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Reviews

Kuma Kuma Kuma Bear, Vol. 10

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

This is a lighter volume of Kuma Bear, despite the threat of the destruction of an ancient sacred tree. You know Yuna’s got this, though the fight is difficult enough that she has to switch from black bear onesie to white bear onesie, and she ends up fairly exhausted. Speaking of that switch… Kuma Bear is, I think, mostly written for a male audience, but I also think we’re supposed to go “aww” at the antics more than “Cor!”. Yuna has to strip to change her costume, and there’s a shot of her in her underwear. But it’s not particularly sexy, and the narrative is far more concerned with Yuna’s childish bear panties and her reaction to anyone who finds out about them. Yuna has an image that she wants to keep up of her as a cool lone wolf (or rather lone bear) sort, but it’s constantly undone by the reality of her being the big sister to 11 million kids and also having older than she looks issues. Is embarrassment fanservice?

Arriving at the elf village allows the author to bring out a whole mess of fantasy novel elf tropes to make fun of, from their supposed perfect hidden tracking skills (which Yuna spots immediately) to the fact that even “grandfather” looks, at most, about 40 years old. The barrier nis weakening, however, and it turns out the problem is that the elves’ sacred tree has been infested by a parasite, who is slowly killing it and weakening said barrier. So it’s up to the elves to fix things… along with Yuna, who can enter the protective ward that no one but elves can, because, you know, OP bear. There’s also other dangerous monsters to fight, some of which might actually kill off an elf or two… but probably not, as this is not one of the dark Kuma Bear books. The worst we’ll see is Yuna worrying about her secrets.

Yuna has, for the most part, remained quiet on her origins and the basis of her awesome powers, not even telling Fina, the one person she’s closest to. I had wondered briefly if she might open up a bit to the elves here, given that they sign a contract that tortures them with unstoppable laughter if they reveal her secret, but no, it turns out she’s just telling them about her bear gates so she can set one up here, and her bear phone so that the village can communicate with Sanya and Yuna when they want to. It doesn’t feel like she’s revealing much here, but I get it. Yuna hates making ties with other people, but does it anyway, and she also hates it when people praise her because she doesn’t think of any of it as HER. The Bear Suit is the OP heroine. She’s just the girl inside it. Which is an interesting psychological trauma to dig into, but I doubt we’re going there soon.

If you read Kuma Bear, you’ll enjoy this. If you don’t, we;ll, cute but OP bear girl slice-of-life again.

Saint? No! I’m Just a Passing Beast Tamer!: The Invincible Saint and the Quest for Fluff, Vol. 2

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By Inumajin and Falmaro. Released in Japan as “Seijo-sama? Iie, Toorisugari no Mamono Tsukai desu! – Zettai Muteki no Seijo wa Mofumofu to Tabi wo suru” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Meteora.

As with the last volume, the main thing you notice about this book is that it’s a comedy. That said,, things are actually pretty dark when Kanata’s not on the scene. The church is evil and is taking the money for themselves. The church is also brainwashing local ogres into having their minions attack small villages. Bitter blacksmiths are tricking their rival’s daughter into paying fake debt. And yet… when Kanata IS on the page, everyone turns into the broadest comedy. The hypercompetent adventurer Melissa turns into the ultimate whiny office lady. The evil Saint causing all this is far more annoyed that Kanata doesn’t even bother to see her as an enemy. And the massive wolf-spirit imprisoned by the Church finds that he can get far more laughs if he’s a cute puffball. The key to Kanata saving the world is not her ludicrous power to do anything, or her vague kindness that mostly revolves around fluff. It’s that she’s funny.

We pick up where we left off, with Kanata and her demon lord turned pussycat companion Zaggy trying to track down more fluff for Kanata to pet. They run into a small dog puffball, who Kanata nicknames Fen-Fen, who is of course the aforementioned Wolf Spirit. He’s spent decades waiting for the Saint that he’s supposed to dedicate himself to, only to be locked up by Marianne, the girl who actually does have the Saint title but has none of the Saint morality. She’s actually being led by the goddess we saw last time, who has one piece of advice for her: if you see Kanata, run away. Sadly, Marianne does not take this advice, and now has to deal with a girl who will get more fluff By Any Means Necessary, even if it means doing endless amounts of tiny, cheap good deeds.

The joke about Kanata, of course, is that she *is* the Saint, but accidentally. She’s not particularly saving lives, helping find lost pets, or taking down the evil church that’s controlling everything because it’s the right thing to do. Indeed, you could argue that she doesn’t notice what she’s doing at all. She does it because it will get her fluff. Hell, the evil Saint, Marianne, is seemingly killed by her patron goddess, only for Kanata to resurrect her… because her hair is a 10 points on the fluffy scale. No other reason. We do occasionally see flashes of her actually comprehending what’s going on… in the side story she clearly sees the cheating going on and decides to help by having Zaggy cheat on the other side… But for the most part, she’s not good or bad. She’s fluff. And since no one in this world knows what that means, it becomes an all-purpose thing to strive for, be it strength, good deeds, whatever. Fluff is what you want it to be.

