Ash Brown

Bookshelf Overload: September 2013

October 4, 2013 by Ash Brown

Recently, I’ve mostly been able to limit myself to preorders and review copies when it comes to the manga that makes its way into my domicile. However in September I took advantage of some nice sales at Right Stuf to pick up some out-of-print or otherwise hard to find boys’ love titles. Other out-of print goodies that I acquired in September included the two volumes of Sin-ichi Hiromoto’s Stone and Mari Okazaki’s Sweat and Honey. I was recently re-reading Okazaki’s Suppli and wanted to read more of her work–Sweat and Honey is the only other manga of hers currently available in English.

As for some of the preorders that made me particularly happy in September–well, technically, the first Vinland Saga omnibus won’t be released until next week, but I got my copy early! I’m very excited that the series is finally making its debut in English. Expect a review soon! You can also expect reviews of Satoshi Kon’s Tropic of the Sea and the most recent volume of Takako Shimura’s Wandering Son in the very near future, too. Most people probably won’t be seeing Wandering Son, Volume 5 until later in October, but I ordered mine directly through Fantagraphics and so got it a bit sooner.

In addition to being a good month for manga, September was also a good month for me for comics in general. Archaia’s Cyborg 009, based on Shotaro Ishinomor’s manga, was an interesting project and physically a very handsome release. Gene Luen Yang’s Boxers & Saints was also published in September. It is one of the best comics that I’ve read this year; I highly recommend it. I also picked up some comics directly from artists that I follow online: E. K. Weaver, HamletMachine, and Kori Michele Handwerker.

Manga!
Arisa, Volume 11 by Natsumi Ando
Attack on Titan, Volume 7 by Hajime Isayama
Battle Angel Alita: Last Order, Volume 18 by Yukito Kishiro
Blade of the Immortal, Volume 27 by Hiroaki Samura
A Bride’s Story by Kaoru Mori
Chi’s Sweet Home, Volume 10 by Konami Kanata
The Day of Revolution, Volumes 1-2 by Mikiyo Tsuda
Fairy Tail, Volume 30 by Hiro Mashima
Genshiken: Second Season, Volume 3 by Shimoku Kio
GoGo Monster by Taiyo Matsumoto
Junk! by Shushushu Sakura
Lies & Kisses by Masara Minase
The Man of Tango by Tetuzoh Okadaya
Missing Road by Shushushu Sakurai
Mobile Suit Gundam: The Origin, Volume 3 by Yoshikazu Yasuhiko
Not Enough Time by Shoko Hidaka
Ōoku: The Inner Chambers, Volume 8 by Fumi Yoshinaga
Pretty Guardian Sailor Moon: Short Stories, Volume 1 by Naoko Takeuchi
Restart by Shoko Hidaka
Secrecy of the Shivering Night by Muku Ogura
Sherlock Bones, Volume 1 written by Yuma Ando, illustrated by Yuki Sato
Sky Link by Shiro Yamada
Sleeping Moon, Volume 2 by Kano Miyamoto
Stone, Volumes 1-2 by Sin-ichi Hiromoto
Sweat and Honey by Mari Okazaki
Tropic of the Sea by Satoshi Kon
Vinland Saga, Omnibus 1 by Makoto Yukimura
Virtuoso di Amore by Uki Ogasawara
Wandering Son, Volume 5 by Takako Shimura
Your Honest Deceit, Volumes 1-2 by Sakufu Aijimine

Comics!
Anything That Loves edited by Charles “Zan” Christensen
Boxers & Saints by Gene Luen Yang
Cyborg 009 written by F. J. DeSanto and Bradley Cramp, illustrated by Marcus To and Ian Herring
Devil’s Dance by HamletMachine
Freelancers, Volume 1 written by Eric Esquivel, illustrated by Joshua Covey
Mail Order Bride by Mark Kalesniko
Nothing Is Forgotten by Ryan Andrews
Pervert Club, Volume 1 by Will Allison
Prince of Cats, Numbers 1-4 by Kori Michele Handwerker
Whisper Grass by E. K. Weaver

Novels!
Lonely Hearts Killer by Tomoyuki Hoshino
The Shogun’s Daughter by Laura Joh Rowland

Collections!
Monkey Brain Sushi: New Tastes in Japanese Fiction edited by Alfred Birnbaum

Nonfiction!
The World of the Shining Prince: Court Life in Ancient Japan by Ivan I. Morris

Anime!
Kick-Heart directed by Masaaki Yuasa
Michiko & Hatchin directed by Sayo Yamamoto

Manga the Week of 10/9

October 3, 2013 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 2 Comments

SEAN: The 2nd week of the month still has mostly Viz (and Viz-owned imprints), but other companies get to make an appearance as well!

Dark Horse has the Trigun Omnibus, collecting the start of the series before it shifted from shonen to seinen and the author effectively rebooted it. To be honest, I think I prefer these early stories to the Maximum years.

The big release this week comes from Kodansha, with the long-awaited first omnibus of the epic history Vinland Saga. It’s an omnibus, with 2-in-1 hardcovers, and has some extras as well. People have been clamoring for this to be licensed for years, so they’d better buy it, or I’ll be very mad indeed.

ASH: I am one of those who have been clamoring for years. I’m thrilled that Vinland Saga is finally being released!

MICHELLE: While I haven’t exactly been clamoring, I am nonetheless grateful.

ANNA: Planetes was so wonderful, I am really looking forward to reading this. This is one of those titles that has been on my radar for a long time, and I’m happy Kodansha is bringing it out in English.

MJ: I’m extremely interested in this, and all your excitement here is amplifying that considerably!

SEAN: So much for non-Viz. Meanwhile, back with our manga overlords, there’s Vol. 2 of Sleeping Moon. Supernatural BL with a cover that not only doesn’t look like it was made using Photoshop but I would actually say is quite good? Sign me up! (Well, not me *personally*, but the rest of the MB team…)

ASH: I haven’t read the first volume yet, since I wanted to wait to read both volumes of Sleeping Moon at once, but I’ve enjoyed Miyamoto Kano’s work in the past.

MICHELLE: So have I.

ANNA: I have a feeling that I’d find supernatural BL more enjoyable to read than non-supernatural BL, I’m eager to hear what everybody thinks of this.

MJ: I absolutely loved the first volume of this little series, so this is a major draw for me this week.

SEAN: In addition, we have the 20th volume of Tableau Numero from SubLime… wait, no, scratch that, it’s the only volume of Tableau Numero 20, which is by Est Em, and is about painting and stuff, but admit it, you stopped to preorder it when I said ‘by Est Em’, didn’t you? Also, the cover is very nipple-ey.

ASH: I would totally buy twenty volumes of manga by Est Em! I was very happy when SuBLime picked Tableau numéro 20 up. I’m greedy and want even more of her work to be licensed in print, though.

MICHELLE: I actually had no idea there was more est em in the pipeline! Huzzah!

ANNA: I had NO IDEA this was coming out but I say Huzzah too! I’m assuming that this features deeply psychologically nuanced slice of life stories about bullfighting centaurs who are also fans of soccer and not wearing shirts.

MJ: I was completely surprised by this, too! Where have I been?? Also: YAY.

