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The Ideal Sponger Life, Vol. 8

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

The Ideal Sponger Life is doing a pretty good job of trying to strike a balance between fantasy (after all, this is a series with magic and dragons and the like) and realistic political outcomes. And one of the realistic political outcomes that comes up in this volume is Aura having to give up some of her power. This comes in two different ways – the first is appointing her general/rival as military leader, an unfortunate necessity now that she is pregnant with her second child. The second is finally giving in and admitting (and Zenjirou also has to admit this) that Freya has won the battle, and that she is now definitively going to be his first concubine. Ironically, this means that competition for additional concubines is heating up even MORE, as it means that he has a type other than “tall, strong, buxom amazon”, meaning there’s a larger pool of potential nobles stepping up to the plate. Starting with one who is probably going to be on the next few covers.

Freya is on her fourth straight cover, however this is effectively the end of her arc, as she and her crew have now finished repairs, and have to get back home to not-Sweden before the winter arrives there. She’s quite happy with Zenjirou himself, especially the way that he treats her as an equal, which I think she not only finds affirming but also arousing. That said, the heat is something that she’s going to have to get used to, and we see her and Skaji suffering through a typical “blazing season” here. Meanwhile, Nilda has arrived in the capital and needs training in how to be a noble, so ends up being hired as a palace maid – meaning, once again, that the three comedy maids are forced to step up their game and be more mature. As for Zenjirou, he finally masters teleportation – which means another mission to another country.

I must be honest, even if it weren’t for her name making me wonder if she was going to assassinate someone, I don’t think I’d be looking forward to the arrival of Lucrezia Broglie all that much. She’s far younger than his other love interests, and is deliberately being deceptive by pretending to be clumsy and naïve – something that, I suspect, is going to bite her in the ass when she gets to know the real him. Honestly, I’d be far happier with Bona as his next choice, but that does not appear to be happening, possibly as Aura thinks that she and Zenjirou are a bit TOO compatible. I do also wonder if we’re setting up for a throne war in the future – Aura is correct in that she’s going to have to start giving up some of her power, but in a heavily patriarchal society like this one, that’s power she’s likely never going to be able to get back. I worry about them.

All this plus, worst of all, no sex, as Aura is confirmed to be with child. Still, anyone reading this series for sex long since stopped, as I’ve said before. The politics is still first rate.

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 2

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

I want to be able to talk about the rest of the cast when I review these books. After all, it can’t ALL be about Reirin. I could talk about Keigetsu, and how my opinion of her went way, way up with this book, when we finally get to delve deeply into how she’s being used as a tool. I could discuss the wonderful flashback showing us Kenshuu and Gabi, which takes a mystery with a rather obvious culprit and turns it into a sad tragedy. I could mention Leelee, who goes from reluctant servant and straight man to … well, less reluctant servant and straight man, to be fair, but she does it beautifully. Hell, even the prince, who is literally said to be most appealing to Rinrin when he’s weak and pathetic, manages to carry off some really good moments. That said, all of this is going to have to get around the insurmountable wall that is Reirin, because OH MY GOD, Reirin.

We pick up immediately where we left off at the end of the first volume. Someone else may have figured out that Reirin is in Keigetsu’s body, but that does not really help things because there’s far more to it than just that. Even if Keigetsu was willing to undo the bodyswap and blithely go off to get tortured and executed, it rapidly becomes clear that, as with Leelee, someone is manipulating things behind the scenes to make sure that, somehow, Reirin dies. And when that doesn’t happen, we actually get a worse outcome, as the next in line for vengeance is the Empress herself. Can Reirin manage to fix things so that no one dies – not her, not the Empress, not Keigetsu, not even the actual culprit? And can she do this despite almost everyone now realizing that she’s in the wrong body?

Last time I wondered how on earth this was going to be spun out into an entire volume given that the secret was out, and kudos to the author for managing to do it. It helps that we would honestly read 89 volumes of this if it meant to got to experience the tornado that is Reirin some more. Her attempts to pretend to be Keigetsu are laughable, especially as she is describing herself as a villainess, but by the end of the book it’s pointed out that she really *is* one – in that she has everyone wrapped around her finger with no idea that that’s what she’s doing. Including the two hottest men in the palace. She may be most attracted to Gyoumei when he’s pathetic, but we love Reirin most when she’s being strong, righteous, and kickass. You get the sense that the reason she’s so desperately ill all the time is that without that handicap, she’d have taken over the world by now. And filled it with potatoes.

The original story ended with this volume, but apparently it was such a success that the author is continuing it with more, and I’m glad, even as I know that this will likely mean more bad things happening to our heroine. Oh well, at least she has a friend now, in addition to her cadre of family and attendants who would absolutely die for her if she asked them. The friend is more important.

