SEAN: Kodansha has a 3rd volume of In/Spectre and its wonderfully annoying female lead, who I love.

Lastly (at least digitally) is Museum, which runs in Young Magazine and looks dark and depressing as hell.

MICHELLE: I don’t typically go for dark and depressing, but this one seems to be a mystery complete in three volumes, and that does have some appeal.

SEAN: And a 4th volume of That Wolf-Boy Is Mine.

MICHELLE: I’m looking forward to this, which I believe is also the final volume.

SEAN: UQ Holder has transitioned from weekly to monthly in Japan, and that seems to mean volumes are coming out slower here as well. Here’s the 10th volume.

Seven Seas has some stuff as well. A Centaur’s Life never fails to puzzle and confuse me with what demographic it’s actually aiming for, even at its 11th volume.

Lord Marksman and Vanadis has a 3rd volume of fantasy action.

And there’s a 6th Merman in My Tub, which I think may have caught up with Japan.

More BLAME!, as Vertical is releasing the 3rd of its giant omnibus editions.

MJ: These really look so nice.

SEAN: Viz has a 5th volume of peppy slice-of-life comedy Goodnight Punpun.

ASH: Goodnight Punpun continues to devastate me, but I still find it compelling.

ANNA: I don’t think I have the emotional fortitude to read it yet.

ASH: It does take a fair amount; I have to time my reading carefully.

MICHELLE: I feel much the same, Anna.

SEAN: As well as another volume of Master Keaton, now in double digits.

ANNA: I love this series.

SEAN: And there always seems to be more Terra Formars, with its 17th volume.

Hooray! That’s it… oh wait, Yen. In fact, we’re not even halfway there. (sobs)

Yen On has 4 books this month, i.e. it’s a very light month for them. First off, Accel World 9 finally finishes off its huge 4-book arc.

Durarara!! also wraps up another arc with its 6th volume. All I can say is: pen. DRRR fans will know what I mean.

Log Horizon’s 7th volume shows us what Shiroe and his group were doing while the events of Book 6 happened.

And Re: Zero shows us Subaru trying desperately not to get killed by his maids.

Oh yes, and for digital lovers, volumes 7-10 of Spice & Wolf’s novels are also out next week.

Now for all the manga they’re releasing. Accel World also has a manga release with its 7th volume.

There’s a 5th volume of the Akame Ga KILL! ZERO spinoff.

The Asterisk War gets a 3rd manga volume.

Always enjoyable Barakamon has lucky Vol. 13, and I find I no longer keep comparing it to Yotsuba&!.

MICHELLE: I still plan to get caught up on Barakamon soon. I have a huge pile.

SEAN: Blood Lad has an 8th omnibus, and is nearing the finale but is not quite there yet.

MICHELLE: Yay! I haven’t read this series in ages.

SEAN: There’s a 3rd volume of the Boy and the Beast manga adaptation.

As well as a 2nd Bungo Stray Dogs.

ASH: As someone who is somewhat well-versed in Japanese literature, I got a huge kick out of the first volume and plan on reading more. I’m not sure the series works as well for people who don’t catch most of the references, though.

MJ: I plan on checking this out.

SEAN: More manga adaptations of light novels! Here’s the second Death March to the Parallel World Rhapsody.

MORE manga adaptations of light novels! An 8th Devil Is a Part-Timer!.

Dragons Rioting has a 6th volume of what still appears to me to be mostly breasts.

Fruits Basket’s Collectors Edition has reached its penultimate volume, and features more angst than you can shake a stick at.

MICHELLE: Heh.

MJ: YES.

SEAN: There’s a 5th print volume of Handa-kun as well.

We have reached the last volume of He’s My Only Vampire, and while I enjoyed it, I am also very happy to see it’s ending.

MICHELLE: Same!

ANNA: One of the few vampire titles I haven’t read!!!

SEAN: The Honor Student at Magic High School continues to be irritatingly ahead of the light novel release with Vol. 6.

