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Reviews

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 8

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

I’m starting to give up on Charlotte doing anything, and I think the author is as well. Her function here is to a) have a comedy side plot where she tries to fatten Slowe up again because she’s worried other girls will thrown themselves at him now, and b) be a mirror to the new girl who’s on the cover, who actually is important. And then there’s the cliffhanger, which implies that Book 9 is going to be all about Slowe and Alicia rather than Slowe and Charlotte. It is annoying because, after 7 books of waiting to see these two idiots finally confess to each other, it feels like Charlotte no longer has a function in the story. They’re still keeping her status secret, and the main “plot” of the anime has wrapped itself up, so… guess she’s just there. Instead, we get a one-shot plot that feels like a placeholder.

The first half of the book, frankly, drags. The main plot is that Prince Neon is at the school in order to, supposedly, make friends – something so obviously false that it makes everyone uncomfortable, especially as the Prince is trying to act all buddy-buddy and getting too handsy with other girls. He also has a retainer, of course, named Suz, who is stoic but also seems to be incredibly obsessed with her charge. She’s also ridiculously strong, to the point that Slowe is beginning to wonder if something is up. Something *is* up, of course, but we’ll have to wait till after the world’s most annoying dungeon crawl to find out why, as for some reason the one person Prince Neon is really interested in is Shuya, who he seems to be trying to drive insane… or trying to stop it, we can’t be sure.

Fortunately, the second half of this volume is much better than the first once we actually start getting answers. Prince Neon is meant to be a very close analogue to Slowe himself, which of course makes Suz Charlotte, as she is also a retainer in love with her master and possessed of a secret no one must know. This is handled quite well, and I also liked the final fight, which sees Slowe kick ass, but not in a way that makes him seem OP. He still contrasts very well with Shuya, who is the protagonist of the anime and cannot stop acting like an anime protagonist, even as everyone around him says he’s too soft. Shuya actually gets a leg up on Slowe here, who is so busy trying to avoid whatever is going on with Prince Neon that he misses a lot of the danger signs. And while I want to leave the villains of the piece a spoiler, they’re very good “you know they’re not a recurring thing” villains.

So a middling volume of Piggy Duke this time… which I think I’ve said a few too many times before. We’ll see if focusing on Alicia rather than Charlotte helps things any next time.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 1

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By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

I suspect most readers of this site are familiar with the concept of a visual novel, and the ones that feature romance or sexual content tend to get called “eroge”. The usual premise is that you play a faceless high school… erm, college, sorry, of course everyone’s over 18… boy who, depending on the choices he makes, can score with one of 5-6 different women… or get a “bad end” when you screw up and get none of them. A lot of fans like to wait until there’s a walkthrough. They’re not here for the gaming part of it. They’re here to read the story and see our hero get it on. I don’t need the bad choices, I only need the one correct choice each scene to advance the story. If you took that concept and made it a light novel, it would be this one. We are here to see sweet romcom, and no mistakes will be made.

Yoshin is, as the title might suggest, a quiet introvert, not an otaku type but one who naturally lurks in the back of class and goes home on his own. One day he returns to the classroom after school to get something he forgot and overhears the class’s three “gyaru” girls playing a game… with a penalty dare. The loser, Nanami, has to ask Yoshin on a date, and date him for a month. They don’t spot Yoshin, who quickly goes home and does what any other red blooded high school introvert would do: he hops on the internet and asks his gaming buddies, who consist of 1) confident adult guy with good advice (that he says he just looked up on Google) and 2) teenage girl who clearly has a crush on him telling him to reject her at once. He does not, though, and he and Nanami start to date. And, by an amazing series of coincidences, they fall for each other almost instantly! Is this some sort of manga or something?

As I hinted above, the flaw in this series is that everything goes ridiculously well for Yoshin. Despite being an introvert, having a poor self-image, and only having black clothes, he’s kind, listens to others, and can be incredibly confident when he wants to. As for Nanami, she’s a shy big-breasted gyaru with no experience dating men and she has a secret side that wears glasses and looks more frumpy. In other words, she’s practically a walking fetish. But she’s nice, and sweet, and overenthusiastic, and possibly a bit naive. The series manages to work on pure charm, and also because it embraces the ridiculousness of its premise. (Nanami has two friends. One is dating her stepbrother, the other is dating a guy 12 years older than her. They both sound like they need spinoffs.) Even meeting her parents goes well, mostly as these two are never going to have sex even if they are already practically proposing marriage.

If you want realism, look elsewhere. If you want a sweet romcom where everyone acts like they stepped off the screen of Kimi Ga Nozumo Eien, this will do fine. And it’s only four volumes, which seems just about right.

