Archives for May 2009

Gestalt, Volume 1

May 30, 2009 by MJ 5 Comments

Gestalt, Vol. 1
By Yun Kouga
Published by Viz Media

Father Olivier is a young priest with low-level magical powers who leaves his order to seek out an island called “G,” where it is said that any explorer’s wish may be granted by the exiled God who sleeps there. As he begins his journey, Olivier ends up performing a miracle for an innkeeper who welcomes him as a guest. It’s a small miracle, which Olivier considers payment for his room, but the innkeeper insists he accept a thank-you gift in return. The “gift” turns out to be a pretty, young slave woman named Ouri, who has had a spell cast on her to keep her from speaking. Initially refusing to take a human as a gift, Olivier is eventually persuaded by the slave herself, who does not want to be sold off to the highest bidder. …

Future Lovers, Volume 2

May 28, 2009 by MJ 5 Comments

Future Lovers, Vol. 2
By Saika Kunieda
Published by Deux Press

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It’s been a year since the events of volume one and Kento and Akira have become comfortable in their relationship, though there are still a few surprises in store, beginning with a visit from Akira’s mother, a pampering, ostentatious multiple divorcée with a somewhat scandalous past. New revelations about Akira’s background cause some turmoil in his relationship with Kento but as with most everything in this story, the conflict gives each of them a deeper understanding of the other, ultimately strengthening their relationship. As the volume continues, the two of them confront coming out to friends and colleagues, Kento’s jealousy of a former teacher of Akira’s, and the complicated question of same-sex marriage in Japan.

…

Bigotry as bad business

May 28, 2009 by MJ 54 Comments

As I’ve poked around the manga blogosphere over the past few days, I’ve found myself developing a number of Opinions (with a capital “O”). Whether this is a good thing or not remains to be seen, but it is the kind of thing that compels me to blog and so here I am. Opinion, the first:

This morning I followed a link from Brigid Alverson’s mangablog to an article on the Yaoi Press blog regarding an issue they had experienced recently with a printer, Docucopies, who refused to print their Yaoi Coloring Book due to images they found “disturbing.” …

Detroit Metal City, Vol. 1

May 28, 2009 by Katherine Dacey

Detroit Metal City is a rude, raunchy comedy that’s both a satire of death metal culture and a loving portrait of the folks who labor in its trenches. When we first meet the series’ hero, twenty-three-year-old Soichi Negishi, he’s wearing a fright wig, kabuki makeup, fangs, and a pair of knee-high platform boots that look like they were swiped from Paul Stanley’s closet. Soichi is the lead singer and guitarist for Detroit Metal City (DMC), an “evil core death metal band with a huge following.” Onstage, Soichi adopts the persona of Krauser II, Lord of Hell, spitting lyrics about rape, torture, and mutilation; offstage, however, Soichi is a sweetly metrosexual young man who loves Swedish pop music, Audrey Tatou movies, and shopping for stylish clothing in the Daikanyama district. How, exactly, Soichi ended up singing in DMC is something of a mystery; by his own admission, he left his parents’ farm hoping to start a “hip indie pop band.” Five years later, however, Soichi is living in Tokyo and performing in DMC while doing his utmost to conceal that fact. Try as he might, however, he can’t quite limit his loud, violent persona to the stage, as Krauser has an unfortunate tendency to manifest himself whenever Soichi is depressed, angry, intoxicated, or feeling rejected by Yuri, a pretty young magazine editor who shares Soichi’s passion for perky tunes.

The tension between Soichi’s two musical personae turns out to be a brilliant framing device for the story, allowing manga-ka Kiminori Wakasugi to have his cake and eat it, too. As Krauser II, Soichi can sing the kind of crudely misogynistic lyrics that might otherwise offend because we, the readers, know that DMC epitomizes everything Soichi disdains in real life — in effect, Soichi is our surrogate, expressing indignation for us so that we might laugh freely at the risque jokes. At the same time, however, DMC gives Soichi an outlet for expressing the darker side of his personality—for de-wussifying him, if you will—and acknowledging his deep disappointment that no one appreciates his gentle, sensitive side.