Kiniro Mosaic has a 2nd volume of cute girls being cute and maybe sort of yuri.

Then more yuri with the debut of Kiss and White Lily for My Dearest Girl, which may be from Comic Alive but is apparently on the ‘sweet and cute’ end of the yuri spectrum.

ASH: I plan on giving this one a look! The cover is adorable if nothing else.

MICHELLE: I’m looking forward to this one, too! My friend said, “It’s S. A with lesbians!”

MJ: Absolutely on my list!

SEAN: Love at Fourteen finally returns with a 6th volume, and let’s face it, these kids are fifteen now.

MICHELLE: Heh. Another series on the read-me-soon pile.

SEAN: EVEN MORE manga adaptations of light novels, with the 4th OreGairu manga, which it too long to type out.

Speaking of long titles, a 6th Of the Red, the Light and the Ayakashi.

ASH: I really need to catch up with this series! I enjoyed the early volumes, but have fallen behind.

SEAN: Return of the Son of manga adaptations of light novels, with the 6th Strike the Blood manga.

Manga Adaptations of Light Novels Must Be Destroyed with the 5th Sword Art Online: Progressive manga, which as always needs MORE ARGO.

A third print volume of Today’s Cerberus.

Twinkle Stars has a 2nd omnibus, and I suspect will continue to deal with not being Fruits Basket.

MICHELLE: But it’s so good!

MJ: I am behind on this, and can’t even quite believe I let that happen!

SEAN: And there’s an 8th (really 9th) Ubel Blatt omnibus.

So that’s 48 titles, and that’s not even counting the 2 that Yen delayed to the week after next just because. I think this is a new record. What say you?

Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant

March 16, 2017 by Ash Brown

Creator: Kazuto Tatsuta
Translator: Stephen Paul
U.S. Publisher: Kodansha
ISBN: 9781632363558
Released: March 2017
Original release: 2014-2015
Awards: Manga Open

Although Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant isn’t Kazuto Tatsuta’s first manga, it is very likely the one for which he will be best known. Based on his experiences as a worker at the Fukushima Daiichi Nuclear Plant, the memoir provides an important and highly personal perspective on the ongoing recovery efforts following Japan’s combined earthquake, tsunami, and nuclear disasters of March 2011. Initially submitted as an amateur work, Ichi-F won the Manga Open Grand Prize in 2013 which led to its continuation as a three-volume series published between 2014 and 2015. The English-language edition of Ichi-F was released by Kodansha Comics in March 2017. The entire series, including Tatsuta’s original one-shot, has been collected into a single, massive omnibus formatted to read left-to-right. Also included is an introduction by the journalist Karyn Nishimura-Poupée and an exclusive interview with the creator. A tremendous amount of work from the translator Stephen Paul and others at Kodansha has gone into Ichi-F in an effort to make the manga as accurate and as widely accessible as possible.

On March 11, 2011 a massive earthquake centered off of the northeast coast of Japan triggered a devastating tsunami which ultimately lead to multiple meltdowns at the Fukushima Daiichi Nuclear Power Plant. Many people in Fukushima were required to evacuate and have yet been able to return to their homes due to the radiation levels in the area. Cleanup and recovery work, including the decommissioning of the plant, continues to this day and will continue for quite some time. Most of the people directly involved in the work are from the Fukushima area but others like Tatsuta (a pen name taken from the region for purposes of anonymity) are outsiders drawn by the promise of high wages, personal curiosity, and altruism. Despite the need for workers, it took Tatsuta more than a year after the disaster to secure clearance for employment at Ichi-F, one of the local names for the Fukushima Daiichi plant. Initially he was assigned to a shelter where he helped to manage a rest area for the construction workers, but eventually he would become one of those construction workers himself, at one point even serving on a team working inside one of the plant’s reactor buildings.