The Ideal Sponger Life, Vol. 9

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

For the most part, one of the big reasons that Zenjirou has been so successful in the political nightmare that is his new world is that he doesn’t have the ingrained reactions that anyone brought up there would. He tends to react like a Japanese person from Earth would. (I’d say “normal”, but honestly, Zenjirou’s not all that normal even to begin with.) This serves him well for a lot of this book, as attempting to negotiate with him is like hitting a brick wall much of the time because his body language and verbal questioning are so far off the range from everyone else. Unfortunately this can also be a negative, as Aura quickly points out at the end of the book,. Threatening Zenjirou’s son, even mildly as a political feint, earns his enmity, and a canny person will realize that this is a very valuable button to press. Fortunately, there’s more good than bad here, as Zenjirou accidentally on purpose gets involved in a throne war in the Twin Kingdoms.

Zenjirou is in the Twin Kingdoms to try to negotiate for a healer to be present during the birth of his second child. Unfortunately for him, while greeting him, King Bruno drops the bomb that he’s planning to abdicate in favor of his successor. The obvious choice is the eldest son, who is 49 years old but has basically trained for this. The dark horse is his youngest son, who is in his thirties and seems to be very upset about the abdication. But is that really what’s going on? And how on Earth does this tie in with Prince Francesco, who just wants to sit around and dabble in magic tools his entire life but who ends up being seen as the second coming by some groups? And, perhaps most important of all, how can Zenjirou get the latest in his succession of love interests off the cover art?

As always, the title and premise are a lie. There’s no harem seeking, and certainly no sponging here. Indeed, Lucretia strikes out with Zenjirou over and over until the middle of the book, when it becomes clear he’s not looking for a lover but a political helpmate – something that, frankly, she’s much better at doing. As for the Twin Kingdoms themselves, the plotline we get here is well thought out and handled, although I thought that Zenjirou hearing about a certain monster and immediately making a logical leap to a breathtaking new magical tool was perhaps one OP move too many, in a series when all the OP moves are intellect-based rather than fighting-based. Oh well, I should probably consider myself lucky he doesn’t sample any of the young hot single women who all essentially proposition him in this book, though they all have their own agendas.

So yes, no sex in this book, but as noted before, in this book the politics IS sex. And we still haven’t left the twin kingdoms, as there’s the other half to negotiate with. We’ll see that next time.

Dragon Daddy Diaries: A Girl Grows to Greatness, Vol. 4

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By Ameko Kaeruda and Sencha. Released in Japan as “Totsuzen Papa ni Natta Saikyou Dragon no Kosodate Nikki: Kawaii Musume, Honobono to Ningenkai Saikyou ni Sodatsu ” by GC Novels. Released in North America by J-Novel Club. Translated by Nathan Macklem.

This is the final volume of the series, and it has the strengths and weaknesses of previous volumes. The Elder Dragon is immensely powerful and also a pretty good guy, so any character development and angst comes from outside of that. Olivia is the same, only she doesn’t even get the character development. They’re meant to be “aw, look at the cute daddy and daughter” with an OP twist, and that works well, but they’re nothing more than that. They work best contrasting with whatever fractured familial unit we see in this particular volume, and we get that here as well. This is the final volume of the series, and it does have an ending of sorts, but the ending is very much “more of the same only Olivia is older now”. She’s rescuing other kids like her, who had bad home lives. Which is great, but the solution seems to be “:leave them all with daddy, it worked for me”.

Having obtained five of the seven Supreme Hallows, they’ve decided that that’s enough to do the ritual that will drain the built-up magic within the hallows. Unfortunately, the ritual is invaded by Vandilsen, a seemingly immortal wizard who proceeds to steal the five Hallows with the help of what he carries, the 6th. Fortunately, as it turns out, the Elder Dragon has had the 7th all this time without realizing it, and that can help them locate the other six. And so it’s time for Dragon and Daughter to go on a camping holiday, clearly… mostly as it turns out that Vandilsen is quite a long ways away, across the sea and in a foreign country that is now lifeless and arid due to having all the magic sucked out of it. Why does Vandilsen want the Hallows? And who’s the young boy they find on the beach unconscious?

A great number of the plots to Dragon Daddy Diaries have been about how to find the right level of protectiveness when being a parent. Don’t smother, don’t be too hands-off. Here we also get the added lesson of “listen to what they’re actually telling you, not what you want to hear”, as Vandilsen is literally killing himself in order to save the life of his adopted son, even if that’s not remotely what the son wants. This does, admittedly, help the Elder Dragon to have a brief crisis of conscience, as he becomes more aware of the fact that Olivia is going to get older and die while he remains the same. That said, Olivia is having none of this “let’s stay immortal forever” business, even though she’s spent her entire life in a family consisting of people over a thousand years old. She’s got a good head on her shoulders, even if that’s dramatically lacking.