Manga the Week of 10/5/22

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SEAN: It’s October, so all your manga tastes like pumpkin spice. Go one, try a page.

MICHELLE: Why, it’s positively delightful!

SEAN: Airship first. After a long wait, mostly as the series switched publishers in Japan and new contracts needed to be written, we have the 14th volume of Didn’t I Say to Make My Abilities Average in the Next Life?!. This is print AND digital, so no early stuff here.

There is an early digital debut, though, with The Weakest Tamer Began a Journey to Pick Up Trash (Saijaku Tamer wa Gomihiroi no Tabi wo Hajimemashita). The premise sounds very similar to A Late Start Tamer’s Laid-Back Life, but we’ll see how this “my seemingly weak class and skills get me abused but they’re actually REALLY STRONG” series goes.

And we also have an early version of Survival in Another World with My Mistress! 3.

Cross Infinite World has a 2nd volume of I’d Rather Have a Cat than a Harem! Reincarnated into the World of an Otome Game as a Cat-loving Villainess.

Dark Horse Comics gives us Blade of the Immortal Deluxe Edition 7.

ASH: Like Dark Horse’s other deluxe editions, these are hefty but beautiful volumes. I’m happily upgrading my collection.

Ghost Ship has a 5th volume of Sundome!! Milky Way.

A bunch of print for J-Novel Club. We see Ascendance of a Bookworm’s 11th manga volume, By the Grace of the Gods 10, The Faraway Paladin’s 4th manga omnibus, In Another World With My Smartphone 24, Seirei Gensouki: Spirit Chronicles Omnibus 7, The Unwanted Undead Adventurer 8, and The White Cat’s Revenge as Plotted from the Dragon King’s Lap 5.

The debut from J-Novel Club is Seventh. It’s the story of a noble who ends up cast from their family after being publicly disgraced, forced to try to find a way to survive. The catch is that this isn’t a villainess series, the lead character is a Duke. And not a villain. Then again, that younger sister of his looks suspiciously like an otome game heroine…

ASH: Hmmm…

SEAN: Also digital: Ascendance of a Bookworm 21, Holmes of Kyoto 11, A Late-Start Tamer’s Laid-Back Life 4, My Friend’s Little Sister Has It In for Me! 8, My Stepmom’s Daughter Is My Ex 4, Sweet Reincarnation 7, Tearmoon Empire’s 2nd manga volume, and When Supernatural Battles Became Commonplace 4.

Kodansha’s print debut is Be Very Afraid of Kanako Inuki! (Inuki Kanako no Daikyoufu!), a horror one-shot from the “queen of horror manga”. This has several of her most famous short stories, designed to terrify young girls. They ran in various magazines.

ANNA: OK, stories designed to terrify young girls sound interesting.

ASH: I’m looking forward to giving this one a try. Always game for new horror manga.

SEAN: I forgot to mention, the author of these stories also did School Zone, a horror manga Dark Horse put out long, long ago which was reviewed by our own Kate Dacey. http://mangacritic.mangabookshelf.com/2010/10/24/my-10-favorite-spooky-manga/

ASH: Oh, that’s a manga in good company!

SEAN: Also in print: Grand Blue Dreaming 17, Orient 10, Peach Boy Riverside 8, Rent-a-Girlfriend 14, Sailor Moon Naoko Takeuchi Collection 4, That Time I Got Reincarnated as a Slime 20, and Wandance 2.

MICHELLE: The first volume of Wandance was a lot of fun.

SEAN: As for digital… keeping in mind I am working from secondary sources… the debut is Raised by the Demon Kings! (Sodatechi Maou!). If you can imagine Three Men and a Baby but with rival demon kings, you’ve got this one. It ran in Magazine Special.

Also digital: The Abandoned Reincarnation Sage 6, Changes of Heart 6, Chihayafuru 34, Desert Eagle 4, A Galaxy Next Door 3, The God-Tier Guardian and the Love of Six Princesses 2, I’ll Never Send a Selfie Again! 5, Kounodori: Dr. Stork 28, My Boyfriend in Orange 12, and Our Love Doesn’t Need a Happy Ending 3 (the final volume)

Some more debuts from Seven Seas. Free Life Fantasy Online: Immortal Princess (Jingai Hime-sama, Hajimemashita – Free Life Fantasy Online) is the manga version of a series that just had its light novel also licensed by Seven Seas. A newbie gamer gets a new VR game from her younger sister… but her character build is horrible! Now she’s a zombie.

Imaginary is a josei title from Rakuen Le Paradis. A young man reconnects with a childhood friend he never confessed to. Can he manage to bond with her anew?

MICHELLE: This looks potentially interesting!

ANNA: Yay for josei!

