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Reviews

A Certain Magical Index SS, Vol. 2

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Prowse.

And so, once again, we have the “final” volume of Index in North America. Last time we thought it was the 22nd volume, then Yen picked up the two short story volumes after the fact. Now, we even get a translator’s afterword by Andrew Prowse thanking the readers, saying this is it for now, and please keep reading the manga. All it needs is “And the adventure continues…” after the final page. In other words, don’t expect New Testament unless there’s an anime. As for this volume, it’s far more of a short story book than the first one, though the stories eventually do tie together up to a certain point. It’s also a lot goofier, with Kamachi’s usual hit-and-miss attempts at humor and lots of powerful teenagers doing dumb teenage things. There’s ninjas, hackers, slashers, fixers, and those who fight using only their GUTS! That said, it’s a reasonable amount of fun, and Index fans should have no reason not to pick it up, especially since good sales might also change Yen’s mind.

Introduced in this volume: Balbina, Gunha Sogiita, Tabigake Misaka, Ollerus, Silvia, Kuruwa, Seria Kumokawa, Stephanie Gorgeouspalace, Misaka 17000, Misaka 18022, Misaka 14333, Misaka 15110, Misaka 10090, Misaka 12053, Misaka 19009, Misaka 11899, Misaka 16836, Misaka 10501, Misaka 19900, Misaka 12083, Misaka 10855, Misaka 17203, Misaka 19488, Misaka 15327, Misaka 13072, Misaka 17403, Misaka 10050, Misaka 10840, Misaka 12481, Misaka 18072, Misaka 19348, Misaka 17009, Misaka 15113, Misaka 14014, and Misaka 18829. (Sorry, I had to.) This takes place over the course of the entire series, and even prior to it, but in Japan it was released between Vol. 16 and 17. As you can see by the list above, leaving out the Misakas, there’s a lot of major characters who make their debut here (including some we’ve seen “debut” in English in Books 19-22, or the Railgun manga). That said, three make the most impact: Gunha, a Level 5 who gets by by essentially having Shonen Champion power (I’d say Jump, but if you look at him he’s clearly more an Akita Shoten boy); Ollerus, a somewhat distracted young man who also proves to be the most powerful person in the book; and Seria Kumokawa, a 3rd year at Touma’s school who also appears to be one of those powers behind the throne sorts.

There are some definite high points here. Uiharu gets two stories showing off her masterful computer skills, though the end of the second one implies she is fine with destroying data to avoid letting the hackers win. We meet Mikoto’s dad, and he’s pretty much exactly as you’d expect, being the sort of man who can casually threaten to bring down Crowley should he so choose. Touma and Index are absent from the book, and Mikoto’s only in one story, so this is definitely focused on the minor characters. The main “plot” involved a group of 50 “uncut gems”, who seems to be kids with powers that are unaffiliated with a country, and everyone trying to find and control/kill/do whatever with them. The best scene in the whole book occurs when Seria decides to have all these “gems” retrieved by Misaka clones, leading to an action scene we only here about via the Misaka Network, equal parts badass and funny.

It’s not a long book, and as a final volume of Index the 22nd book works better, but I’m pleased Yen went back and picked up these two books. Who knows, if Japan can get over the disaster that was the third Index anime and do more, we may see New Testament someday. Till then, don’t get your jeans slashed, don’t get into a hacking battle with Uiharu, and don’t piss off Academy City so much you get yourself super killed.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 3: Adopted Daughter of an Archduke, Vol. 4

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

It’s a good thing these books are coming out every two months rather than every three or four, as they definitely rely on a reader remembering everything that has come before. Nothing that happens in these books is ever truly forgotten, and it ranges from Rozemyne’s worrying about her autumn monster hunt (the one she accidentally failed last year) to remembering a very minor character who popped in about 7-8 books ago. To be fair, Rozemyne does not remember him either, and the books are not written in such a way that they are incomprehensible if you haven’t done your homework. It does serve to show off how important and prevalent the worldbuilding in this series is. Rozemyne still has aspects of the world she now lives in that she is unaware of, and this is fortuitous, as it can themn be explained to us without sounding too much like infodumping. This includes family politics, a rather more serious part of the series.

Given the size of each volume, it’s no surprise there’s a lot going on in this one. Rozemyne gets her summer ingredient for the “fix my broken body tour”, which involves going inside a volcano and stealing an egg – expect lots of hot springs references. The printing press is finished, and we get to see them printing their first non-picture books. Brigitte’s dress is finished, and she makes a stunning appearance at an event, showing off how good tall, muscular, busty women look in this new fashion – and getting a proposal from the earnest Damuel, though more on that in a bit. We also visit Illgner to search for new kinds of paper, and if Rozemyne’s world is the equivalent of Boston, this would be the equivalent of Portland, Maine. In her spare time, Rozemyne also invents hand pumps for wells (deliberately) and intelligent talking swords (accidentally). The biggest issue, though, is the arrival of Georgine, Sylvester’s older sister and. let’s face it, the story’s new villain.