Ichi-F is primarily about the day-to-day lives and work of those employed at the nuclear power plant but Tatsuta also addresses some of the related recovery efforts and the issues caused by them in the Fukushima region as well as the some of the complications surrounding the publication of his memoir. In part the manga was created in response to the misleading, sensationalistic, and often inaccurate way that Fukushima and the surrounding areas are portrayed in the media. This is not to say there haven’t been problems with the decommissioning and cleanup–even Tatsuta’s account reveals social conflicts and questionable employment practices, not to mention that exposure to high levels of radiation is inherently dangerous–but some of Fukushima’s poor representation is due to ignorance and fearmongering. In fact, excepting the radiation concerns, much of the work outlined in Ichi-F, while being incredibly important, is outright mundane. Tatsuta explains in detail the safety procedures and regulations intended to protect the workers at the plant, showing just how difficult, time-consuming, and challenging the cleanup efforts are. Careful vigilance, caution, and concerted effort are absolutely necessary, especially to counter desensitization to the dangers involved, and there is always room for improvement.

Tatsuta’s own personal experiences while working in Fukushima are what inform Ichi-F. As such, it cannot provide a comprehensive look at the disaster and recovery efforts as a whole, but it does offer an individual perspective critical to the larger context. Tatsuta is an insider telling a story that’s often left untold because it isn’t particularly dramatic or exciting–the manga is a thorough, informative account of the work being done to decommission the Fukushima Daiichi Nuclear Power Plant. The manga can be a bit text-heavy at times, and the way that it has been modified to read left-to-right occasionally interrupts the narrative’s visual flow, but the memoir is both fascinating and accessible. Ichi-F is also the story of the people involved in the cleanup and the close relationships that Tatsuta develops while in Fukushima. What in many ways started out as just a job ends with Tatsuta caring deeply about and for his colleagues at the plant, the locals and residents of Fukushima, and the area itself. While the lasting effects of the nuclear disaster in Fukushima are tragic and some areas remain incredibly hazardous, conditions are slowly improving and recovery and revitalization is happening partly thanks to the efforts of Tatsuta and the other workers shown in Ichi-F.

Pick of the Week: Picks, Picks, Picks

March 13, 2017 by Anna N, Ash Brown, Katherine Dacey, Michelle Smith and Sean Gaffney Leave a Comment

MICHELLE: I suppose Ace of the Diamond technically came out last week, but it didn’t feature in our week-of discussion ’til this week, so… I am totally picking the first volume. Shounen sports manga that’s already complete in Japan? Yes, please! (Also, because I am greedy, can we get Big Windup next?)

SEAN: “Complete” being an iffy term – remember Ace of the Diamond Act II is currently running in Japan. In any case, my pick of the week has to be the final omnibus re-release of Ranma 1/2. Re-reading the entire series has reminded me why I was so obsessed with it twenty years ago, as well as making me feel I had good reason to move on. I’ll still miss it. Also, Ryouga x Akari 5-evah.

MICHELLE: Oh, jeez. I was totally unaware.

KATE: I’ve been impressed with Kodansha’s digital manga initiative, so I’m planning to check out both volumes of House of the Sun this week. Like most of the MB gang, I’m also intrigued by Kodansha’s latest sports acquisitions, though a small and solipsistic part of me wishes these manga focused on the exciting worlds of (a) running (b) rowing or (c) golf. Now that would get me off the couch!

MICHELLE: I would definitely like to see those sports, too. And I hold out hope for Mitsuru Adachi’s Rough, too.

ASH: I’m not much of a digital reader, but I must admit Kodansha Comics’ recent offerings may very well end up changing that. I enjoyed the anime adaptation of Giant Killing immensely and I never expected All-Rounder Meguru licensed, so those two series have definitely caught my eye as picks (even if technically they were released last week). And since we’re talking about sports series we’d like to see, someone give me a competitive marching band manga!

ANNA: Complex Age 4 is the most interesting thing to me coming out this week, although I also happily celebrate greater sports manga availability.

