Ash Brown

Manga the Week of 2/12

February 6, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 2 Comments

SEAN: Assuming that you are able to get out of your house and are not snowed in, there’s a lot to like in this 2nd week of February.

Does anyone here remember Hey! Class President from DMP? Vol. 3 came out back in September 2010. Well, here’s Vol. 4, despite the fact that he surely should have graduated by now.

Do you like tournament arcs? Do you wish that they came out in giant omnibuses so that you could get EVEN MORE TOURNAMENT ARC per volume? Then you will love the 3rd Battle Angel Alita: Last Order omnibus from Kodansha.

ASH: Ancient Martian martial arts and space karate! What’s not to love?

SEAN: Do you like tournament arcs? Do you wish that they came out in giant omnibuses so that you could get EVEN MORE TOURNAMENT ARC per volume? Then you will love the 9th Negima omnibus from Kodansha.

MICHELLE: *snerk* Somehow, this has left me wondering when/whether The Prince of Tennis will get the omnibus treatment.

MJ: This whole conversation just made me smile. Though I mostly don’t like tournament arcs. Unless they are about Go. Apparently.

SEAN: Sankarea looks like it may be taking that big step towards full-blown horror, but will it find the time to be silly and have harem antics? Find out with Volume 5.

Blue Morning 4 is filled with tortured embraces and flowers blooming from nowhere.

MICHELLE: It’s so good!

MJ: I’m looking forward to this!

SEAN: Meanwhile, in Crimson Spell 2, our heroes would prefer to merely glare at the reader. Both of these from SubLime.

ASH: I’m still incredibly happy about this license rescue.

SEAN: Knights of Sidonia looks like it may be taking that big step towards full-blown horror, but will it find the time to be silly and have harem antics? Find out with Volume 7.

MICHELLE: Also so good.

ASH: Yes, it is!

MJ: More Sidonia, more!

SEAN: Deadman Wonderland manages to combine the survival game genre with a prison drama, as a young man who is the sole survivor of a brutal massacre is convicted of being the cause and sent to Japan’s Next Top Prison.

MICHELLE: I liked the first volume of this, back when it was a TOKYOPOP title. I’m looking forward to being able to revisit it and hopefully get more of the story.

ASH: I enjoyed what TOKYOPOP released, too, though I preferred the earlier volumes over the latter ones.

ANNA: I also enjoyed the first few volumes of this, and it makes sense that it is going to be reissued, what with the anime tie-in. I really really wish someone would license rescue old Tokyopop titles like Demon Sacred and Sky Blue Shore though.

MICHELLE: Oh, me too x 1000.

MJ: I’m grateful for this one because I missed it the first time around. Count me in on Demon Sacred, though!

SEAN: Hayate the Combat Butler 23 finally begins to get dramatic (no, seriously, it does), but will it be able to actually resolve the Athena plot? Or will we wait another 6 months with a nasty cliffhanger?

The last VIZBIG InuYasha is looking like it may be the last VIZBIG edition period, but it was a nice way to get a very long series.

MICHELLE: I have still not finished InuYasha. One of these days.

SEAN: Our heroes are separated as of the end of the 3rd Magi volume. Can we get them back together in this 4th book? Let’s hope so, I love shonen teamups.

MICHELLE: I’ve been really impressed by Magi so far. Hooray for more.

SEAN: Lastly, the 4th volume of Tiger & Bunny continues to attract a very devoted audience.

MICHELLE: That’s very diplomatic.

SEAN: What’s your poison this week?

Manga Giveaway: Vinland Saga Giveaway Winner

February 5, 2014 by Ash Brown

And the winner of the Vinland Saga Giveaway is…Serene!

As the winner, Serene will be receiving the second omnibus in Kodansha USA’s release of Makoto Yukimura’s Vinland Saga. For this giveaway I asked those participating to tell me about some of their favorite scenes in manga that involved snow. (The first two omnibuses of Vinland Saga have quite a bit of snow in them.) Do check out the giveaway comments for all of the details, but here is a quick list of all of the manga that was mentioned:

Aria by Kozue Amano
Fullmetal Alchemist by Hiromu Arakawa
Fruits Basket by Natsuki Takaya
I”s Masakazu Katsura
Love Song by Keiko Nishi
Maison Ikkoku by Rumiko Takahashi
Mushishi by Yuki Urushibara
One Piece by Eiichiro Oda
Palette of 12 Secret Colors by Nari Kusakawa
The Summit of the Gods written by Baku Yumemakura, illustrated by Jiro Taniguchi
Tsubasa by CLAMP
Vinland Saga by Makoto Yukimura

And there you have it! A dozen titles with some memorable snowy scenes. Thank you to everyone who participated in this giveaway. I hope to see you again for the next one!

My Week in Manga: January 27-February 2, 2014

February 3, 2014 by Ash Brown

My News and Reviews

I only posted one review last week, but there were a couple of other posts as well. As for the review, I took a look at Haruki Murakami’s award-winning Kafka on the Shore. Of the two Murakami novels that I have so far read, this is my favorite. Still, at times I found it to be a rather frustrating reading experience, although there were parts of the novel that I absolutely loved. For the few people who are actually interested, I also posted January’s Bookshelf Overload last week. But, perhaps most importantly, my first manga giveaway of the year is currently in progress! I accidentally ended up with two copies of the second Vinland Saga omnibus, so now you have a chance to win one for your very own! The winner will be announced on Wednesday, so there’s still some time to enter the giveaway.