One thing brought up here is marriages in this society, and how nobles tend to marry based on mana capacity. This is why Brigitte doesn’t see Damuel as a partner – his mana is not strong enough, though he’s working to make it more impressive, and asks her to wait a year for him to improve. It also shows off why Rozemyne, in the future, will have a limited number of partners – and sorry, Lutz fans, he ain’t gonna be one of them. Brought up in this volume are Wilfried, which I cannot see working at all given his behavior through the entire series, and Ferdinand, a suggestion proposed by Sylvester that is immediately shot down by both parties. Fortunately, Rozemyne is still about nine years old here, so we don’t have to worry about this anytime soon.

The book ends very ominously, with Georgina’s faction gleefully talking about plotting against Rozemyne – indeed, they talk about torturing her. What’s more, the next book in the series is the final one in this arc. I know the series goes on long after this, but it is worrying that Rozemyne’s life as an adopted daughter may be coming to an end soon. Till then, this remains essential reading.

I Shall Survive Using Potions!, Vol. 6

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By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Word of warning first, it is impossible to review this volume without spoiling the biggest parts of it, as the plot IS the spoiler. So reader beware!

Nothing makes my jaw drop quite like a volume of I Shall Survive Using Potions!, and this one made me do it even more than usual. I mean, it starts out normally. There’s a civil war going on in the kingdom next door, and the first prince (the one who’s stalking… erm, crushing on Kaoru) has had to go into hiding, while the arrogant and dimwitted second prince is now in power, held up by the evil bishops who have managed to escape from their religious dictatorship and insinuate themselves here. Kaoru is not particularly interested in helping the stalker prince, nor does she feel any need to protect Roland and Francette’s kingdom. Instead, she feels that this is her war and she’s the one who’s going to put an end to all of it. This goes quite well at first… until she’s killed off brutally.

The cover deliberately has a feel of “this is the final volume, please enjoy the author’s next work”, let’s face it. Now, this is NOT the final volume – the 7th book came out recently in Japan – but certainly it’s a big ol’ sea change, with most of the supporting cast thrown out the window. Kaoru is able to escape her deathtrap, but it takes a long time and the help of a long lost friend… and when she gets out, it’s 70 years later. In fact, I was pretty convinced (as was Kaoru) that all of her friends would be dead. That turns out not to be true, thanks mostly to Kaoru’s ludicrous potions, but she also makes a clear decision, now that she’s been essentially killed off and made into a legend, to not go back to her old life, and to seek out a new country to live in far away. It’s a very Kaoru thing to do, and fits her well.

As for the rest of the cast, well, they’re mostly not in it, as you’d expect, though Francette gets a big chance to step up and be the hero, saving the world from the wrath of a furious goddess who has just lost her friend. (I also loved said goddess yelling at Francette for offering up her own life as sacrifice, as if Kaoru would want that either.) The main addition here is Reiko, one of Kaoru’s two friends from Japan. Time apparently passes the same in Japan as it does here, and since it’s 70 years later, the two friends can now reunite (the third is still alive, but presumably will show up soon). Reiko and Kaoru are very similar types, but they also play off each other well, and Reiko is (slightly) more sensible. As for where the story goes from here, well, we’re already adding a whole new cast of waifs nd strays for Kaoru to take in next time.

So yes, time skip, new cast, everything you would NOT expect from FUNA, whose Make My Abilities Average is noted for the stasis of its lead girls. FUNA: Hard Mode continues to reward fans of the author, while possibly appalling those unused to such things.

Altina the Sword Princess, Vol. 7

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

We’re still fighting the battle against Britannia here, though after the one volume dedicated to the other side it’s been very much a battle seen from Altina and Regis’ side. Things don’t go swimmingly for our heroes here, though they do get to claim the big win in the end. There are far more casualties than Regis has ever had to deal with as a result of one of his plans, leading him to have even more self-loathing than his normal levels. Even worse, some of his plans actually don’t work, and he’s forced to watch in horror as the biggest, baddest mercenary in Britannia’s army ends up waltzing right into their camp and dueling Altina. Fortunately, they do also have a few things go their way, including some surprise new characters and the return of a beloved weapon. That said, the entire book may be dwarfed by the ending, which I will try not to spoil but which is definitely a game changer. Assuming that Belgaria manages to survive this war, they’re certainly going to have their hands full.

The series is in general a military chronicle, and not all that interested in romance. That said, Altina and Regis shippers should be relatively pleased with events towards the start of this book, though Altina really is going to have to spell things out to Bakarina levels in order to get past Regis’ self-image issues. She’s also growing up and getting smarter… and, more importantly, more inclined to think first and not act as impulsively. She asks Regis the reasons behind some of his decisions, and does not need it dumbed down quite as much as she did in Book 6. The conversation they have about balancing the present and the future is also excellent, with Regis trying to get Altina to be more forward thinking, and Altina trying to get Regis to see that “a land of peace” can in fact be an option to try, even in a land as warmongering as their own.

