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Manga the Week of 8/31/22

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SEAN: It’s a rare 5th week of the month! Like most 5th weeks, it’s light.

ASH: Even light weeks have plenty being released these days!

SEAN: Yen On has a bizarre release. We’re getting both the 2nd AND the 3rd volumes of The Hero Laughs While Walking the Path of Vengeance a Second Time.

ASH: Huh. Release schedule are still all over the place, aren’t they?

SEAN: And Yen Press gives us Lost Lad London 2, Love of Kill 9, The Other World’s Books Depend on the Bean Counter 2, Reign of the Seven Spellblades 4, That Time I Got Reincarnated as a Slime: The Ways of the Monster Nation 8 and Trinity Seven 26.

MICHELLE: I really, really liked the first volume of Lost Lad London and am excited for the arrival of the second! And wow, already up to volume two on the Bean Counter, huh?

ASH: It does seem like the first volume just came out.

SEAN: Seven Seas debuts SPRIGGAN: Deluxe Edition. Viz put out 3 volumes of this in the 1990s then cancelled it, now Seven Seas is trying again with 650-age omnibuses. The writer gave us Until Death Do Us Part, the artist Project Arms. It’s from Weekly Shonen Sunday, and is loaded with ancient artifacts and secret agents.

ANNA: I do find it interesting when we get license rescues like this, even though I’m sure the series I’m most interested in will never be printed again.

ASH: Same.

SEAN: Also from Seven Seas is PULSE, a yuri manwha webtoon that’s getting a print release here. A doctor who keeps her sexual relationships strictly for pleasure tuns into trouble when she meets a transplant patient who refuses to get the operation.

ASH: I’m not sure I’ve actually read a yuri manwha before! It’s exciting to have the opportunity.

SEAN: Also coming out: Chillin’ in Another World with Level 2 Super Cheat Powers 4, D-Frag! 16, The Girl in the Arcade 2, Necromance 4, Seaside Stranger 4, and Tokyo Revengers Omnibus 2.

Kodansha, in print, gives us Blackguard 4, Blue Lock 2, Cells at Work! CODE BLACK 8, Lovesick Ellie 5, and Something’s Wrong With Us 10.

MICHELLE: In addition to obligatory praise for Lovesick Ellie, I’m also hyped for more of Blue Lock, which turned out to be not at all what I had expected.

ASH: Guess I’ll need to check out both of those series!

SEAN: Digitally, we have Even Given the Worthless “Appraiser” Class, I’m Actually the Strongest 5, Guilty 10, Having an Idol-Loving Boyfriend is the Best! 2, I Was Reincarnated with OP Invincibility, so I’ll Beat ’em Up My Way as an Action-Adventurer 3 (the final volume), My Roomie Is a Dino 7 (also a final volume), My Tentative Name 2, My Unique Skill Makes Me OP even at Level 1 8, Oh, Those Hanazono Twins 4, and Peach Boy Riverside 11.

J-Novel Club debuts a digital light novel whose manga came out a couple of weeks ago: Oversummoned, Overpowered, and Over It! (Meccha Shoukan Sareta Ken), about a hero who can’t seem to stop getting summoned to save the day.

There’s also Black Summoner’s 7th manga volume, Infinite Dendrogram 18, Magic Knight of the Old Ways 3, Marginal Operation 14 (digital version), Sometimes Even Reality Is a Lie! 2, and the 5th and final manga volume of Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons.

Cross Infinite World has a 2nd volume of Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound.

Lastly, Airship has early digital releases for Irina: The Vampire Cosmonaut 2 and Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash 2.

That’s it. Man, this feels more like a list from 2013 or something. Are you buying anything?

ANNA: Maybe not!

Sasaki and Peeps – That Time I Got Dragged into a Psychic Battle in Modern Times While Trying to Enjoy a Relaxing Life in Another World: ~Looks Like Magical Girls Are on Deck~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

This book is a mess. Saying that right off the bat, confident that even those who loved the title will agree. It’s trying to be a mess, after all. I’m not sure what the meeting of the author and their editor was like, but it feels very much like “I have four different ideas for a light novel, but I can’t decide which one to write.” “Why not write all of them?” “Four different books?” “No, no, the SAME book!”. It’s the sort of thing that requires a delicate hand and solid worldbuilding, and the series that comes closest to this, A Certain Magical Index, still can’t quite pull it off a lot of the time. Sasaki and Peeps doesn’t even try, content to simply revel in its mishmash qualities. It does eventually settle into one of its genres near the end, which makes it both better written and less interesting. I think we’re here for the car crash.

Plot 1: A salaryman in his late thirties, Sasaki, buys a pet Java sparrow, Peeps, who turns out to be a powerful macician from another world. Sasaki goes to this world, trading Japanese tech for gold and also learning magic. Plot 2: Learning magic means he gets in the way of a battle (in Japan, he and Peeps go back and forth) between rivals espers, and he is forcibly recruited into an esper organization trying to control those with powers. This goes far less well than you’d expect. Plot 3: His middle school next door neighbor, unnamed but abused and always sitting outside her front door, has a twisted crush on Sasaki that wars with her despair and suicidal thoughts. Plot 4: There’s a magical girl digging in the trash outside his apartment. This is the magical girl on deck from the subtitle, I assume.

Smoothness is not the selling point of this book. Which is a shame, as the last third of the book, which dedicates itself entirely to the isekai plotline, is the best written part, containing several excellent plot twists and a few cool battle scenes. That said, after watching the author and Sasaki flit around like… well, like a sparrow for most of the book, it feels wrong somehow. Sasaki should be a “potato” protagonist, but there’s a certain broken quality to him that shines through on occasion. His treatment of his neighbor like a stray cat that he keeps feeding is at least not as bad as, say, Higehiro, and I appreciate he did call social services, but he’s not helping there either. The book has no real romance as of yet, which is probably a good thing, as the female cast consist of a high school girl, a middle school girl, and two children.

Mostly the main problem with this book is it cannot settle down as to what it wants to be. That’s baked into the plot so it won’t get better, but I thought I’d mention that I think the plot is bad. The plot with the neighbor and the magical girl barely feature in the book, they’re just there as flavortext so far. That said, I may read a second volume, just to see if the author can keep this up. Or to see if the neighbor kills him.