This was a cute series and an easy read. That said, I’m almost positive it would never have been licensed if it had not been for the huge buzz around Sexiled, the author’s other work. Family-oriented fluff.

A Tale of the Secret Saint, Vol. 4

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I’ve talked before about how this series frequently can’t decide if it’s just pure comedy or if it has true tragedy embedded within it, but in one way it definitely fills the comedy mode, and that’s because the reader is left wondering, after four volumes, how long Fia can possibly be able to keep her reincarnation a secret given how absolutely lousy she is at hiding anything about it? The difficulty is that this is half of the humor (the other half just being Fia in general, unrelated to her past). So I suspect the answer is “it will get revealed right before the series comes to an end”, and it’s still ongoing as both a webnovel and a light novel. So this means I will have to put up with the fact that it is increasingly unbelievable that no one else picks up on this except the OTHER guy who has reincarnated memories. I mean, that’s the gag. It’s just a really belabored gag.

We pick up right where we left off 2/3 of the way through Book 3 (which is to say the end of the main plot), with Fia having to deal with the fact that her former bodyguard from her previous life, Canopus, has regained his memories and is now Captain Kurtis of the Thirteenth knights. Fortunately, he seems willing to go along with whatever she says. UN-fortunately, that’s because he’s just as obsessed with her sainthood as the rest of the Sutherland people, if not more. Things are not helped by the fact of Fia constantly accidentally doing Saint things while completely failing to realize they’re abnormal. The third volume was about the drama that surrounded Cyril and his homeland, but this volume is surrounded by an utter LACK of drama. With Fia around, everything’s fine.

Despite my grousing in the first paragraph, this is still an enjoyable volume, mostly because Fia is so fun and likeable. We’ve seen flashbacks that show that this is not just a function of her past memories interfering with her present ones – she was always like this. So we get things like her trying to explain to the local healer how to make the cure for their deadly disease by essentially saying “here are the ingredients, the actual amounts used are up to you” and having everyone stare at her in a sort of daze. I am slightly less enamored of the additions to her reverse harem, especially as we now have TWO who are a bit too obsessive for my liking, but honestly, Fia’s obliviousness is also something that will probably last until the final volume (and Cyril, let’s face it, has a very big lead on the others). Fortunately, this also ends this arc, so we’ll start a new one in the next volume, possibly involving those color-themed royals from previous books.

This is never going to be in any best of the year lists, but if you like Katarina Claes-types who are also far, far too powerful for their own good, this is definitely one to keep up with.

The Mythical Hero’s Otherworld Chronicles, Vol. 1

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By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

Sometimes you just want to get serious. Isekai titles have been around for a while now, and we’re used to seeing pastiches, parodies, and satires of the genre. Plus, of course, they’re often written like RPG games, so the writer does not have to worry about pesky things like plot or setting. But suppose you *are* a writer who likes those things? Suppose worldbuilding is your jam? And suppose that you really do take the isekai premise seriously? Well, you’d probably end up with something close to this book. The Mythical Hero’s Otherworld Chronicles is not entirely humorless (sadly, the humor is entirely the “grrr, I am jealous of our princess having no boundaries around you” sort of humor), but for the most part it’s hear to earnestly tell a story of what happens when a hero has to return to the land that he saved a thousand years later to save it again.

Three years ago, a young man named Hiro was found in his bed injured, covered in dirt, and with his hair grown long overnight. Doctors were baffled… as was Hiro, who could not remember anything. He has recently been having dreams, though, dreams where he’s a powerful swordsman in another world. No prizes for guessing that’s what happened three years ago. But then it happens again, and he ends up back in that world, now one thousand years in the future. Unfortunately, he doesn’t have any memories of his previous time there, nor does he seem to have any special powers. Fortunately, he does run across a young princess, 6th in line for the throne, who is on her way to political exile and who seems to take an instant liking to him. Is this really the same world that Hiro saved before? And can he regain his memories in time to do it again?

If you enjoyed Altina the Sword Princess but wished that Regis was an incredibly OP warrior who saved the day through battle instead of strategy, you’d have something of an idea of how this book runs. It’s a very testosterone-driven book, and it did not escape my notice that while there are two powerful young women in the book, both of them need saving by the hero. I’m hoping that’s not a habit. (There’s also an implied sex scene, but you can easily ignore that.) Liz, the princess, has absolutely no boundaries around Hiro at all, to a baffling degree – I get that she takes a shine to him immediately, but it verges on the ridiculous. And her rivals, the other princes in the throne war, seem to all come from the Sword Art Online school of “all villains must be as evil as possible, no grey areas whatsoever”, so we get them literally laying on a pile of captured nude women. As I said, testosterone driven book.