Nowhere is the tension between the Swedish pop star and the Japanese metal god more evident than in chapter twelve. While hanging out in a trendy boutique with Yuri, Soichi lands an opportunity to play a small, intimate gig in the store. Soichi jumps at the chance, performing a saccharine tune called “Sweet Lover”:

When I wake up in the morning
You’re there making cheese tarts.
Sweet baby, that’s what you are.
My sweet, sweet lover
Let’s go
Let’s dress up and go to town.
With cheese tarts in one hand,
You’re romping around.
Cut through the crowds
Let’s go to that store we love.
To buy those matching rings
I promised you.
Sweet sweet sweet sweet lover…

The song’s god-awful lyrics, however, meet with indifference, prompting the boutique owner to eject Soichi from the store. Dazed and wounded, Soichi goes on a drinking binge, his embarrassment slowly curdling into rage. He then dons his DMC outfit and performs “Bad, Bad Lover,” a darkly humorous re-working of his much-reviled love song:

When I wake up in the morning
You’re there frying your parents up!
Let’s go
Kill everyone dressed up in town.
With chainsaw in one hand
You’re slashing around.
Slaughter the crowds
Let’s go to that store we love.
To get those matching weapons
I promised you.

As one might imagine, there are only so many scenarios in which Soichi can transform into Krauser (and vice versa). Mid-way through volume one, I worried that the joke was beginning to wear thin, as Soichi once again found himself trying to explain to Yuri why, exactly, he’d suddenly started acting like a loud, foul-mouthed boor. Thankfully, Wakasugi finds some odd and marvelous ways to spin the story—none of which I’ll spoil for you—including a contest between DMC and an Ozzy Osbourne-esque rocker, and a visit to Soichi’s hometown, where his cheerful, clueless parents grow mushrooms and raise livestock.

All of these scenes are rendered in a crude yet energetic style; if I had to hazard a guess, I’d say Wakusagi didn’t do very well in life drawing, as his bow-legged figures sit awkwardly in the picture plane. Yet the very clumsiness of the art works perfectly with the story’s over-the-top premise, capturing both the intensity of DMC’s performances and the sheer stupidity of their on-stage antics. Were the art any slicker, many of Detroit Metal City’s most outrageous moments just wouldn’t work, as their verisimilitude would elicit a “That couldn’t happen in real life!” response from the reader.

Fans worried that Viz would sanitize Detroit Metal City for English-speaking audiences can breathe a sigh of relief. The script abounds in f-bombs, anatomical slang, and crude sexual humor, suggesting that Viz made every effort to preserve the tone and content of the original script. Translator Anne Ichii deserves special mention, as she did a terrific job of making the song lyrics funny in English, a task akin to translating “Big Bottom” or “Stonehenge” into, say, Czech or Chinese. (Just how does one say “mud flaps” in Czech?) The production team merits praise as well, both for their snazzy cover design and for their inclusion of 2009’s coolest extra: temporary DMC tattoos.

If you find South Park offensive, it’s a safe bet that Detroit Metal City won’t be your cup of tea. But if you can look past the swear words and lewd behavior, you’ll find a surprisingly funny, touching story about a musician on a quest to discover his true voice — crank up Portrait of the Artist as a Young Man to eleven, and you have a pretty good idea how this crude, goofy story reads. Highly recommended.

Review copy provided by VIZ Media, LLC.

DETROIT METAL CITY, VOL. 1 • BY KIMINORI WAKASUGI • VIZ • 200 pp. RATING: MATURE (18+)

Detroit Metal City, Vol. 1

May 28, 2009 by Katherine Dacey

Detroit Metal City is a rude, raunchy comedy that’s both a satire of death metal culture and a loving portrait of the folks who labor in its trenches.