ASH: Yes, indeed!

SEAN: Night of the Living Cat runs in Comic Garden, and the premise is horrifyingly adorable. Instead of zombies, humans who pet cats become cats themselves!

ASH: Goodness!

SEAN: The Summer You Were There (Kimi to Tsuzuru Utakata) is a Comic Yuri Hine series from the creator of The Girl I Want is So Handsome!. A shy girl is a romance writer, but when her classmate gets her hands on a manuscript, she suggests more writing experience… by the two of them dating!

Tentai Books theoretically has print releases for some of their recent digital-only light novels. We see From Toxic Classmate to Girlfriend Goals 1, I Kissed my Girlfriend’s Little Sister?! 1, There’s No Way a Side Character Like Me Could Be Popular Right? 3, and You Like Me, Don’t You? So, Wanna Go Out With Me? 1.

Tokyopop has the 11th volume of Konohana Kitan.

Viz debuts Romantic Killer, a Shojo Beat romance series from Shonen Jump +. (There was a HUGE fight about this online, but look, it’s shoujo, get over where it ran. I can’t believe I’M the one saying that, but…) A girl who’s not all that interested in guys is moved to a virtual reality where there’s nothing BUT hot guys. I’ve heard this is quite fun.

ANNA: Wow, it must be difficult for her to be surrounded by so many hot guys.

SEAN: Also out next week: Boruto: Naruto Next Generations 15, Dr. STONE 23, Moriarty the Patriot 9, My Hero Academia 32, My Love Mix-Up! 5, Snow White with the Red Hair 21, and Yona of the Dawn 37.

MICHELLE: Gotta get caught up on the Shojo Beat titles!

ANNA: Me too! Always glad to see a new volume of Yona.

ASH: Same!

SEAN: Yen On debuts Sugar Apple Fairy Tale, a fantasy romance novel series from the creator of Culinary Chronicles of the Court Flower. The story of a candy crafter trying to become a Silver Sugar Master seems sweet as pie, but the “I’m purchasing a fairy, as they are treated like property in this world” will be a bar it’s going to have to clear.

ASH: The candy crafting side of things has potential, but… yeah.

SEAN: We also get Bottom-Tier Character Tomozaki 8.5, The Detective Is Already Dead 4, A Sister’s All You Need 13, Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town 10, and Wandering Witch: The Journey of Elaina 9.

Three debuts for Yen Press. Gahi-chan! runs in Comic Dengeki Daioh “g”, and has its sights firmly aimed at 14-year-old boys who love unrealistic body types. A manga artist finds his heroine has shown up on his door! She’s actually a yokai… who can eat his art and transform it into a suit of skin, which she then wears. Despite sounding like a horror premise, it’s an ecchi comedy.

ASH: The yokai part of that description caught my attention, but I’m not sure about the rest of it.

SEAN: Tsubaki-chou Lonely Planet is a shoujo title from Margaret, from the creator of Daytime Shooting Star. A girl whose father has put their family in debt finds a job as a housekeeper to a surly novelist. What’s worse, she has to live there.

MICHELLE: Interesting that Yen is picking up these Margaret titles. This is the second one, after No Longer Heroine.

ANNA: Cool, I’m curious about this.

SEAN: And Unnamed Memory is the manga adaptation of the wonderful light novel series. It runs in Comic Dengeki Daioh.

Also from Yen: Angels of Death Episode.0 4, Bungo Stray Dogs: Wan! 3, Chained Soldier 2, 86–EIGHTY-SIX 3, The Eminence in Shadow 5, The Fiancee Chosen by the Ring 2, Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side: Sword Oratoria 18, So I’m a Spider, So What? The Daily Lives of the Kumoko Sisters 4, Toilet-bound Hanako-kun 16, and Yowamushi Pedal 21.

ASH: I’m finally close to being caught up with Yowamushi Pedal and have been enjoying the ride.

SEAN: I guess EVERYONE finally got their manga back from the printers. What are you getting?

Yashiro-kun’s Guide to Going Solo

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By Dojyomaru and Kou Kusaka. Released in Japan as “Yashiro-kun no Ohitori-sama Kouza” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Andria Cheng-McKnight.

Authors, of course, read other authors, and are influenced by them. The book in, say, isekai books, or villainess books, etc. is not JUST publishers trying to milk the latest cash cow, it also stems from authors reading a title and thinking “what would happen if I tried this instead?”. And it’s the same with the author of How a Realist hero Rebuilt the Kingdom, who notes in the Afterword that he wrote this book heavily influenced by titles like My Youth Romantic Comedy Is Wrong, As I Expected. Though honestly, it reads more like a Bottom-Tier Character Tomozaki. Our male lead is a loner who sits by himself in the classroom. We also have the popular girl, part of her cool clique, etc. you know the two of them are going to be the focus. Which is… sort of accurate. Because this is not really a story, it’s more of a thought experiment. How much you enjoy it might depend how much you like those.