Of course, Kanata wants it to be fluff she can snuggle. She may have to wait a bit, the third volume is not out in Japan yet. Till then, this is silly but… no, it’s just silly.

Can Someone Please Explain What’s Going On?! ~The Contract Couple’s Happily Ever After~, Vol. 9

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By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Tara Quinn.

And so we finally get to the end of this series, with six main volumes and three After Story volumes. This is the last of the After Stories and has the least amount happening, as there’s not even a crisis to solve this time, like the mystery from the previous book. This volume has two main plotlines: 1) finish telling Lettie the story of how she was born, which this time does actually involve her birth, and 2) celebrate the kingdom’s founding day, which sounds remarkably like Christmas but is done at the height of cherry blossom season. Mostly what this volume shows off is how comfortable and happy everyone is now, and that all of the conflict and drama from earlier books has been dealt with. The only remaining issue is Viola’s constant self-image issues, which I know the author thinks of as a cute running gag but never fails to irritate me – and everyone else in the household too, judging by their reaction to her worry that Lettie will inherit her looks.

As noted, the first half of the book shows the days leading up to Viola giving birth and the weeks after it. This includes some false labor brought on by insisting on weeding while nearly due to give birth, and also a relatively quick and easy labor – much to Viola’s surprise, as from her perspective she thought it took forever. Lettie is surrounded by adoring family and servants, so the question is how is she not going to grow up spoiled, really. Viola will help there, I expect. The second chunk of the book has the mansion preparing for Flur Day, the aforementioned Christmas equivalent. A strong windstorm may put paid to some of the festivities, but otherwise there’s a relative lack of anything going on here – the main drama stems from everyone trying to get out of hearing the King’s speech again so that they can get to the truly important thing a week later – Lettie’s first birthday.

There is still the occasional reminder that there is ever present danger in this world – Viola is given a number of mazes to memorize and complete, and only after she’s done so does she realize that they’re a layout of the mansion and the royal palace, complete with secret passages and hidey-holes, if she ever needs to escape like she has in previous books. But for the most part this is a victory lap, and it even ends the way a lot of these books do – with Viola discovering she is pregnant with her second child. As I’ve noted before, this continues to be a surprise to me as Viola has not, through all nine volumes, ever really shown any sexual desire towards her husband. Even when given an obvious opportunity, such as coming in to “get warm” after a nighttime cherry blossom viewing, all they do is have cocoa. It’s very pure.

So yes, this book is also a bit boring, but I’ll take that over the classist nonsense some of the main series did. In the end, this was a flawed but fun series, and I really hope one day it hits Viola that she’s gorgeous.

In the Land of Leadale, Vol. 5

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By Ceez and Tenmaso. Released in Japan as “Leadale no Daichi nite” by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

We’ve introduced most of the main cast at this point, but there’s one other major player (and indeed Major Player) whose absence from this has felt like a plot point: Opus, Cayna’s rival and partner in crime. She knows he’s there, as the presence of L’il Fairy has demonstrated, but he has not really shown up in front of her and we haven’t gotten a good sense of his character. Well, despite the fact that he only appears in the last few pages of this volume, we have a much better idea now. He’s a troll. A massive troll. And while Cayna, who is also incredibly eccentric in her own right, proved to be OK with that when she was helping him do the trolling, being on the receiving end of it for once pushes her to a righteous fury we haven’t really seen from her that much. For all that Cayna tends to use fists to solve arguments, she’s a relatively mellow person. Well, OK, she’s not. But her own “persona” pretends she is.

Cayna is still going around being a force of nature, but she can’t be everywhere, particularly if something needs to be solved the hard way rather than the Cayna way. So Exis and Quolkeh team up with another ex-player to take on a massive Guardian Tower that is a mobile turtle… heading for the royal palace. (This is solved by a typical Japanese quiz game.) As for Cayna, she suddenly finds that L’il Fairy needs a name, So she goes with Kuu, because it sounds like Kee, because Cayna is still pretty childish most of the time. She then goes on to do what she does best: There Is No Kill Like Overkill, as she takes on a huge pile of monsters led by a goblin master who is somewhat stunned to see how easily she carves them up. She then takes Cloffe and Clofia (remember them? The anime cut them?) on a dungeon crawl to find Opus. A very annoying dungeon crawl.

