last round arthurs

By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

Yeah, that really did not stick the landing, did it? After a series that mixed up wacky romcom “shout at the appalling girl being appalling” stuff with Shonen Jump battles, the series goes all in on the latter here at the end. Which is fine – given the glimpse of Kay and Emma *still* in fetishwear in the epilogue, I’m quite happy to have a final volume of serious fighting. The trouble is that the fighting is not all that great, and the beats are very, very predictable. I’ve compared it to Jump before, but here it sort of reads like one of those Jump series that gets cancelled 2-3 volumes in and told to wrap things up here. We meet the final boss, who is exactly who you’d expect, and our heroes are almost defeated, as you’d expect, except Luna simply! will! not! give! up!, as you’d expect. What about Rintarou, you ask? Well, he’s trapped in another dimension. Will he make it back just in the nick of time? Take a guess.

We pick up where the last book left off, as our merry crew (minus Rintarou) have gotten back from their Holy Grail Quest to find that New Avalon has been overrun by monsters, and that evacuation of the island is being cut off by magic. Someone wants a massacre here. (Casualties are implied, but we never see or hear about dead bodies, so…) There’s also a massive dark evil castle in the center of the city now. Making their way there, our heroes split up to take on the bad guys: the original King Arthur, who has been corrupted into evil, his two companions, and Morgan Le Fay, who we find in this book would like the entire world to end so that she can be reunited with a nebbish ordinary knight she fell in love with back in the day. Luna may declare herself to be the next King Arthur, but can she go up against the original without Rintarou’s help?

Well, no, because the entire point of the series is that you get a partner for your quest and rely on them. Plus, again, Jump-esque series. When Rintarou showed up to save Luna in the nick of time, all I could think was that she’s going to hit him and tell him “You’re late!”, and sure enough, that’s exactly what happens. There’s a lot of discussion of what makes a king here, especially when Luna gets all the other candidates to basically give up and join her as subordinates. Luna says that being a king is about determination and never giving up, which certainly defines her, though give the fights in this book I sometimes get the sense she’s a Tex Avery dog slamming against a door over and over till it opens. Rintarou basically had his character development finish last time, so he essentially is absent for most of this book until he comes to save the day.

And so we end with Luna in charge, a new Round Table, and a world that is now aware of magic and monsters, which means that we’re seeing more of them across the globe. You get the sense that Luna’s going to turn the new Round Table into a modern-day Avengers. Fortunately, the series ends here, so I don’t have to worry about it. There wasn’t anything really bad with Last Round Arthurs, unless you dislike obnoxious women, but it never really rose above “yeah, it went there” in terms of narrative thrust.

By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I have to admit a certain sense of relief. I kept telling myself that eventually the novels would HAVE to get to Sir Kay and make them more than a simply butt monkey fanservice generator, but so far the author had not lived up to my expectations. Even the start of this book, which has Sir Kay and Emma dressed up in flashy fetish outfits as part of Luna’s plan to make her potential voters too horny to vote for anyone but her in the student elections, there was a temptation to sigh. But no, Kay actually gets a thing to do here, and it fits in quite well with her character, which, let’s face it, has been “loyal but weak’, as the subtitle says. That said, it’s a good thing Sir Kay was around for this battle, as Luna and Rintarou are faced with one of their biggest challenges… one that comes after one of Rintarou’s greatest losses. Will he be able to keep his head and not get tempted? (Signs point to no.)

As our story opens, as most of these books do, with Luna being doing her best “Haruhi Suzumiya in Book 2” impersonation, Nayuki is still trying to fess up to Rintarou about who she really is – he knows she’s a Dame du Lac, but has not really figured out she’s actually Nimue, or at least not consciously. Unfortunately, Nayuki’s own cowardice plus Luna being obnoxious means that instead of a confession, we get a brutal execution by Vivian, who would appear to be, if not the final boss, at least the second to last one. Despite Rintarou’s Roaring Rampage of Revenge, there’s not really much he can do about that… well, unless he convinces Luna to go completely off the map of the test for the next King Arthur and instead go on a Quest foe the Holy Grail… a test that everyone admits is impossible. Can he, Luna and Kay survive what appears to be a trip to the underworld? Why is Rintarou so manic? And why is Luna so depressed?