On to other things online! Matt Thorn has tracked down the interview with Inio Asano that sparked the whole discussion about his gender identity among fandom and offers some of his own comments. Over at All About Manga, Daniella Orihuela-Gruber writes about Hetalia’s Version of History: What Does It Offer Readers?. The fourth episode of Fujojocast has been posted, which takes a look at some award-winning and award-nominated manga. And speaking of honor-worthy manga, Wandering Son made the Rainbow List again this year and quite a few manga appear on YALSA’s 2014 list of Great Graphic Novels for Teens (which is actually a great list of graphic novels for anyone, not just teens). Finally, Seven Seas has had a week full of license announcements, including Vampire Bund doujinshi, Kokoro Connect, and it’s newest yuri acquisition Citurs.

Quick Takes

Attack on Titan, Volume 11 by Hajime Isayama. To be honest, I’ve recently been a little worried reading Attack on Titan due to the sheer number of plot twists that seem to be included in every volume. While this does make for some exciting (and occasionally confusing) storytelling, it also makes the series feel like Isayama barely has it under his control. Fortunately, the eleventh volume of Attack on Titan is relatively the free of any “big reveals.” (At least in comparison to previous volumes.) Instead, the characters must deal with the fallout from some of the most recent developments–there are a surprising number of Titans who have come out of the 104th Corps. So, while there aren’t many dramatic plot twists in the eleventh volume, there is a major Titan battle between Eren and some of the people he once considered to be his comrades. Some nice character development comes out of it, too, as well as some more hints regarding what the Titans really are and who is behind it all. I’m still sticking with the series at this point.

Sake Jock: Comics from Today’s Japanese Underground edited by Adam Glickman. Published in 1995, Sake Jock is described as being “the first collection of Japanese alternative artists to appear in English.” Sadly, this slim volume from Fantagraphics can be rather difficult to find nowadays. Sake Jock collects seven short manga, most if not all of which were originally published in the influential alternative manga magazine Garo. Some of the creators I was already familiar with from other underground comics anthologies while others I was encountering for the first time. I was particularly happy to see a work by Kiriko Nananan included since I love her style. Overall, I appreciated and enjoyed the manga collected in Sake Jock. I’m not sure that the collection will hold much general appeal except to those who already have an established interest in alternative manga; there have since been other anthologies published that would make a better introduction. It’s kind of a cool artifact, though, and I am glad to have it as part of my collection.

Two Flowers for the Dragon, Volumes 2-4 by Nari Kusakawa. It’s actually been a few years since I read the first volume of Two Flowers for the Dragon, but I remember being quite taken with it so I figured it was about time to get around to reading more of the series. I’ve rediscovered that I really enjoy the manga. It’s a wonderful mix of fantasy and romance with great character dynamics. There’s also a bit of court intrigue and some assassination plots for good measure.(And some unexpected gender-bending, too, for that matter.) Shakuya, the princess and heir of the Dragon Clan, has two fiancés vying for her affections. Kuwan is a capable but somewhat arrogant captain of the guard while Lucien is a kind-hearted young man who has lost many of his memories. The two of them obviously care for her dearly and are understandably a little antagonistic towards one another. Much to her dismay, Shakuya has developed feelings for both of them to varying degrees. But trying to figure out the workings of her own heart is only one of her many concerns.

The Tyrant Falls in Love, Volume 7-8 by Hinako Takanaga. Volumes seven and eight of The Tyrant Falls in Love form the last story arc in the series although Takanaga does promise that she hasn’t completely abandoned the story and characters. She plans on creating more manga–side stories, epilogues, and so on–but The Tyrant Falls in Love forms a complete story on its own, even considering the fact that it was a sort of follow-up to her debut series Challengers. Throughout The Tyrant Falls in Love, Morinaga and Souchi’s communication has been absolutely terrible. Their relationship is an extraordinarily rocky and volatile one; I honestly wasn’t sure what sort of ending Takanaga was going to go for. Overall, I was very satisfied with the series’ conclusion and I think it works. The only thing I wasn’t entirely convinced by is the direction that Masaki’s relationship with Morinaga’s older brother seems to be taking. Granted, that particular development did set in motion a pretty critical realization on Morinaga’s part.

Pick of the Week: Seven Seas Showing

February 3, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 2 Comments

SEAN: As always with the start of the month, there’s a lot of titles I could pick. So I’ll go with the one that only comes out about once a year due to a slow release schedule in Japan, Toradora!. Of all the romantic comedies starring a small tsundere girl and her put-upon not-boyfriend, this is my favorite, because for once nothing overbalances. The humor is just right, the heartwarming is there when needed, there’s lots of drama and character development, and even the romantic triangle is well-paced. If most tsundere love comedies make you recoil in horror, you should give this one a try anyway.

MICHELLE: I’m going with the 3-in-1 edition of High School Debut. This is one of those series that I love with my whole heart, and I’m happy that those who missed it the first time will have another chance to check it out. One thing I particularly like about it is that you really get to know Yoh, the boyfriend, and that he talks about things with his friends. Sometimes you wonder what the cool-looking boy sees in the slightly daffy female lead, but here there’s no uncertainty about that.

ASH: Out of all the manga being released this week, the one that I am most curious about is the second volume of A Centaur’s Life. After a somewhat…awkward…first chapter, the series actually becomes rather charming and has already shown huge potential for some excellent world-building.

ANNA: I’m also going to have to go with High School Debut. This is a great shoujo series, and one of the rare cases where the daffy female lead is utterly endearing.

MJ: I’ve been just about convinced on A Centaur’s Life, thanks to Ash and a few influential comments from readers, but this week, I can’t help joining Michelle and Anna in their enthusiasm for High School Debut. I was initially pretty uninterested in this series, and then Michelle lured me in with her own copies of the series’ early volumes. It’s completely charming, and I think the 3-in-1 release may tempt me to pick up this series for my own library.

What looks good to you this week?