My Week in Manga: March 6-March 12, 2017

March 13, 2017 by Ash Brown

My News and Reviews

Every month I post a Bookshelf Overload feature which takes a quick look at some of the manga and other media that make their way onto my shelves at home. And so last week I published February’s Bookshelf Overload. As I mentioned in that post, I’m currently working on an in-depth review of Kazuto Tatsuta’s Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant. I expect that it should be ready to post later this week (that’s my intention anyway), but I’m also incredibly busy right now getting ready to change jobs. Taiko performance season is also steadily ramping up, and the Lion Dance troupe is still getting regular performance requests, so I’ve had a bunch of extra rehearsals and less downtime in general, too. Still, the writing is slowly but surely happening!

Despite being so busy and not being online as much as usual, I did come across a few interesting reads last week. Jennifer Robertson (who I’ve actually briefly met before) recently wrote for Salon about Japan’s long history of blurred sexualities and gender-bending. Brian Hibbs takes his annual look at the BookScan numbers for comics and graphic novels for The Beat. The analysis includes a section specifically devoted to the manga being released in English. Finally, in what I think is terrific news, more of Yen Press’ digital-only titles will now be getting print editions, too! Look out later this year for Homura Kawamoto and Toru Naomura’s Kakegurui: Compulsive Gambler, Higasa Akai’s The Royal Tutor, and Sakurako Gokurakuin’s Sekirei. Finally, a Kickstarter campaign was launched to publish anime director Yasuhiro Irie’s manga Halloween Pajama in English.

Quick Takes

The Ghost in the Shell, Volume 1 by Masamune Shirow. It’s been a long time since I’ve read Shirow’s The Ghost in the Shell. The series was actually among one of the first manga that I encountered. My introduction to the franchise was through Mamorou Oshii’s animated film Ghost in the Shell which probably remains my favorite interpretation of the story and characters. I actually often find the manga to be very difficult to follow. Shirow has some great, thought-provoking and intriguing ideas, but the flow of the story can be extremely disjointed at times. A live-action American Ghost in the Shell film will soon be hitting theaters, so it makes sense that Kodansha Comics would take advantage of the opportunity to re-release the original The Ghost in the Shell manga in a beautifully-produced deluxe hardcover edition. This “definitive” version is being presented in right-to-left format with Japanese sound effects for the first time. I’m fairly certain there are more color pages included, too, but the volume does lack some of the additional textual content found in previous English editions. The controversial lesbian sex scene has also been excluded at the creator’s request which does cause some slight narrative confusion.

Monthly Girls’ Nozaki-kun, Volumes 5-6 by Izumi Tsubaki. I love Monthly Girls’ Nozaki-kun so incredibly much. This series, along with My Love Story!!, is something that I can always count on to make me happy. I find myself constantly smiling while reading Monthly Girls’ Nozaki-kun and on more than one occasion have even caught myself laughing out loud. At this point the manga series is far enough along that almost all of the content is new to me. (My introduction to Monthly Girls’ Nozaki-kun was through the anime adaptation which is likewise an absolutely wonderful series.) There are new scenarios and even new characters–Nozaki’s younger brother and his judo teammates have become more prominent as one example–but those that were previously established are never forgotten. The good-natured humor in Monthly Girls’ Nozaki-kun remains consistent throughout the manga. Most of the hilarity is the result of the fact that none of the characters quite manage to be on the same page as any of the others and the ridiculousness that ensues because of it. The quirky characters themselves are incredibly endearing, too, even if they’re not particularly nuanced.

Ten Count, Volume 2-3 by Rihito Takarai. Well now, that escalated quickly. From the very first volume Ten Count presented itself as a dark psychological drama, but if anything its intensity only increases as the series progresses. The relationship between Shirotani and Kurose is an incredibly unhealthy one which only becomes more troubling as sexual elements are introduced to it. Kurose, whether or not he realizes it or intends to be, is abusive, manipulative, and controlling. He pushes Shirotani, often without consent or consideration, to his limits and beyond. Shirotani does have some personal breakthroughs but heartbreaking glimpses into his past and into his current emotional and mental states reveal a man who is conflicted and struggling with his own self-worth. Frankly, I find Ten Count to be disturbing and unsettling, verging on psychological horror rather than romance. At this point I can’t really envision things turning out well. (Honestly, I’d probably feel disappointed or even somewhat betrayed if Takarai manages some sort of romanticized happy ending.) To me Ten Count is still immensely engrossing, but I certainly can’t blame anyone who would want to avoid the series.