I will admit there was one plot twist that I found a bit eyebrow-raising, as the blacksmith who is trying to get Altina her now-repaired sword ends up meeting a seemingly harmless old man in the middle of a battlefield. I didn’t expect him to be harmless, but I was expecting him to be one of the enemy. The revelation that he ‘s actually Altina’s mentor is a bit too pat in a series that usually doesn’t rely on that sort of thing too much. That said, the end of the book is also extremely predictable in every possible way, but this time it works quite well, mostly as it’s fast, violent, and will spark a lot of plot in upcoming volumes more than Altina being reminded that fighting fair is something that you should not worry about on a battlefield.

This came out in Japan at the same time as a volume of short stories, which the author says complement the novel. Good news, we are getting the short story volume over here, but bad news, it’s coming out simultaneous with Volume 8, not 7. At least you know which to read first! In any case, still a good series with no magic or fantasy elements, just straight up alternate world battlefield.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 12

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I’ve often felt that my reviews are read by the Japanese authors after I write them, and they subsequently go back in time to before the next volume was out in Japan to deal with what I was talking about. Now, I can’t confirm this is 100% true, but I will admit that after admitting to the author of this series that I had forgotten the ongoing plot and worldbuilding and only read it for the cute overpowered girls doing cute overpowered things part, the author now seems to have buckled down a bit and started to pay more attention to how the antics of Mile and company are affecting not just their own kingdom but also the world as a whole. Now, don’t worry, this is not remotely a serious-minded volume or anything, and Mile is still completely ridiculous in the best FUNA way. But… there’s thoughts going into other countries’ actions here, and also what happens when you bitchslap a dragon.

After a prologue that shows us what life is like in their default inn with Lenny when they aren’t around (spoiler: not great, but at least she’s building up strong muscles), we get the plot that makes up the bulk of this book, as the Crimson Vow are asked to escort four researchers disguised as merchants to Albarn’s Empire, as there are disquieting rumors going around about what they’re up to. Given the Vow were responsible for much of their downfall, they’re not wild about it, but they do go along, also pretending to be merchants and making a mint. After managing to find the one company picnic to end up getting attacked by bandits bent on murder and kidnapping, they manage to find out why Albarn is going to war, and it’s a reason that’s a lot closer to what they’ve been doing lately… those damn ruins. And to solve this… they may need to beat up a lot more dragons.

As always, the best part of these books are the bond between the four girls, who may occasionally get jealous of each other’s powers (Mile) or large bust (Pauline) but for the most part are so close than when asked by Mile, in one of her attempts to amuse herself late at night, what they would take with them to a desert island, the answer ends up being Mile… as she can provide anything else. Reina is a bit despairing of the fact that if they ever do split up,. the others will be totally unable to work as a team, but let’s face it, they’re never going to split up as long as this series is an ongoing concern. As for the Albarn Empire, the discussion of why they always go to war, and what’s driving them to do so again, is pretty well nuanced, with the family that the Crimson Vow protect on the company picnic essentially military suppliers. A lot of the reason things are like this now is related to either Mile or her prior self, Adele. Will she take responsibility? Well, sort of, as we see with the golems. But not a whole lot.

Still the most nuanced of the three FUNA series, but that’s a matter of degree – this is still toxic to anyone who hates OP characters.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 8

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

As I look back through previous volumes of this series, I keep having to remind myself “this is a parody” more and more often, for two reasons. First, because as the series goes on the serious plotline of what the proper amount of love and distance should be between mother and child is taken more and more seriously, and that holds here as well. The other reason, of course, is that due to the nature of the plot and the over the top parody aspects, we see some really toxic abusive relationships between mothers and daughters. I mention this in passing because Wise and Mehdi’s mothers show up again in this volume to team up with Mamako, and for the most part they’re being greatly softened. I should not have expected much else – even if “sometimes you need to cut off an abusive parent” was a thing that happened very often in media like this, it’s certainly not going to happen in this specific title with the opposite message.

The book leads off with the moment we’ve been waiting for – finally, we get Porta’s mom. As was hinted last volume, she is the final of the anti-mom generals – and also one of the main developers of the game itself. She and Porta have a strained relationship that manages to be different from our other three mom-child teams. Mamako is the smothering type, Wise’s mother the ignoring type, and Mehdi gets the education mama, but Porta and her mother both compete to see who can hate themselves the most, and let me tell you, it’s neck and neck. What’s more, the latest plot to break up the game seems to work quite well – planting pins on the kids of the world so that they all try to act super independent, leading their mothers to get depressed that they aren’t needed any more. This goes double for Mamako, who knows that she doesn’t even need to have a pin to get those feelings – her baby is growing up, and pretty soon she’ll have to let him to at least a little.