Since our last review the anime ran, and it seems to be a case where fans of the light novels enjoyed it (despite the cuts) but those who had not read the books were deeply turned off by Cayna’s temper and the series’ lack of a plot. To be honest, they’re good points. The author really enjoys showing Cayna lose it and hit people with her fists or big-ass weapons, usually whether they deserve it or not. Fortunately, in this case, Opus definitely does deserve it. As for the lack of anything happening… that’s true as well. This is at heart a slow life series, it’s just Cayna doesn’t run a drugstore or a library, she goes around trying to discover the secrets of this post-game world. It’s a hard vibe to get into, and I don’t think the anime got far along enough to show it off.

Still, this volume is pleasant enough, and thankfully had less of the body horror of Book 4. Now that Opus is here, will he help shed some light on things? Or will he just be a dick? We’ll find out soon.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 6

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

I must admit, she’s started to mesmerize me, that’s the only explanation. Towards the end of this book, I recall thinking that it was another quiet book with not much happening and with Rozemyne not really doing anything wrong. While the latter is… partly true, the hilarious epilogue reminded me how earth-shaking all of this was to the folks back home, and how Sylvester and Ferdinand desperately need the invention of Tylenol. Rozemyne is getting better at the social niceties, but she’s still a huge chasm away from everyone else, and things are not helped by having someone who is basically the same as her come along, and be royalty at that. The two of them join forces in this volume, and I am grateful that they have Hannelore there to try to keep things from exploding, but I also feel very bad for her. It’s tough to be a minder to a cataclysmic event like Rozemyne.

We’re back at school for Rozemyne’s 2nd year, and she’s a little bit calmer about things this time around, though of course that’s only by degree. Her main concern is starting her library committee and being a good big sister to Charlotte (which is not helped by Charlotte being both taller and more mature than her big sister). Then things… start to happen. Lessons are for the most part fine, though Rozemyne is starting to discover how much of the entire 7-year curriculum Ferdinand has already drilled into her. And she almost kills a teacher. Whoops. Things escalate a bit when she runs into Hildebrand, the 3rd prince, at the library. Hildebrand is supposed to be hiding from the rest of the students, but he quickly gets attached to Rozemyne (who he has finally figured out is not Charlotte) and ends up part of Rozemyne’s library committee. Which… complicates things.

I haven’t even mentioned the most interesting part of the book, which is when Roderick, the former Veronica Faction boy who wants to pledge his name to Rozemyne, goes out hunting feystones with others and runs into a magical beast that absolutely should not be there, forcing everyone – including Rozemyne – to rally round and try to stop it. This has moments of humor, as Rozemyne, who was chiding Wilfried for trying to look cool earlier in the book, is upset that everyone was able to be cool except her, but it’s also a scary moment, and a bit ominous, as it becomes clear that this monster was directed directly at the area their duchy occupies. Bookworm loves to drop little hints of things to come and then leave them alone for a few books, so I’m not sure when we’ll get back to this, but let’s just say the political war that is inevitably coming simmers in the background.

We leave off with Rozemyne heading back home for a series of lectures about how she is appalling, but again, only about 1/3 of this was her fault this time. Still an essential light novel series.

Konosuba: God’s Blessing on This Wonderful World!: Runaway Goddess, Come Home!

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

Last time I suggested the entire book had been written around one 40-50 page scene. This one’s even worse, as the entire book is entirely setup for one 3-4 page scene. The author even admits in the afterword that they had the ending to this book in mind right from the start of the series. It’s pretty spectacular, frankly, and fans of Megumin will be over the moon. That said, there is also the rest of this book to deal with. Good news, it’s also good, though it does not quite hit the highs that the end gives us. It’s the second to last in the series, so we’re setting up for the final battle here, but we’re also showing off how well everyone has integrated into Axel, and how much Kazuma, Megumin and Darkness have mellowed out and become boon companions. And in some cases more than that, as Kazuma and Megumin try once more to try to lose their virginity. (Take a wild guess how well that goes.)

As we saw at the end of the last volume, Aqua has run away to go defeat the Demon Lord, though it’s pretty clear she wants the rest of her friends to catch up ASAP. Instead she gets Handsome Sword Guy (whose name she forgets, and so do I), Cecily, and Yunyun… which is actually a far more balanced party than her normal one, so she mostly ends up very bored on the journey when she’s not accidentally tempting monsters to eat her. Kazuma is, alas, very reluctant to come after her as he’s back to Level 1 after recent events. That said, his level is back to baseline but he still has his skills… which gives him an idea. An idea involving Vanir, Wiz, and a very difficult dungeon…

If there’s a runner-up in terms of best bit in the book after the Rise and Rise of Megumin, it’s the adventures of Vanir and Wiz in the dungeon, keeping the useless Kazuma safe while also letting him get in the last hit to raise his level again (and then lower it, as he’s cheating as per usual). Vanir is just the same as always, but it’s an absolute delight to see Wiz getting obsessed with clearing the dungeon and just as over the top. They make a very good team. As for others in the book, the award for “worst person in the world” has to go to Zesta, who not only pervs hard on Kazuma, Megumin and Darkness, but is such a lustful pervert that even high-level monsters run away as they are worried he’ll try to screw them. (He will, indeed, try that.) He’s also the one who gets a horrible idea regarding Serena’s powers to return the pain she receives back on the giver, which relies on her being a virgin. KonoSuba is not about to forget its roots of being terrible in the best ways.