SEAN: Case Closed has hit Vol. 48. In Japan, it’s up to Vol. 80, and I’ve got a spoiler for you: Conan is still trapped in the body of a kid. (Or Jimmy, whatever, phooey to localized names.) Indeed, this volume came out 8 years ago in Japan. Which, to be fair, means they’re catching up – when it debuted, it was 10 years behind. In any case, expect some cool mysteries.

I hope I didn’t overhype Magi, which starts slow, as all Shonen Sunday series do. But I really love this type of Arabian Nights fantasy to bits, and it has some entertaining young kids as its leads. Vol. 2 is coming out. I hope it takes off here.

MICHELLE: I definitely enjoyed the first volume more than I expected to and am looking forward to seeing if that trend continues with volume two.

SEAN: Lastly, there’s not one, but *three* Tiger & Bunny books coming out. Tiger & Bunny 3 continues the manga adaptation of the hit anime, and Tiger & Bunny: The Beginning seems to be a 2-volume adaptation of the movie… I’m not even sure it’s a manga or some sort of anime screencap thing. I’m just about Tiger & Bunnied out, to be honest. Do they ever fight Panty & Stocking?

MICHELLE: I keep trying to really like the manga, but the most I can achieve so far is not hating it. Maybe the third volume will be the charm?

MJ: Let’s hope?

SEAN: What floats your Knarr this week? (Google it.)

Manga Giveaway: Arisa Giveaway Winner

October 2, 2013 by Ash Brown

And the winner of the Arisa manga giveaway is…Ana Death Duarte!

As the winner, Ana will be receiving copies of the first and most recent volumes of Natsumi Ando’s manga series Arisa to be released in English. (Namely, the first and eleventh volumes.) Because Arisa features a set of twins, for this giveaway I asked that entrants tell me a little about the twins that they’ve encountered while reading manga. Do check out the giveaway comments for all of the responses. And thank you to everyone who shared and participated!

Now, because I use giveaways as an excuse to compile lists, here are some of the manga licensed in English that feature twins:

Another written by Yukito Ayatsuji, illustrated by Hiro Kiyohara
Arisa by Natsumi Ando
Ax: Alternative Manga by Various
Basara by Yumi Tamura
Black Lagoon by Rei Hiroe
Blue Exorcist by Kazue Kato
Bond of Dreams, Bond of Love by Yaya Sakuragi
A Bride’s Story by Kaoru Mori
Cage of Eden by Yoshinobu Yamada
Deadman Wonderland written by Jinsei Kataoka, illustrated by Kazuma Kondou
Chobits by CLAMP
Clover by CLAMP
D.N. Angel by Yukiru Sugisaki
A Drunken Dream and Other Stories by Moto Hagio
Fushigi Yûgi: Genbu Kaiden by Yuu Watase
Ghost Hunt by Shiho Inada
Goth written by Otsuichi, illustrated by Kendi Oiwa
Grand Guignol Orchestra by Kaori Yuki
GTO: 14 Days in Shonan by Tohru Fujisawa
Hayate X Blade by Shizuru Hayashiya
Higurashi: When They Cry written by Ryukishi07
Jiu Jiu by Touya Tobina
Jyu-Oh-Sei by Natsumi Itsuki
King of Thorn by Yuji Iwahara
Knights of the Zodiac by Masami Kurumada
Mars by Fuyumi Soryo
Miracle Girls by Nami Akimoto
Monster by Naoki Urasawa
MW by Osamu Tezuka
No. 5 by Taiyo Matsumoto
Ouran High School Host Club by Bisco Hatori
Pandora Hearts by Jun Mochizuki
Papillon by Miwa Ueda
Pretty Face by Yasuhiro Kano
Revolutionary Girl Utena by Chiho Saito
Tokyo Babylon by CLAMP
Tsubasa: Reservoir Chronicle by CLAMP
The Twin Knights by Osamu Tezuka
Utahime by Aki
Utsubora by Asumiko Nakamura
Vampire Knight by Matsuri Hino
Vassalord by Nanae Chrono
xxxHolic by CLAMP
Zatch Bell by Makoto Raiku
Ze by Yuki Shimizu

The above list is mostly made up of manga that I have either read or that were mentioned by those participating in the giveaway. Although lengthy, it is by no means comprehensive; there are many, many more manga with twins (licensed and unlicensed) that could have been named. Thank you again to everyone who entered the giveaway! I hope you’ll stop by again when it’s time for the next one.

My Week in Manga: September 23-September 29, 2013

September 30, 2013 by Ash Brown

My News and Reviews

There were a few different things going on at Experiments in Manga last week. First off is the Arisa manga giveaway. The winner will be announced on Wednesday, so you still have a little time to enter for a chance to win the first and eleventh volumes of Natsumi Ando’s Arisa. The most recent Library Love feature was posted last week, too, which is basically a collection of quick takes of manga that I’ve borrowed from my local library. My quest to read all of Edogawa Rampo’s material available in English also continued. This time I took a look at The Edogawa Rampo Reader, which is a nice introduction to his life and work. The volume collects eighteen of his short stories and essays from over a span of thirty years.

A few interesting things found online: Brigid Alverson interviewed Charles Brownstein of the Comic Book Legal Defense Fund about its new manga guide which will be released later this year. (I reviewed Manga: Introduction, Challenges, and Best Practices not too long ago and found it to be a great resource.) And speaking of the CBLDF, Keiji Nakazawa’s Barefoot Gen was recently highlighted as part of the Using Graphic Novels in Education feature. Finally, Vertical made some licensing announcements at Anime Weekend Atlanta: Tetsuya Tsutui’s manga Prophecy (interestingly enough, Tsutui approached Vertical directly about the license) and Shinobu Hashimoto’s biographical novel Compound Cinematics: Akira Kurosawa and I.

Quick Takes

Arisa, Volumes 8-11 by Natsumi Ando. The true King has been revealed! As has that person’s motivations and back story, which are suitably dark and dramatic. Arisa and its characters are all pretty twisted–the King isn’t the only one with serious issues. The most stable character in Arisa is probably Tsubasa, but sometimes I wonder about her, too. It’s not just anyone who would pretend to be someone else, after all. At times Arisa can be extraordinarily over the top with its action and melodrama, but that’s probably one of the reasons I find the series so absorbing. Some of it comes across as unintentionally ridiculous, though. But for every development that’s laughable, there’s another that is effectively disturbing. Arisa is a series that’s really easy to tear through. Despite all of the twists and turns in its plot (or maybe because of them) the manga reads very quickly. With only one volume left to go in the series, I’m very curious to see how things will play out.

Black Jack, Volumes 7-9 by Osamu Tezuka. Every once in a while I get the urge to read a bunch of Black Jack. Since the series is fairly episodic, it’s easy to pick up even if it’s been a while since I’ve read any of the manga. There were a couple of things that particularly struck me about these volumes. First of all, Black Jack should really stay away from cliffs as he seems to have a habit of falling off of them. Secondly, since Black Jack is an unlicensed doctor, it probably shouldn’t be too surprising that he would have a tendency to become involved with criminals. Often this works out quite well for him–he is able to demand his high prices and the other parties want to keep things quiet, too. However, on occasion Black Jack’s association with organized crime comes back to bite him and he ends up a little worse for wear. As always, I adore Black Jack as a character. I enjoy how much of a bastard he can be while still maintaining a strong sense of integrity.