If you worried the humor was gone, no fear. Shiraaase is still around to make everything hilarious, this time by making Mamako and her other mom companions idol singers, something that humiliated all the children, and all the moms who are not named Mamako, who is of course delighted. Shiraaase has also managed to find a way to weaponize her own coffin demises, which is impressive. There’s also some amusing schtick in the middle of the book, as Masato and company have to play Porta’s life-sizes board game in order to advance, a board game filled with annoying yet amusing pitstops. It’s also quite nice that, even after 8 volumes (out of 11 total), there is very little to no romance in this still. Sometimes, once or twice a book, Wise and Medhi briefly show they might like Masato, but they’re far more comfortable emasculating him instead.

So yes, as long as you don’t take this too seriously, it’s still good enough, and it was nice to see the guilty workaholic mom added to the pile. (Honestly, I thought that might be filled by Shiraaase, but her kid is only 5, so unlikely to show up in this game.) Next time around… (Noddy Holder scream) IT’S CHRIIIIIISTMAAAAAAS!!!!

Re: ZERO ~Starting Life in Another World~, Vol. 15

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

This book slid in RIGHT under the wire in avoiding spoiling English-speaking fans. The book came out literally the day before the episode aired which animated the first part of it. It also brings to an end the 4th arc in this series, in a mostly satisfying way. Some of the beats feel very obvious, but as always with Re: Zero, they feel that way because we’ve spent so long setting up those beats with the previous go-rounds. This series also does a very good job of keeping all the fights it has to have here interesting, either through breaking them up by moving from the Sanctuary and Emilia’s trials to the mansion and Subaru’s pleading and back again, but also because, much like Banner of the Stars, this series runs on banter and there is a lot of that. Still, by the end of the book our heroes have won the day, though… not without some cost with a last minute bitter sting in its tail. And we’re ready to move on to a new arc!

Beako is on the cover, and deservedly so. Garfiel, Emilia and Ram/Roswaal’s stories also come to a conclusion here, but there’s no real surprises in any of them on an emotional level. Emilia’s trials two and three feel almost anticlimactic – after failing so hard at the first trial over and over, she sails through them. But that’s to be expected, as she has moved past the trauma that held her back. Garfield too had most of his issues resolved in earlier books, allowing him to be the muscle that’s required in order to beat the immortal nightmare that is Elsa (who gets a shred of backstory here, but honestly I think works best as simply a grotesque impossible to stop enemy). But Beatrice’s story is the one that needs Subaru, and, true to form, he fails over and over again to convince her to leave the Library of Forbidden Books and come with him. Not even the entire mansion burning down can sway her.

The high point of the book, as I just said, is Subaru and Beatrice, and I loved every scene with both of them in it. The rest of the book does not QUITE reach those heights. Emilia, in particular, suffers from the author wanting her to grow up and move past her trauma but also being an innocent boke who knows nothing about anything. Sometimes this is hilarious – her comment on “Ryuzu’s mother” may be one of the best jokes in the series – but announcing she’s pregnant because she and Subaru kissed fell a bit flat to me. (Presumably he explains later – or more likely Ram does). Oh yes, and there’s another character who I thought was gone for good who shows up again to help kick Roswaal’s ass, which was great. Actually, there’s a scene which mentions that the entire cast take turns punching Roswaal at some point, and I deeply hope this gets like an entire episode devoted to it in the anime.

Where will this go next? There’s apparently the series’ first time skip coming up, and presumably we’ll see more of Anastasia, Priscilla and Felt. Till then, though, please enjoy Garfiel punching forever, Subaru and Otto being bros, and Emilia being even more earnest than Rem, if that’s even possible. (Technically Rem is in this book a lot, but sorry, she still does not wake up.)

Konosuba: God’s Blessing on This Wonderful World!: The Lich’s Proposal

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

It is the nature of a long-running series that it tends to accrue supporting cast members. The longer the series, the more cast members it has to support. Now, KonoSuba has never made it a secret that it is, at heart, a story of four people: Kazuma, Aqua, Megumin and Darkness. Now, this series has a bit of an advantage over many others in that it is popular enough to have scored a slew of spinoff books. We’ve seen one of them, which focuses on Megumin and Yunyun before and during the events of the series. There’s another, unlicensed series (by a different author) that follows KonoSuba through the eyes of Dust and his party (which also has a large helping of Yunyun, who is pathetic enough to get entangled in Dust’s life). But really, though we’ve learned a bit about her past, there has not been a huge focus on adorably pathetic shop owner Wiz. That changes now!… though this does not really mean Wiz will come off looking good.

As with a large number of KonoSuba books, the actual main plot does not really start up till about halfway through the book. There’s also a fake plot – Yunyun has to take the test to be the next chief of the Crimson Magic Clan, and wants Kazuma’s help. Megumin refuses to let this happen, of course, and instead helps Yunyun herself – with offscreen results, but results you can probably guess. There’s a treasure hunt to clean encrusted jewels off a turtle’s shell, and Darkness once again tries to seduce Kazuma, who makes it clear that he’s only willing to go through with it if he’s forced, so he can blame her. (They’re both caught, of course.) That said, the main plot is what folks are here for – a mysterious stalker… erm, stranger arrives and seemingly proposes marriage to Wiz! Or at least that’s what Kazuma and Wiz herself believe. Only Vanir knows the truth, and he finds it absolutely hilarious.