So all the main players have finally arrived at the final battle. Will our heroes triumph? Will the demon lord prevail? Will Kazuma die again? And what’s up with the link between this world and Japan? That will wait till the final volume next time. Till then, this was a lot of fun. Also, I find it hilarious that it took till Book 16 for Megumin and Darkness to learn Kazuma is from another world.

The Scum Villain’s Self-Saving System, Vol. 2

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By Mo Xiang Tong Xiu and Xiao Tong Kong (Velinxi). Released in China as “Ren Zha Fanpai Zijiu Xitong” on the JJWXC website. Released in North America by Seven Seas. Translated by Faelicy & Lily.

I will give credit to Shen Qingqiu, he proves to be slightly better than Katarina when it comes to figuring out affection. That said, the love interests in My Next Life as a Villainess are also perhaps not quite as Luo Binghe, who spends much of the 2nd book on a roaring rampage of revenge, because it turns out that Shen Yuan can try to change the plot and characterization all he wants, but this book is still mostly running on the rails it was supposed to. This is not good news for Shen Qingqiu, who now has to deal with his character’s supposedly evil backstory (though signs point to some of this being a load of hogwash) and being suspected of causing a plague. Possibly worst of all, Shang Qinghua has prepared the secret restoring magical doodad far, far ahead of schedule, meaning that in order for it to do anything there will need to be a prison break.

I will admit, this book is not quite as wall-to-wall funny as the first volume, mostly as the plot is a lot more serious and Luo Binghe is a lot less sweet. That said, when the humor hits it hits hard. Shen Qingqiu’s reaction on seeing Luo Binghe once more was my first lough out loud moment, but there are many throughout, especially as he learns how the rest of the world views his relationship with Luo Binghe – i.e. much the same way fans do here, writing epic sagas and touching songs about their gay love. Shen Yuan is still somewhat horrified by this, and screams about the fact that the hero of a stallion novel has still not bedded a single woman. I will admit that seeing the extent of Luo Binghe’s… devotion to his master goes from disturbing to hilarious to disturbing again. I suspect romance will have to wait for Book 3.

One of the minor plot points I’m really enjoying is seeing the development of some of the women in the cast. In the original novel, they are there as basically notches on Luo Binghe’s bedpost, but the changing timeline… as well as Luo Binghe being in love with his master… means that they’re allowed to go different places. Sometimes this is not always for their betterment – Sha Hualing goes from the popular and arrogant harem boss to a harried office lady pretty quick. Ning Yingying, though, has really blossomed from the somewhat vapid childhood friend she was supposed to be, and her defense of Shen Qingqiu no matter what is really heartwarming. If there’s one downside, it’s that the character of the “system”, which provided so much of the laughs in Book 1, is far more sporadic and muted here. That said, it’s hard to character develop what is essentially Clippy.

The main reason to get this book, even above the humor and the character development, is the readability – it absolutely flies by. Perhaps in Book 3 we’ll even get a mutual kiss.

The Devil Is a Part-Timer!. Vol. 21

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

I suppose, if you know that what you’re writing is going to be an anticlimax, it’s best to just admit it straight up front. The massive battle against heaven, even from the start of the volume, is very underplayed, and when it comes, while there is some combat, it ends fairly easily for the good guys. In fact, the final battle is so anticlimactic that the book jumps back and forth between the “present” and three years into the future, showing us where Maou is now and what the rest of the cast are up to, while also teasing his romantic relationship. That said, here it’s made explicit WHY Maou has been hemming and hawing and putting off giving a clear yes or no to anyone’s confession: his demon side is literally allergic to love and causes him to feel extremely ill. Not exactly an original idea, but hey. All in all, it’s an OK ending to a series that should have ended a dozen books ago.

Fortunately for the reader who has been feeling a bit Chiho’ed out by the last couple of books, she’s not present for the War Against Heaven, though we do get Maou and company explaining everything to her parents. A lot of the book features scenes of the cast waiting for heaven to respond to their obvious aggression, and being somewhat disturbed that they are not doing so. And then there is the newest Sepirah child, there to signify the direction that all of heaven will take going forward… so it’s a bit of a shame that he looks like an exact copy of Urushihara, to the point where Maou dubs him Copyhara. There is also quite a lot of backstory and explanations are given for most of the supernatural end of things, but I’m going to be honest, I’ve never really paid attention to that part.