Dragnet Girl by Yasujiro Ozu. I recently had the opportunity to see Ozu’s silent film Dragnet Girl in a theater narrated by a professional benshi and accompanied by music cued by a prominent local DJ. There was even a brief lecture beforehand which I wasn’t expecting but found interesting. I enjoyed the production as a whole immensely–it was one of those once-in-a-lifetime events–but I also specifically enjoyed the film itself. (I really ought to seek out more of Ozu’s work.) Dragnet Girl is a gangster film which largely follows Tokiko and her boyfriend Joji, a retired boxing champion and current small-time crime boss. Hiroshi, a promising young hoodlum, joins the boxing gym and their gang. His older sister Kazuko worries about him and so tries to convince Joji to make her brother leave. Some romantic entanglements and turmoil ensue, but eventually Tokiko and Joji decide to leave their life of crime together but only after they pull off one last heist for the sake of Kazuko. Dragnet Girl is available from Criterion, collected together with two more of Ozu’s silent crime films, Walk Cheerfully and That Night’s Wife. It won’t quite be the same as watching it “live,” but it’s wonderful that there’s a home release readily available at all.

Manga the Week of 3/15/17

March 9, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: A relatively light week next week, relatively being the operative term. But first, let’s double back and look at titles out THIS week that weren’t announced till the weekend.

Remember how we used to say you couldn’t sell sports manga over here? Or 40+-volume series? Clearly digital-only is a good way to test the waters on flouting that rule. Case in point: The debut of Ace of the Diamond, a baseball manga that ran in Shonen Magazine from 2016-2015, and then, like many baseball manga, started up again with Season 2. It will be interesting reading a non-Adachi baseball series.

MICHELLE: !!!!!!!!!!!!! Yay!

ANNA: Interesting. I don’t know if I’m up for 40+ volumes but I will check it out.

SEAN: All-Rounder Meguru is a mixed martial arts manga from the creator of Eden: It’s An Endless World, though hopefully a bit less bleak. It ran for 19 volumes in Evening magazine.

And Giant Killing is another 40+ volume manga, this time about soccer, that runs in Weekly Morning. Naturally, being long-running sports manga, the primary audience in the West for these titles will be female BL fans.

MICHELLE: !!!!!!!!!!!!! Yay! I might even try All-Rounder Meguru, while I’m at it.

ASH: Wow! Kodansha is really killing it (sorry, I couldn’t help myself) with the recent digital releases! I’m very excited to see Giant Killing and All-Rounder Meguru being added to the mix.

MJ: I doubt I have the patience for either of the epic sports manga on this list, but I like watching Michelle’s squee.

MICHELLE: I will likely always have an abundance of squee for sports manga.

SEAN: Also, Persona 3’s 3rd volume from Udon moved up a week without me noticing. Whoops.

ASH: Can’t really blame you for that; sometimes I wonder if Udon even knows when it will be releasing something…

SEAN: Now onto titles actually out next week. J-Novel Club has some more volume twos, as we get another I Saved Too Many Girls and Caused the Apocalypse, which presumably adds more girls.

We also get the 2nd Mixed Bathing in Another Dimension, which is probably the biggest surprise of all J-Novel’s titles for me as I really enjoyed it.

Kodansha has a 4th Complex Age, which mixes cosplay and drama quite well.

ASH: I’ve been fairly consistently surprised and impressed by Complex Age.

SEAN: They also have the 2nd digital volume of House of the Sun, which seems to be on a much faster publishing schedule than the other new digital volumes.

MICHELLE: Ooh! I’ll definitely be checking out these two.

SEAN: One Peace has a 9th volume of not-really-yuri series Maria Holic.