Bookshelf Overload: January 2014

February 1, 2014 by Ash Brown

Compared to past months, I actually consider January to be a fairly reasonable month for me when it comes to new acquisitions. Hopefully, this trend will continue for a bit—I know both my wallet and my bookcases (or lack thereof) would appreciate it. Anyway, as for manga that I was particularly excited to see in January—Takako Shimura’s Wandering Son is always at the top of my list. For some reason, my copy of the sixth volume arrived a few weeks later than those of a lot of people I know, but I was happy to finally get it. I was also very excited for the release of the second Vinland Saga omnibus. Actually, I think I enjoyed it even more than the first omnibus. (There’ll be a review coming soon!) I’m also really looking forward to reading the next volumes in Mitsuhisa Kuji’s Wolfsmund and Nico Tanigawa’s Watamote. Plus, there’s a new Kou Yoneda manga in English—NightS!

Manga!
Arisa, Volume 12 by Natsumi Ando
Attack on Titan, Volume 11 by Hajime Isayama
Dictatorial Grimoire, Volume 1: Cinderella by Ayumi Kanou
Fairy Tail, Volume 34 by Hiro Mashima
The Flowers of Evil, Volume 8 by Shuzo Oshimi
Missions of Love, Volume 6 by Ema Toyama
NightS by Kou Yoneda
No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 2 by Nico Tanigawa
Ōoku: The Inner Chambers, Volume 9 by Fumi Yoshinaga
Sorako by Takayuki Fujimura
Vinland Saga, Omnibus 2 by Makoto Yukimura
Wandering Son, Volume 6 by Takako Shimura
Wolfsmund, Volume 3 by Mitsuhisa Kuji

Comics!
In These Words, Chapter 10 by Guilt | Pleasure
Wrapped Around Your Finger by Guilt | Pleasure

Novels!
Cold Sleep by Narise Konohara
Cruel to Be Kind by Guilt | Pleasure
Oh, Tama! by Mieko Kanai

Anime!
Sengoku Basara: Samurai Kings directed by Itsuro Kawasaki

Kafka on the Shore

January 31, 2014 by Ash Brown

Author: Haruki Murakami
Translator: Philip Gabriel
U.S. publisher: Alfred A. Knopf
ISBN: 9781400079278
Released: January 2006
Original release: 2002
Awards: World Fantasy Award

Haruki Murakami is an international best-selling author and one of the most recognizable Japanese novelists currently writing worldwide. Therefore, I find it somewhat surprising that I actually haven’t read much of his work. Before picking up Kafka on the Shore I had only read two of his books–1Q84 and Underground: The Tokyo Gas Attack and the Japanese Psyche–in addition to a small selection of essays and interviews. 1Q84 was my introduction to Murakami; it was both an incredibly frustrating and invigorating experience. I loved parts of the novel but strongly disliked others. 1Q84 probably wasn’t the best place to start reading Murakami, and so I’ve been meaning to give another one of his novels a try. I settled on Kafka on the Shore, originally published in Japan in 2002, for several reasons. It’s one of Murakami’s best-known works. Philip Gabriel’s 2005 English translation won the World Fantasy Award. The novel’s young protagonist basically runs away to a library. But mostly, I wanted to read Kafka on the Shore for the sake of one character, Oshima, with whom I happen to share quite a bit in common.

Fifteen-year-old Kafka Tamura, though that’s not his real name, has just run away from home. He leaves behind his father in Tokyo just as his mother and sister left the two of them behind more than a decade ago. Kafka’s plan is simple–travel to a faraway town and make a place for himself in a library. That’s how he finds himself in Takamatsu, over four hundred miles away from the home, father, and life that he wants to escape. There he seeks out the privately owned Komura Memorial Library where meets Oshima, an assistant at the library who takes Kafka under his wing. Meanwhile, strange events are unfolding around Kafka and the people in his life. Back in Tokyo, a man by the name of Nakata with the ability to talk to cats finds himself pulled into Kafka’s story. Though the two have never met they share a strange connection with each other that neither of them are entirely aware of or expected.

The chapters in Kafka on the Shore alternate between Kafka and Nakata’s individual journeys. Kafka’s chapters are written in first-person present, giving them a very intimate and immediate perspective, while Nakata’s are written in third-person past, creating more distance. At first the two stories seem to be completely unrelated, but as Kafka on the Shore develops the tales steadily draw towards one another and connect in shocking ways. Kafka and Nakata’s paths never directly cross but they do influence each other and those of the people around them. Ideas, concepts, and turns of phrase, not to mention actions and their consequences, echo throughout the novel, tying seemingly disparate events together into a cohesive whole. There is a lot of loneliness in Kafka on the Shore. The characters are searching and reaching out for these sorts of connections and relationships, both consciously and subconsciously. They are individuals yearning to find what is missing from themselves and from their lives, often disregarding time and reality in the process.

Much as with 1Q84, there were parts of Kafka on the Shore that I adored and other parts that I found immensely frustrating. In general, I preferred the earlier novel over its later developments. For me, Kafka on the Shore worked best when it was more firmly grounded in reality with hints of the unexplainable, mysterious, and strange rather than the other way around. As the novel progresses it becomes more confusing and dreamlike. That in and of itself isn’t problematic, but towards the end of Kafka on the Shore Murakami begins introducing bizarre elements seemingly out of nowhere that do very little to develop the plot or the characters. Readers looking for closure from Kafka on the Shore may be disappointed as there are plenty of threads left unresolved by the time the novel reaches its conclusion. Despite my frustrations with Kafka on the Shore I am glad that I read the novel. I appreciated the importance giving to books and the influence of music; I found the characters intriguing; and although the story goes a little off the rails, I liked Kafka’s peculiar journey of discovery and coming of age.

Manga the Week of 2/5

January 30, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ

SEAN: Hey, for a first week of the month, this isn’t too bad! It’s under 20 titles! That’s practically nothing!