Cyborg 009 written by F. J. DeSanto and Bradley Cramp and illustrated by Marcus To and Ian Herring. Working closely with Ishimori Productions, Cyborg 009 is a single-volume, hardcover graphic novel adapting Shotaro Ishinomori’s Cyborg 009 manga with a Western audience in mind published by Archaia. The comic is in full-color with updated character designs closer to some of the more recent anime adaptations than the original manga. Actually, the artwork was one of my favorite things about the Cyborg 009 graphic novel. Story-wise it would have benefited from either being a little more focused or a little bit longer. As it is, the graphic novel is very compressed and not all of the plot lines introduced are adequately developed. But it is fun and quickly paced, not to mention beautifully presented; hopefully it will encourage readers to seek out the original material. Also of note: the back cover indicates that Cyborg 009 is “Ishimori Universe Book 1.” I know that I’d be very interested in seeing more collaborations between Archaia and Ishimori.

The Day I Become a Butterfly by Sumomo Yumeka. Although The Day I Become a Butterfly was released under Digital Manga’s Juné imprint, two of the six collected stories aren’t at all boys’ love and a few of the others could be argued not to be as well. Yumeka describes the short manga in The Day I Become a Butterfly as inexplicable (she also admits to not liking them), but I think I would call them poetic. Instead of being straightforward narratives, the stories are quiet and almost impressionistic. They tend to be fairly introspective and melancholy; the desire for acceptance from others is a recurring theme throughout the volume. Yumeka’s artwork is lovely, although some of the character designs seem to be reused from one story to the next. Normally this might not be much of a problem, but because some of the stories in The Day I Become a Butterfly are interrelated it was sometimes confusing when the characters from an unrelated story looked like some of the recurring characters.

Akagi Akagi, Episodes 1-13 directed by Yuzo Sato. I love mahjong and Akagi is one of the mahjong series. I was thrilled when Crunchyroll picked up the anime for streaming. (I hold no illusions–mahjong manga and anime is very niche and unlikely to ever receive a physical release in North America.) Watching Akagi has actually improved my game a bit. It has also taught me how to cheat…not that I would. People who are at least vaguely familiar with mahjong will probably get more out of Akagi than those who aren’t, but it’s not necessary to understand the minutia of mahjong to enjoy the anime. The series can be surprisingly brutal at times and the games are intense–high stakes, crooked cops, yakuza, violence, manipulation. A huge emphasis is put on the psychological elements of the game. Akagi is a brilliant player and absolutely ruthless, both at the table and away from it. He seems to be afraid of nothing and is extremely ballsy. I’m really looking forward to watching the series’ second half.

Pick of the Week: Totoro & More

September 30, 2013 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ 1 Comment

SEAN: There’s a lot of good Viz stuff this week, including many long-running series, and a debut by an artist I enjoy. But I’m throwing my pick behind a novel, albeit with illustrations by one of the giants of the industry. Hayao Miyazaki’s My Neighbor Totoro is a movie that I hope by now every parent shows their child when they’re young, to instill a sense of wonder in them. That wonder is, I’m anticipating, carried over in this novel by children’s author Tsukigo Kubo, with Illustrations provided by Miyazaki. I have a copy, though I haven’t delved into it yet, and the illustrations evoke a very A. A. Milne, Pooh Corner feeling for me. Buy two copies – one for your child, and one for yourself.

MICHELLE: There are a couple of not-the-greatest-but-I-enjoyed-it shoujo releases this week, and I reckon I’ll have to pick one of those. So, I guess I’ll go with Happy Marriage?!, volume two. In the absence of new manhwa, I will accept something manhwa-esque in its place!

ANNA: I’m going to have to go with Slam Dunk Vol. 30, because any appearance of this basketball manga is a cause for celebration. I can’t believe it is almost over. I would happily read 30 more volumes of this series.

ASH: I’m with Anna on this one. Slam Dunk is a long series, so I’m glad that Viz is seeing it through to its end. (Only one more volume to go!) Plus, I’m always happy to have more of Takehiko Inoue’s manga in English.

MJ: And I’m with Sean. I was feeling a bit torn and wishy-washy this week, until Sean invoked House at Pooh Corner, and that sealed the deal. Now I must have it. And by “it,” I mean My Neighbor Totoro. Totoro is my favorite of Miyazaki’s films. It’s warm, whimsical, and just the right kind of story to deftly sidestep Miyazaki’s resistance to writing endings, which I expect might translate nicely to prose as well. This novel sounds just lovely. I’ll follow Sean’s advice, too, and buy one for my niece, then one for myself.

What looks good to you this week?

The Edogawa Rampo Reader

September 29, 2013 by Ash Brown

Author: Edogawa Rampo
Translator: Seth Jacobowitz
U.S. publisher: Kurodahan Press
ISBN: 9784902075250
Released: December 2008
Original release: 1926-1956

The Edogawa Rampo Reader, edited and translated by Seth Jacobowitz, was only the third volume of Edogawa Rampo’s work to be released in English, following Japanese Tales of Mystery and Imagination (which I have read and thoroughly enjoyed) and The Black Lizard and The Beast in the Shadows. Published by Kurodahan Press in 2008, The Edogawa Rampo Reader collects eight of Rampo’s short stories and ten of his essays selected from 1926 through 1956. In addition to these eighteen selections, The Edogawa Rampo Reader also includes a preface by Tatsumi Takayuki and an extensive introduction by Jacobowitz. Prior to the release of The Edogawa Rampo Reader, none of Rampo’s nonfiction work had been translated into English. In fact, all of the selections in The Edogawa Rampo Reader made their first appearance in English in the volume.

After the preface and introduction, The Edogawa Rampo Reader is divided into two sections: The Stories and The Essays. The stories include “The Daydream,” “The Martian Canals,” “The Appearance of Osei,” “Poison Weeds,” “The Stalker in the Attic,” “The Air Raid Shelter,” “Doctor Mera’s Mysterious Crimes,” and “The Dancing Dwarf.” Selected from throughout his career, the works exhibit Rampo’s skills as a mystery writer as well as a writer of the strange. The essays primarily fall into two different categories, those that are at least somewhat autobiographical–“The Horrors of Film,” “Spectral Voices,” “A Passion for Lenses,” “The Phantom Lord,” “My Love for the Printed Word,” and “Confessions of Rampo”–and those that deal with mystery fiction–“Fingerprint Novels of the Meiji Era,” “Dickens vs. Poe,” “An Eccentric Idea,” and “A Desire for Transformation.” Although there are more essays than stories in The Edogawa Rampo Reader, the nonfiction selections tend to be shorter than the fiction and so the section isn’t quite as long.

Whereas Japanese Tales of Mystery and Imagination basically amounted to a “best of” collection of Rampo’s short stories, The Edogawa Rampo Reader was deliberately curated to be representative of the different stages in Rampo’s career. Additionally, the volume emphasizes recurring motifs and themes that Rampo was fond of incorporating into both his fiction and nonfiction. The Edogawa Rampo Reader is meant to be comprehensive, single-volume exploration of Rampo and his work. As much as I enjoy Rampo’s short stories (which I do quite a bit) the real draw of The Edogawa Rampo Reader for me was the essays. Rampo is not only a fascinating author, he is also a fascinating person. His love of reading and writing comes through very clearly in his nonfiction. It was also interesting to see where he found his inspiration as a writer. His own life and imagination were sources, but literature from Japan and the rest of the world were also important influences.