Seven Seas has the debut of Hana & Hina After School, which is really yuri. It’s by Milk Morinaga, probably the most prolific yuri manga artist in terms of North American licenses.

They also have a 2nd Seven Princes of the Thousand Year Labyrinth, which hopefully continues to be, as I called it, “the most Comic Zero-Sum series ever”.

ASH: That really does seem to be an apt description.

SEAN: SuBLime gives us a new side story for Don’t Be Cruel, subtitled Akira Takanashi’s Story, though it’s unclear who this volume will focus on. (How’s my deadpan?)

MICHELLE: Heh.

SEAN: And they have the 8th volume of the Finder Deluxe Edition.

ASH: While this is the eighth volume, it’s the first one to be released since SuBLime took over the series. (Previously, it was released by Digital Manga.) The actually first volume in this edition will be released later this year; it’s nice that SuBLime isn’t making readers wait for the most recent content.

SEAN: Vertical has a 5th volume of Mysterious Girlfriend X, which I think is approaching its climax.

Viz not only has the 3rd Legendary Edition of The Legend of Zelda, which has both Majora’s Mask and A Link to the Past, but also the first volume of the latest in the series, Twilight Princess.

ASH: Unlike some of the other games (I’m a bad Zelda fan), I’ve actually played Twilight Princess. I’m looking forward to its adaptation.

SEAN: At last, the final omnibus of Viz’s re-release of Ranma 1/2! It even ends with a wedding! Don’t let that fool you, though, this is still Takahashi at her most Takahashi. Still well worth reading.

ASH: I’m still very happy that Viz found a way to keep Ranma 1/2 in print.

SEAN: And there’s a 23rd volume of Rin-Ne, which apparently will have a surprise announcement in Japan soon. New anime season? Spinoff? They found Sakura’s repressed rage?

As I said, light week is relative. What’ll you be getting next week?

Bookshelf Overload: February 2017

March 9, 2017 by Ash Brown

So, things got a little out of hand in February, mostly due to the fact that I came across a fair number of out-of-print and somewhat hard-to-find manga that I wasn’t able to pass up. Other than that I largely behaved myself. Most of the non-manga comics that I picked up last month were Kickstarter-related which just means that my wallet cried months (and in one case years) ago rather than in February. As for manga, I finally got my hands on The Girl from the Other Side, Volume 1 by Nagabe. Technically published in January, it’s one of my most anticipated debuts for the year. My copy of Jennifer Doyle’s Knights-Errant, Volume 1 (the most recent paperback from Chromatic Press) arrived after a short delay, too. When it came to actual February debuts, I was particularly curious about Kei Sanbe’s first first Erased omnibus and was thrilled that Two Hoses, a short erotic gay manga by Jiraiya, was simultaneously released in Japanese and in English. My copy of the gorgeous box set of Chiho Saito’s Revolutionary Girl Utena manga was one of the few that escaped the recall–most people will have to wait until April for the corrected version to be released. I also received an early copy of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta which was released a few days ago; I’m currently working on an in-depth review which should hopefully be posted sometime next week. Ichi-F is an important work, so I’m very glad that it was translated.