Kodansha brings us the 30th volume of Air Gear, which I haven’t read in about 27 volumes, but I seem to recall this may be around the point that they introduced President Obama as a character. Sadly, I doubt this hits the highs of the unlicensable Legend of Koizumi, but it tries.

MICHELLE: Man, it seems like Air Gear has been coming out forever.

ASH: Oh, Legend of Koizumi! I would totally read that.

SEAN: Alice in the Country of Joker: Circus and Liar’s Game has been hands down my favorite of the innumerable Alice spinoffs we’ve seen over the past 3 years. Volume 4 is out from Seven Seas this week, and I can’t wait.

ANNA: I enjoyed the first two volumes of this series!

SEAN: A Centaur’s Life turned out to be a bit less creepy than I was expecting, and seems very interested in its world building. We’ll see how much in can build in Vol. 2.

ASH: So far, the world building has been great in this series.

MJ: I’m trying to figure out whether “less creepy than I was expecting” is an actionable recommendation.

SEAN: New Seven Seas debuts always fill me with a combination of delight and dread, which resolves into one or the other once the title is read, like a Schrodinger’s Box. Light novel series, fantasy, loser protagonist, tsundere lead girl… we’ve seen these elements before – indeed, more than once – from Seven Seas licenses. We’ll see how Dragonar Academy goes.

On the other hand, a new volume of Toradora! cannot possibly make me happier. This is a great story with a top notch adaptation, funny characters and knows when to use humor and heart. An absolute must read.

Bleach. It’s Volume 59. It’s running through its final arc. Which may actually take 15 years. Recommended for Bleach fans.

A Devil and Her Love Song has only hit Volume 13, and yet this is its finale. I enjoyed this series with its blunt and broken lead couple and a good deal of humor with its darkness. An excellent Shojo Beat title.

MICHELLE: I’m definitely looking forward to reading the conclusion of this series.

ANNA: Me too. This was a great, slightly edgy Shojo Beat series.

SEAN: If you enjoyed Dragon Ball, and then enjoyed it again in the huge VIZBIG editions, well then why not buy it again in full color? Dragon Ball Full Color 1 actually appears to be Dragon Ball Z, meaning I’ve no interest in it. (I like my Goku goofy). But DBZ fans should greatly enjoy seeing it again with bright colors.

Happy Marriage?! 4 would appear to be the volume that reminds us this is a Petit Comic title, and earns its M rating. Good to see the couple finally getting close.

ANNA: Yay for shrinkwrapped josei!

MJ: Agreed!

SEAN: I somehow missed High School Debut when it first appeared, so am delighted that there is a 3-in-1 release so I can appreciate it again. Its heroine is apparently dense enough to rival Special A and Voice Over. I like cute but dense in my fictional manga heroines.

MICHELLE: I love, love, love High School Debut. I’d definitely rank its heroine about the one in Voice Over!.

ANNA: This is a wonderful series. It deserves to be reissued!

MJ: I adored this series and its heroine!

SEAN: Kamisama Kiss 14 takes us back to the past, as a new crisis forces Nanami to go back and find out how Tomoe got to be the way he is.

MICHELLE: It is my goal to get caught up on this soon!

ANNA: Another series from Shojo Beat that I adore.

SEAN: Nura: Rise of the Yokai Clan keeps chugging right along. Here’s Vol. 19.

One Piece’s 3-in-1 finally hits the end of Alabasta with Vol. 8.

Sakura Hime comes to an end with Volume 12. Does this mean we are in some strange world with no ongoing Tanemura manga? Well, next month should take care of that problem.

MICHELLE: What, is there a new one? I do not keep up with Tanemura.

ANNA: Is that the reissue of Kamikaze Kaito Jeanne!? My favorite Tanemura series EVER!!!!!!

MICHELLE: Oh! Right! I still have my CMX volumes, so the VIZ version wasn’t really on my radar. I have very fond memories of the anime, too.

SEAN: Toriko also keeps chugging right along. Here is Vol. 20.

And Voice Over: Seiyu Academy is at Vol. 3, and I have a sneaking suspicion will continue to have its heroine want to sound cute and adorable.

Anything here tickle your fancy?

Manga Giveaway: Vinland Saga Giveaway

January 29, 2014 by Ash Brown

The end of the January is drawing near, which means it’s time for the first manga giveaway of the year! In my excitement for its release, I accidentally managed to end up with two copies of the second omnibus of Makoto Yukimura’s Vinland Saga. But my mistake is your gain–this month, you all have the opportunity two win a brand new copy of the volume! Already it’s one of my favorite manga of the year. As always, the giveaway is open worldwide.

So, where I currently live in Michigan, it has been an extremely cold and snowy winter. It’s seems oddly appropriate then that Vinland Saga, Omnibus 2, with the snowstorm on its cover, was released this season. Perhaps it shouldn’t be too surprising, seeing as the series is about Vikings and all, but there’s actually quite a bit of snow in Vinland Saga. It’s not just there to look pretty or save on inking, either. Snow, and winter, has a significant impact on the story itself as battles are waged in the cold and people going about their day-to-day lives simply try to survive the elements. This got me to thinking about other manga that I’ve read in which snow plays an important role. CLAMP’s Shirahime-Syo: Snow Goddess Tales, series like Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, and some of the stories in Yuki Urushibara’s Mushishi immediately spring to mind, but there are definitely more snowy manga out there.

So, you may be wondering, how can you win a copy of Vinland Saga, Omnibus 2?