The Edogawa Rampo Reader is a valuable resource. Rampo is an important literary figure in Japan, often cited as the father of modern Japanese mystery and crime fiction. His influence can still be seen today. Rampo is a noteworthy and intriguing creator; it really is a shame that more of his work isn’t available in English. Although they are all very good, I didn’t find the short stories in The Edogawa Rampo Reader to be quite as immediately engaging as those in Japanese Tales of Mystery and Imagination. However, overall the selection is broader in terms of genre and style. My favorite story was probably “The Stalker in the Attic,” which features Rampo’s detective Akechi Kogorō. (I would love to see an entire collection of Akechi stories in English.) But, as already mentioned, Rampo’s essays are really the highlight of the volume. I hope to see more of Rampo’s work released in English, but The Edogawa Rampo Reader makes a fine introduction to the influential author’s life and writing.

Library Love, Part 17

September 27, 2013 by Ash Brown

Support manga, support your library!

Here’s what I’ve been reading:

Arisa5 Arisa, Volumes 5-7 by Natsumi Ando. As ridiculous and unbelievable as Arisa can be, I’ll have to admit that I actually am rather enjoying the series. The number of plot twists that Ando works into the manga is astounding. I know that they’re coming, but I have no idea where Arisa is going. I’ve learned not to stress out about it and just sit back and enjoy the absurdity as it develops. However, I can’t help but wonder where all the adults are in all of this. Occasionally a teacher, parent, or guardian is seen, but none of them seem very involved in the students’ lives at all. But then again, that might be part of the point of the series. The students in class 2-B have issues (they have a lot of issues) and King Time began in part because their needs and concerns weren’t being addressed elsewhere. More and more of their secrets are being revealed, but I’m not sure we’re any closer to actually learning who the King really is. Arisa continues along its dark and twisted path and I can’t help but be oddly mesmerized by the whole thing.

Cowa! by Akira Toriyama. Cowa! had completely slipped under my radar until just recently. It’s a shame that I didn’t read it sooner because it is a terrific and highly enjoyable manga appropriate for kids as well as adults. The first few chapters are fairly episodic and start out with Paifu, a young half-vampire/half-werekoala, and his best friend and ghost José Rodriguez getting into all sorts of trouble. But then the manga develops a continuing story–Paifu’s hometown of Batwing Ridge is suffering from an epidemic of the Monster Flu. It’s up to Paifu, José, their not exactly friend Apron, and Maruyama, a grumpy ex-sumo wrestler, to save the day. Together they travel in search of the cure and it ends up becoming quite an adventure. There’s action and danger, bad guys and monsters. The interactions between Maruyama and the youngsters are simply marvelous. The manga is a lot of fun and funny, too. It may be silly at times, but it’s also heartwarming and has a good message. Cowa! is an absolute delight and definitely worth a look.

Slam Dunk, Volumes 7-10 by Takehiko Inoue. I am a huge fan of Inoue’s manga. While Slam Dunk isn’t my favorite of his series, I still find it to be a great manga. Slam Dunk was Inoue’s breakthrough work and is immensely popular and influential. The basketball games in Slam Dunk are extremely well done, but so far what appeals most to me about the series is the characters. I particularly enjoy all of the delinquents that show up in the series and on Shohoku’s basketball team. The guys are just as capable in a fist fight as they are on the court. Granted, Sakuragi still has a lot to learn about basketball. He has some natural ability and potential, but I’m not sure anyone has actually taken the time to explain all the rules to him. Realistically, this is somewhat unbelievable, but it does provide a certain amount of humor. In general, Slam Dunk is much more comedic than Inoue’s other manga available in English. However, there’s still some seriousness and plenty of heartfelt passion in the series, too.

Time Lag written by Shinobu Gotoh and illustrated by Hotaru Odagiri. I didn’t realize it at first, but Odagiri is also the artist for Only the Ring Finger Knows, which I quite enjoyed. Time Lag is a slightly older work, and not quite as memorable, but still enjoyable and rather sweet. Satoru and Shirou used to be very close growing up, but after junior high they’ve grown apart despite Satoru repeatedly professing his love for the other young man. Satoru can’t seem to figure out what went wrong, but when a letter from Shirou arrives three years late he may have one last chance at setting things right. However, complicating matters even further is a love-triangle involving Seichii, another classmate. Plots that revolve around a giant misunderstanding often annoy me, but in the case of Time Lag I think it was handled very well. Some of the smaller misunderstandings were still frustrating, though. Granted, those deliberately created by Seichii and his jealousy make a fair amount of sense in the context of the story and the resulting drama is understandable.

Manga the Week of 10/2

September 26, 2013 by Sean Gaffney, MJ, Ash Brown, Anna N and Michelle Smith Leave a Comment

SEAN: Hope you like Viz, that’s all I can say. They have this week all to themselves.

Now that Bakuman is all over, there’s a giant Bakuman box set for those who missed it. Discover the secrets to Jump manga, and look askance at that line about a man’s dreams all over again!

MJ: Perhaps in the new set, that line will have been magically rewritten. :D

ASH: I actually haven’t read any of Bakuman, yet. Sounds like this would be a good time to get around to doing that.

SEAN: It’s been a while since we’ve seen Black Bird, and it’s ending soon, so I’ll be nice. It’s a powerful manga with the ability to win the hearts of many readers. Excellent pickup for Viz.

ANNA: I’m glad this is so popular for Viz, and also glad I stopped reading it because I didn’t care for it. There’s other, better supernatural manga out there, most of it also published by Viz.

MICHELLE: Oh, is it really ending soon? I had no idea. I really used to keep better track of these things!

MJ: I want to say “good riddance,” but… what will I have left to hate now? I feel bereft.

SEAN: (Dr. Forrester voice) Who… Who Will I Kill?

Bleach is up to Vol. 58. Expect the usual Bleach shenanigans, but I will note this volume had one of the best reveals in the entire series about a character’s past.

MICHELLE: I periodically get caught up with Bleach, but I probably wouldn’t if my local library didn’t carry it.

MJ: Well, now I wanna read it. Hm.

SEAN: Claymore has hit Vol. 23, which means everyone has to buy it, or Robert Anton Wilson will be sad.

MJ: Heh. (Also, I will be sad, but not because of 23.)

SEAN: I lost track of Dawn of the Arcana, apparently right about when it got really good. But I’m sure the others will tell me what I’ve been missing.

ANNA: It is good! It has an interesting low key vibe for a fantasy series. It reminds me of some of the stuff CMX used to put out, in a very good way.

MICHELLE: I can see that comparison!

ASH: I’ve been meaning to give Dawn of the Arcana a try. Comparing it to CMX’s series just moved it up on my list.

SEAN: The 6th Hana-Kimi omnibus has Vols. 16-18, so we’re about 3/4 of the way there. Had enough reverse harem shenanigans yet?

