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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

July 7, 2022 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Bookshelf Briefs 7/7/22

Frieren: Beyond Journey’s End, Vol. 4 | By Kanehito Yamada and Tsukasa Abe | Viz Media – I never briefed the second and third volume of this series, because while I continue to love it, I never really have much to say about it. It runs on a very odd mood of searching and melancholy, but is also not afraid to have dumb gags like “her breasts are literally blocking my view.” The more we learn about Frieren’s past, the more sad we get that she’s only just now realizing everything that she had. Also, surprisingly, we take the time to introduce a character who matches up with their party… and then he leaves a few chapters later, as their journeys don’t match. Since this is about the journey being everything, that only makes sense, I suppose. – Sean Gaffney

I Want to Be a Wall, Vol. 1 | By Honami Shirono | Yen Press – Right from the start, we know the premise of this series. Gakurouta is gay and in love with his best friend (who is not gay). Yuriko is asexual and only likes BL, not understanding the feelings of loving someone romantically. Now they have a marriage of convenience. The flashbacks showing their pasts are relatively serious and can be quite painful. The present day, while not also without its pain, is a bit more cheery—Yuriko may be a BL fangirl but it’s not a hobby she wants to share with her husband, especially when he’s asking things like “what’s omegaverse?”. Gakurouta is well done, but I admit I’m more interested in Yuriko, mostly as it’s rare to see asexuality explored this explicitly. – Sean Gaffney

Links | By Natsuki Kizu | SuBLime – This BL one-shot from the creator of Given feels like an ensemble film. Everything connects back to a guy whose name we never learn, described as “charismatic trash,” who died in an accident ten years previously, leaving behind his boyfriend (Akiha) and his brother (Takaaki). Akiha struggles to move on while Takaaki, adrift, is eventually taken in by the family of the other party in the accident, a yakuza heir named Shinobu, whose life was spared thanks to the actions of the aforementioned “trash.” Takaaki and Shinobu are, I’d argue, the central pair here, as they have been in a relationship since high school and yet have never professed love for one another, but before Kizu delves into their story she gives it more context by first introducing several couples in their orbit, including a new love for Akiha. It’s quite masterfully done, and I enjoyed it very much. – Michelle Smith

Murcielago, Vol. 19 | By Yoshimurakana | Yen Press – There is a bit more humor in this volume than the previous one—mostly concerning Kuroko staying behind to “comfort the widow” not once but twice—but for the most part it remains pretty dark. The man who’s kidnapped Noel turns out to be a lot more lucid than we had expected, but that’s not necessarily a good thing, and the police have to figure out what the man’s late daughter’s dream was AND interpret that to find out where he’s going to be before he murders Noel. There’s another arc that’s briefly introduced here, but for the most part this was another subdued, disturbing volume in a series that is always disturbing but not always subdued. – Sean Gaffney

Talk to My Back | By Yamada Murasaki | Drawn & Quarterly – While relatively few alternative manga by women have been translated into English, there are examples that can be found. Talk to My Back, however, is one of the most recent and notable releases. The volume collects a series of short manga by Yamada Murasaki originally published in the alternative manga magazine Garo in the early 1980s. Told from the perspective of a suburban Japanese housewife, Talk to My Back examines societal, familial, and self-imposed expectations of what it means to be a wife and mother. Throughout the manga, the protagonist’s roles and identities shift and evolve as the circumstances of her life change. The manga’s honesty is compelling and insightful, the story beautifully conveyed through Murasaki’s simple but expressive artwork and loose, elegant lines. Also included is an essay by the volume’s translator and comics historian Ryan Holmberg about Murasaki’s life and art, providing additional context for her wonderful work. – Ash Brown

The Two of Them Are Pretty Much Like This, Vol. 1 | By Takashi Ikeda | Seven Seas – This is from the creator of Whispered Words, but there’s no agonizing angst about being in love with your best friend here. The series begins with our two leads, who are both adults, already a couple and living together. And while we do get a brief flashback to how they got together, for the most part the manga devotes itself to watching normal events from their life. Ellie is a scriptwriter, Wako a newbie voice actress, and they have a dream of doing a show together, but for the most part this volume is just a cozy one of them being around each other every day. They don’t buy a refrigerator together, but otherwise this is exactly what yuri fans have waited for for years. – Sean Gaffney

The Untouchable Midori-kun, Vol. 1 | By Toyo Toyota | Kodansha Comics (digital only) – I really wanted to like The Untouchable Midori-kun, but I find myself conflicted. Misaki Suda is a porn actress with a forthright attitude toward her job that I appreciated. When her new neighbor turns out to be her childhood friend Midori Tachibana, now a popular idol, Misaki sets her sights on sleeping with him. The problem I have with this series is that Midori clearly establishes that he is determined to abstain from romance and sex so as not to upset his fans. Misaki tramples over his boundaries at every turn, and at one point even plots to “lure” him into having sex with her. I had initially thought this would be a positive portrayal of a sex worker, but is it actually positive when all Misaki thinks about is Midori and sex and comes across as borderline predatory? I will give this one more volume. – Michelle Smith

WITCH WATCH, Vol. 2 | By Kenta Shinohara | Viz Media (digital only) – Any good comedy needs a rival guy who’s more hot-headed and dumber than the main guy, and we see that here with Kanshi, a tengu and Nico’s friend from when she trained on the mountain. He’s jealous of Morihito partly as oni and tengu don’t get along, but also clearly due to jealousy—though really, any romance is going to be slow and tiny. The final chapters of this book show that off—Morihito may not be demonstrative, but Nico clearly is the most important person in his life. And we also get Nemu, Kanshi’s distaff counterpart, who can’t even interact with Morihito without turning into a cat first. WITCH WATCH loves taking aim at clichés and running them over, and remains great fun. – Sean Gaffney

Wotakoi: Love Is Hard for Otaku, Vol. 6 | By Fujita | Kodansha Comics – This final volume wraps things up for our three main couples, though some are wrapped up more than others. Naoya and Ko are finally a couple, thanks to the magic power of “forgetting a thing and accidentally overhearing the other party,” so everyone is happy, even those who still think Ko is a guy. Hanako and Taro are of course already married, but they are not without heartwarming moments here. As for Narumi and Hirotaka, we aren’t getting another wedding in the same series, but we do see them admitting both to a relationship and to Narumi’s hobbies. It’s a step forward towards maturity. So not a strong ending, but a realistic one, and I’m happy I read it. – Sean Gaffney

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