1) In the comments below, tell me about your favorite scene in a manga that either involved or was set in snow.
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s really that easy. For this giveaway, each person can earn up to two entries. There will be one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on February 5, 2014. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Vinland Saga Giveaway Winner

Pick of the Week: Everything’s Gone Greenwood

January 27, 2014 by MJ, Michelle Smith, Sean Gaffney, Ash Brown and Anna N 2 Comments

MJ: There’s not much for me in this week’s haul, so I decided to take a look at what’s been coming out digitally from Viz… and wow, the choices are abundant! Some of my long-time favorites are mid-release in Viz’s digital store, including Yumi Tamura’s Basara (now up to volume 18), CLAMP’s X (omnibus volume 4), Kentaro Yabuki’s Black Cat (volume 20), and Yoko Kamio’s Boys Over Flowers (volume 11). But I’ve got my eye on Here Is Greenwood, Yukie Nasu’s shoujo take on boys’ dormitory life, originally published from 1987-1991—possibly my favorite period for shoujo manga. I missed this series when it was first published in English, and was thrilled to see that it is now available in its entirety (nine volumes) at vizmanga.com. I guess I know what I’ll be picking up this week!

MICHELLE: I had no idea that Here Is Greenwood was available digitally, but now that I do I must enthusiastically endorse it. MJ, I think you would seriously love this manga. There’s also a thoroughly charming OVA of the series that I am lucky enough (and old enough) to own on VHS. It looks like even more Shojo imprint titles have been added while I wasn’t looking… Doubt!! (from the creator of Seiho Boys’ High School) and W Juliet, for example!

SEAN: I can’t help but agree here. Here Is Greenwood is one of my favorite old shoujo titles, filled with humor and heart and more humor. Having it digitally is a huge win, and I definitely endorse it as pick of the week.

ASH: Well, here I was all set to pick Attack on Titan for the week and you all had to go and complicate things for me! I think I’ll probably stick with that, but I’d also like to throw in my support for Here Is Greenwood and all the other great out-of-print shoujo manga Viz is now releasing digitally.

ANNA: I’m now convinced that I need to read Here Is Greenwood! I’m going to pick a different Viz digital title though, Firefighter! Daigo of Fire Company M. I’ve read the first couple volumes of this series, and I’m very happy that all the shonen firefighting struggles are now available in digital format. My main memories of the first couple volumes was that there was plenty of passion and shouting about fires! I’m going to be buying some of this series for my iPad for sure.

What looks good to you this week?

My Week in Manga: January 20-January 26, 2014

January 27, 2014 by Ash Brown

My News and Reviews

Last week I declared it to be Usamaru Furuya Week here at Experiments in Manga. Ostensibly, it was to celebrate Furuya-sensei’s birthday, but mostly it was just an excuse for me to finally get around to reviewing more of his manga. I have now written an in-depth review of all of Furuya’s manga currently available in English. As for last week’s Furuya reviews, I have for your reading pleasure Short Cuts, Volume 2 (the final volume of one of my favorite gag manga), the second and third volumes of Genkaku Picasso (probably the most accessible entry into Furuya’s English manga), and the second and third volumes of No Longer Human (an excellent adaptation of Osamu Dazai’s novel No Longer Human). I’d love to see more of Furuya’s work translated. Although there are no immediate plans, I know that Vertical has expressed interest, so I am hopeful that someday we’ll see more.

Elsewhere online, manga translator and scholar Matt Thorn has an excellent piece Regarding Inio Asano’s gender identity. (He also talks a bit about his own gender identity.) And speaking of the complexities of gender, sexuality, and translation, a few months back I attended the lecture “Out Gays” or “Shameless Gays”? What Gets Lost, and What is Gained, when U.S. Queer Theory is Translated into Japanese? and posted some random musings about queer theory, Japanese literature, and translation. Well, the video of the lecture was posted earlier this month and is freely available to view. The most recent ANNCast, Vertical Vortex, features Ed Chavez from Vertical and included a license announcement for Takuma Morishige’s comedy manga My Neighbor Seki. In other licensing news, Seven Seas has acquired Kentarō Satō’s horror manga Magical Girl Apocalypse. Also, Seven Seas will soon be announcing licenses for a new yuri manga and a doujinshi (which is very unusual in English). Finally, Shawne Kleckner, the president of Right Stuf (one of my favorite places to find manga), recently participated in a Reddit Ask Me Anything.

Quick Takes

The Drifting Classroom, Volumes 1-3 by Kazuo Umezu. An award-winning horror manga from the early 1970s, The Drifting Classroom is a series that I’ve been meaning to read. After a bizarre earthquake, Yamato Elementary School along with more than 860 students and staff disappear, leaving behind an enormous hole in the ground and very few clues as to what has happened. From the students’ perspective, everything outside the school has been turned into a wasteland. The situation they find themselves in may be extreme and unbelievable, but the consequences that follow are terrifyingly probable. The series’ setup allows Umezu to freely explore humanity’s darkness. The Drifting Classroom isn’t frightening because of the unknown; the true horror comes from how people react out of fear to the unexplainable. There are immediate concerns for survival, such as the lack of food and water, but even more problematic is the violence the erupts among the school’s survivors. The Drifting Classroom is an intense horror and survival manga with extremely dark psychological elements. I’ll definitely be reading more.

Missions of Love, Volume 6 by Ema Toyama. I started reading Missions of Love in the middle of the series. Although there is some background information that I am missing, I was still able to pick up on the major plot points fairly quickly. I really should go back and read the earlier volumes, though, as I’m enjoying the series much more than I anticipated. None of the characters are particularly nice people; their relationships are a twisted and tangled mess because of how they are all manipulating one another. And in the process, they’re confusing their own personal feelings as well. Missions of Love is intentionally scandalous and deliberately suggestive. However, it’s not exactly what I would call fanservice since it is meant more for the story and characters’ sakes rather than for the readers’. There are intimate moments and scenes of extreme vulnerability that challenge appropriateness but never quite cross the line, although Toyama frequently pushes the limits. I’m just waiting for something really terrible to happen. At this point, I can’t imagine that any of the characters in Missions of Love will be able to make it through the series unscathed.