ANNA: There can NEVER be enough reverse-harem shenanigans!!!!!

SEAN: I was pleasantly surprised at Vol. 1 of Happy Marriage?!, whose lead male was not as jerk-like as I expected, so am looking forward to seeing if Vol. 2 can develop the heroine some more as well.

ANNA: This was like volume 1 except with additional super handsome men. No real reverse-harem shenanigans though.

MICHELLE: I liked it more than expected, and it’s quite manhwa-like!

MJ: I’m looking forward to this as well, to my own surprise.

SEAN: My Neighbor Totoro is one of the best and most beloved children’s movies of all time. What better present for your young child than a translation of the Totoro novel, with original illustrations by Miyazaki?

ANNA: This sounds nice!

MJ: Agreed!

ASH: Oh! I had completely forgotten this was coming out.

SEAN: Nura: Rise of the Yokai Clan is in the middle of a smaller, quieter arc after the long, long, LONG Kyoto arc, so I’m expecting a calmer, gentler yokai with Vol. 17. I firmly believe my expectations will be ruthlessly shattered.

One Piece Omnibus 7 has some of the best volumes of the Alabasta arc, which is one of the best arcs, so you know that you have to get it if you haven’t already.

Rosario + Vampire II 12 is another of those very popular shonen series that I never really got past the first volume of so have nothing to say about.

And Sakura Hime 11 is the exact same thing, only on the shoujo side.

Slam Dunk 30, everyone! The penultimate volume! I’m going to guess there will be a basketball game of some sort.

ANNA: The most awesome basketball game ever! Seriously I love Slam Dunk.

MICHELLE: Me, too. I have been hoarding the recent volumes even though I’ve been so tempted by them. Is there any other sports manga now running? I can’t think of one…

ASH: I am so far behind with Slam Dunk, but it really is great. The only other sports manga I can think of that’s currently being published is Real, also about basketball and also by Takehiko Inoue (and one of my favorite series!)

MICHELLE: Oh, I had forgotten about Real! Possibly because it’s seinen, it doesn’t feel like traditional sports manga to me. I’d dearly love more Mitsuru Adachi, and I’d even buy the Prince of Tennis sequel, no matter how stupid it is.

SEAN: I’m not sure Adachi’s done basketball… he tends to stick with his one sport, although my own license dream, Rough, is a swimming manga.

MICHELLE: Oh, I definitely wasn’t thinking only basketball. Rough is the one I most want, too! :)

SEAN: Toriko 18 will no doubt make me hungry, have plausibly deniable homoerotic content, and feature some truly ridiculous animals.

ASH: I’m behind with Toriko, too, but I do get a kick out of the series.

SEAN: Lastly, and to the frustration of my trying to get the side images to look cool and not dangle off the edge of the article. we have the debut of the new series from Special A’s Maki Minami! Voice Over: Seiyuu Academy, is from Hana to Yume, so it already has a head start with me. Can’t wait.

ANNA: I liked this more than I thought I would, considering I did not care much for Special A.

MICHELLE: I enjoyed it, too. It’s pretty generic, but there was still something about it that compelled me to want to read volume two.

MJ: I’m with Michelle and Anna here, too.

SEAN: Is your favorite manga a voice actress?

Manga Giveaway: Arisa Giveaway

September 25, 2013 by Ash Brown

It’s just about the end of the month, which means it’s time for another manga giveaway here at Experiments in Manga! This month’s giveaway is for not one, but two volumes of Natsumi Ando’s manga series Arisa–both the first and the most recent volumes published in English. (I’ll explain my odd thought process for this below.) As always, the contest is open worldwide!

Okay, so why the first and eleventh volumes? Because Arisa has a set of twin sisters. Volume 1, because it’s the first volume. (In general, I like to give away first volumes.) And what do you get when you have two 1s? 11. And there you have it. (I told you I’m a bit odd.) Anyway.

People are fascinated by twins. It’s probably not too surprising that twins, both fraternal and identical, make frequent appearances in manga, often with an important role to play in the story. Naoki Urasawa’s Monster, Yumi Tamura’s Basara, and Rei Hiroe’s Black Lagoon are just a few examples off the top of my head. It wouldn’t take me long to come up with even more. (And I will next week.) In Arisa we have Tsubasa Uehara and Sonoda Arisa, identical twin sisters who have been separated by their parents’ divorce. Tsubasa takes Arisa’s place at school to try to discover why her sister would attempt to commit suicide, uncovering some very disturbing goings-on in Arisa’s class in the process.

So, you may be wondering, how can you win a copy of Arisa, Volumes 1 and 11?

1) In the comments below, tell me a little about a set of twins that you have encountered in manga and in which manga they appear. (If by chance you’ve never come across twins, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. For this giveaway, each person can earn up to two entries. As usual, there is one week to submit comments. If you have trouble leaving comments, or if you would prefer, you can e-mail me your entries at phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on October 2, 2013.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address (which if you submit through the comment form won’t be publicly displayed), a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Arisa Giveaway Winner

My Week in Manga: September 16-September 22, 2013

September 23, 2013 by Ash Brown

My News and Reviews

Well, I somehow managed to post three reviews last week. This is a little unusual for me as normally I only have one or two ready to go. The first review was for Hinoki Kino’s No. 6, Volume 2. The pacing, characterization, and world-building improves on the first volume, which I was very glad to see. (I’m really hoping that the manga will have a better ending than the anime.) The second review was for Yoshiyuki Tomino’s Mobile Suit Gundam: Awakening, Escalation, Confrontation, an omnibus of a trilogy of early Gundam novels–the first part of the Gundam franchise to be officially released in English. (To be honest, though, I much prefer Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin.) I also reviewed Sherlock Bones, Volume 1 by Yuma Ando and Yuki Sato. I was very skeptical going into the series, but found the first volume of the manga to be surprisingly entertaining.

As for a few interesting things found online: Comic Natalie has announced the winners of its first annual manga awards. If you don’t read Japanese and can’t identify manga by their covers, Vertical compiled a list of the winners currently avilable in English (in addition to posting a hint for an as of yet unannounced Vertical license.) As reported by the Business Standard, Viz Media is apparently entering the market in India–Top Manga publisher set to make India entry. And if the relationship between Kodansha Comics, Del Rey/Del Rey Manga, and Random House has you confused, Kodansha posted a brief explanation/clarification of the situation on its Tumblr account.

Quick Takes

Attack on Titan, Volume 7 by Hajime Isayama. The terror in Attack on Titan has started to shift. At the beginning of the series the fear was much more about the unknown–the titans were these terrifying creatures beyond comprehension. But now the fear is coming from the knowledge that other humans may very well have a hand in what is happening. There have been plenty of deaths in Attack on Titan, but when those deaths involve characters who you’ve gotten a chance to know instead of just being nameless faces, suddenly the casualties carry even more weight. It makes the terror, frustration, and utter despair experienced by the characters even more palpable. Attack on Titan is dark, and it has been from the start, but the developments in the seventh volume pack quite a punch. I’ve had my doubts about the series in the past, and the artwork is still terribly inconsistent and occasionally difficult to follow, but I am hooked on it.