When we first meet the series’ hero, twenty-three-year-old Soichi Negishi, he’s wearing a fright wig, kabuki makeup, fangs, and a pair of knee-high platform boots that look like they were swiped from Paul Stanley’s closet. Soichi is the lead singer and guitarist for Detroit Metal City (DMC), an “evil core death metal band with a huge following.” Onstage, Soichi adopts the persona of Krauser II, Lord of Hell, spitting lyrics about rape, torture, and mutilation; offstage, however, Soichi is a sweetly metrosexual young man who loves Swedish pop music, Audrey Tatou movies, and shopping for stylish clothing in the Daikanyama district. How, exactly, Soichi ended up singing in DMC is something of a mystery; by his own admission, he left his parents’ farm hoping to start a “hip indie pop band.” Five years later, however, Soichi is living in Tokyo and performing in DMC while doing his utmost to conceal that fact. Try as he might, however, he can’t quite limit his loud, violent persona to the stage, as Krauser has an unfortunate tendency to manifest himself whenever Soichi is depressed, angry, intoxicated, or feeling rejected by Yuri, a pretty young magazine editor who shares Soichi’s passion for perky tunes.

…

We Were There, Volume 4

May 27, 2009 by MJ 5 Comments

We Were There, Vol. 4
By Yuki Obata
Published by Viz Media

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“Why do people make promises they can’t keep?”

After hastily announcing that she was ready to have sex with Yano at the end of volume three, this volume opens with Nana in a state of abject terror as she’s faced with actually doing the deed. Reassured by Yano’s unexpected sweetness, she shakily plunges in only to be interrupted by the return of Yano’s mom before anything can really happen. Though this is somewhat of a relief for Nana, Yano immediately begins trying to raise money for a love hotel which Nana manages to stall by suggesting they save up for something nicer. The volume’s charmingly awkward beginning becomes more troubled in later chapters when Nana finally persuades Yano to tell her the truth about his association with his ex-girlfriend’s sister, Yamamoto. Yano’s past with Yamamoto, however, is not nearly as difficult for Nana as the discovery of his lingering feelings for his deceased ex, revealed in a stunningly poignant scene at the end of the volume.

…

Manga Minis, Fullmetal Alchemist Vol. 18

May 26, 2009 by MJ 2 Comments

Just a couple of quick links to reviews offsite! First of all, I reviewed DMP’s yaoi one-shot Awaken Forest for this week’s Manga Minis. In more exciting news, I just posted a review of volume 18 of Fullmetal Alchemist (reprinted here after the demise of CSBG), which still stands as one of my favorite series of all time.

Since FMA 18 was released last week, I picked it up at the Comicopia booth at Anime Boston, and it took me all of, oh, two hours before I gave in and headed to the manga library room to read it. Oh, Fullmetal Alchemist! I know I’ve already gone on and on here about how fantastic a storyteller Hiromu Arakawa is, and how I think the series is tragically underrated despite its popularity. But. Gah. I have to say it again. Hiromu Arakawa is a great storyteller of our time, and if you’ve avoided Fullmetal Alchemist for some reason, you are seriously depriving yourself of something special. If you’ve only watched the anime (which is great, yes) you honestly have no idea what you’re missing. If you think you don’t like shonen manga, try it anyway. You won’t regret it. FMA transcends its genre. Don’t let 50,000 cosplayers scare you away!

Fullmetal Alchemist, Vol. 18 By Hiromu Arakawa Published by Viz

At the end of volume seventeen, Winry had been brought to Fort Briggs by the ever-slimy Kimblee as a means of controlling the Elric brothers, both of whom display how much they’ve grown over the course of the series by handling the situation with surprising restraint. Al, still locked up in the Briggs brig (yes, I just wanted to say that), carefully waits for his chance to escape while Ed, under orders to carry out mass murder (or else), chooses to put aside pride, bravado, and the ever popular lying-to-people-for-their-own-protection in favor of just straightforwardly telling Winry what’s going on. Meanwhile, Lt. Hawkeye has discovered a chilling truth about President Bradley’s young son–one she can’t reveal even to Colonel Mustang. As the volume continues, Ed and Al encounter Scar once again with whom they must form an uncomfortable alliance, and Al experiences an even more disturbing encounter–with his own physical body.