Bookshelf Briefs 8/23/22

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Box of Light, Vol. 1 | By Seiko Erisawa | Seven Seas – I’m not sure if this is meant to be a horror anthology with a minor supporting cast or a horror manga featuring the cast but also having each chapter be “the problems of one of the one-shot customers.” Unfortunately, the indecision makes it less than good. The premise has a convenience store stationed at the border between life and death, and only those who are on the verge of death can see it and shop there. This sounds darker than it is, as most of the stories are quirky rather than bittersweet, and the only customer who actually is close to dying ends up working there instead. If you like quirky supernatural stuff… there are probably more interesting titles than this. – Sean Gaffney

Gabriel Dropout, Vol. 11 | By Ukami | Yen Press – The bulk of this volume is devoted to a single plotline, which is the class trip to Okinawa. Everyone gets to have their bit: Gabriel is grumpy and reluctant to do anything but ends up being helpful and a good person anyway, Vignette is so super hyped about the trip that when they actually return she goes into a spiral of depression, Satanya… is herself, and Raphiel shows once again that she’s trying her hardest to convince Satanya that she genuinely loves her while at the same time being a jerk and a troll about it. As you can imagine, this is not going well. That said, this series still manages to make me laugh out loud more than most other comedy manga I read these days, so is still highly recommended. – Sean Gaffney

Hello, Melancholic!, Vol. 2 | By Yayoi Ohsawa | Seven Seas This second volume, after the concert is done (and Minato takes a big step forward in interaction skills), focuses more on the other three members of the cast. It turns out that Chika and Sakiko are in a relationship!… or not, as Chika describes it as “friends with benefits,” somewhat awkwardly. Flashbacks show off how the two met and ended up together-ish, helped enormously by Yayoi Ohsawa’s incredible talent for facial caricature. After this we focus on Hibiki, who can’t really understand Minato so takes her on a date to try to get inside her head… but just ends up more confused. This was a great second volume of what has become a must-read yuri series. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 18 | By Kagiji Kumanomata | Viz Media At some point over the course of this series, the creator was forced to answer the question “how old is Princess Syalis,” which is a question that frequently needs answering when anime girls are designed to always look like children. It turns out Syalis, while we don’t know her exact age, is “an adult,” which if nothing else makes it slightly better that she was buried in work before the demons kidnapped her. In this volume the demon castle falls to pieces, mostly due to laziness, and the princess discovers her inner talent for crisis management, which is… genuinely excellent. This is still funny, but I really enjoy seeing when the cast end up having real character development. – Sean Gaffney

Therapy Game Restart, Vol. 2 | By Meguru Hinohara | SuBLime – To simply describe the plot of this volume of Therapy Game Restart would be to miss everything that is great about it. Minato and Shizuma are planning to move in together, but Shizuma is being kept busy at the veterinary clinic. When he finally gets an opportunity to learn from the director, followed by the arrival of an emergency patient, he stands Minato up for an appointment with a realtor. Meanwhile, Minato tries to keep his insecurities and fears under control, with varying degrees of success. I adore Minato, and I think it’s the superb characterization of someone suffering from anxiety but trying to move past that and have faith in the possibility of a happy ending that makes this series so special. I already am sad thinking about this ending someday. – Michelle Smith

The Way of the Househusband, Vol. 8 | By Kousuke Oono | VIZ – I hate to say it, but I think The Way of the Househusband might be running on fumes. Though this volume pulls out all the stops—a food battle, a snow storm, a movie night—the bonus material is funnier than any of the main storylines. It’s only when we get a glimpse at Miku’s favorite anime series PoliCure that volume eight comes to life. Kousuke Oono creates a deliriously silly mash-up of magical girl manga and police procedural that looks and sounds a lot like Futari wa Pretty Cure. The shift in artwork and tone are a testament to Kousuke Oono’s skills as a draftsman and parodist, and makes me wonder if he should be doing a PoliCure series instead of another installment of Househusband. – Katherine Dacey

Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway, Vol. 1

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By Shimesaba and booota. Released in Japan as “Hige wo Soru. Soshite Joshikousei wo Hirou” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Marcus Shauer (Medibang, Inc.).

I was not originally going to be reading this at all. What I’d heard from reviews of the anime did not really appeal to me. Kadokawa’s license of the light novel made me ask “are you going to use Mediba–yes, you are”, and sure enough, their original version did not read great, from what I’ve been told. But then Yen On licensed the actual books (Kadokawa releases only chapters), and they promised actual editing. Which, to the credit of Emma McClain and Jordan Blanco, works well; the book may be unreadable to me for several reasons, but the translation and adaptation is not one of them. So I waffled. I read a lot of these romance books lately. It stars actual adults. Fine, I’ll give it a try. Lesson learned? Trust your instincts, Sean. I want to bill the author for the dental work I’ll need after grinding my teeth through this first volume, which tries to clear a low bar but forgets about all the other bars.

Yoshida is a corporate worker who has just confessed to his boss, who promptly rejects him because bosses should not date their employees… no, wait, it’s because she says she has a boyfriend already. In despair, he gets incredibly drunk and goes home, where he finds outside his house a high school girl who has run away from home. She asks if she can stay with him in exchange for “certain favors”, he rejects the favors and notifies the police… no, he does not in fact do that, he lets her stay at his place. As the days wear on and she continues to stay, clean the house, and cook his meals, he suddenly finds that he’s sleeping better, looks more put together, and is leading a sensible life. He’s even getting attention from his cute underling… and from the boss who rejected him. Is the secret to success having a runaway underage wife?

Let’s start with my pettiest objection: I expected shaving to have far more impact on the narrative given that it’s in the title. He doesn’t even have a real beard, just… scruff that he probably shaved every third day. Moving on, one of the reasons that high school romances with a dimwit protagonist who has 8 different women who love him because he’s actually not a terrible person works is because he’s a dumb teen who’s still growing up. It works far less well with a 27-year-old salaryman. The majority of this book is from his POV, and I will admit that when the book finally switched to Sayu it got more interesting, though we never do learn why she’s run away. The book tries to critique the tropes it’s wallowing in, too, pointing out the dangers of “kind” people and also when to learn how to trust, but I still can’t get over the premise of “wow, I just need a girl to be my wife in all ways except sexual ones, and suddenly I’m a harem protagonist!”.