As you might gather, fans of Kazuma being a complete scumbag will be well-served here by his behavior here, though again this is the slightly less appalling version we’ve seen from Vol. 9 and later. I was highly amused where Megumin offers to sneak into his room and he, having just gotten laid via succubus sex workers, indicates he’s not in the mood – the joke being Megumin was unaware men could EVER be not in the mood. The main plot itself is amusing, but if you aren’t a fan of the series kicking Yunyun when she’s down, you may not enjoy it as much, as Wiz is absolutely an airhead here, getting completely into the idea that someone has proposed to her and acting like a lovestruck maiden. Vanir heaps abuse on her, probably because all her love-love feelings are making him cranky. That said, spoilers, but Wiz does not get married. Sorry to ruin that for you hopeful readers.

Speaking of Yunyun, the cliffhanger involves that she will finally drag the main cast back to her chieftain trial, which is at its third (and presumably final) attempt. We’ve got four more books to go after this one, so you can see the series starting to dot its I’s and cross its T’s. This is not really as deep or heartwarming as some prior volumes, but it’s a lot of mean, kick-them-when-they’re-down fun.

Zom 100: Bucket List of the Dead, Vol. 1

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If your chief criticism of King of Eden was “not enough boobs,” have I got the manga for you: Zom 100: Bucket List of the Dead, a comedy about a corporate drone whose life is transformed by the onset of a zombie plague. Its hero, Akira Tendo, sees opportunity where others see only chaos, and decides to make a bucket list of 100 things he wants to do before he, too, becomes one of the walking dead. His top priorities? Telling his voluptuous co-worker Ohtori how much he likes her—even if she is the “boss’ side piece”—and tracking down a mysterious hottie he encounters in a convenience store.

While Akira’s quest doesn’t sound particularly memorable, his new-found optimism makes him an agreeable guide through a Tokyo overrun by zombies. His palpable joy in quitting a soul-crushing job is infectious—if you’ll pardon the expression—as he finds pleasure in small things: riding a motorcycle for the first time, scavenging for his favorite beer, playing video games during normal business hours. No matter how much carnage he encounters, or how many of his bucket-list errands don’t go according to plan, Akira’s can-do spirit remains undiminished. So, too, is his loyalty to others, as evidenced by his willingness to rescue his childhood friend Tencho from a hotel overrun by zombies.

The hotel scene is indicative of what’s good and not so good about Zom 100. On the one hand, the friends’ shared ordeal leads to a heartfelt exchange in which they discuss why they drifted apart after college. Their dialogue is a little on-the-nose—“I got jealous of how successful you were and took my anger out on you,” Akira confesses in a torrent of tears and snot—but the characters’ sincerity makes Akira and Tencho’s reconciliation feel like a genuine moment of maturity.

On the other hand, the main reason this scene begins in a hotel—specifically, a love hotel—is to offer some good old-fashioned fan service, as Kencho is trapped in a bondage chamber with an irate, naked zombie who’s been chained to the wall. The zombie is drawn in loving detail, right down to her perky breasts, but serves no real dramatic purpose; she exists mainly to make young male readers gawp at Kencho’s predicament. The same goes for several other gratuitous moments of nudity and pin-up posturing, none of which feel necessary or demonstrate artist Kotaro Takata’s skill at drawing attractive, anatomically correct women. (All of his figures seem to have a few extra vertebrae.)

The fan service is indicative of a deeper problem as well: the zombies—or the boobs, for that matter—don’t feel essential to Akira’s story. Almost any catastrophe or life-altering event could have set the plot in motion, whether it was a devastating medical diagnosis or Earth’s impending collision with a meteor. Equally disappointing is that Akira’s quest feels more like a to-do list than a real emotional journey; even he seems disappointed in his inability to come up with a sufficiently long or imaginative bucket list. As a result, Akira seems like just another standard-issue shonen lead, blessed with an optimism that sometimes makes him seem a little dim, a superhuman ability to escape life-threatening situations, and an uncanny knack for stumbling into situations with hot women. I don’t know about you, but I would have enjoyed this series 100% more if the gender roles had been reversed, if only for the sight of a former office lady cheerfully riding a Harley through a zombie horde on her way to score a few brews.

To read a brief excerpt of Zom 100: Bucket List of the Dead, click here.

ZOM 100: BUCKET LIST OF THE DEAD, VOL. 1 • STORY BY HARO ASO • ART BY KOTARO TAKATA • TRANSLATION BY NOVA SKIPPER • TOUCH-UP ART & LETTERING BY VANESSA SATONE • EDITED BY KARLA CLARK • VIZ MEDIA • RATED: OLDER TEEN (PARTIAL NUDITY, GORE, VIOLENCE) • 159 pp.