Despite the way that I phrased that last sentence, this is not a bodyswap sort of problem, but instead a very good example of Rintarou completely 100% screwing up. For once, you want to strangle HIM instead of Luna, who as always improves throughout the book, especially once she starts dwelling on her not-very-tragic backstory, something she clearly remembers better than the other person in it. As it turns out, capturing the Holy Grail is REALLY HARD to do, and only Galahad had ever successfully done it before, and they immediately took it to Heaven, which is definitely not where this Grail search takes place. Fortunately, even with Rintarou essentially being stupid, Luna has two big weapons at her disposal: a) her ludicrous determination, and b) the only Knight of the Round Table who’s as pure as Galahad was. Sir Kay finally steps up, and it’s very satisfying.

The next volume is the last one, and that seems about right, to be honest. Certainly the cliffhanger does not bode well. But now that Rintarou is back to normal, and with Luna’s bullheaded pure courage and kindness, they should be OK. If you like stories about blonde King Arthurs seeking a Holy Grail, this is at least the third best.

By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I must admit up front: I did not enjoy this book as much as the last two. There’s a big reason for that: Luna, who is probably the best reason to read the book, spends most of it sidelined by the latest villain, and the series is simply far less fun when she’s not around being the Big Dumb Girl With A Good Heart. The other reason is an odd one, as the afterword explicitly lays it out for me: Rintarou changes over the course of the book, becoming far more of a shonen hero-type of character rather than the grumpy cynic he’d been so far. The author says this is a common development in manga and light novels, but I’m not sure it’s as common as he thinks, and I’m not sure it fits the character well. I don’t really want to see Rintarou become Touma. Other than that, though, the book is doing what it does best: lots of Arthurian backstory, lots of big shonen battles, and lots of betrayal.

The titular snow maiden is Nayuki Fuyuse, who readers may have forgotten was introduced in Book 1 as Rintarou’s mysterious classmate. The fact that she’s part of all this is not that much of a surprise. The fact that she’s secretly in love with him is also not that big a surprise. What *is* a surprise is that Rintarou, who is usually fairly clever, does not immediately realize who she is when she says the one thing she can’t do is tell him who she is. All he has to do is think of the person who betray4ed Merlin back in the day and bing! There’s your answer. In any case, she’s more support here. The actual King candidate is a whiny young creep named Hitoshi, his Jack Sir Tristan, and a mysterious young woman named Reika, who seems to be a mass murderer but there’s more to her than we think. And, as always, Elaine is pulling all the strings.

Apologies for spoiling a bit, but to be fair, it is in the book’s subtitle: the best part of this book is the subplot with Mordred. There is rare subtlety in the writing at her portrayal, and I particularly liked her own Jack, Sir Dinadan, casually mentioning that all the King candidates she’s supposedly murdering are not actually dead yet. It also reminds us of the story’s Arthurian background, and the fact that Arthur basically fell from grace, as it were. Unfortunately, there’s one more big minus in this book, and that’s the villain, Hitoshi. If Last Round Arthurs is a Fate ripoff, then here’s Shinji, whining, demanding, and threatening to rape the cast. What is it with light novel writers and their desire to make all the villains super, super, SUPER bad?

This is still a quick, easy read, and I might get the next volume, if only to see if Kay (barely in this book) will do anything at all. But I must admit this volume is no more than a C+.

By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I’m not sure why it took almost a year between the first and second volumes of this series to come out, but fortunately it doesn’t really matter much. Even if you’ve forgotten what happened in the first book, the protagonists quickly steamroller over your doubts and get around to what Last Round Arthurs wants to be: Fate/Stay Night with Haruhi Suzumiya as Saber. I know I said this last time, but it bears repeating: this series is so unoriginal that it beggars belief. In the first volume, the author basically admitted that he was asked to make a Fate ripoff, and getting the guy who does the art for Index and DanMachi Sword Oratoria to draw it just means that half the characters remind you of those two series. I joked on Twitter that it was the Black Clover of light novels, meaning that it is a series that will unashamedly steal any hot new trend, but somehow manages to work anyway. There’s nothing really annoying or boring about its unoriginality. It’s fun. Provided you can stand Luna.