If that summary sounds vague, so does the whole book. The epilogue bits are a bit more interesting. There is a romantic pairing that caused me great pain to read about (no, not Maou’s), but I suppose as long as they’re happy. Speaking of Maou, and spoiling a bit here, yes, he’s together with Chiho, but she’s also trying to consider their future as a group. The problem is that a) thanks to Alas Ramus, he’s never going to be able to be far from Emi for the rest of his life (which, by the way, is a normal human lifespan now, because plot), and b) Emi clearly has some feelings for Maou, and is clearly never going to end up with another guy. Chiho proposing a poly relationship is… I’m gonna be honest, it feels like a fanfic solution. Even Maou is baffled by it, though given how Chiho and Emi run roughshod over his life in general, I guess he’ll accept it. Still, I can’t see the fanbase enjoying this.

Again, aside perhaps for that last part, this book isn’t too bad. But it’s a classic example of an author dragging out a story that should have ended around Book 7 or 8. In the end, it risked drowning under all of its own lore, and didn’t really give the fans the romance their wanted either.

The Holy Grail of Eris, Vol. 1

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By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

If you think the cover art suggests a villainess story, you’re right, though this is once again a variation rather than a straight up “reincarnated as the otome game villainess” sort. That said, almost all those books, as well as many of the variations, have the same kind of scene in it. Usually near the start. Our villainess finds herself at a party or ball, surrounded by men who are sneering at her with hatred and contempt, accusing her of terrible bullying towards the “heroine” of the game itself. This public shaming usually kickstarts the plot in some way or another. But wait, I hear you say. I love those kinds of scenes, the ones that show the dark and seedy undercurrent of nobility. What if I could have an entire book filled with them? And also make it a detective thriller? If you are this sort of reader, the Holy Grail of Eris is hear for you. There’s escapades, and murder attempts, but mostly there’s so much vitriol you could probably start a glassmaker’s shop.

Constance, aka Connie, is our heroine, and frankly, she’s a bit of a drip. Her father, a viscount, is known for being sincere and honest at all times, aka an easy mark. The family is deep in debt. But it’s OK, as she’s engaged to the son of a wealthy businessman… who, unfortunately, is currently having an affair with another noblewoman. All this comes to a head at a party where Connie is shamed and accused in the proper Villainess Novel way. Sadly, she has no one to come to her aid… or so she thinks. Enter Scarlett Castiel, a duke’s daughter who was executed ten years ago for attempted assassination of the (current) Queen. Scarlett possesses Connie and solves the problem by means of a photographic memory and a heaping tablespoon of “being a magnificent bitch”. However, now Scarlett demands Connie’s help in return… to find out what REALLY happened ten years ago!

Not gonna lie, this is a heaping helping of fun, despite the almost obligatory child slavery ring subplot. (In the book’s favor, none of the main cast buy a slave.) Connie and Scarlett are both very flawed heroines, and while together they can just about solve some mysteries, Connie tends to be easily caught and also terrible at lying. But this makes them endearing and easy to root for – we’re not getting any powerhouse OP villainesses here. The other characters are also most arrogant nobles, but they come in various shades, including our love interest, who is a standard Japanese romance novel type, but I don’t dislike that. I also loved the character of Abigail O’Brien, who is several times compared and contrasted with Connie herself and also seems to be an underworld boss and super Madam (in the capitalized sense of the word).

This is supposedly over at three volumes, though a fourth one appeared in Japan last month as a digital-only book. That means we are unlikely to linger too long on the central mystery or what the Holy Grail of Eris is (the fact that Connie’s last name is literally Grail does not come up in the text, and may just be there for flavor). Still, if you like mysteries where the heroine spends most of her time getting caught, and everyone being absolutely terrible to everyone else, this is a winner.

Bottom-Tier Character Tomozaki, Vol. 8

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By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Gagaga Bunko. Released in North America by Yen On. Translated by Winifred Bird.

If you ever wanted to see someone trip on page 1 and spend the next 276 pages falling to the ground, then have I got a book for you. In all fairness, I should have seen this coming. Everything was going far too smoothly for our boy Tomozaki lately. He’s got friends, he’s got a girlfriend, and he’s even teaching his mentor how to not be some sort of Japanese high school girl cyborg, though signs point to that not really working. But one of those things is a very different beast from the others, and as the book goes on the reader starts to notice how Kikuchi just… isn’t in it. She shows up here and there, she and Tomozaki are cute with each other, but she’s not part of the life he’s trying to live right now, she’s a separate entity. And that leads to everything crashing down for the cliffhanger. So it’s a good thing we’re not gonna have another short-story volume next… hrm? What’s that? Volume 8.5? Ah well We must all suffer.