Red Colored Elegy by Seiichi Hayashi. Another manga from the early 1970s, originally serialized in the alternative manga magazine Garo, Red Colored Elegy is only one of two volumes of Hayashi’s work available in English. The story follows Ichiro and Sachiko, two young animators in love and living together, but who are struggling to make ends meet as life slowly drives them apart. Hayashi’s artwork is deceptively simple and often free of backgrounds, placing the emphasis on the characters and their tumultuous lives and relationships. He conveys a tremendous amount of emotion through a minimalist, almost stream-of-conscious approach. Hayashi’s style in Red Colored Elegy can make it feel a bit disjointed from page to page, as though it were a collection of closely related vignettes rather than a single continuing story, but the overall melancholic mood created by the manga is consistent. Red Colored Elegy is about falling into and out of love and about pushing through life’s tragedies, both small and large. Emotionally compelling and beautifully crafted, Red Colored Elegy stands up to multiple readings.

Yowamushi Pedal, Episodes 1-14 directed by Osamu Nabeshima. The Yowamushi Pedal anime series is based on an ongoing manga by Wataru Watanabe. Sakamichi Onoda is an otaku trying to revive the anime club at his new high school, but he quite unexpectedly finds himself caught up in the bicycle racing club instead. He has some natural talent at cycling–his frequent 90 km trips by bike to Akihabara probably didn’t hurt–but he has had no formal training. That’s about to change, though. The series so far has mostly focused on Onoda and the Sohoku High School racing club. The other teams that they will be facing have only been shown briefly. However, now that Onoda has started to get the basics of cycling down, the other cyclists are becoming more prominent in the story. I particularly like Yowamushi Pedal‘s casting; all of the characters have very distinctive speech patterns and voices which are very entertaining. I’m enjoying the series a great deal. Although I never was a racer and I don’t cycle as much as I used to (once upon a time, it was my primary mode of transportation), Yowamushi Pedal makes me want to get my bike out again.

No Longer Human, Vol. 3

January 25, 2014 by Ash Brown

Creator: Usamaru Furuya
Original story: Osamu Dazai
U.S. publisher: Vertical
ISBN: 9781935654377
Released: February 2012
Original release: 2011

Osamu Dazai’s semi-autobiographical novel No Longer Human, originally published in Japan in 1948, has had a least three manga adaptations. Of those, only one is currently available in English–a three-volume series by Usamaru Furuya. I have been interested in Furuya’s work ever since I read Lychee Light Club, and so I was very happy when Vertical licensed his No Longer Human manga series. No Longer Human, Volume 3 was first published in Japan in 2011 while the English-language edition was released in 2012. The original novel was a fairly dark work. While Furuya has taken some liberties with his version of the story–using himself as a framing character and updating the setting to contemporary Japan, among other changes–the No Longer Human manga is also quite dark. Furuya argues in the afterword that his ending is somewhat more uplifting than Dazai’s, but it is still severe. Vertical describes the third volume as “the devastating finale” which is incredibly apt.

Disowned by his family and the survivor of a double suicide, Yozo Oba’s life was falling apart. Getting by on his good looks, he lived for a time as a kept man until he ran away from that situation, too. But then he met and fell in love with Yoshino, a young woman working at the cigarette shop that he frequented. Yoshino and Yozo elope and have now been married for a year. For the first time in his life Yozo is genuinely happy. He has a wonderful trusting wife who loves and accepts him for who he is, the only person with whom he can be completely open and honest. He’s gainfully employed, his manga for children is popular and selling well and with the extra income from his side job drawing erotic illustrations, he and Yoshino are able to live quite comfortably. Yozo still carries some guilt over his past, something that his supposed friend Horiki never lets him forget, but he’s now starting to look forward to his future. And then it all comes crashing down. Yozo’s perfect fantasy life is destroyed and he is destroyed along with it.

Having previously read Dazai’s orignal novel (several times, actually), I was all too aware the direction that Furuya’s No Longer Human was heading. Actually, from the beginning of the manga series alone it is known that Yozo’s story is not a happy one. But knowing what’s in store does not necessarily make it any easier to witness it happen. There is nothing that the reader can do but to watch the events unfold. Yozo is doomed from the very start. Something happens to this young man, seemingly loved by all, to cause his life to completely shatter. He should be in the prime of his youth but becomes so broken that most assume him to be more than twice his age. The third volume of Furuya’s No Longer Human outlines his final and ultimate downfall, the one from which he is never to recover. It’s made even more tragic because he has finally experienced true happiness and contentment only to have it torn from his grasp.

Throughout the No Longer Human manga the tremendous disconnect between how Yozo views himself and how others perceive him has been shown. It’s one of the driving forces behind the story. Up until the very end people insist that Yozo is a good person, but to him it has all been an act. He holds a pessimistic view of the world and recoils from humanity. What many people would consider to be a source of hope and salvation only guarantees Yozo’s undoing. Eventually he becomes a drug addict which only amplifies his fears and anxieties and further damages his precarious state of mind. His increasingly twisted and tormented psyche is reflected quite clearly in Furuya’s artwork. No Longer Human is an unrelenting and even terrifying tale. Even at his worst I can still see a little bit of myself in Yozo. It’s perhaps because of this that I find the series to be so effectively gut-wrenching. Furuya’s adaptation of Dazai’s novel is excellent, bringing his own interpretation to the story while staying true to the dark heart of the original.