If this book was going to be about found family, and about Yoshida and Sayu’s relationship being more like an older brother/younger sister, I might be vaguely interested. But I have zero confidence that the author is not setting things up for her to be part of the love interests one the “high school” part is done. In the end, this is a giant cavalcade of NOPE for me.

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 7

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By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Alexandra McCullough-Garcia.

Last time I suggested that things might get a lot more interesting now that bad things have happened to our heroes. Sadly, I was overoptimistic there, and I forgot how, no matter how bad things may get, the general tone of this series remains “cozy”. Yes, Theresia was cursed by the Shinimg Simian Lord, but she’s not immediately turned evil, it’s a slow-acting evil curse, so she spends most of this book merely being herself and occasionally shuddering as it corrupts her. And Elitia is of course devastated that she got everyone into this in the first place, but after a suitable period of angst and wallowing she’s allowed to be reborn as a far better person and swordswoman. And, of course, nothing can ever take away from the true purpose of this series: watching everyone ask Arihito what new skills they should buy. Even the author says that this is more a video game than a book at this point. That said… I’m still reading it, so something must be going right.

On the cover are two new characters, Ivril and Viola, who introduce themselves but not much else. But they look cool, right? As for Arihito’s party, after the disastrous battle in the Blazing Mansion they have a new problem; they not only have to rescue Elitia’s comrade but also cure Theresia from her curse. This requires research, as well as battling some undead horrors, in order to reach a curse-breaker who reminds everyone of Ceres (they’re not related, apparently, but have a past history). They also join another battle to help out two wayward seekers who got separated from their party during a retreat, and they take on yet another sentient weapon at the end of the book, which pops up when trying to open a black treasure chest. Do they go back and fight the simian lord? Not yet. See you in Book 8.

Again, these books meander. Chapter 2 goes from Page 54 to 122 in my copy, and it’s nothing but looking at Expedition Results, Level Ups, and choosing new skills. I also left out the delicious meals they eat (including a chef who wants to cook food with the rare fruits they got recently) and of course all the sexual innuendo, as this remains the filthiest G-rated book in light novels. (Kyouka has a dream she’s married to Arihito and is wearing a naked apron for him.) That said, as noted above, it was nice to see Elitia finally figure out how to master her blade, which essentially turns out to be “trust that I won’t use it to murder allies”. We get a bit more of her backstory here, and see that her brother has been manipulating it – after the Simian Lord his group may be the next fight.

No one is reading this for depth, and if you’re reading it to see when anyone will have sex, despite all the innuendo, you should also find some other series. But if you’ve enjoyed rearguard so far, you’ll enjoy this.

Chitose Is in the Ramune Bottle, Vol. 2

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I’m enjoying the Chitose series a great deal, but if there’s one thing that worries me it’s that I don’t know what the series’ overall plot is. Other series have ‘each volume has a girl in distress” about them, most notably Rascal Does Not Dream Of (insert girl here), but we know by the end of Book 2 what the basic thread of the series is (the supernatural manifestations of psychological trauma). I suppose it veers closest to My Youth Romantic Comedy Is Wrong As I Expected, which also features a lead guy who will throw himself under the bus to solve a problem, but I think if I tried comparing Chitose with Hachiman the latter would be very angry with me. The question is, are we meant to be figuring out who is “best girl” in a romantic sense? Is this about ripping Chitose’s mask off? Or is it just a series where a group of high schoolers give an excuse for a plot of the week, like many TV shows?

As you might have guessed, the girl on the cover is the main girl of this book, Yuzuki Nanase. She’s lately been worried that she has a stalker, and asks Chitose to pretend to be her boyfriend in order to either drive them off or draw them out. He’s the obvious choice as the two of them are extremely similar, and so she knows he won’t be getting any misconceptions about what this relationship is about. Unfortunately, her fears turn out to be quite justified, as delinquents from a different school are forcing her to revisit an incident from her past that she’s been trying to bury. In the meantime, the fact that he’s now dating Nanase has Chitose in a spotlight he’d rather avoid, and he ends up having ANOTHER guy that he tries to give life advice to.

The other similar series I didn’t mention in the first paragraph is Bottom-Tier Character Tomozaki, and there is an element of that here in Chitose’s trying to hammer home the idea that girls are not pure fantasy creatures and fart and masturbate and everything else that’s normal. But, as with the first book, one of the big draws here is that the popular kids are the leads, allowing the ability to tell a different kind of story. Even something like Tomozaki relies on the outsider who has a past where he always thought “goddamn normies” to get past. Kenta, the nerd from the first book, is still here and is now part of their group, but he’s not the narrator and doesn’t drive the plot. This is a story of popular kids dealing with a specific popular girl problem in a way that, say, Hachiman would be unable to pull off. Good thing, too, as this book also gets more serious towards the end, with suggestions of sexual assault in both past and present.

So I’m still not sure where this series is going, but I’m greatly enjoying the ride. That said, I suspect that all the potential romantic interests for Chitose, including Nanase, are going to have to take a back seat to his upperclassman crush, and the cover for Vol. 3 suggests we’ll get a lot more of her next time.

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 6

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

The Bofuri series does have a pretty good supporting cast, and I enjoy reading about them. That said, most people who picked this up are here for one reason and one reason alone, and that’s Maple breaking the game by doing awesome unpredictable shit. Good news, the 6th volume is here to help you. It definitely doesn’t hurt that this 6th book involves the 6th level of the game, which is entirely related to ghosts and the supernatural. As such, except for one disastrous attempt to get over her terror, Sally is pretty much absent, grinding on other floors so she can avoid being Shaggy in an episode of Scooby-Doo. This allows Maple to solo several events, or team up with Mii, or experiment with rewards in strange and brilliant ways. It’s the sort of thing that will look great animated if Season 2 ever happens, but that’s still sadly far in the future at this point.

We start by Maple getting her new favorite toy, which is a literal throne that she can sit on while attacks do nothing to her. (The downside being that she can’t use “evil” attacks while on it – i.e. most of her repertoire). She uses it a lot in the next stratum, which as noted above is one based around ghosts. Sally, who sees there are lots of cool things she could get if only she got over her fear, tries… and fails miserably. So Maple tries to get some nice rewards that she can give Sally, as well as some rewards that will specifically benefit her build. Finally, we get the Seventh Event, which fortunately does NOT involve ghosts, and so Maple wants to go old-school on it: only her and Sally vs. the toughest opponents.