Things start off well, as our new couple go for a New Year’s shrine visit and run into Izumi and Nakamura, and Tomozaki gets to see what an actual long-time couple who are not worried about doing the wrong thing at all times act like. After that, though, it’s back to assignments – for both our protagonists. Tomozaki has to start working towards his next major goal, which is to be the “head” of a clique of friends. As for Hinami, he takes her to an in-person Atafami meet-up, hoping to show her the fun that can be had in gaming and that it does not have to be as analytical as possible. This meet-up is impactful for him as well; first because he ends up meeting a pro gamer who makes Tomozaki wonder if that’s a future he can do himself; and second, because a college-aged girl named Rena starts hitting on him aggressively… something he does not really handle well at all.

I’m going to be honest here: if your mentor is so emotionally broken that you’re trying to get her to have fun as a goal, why are you trusting her with your romantic thermometer at all? Every time he asked Hinami “is this OK” in regards to Kikuchi’s increasing fragility, I wanted to smack him in the face. She is the LAST person he should be asking. Sigh. But that’s Book 9’s problem, I guess, though if this new romance turns out to be only about 2 weeks long, I fear readers may get annoyed. Other than that, though, Tomozaki does pretty well here. He’s gotten better at asking leading questions without suspicion, and is forcing himself to think about his future in ways that aren’t just “college, I guess” like most of his classmates. I really enjoyed the gaming battle with the pro, not because of the endless pages of Atafami description (again, not a gamer), but because it showed off that there’s a different way of thinking you can access when everything you have is on the line.

Let’s hope Tomozaki accesses that when he tries to rescue his relationship next time. Well, next time after the short stories. Till then, this was painful but excellent.

The Vexations of a Shut-In Vampire Princess, Vol. 1

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By Kotei Kobayashi and riichu. Released in Japan as “Hikikomari Kyuuketsuki no Monmon” by GA Bunko. Released in North America by Yen On. Translated by Evie Lund.

As every writer will tell you, it’s much harder to write comedy than it is to write drama. Something that is funny to one person will be boring, annoying, or offensive to four other people. It can be especially difficult when you’re trying to balance out your book, having a lot of funny things in the front half before it gets dark and turns serious. I’ve talked before about Japanese light novel authors in particular being bad at this, singling out the writers of A Certain Magical Index and Strike the Blood for putting in lowbrow harem comedy “whoops I fell into her boobs” moments to lighten up the honestly very well written action and drama in those books. The Vexations of a Shut-In Vampire Princess has comedy that is absolutely dire and painful to read, but it does eventually up the stakes and make things more serious. Unfortunately, that only improves the book very slightly.

Terakomari Gandesblood is the daughter of a renowned family of vampires, so it’s sort of a shame that she’s weak, can’t use magic, is clumsy, and looks younger than she is. Then one day a maid shows up and announces that she’s going to be one of the new Seven Crimson Lords who wage war on behalf of the Empress of their country against the other six countries that surround them. This HORRIFIES Komari, who has barely left her room in the last three years owing to a bullying incident while at school. What’s worse, she’s assigned a company full of perverts, murderers and wastrels, who are famous for mutiny against their new commanders. How on earth is she supposed to deal with this? Can she stop her new maid from being a complete pervert? And why does she have no memory of the incident from three years ago that supposedly started her shut-in days?

Saying what’s wrong with this book will take a while, so let’s dig right in. The first 40% or so is the comedy part, and it’s not funny. Lots of jokes about Komari almost peeing herself (always a bad sign in light novels), the main constantly sexually harasses Komari, the military company are all tenth-generation Irresponsible Captain Tylor rejects, and there is also a guy who raps. Through the entire book. I also dislike the main conceit, which is that they live close to what is essentially a magical resurrection thingummy, so while nearly everyone is brutally murdered in this book, no one actually dies. And once we get Komari’s true backstory and who she really is – and more to the point how it’s covered up – it feels like the villain might be a bit justified in being upset. As for the serious bits, as noted, they’re handled better than the comedy, but they’re also very predictable – the entire final fight had precisely zero surprises.

To sum up: having lesbian maids trying to grope our teenage heroine when she’s trying to go to the bathroom isn’t funny, light novel authors. Thank you.

Hazure Skill: The Guild Member with a Worthless Skill Is Actually a Legendary Assassin, Vol. 1

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By Kennoji and KWKM. Released in Japan as “Hazure Skill “Kage ga Usui” o Motsu Guild Shokuin ga, Jitsuha Densetsu no Ansatsusha” by Kadokawa Books. Released in North America by Yen On. Translated by Jan Mitsuko Cash.