Despite this, the prose is well written, the battles are exciting, and the story makes sense. If you’re looking for a power fantasy and you’re a teenage boy, this is perfect for you. I may read another volume.

Hell Mode ~ The Hardcore Gamer Dominates in Another World with Garbage Balancing, Vol. 1

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By Hamuo and Mo. Released in Japan as “Hell Mode – Yarikomi Suki no Gamer wa Hai Settei no Isekai de Musō Suru” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Taishi.

So, contrary to what everyone thinks, I don’t read everything. There are many light novels I have dropped, and even more I never started. Including this one, which came out over a year ago. The title made me suspect that it was one of those books filled with stats and OP kids who only think in terms of leveling. (Which, to be fair, it absolutely is.) So I gave it a pass. Then I was at Anime NYC recently and the folks at J-Novel Club asked if I could possibly give this one another try. It’s gotten popular enough that they’re releasing a print version of it. That said, its volumes are chunky, tending to run 350-400 pages, and frankly my backlog is already pretty huge. So I decided to read about 15 pages of it per day in among my other reads. So, having finished the first book, how is it? It’s… OK. Decent.

The ‘hardcore gamer’ of the title has gotten tired of games getting easier and easier with tons of free toys to play with to keep folks from bailing. He misses the days when it took almost a year just to gain one level on your game. Then one day he downloads a game that offers easy mode, normal mode, extra mode… and Hell Mode. Naturally, he chooses the last one, and decides to be a summoner. The next thing he knows he’s being born in another world as Allen, a young child of a serf. We don’t even know how he died in Japan, and it’s not important. What *is* important is that he quickly realizes that he’s in the world of the game he chose… and he’s really made it ridiculously hard for him to do anything. And… honestly, he’s pretty OK with this. Actually, he takes everything really well.

So, first of all, if anyone notes the cute girl on the cover with Allen and expects this to be a two-person sort of book, it’s not. Krena is strong, and has mad sword skills, but the mere fact that she and Allen are so young means they can’t hang out together all the time, and she’s mostly a minor supporting character. Honestly, this book is almost just Allen by himself, though his father and Krena’s father also play a large role. Once you get past the endless stat chatter, level chatter, and the many attempts to figure out how the game actually works (he’s living it, so doesn’t have the manual, though his grimoire sometimes helps), this is not that bad. Allen is very likeable, and his goal, raising the status of his family so they’re no longer serfs, is a good one. That said, there’s another major problem with this book, which is that it seems to be a prologue: Allen is essentially moved to a new location at the end of this, and the second book promises to be very different (and also has a different girl on the cover).

So while this was not entirely my genre, I can see why it would have fans. I will try a second volume to see if it gets better… but I’m still only gonna read it 15 pages at a time.

The Magician Who Rose from Failure: Tales of War and Magic, Vol. 5

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By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

After a fourth volume that abandoned nearly the entire main cast in order to tell the “war” part of the subtitle, this new volume of The Magician Who Rose from Failure feels like an apology to the reader of sorts. It’s a chance to relax and take stock of where the various nations are after the giant battle that ended the previous volume, see how far Arcus’ father can continue to have his head up his own ass, and give a bit of attention to his main love interests, who were absent from the previous book. (Lecia, though she appears, gets very little attention, but I’m hoping a future volume will take care of that, as there’s certainly some family drama bubbling up.) Arcus is being forced to come to terms with the fact that he is now a Very Important Person, which means he can’t simply live his life holed up in a lab inventing fluorescent lights and pudding.

There are, as you might imagine, various problems that stem from Arcus’ antics in the last book. As least three other nations have now taken an interest in him, and want him either dead or on their side. His left arm was injured badly, and healing magic is not good enough to fix it right away – it takes most of the book for it to get mostly better. And, of course, he saved the life of the Prince, which is a very good thing but also politically difficult, so a story will have to be cooked up. That said, he does meet the king, who (of course) takes an interest in him. After this, he gets a new house, and throws a housewarming party, which ends up mostly being an excuse for his two love interests to fight over him. That said, Charlotte wins here, getting most of the back of the book to herself, as she crosses swords with Arcus.

The book has used its isekai sparingly, for the most part, with Arcus thinking of his Japanese memories as a separate person from himself. This volume shows off more of why he’s able to keep up with the sword genius Charlotte, though… as well as why she’s still ahead of him in the end. After all, if you can have a kid who has memories o a past life in another world, there’s no reason not to have characters have other inexplicable abilities. I admit, though, I do prefer Sue, who has admitted she’s the daughter of a duke, but that doesn’t quite seem right either. (She’s almost called “princess” here.) She also contrasts with Charlotte in that, due to their status and how they first met, he treats Sue like… well, like an annoying brat, whereas with Charlotte he has to force himself to not be excessively formal with her. Again, this would be a great romantic triangle if we hadn’t already heard this world has polyamory, so it doesn’t have as much impact.