A lot of the humor in this volume comes from the occasional times we cut back to the developers, who have either designed things to be anti-Maple that she proceeds to win out over by doing something bonkers, or else they’ve designed things that would be lethal difficulty for anyone else that Maple strolls through even though it wasn’t designed to get her interest at all. The rest of Maple Tree, of course, have simply given up on being surprised, with Chrome just sighing and helping Maple to control her ghostly hands that can wield other shields, etc. It helps that Maple’s not doing this for any reason other than “it’s fun”. She’s gotten better at thinking things through… just… but most of her gaming still seems to be “do whatever the hell I like”. This includes lunching with Mii, who can drop her roleplay facade around her, or fending off Frederica, who’s trying to duel Sally and wondering why she’s not on the 6th floor. Maple is simply too nice to get angry with.

This isn’t essential reading, and fans of the anime can probably wait for whenever it continues, but I still quite enjoy Bofuri. It’s a relaxing, quick read.

The Manga Review, 8/19/22

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Attention manga shoppers! Kodansha is currently holding a blow-out sale on digital manga. And when I say “blow out,” I mean it: they’re offering deep discounts on over 3,000 titles, with first volumes priced as low as 99 cents, and later volumes discounted 50%. It’s a great opportunity to try a buzz-worthy series such as Blue Period, Boys Run the Riot, Knight of the Ice, PTSD Radio, or Witch Hat Atelier; to catch up on long-running favorites; or to check out classic titles such as Black Jack and Princess Knight. Don’t wait, though; the sale ends on Monday, August 22nd.

MANGA NEWS

The July NPD Bookscan Numbers are in, with My Hero Academia, Spy x Family, and Kaiju No. 8 topping the list. Also making a strong showing on this month’s bestseller list are Demon Slayer: Kimetsu no Yaiba and Chainsaw Man. [ICv2]

Have you completed this month’s Seven Seas Reader Survey? If not, don’t miss your opportunity to make licensing requests and give feedback on new and upcoming releases. [Seven Seas]

Coming soon to the Azuki platform: Red Riding Hood’s Apprentice: Final Testament to the Moon (Glacier Bay Books) and Doomsday Cleaning (Star Fruit Books). [Azuki]

Job alert: VIZ Media is currently looking for a Copy Editor. [VIZ Media]

Help Erica Friedman celebrate the 20th anniversary of Okazu by participating in a treasure hunt! The winner will receive a t-shirt of their choice from the Yuricon store. [Okazu]

And speaking of Erica Friedman, she and Rica Takashima (Rica ‘tte Kanji?!) will both be guests at Flame Con this weekend. [Anime News Network]

Blood on the Tracks, Blue Period, and Cat + Gamer are among the titles competing for Best Manga at this year’s Harvey Awards. Also making the cut are Chainsaw Man, Red Flowers, and Spy x Family. [ICv2]

Cartoon Crossroad Columbus (CXC) announced that manga scholar Frederik L. Schodt will be the recipient of the second annual Tom Spurgeon Award, which “honors those who have made substantial contributions to the field of comics, but are not primarily cartoonists.” Schodt is author of three books: Manga! Manga! The World of Japanese Comics (1983), Dreamland Japan: Writings on Modern Manga (1996), and The Astro Boy Essays: Osamu Tezuka, Mighty Atom, and the Manga/Anime Revolution (2007). In addition, he has translated a number of manga into English, including Osamu Tezuka’s Astro Boy and Henry Yoshitaka Kiyama’s The Four Immigrants Manga. [CXC 2022]

FEATURES, PODCASTS AND INTERVIEWS

If you’re a parent, teacher, or librarian in search of STEM-friendly comics, look no further than this helpful list compiled by the experts at No Flying No Tights. [No Flying No Tights]

Brigid Alverson posts a brief but thoughtful tribute to illustrator Sho Murase, who passed away earlier this month. [ICv2]

It’s Witch Week at Mangasplaining! Join the crew for lively discussions of Witch Hat Atelier, Witchcraft Works, and Witches, then stay for the bonus discussions of Fuyumi Soryo’s MARS and Yayoi Ogawa’s You’re My Pet (originally published in English as Tramps Like Us). [Mangasplaining]

The latest Manga Machinations podcast focuses on Yokohama Kaidashi Kikou as well as two manga/Marvel crossovers: Wolverine: SNIKT! and Secret Reverse. [Manga Machinations]

What did David and Jordan think of Monster Hunter Orage? Tune in to the latest Shonen Flop episode for their thoughts on Hiro Mashima’s other battle manga. [Shonen Flop]

ICYMI: Ashley and Loyola Rankin dissect the first eight volumes of Love*Com (Lovely Complex). [Shojo & Tell]

In honor of Sailor Moon‘s thirtieth anniversary, Christopher Chiu-Tabet revisits the first eight issues of Codename: Sailor V. [Multiversity Comics]

Jocelyne Allen flips through the pages of Keiko Takemiya’s Kokuhaku. “The takeaway for this volume… is pure vibes,” she notes. “The seven stories in the  collection technically have plots, but these tales are mostly about the feels. Because the stories themselves inspire questions like ‘how?’ and ‘why is this happening?’, and the smaller details of what is going on aren’t really relevant. Takemiya is using science fiction to dig deep into psyches and emotions and relationships because this is shojo before it’s SF, and shojo demands feels.” Someone license this, please! [Brain vs. Book]

Elias Rosner interviews Ryan Holmberg about translating Yamada Murasaki’s Talk to My Back. [Multiversity Comics]

Over at TCJ, John Holt and Chikuma Teppei  translate Natsume Fusanosuke’s essay “The Transgenerational Manga Sazae-san and Its Meaning.” In their preface, Holt and Teppei attribute the enduring cultural appeal of Hasegawa Machiko’s series to its long-running anime adaptation. “Like The Simpsons, the animated Sazae-san has been a fixture of Japanese television for decades,” they observe, “but unlike Matt Groening’s creation, Sazae-san has been a wholesome staple of family life, still operating by the terms of 1950s and 1960s culture in new episodes today. Therefore, although it lacks a Simpsons-level criticality, Sazae-san is still a mirror of society. As Natsume argues, the manga and anime create a kind of touchstone to what was good about Japan in the late 20th century. In this way, Sazae-san not only entertains, but also it curates a way of life that may be now remote or even alien to the lived experience of contemporary viewers in Japan.” [The Comics Journal]