In the Land of Leadale, Vol. 2

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By Ceez and Tenmaso. Released in Japan by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

Last time I jokingly said that the series was “Overlord meets Kuma Kuma Kuma Bear”, and I was not expecting that to be doubly true in the second volume, which features Cayna serving as a guard/guide to students going out in the woods for the first time (Kuma Bear), but also searching for other “players” and starting to discover that she is not the only one who ended up in this supposed game world far into its future (Overlord). Surrounding this are scenes of Cayna getting pissed off when getting called “grandmother”, Cayna having absolutely no knowledge of current currency at all, and Cayna one-shotting various terrifying monsters that would normally take 15 high-level people to take out. In other words, it’s a slow life series without the actual slow life. It FEELS like a slow life series in both the meandering pacing and Cayna’s somewhat blase personality, but there’s far, far too much going on here, and too many mysteries still to be solved. It is a lot of fun, though, and very quotable.

We pick up where we left off, with Cayna arriving at the capital of Helshper to deliver a message for Mai-Mai. The message turns out to have been a ruse, as it was going to the leader of the largest merchant house in the world… who is also Mai-Mai’s son, and thus Cayna’s grandson. Oh yes, and her granddaughter is a member of the city knight brigade. Cayna doesn’t like surprises like this (she’s also not fond of being called grandma given she still feels like a 17-year-old), but hey. The city is having a bit of a bandit problem, and as Cayna helps with it, she finds out that yes, there ARE other players trapped in this “post-game” world, though whether they think it’s a game or real depends on the mindset. Elsewhere, she gains a small fairy helper, continues to go to the other top player bases, and, to the disappointment of her children, decides to settle and build a house somewhere AWAY from the big city.

So yes, Cayna is not alone in being in Leadale as a gamer, though she does seem to be late – the other players have been there for years, and it’s suggested this might have something to do with the fact that she died in the real world before the game shut down. That said, she’s still far and away the most overpowered person in the entire world, and we see examples of that throughout this book – anyone who dislikes overpowered characters… well, should stop reading Japanese novels, really. Cayna’s delivery continues to be a treat, be it when she’s angry, happy, or otherwise, and I like how her priorities are simply nothing like what anyone else expects them to be. She finds out that another of the top players she knew had an NPC daughter who wants to meet her , and her reaction is “sounds like a pain, so no”. Keina spent half her life in bed on life support. As Cayna, she has absolutely no fucks to give.

So yes, another enjoyable volume in the series, and I definitely recommend it more to those on the Kuma Bear end of the spectrum rather than the Overlord end, though there is a suggestion of malevolent things going on in the epilogue. Cayna’s a treat.

Kuma Kuma Kuma Bear, Vol. 5

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda.

Apologies for the slang here, but as I was reading this volume of Kuma Bear, I kept thinking about recent discussion of ‘gap moe’. Sure, I’m certain there are some people who read this series for the cute girls doing cute things, or for Yuna being stupidly overpowered, or even for the food descriptions. But I think the best reason to read it is for those moments where Yuna’s deadpan, staid character is forced to actually react to things – usually embarrassment, but not always. As I’ve said before, her desire to not take credit for anything she does is starting to feel like a complex, and people are beginning to notice – even kids like Fina. That’s not to say it works all the time, as her Bear Tunnel shows us. What’s more, Yuna gets as uncomfortable with the rough, spiky parts of this world as the reader does, and would much rather try not to think about the whole thing – though she does help out in the end. She hopes by thinking of herself as dull and normal, it will rewrite reality.

Most of this book is devoted to the seaport Mileela, and the aftermath of Yuna wiping out the bandits and boiling the kraken. Returning to normal is not something that can happen as fast as the anime implied it. The town is still pretty much devastated by the last few months, the foreign ships don’t know that they can start sailing there again, and while they would like to ally themselves with Cliff’s city Crimonia, but there’s still that huge mountain in the way. Fortunately, they have Yuna, who once met common sense in passing but promptly went somewhere else. Now there’s a huge tunnel connecting the two areas. Problem solved! Well, except it needs lights. And air. And monster cleanouts. And guards. Yuna may be an overpowered bear girl, but cleaning up after her remains a very exhausting job.

Not sure this counts as ‘gap moe’, but the scene that intrigued me the most, as I implied above, is when Yuna is asking the innkeeper’s daughter Anz to run her new shop. Anz asks if she can have some help in the form of the young women Yuna rescued from the bandits last book – that is to say, the ones whose families were killed and were raped by said bandits. Unsurprisingly, they find still living in the town incredibly uncomfortable. It’s these sort of scenes that you really would not see in this cutesy bear and girls sort of book – indeed, the anime tries to gloss over this – and the fact that it comes up over and over again, ever since Book 1 (where, you’ll recall, Yuna in Japan paid her parents off to go away and leave her alone) just won’t let me go. That said… the majority of this book *is* Bear does OP things” “Bear hangs out with cute kids”, “Bear comments sarcastically on events”, etc.