Boxers & Saints written and illustrated by Gene Luen Yang, colors by Lark Pien. Boxers & Saints is easily one of the best comics that I’ve read this year. The two graphic novels that make up the duology can be read separately, but together they are even more powerful. The work is a retelling of the Boxer Rebellion–a violent uprising against foreign and Christian influence in northern China that took place at the turn of the 20th century. Boxers follows the life of a young man who becomes one of the leaders of the rebellion while Saints shows the conflict from the perspective of a young Chinese woman who converted to Christianity. Although very different in their details and narrative style, the two volumes follow a similar story arc as the characters come of age and find something to believe in, but are then challenged by those beliefs and conflicted over their decisions and actions. The Boxer Rebellion was a complicated and tragic event for both sides of the dispute. Boxers & Saints is a fictional account, but Yang put in a tremendous amount of research into the work. Highly, highly recommended.

Genshiken: Second Season, Volumes 1-3 by Shimoku Kio. The Genshiken has turned into a fujoshi club. This doesn’t really bother me (I also enjoy BL and yaoi), but to an extent I do miss the greater variety of otaku that were represented in the original series. Still, even the fujoshi have their quirks and differences–the Genshiken has always attracted weirdos. And then there’s the cross-dressing Hato-kun, who for me is really stealing the show in the second season of Genshiken. The only male first-year to join the club, he’s created a very complete and convincing female persona. I find him to be the most interesting new character in the new series and he seems to be the focal point for much of the drama. I’m also particularly enjoying Yajima’s character development. She is uncomfortable with Hato’s cross-dressing but becomes very protective of him. As for the older characters, I was very happy to see Madarame return as he remains one of my favorites. Put him and Hato together in a scene and it’s just perfect.

Library Wars: Love & War, Volumes 9-10 by Kiiro Yumi. Perhaps it’s because I’m a librarian, but I can’t help but be fond of Library Wars even when it’s not always the strongest series. Sometimes the characters and their interactions are fantastic, and sometimes it seems as if they’re all acting like a bunch of high school students when they’re supposed to be mature, capable adults. Granted, there are some delightfully awkward scenes now that Iku has come to the realization that Dojo is her “prince.” He’s known for quite a while, but he doesn’t know that she knows, yet. It’s all rather amusing. I am very glad that Iku seems to be more competent now than she was at the beginning of the series. I don’t care how enthusiastic a person is, if they don’t have the needed skills for the job there’s not much hope for them. Library Wars is a fantasy, but it actually does address some real issues encountered in the library world. Censorship is the biggest one and at the core of the series, but things like sexual harassment and dealing with inappropriate patron behavior come up, too.

Totally Peeking Under the Sheets, Volumes 1-2 by Hajin Yoo. Totally Peeking Under the Sheets is a collection of side stories relating to Yoo’s boys’ love manwha Totally Captivated. It’s definitely intended for those who have read and enjoyed the original series. The first volume contains quite a few short manhwa, some of them only a few pages long. Many of these stories emphasize the more humorous aspects of Totally Captivated and its characters. And as might be expected from the title Totally Peeking Under the Sheets, several stories are also rather racy–what little plot there is is used to get Ewon and Mookyul into bed with each other. (Not that that’s very difficult.) The focus of the second volume is a much longer sequel manhwa called “The Final Chapter.” Although there were some great character moments, the story felt forced to me. Ewon suddenly has to deal with his family, particularly the mother who abandoned him. I’m not sure the situation would have really played out in the way that Yoo presents it. Overall, I much preferred the first volume.

Fist of the North Star: The TV Series, Volume 2 (Episodes 37-72) directed by Toyoo Ashida. While the first collection of the Fist of the North Star anime series had quite a bit of filler, the second collection starts to really dig into the plot and characters. The series is much better for it. Plus, the anime has now reached a point in the story beyond the manga that was released in English. Some of the fights do still get to be a little repetitive, especially when the protagonists face off against large groups of unnamed bad guys and minions, but there’s always something about each battle that makes it stand out from the rest. The best fights, though, are those that occur between two martial arts masters. But Fist of the North Star isn’t just about power, skill, and strength (although that’s certainly an important part of it). The series is also about destiny, loyalty, friendship, and love. Kenshiro is a tragic hero who continues to lose those who are close to him. Fist of the North Star is a post-apocalyptic martial arts epic, and I’m loving it.

Pick of the Week: Goong Returns!

September 23, 2013 by MJ, Anna N, Sean Gaffney, Ash Brown and Michelle Smith 4 Comments

MJ: I have a number of favorites to choose from this week, which would normally cause me a bit of angst. But if I’m being honest with myself, there’s very little in the wide world of comics that could, for me, trump a new volume of something as gloriously addictive as Goong—the only series among Yen Press’ collection of Ice Kunion manhwa acquisitions still running (to my recollection). I love this fabulously dramatic soap-opera more than I can possibly say, and I simply can’t wait to read its newest volume. Happily, too, this series is being released in chunky omnibus format, so I’ll be able to enjoy a nice, substantial fix. Thanks, Yen Press, for continuing to offer up this series! Gimme, gimme.

ANNA: Goong also makes me happy! But I have to go with Gundam: The Origin Vol. 3 Ramba Ral. This is the only book on this week’s list that I felt compelled to pre-order and I’m eagerly awaiting this volume. The hardcover and deluxe presentation of this series make it a real treat.

SEAN: There’s a lot of really nice books out this week, including some intriguing debuts and personal favorites. But I’ll go with Vol. 5 of A Bride’s Story. I’d been somewhat lukewarm about the series to start, mostly as I just find it hard to get inside the head of its female lead. But with the action switching to a pair of rambunctious twins, things picked up and also got much funnier, while keeping the warmth and heart from prior books. Definitely can’t wait to read this.

ASH: Wow, this is a great week for manga, so it really is hard to choose! Since the most recent volumes of Mobile Suit Gundam: The Origin and A Bride’s Story have already been mentioned (both of which I’m looking forward to a great deal), I’ll put my vote in for the first part of Hikaru Asada and Takahiro Seguchi’s Sickness Unto Death. I don’t really know much about the series, but Vertical has a habit of publishing some very intriguing manga, so it has caught my interest.

MICHELLE: It’s Goong all the way for me! This series has been on hiatus for a full two years, so I am INTENSELY grateful to Yen for bringing it back to finish its run and for scheduling subsequent releases at four-month intervals! This omnibus covers material from volumes 17-18 of the original Korean release, so if my math is right, the rest of the volumes on Yen’s schedule will take us not only through the conclusion of the series (volume 27), but through the extra 28th volume, as well.

What looks good to you this week?

Sherlock Bones, Vol. 1

September 21, 2013 by Ash Brown

Author: Yuma Ando
Illustrator: Yuki Sato
U.S. publisher: Kodansha
ISBN: 9781612624440
Released: September 2013
Original release: 2012

Sherlock Bones is currently a seven-volume manga series written by Yuma Ando and illustrated by Yuki Sato. The first volume was originally released in Japan in 2012 while the English-language edition was published by Kodansha Comics in 2013. I didn’t realize it at first, but I was already familiar with Sato and Ando’s previous works in English. Sato is the creator of Yokai Doctor and Ando (one of many pen names used by Shin Kibayashi) worked on Bloody Monday and Drops of God. More thematically relevant, Ando was one of the original creators of The Kindaichi Case Files. Sir Arthur Conan Doyle’s Sherlock Holmes is a well-loved and well-known detective worldwide and this is no exception in Japan. Sherlock Bones is only one Japanese work among many that is directly inspired by Doyle’s stories. I was vaguely curious about the series when it was licensed, but it wasn’t high on my list of manga to acquire. Happily, Kodansha sent me a review copy of Sherlock Bones, Volume 1, so I was able to give the series a try sooner rather than later.