REVIEWS

Scott Cederlund reflects on the radical empathy of Gengoroh Tagame’s Our Colors, while Eric Alex Cline explains why he won’t be picking up volume two of Rooster Fighter. “Whether one finds the series worth following will largely depend on if they share its ridiculous sense of humor, and if they’re willing to overlook incredibly blatant bigotry in character design,” Cline observes. “The major con is that some of the monster designs are lackluster, and the last one in particular tanks the fun vibes with a sudden veer into blatant transphobia.” You’ll also find new capsule reviews at Women Write About Comics, where Masha Zhdanova looks at three new VIZ titles, and right here at Manga Bookshelf, where Sean Gaffney, Michelle Smith, and I tackle Rooster Fighter, Shadow House, and Wandance.

New and Noteworthy

Ongoing and Complete Series

Walking My Second Path in Life, Vol. 3

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By Otaku de Neet and Kurodeko. Released in Japan as “Watashi wa Futatsume no Jinsei wo Aruku!” by SQEX Novels. Released in North America digitally by J-Novel Club. Translated by Andrew Schubauer.

Frequently we find that we, as readers, do not want what the author, as a writer, is writing. This is especially true as the series goes on. Any glance at AO3 fanfiction will see a graveyard of incredibly popular fanfics that got abandoned because the author got very angry at the source material. As such, I should not be annoyed that a romance novel turned out to end with a romance novel ending. But I am, a bit. It doesn’t help that even the author kind of realizes that this is the wrong move, with everyone second guessing the big reveal and wondering if it might have been better just to let Heath stay a squire after all. Oh yes, and there’s the fact that this book came out four years after the others and with a different publisher. We should probably be grateful we got anything at all, but what we got is… well, somewhat less than satisfying.

For those who may have forgotten what’s been happening, Heath is the disguised Princess Fie, training as a squire and hanging out with her buddies. There’s fighting! There’s circuses! But then, right as she is jumping through a hoop of REAL FIRE in an effort to create a circus of their own, the kingdom’s chancellor happens to be walking by… and recognizes her. That’s it, she’s toast. That said, at least she’s not exiled to the cottage of starvation any more, and everyone lines up to apologize to her, from the King to her sister (yes, we finally meet her sister). Unfortunately, there’s a slight problem, which is that Fie has been dating Queen, and now she can’t. This will require strategy, as well as a long think to try to figure out if she actually is in love.

This reminded me a bit of Bloom Into You as well, as we get a “will they make a character who doesn’t really get love or romance asexual?…no, they won’t” sort of vibe to it. That said, this mostly feels like a book trying to do too much. We get separate subplots explaining Fie’s sister (who is in love with a Prince from a different kingdom) and King Roy (who is trying to be a good king but his desire to completely avoid women has led to tremendous problems. But, again, the main issue is that this is the story of a woman who empowers herself and goes out to create her own life and career… and in the end finds that she can’t actually do that, so resolves to become a wife and mother. Queen gets to be a knight, though. It’s not that badly written, and Fie is still a great character to read about, but it feels like we made the wrong choice and got the bittersweet ending in a visual novel.

Perhaps this will inspire someone to write a fanfic where Heath isn’t caught and becomes a knight? Mmmmmm… probably not. But, again, authors should not call attention to the bad choices they’ve made by having other characters saying “maybe this was a bad choice”.

Manga the Week of 8/24/22

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SEAN: As August nears its end, we continue to see manga making its way towards us, zombie-like.

No print for Airship this week, but we do get new early digital releases for Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 5 and Kuma Kuma Kuma Bear 11.5.

J-Novel Club has several digital debuts. Full Metal Panic! Short Stories is exactly what it sounds like, and is much more lighthearted than the main series.

Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon (Maou ni Natta node, Dungeon Tsukutte Jingai Musume to Honobono Suru) has a dude wake up as a demon lord in a dungeon. He thinks he’s going to have to strengthen his environment and protect everyone. But… no? He just lives a slow life with his cute monster girls. You know the audience for this one.

Rebuild World is a post-apocalyptic fantasy about a cruel, merciless world and the poor orphan boy trying to survive in it. This has a bit of buzz, but looks dark. Doesn’t help that the first book is split into two parts – This is Volume 1-1.

ASH: I mean, I tend to be interested in post-apocalyptic fantasy, don’t mind dark, and there is the buzz… but I’m not sure I need cruel and merciless at this very moment.

ANNA: I have a similar reaction.

SEAN: And we get the manga version of Tearmoon Empire (Tearmoon Teikoku Monogatari: Dantōdai kara Hajimaru, Hime no Tensei Gyakuten Story). You don’t need me to tell you how good the books are, now read the manga. This runs in Comic Corona.

ASH: Oh! I didn’t realize (or had forgotten) there was a manga version.

SEAN: Also coming out: Jessica Bannister and the Evil Within and Monster Tamer 10.

Kaiten Books has a digital release for The Yakuza’s Guide to Babysitting 5.

In print, Kodansha gives us Blue Period 8, Island in a Puddle 3, Phantom of the Idol 2, and Shikimori’s Not Just a Cutie 10.

MICHELLE: The first volume of Phantom of the Idol was fun, so I look forward to volume two.

ASH: I should give the series a closer look!

SEAN: And we get new digital volumes for ongoing series. Burn the House Down 3, Getting Closer to You 3, I’m Standing on a Million Lives 13, I Want To Hold Aono-kun So Badly I Could Die 9, Tying the Knot with an Amagami Sister 4, The Witch and the Beast 9, and Ya Boy Kongming! 8.

MICHELLE: Something about those Burn the House Down covers is really compelling.

SEAN: One Peace Books has a light novel debut: The Wrong Way to Use Healing Magic (Chiyu Mahou no Machigatta Tsukaikata – Senjou o Kakeru Kaifuku Youin). An average ordinary high school student (sigh) is pulled into a fantasy world along with two other, much cooler students. Unfortunately for our blank hero, he has a rare ability, healing magic! Now he has to undergo hellish training to learn how to use it.