This is the fourth of the books that I never read when they initially came out where I had a Twitter poll to see which I should read. It came last. I can see why. That said… all the other books, after finishing them, I was immediately left with a sense of “I don’t want to read any more of this series”. The World of Otome Games Is Tough for Mobs has a protagonist I really hate, Apocalypse Bringer Mynoghra is in a genre I try to avoid, and Min-Maxing My TRPG Build in Another World was so boring I didn’t even do a review. This one, though… if I get another gap in my reading schedule, I might try the next one. It’s in the genre of what I call “McDonald’s” books, i.e. big dumb fun. More to the point, it’s filled with fantasy light novel cliches but mostly avoids the bad ones. Note the mostly.

Roland is part of the party that has been sent to defeat the demon lord. His talent, being unobtrusive, was thought to be completely worthless but makes him a fantastic assassin. He ends up defeating the demon lord himself, though he lets the rest of the party take the credit. Now what he really wants is to retire from his assassin work and live a normal life. The trouble is he has absolutely no idea what normal is. AT ALL. He ends up in a town with an adventurer’s guild, and decides to join… as a guild receptionist. Naturally, as the book goes on everyone else in the cast realizes that he’s far more than he seems. Also, isn’t the demon lord supposed to be dead? Who’s that hot girl who’s hanging out at his house?

I was not kidding when I said this was Big Dumb Fun. It reads like one of those fanfics where the author makes the main character able to do literally anything and have any woman he wants. Unlike a lot of light novels, Roland screws his way through a lot of this book, bedding not only the former demon lord but also the head of the guild and even a passing adventurer. Also, despite his “useless skill”, he’s had so much training that he can literally do almost anything. The reason this is not absolutely unreadable is that Roland is, at heart, a nice person… but he does not ACT like one, as a majority of the OP light novel potatoes do. Roland is brusque and rude, and really does have no idea what normal is, but he not only is incredibly powerful, but he’s good at teaching other people how to maximize THEIR useless skills to become more powerful. This was probably my favorite part of the book, where we see him pinpoint exactly how an adventurer can best be utilized.

So yeah, not going to immediately pick up the next book in this series, but if I get another lull in my reading, I might try the second volume. Which I guess makes it the winner of my poll, even though it came in last.

My Friend’s Little Sister Has It In for Me!, Vol. 6

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

This honestly may be the best volume in the series to date. We get a plotline that was completely unpredictable and fun, development of the ongoing love triangle, a lot of great humor, seeing Akiteru try to be proactive and sympathetic but missing the point a good 3/4 of the time, and while the book does have a bit of Sumire in it, she’s mostly in school and forced to be in teacher mode, and thus no shotacon jokes for the second book in a row! The series continues to do a very good job of making everyone likeable – even Akiteru, despite being the classic punchable oblivious guy. It helps that he’s so supposedly “logical” and matter of fact, and thus a different type from the usual pleasant potato. The whole thing ends up in a beauty contest, which features gorgeous pictures of Iroha (in a dress) and Mashiro (in a suit). Sadly, I must report that the illustrator and publisher are goddamn cowards.

It’s the culture festival, which means maid cafes, as well as the school beauty contest. Before that, though, there is the problem of Iroha, who is still freaking out over the fact that she can’t be friends with Mashiro AND be trying to win Akiteru’s heart at the same time. Taking Otoi’s advice to try to see things from the perspective of people other than her own, she spends most of the book acting out the “roles” of her friends and classmates, including Mashiro, Sumire, and Midori. Unfortunately, all of this is frustrating Akiteru, who is trying to demonstrate to Iroha that she can simply be herself and does not have to be the perfect honor student OR other people, she can be as annoying as she wants to be. She’s never going to agree to that, because her being annoying is a form of flirting reserved only for him. So there’s only one thing he can do, really: dress up as a woman and enter the beauty pageant to defeat her.

There is a large amount of this book devoted to Akiteru dressing up as a woman, including some good makeup tips, and it is remarked upon how gorgeous he looks as the end product (provided he doesn’t speak, something he manages to pull off. I actually flicked back and forth over the book three times to make sure I was not missing an obvious illustration. But no, this book is written for teenage boys, and they do not want to see boys in dresses. Feh. The highlight of the book, though, is the growing friendship between Iroha and Sasara, as it turns out most of the “rivalry” stuff was simply because Sasara saw that Iroha was wearing a mask and hated it. Getting her to remove it is fantastic, and it’s nice to see that, despite deliberately ignoring romance for the time being, Akiteru’s sense of what Iroha needs is probably accurate.