When Takeru Wajima adopted a puppy from the local animal shelter, he had no idea what he was getting into. Most new pet owners have to worry about things like house and obedience training, but Takeru has an entirely different problem to deal with–Sherdog is the reincarnation of none other than the brilliant detective Sherlock Holmes. Oh, and Sherdog can speak (at least to Takeru, that is) and he is certain that his new owner is the reincarnation of his dear friend and faithful assistant Dr. John H. Watson. It’s not as if the two of them go out looking for mysteries to solve, but Sherdog and Takeru seem to be drawn into criminal investigations. When one of Takeru’s classmates is killed, and Sherdog is the only witness to the crime, they must find a way to prove the guilt of the murderer. Sherdog may have the brains to determine a solution, but it will be up to Takeru to do all of the legwork. After all, who else would belive, let alone understand, a dog.

I’ll admit, I was more than a little skeptical going into Sherlock Bones. I thought that the premise–Sherlock Holmes reincarnated as an adorable puppy–would be silly at best. And it is silly, but it also ends up being a good deal of fun. I was honestly surprised by how much I enjoyed the first volume of Sherlock Bones. Its mix of goofiness and seriousness is entertaining even if it is rather ridiculous. So far, though, it seems to work. There’s Sherdog himself–appalled that he’s a canine, though on occasion he will deign to use it to his advantage–and then there’s Takeru, who seems to be a good kid even if he’s understandably a bit befuddled by the whole situation and less than convinced that he’s Watson’s reincarnation. I also like that the entire Wajima family is made up of police officers and investigators–father, mother, and sister–so Takeru’s poking around into various criminal goings-on doesn’t seem too out-of-place.

As for the central case in Sherlock Bones, Volume 1, the mystery doesn’t lie within who killed the unfortunate student. Even why the murder took place can be fairly easily deduced. The trick is in how the culprit establishes an alibi and then carries out the deed. In part this is where Sato’s artwork plays an important role–the major clues that help Sherdog and Takeru crack the cases in Sherlock Bones, Volume 1 can be found right there on the page even before they solve the mysteries, waiting for observant readers to notice. I appreciate this sort of potential for engagement in the mystery fiction that I read, and so was happy to see it included in Sherlock Bones. Granted, not all of the clues are revealed in this way, especially when things like color come into play, but overall I was pleased with how the story and art worked together to form a cohesive whole. Sherlock Bones was a pleasant surprise for me and I look forward to reading more of the series.

Thank you to Kodansha for providing a copy of Sherlock Bones, Volume 1 for review.

Mobile Suit Gundam: Awakening, Escalation, Confrontation

September 20, 2013 by Ash Brown

Author: Yoshiyuki Tomino
Translator: Frederik L. Schodt
U.S. publisher: Stone Bridge
ISBN: 9781611720051
Released: April 2013
Original release: 1979-1981

The first part of the massive Gundam franchise to be officially released in English was a trilogy of novels by Yoshiyuki Tomino that were initially published in Japan between 1979 and 1981. The novels are a reimagining of the original 1979 anime series Mobile Suit Gundam which was directed and primarily developed by Tomino. Based on the trilogy’s 1987 edition, the novels were originally translated by Frederik L. Schodt and published by Del Rey between 1990 and 1991. They subsequently went out of print but were released again by Stone Bridge Press in 2004 in an omnibus edition with a revised translation. The omnibus, too, went out of print only a few years later. It wasn’t until 2012 that the license was able to be re-secured, but Mobile Suit Gundam: Awakening, Escalation, Confrontation is once again available in a newly redesigned omnibus. It also includes some of the concept design sketches form the original anime series as illustrations.

In Universal Century 0079, the colonists of Side 3 rebelled against the Earth Federation, establishing the Principality of Zeon. During the ensuing war, half of the solar system’s human population was annihilated before the two sides of the conflict could reach a temporary ceasefire. In less than a year, the relative peace came to an end. The fighting began again as the Federation and Zeon forces were caught up in an arms race. Each side continued developing more and more advanced and powerful weapon systems and mobile suits. Combined with the emergence of Newtypes–humans with astounding powers of intuition and expanded consciousness–the conflict quickly escalated. No one is entirely sure what the Newtype phenomenon means for the future of the human race or what dangers those with Newtype potential will present, but both militaries are resolved to harness their abilities in order to gain an advantage in the war.

I haven’t seen the original 1979 Mobile Suit Gundam anime series in its entirety, but I do know that the novels are a darker, more mature, and more detailed take on the story. The ending of the trilogy is significantly different from that of the anime, as well. My first real introduction to the Gundam franchise was actually through Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin, which is also a retelling of the original anime. If I am to be completely honest, I much greatly prefer the manga over the novels. However, simply by the nature of the medium, the novels allow Tomino to explore the world of Mobile Suit Gundam in greater depth than either the anime or the manga; some of the specifics about the characters and their motivations can be found nowhere else. But this can also be a drawback–at times, Mobile Suit Gundam: Awakening, Escalation, Confrontation reads more like an insider’s guide to the Gundam universe rather than a set of novels.

I like the story of Mobile Suit Gundam as well as its setting. Unfortunately, I wasn’t nearly as fond of the novels’ execution. There was an annoying preoccupation with who was or wasn’t, or who could or could not possibly be a Newtype. Though frequently debated, the characters never reach a solid conclusion and constantly change their opinions on the matter. This is somewhat understandable since the Newtype phenomenon is a new step in human evolution that has yet to be strictly identified or defined, but it’s particularly frustrating when the author doesn’t seem to have a firm grasp of the concept, either. I do like the Newtype theory, though, and it is a very important part of Mobile Suit Gundam. I also like that the novels show both sides of the conflict between Zeon and the Federation from multiple perspectives. Mobile Suit Gundam is an ambitious war tale with a fairly large cast of interesting characters. But in the end, I have a feeling that the novels will appeal most to readers who are already fans of the franchise.

Manga the Week of 9/25

September 19, 2013 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: A surprisingly huge last week of the month. Shall we get right down to it?

Archaia has their new modern adaptation of Cyborg 009 debuting this week. I recall the old 60s series when Tokyopop took a flyer on it, and it was fun if very ‘a product of its time’. It’s a series that a modern retelling, getting rid of some of the racism and sexism, could really work wonders. Intriguing.

ASH: I’ve already got my copy of this one. I haven’t read it yet, but I can say this–Archaia’s Cyborg 009 has one of the coolest book designs that I’ve seen in quite a while.

SEAN: Kodansha continues the speedup of Attack on Titan with Vol. 7, which reminds you that the series can still be really, really brutal.

ASH: Yes it can! If Attack on Titan has one thing going for it, it’s the series’ intensity. And tragic deaths.