Manga!
Anonymous Noise, Volume 1 by Ryoko Fukuyama
Bakune Young, Volumes 1-3 by Toyokazu Matsunaga
Cantarella, Volumes 1-10 by You Higuri
Captive Hearts of Oz, Volume 1 written by Ryo Maruya, illustrated by Mamenosuke Fujimaru
Dawn of the Arcana, Volumes 8, 10-11 by Rei Toma
Erased, Omnibus 1 by Kei Sanbe
FukuFuku: Kitten Tales, Volume 2 by Kanata Konami
The Ghost in the Shell, Volumes 1, 1.5, 2 by Masamune Shirow
The Girl from the Other Side, Volume 1 by Nagabe
Grey, Volumes 1-2 by Yoshihisa Tagami
Haikyu!!, Volume 9 by Haruichi Furudate
Happiness, Volume 3 by Shuzo Oshimi
Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta
JoJo’s Bizarre Adventure, Part 3: Stardust Crusaders, Volume 2 by Hirohiko Araki
The Legend of Zelda: Oracle of Seasons/Oracle of Ages by Akira Himekawa
The Legend of Zelda: Twilight Princess, Volume 1 by Akira Himekawa
Magia the Ninth, Volume 2 by Ichiya Sazanami
Maison Ikkoku, Volumes 1-15 by Rumiko Takahashi
Monthly Girls’ Nozaki-kun, Volume 6 by Izumi Tsubaki
Musashi #9, Volumes 1-9, 13-15 by Miyuki Takahashi
Persona 3, Volume 2 by Shuji Sogabe
Revolutionary Girl Utena by Chiho Saito
Ten Count, Volume 3 by Rihito Takarai
Two Hoses by Jiraiya

Comics!
Another Castle: Grimoire written by Andrew Wheeler, illustrated by Paulina Ganucheau
Big Kids by Michael DeForge
Chernozem by Aud Koch
Enough Space for Everyone Else edited by J. N. Monk and Lee Black
Knights-Errant, Volume 1 by Jennifer Doyle
A Land Called Tarot by Gael Bertrand
Mae, Volume 1 by Gene Ha
Magical Beatdown, Volumes 1-1.5 by Jenn Woodall
Mahou Shounen Fight!, Volume 1 by JD Saxon and Dusty K. Smith
My Monster Boyfriend edited by C. Spike Trotman
Namesake, Volume 2 by Isabelle Melançon and Megan Lavey-Heaton
Sorcery 101, Volumes 1-2 by Kel McDonald
Yes, Roya written by C. Spike Trotman, illustrated by Emilee Denich

Artbooks!
Sketches & Studies by Aud Koch
The Legend of Zelda: Art & Artifacts by Nintendo

Novels!
Decapitation: Kubikiri Cycle by Nisioisin
The Name of the Game Is a Kidnapping by Keigo Higashino
The Stones Cry Out by Hikaru Okuizumi

Anthologies!
The Accusation: Forbidden Stories from Inside North Korea by Bandi

Pick of the Week: Shoujo and Nuclear Power

March 6, 2017 by Sean Gaffney, MJ, Anna N, Ash Brown, Katherine Dacey and Michelle Smith Leave a Comment

SEAN: Lately it seems Pick of the Week is overflowing with choices, which is always a good thing. I’ll go with the debut of Anonymous Noise from Shojo Beat. For years I’ve been a fan of Hana to Yume series, and so I have high hopes for this new one. Plus that’s a fantastic cover.

MICHELLE: Oh, man. What a tough choice. I am looking forward to Anonymous Noise, and to another volume of Natsume’s Book of Friends, but I suspect that, when it makes its biannual appearances, it’ll be Skip Beat! that always ends up my official pick of the week.

KATE: I just ordered a copy of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant. If any medium seems well-suited to telling such a harrowing, personal story, it’s manga. I might need to read the first volume of Anonymous Noise as a chaser, though…

ASH: I’m definitely interested in Anonymous Noise, too, but I’m with Kate this week. Ichi-F is a fascinating, important, and personal work that gets my pick.

ANNA: I ordered Ichi F for my library, and I’m excited about Anonymous Noise as well. However, Skip Beat! is such a special series, I can’t imagine not picking it for Pick of the Week.

MJ: There are a number of potentially interesting titles on the list this week, but the one that sticks out for me most is definitely Anonymous Noise. I’ll admit I’m a sucker for music-themed manga, and this is no exception.

My Week in Manga: February 27-March 5, 2017

March 6, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Tokyo ESP manga giveaway was announced. The post also includes a list of some of the manga available in English about psychics and/or espers. That was it for the blog, but as I previously mentioned, I had an all-day job interview last week which took up a fair amount of my time and attentions. Well, it turns out that they liked me, and I liked them, so it looks like I’ll be starting in a new position at a different library in May. It’s both very exciting and very nerve-wracking, but I think (hope!) it’s a good move for me. My day job will still have absolutely nothing to do with manga, though.