ASH: I do like the healing magic aspect of the premise.

SEAN: Three debuts for Seven Seas. MoMo -the blood taker- features a detective trying to track down a serial killer, but my guess is by the cover art and title that vampires are the main draw here. This ran in Weekly Young Jump.

ASH: This seems like it could have potential.

SEAN: My [Repair] Skill Became a Versatile Cheat, So I Think I’ll Open a Weapon Shop ([Shuufuku] Sukiru ga Bannou Chiito-ka Shitanode, Buki-ya demo Hirakou ka to Omoimasu) is basically “what if the Arifureta guy decided to sell weapons rather than be the Arifureta guy?”. It runs in Manga Park.

Ramen Wolf and Curry Tiger (Ramen Ookami to Curry Tora) is a foodie manga from Comic Be, about, well, a Wolf and a Tiger. But they’re food critics!

MICHELLE: Huh.

ASH: It’s food related, so I’m obligated to give this one a try.

ANNA: I’m curious!

SEAN: Seven Seas also has Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 4 and The Dragon Knight’s Beloved 3.

Square Enix Manga gives us Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! 5, Otherside Picnic 2, and Ragna Crimson 6.

MICHELLE: I need to get caught up on Cherry Magic. I enjoyed the first volume.

ASH: I did, too!

SEAN: Viz Media has the 18th and final volume of Fullmetal Alchemist: Fullmetal Edition. We also get JoJo’s Bizarre Adventure: Part 5–Golden Wind 5 and Urusei Yatsura 15. And, though I usually don’t touch on the digital-only volumes, there’s WITCH WATCH 3 as well.

ASH: It’s a good Viz week.

SEAN: Yen On debuts Secrets of the Silent Witch (Silent Witch), a story of a powerful mage who learned voiceless magic… because she’s painfully shy and wants to avoid speaking! I’ve heard good things about this series.

ASH: You’ve caught my interest.

Also from Yen On: Durarara!! SH 4, Goblin Slayer 14, High School DxD 8, and Rascal Does Not Dream 8.

Yen Press has several debuts. Bungo Stray Dogs: Dead Apple is a spinoff that runs in Young Ace Up.

Delicious in Dungeon World Guide: The Adventurer’s Bible is what it sounds like, a guide to the world of Delicious in Dungeon!

ASH: I’d somehow missed this was coming out.

SEAN: The Geek Ex-Hitman (Sono Otaku, Moto Koroshi-ya) runs in Shonen Ace Plus. A hitman ends up going down the terrible path of anime figurines.

ASH: Ha! Oh dear.

SEAN: See You Tomorrow at the Food Court (Food Court de, Mata Ashita) is a complete in one volume title from Comic Newtype. An honor student and a tanned “gal” type seemingly have nothing in common… but they’re always eating together! This is not yuri but is yuri-adjacent.

ASH: Yuri-ish and food-ish? I’m curious.

SEAN: Also from Yen Press: Cheeky Brat 4, Cross-Dressing Villainess Cecilia Sylvie 2, Death March to the Parallel World Rhapsody 12, Delicious in Dungeon 11, The Holy Grail of Eris 2, Please Put Them On, Takamine-san 4, The Saga of Tanya the Evil 17, Sasaki and Miyano 6, and So I’m a Spider, So What? 11.

ASH: Huzzah! Double Delicious this week!

SEAN: Must… read… new manga… rrrr.

Slayers: The Demon Slayers!

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

And so, we come at last to the end of the Slayers novels. Well, not really. This volume came out in May 2000, and after 18 years, a new volume appeared in 2018, and another the year after that. But this book has a feel of “final” to it nevertheless, wrapping up the plot points from the second arc, bringing back a few familiar faces, and even throwing in a hint of romance that doesn’t really go anywhere (which is a step up from the series’ usual no romance at all). It has the usual strengths of the series – the fights are snappy and well-paced, Lina’s narration is fun – and the usual weaknesses – emotional depth from this author feels like he’s reading aloud from a piece of paper. Actually, the most interesting part may be one of the familiar faces. Slayers rarely goes back to look at its survivors, so seeing Rubia again was something of a surprise. Even if it feels like she’s just there to contrast with someone else. Which is true.

Lina and Gourry are finding that demons are popping up more and more often, and their attack patterns are very weird. Indeed, one of the demons seems to be … stopping the other demons from killing the two of them? Then Lina discovers that there’s a doppelganger of herself walking around, and all signs point to (for the third time) the doomed city of Sairaag as being the place to go. They’re helped here by… no, not Amelia and Zelgadis, they’re still absent, but Xellos does show up, and he is his usual self. Milgazia and Mephy are there as well. But the final battle between Lina, Gourry, and whatever it is that’s causing all this will have to be a lone one… if only as they’ve been transported to another dimension!

If you’ve been reading these books, the identity of the villain should not surprise you, and some decent effort is made to remind you of the hints from previous volumes. That said… this is a book which ends with an assisted suicide, with Lina seemingly devastated by having to be the one to do it, but again, it feels very emotionally weak. Rubia, as I noted above, was a surprise, but she’s meant to be there to show what happens when you’re able to let go and move on… even if the answer is “I’m still sad and there’s no one in my life, but I have a greenhouse now”. Possibly the biggest surprise in the book is at the end, where Gourry says he wants to go and meet Lina’s family, which is very much the equivalent of a proposal in this world. That said, it has to be undercut with him talking about wanting to taste the grapes her town is famous for, and sad trombone noises ensue.

Slayers is a series that is very much of the 1990s, and judging it by 2020 standards can seem harsh at times. It’s a classic 90s series in that it was exciting and funny and also made for a much better anime, when the emotional heft could be fleshed out and left to other writers. I wonder what the newer books feel like, with 18 years’ more experience between them? Perhaps we’ll see one day.

The Princess’ Smile: The Body-Double Bride Searches for Happiness with the Reclusive Prince

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By Yuuri Seo and m/g. Released in Japan as “Hidenka no Bishou – Migawari Hanayome wa, Hikikomori Denka to Shiawase ni Kurashitai” by M Novels f. Released in North America by Cross Infinite World. Translated by Jenny Murphy.