On the cover are the newest competition in the battle to be King: Emma, a girl who has been brainwashed/tortured by a bunch of French religious folks to be the perfect candidate (with a little help from Rintarou, who had no idea what was actually going on but knew they were abusing a girl) for King, and Sir Lamorak, who may be one of the more obscure Knights to casual readers but is well known to Arthurian fans as one of the strongest knights of all. This being a Fate ripoff, she looks like a 10-year-old girl. Emma wants to be King for supposedly noble reasons; Lamorak is super strong and tough. What can stop them? Rintarou, who seems perfectly content to switch sides? Luna, who is busy buying a mansion with all their funds and continuing to insist that she wants to be King for the fame and the money? Certainly not Sir Kay, who had better be the final Last Boss of this series or I’m going to be cross. We’re in for an epic battle.

This volume has a bit of a point it’s trying to make, which is “you don’t have to do what your abusive family tells you to do if it doesn’t fit you, find another path”. Sadly, this ends up being “you are a weak little girl who is not fit to be king, perhaps an attempted rape and being made literally into a maid by the final pages will make things better”, which left a very bad taste in my mouth. Other than that, this book is Big Dumb Fun, much like its heroine. As with the first volume, Luna is obnoxious and awful until things get serious, and is shown once more to be a better king deep down, even if on the surface everything about her is terrible. She’s hardly the sort to be a tsundere, so we get two other options for that here with Felecia (the standard example) and our hero, Rintarou (the distaff example). And the action scenes, attempted rape aside, are very well handled.

So this won’t change your life or make you want to write fanfiction. But if you’re sad Fate/Zero’s novels aren’t licensed and want something with as much fun but 80% less tragedy, Last Round Arthurs is just the right sort of book. And I think the third volume is due out in the fall, so there will be less of a wait.

By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Shobo. Released in North America by Yen On. Translated by Jan Cash.

Even the author knew what people were going to be thinking. In the afterword, he describes getting the premise from his editor and thinking that it had been done to death. The words “Fate/Stay Night” did not get mentioned explicitly, but the implication was certainly there. Actually, it appears the editor and publisher were really stepping up to the plate for this one. The author is known for Akashic Records of Bastard Magic Instructor, a very popular LN series with a manga out over here. They also brought in Haimura as the illustrator, who’s already busy drawing Index and DanMachi Sword Oratoria. All that and a series about a bunch of King Arthur wannabes fighting each other in a battle to the death to see who can be the Last Round Arthur (see what they did there?). The obvious flaw in this series is that it reeks at times, especially in the first half, of being written to be a franchise rather than a story. Fortunately, it gets better, especially in the last third.

The premise is essentially Mallory’s Arthur legends meets Fate/Stay Night meets Haruhi Suzumiya. Rintarou is a young man who is perfect at everything he’s ever done since he was born, which makes everyone think that he’s a monster – including his parents. He hears about a competition between those with the blood of King Arthur, a battle involving Kings and their “Jacks”, essentially a summoned Servant a la Fate. The winner takes over the world… which isn’t all good, as there’s also a reality incursion they’ll have to deal with. Rintarou wants in on this competition, and finds the weakest candidate – Luna Artur, a seemingly arrogant young woman who’s taken over the local Camelot High School and made it her plaything – and sold her Excalibur for cash. Despite thinking Luna is annoying and possibly bonkers, he becomes her vassal, mostly so that he can stop being bored with life. Of course, things aren’t going to be easy, as Luna’s childhood friend is fighting for the prize as well. And Rintarou also has a secret… which the title of the work may in fact give away.

Luna starts off as a weird mix of Haruhi and Gilgamesh from Fate, and it can make her hard to like until her true self shines through. In reality, she wants to see everyone happy and wants the power to achieve it. This does not mesh very well with Rintarou, who tends to be the pragmatic “let’s sacrifice their lives and sneak up behind the enemy” sort, but they eventually do get along quite well. I was less enamored with Sir Kay, Artur’s beleaguered Jack, but that’s the fault of the author, really – Kay is nice enough, but she’s Mikuru Asahina with a sword, and unfortunately I have no confidence she’ll rise above “comedy relief” in future books. The fights were well described and tense, which is good, as I think they may be the main reason people will read this. There’s also a few surprise revelations that AREN’T in the title, some amusing jokes, and some setup for the future.

When that future is I’m not sure – unlike the other July Yen debuts, Last Round Arthurs doesn’t have another book scheduled yet. It’s not fantastic, but it’s worth a read if you like modernization of Arthurian legend or just want a Fate book with the serial numbers filed off.