Though it is a matter of characterization more than plot, the most exciting aspect of this volume is actually Ed’s willingness to be fully honest with Winry about her role in Kimblee’s machinations, something which he surely would have tried to “protect” her from earlier in the series. This actually puts Winry in a position to make her own informed decisions on well-earned equal ground, and though it may not (and does not) keep her safe, it gives her the opportunity to grow up just as her two childhood friends have, something which will inevitably benefit them all. Already her grounded fortitude is an asset, particularly to Ed, and though she’s in peril once again by the end of the volume, there is no doubt she will continue to lend her strength to both brothers in the future. A romantic future with Ed also begins to feel inevitable (if undeniably distant), assuming they both survive, and this volume contains a surprisingly touching scene in which Winry gives her earrings (too dangerous to wear in the deadly cold outside Fort Briggs) to him for safekeeping, leaving him stammering after her. Arakawa plays this perfectly simple and matter-of-fact, which is somehow much more romantic than any labored, tearful goodbye could ever be. This is actually Winry’s volume all over–another highlight being her confrontation with Scar, the man who killed her parents.

With each new volume, this series gets stronger and stronger. Arakawa’s ability to maintain an incredibly complex plot with multiple locations and dozens of supporting characters, thick with moral and philosophical themes, while still turning out kick-ass shonen-style action sequences (of which there are at least two in this volume) is unmatched in my experience, and her story is as satisfying and honestly moving as anything I’ve encountered in any genre. I tend to consider Fullmetal Alchemist to be the most popular underrated series out there–tragically overlooked despite (or maybe because of) its massive sales numbers.

This volume ends with a sense of strong foreboding, as Al is trapped in a snowstorm, battling the effects of coming in contact with his real body, Winry is headed into a deadly trap, and Ed is stuck playing “human weapon” under Kimblee’s watch. For fans of the series, this volume provides new revelations, strong character development, and some anxious anticipation of what’s to come. For those who have avoided picking up this long-running shonen series, it’s never too late to catch up. Head to your local library before volume nineteen arrives on July 21st!

Kindred by Octavia E. Butler: A-

May 26, 2009 by Michelle Smith

kindred From the back cover:
Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning white boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes the challenge she’s been given: to protect this young slaveholder until he can father her own great-grandmother.

Review:
This is the third book that I’ve read by Butler, and like the others it tells a gripping story about a strong black woman protecting herself amidst dangerous circumstances.

The crux of the book hinges on the relationship between Dana and her white ancestor, Rufus Weylin. When she first travels back in time, Rufus is about five years old and Dana takes advantage of his age to encourage him to form enlightened opinions about the treatment of black people. In any other book, she would’ve succeeded in cultivating Rufus into a kind-hearted abolitionist. It’s far more intriguing, then, that Rufus instead turns into such a complicated man. He can be loving and generous, but his love is an extremely possessive variety, and he’s often blaming others for making him hurt them. It would’ve been so much easier if they’d just complied, you see. Dana finds herself forgiving him for his various misdeeds, and their relationship goes into some uncomfortable but wonderfully unpredictable places.

Secondarily, Dana gets to know the other slaves on the Weylin plantation, most of whom are subjected to sorrows and degradations at the hands of their white masters. Dana is initially disdainful of their acceptance of this life of slavery, but gradually learns—through bitter experience—just how difficult it is to break free. She herself must constantly be on guard for her own personal liberty and towards the end of one of her later stays, finds herself acquiescing to the whims of white folks with alarming ease.