Genkaku Picasso, Vol. 3

January 24, 2014 by Ash Brown

Creator: Usamaru Furuya
U.S. publisher: Viz Media
ISBN: 9781421539201
Released: May 2011
Original release: 2010

The third and final volume of Usamaru Furuya’s short manga series Genkaku Picasso was originally published in Japan in 2010. Viz Media released the English-language edition of the volume in 2011 under its Shonen Jump imprint. Genkaku Picasso was initially serialized in the manga magazine Jump SQ. Furuya mentions in the series’ afterword that he was somewhat surprised to have been approached to create a manga by one of the Jump SQ editors since he didn’t consider his previous work to have had much popular, mass appeal. (Furuya made his debut in the alternative manga magazine Garo and is particularly well-known for some of his more avant-garde work.) Genkaku Picasso was originally intended to be only two volumes long. Happily, Furuya was able to expand the series to three volumes, which allowed him to tie everything together in the way that he wanted. Although I enjoyed the first volume of Genkaku Picasso the manga starts out a little unsteady. But by the end, Furuya has created a fantastic series.

For most of his life, Hikari Hamura has been content to keep to himself and concentrate on his drawing. He’s earned himself the nickname of Picasso from his classmates (much to his dismay as he greatly prefers the work of Leonardo da Vinci), but up until recently they have mostly ignored him. Picasso is as strange and gloomy as he ever was, if not more so, but many of his classmates are beginning to feel drawn to him for some unknown reason. What they don’t realize is that Picasso has been helping to solve their personal problems. After nearly dying in a bizarre accident Picasso has gained a strange ability that allows him to see and draw the darkness that exists in another person’s heart. He can enter into those sketches, and by changing them he influences his classmates lives, hopefully for the better. This power is something that Picasso has tried to keep hidden from the others but it becomes difficult for them to disregard his increasingly odd behaviour, especially when he seems to know things that they would never reveal to someone else.

Genkaku Picasso starts out as a fairly episodic series. Generally, I found the longer stories–those lasting several chapters–to be more successful than the shorter ones as they feel less rushed and more thoroughly developed. It’s only really during the second volume that it becomes clear that there is also an overarching plot. The details of that larger story are completely reveled in the third volume of Genkaku Picasso. With a little bit of a lead in, “Hikari’s Story” takes up nearly half of Genkaku Picasso, Volume 3. It’s the longest story in Genkaku Picasso and is what pulls together the entire series. Up until this point in the manga, while Picasso has certainly been the protagonist, the stories have largely focused on his classmates and the issues that they are struggling with. But in “Hikari’s Story” their roles are reversed and it’s Picasso who needs help. It’s an extremely effective turn of events that brings the series full circle quite nicely.

The ending of Genkaku Picasso is actually a little heart-wrenching. Picasso starts the series almost a complete loner. Except for Chiaki, who hung out with him despite his protests, most of his classmates simply took no notice of him. Picasso was perfectly fine with this, or at least that’s what he told himself. As Genkaku Picasso progresses, Picasso slowly gathers people around him as he helps them with their problems. But it’s not until the third volume that he actually admits that he has friends and that he actually wants friends. Picasso has to be completely honest with himself and with the others, which in reality is a very terrifying thing to have to do. With “Hikari’s Story” the entire series becomes about Picasso and shows the tremendous amount of growth that he has gone through. I’m very glad that Furuya was able to extend Genkaku Picasso and give it a marvelous conclusion. Even considering its somewhat awkward start, Genkaku Picasso is a wonderful series. I thoroughly enjoyed its quirky humor and characters, its engaging artwork, and its somewhat peculiar but ultimately heartfelt story.

Manga the Week of 1/29

January 23, 2014 by Sean Gaffney, Michelle Smith, Ash Brown and MJ 1 Comment

SEAN: Next week is the last week of the month, and as ever this means few titles arrive (unless you get stuff from Diamond – all this week’s missing stuff is arriving next week). But not without worthy things to discuss.

Dark Horse really hit on a winner when they licensed Gantz from Shueisha (leaving aside the amazing fact that they licensed something from Shueisha and were not named Viz). It’s been a consistent seller for them, particularly among the ‘comic shop buyer’ fan. And now it’s hit Vol. 30.

MICHELLE: Wow, I had no idea Gantz went on for so long.

ASH: Yup, it ended last year in Japan with thirty-seven volumes. It’s been quite a while since I’ve actually read any of the series, though.

SEAN: DMP’s Deflower the Boss seems like one of those BL titles that I’d expect to do quite well simply due to the title alone. Also, just by giving you the title, you can likely guess the plot. I’m hoping it’s at least fun and silly.

MICHELLE: …

MJ: What she said.

SEAN: Lastly, Kodansha’s Attack on Titan finishes its speed-up with Vol. 11. It now lines up with Japan, meaning we’ll see Vol. 12 in April. That said, get a Crunchyroll subscription and you can read right up to this month’s magazine chapter.

ASH: I’ve gotten so used to new volumes of Attack on Titan coming out every month that April now seems to be very far away.

SEAN: What manga are you deflowering this week?

MICHELLE: *snerk*

Short Cuts, Vol. 2

January 23, 2014 by Ash Brown

Creator: Usamaru Furuya
U.S. publisher: Viz Media
ISBN: 9781591160694
Released: August 2003
Original release: 1999

Originally serialized in Young Sunday, Short Cuts was Usamaru Furuya’s first manga created for a major, mainstream publication. It was also his first manga to be completely released in English. His debut work, Palepoli, was serialized in the alternative manga magazine Garo and has only partially been made available in English. (Select excerpts from Palepoli are available in Japan Edge: The Insider’s Guide to Japanese Pop Subculture and Secret Comics Japan: Underground Comics Now.) Short Cuts began its serialization in 1996, two years after Furuya made his manga debut. The second collected volume of Short Cuts was initially published in Japan in 1999. The English-language edition of the volume was released by Viz Media in 2003. This was after Pulp, the magazine in which Short Cuts was being serialized in English, was canceled. I very much enjoyed the first volume of Short Cuts and so am happy that both volumes, though sadly now out of print, were released.