As is common with this series, we get a vicious cliffhanger at the end, and I suspect the next volume will make Akiteru very uncomfortable. Till then, this is excellent high school romantic comedy.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 4

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

I have stated before that the main reason I enjoy this series is that it has only one joke: Inglis is a meathead who only cares about fighting, food, and Rafinha, in that order. The trouble is that the author wants to hammer home to the reader that this is not entirely amusing and something to appreciate for the lulz. I say trouble because we’re introduced halfway through to a girl who lost her entire family when her village was destroyed and therefore has… sigh… been sold and is working “in servitude”. Rafinha is appalled that this is happening, while Inglis points out the political realities of trying to shut it down everywhere. The trouble is that Inglis does not care about any of this. She’ll support Rafinha if she wants to fight against slavery, but that’s because she’ll follow her anywhere, not because of any actual moral center. Inglis’ moral center is: I want a good fight. And she will cheat and manipulate to get it.

While working to help rebuild the school (and, more importantly, the school cafeteria), Inglis is called to the throne to be offered a position as Captain of the Royal Guard. A huge honor, but far too much work and would mean she would not get to do whatever the hell she wants, so she talks her way out of that one. More importantly, the acting troupe Inglis has met before are back in town, and they want her to play one of the roles and put on a spectacular fight scene. Inglis realizes that if she cons Yua into taking the other role, then she can get to fight the half-assed but equally strong women in a real (theatrical) battle. That said, there is a problem… the winner has to kiss the male lead, and the mere idea of this causes Inglis to flip out. That said, there may be even bigger problems… like an assassination attempt. Or an invasion.

I’m glad that Yua has essentially become Inglis Mark 2, because she’s just hilarious all the time, whereas Inglis occasionally has to play the straight man. Yua’s complete apathy to nearly anything extends even to her own self, as we discover that she may have a lingering side-effect from her death battle in the previous volume, to which her response is essentially “ah”. This is why it’s even funnier seeing her thirst for the girly-faced Ian, to the point where she spends most of the epilogue of the book carrying him around under her arm like a sack of potatoes. As for Inglis, she gets to have some really good fights here, so she must be happy. We also get to see the mothers of Inglis and Rafinha pay a visit, and it turns out that huge appetites definitely run on the mothers’ side, as between the four of them they terrify everyone with the amount of food consumed.

This series is never really going to get into Big Questions and Ethical Dilemmas, and even if it does it probably is not going to be Inglis having the dilemma. She gets why things are wrong. She gets they can be hard to fix. She doesn’t care. Fight now plz.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 1

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

We’ve had enough villainess books by now that everyone knows the “Stations of the Canon” so to speak, and so therefore it warms my heart to see that we don’t have to dwell on them forever. One of our heroines, the reincarnated princess (who is NOT the villainess in this story) gains her memories of her life in Japan, discovers she’s in a fantasy world, and rushes off to go learn magic!… and then twelve years pass. As for the supposed villainess, we hit the high points in the by now traditional scene. Her fiance shames her in a public setting. Every other guy she knows is also sneering at her. She’s innocent, but no one believes her. No offense, but we’ve done this. And then our princess smashes through the window on her magical science broom, immediately realizes that this is a villainess shaming story, and yeets the villainess out the window with her. No time for that, there’s SCIENCE to be done!

Anisphia, aka Anis, is the titular princess. In a land where magic power is strongest in the royal family, she can’t use magic at all. But that’s not going to stop her dreams. She removes herself from succession, retires to a side mansion, and proceeds to use her vague knowledge from Japan and sheer GUTS to make tools that work using magic but that can be wielded by anyone… including her! For the most part, this has meant kettles powered by spirits, etc. But she has grander plans, and needs an assistant, preferably one who is a magic savant. Enter Euphyllia, aka Euphie, the duke’s daughter and fiancee to Anis’ younger brother. Having just been publicly shamed in front of most of nobility and dumped by her fiance, Euphie’s marriage prospects are near zero. So why not let her assist Anis in creating new tools? And if they have to fight a dragon too, well, so be it.

The manga of this series is coming out in a month or so, and I’m not sure how well it’s going to work, because so much of Anis and Euphie depend on the reader hearing the inner narration. Anis can seem like a ball of chaos, and she is a lot of the time, but there is real method to her madness, and deep down she’s desperate for the magic that everyone else has. As for Euphie, it’s rare we see the “villainess” (she’s nothing of the sort) so broken by having her engagement called off, and she spends most of the first half of this book feeling miserable and like she failed everyone. Seeing her gradually come into her own is a huge treat. As for the “yuri” of the series, well, though the word “lesbian” is not used, Anis has stated that she likes girls and will not marry a boy, which is close enough, probably. She freely admits one reason she wanted Euphie as her assistant is she’s gorgeous. I suspect once the two work out their issues romance will blossom quickly.

There’s still a lot left unresolved at the end of this book, most notably Anis’ younger brother, the instigator of all this, as well as the baron’s daughter who has “otome game protagonist” written all over her. But honestly, I’m not here for the villainess vibe. I just want to see Anis and Euphie hang out together and invent new things. A definite winner.