I’ve said before that I don’t mind cliches, or books which start with the same things happening, but I will admit that I have my limits, and The Princess’ Smile was pushing them as we got about 3/5 of the way through the book. The main issue is that every major plot point plays out in the most predictable way possible. The actual princess turns out to be a terrible person, check. Schlub of an ex-boyfriend who doesn’t speak up, check. New husband is reclusive, truculent, and clearly hiding a secret, check. The secret is immediately obvious to the reader because we looked at the cover art, check. It can be a bit frustrating. Fortunately, once our heroine is nearly poisoned, things really start to pick up, and the last part of the book – with one exception – is a lot of fun to read. But getting there is a bit of a hike.

Sara is a servant for Princess Hermine, having been taken in after the death of her parents in a carriage accident. The two of them look very similar – you could almost get them confused! Then one day the King explains that Sara is going to swap places with the Princess and go get married to a prince from another country… one that recently won a war between the two nations. Sara is a bit upset about this. Then she discovers that Princess Hermine has already met her boyfriend and slept with her boyfriend. Several times. That, plus the fact that you can’t really refuse the king, means Sara is off to nearby Ferrier, there to meet her new husband. Sadly, her new husband wants nothing to do with her. And also has a dark secret.

…which is that he’s a werewolf. Sorry, but.. LOOK AT THE COVER! So it’s in that genre of books. That said, he softens up into a shy but nice young man pretty quickly, and Sara is a good protagonist. Seeing the two of them slowly grow closer if nice, even if it does not tick any boxes that have not been ticked before. Then once the rest of the plot kicks in things get better. I was pleased to see a Queen Mother who turned out not to be secretly evil, and the scenes showing the final battle with Salielles, Sara’s home country, do not hold back in showing the bloody violence of war. That said… while “selfish princess” is a well-worm trope, at the very end of the book Princess Hermine leaps off a cliff and straight into “unrealistically deranged princess”. Sara’s jaw drops and so did mine. It was so bad my suspension of disbelief was utterly broken.

That said, overall this wasn’t too bad. If you enjoy werewolf romance or women who resolve to take their life into their own hands after spending most of it being manipulated, you may appreciate this. It’s also complete in one volume.

Bookshelf Briefs 8/16/22

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HIRAETH ~The End of the Journey~, Vol. 2 | By Yuhki Kamatani | Kodansha Manga (digital only) – In the first volume, we met a girl who’s desperate to die, so it seems only fitting that the second volume would involve another woman who is desperate to live, which unfortunately leads to her stalking poor immortal Hibino. That said, the god they’re traveling with may be in the most danger of passing on. Death is handled as realistically as you can imagine in a series that features an immortal man and a god, and the questions that the series asks are good ones—Mika nearly has an existential crisis when she tries to imagine death not having an afterlife. And, of course, there’s the fantastic art, as you expect from this author. Still recommended. – Sean Gaffney

I’ll Never Be Your Crown Princess!, Vol. 1 | By Saki Tsukigami and Natsu Kuroki | Steamship – This isekai has a spicy twist. Our Japanese-heroine-reincarnated is set to marry the Crown Prince… but this world allows multiple wives! She refuses to be part of that, so resolves to lose her virginity, and thus remove herself from consideration. Two guesses who the random guy she picks is. The good thing about this title is that we get the perspective of the Crown Prince as well, which is ridiculous (“why am I cursed to be this horny?”) but makes him more sympathetic. The downside is that it makes it harder to understand why, after he proves to be a great lover and also promises not to be polygamous, she’s still so hardcore against this. For josei smut fans. – Sean Gaffney

Monthly Girls’ Nozaki-kun, Vol. 13 | By Sorata Akiduki | Yen Press – Has it really been a year since the last volume of this? This one’s a game-changer, though… well, as much of a game-changer as this series will ever get… as, thanks to the combination of a sore throat and really, really being obvious about it, Wakamatsu admits that Seo is Lorelei. His feelings on this, though, are still up in the air. Elsewhere, we discover that Sakura can take even the bleakest situation and make it happy if Nozaki is there with her, and two more of the manga assistant club actually meet each other. This is, hands down, one of the funniest manga titles of the last decade, and every volume delivers multiple belly laughs. Just… please have SOMEONE actually hook up? Please? – Sean Gaffney

Rooster Fighter, Vol. 1 | By Shu Sakuratani | VIZ Media – Rooster Fighter is a disappointment: the premise is too slight to sustain a long series, the script is strenuously unfunny, and the storylines are numbingly predictable. In every chapter, the nameless hero wanders into a new town, antagonizes and befriends the locals in equal measure, then kills a grotesque demon that’s been terrorizing the community. About the only good joke in whole series is how the rooster kills demons; anyone who’s lived on or near a farm will enjoy a rueful laugh or two at the hero’s superpower. Otherwise, this series is a total Cock-a-Doodle-Don’t. – Katherine Dacey

Shadows House, Vol. 1 | By Somato | Yen Press – So I have not seen the anime that currently has its second season running, and I managed to remain totally unspoiled on this manga series. That said, what did I think of it? It’s cute, but also dark and weird and I worry things will turn out badly, but it’s also really cute? Which, to be fair, is the vibe that the author seems to be going for. As for the plot, a young clumsy but cheerful girl is the maid/servant/doll to a young woman who seems to be only a shadow. The two are tied to each other in some way, and we learn about how that is along with the main character. Not sure how I feel about this yet, but it certainly was riveting, and I’ll definitely be reading more. – Sean Gaffney

A Sign of Affection, Vol. 6 | By Suu Morishita | Kodansha Comics – Last time I mentioned that any romantic rivals in the mix here are flummoxed by the pureness of our couple, but I do like that, while they are worried about the one they’re in love with who loves someone else, they (mostly) respect them enough to just accept it and angst about it on their own, rather than try to stage interventions. These are all mostly good kids. Which is probably why the end of the main volume manages to have Itsuomi and Yuki finally kiss, and it’s really sweet and wonderful and… well, it’s what you read this series for. That and the lettering. The one major drawback we have to face now is that it doesn’t come out often enough. – Sean Gaffney