Elsewhere online last week there was ICv2’s annual Manga Week. A number of interesting manga-focused articles and interviews were posted, including a mention of some of Vertical Comics’ most recent licensing announcements: Arakawa Under the Bridge by Hikari Nakamura (the one I’m most excited for), Gundam Wing: The Glory of Losers by Tomofumi Ogasawara, Helvetica Standard by Keiichi Arawi, and Voices of a Distant Star by Makoto Shinkai and Mizu Sahara (technically a rescue as the manga was originally published in English by TokyoPop back in the day). Kodansha Comics recently made some announcements at ECCC. In addition to adding even more fantastic series to its digital initiative, Kodansha Comics is working on a Ghost in the Shell anthology similar to the Attack on Titan Anthology released last year. Should be interesting!

Quick Takes

Anonymous Noise, Volume 1 by Ryoko Fukuyama. I will pretty much give any manga a try if it’s even tangentially related to music, so it shouldn’t be too much of a surprise that I would be interested in Anonymous Noise. The series follows Nino Arisugawa (called Alice, by some) who loves to sing. Expressing herself through music is an important part of who she is, but perhaps more importantly it’s how she connects to the people who mean the most to her. First there was Momo, Nino’s close childhood friend with a proclivity for making bad puns, and then there was Yuzu, who helped soothe Nino’s heartbreak with his own music when Momo’s family unexpectedly moves away. But after developing feelings for Nino, Yuzu suddenly disappears from her life, too. Fast forward a few years and the three of them are attending the same high school, although initially they don’t realize it. Most of the first volume feels like a prologue more than anything else, so I’m curious to see the direction the story proper will take from here. In addition to music, it seems that unrequited love will also be a major theme of Anonymous Noise. Complicated feelings of love, longing, loss, and loneliness set the tone for the series.

Big Kids by Michael DeForge. Due to my interest in alternative and independent comics, I’ve been aware of DeForge’s work for quite some time. However, I’ve never actually read any of DeForge’s comics until picking up Big Kids. To be honest, I think I was probably a little intimidated since DeForge is such a highly acclaimed and well-regarded artist. I recently came across Big Kids on display at my local comic book shop where flipped through a few pages before putting it back. But I couldn’t stop thinking about it and so ultimately brought a copy home with me. The small volume’s bright yellow cover burned itself onto my retinas, and it’s content has burned itself onto my soul. I’ve read through the comic several times now and I still can’t stop thinking about it. I don’t know that I completely understand everything about it, but Big Kids is a work that is both surreal, verging on abstract, and powerful. In part, the comic about growing up. After being dumped by his boyfriend, Adam wakes up one day to discover that he has become a tree. The world itself is still the same, it’s just that Adam now views it from a vastly different perspective. But while being a tree has its benefits, there’s also a sense of sadness and loss associated with it.

Haikyu!!, Volumes 6-9 by Haruichi Furudate. Out of all of the sports manga currently being released in print in English, Haikyu!! is definitely one of my favorites. Admittedly, I was a little worried that as the series entered its first tournament arc and became more focused on the games themselves I would lose some of my enthusiasm (I’m not especially interested in volleyball), but my fears appear to have been mostly unfounded. Occasionally Haikyu!! will get a little bogged down in the particulars of volleyball, but this is usually completely offset by the series’ incredibly engaging characters. I’m immensely enjoying seeing them grow and evolve not just as players, but as people. I absolutely love the manga’s approach to and emphasis on teamwork. Some of the characters are prodigies, but it is made very clear that a single person cannot win on their own. Often it’s the unassuming, “ordinary” players who dramatically shift the course and tone of a game. Everyone has their own talents and abilities and everyone has an important role to play. Haikyu!! may be a series about volleyball, but its themes and message are much more universal than that. The manga has great positivity and energy which makes it fun to read, too.