We get setup for what I assume is the next book near the end, where Yuna is asked to guard a bunch of pampered royals as they journey to the forest to hunt some low-level monsters. It is implied that Yuna’s sharp tongue may be more devastating than any monsters, but we shall see. Till then, this remains a cute, if sometimes more disturbing than expected, book. (Oh yes, and LOL at Yuna accidentally walking around in the white bear outfit one day, which she compares to walking outside in her pajamas.)

Banner of the Stars: Destiny’s Refrain

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By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

I admit, I frequently have difficulty plowing through these books. I enjoy the plotting and characterization, but the writing is a bit on the dry side, not to mention all the bolded vocab. Usually I have a lot of banter between Jint and Lafier to hold me over, but in this book they appear less than they have in any of the others – and for good reason. If you ever looked at the massive Abh Empire and thought “wow, they seem arrogant, I wish they’d lose everything they have”, well, wish granted, my friend. We get an awful lot of dead cast members, though most of the ‘current’ younger generation, including our two leads, are fine. But it does mean that you’re reading an entire book about the downfall of an entire people, which can be… bleak. Honestly, it’s at times like this that I’m grateful for the Abh’s blase attitude towards everything, as this would be a lot worse if people were screaming and crying as they died.

Picking up right where the last book left off, it turns out that the Hania Federation has pulled a fast on the Empire (and indeed on its own negotiators), joining with the Three Nations Alliance. The Abh very quickly realize that they are screwed, and a good deal of the book is seeing them trying to evacuate to a safe haven as many people as possible while also having those in change (including the Empress, Lafier’s grandmother) nobly try to hold off the enemy as long as possible. Lafier’s brother Duhier also gets a subplot as he tries to be a soldier despite the entire world working to make sure he can never do anything productive – it would normally be funny, but we feel his frustration. As for Jint, he’s busy moving gravestones, which to the Abh are far more important than his own life or Lafier’s.

The book is not entirely a downer. Sporr makes a welcome return towards the end, as does her aide, and they’re as hilarious as ever, as she is essentially the Abh version of the princess-curled ojousama. Jint manages to talk to the old Baron who helped them escape from his son’s clutches, and there is some amusing teasing about his relationship with Lafier – literally everyone assumes that they are lovers, though if they are neither one communicates that to the reader. But for the most part this book is about last stands and picking up the pieces, and I suspect that the next book, when it comes (which is also the most recent book, having come out in 2018), will have the Abh taking on more of a freedom fighter sort of role. In the meantime, this is good space battle stuff, assuming you don’t mind the technical banter, the bolded words and, of course, the piles of death, most of which, like the Abh, is communicated to us very matter of factly.

I’ll Never Set Foot in That House Again!, Vol. 2

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By Milli-gram and Yuki Kana. Released in Japan as “Nidoto ie ni wa Kaerimasen!” by Overlap Novels f. Released in North America digitally by J-Novel Club. Translated by Emily Hemphill.

Reading this immediately after The Saint’s Magic Power Is Omnipotent was probably a mistake, as the two series share much in common. At least the Saint is in her thirties, though. Chelsea’s age and emotional innocence are still front and center in this book, and it can sometimes be discomfiting. The complains once or twice about being treated like a child, but, well, she’s twelve, and honestly acts like she’s six much of the time. What matters most to her are Glen and delicious food, possibly not in that order. And, of course, she has a heart as big as the world and wants to save everyone. In a non-fantasy world she’d be a perfect magical girl candidate – heck, she even looks a bit like Madoka – but here it’s easy for her to be coddled. She’s protected at all times by Glen, ends up getting a new head chef, and a new set of bodyguards once Glen – who is a good 8-10 years older than she is – proposes. So yeah. Anyway, about the rest of the book…

Most of the book involves a journey to a neighboring kingdom, which is definitely having a miasma problem, apparently due to the fact that their new ruler has been cutting down sacred trees and other terrible things. Glen, Chelsea and company decide to see how the former ruler is doing – he’s still around, he just has a terrible mana-draining illness – and Chelsea being essentially a walking plot device, this is soon resolved and he returns to the throne. That said, there are a few hints that there are greater things going on here – the horrible ruler turns out to have been slightly brainwashed by a mysterious fortune teller, who turns out to be working for someone who really, really hates Chelsea – no one is quite sure why. Is this going to be the end of her slow, pampered lifestyle? I mean, no, probably not.

I won’t begrudge Chelsea having a pleasant experience with one the occasional “I did too much and passed out” to worry about, she’s had a rough life and deserves happiness after so long, but it does make the book a bit dull at times. I was amused at her grandparents’ description of Chelsea’s mother – they’re polar opposites – as well as Chelsea’s poleaxed reaction to it. The book also continues to make very light usage of its big clever idea – that Glen is an isekai’d from Japan prince – and we find the former ruler of the other kingdom, a dragon man, is also a forner Japanese person now in a fantasy world body, which leads to some amusing discussion of – as always – how to get miso in a fantasy world. That said, this also means that when Glen proposes to Chelsea he’s called a lolicon… which, well, she’s twelve. At least it doesn’t appear they’ll actually get married till she comes of age.