Wait for Me Yesterday in Spring | By Mei Hachimoku and KUKKA | Airship – Angsty teen Kanae Funami runs away from Tokyo back to his home town on the island of Sodeshima. After visiting a local shrine and touching a cool rock (yes, really) he ends up traveling five days into the future and then reliving the intervening days, only backwards. During that gap, the older brother of Akari Hoshina, Kanae’s childhood friend and long-time crush, dies so Kanae resolves to save him. While the structure of the book is certainly neat, it’s slow going for a while, largely due to repeated and absolutely unnecessary reminders that time travel is occurring. Akito, Akari’s brother, was a rising baseball star in his youth, and after the reveal of what kind of person he’s become since an injury derailed his dreams the book got a lot more interesting. Some of it was genuinely tough to read. Overall, the final third made up for the tedious parts. – Michelle Smith

Wandance, Vol. 1 | By Coffee | Kodansha Comics – Kaboku Kotani is a sweet high school first-year who’s been trying not to stand out or go against the grain. He’s got a stutter, which sometimes dissuades him from saying the things he wants to say. After witnessing his classmate Hikari Wanda dancing with abandon, he realizes that there is a way to express himself without words. He joins the dance club, deciding that he’d rather do what he wants to do, even if that makes him weird, and although he’s very inhibited at first, it turns out he has natural talent. I loved seeing a strong friendship develop between Kabo and Wanda, especially that Wanda is so encouraging and nonjudgmental, as well as the perspective of Kabo’s friend, Hotohara, who is kind of a jealous douchebag but also realizes how much of a blast Kabo is having. I had a blast, too. Wandance is tremendous fun. – Michelle Smith

Private Tutor to the Duke’s Daughter: Saving the Kingdom Over Summer Break with Ladies of Ice and Fire

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

I appreciate that the author, in the afterword to this volume, acknowledges the main issue with this as a modern “harem” genre series, which is that Lydia is such an obvious winner that it’s irrelevant to read about the others. The only other one with any chance at all is Tina, and that’s because she’s in the title. That said, I don’t think that “write Lydia out of the story for a while” is really going to help much, mostly as I’m pretty sure Lydia is simply not going to ALLOW herself to be written out for any length of time. This volume does wrap up one plotline while continuing another, and it’s looking very likely that impending civil war might be a good reason to stop having cute harem antics… or it would if this series didn’t run on harem antics half the time. You need to balance your cool battles and attempted murders with headpats and snuggles, after all.

Exams are finished, and the girls have finished terrorizing their teachers with their raw power. Tina and Lynne are the top scorers, but Ellie wins Allen’s challenge as she improved the most. Now everyone is off to Allen’s home, where he has to finally confess to his parents that he failed his Court Sorcerer exam. Now, given that he only failed because the examiner insulted his parents, I think they understand. His parents are exactly as you’d expect. Lydia not so much, as she spends much of this book in “prim and proper” mode, to the horror of everyone else but Allen. Unfortunately, capturing that rogue Prince has not gone as well as hoped. Worse, they’ve finally finished decoding the book Allen gave them, and it’s clear there’s multiple great spells involved. A big fight is needed.

The main draw and also main flaw of this series is that most of the really amazing stuff I want to read about happened already, and we only hear about it tangentially. Allen and Lydia’s school days, whatever tragedy befell them in Allen’s hometown, etc… these are dangled in front of us and then whisked away, to be replaced with scenes of who gets to be the one to sit next to Allen at the table that meal. The harem is somewhat unbalanced, as noted above, but not just because Lydia is so obvious. The other girls simply act far too young to really be thought of as competitors. They’re all little sisters, not romantic partners. This does make things awkward in the final battle, as it’s one of those series where a kiss-powerup is sometimes needed, and Allen gets one from both Tina and Lydia. Tina’s is very “I’m sorry about this”, Lydia is the aggressor, and loves it. Also, it’s nice to see Allen struggle in a battle and get seriously injured. He’s seemed a bit too impervious lately.

So, the next book promises no Lydia. And apparently no Tina, Ellie, or Lynne as well. That leaves the actual little sister, so I’m not sure how much hareming we will get – I expect more of the “the kingdom is in danger” plotline. Till then, still enjoying this harem fantasy series, despite its awkward harem.

Arifureta Zero, Vol. 6

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

My biggest fear with this 422-page final volume was that it would be one long fight scene, and thankfully that is not the case, though the first third of the book is one long fight scene. My second fear was that it would be unrelentingly grim, and while it is grim, with lots and lots of deaths of people we care about, it’s not unrelenting, and there are moments of silliness and humor in the middle of the book. Heck, even some of the main characters survive, because I’d forgotten the main series talks about their descendants. But for the most part this book is “Miledi tries her hardest but fails”, as we knew it would be – it’s a prequel, after all. It also helps to set up the final volume of the main series, coming soon I hope, which will likely feature her showing up to save the day. At least I hope she does, because the day is certainly not saved here.

The first chunk of the book, as I said, is one big fight, and goes fairly well for our heroes right up until the very end, when they’re forced to retreat. They then take the time to try and gather a few more allies – the dragons are now ready to help them, and even the vampires are willing to pitch in… that is, after we discover their long-lost royal daughter (who is closer than you’d think) and resolve the issue of the missing heir to the throne. We also discover that you can access the most powerful magic ever if you get really, really drunk. Unfortunately, Ehit has finally had enough, and decides to force the hand of Miledi by brainwashing everyone who is not a Liberator to kill all their allies. This takes up most of the rest of the book.

As always with Arifureta, this book had a lot of things I enjoyed and some things I could really do without. The main issue with the last third of the book is that this cast is simply too damn large, especially with the books coming out every year or so, and it’s hard to get sad when a character who you can’t really remember well dies. I needed a guide at the start. Also, Naiz marrying one of his emotional support 8-year-olds once she came of age is not something I wanted at all. On the bright side, Miledi and Oscar are handled perfectly, and her execution and subsequent golemification are also done well. There’s even some good horror here, as one of the few bad guys who’s likeable has her soul destroyed so that the big bad can take over her body.

So yeah, not everyone dies, but the majority of the cast die, and Ehit still rules. It’s gonna be up to Hajime and company to fix things. In the meantime, this was a fun yet annoying prequel, just like its heroine.