This isn’t as strong a volume as the others, mostly as it’s a “breather” book with minimal major plot developments. But it was also nice to see the character interaction, and fans of the series should be perfectly happy. Unfortunately, we’re caught up with Japan, so it will be a while before the next one.

Reincarnated as an Apple: This Forbidden Fruit Is Forever Unblemished!, Vol. 1

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By Gato and Itsuki Mito. Released in Japan as “Ringo Tensei: Kindan no Kajitsu wa Kyō mo Korokoro to Musō Suru” by HJ Novels. Released in North America by J-Novel Club. Translated by piyo.

For the most part, light novels are neither as good or as bad as people say. Most of the books tend to be the kind that entertain you as you’re reading them, but you will forget the very next day. They’re LIGHT novels, shallow entertainment. Occasionally you get a series that rises above the basic level of “keep them interested enough to finish the book” and really takes off. And yes, sometimes a lot of the shallow entertainment books have gotten anime as well. But what happens when you have a book that does not reach the basic quality needed? A book that cannot entertain even while reading it for the first time? A book that desperately makes you wonder why you aren’t moving on to the next in your stack? Well, you get things like Reincarnated as an Apple, which is dire.

A salaryman named (groan) Furutsu is hit by a truck filled with apples and dies. He reads light novels, so knows what happens next. Sure enough, he meets God and gets cool powers. Unlimited growth! Unlimited magic! Cannot be killed! Infinite storage! …oh yes, and he’s an apple. Hanging on a tree. He can’t speak, he’s an apple. He can roll around. After investigating his storage, he finds a young girl inside, who is apparently a staff made from a branch of the World Tree. She… um, can’t leave the storage box. But she and Furutsu can talk to each other! Furutsu ends up in the hands of Fresa, a physically strong, magically weak, and mentally inept wannabe adventurer, who’s just about to take the adventurer’s test, with the help of her guardian. Can she pass with the help of an apple?

Where do I begin? To start with, you’d expect this to be more like Reborn as a Vending Machine, but Furutsu is far more of a normal isekai guy. He can shoot fireballs, kill B-ranked demons, and levels up ridiculously. So basically, he’s a typical modern light novel protagonist… except that three-quarters of the time he and Grida (the staff) are merely watching Fresa’s antics and commenting on them like a Let’s Play video. Because he’s an apple, and she is a staff and also can’t interact with anyone but him. This is very tedious. Especially as even though Furutsu is in italics and Grida is in normal text, it’s still very hard to tell them apart, because all four main characters in this book sound the same, which is like they’re trying to compete in a tsukkomi competition. The series is, for the most part, a broad comedy, but occasionally tries to bring in drama, such as the implications about Fresa’s past, but… she’s such a vapid character that it annoys me more than anything else. And of course it’s a modern light novel, meaning it’s filled with stats and powerups, so you find your eyes glazing over as you hear things like “Spell confirmed. Activating at fifty percent strength”.

If you’re looking for a silly “reincarnated as a random thing” series, read the Vending Machine one. For those who *do* enjoy series about overpowered protagonists with cute girls and lots and lots of gamer chatter… there are *still* so many other better series than this.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 1

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

So much of Bookworm runs on the difference between Rozemyne and everyone else in the cast. Indeed, the books can sometimes be summed up as “Don’t do the thing!” (Rozemyne does the thing) “I had no choice, tell me how could I have avoided doing the thing?” (groans, heads slammed against table) This book is much the same, as every single thing Sylvester tells Rozemyne to avoid happens anyway. And to be fair, a good 80% of it is not her fault this time. It either stems from their burgeoning printing industry, or it’s a function of mistakes she made earlier now being compounded without her consent, or it’s simply her very nature as the most powerful person in the entire country (something a couple of people are finally starting to notice, but not too many). Heck, the main thing everyone was waiting for in this volume, The Purge, happens entirely offscreen and we don’t even see it in the side stories. It doesn’t involve Rozemyne.

It’s the start of Rozemyne’s third year at the Academy, and to celebrate the character notes now say she looks EIGHT years old rather than seven! There’s a lot to do. She needs to find a way to communicate with Ferdinand on an irregular basis, she has to set up joint research projects with several other duchies into various things, and there are, of course, her classes. One of which is now being taught by Eglantine, who has returned after graduation to teach and to observe Rozemyne, not in that order. There’s also a new archnoble librarian, Hortensia, who is also there to observe Rozemyne, and has had a life that makes you sad that she’s married to Mr. Evil Guy. That said, the most dangerous thing that happens to Rozemyne is not resolved in this book: after her huge blessing to Eglantine and Anastasius at their wedding, the other prince wants one for HIS wedding. And it had better be bigger than Anastasius’… or, for that matter, Ferdinand’s. If not, civil war could erupt.