About the one complaint I could make about Kindred is that it gets a little repetitive, with the countless trips to Rufus’ time and back to 1976, especially toward the end when only a few months have elapsed between visits. Also, and this is specific to the unabridged audiobook read by Kim Staunton, the fact that the voice used for Rufus doesn’t substantively alter between childhood and adulthood really takes one out of the story. He would’ve come across as far more menacing if he had sounded properly like a man.

This book was recommended by Margaret, who said, “I think it will be a book that stays with me for a long time.” I concur.

Awaken Forest

May 25, 2009 by MJ Leave a Comment

By Yuna Aoi
Digital Manga Publishing, 200 pp.
Rating: M (18+)

Awaken Forest is a collection of three boys’ love stories, each featuring men who use lying and manipulation to get what they want. The title story is a tale of two brothers—an author who was injured as a child and his older brother who is bound to serve him for life in order to atone for injuring him. When he realizes that his brother has fallen for a young editor from his publishing house, the author (who has been faking his ongoing injury for quite some time) decides to release him from service, but even then he uses cruelty and manipulation to do so, going so far as to order his brother to molest the editor in front of him.

The most blatantly manipulative character, however, is in the collection’s second story, “Loose Bonds,” which features a man named Ren who hires a former school bully to steal his best friend’s girlfriend, leaving the friend with nowhere else to turn but to him. This story is easily the darkest of the three, as it is the only one in which the victim remains unknowing to the end. “If you don’t want him to go outside, then make him never want to,” Ren says as he pricks his pet bird with a sharp pin to keep it from leaving its cage, providing a deeper glimpse into his true pathology.

This manga provides the beginnings of what could be an interesting exploration of the darker sides of human nature, but its stories’ scenarios are too neatly contrived to be believed, making it impossible for any of them to rise above pure romantic fantasy. Most of the boys’ love staples are present—rape, incest, pretty straight men lured into a web of “forbidden” love—and though the author manages to pull off these fantasies more delicately than some, there is no sense of anything richer lurking below the surface. The art, too, is very typical of the genre, featuring generically pretty, interchangeable men over dull, sparse backgrounds.

Though its stories’ themes suggest the potential for something deeper, in the end, Awaken Forest is just another disposable yaoi title to be consumed and quickly forgotten.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Gakuen Alice 7 by Tachibana Higuchi: B

May 25, 2009 by Michelle Smith

gakuen7 For the most part, Gakuen Alice is a fairly episodic series about the adventures of spunky ten-year-old Mikan as she acclimates to attending a mysterious school whose students all have special powers known as Alices. Beginning in volume six, however, its first multi-volume arc, involving an organization that’s opposed to the Alice Academy and is responsible for infecting Mikan’s best friend, Hotaru, with a virus, gets underway. In volume seven, Mikan and friends are pursuing the organization responsible through a forest beset with dangerous traps.

The strong point of Gakuen Alice is the way it mixes darker revelations about the nature of the Academy and the uses to which it puts certain students with warmer scenes of Mikan and her friends. In this volume, this balance is somewhat thrust aside due to the “we’re journeying along a spooky trail, watch out for that laser beam” action that’s going on, but occasional nice moments shine through, mostly involving the sweet romantic triangle going on between Mikan, gentle animal-loving Luca, and Luca’s best friend Natsume. Natsume’s one of those tortured, self-denying characters who, rather than seek his own happiness, instead nudges Luca and Mikan together, because Luca being happy “is enough.” In other words, just the kind to win a shoujo fan’s heart.

While all of the journeying gets a little tiresome, the cliffhanger ending suggests that we might soon get some facts about Mikan’s mysterious origins, which would certainly be nice after all of the cryptic hinting that’s been going on. I’m looking forward to it.

Review originally published at Manga Recon.