So yeah, like the first book, this is hit or miss for me – a bit more miss this time – but it’s still warm and fluffy at heart. Also like the first book, I assumed this second volume would be the end of the series, but there’s apparently a third volume out in Japan next month. Recommended for those who love waifs – no, not waifus, waifs.

The Saint’s Magic Power Is Omnipotent, Vol. 3

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

One of the things that is difficult to admit for your average everyday light novel reader or reviewer is that we are unlikely to every be the savior of an entire world. The Saint, as seen here, has to deal with a bunch of difficult challenges to try not to advertise too much exactly who she is (especially now that the existence of the Saint, if not her identity, has been confirmed) while also trying to help as many people as possible by making many, many powerful potions, and also find the time to try to figure out how her powers actually work and why they only appear at unusual times. That said, sometimes even an omnipotent saint can end up being very relatable, as when Sei suddenly realizes what it is that triggers her superpowers, and… yup, so embarrassing it’s the power of love. This has been pretty obvious to the reader from Book one, but the author admits that the romance is going to be slow going, so…

The majority of this volume is spent away from Sei’s beloved potion research, but it’s for a good cause: the domain where they get their best ingredients is suffering from an attack of monsters and miasma, and therefore her powers are particularly needed. Upon arrival, after dealing with pomp and ceremony, and the fact that her cooking methods have become widespread… but only if you like meat… Sei gets down to the nitty gritty of her visit: quizzing the old potion expert they have there about ways to make a superior grade potion. As it turns out, they have the long-lost documentation that might be able to help her. That said, in order to succeed she’s going to not only have to come to terms with the fact that Albert is hot and she likes that, but also deal with a new guy interested in her… one who’s a bit more down to earth.

To be fair, I’m not sure that you can call Leo a love interest per se – he’s not interested in Sei as a person but rather in her abilities. He’s probably the funniest part of the book, being a well-meaning but tactless musclehead, apparently included by the author because muscle fetishes are in these days. The most interesting part of the book, though, shows us the diaries and research books of the Great Alchemist, which was thought to have been destroyed and lost forever. To no one’s surprise, she seems to be a lot like Sei, particularly in her attention to detail in regards to research. Given that we now have Sei’s ridiculous magic power combined with actual knowledge, I suspect big things are going to be happening in the next book. That said, I doubt one of those big things will be confessing to Albert.

This is getting an anime soon, so certainly has caught the eye of folks. It’s not the most exciting or original thing in the world, but it makes me smile, and I always enjoy reading it. It’s also a very good recommendation for folks who would normally be turned off light novels due to excess fanservice – only Leo’s muscles qualify here.

Invaders of the Rokujouma!?, Vol. 35

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

You would think, now that we are at the 37th volume of this series (counting the two .5 books), that we would be finished with introducing new characters to add to an already overloaded cast, and yet. Coming to Earth to help our heroes with their battle against Ralgwin and his troops is another Princess, Nefilforna Canon Forthorthe. Honestly, there are so many people in this cast I’d like to pretend she doesn’t exist, but unfortunately, she’s Canon. (I’m so sorry.) She arrives and promptly proceeds to kick Koutarou’s ass in a mock battle – as he readily agrees, he only won the second time thanks to all the support he gets from everyone. She’s compared to Theia in that, while Theia has a natural talent for combat, Nefi is the sort who got really good at it through hard work and grinding. Good thing, too, as the raid against Ralgwin’s base, especially now that they’re armed with spirit guns, proves to be a giant pain in the neck.

Harumi is on the cover again, and gets a fair bit to do. The most notable thing is that the troops of Forthorthe that are allied with Koutarou’s group ar4e working with her for the first time, and are… a but weirded out that she is essentially Alaia’s reincarnation/soul carrier/whatever. Even Koutarou is not quite sure how Harumi and Alaia’s relationship is, and honestly, I don’t think it’s going to matter much in the long run. They both love Koutarou, and they both kick ass. Everyone here gets some good time in the spotlight, though as always Yurika gets made fun of, this time for being their “chemical warfare expert”, as her image of being Card Captor Sakura gets further and further away. The one who suffers the worst is probably Theia, who I suspect wanted to try her cool powered suit and so rushes ahead – she’s fine, but she put those under her in danger. She’s still too hotheaded.

Unfortunately, the raid is not a complete success. Ralgwin wants to get revenge for his uncle, but also has an actual logical brain, so is a much tougher opponent. And he has the benefit of a new villain rescuing him, whose identity we don’t quite get yet (though I can hazard a guess), but who seems to have teleportation skills of some sort. Honestly, it feels more like the author using magical writing powers to make sure that the book doesn’t end that soon. Fortunately, our gang does not seem too upset about it. Also fortunately, while she certainly admires him, Princess Nefi does not seem to fall in love with Koutarou, which is good. A harem of nine or ten girls is already quite a lot even by light novel standards, and adding more would seem to be overegging the pudding a bit.

Side stories continue to take a break, as the next book continues the main Ralgwin plot. Till then, this is a decent volume in a very long running series.