The subtitle for this 5th arc is Avatar of a Goddess, and we’re starting to see some foreshadowing for why that is. (It’s apparently the final arc, but don’t worry, it’s the longest arc yet.) In her classes to get blessings from the gods, most people get one or two. Wilfried amazes people by getting twelve, something very rare. Rozemyne gets forty. Something she decides to keep a secret from everyone else. Once she learns the names of the Gods of Light and Darkness, she powers up so much that mana is now leaking out of her whenever she prays, dances, or anything, really. See the color pages, which show everyone staring in awe as her whirling ends up, as she says, “turning me into a human glowstick”. There are already people who are realizing that it’s actually Rozemyne, not Ferdinand, responsible for Ehrenfest’s fortunes raising. I suspect soon she’s going to be the prize everyone wants. And probably because they will say she is… well, look at the title.

As always, there’s so much I haven’t talked about, such as the various boys who have fallen for Rozemyne (she has no idea), or the way the Veronica faction kids are handled, or the Evil Teacher’s schemes being thwarted by Ferdinand and Rozemyne simply being SUPER EXTRA. These books are each the size of two normal light novels, meaning this is technically Vol. 44 or so. That said, I’m not complaining.

Secrets of the Silent Witch, Vol. 2

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By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

Technically this book has a real plot. We even see it here! There’s an assassination attempt against the second Prince. It is, in fact, the climax of the book. And Monica stops it, which is why she’s at the school. That said… I highly doubt anyone reading this series is on tenterhooks to find out who’s behind all this. We’re here for the adventures of Monica at school, being bullied and feeling panicked but nevertheless persevering. If I’m going to be honest, the highlight of the story was not that big climactic scene near the end, with math magic and Monica exhausting all her magic. It was in the middle of the book, where a bullying attempt on Monica goes horribly wrong and consequences are slowly but surely dripped out against the perpetrators. I’d argue this was more of a tense atmosphere because Monica has minimal to no regard for herself, and if the book were about someone trying to assassinate HER, this series would be much shorter and probably more depressing.

Despite all her best efforts, Monica is managing to gain friends and slowly adapt socially to the academy. Even if she’s sometimes not good at spotting tsundere friends. We also get a couple of new cast members in Glenn, a loud and somewhat obnoxious mage who was probably added to the cast because it lacked someone of that type; Casey, a tomboyish young lady fro0m the sticks who quickly takes a shine to Monica; and Claudia, who has clearly been watching the Netflix series Wednesday and taking it a bit too much to heart. Someone IS definitely trying to kill the second prince, that’s for sure, but most of this book is about Monica’s school life, as she learns the joys of chess, the horrors of ballroom dancing, and just who she can trust.

Isabelle is on the cover of the second book, and has a major role in the middle, which pleases me, as I thought she was merely going to be a one-shot gag. She *is* a gag, yes, but the gag is that she’s not an actual petty teenage bitch, but a “villainess”, which means that she has the nobility and knowledge of who to protect that regular petty teens do not. When she goes up against the girl who poisoned Monica (even if it wasn’t MEANT to be attempted murder, it still was), it’s quite a sight to see. I also liked seeing her bond with Felix over the Silent Witch. That said, I am a bit worried about Felix, who proves to be a bit of an obsessive fanboy about Monica’s alter ego. I fear that when the secret gets out their relationship is going to change, and not in a way that Monica will like.

This is not that long a series – I believe there are only four volumes, plus an “After” volume, so my worries may be answered in the next book. That said, I love reading Silent Witch because it’s FUN, and Monica is a fantastic lead character. Get this one.

So I’m a Spider, So What?, Vol. 15

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

We now know that the series will be ending with the 16th volume. We know this because in Japan, the 15th and 16th volume came out one month apart, because the author and editor thought that the 15th book was all setup and no payoff. Unfortunately for English-speaking readers (but perhaps fortunately for the translator), Yen On decided not to do this. The final volume of Spider is currently scheduled for June 2023. As such, well, we get this book, where there’s one fight, and it’s 4/5 of the way through the book. Instead, what we get is functionally a class meeting to discuss their circumstances. That part was OK, I didn’t mind it. It was boring, but… I like the human part of this book more than most fans. With one exception. That exception is unfortunately back as well, and since Potimas is finally dead, there’s a new character riding to the “most hated” list. Hi, Sue. Please stop trying to screw your brother.