Moon Child, Volume 1

May 25, 2009 by MJ 6 Comments

Moon Child, Vol. 1
By Reiko Shimizu
Published by CMX

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Art is an aspiring Broadway dancer, struggling to live up to the expectations set for him by family and friends who viewed him as a child prodigy. Deep in the middle of a slump, things are made worse when he ends up in a car accident that injures him. Also involved in the accident was a young boy who, while otherwise uninjured, appears to have lost his memory. Feeling responsible for the boy’s condition, Art takes him in, but it soon becomes clear that the boy (named “Jimmy” by Art) is not normal. Jimmy can move objects around with his mind, frequently involuntarily, and his presence sometimes causes people to see strange apparitions.

…

Gakuen Alice 6 by Tachibana Higuchi: B+

May 25, 2009 by Michelle Smith

gakuen6 From the back cover:
A series of mysterious incidents in which Alices lose their powers strikes close to home when Prez’s abilities suddenly disappear! As if that isn’t bad enough, an encounter with “Z,” the Anti-Academy organization (who might be behind the missing Alices), leaves Hotaru sorely wounded. A cure may lie outside the school, but how will Mikan and her friends get past campus security?

Review:
Well, this is certainly an action-packed volume and more Potter-like than ever, involving several instances of students defying rules and taking matters into their own hands (and sometimes making things worse).

We’re probably supposed to admire the plucky bravery that makes Mikan declare she’s going to fight Z and help Hotaru, but seriously, how?! Still, I liked the reasons that made both Luca and Natsume decide to help her. Too, I like learning more about Hotaru—turns out she’s the kind of seemingly detached person who secretly relies a lot on the steady happiness of those around her, a personality with which I can completely identify.

While the plot to thwart the invaders and save Hotaru is the main focus, there are a lot of other questions and tidbits floating around, too. Things like Natsume overhearing some faculty talking about Mikan and also shirking an assignment from headquarters in order to help her, some mysterious girl who once lived with Luca and Natsume, Hotaru resolving to investigate the Academy’s treatment of Mikan, some possible recognition of the invaders from Z, and the fact that one of them may’ve recognized Mikan… At times, it can actually get to be rather too much, and part of why I’ve ennumerated all those things here is to help me keep track of them and see whether they’re adequately resolved in the future.

So far, this series has been pretty episodic, though there’ve always been some continuing threads woven throughout. Are we finally coming to the start of something more epic, or will this all be resolved tidily in a volume or so and we’ll be back to watching Luca frolic with woodland creatures?

Gakuen Alice 5 by Tachibana Higuchi: B+

May 24, 2009 by Michelle Smith

gakuen5 From the back cover:
The Alice Festival is coming to a close, but the surprises and fun aren’t over for Mikan and her friends yet! Things get a little crazy for Narumi’s musical when an accident takes out some of the performers and Mikan has to step in as the star of the show. But what will happen when she and Luca have to kiss on stage?! And as if that’s not enough, as soon as the kids are back in class, it’s time for exams, and Mikan is in for some bad news when the scores come back!

Review:
I wonder how it is that this series is able to use common manga clichés without annoying me. First there was the genuinely entertaining school festival, and now there’s the tried and true “school play wherein the princess is played by a boy in drag” bit. I think it’s because Higuchi-sensei is able to use each scenario to both show the uniqueness of the school and bring about some nice moments for the characters. The play is totally goofy, for example, but Natsume ends up being kind to a super-cute little kid as well as thwarting a smooch between Mikan and Luca, so how could I not like that?

I also like that one’s expectations are subverted. Like, of course whenever a group works really hard like Mikan’s Special class did on their festival attraction, they’ll get the big medal at the end! Except they don’t, though they do get recognition of a sort. And, of course, when our plucky heroine buckles down to study for her exams (cue studying montage!) so that she can earn a visit to her grandpa, she’s going to win! Except Mikan gets the lowest grade in the class.

In addition to this, some of the mystery has returned with this volume, with some more details about Mikan’s parentage coming to light and more notice of her presence, and affect on Natsume, by the headmasters, which is definitely not a good thing. So far, at least, I get the impression that Higuchi knows where she’s going with this story, which is always something I appreciate.