Short Cuts is a darkly comedic and vaguely surreal gag manga and satire. Each cut–there are exactly one hundred of them in the second volume–is a short manga only a page or two in length. As in the first volume, there are some recurring jokes, characters, and setups, but even the related cuts can generally be read on their own. Any sort of overarching plot is nearly nonexistent. Kogals and the kogal subculture, which were particularly prominent in Japan while Short Cuts was initially being serialized, remain the most common topics in the manga. However, there are plenty of other subjects that Furuya uses for his material, often the stranger the better. He draws inspiration from Japanese pop culture and celebrities, other manga creators (frequently mimicking their individual styles in the process), and even history and contemporary politics.

In the afterword to the series, Furuya mentions that Short Cuts was initially intended to be “light, pop, and sexy” but as the series progressed it became a bit stranger until “old people and weirdos stood out.” I’m pretty sure Furuya includes himself when he is talking about weirdos. Increasingly, the gags in Short Cuts refer to the trials and tribulations of manga artists and illustrators. Furuya has several personal avatars in Short Cuts who either break the fourth wall to interact with the cuts or are the stars of their very own. With the second volume the humor in Short Cuts has become even more self-aware. Furuya is not afraid to make fun of himself or his manga. Another recurring character is a kogal named Mai. (The frequency of her appearances actually becomes a joke in and of itself.) She’s a delightfully peculiar young woman with an even odder family. In some ways, Mai and Furuya together are representative of the series as a whole and the relationship between creation and creator. The ending of Short Cuts–if a series without much of a plot can be said to have an “ending”–is actually rather touching because of this.

Short Cuts is a very strange manga, which is probably one of the major reasons that I like it so well. I enjoy Furuya’s chameleon-like artwork in the series as well as his absurd, dark, and surreal humor, all of which can admittedly be rather raunchy and vulgar from time to time. Many but certainly not all of the gags in Short Cuts rely on the reader having at least passing familiarity with Japanese culture and society, but there are plenty of notes from the translator included for those who might need a bit of extra help. Overall, I think I slightly preferred the first volume of Short Cuts over the second, though I can’t seem to identify exactly why that is. I was still consistently amused by Short Cuts, Volume 2 and Furuya can still make me laugh out loud. Short Cuts remains one of my favorite gag manga, but its peculiar sense of humor and sharp social commentary definitely won’t be to everyone’s taste.

No Longer Human, Vol. 2

January 22, 2014 by Ash Brown

Creator: Usamaru Furuya
Original story: Osamu Dazai
U.S. publisher: Vertical
ISBN: 9781935654223
Released: December 2011
Original release: 2010

Usamaru Furuya’s manga series No Longer Human is an adaptation of Osamu Dazai’s 1948 semi-autobiographical novel No Longer Human. Furuya’s manga adaptation began serialization in Weekly Comic Bunch in 2009. The second volume of the series was published in Japan in 2010 while the English-language edition was released in 2011 by Vertical. No Longer Human was the second manga by Furuya that was published by Vertical, the first being the one-volume Lychee Light Club. Although Furuya’s No Longer Human is based on Dazai’s novel, he has taken a few liberties with his rendition, one of the most notable changes being that the story is now set in the 2000s instead of the 1920s and ’30s. Furuya has also inserted himself into the manga as a framing character. These changes, as well as others, are actually quite effective. It is not at all necessary to have read the original No Longer Human to appreciate Furuya’s interpretation of the story.

Yozo Oba attempted a double suicide with a club hostess named Ageha, but only she drowned while he survived. He’s come to the realization that although he doesn’t want to die, he doesn’t want to live, either. Yozo has long since been disowned by his family and the one person for whom he held any sort of honest feelings is now gone. He spends his days directionless and in despair, slowly recovering from a torturous situation partly of his one making. He desperately wants some meaning to his life, but has failed to discover what that might be. At one point he thinks he’s found it, only to have it snatched away from him. Yozo was once adored by all and even in his current pitiful state people are drawn to him and dare to care about him. He uses this to his advantage, putting on airs to get what he wants and needs, recognizing all the while how distasteful it is. Yozo uses people and he knows it. To him, life is still an act.

No Longer Human is a dark and troubling manga series. Yozo doesn’t treat himself well and treats those around him even worse. He is extremely manipulative and frankly can be a terrible person. And yet at the same time Yozo is a tragic figure; No Longer Human is heart-wrenching. While I don’t find his portrayal in the manga to be as sympathetic as it is in the novel, there are still points with which I can empathize. Yozo has a fear of people and their expectations of him that prevents him from being authentic. He’s repeatedly told that he is a good, sweet, and kind person, but this is the last thing he wants to hear. Yozo’s extraordinarily anxiety-ridden and conflicted over it because he see the life he is living as one big lie. He is very aware of his dishonesty and how he misleads people, but continues to do so because he is so desperate to be liked and accepted. Occasionally he manages to express some feelings of legitimate remorse and genuine caring, but more often than that it is already too late to undo any of the damage done.

No Longer Human, Volume 2 follow Yozo from the depths of despair to the heights of happiness and back again. Those glimmers of hope that Yozo will be able to turn his life around make his failure to do so even more anguished as he lets chance after chance to slip through his fingers. Furuya’s artwork in No Longer Human suits the story well, capturing Yozo’s internal and emotional turmoil and dragging the readers along for the ride. Furuya provides disconcerting glimpses into Yozo’s psyche, visually expressing his suffering through imagery of suffocation (harkening back to his near-drowning) and showing the ugliness he sees in the world. No Longer Human isn’t necessarily an easy read and it can be emotionally exhausting, but I find it to be incredibly compelling and difficult to turn away from as well. Yozo may not often be particularly likeable, but as with so many of the other characters in the series I can’t help but wish the best for him no matter how doomed he seems.