After the events of the previous couple of books, the elf village has seen better days. White and her crew now have a) a demon lord who’s used up most of her life, b) a giant pile of corpses littering the landscape, and c) a bunch of prisoners-of-war, aka the students who got reincarnated here from Japan. Explanations would be good, but unfortunately, White is terrible at speaking, and Sophia is terrible at caring about her fellow classmates, so things go badly. Then suddenly the endgame starts. White must now battle “Black”, aka Guliedistodiaz. The Demon Lord has to rush to the place where the series began, the Labyrinth, to try to save Sariel. The leader of the Church is trying to get humanity to reject Sariel so that they can be saved. And all of this is being watched over and influenced by a very amused D.

The scenes with Sue and Shun are awful, especially since they come after we’re reminded that she a) killed her father, seemingly under mind control but she doesn’t seem to care at all, and b) sided with evil so that she could get into Shun’s pants. She’s AWFUL. Things are not helped by a tug-of-war with her, Yuri (who is no longer evil but still not right in the head) and Katia (who the author, having resolved her plotline in Book 4, seems to no longer care about). This isn’t the only thing wrong with the book, of course. Hugo/Natsume’s “sorry I was evil, better now” shtick made me roll my eyes, as did everyone’s non-reaction to it. And while I like the students, hearing them argue about who had the harder life in their reincarnated world was, frankly, boring. As for White… well, she’s the bad guy. The funny parts of the book are her justifying that in the usual manic narration she has, but she’s essentially the Final Boss – as she says herself.

I wouldn’t have liked this even if Book 16 did come a month later, but as it is I’m left with very little desire to read on. I will read Book 16, as it’s the last, but this spider has worn out her welcome.

Re: ZERO ~Starting Life in Another World~, Vol. 20

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

We have now reached the end of the 5th arc! That said, as the author notes, this is less of a resolution and more of a change of scenery. In terms of achievements, our heroes do not make out very well this time around. They do succeed in stopping the destruction of the city, and they capture one of the archbishops. But before this arc there were five “camps” for the Who Wants to Rule The Country?” sweepstakes, and two of them are decimated after it finishes. Even the fights here are bittersweet rather than satisfying, with the exception of Garfiel, who gets to unleash his inner shonen protagonist. Reinhard gets to finally tell his wife what he never managed to say, but it’s hard to call that happy or heartwarming. Al doesn’t win but merely survives. Otto is grievously injured. Crusch is still not healed. That said, I think the Anastasia Camp wins the prize for “Bad Things”. Oof.

The bulk of the book is fighting, as we basically get the fights that were happening while Subaru and Emilia were busy with the previous book. Garfiel is fighting (and losing, most of the time) to the eight-armed legend, but his fights run on pure shonen, as I said, so he’s good. We get a double dose of Gluttony, which goes very badly for many soldiers who get their names stolen, though Otto manages to figure out something about how their powers work. Wilhelm is forced to realize – again – that this is a fantasy world, and therefore hard work hardly works. Fortunately, Reinhard is there to finish off his grandmother. Unfortunately, their relationship is not magically healed. Al is fighting Lust, which mostly involves a lot of banter and a truly excessive amount of property damage. And then there’s Julius and Anastasia… let’s save that for the next paragraph.

This is one of those series I do tend to spoil myself on, given we’re still so far behind Japan (and also you never know when a short story volume may be relevant to the main series, cough), so I was aware something was going to happen with Anastasia. It’s not nearly as bad as Subaru or the reader feared, though that reveal is a killer. And at least this was done with Anastasia’s consent. But it’s still depressing, as I liked her, and I fear it will be a while before we see her again. Julius is a pure gutpunch, though, and meant to be the truly devastating consequence of this arc. At least he has Subaru, who (like Rem) can remember who he is. And , unlike Rem, he can at least walk and talk. In any case, we’re all now going to consult with the Great Sage to see how to solve everyone’s problems. I’m sure it will go fine.

Rem is, by the way, still in a coma and no one remembers her. We’ve now had far more books with Rem than without Rem. I fear the fans may have forgotten her. In any case, this is well-written, but intentionally leaves a sour taste in your mouth.

Strike the Blood, Vol. 22

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By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

Strike the Blood remains, to the end, a very good action series and a really lousy harem series. Kojou, despite the bloody nose indicating arousal, is one of the most asexual harem leads I’ve ever read about, and frankly I have no idea how he’s going to sire the two future children that we know about. The scenes towards the end where he does some sort of weird vampire mojo thing and makes all the girls have an orgasm (not explicitly stated, but implied) made me roll my eyes. But when it’s being a Shonen Jump style series, or when it treats his cast as an extended family, it’s much, much better. This pretty much wraps up all the outstanding plotlines with the exception of “who does he end up with”, which is left vague but implied to be twelve wives. Only one of whom bothers to say the words “I love you” directly to him in this book, so nice job, Asagi, you’re the winner in my eyes.