Gakuen Alice 4 by Tachibana Higuchi: B+

May 24, 2009 by Michelle Smith

gakuen4 From the back cover:
Mikan’s daring rescue of Natsume earned her an upgrade to One-Star rank, with all attendant privileges. And just in time, too. For the School Festival is about to begin, and the Special Ability class is using every last trick they’ve got to create an exciting—and surprising—attraction!

Review:
There’s not as much darkness in this volume, and though I’m a fan of that aspect of the story, it’s nice to have a fun interlude like this one.

One of the things I really like about this series is how it’ll go into detail about things that could be boring, like specifics of Alice power capacities or ranking systems, but make them interesting (and not seem like afterthoughts). The same thing happens regarding the Special Ability class’ attraction for the school festival—there are actually a few chapters about the RPG they create and its rules and it’s still a lot of fun to read about.

Natsume and Mikan are thrust into each other’s company again in this volume and, though he’s a jerk to her, it seems like he might fancy her some. Their relationship reminds me of Hayama and Sana from Kodocha in some respects. In its initial setup, Kodocha features a cheerful, pig-tailed girl in conflict with the surly ringleader of class miscreants. She gets to know him (and his sorrows) better and no longer hates him, but he still avails himself of opportunities to cop a feel.

I’ve not talked about the art in this series much. At first, I thought it was too cluttered with too much screentone, but now it’s either balanced out or I’ve gotten used to it. There are occasional pages where the use of tone is excessive, including a weird tone for the hair of blond characters, but on the whole I haven’t any particular complaints.

Also, I continue to love Luca. I hope we’ll eventually find out why he’s ranked a Triple, since he says that he “didn’t get it because of [his] talent” like Hotaru. Is it merely the school’s way of thanking him for keeping Natsume reasonably content? That wouldn’t surprise me.

Gakuen Alice 3 by Tachibana Higuchi: B+

May 24, 2009 by Michelle Smith

gakuen3 From the back cover:
The school cultural festival is approaching, and the special guest is Reo, a former Alice student turned Hollywood superstar! But Reo is involved in some awfully shady dealings, and when his plans suddenly start to involve Natsume, it’s up to Mikan and Sumire to save the day!

Review:
I never thought I’d be giving a B+ to something featuring a school festival and a kidnapping perpetrated by a bishounen idol, but there you go. I guess I’m just a sucker for the combination of ominous facts about the Academy and warm, fuzzy friendship scenes between its students that this volume offers.

It helps that Higuchi uses these silly scaffoldings to reveal more about Natsume’s situation at the school. Being classified as a “dangerous” ability-type means that he’s prohibited from participating in the festival, and even as Mikan is orchestrating something that the “special” type can do to show the other students that they aren’t rejects, she’s aware of Natsume’s exclusion. Later, after she and snobby classmate Sumire have gotten themselves kidnapped while trying to save him, she overhears the kidnappers talking about Natsume’s tragic background and the real reason the dangerous class exists: to do the Academy’s dirty work.

My favorite chapter, though, is mostly fluffy. Mean Professor ~~Snape~~ Jinno denies Mikan a visit to ~~Hogsmeade~~ Central Town, an area on the Alice Academy grounds full of shops owned by Alice artisans, but manages to wrangle permission and then puts on a street performance to earn enough money to buy some candy. Put like that, it’s lame, but when she gives the leftovers of her candy to Narumi-sensei to give to her grandfather when he sees him, it means that she’s decided to trust him (despite the warnings from other students that no adult is trustworthy) when he says he’s going to contact her grandfather and let him know that Mikan is okay.

As we learn more about the Academy, Narumi-sensei’s urgings for Mikan to make friends, and how these friends will be her strongest allies at the school, take on a new meaning. We get a nice contrast between scenes where Mikan and Sumire finally seem to have become friends and scenes where Natsume is being urged to do his “duty,” suggesting that this band of kids might be called upon at some point to mount a rebellion. Interesting stuff, indeed!