MICHELLE: I feel very wrong that “tragic deaths” has seriously made me consider Attack on Titan.

ANNA: I feel the same way. What is the ratio of tragic deaths to non-tragic deaths per volume?

MJ: I also would like to see some statistics on this. Yes.

SEAN: Also, lest you think there’s only omnibuses, there’s the 18th volume of Battle Angel Alita: Last Order.

And speaking of speedups, here’s Fairy Tail 30, which wraps up its very long S-class arc, and has a major plot shift that affects… well, not quite everything.

I admit I sometimes miss things coming out via Picturebox and their cadre of indie manga releases. Here’s a new one called World Map Room, which I know nothing about.

ASH: Picturebox is a publisher that has really caught my eye this year. I don’t always enjoy Yuichi Yokoyama’s manga, but I can certainly appreciate his draftsmanship and experimental work.

MJ: Agreed. I’m very interested in what they’re doing.

SEAN: I had assumed that Dictatorial Grimoire: Cinderella was another series from Quin Rose in the Alice in the Etc Etc. vein, but apparently not. This is from Media Factory’s oddball shoujo-ish Comic Gene, and is a Grimm’s Fairy Tales rewrite, in a way.

MICHELLE: Huh. I’m feeling a little oversaturated with fairy tail adaptations, though.

ANNA: I love fairy tale adaptations! Not sure if I will check it out although content from oddball shoujo-ish magazines sounds promising.

MJ: Well, huh. This does sound like my kind of thing!

SEAN: Alice in the Country of Clover: Cheshire Cat Waltz is almost finished, I believe, but not quite, so here’s more Boris and Vol. 6.

Mobile Suit Gundam: The Origin has been one of my most awaited titles of 2013, with every volume desperately needing to get into my hands as quickly as possible. Vol. 3 is called Ramba Ral!

ASH: I’ve been very impressed by Vertical’s edition of The Origin. It’s a great manga and a gorgeous release. Plus, I’m a fan of Yoshikazu Yasuhiko’s manga.

MICHELLE: I’m enjoying it, too!

ANNA: I am so happy that Vertical is putting out this series.

SEAN: If you’d told me a few years ago Vertical would be licensing a Young Animal title, I’d have laughed. But here we are. Sickness Unto Death is along the lines of Flowers of Evil, but only 2 short volumes. The first ships this week.

ASH: I’m very curious about this one.

MICHELLE: I don’t know what to think about it.

MJ: I’m always interested in what Vertical has to offer, so count me in!

SEAN: Are You Alice? has a 2nd volume that may potentially have something comprehensible happen, which Vol. 1 lacked, in my opinion.

And The Betrayal Knows My Name, a series that feels like it should be Wings but is instead in Asuka (which is becoming the new Wings), hits Vol. 6, and has lots of reincarnation romance.

MJ: I have been shamelessly addicted to this series ever since my holiday marathon read last year. More, more!

SEAN: A Bride’s Story really picked up for me with the introduction of the twins in Vol. 4, so seeing their wedding in this new volume is definitely high on my list of things to do.

ASH: I’m always happy to see a new volume of Kaoru Mori’s A Bride’s Story! (Now, if we could only get Emma back into print, too…)

MICHELLE: Someday I will have time to read this.

ANNA: Me too. I need to catch up. The first two volumes were lovely.

MJ: I adore this series, and I’m very excited about the wedding! Hurray!

SEAN: Kieli hits Vol. 9… of the novels, that is. Don’t get your novels and manga mixed up, especially from Yen, which tends to license both more than most companies.

The regular old manga may be ending in Japan, but its gag spinoff continues, as we see the 7th volume of The Melancholy of Haruhi-chan Suzumiya.

Lastly, Soul Eater hits sweet 16, and will likely start spinning out new plot threads here to see what sticks. Always fun.

What’s whetting your appetite?

MICHELLE: Isn’t Goong 13 coming out too this week, now that I think about it? At least, Amazon has it with the same date as the other Yen, and I just got it in a box of review copies (yay!).

ANNA: eeeeeeeee!

MJ: YAY GOONG YAY!

SEAN: It’s still hard for me to remember Korean books…

No. 6, Vol. 2

September 18, 2013 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612623566
Released: August 2013
Original release: 2011

My introduction to Atsuko Asano’s No. 6 was through the anime adaptation of the original novels. I enjoyed the setting and characters, but was disappointed in the anime’s rushed, original ending. Asano’s No. 6 novels are unlikely to be released in English, so I was glad when Kodansha licensed Hinoki Kino’s manga adaptation of the series. The second volume of the No. 6 manga, originally published in Japan in 2011, was released in English in 2013. Although Kino’s character designs are based on the same ones used for the anime and many of the underlying elements are the same (they are both adaptations of the No. 6 novels after all), Kino’s version of the story is different. The first volume of the manga was a little too quickly paced for my taste, but for the most part I still enjoyed it. However, I did have hopes that the second volume would slow down a bit after the first volume‘s rush to establish the characters, story, and setting.

After barely escaping from the holy city of No. 6, Shion is now a fugitive hiding in West Block, a dangerous area outside of the city walls and No. 6’s dumping grounds. Although he is out of immediate danger, he still has a lot to learn about West Block if he hopes to survive there. The violent and bleak conditions outside the city are very different from the peaceful and pampered life that Shion led in No. 6. The only reason he’s made it this far is thanks to the help of Rat, the young man whose life Shion once saved as a boy. The two make an unusual pair. Shion is altruistic and slow to doubt people, characteristics which could get him into big trouble in West Block, while Rat only looks out for himself and is much more wary of others. Saving Shion’s life was a way for Rat to repay his debt, but in the process he has begun to open up to another person. For the time being Rat persists in watching over the other young man, but he is also capable of turning on Shion at any moment.

One of my favorite things about the No. 6 anime was the relationship between Rat and Shion. I’ve happily found this to be the case with the manga as well. Even though it’s only the second volume, there has already been some very nice character development. Both Shion and Rat are beginning to change due to the circumstances surrounding Shion’s escape from No. 6 and their continued association with each other. As Shion is faced with the harsh realities of living in West Block and Rat’s seemingly uncaring attitude, he is learning to stand up for himself and what matters to him. In turn, Shion is also influencing Rat to a much greater extent than either of them at first realize. When it comes to Shion, Rat finds himself acting out of character and letting his guard down. It understandably bothers and worries him, but it’s also rather touching from an outsider’s perspective. I’m really enjoying watching their relationship evolve in No. 6.

In addition to character development, the second volume of the No. 6 manga also reveals more about No. 6 and West Block. As Shion experiences West Block first hand, nearly getting killed in the process, the readers are also introduced to the world in which he now lives through the people he meets–the children who are starving, the marketplace vendors who are quick to pull guns on thieves, the prostitutes and pimps. Everyone is struggling to get by in any way that they can. It also reveals in part why Rat has the personality that he does. To survive in West Block requires people to place their own needs above those of others. Simply trusting another person means taking a huge risk. It’s a hard lesson for Shion with his innocent nature and privileged upbringing. The second volume of No. 6 does build and improve on the first in its pacing, characterization, and world-building. I can honestly say that I’m looking forward to the next volume of Kino’s adaptation.