Yeah, for those hoping the final volume would have the entire cast on the cover, or at least more than one girl, I don’t know what you were expecting. In any case, the terrorists who have been driving the final arc’s plot are here, and they want Itogami Island. Kojou, who now has vampiric blood vassals again, is the logical choice to negotiate with them, though it’s worth noting that the obvious solution as to how to stop the terrorists is in fact “destroy the island”, not good. Meanwhile, Avrova is attending an upside-down high school in the sky… which makes no sense until halfway through the book or so… and then there’s Japan, who of course have several agents working for the government on the island, who saw what I said two sentences ago and agree with me.

Without question, the best scene in the book is halfway through it, when Natsuki, Yukina and her mentor, and Koyomi head down to the keystone holding the island together to destroy it. They can evacuate everyone in time, and with no island, the terrorists lose. The trouble with this idea is that literally everyone else hates it and regards it as giving up on Kojou, so the rest of the cast go to war against them. (This includes Sayaka, who is mind controlled into fighting, but it’s implied she would have agreed.) Seeing Yukina’s anguish and frustration as she ends up fighting half of Kojou’s love interests at once could almost sum up the series. As for the rest, yes, we get the “no, sempai, this is our fight!” line, so we’re good. The Nod stuff was a bit less interesting, with apologies to Those Two Girls And Their Dragon. It also comes with an almost literal Deus Ex Machina, as the daughters from the future help to do a spell that essentially makes everyone forget who Kojou is again. Well, except his love interests, of course.

The author says this series went on much longer than expected, and I can’t say it was entirely deserved. Still, in the end, Strike the Blood was exactly what it wanted to be, an action adventure series with vampires, girls kicking ass, and the occasional “whoops I walked in on you in your underwear” harem bullshit. Who could ask for anything more?

The Asterisk War: The Golden Bough Conflagration

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By Yuu Miyazaki and okiura. Released in Japan as “Gakusen Toshi Asterisk” by MF Bunko J. Released in North America by Yen On. Translated by Haydn Trowell.

OK, this took about a year longer than I was expecting it to when I wrote the review of Vol. 15 in February 2021. Part of the reason is that this took a long time to come out in Japan. The complete lack of interior illustrations may tell you why – the artist was ill, and the writer really did not want to change to a different artist. Still, we get a cover! Sylvia is on it! That said, you know what Asterisk War cover appearances are like. Fans of Sylvia will probably be unhappy with this book. The book itself tries to balance its three genres – harem romcom, tournament fighting, and counterterrorism thriller – but, to no one’s surprise, the last of those is going to get the attention in this penultimate book. We get set up to most of the big fights, with the help of our main cast, as well as Minato Wakamiya! You remember Minato. From the spinoff series? That never got licensed? Yeah. (She was briefly in Book 13-14.)

We begin with the fight between Saya and Orphelia, which… goes about how you’d expect, but Saya gets crucial information and also doesn’t die, so I’ll call that a moral victory. So now we know why Julis is pushing all her friends away, and also what the villains hope to achieve… though the villains are not really working together because they like each other. As such, while Julis prepares for her fight against Orphelia, which will no doubt be the centerpiece of the next volume, the others go to take out all the villains they can. Ayato, Saya and Kirin face off against Madiath Mesa… as well as his mind-controlled underling. Meanwhile, Claudia and Sylvia are fighting Varda-Vaos, bringing along Minato because they believe she will prove useful, and possibly also as her personality is basically “I’m gonna do my best!” with a massive anime hammer.

This series really works best when writing fights, and they are well-written, so I appreciate that. As for the villains, I feel it acknowledges that they’re a bit meh, though two of the three fights are still to come. And then there’s Dirk, who pretty much behaves exactly as you’d expect Dirk to behave. I’d say he’s a problematic fave, except this series has no fans anymore, so who really likes him enough to call him a fave? The fights basically exist to have the supporting cast do really cool things, but then end up unable to go on any further. Kirin wins but is unconscious, Sylvia… well, we hope she’s back to normal, and Claudia seems to have sacrificed the rest of her life in order to win. She’s probably the one I worry most about. As for Julis and Ayato (and Saya, but you know she’ll be written out fast), wait for the next book.

Which is the final book in the series. Hopefully it won’t take a year and a half to come out here, but given this is not one of Yen On’s top sellers who knows? The Japanese volume came out in June, and had the reaction you’d expect for a harem romcom with fans that get Very Angry Indeed. For those who enjoy this series (it’s pretty much just me, isn’t it?), this was a solid book. Which it had pictures, but oh well.