We are in a world where so many people have been reading high school “fix it” romcoms that the power balances have shifted a bit. Suddenly loners are admired for their ability to not conform, and the popular kids are seen as having to force themselves to fit in. Yashiro is one of those loners, and he’s approached by the popular girl Kanon. She’s been forcing herself to fit into her group seamlessly, and it’s not working well. She wants to learn from him how to enjoy doing things by herself. Despite being somewhat baffled by this, he agrees, ans the two of them start confabbing on things like studying at a karaoke place, going to really nice public baths and soaking by yourself, etc. Then her sporty friend Ido approaches Yashiro, at first to make sure he’s not trying anything weird with Kanon, but then to get her own lessons in enjoying time by herself. Then a new transfer student arrives… when does this end?

As a book, without its main conceit, this is just OK. The world feels like a bizarre, conflictless alternate universe (it’s by the author of Realist Hero, and indeed a crossover available to J-Novel Club subscribers indicates this happens at the same time as Souma is going to high school there). However, as I read it I began to notice someone else outside of the field of the book’s vision. It did not take me very long to realize what was going on, but it’s not the sort of trick where the joy is in guessing it, it’s the sort where it works better when you’re in on it. The “missing” character became my favorite in the book, which is why I was happy when (and the author has done this before) the afterword was actually a midword, and the 2nd chunk of the book was a retelling of the series from their perspective. It also shows that the author was reading more than just Oregairu, because the 2nd part of this book is the current wave of “sugar sweet romance” types, and boy is it sweet.

This is a single volume – it wouldn’t work as a continuing series. And you have to make a few logical leaps to get to the “Oh, nerds are admired and cool kids are pitied” worldview it takes. But overall, I really loved its lead couple, and the trick behind them.

Bookshelf Briefs 9/27/22

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D-Frag!, Vol. 16 | By Tomoya Haruno | Seven Seas – This new volume (by now the series is annual) involves a massive parody of “trapped in a game” stories, as the main cast are all in an experimental VRMMO which has a few bugs in the system. Kazuma’s in-game cursed armor may be affected by a REAL curse on him, Runa’s attempt to imitate Lone Wolf and Cub has left her as a baby, and Sakura can only use water spells, because, well, she’s Sakura. There are some very funny stabs at both Sword Art Online and similar stories as well as the D-Frag cast itself, with Kazuma once again having to rely on his tsukkomi in order to survive. That said, it ended with a surprise heartwarming moment… with Kazuma being the most surprised! Still underrated. – Sean Gaffney

Dead Dead Demon’s Dededede Destruction, Vol. 11 | By Inio Asano | Viz Media – The End of Humanity has been promised for several volumes now, and this volume is here to deliver on it. We get some really terrifying horror shots here of innocent folks suddenly having their arms and legs cut off by alien spores, but that pales next to the actual apocalypse, which takes up more than one two-page spread. We even get what appears to be the final Isobeyan chapter, giving it an ending that the original Doraemon never actually got. That said, the last volume in the series is twelve, not eleven, and I suspect some sort of time travel/alternate universe stuff may manage to save the day. For now, though, hope you aren’t attached to anyone on Earth. – Sean Gaffney

Dekoboko Bittersweet Days | By Atsuko Yusen | TOKYOPOP – In this sequel to Dekoboko Sugar Days, things start somewhat episodically. Rui and Yuujirou move up to their third year in high school, they go to the beach, there’s a flashback to them as kids, etc. Eventually, however, the references to their college plans and worries about how their families might react to their relationship coalesce into a fairly dramatic story. Now, was it really that believable that Yuujirou would break up with Rui on Christmas and not talk to him again until right before Rui is about to get on a plane to attend college in France? No, not really. Not when they love each other so much. But their last-minute reconciliation is still great because they were utterly unconcerned in that moment about their families finding out and, surprise, everything was totally fine. Sometimes an ending can be predictable and still be sweet and satisfying. – Michelle Smith

Delicious in Dungeon, Vol. 11 | By Ryoko Kui| Yen Press – This came out a lot faster than I was expecting, but that may be because things are very quickly coming to a climax, and the end plot may be less “how do we save Falin?” and more “how do we not all get executed as criminals?” Marcille won’t be helping, as due to plot and circumstance she’s now in charge of the dungeon, though we only get a brief glimpse of what that actually entails. And rest assured, there is some incredibly disgusting horror here as well, because that is also the sort of thing this series can offer us. Actually, there’s not as much food this time around—or at least not food that we can convert to real recipes. I’m not sure how much longer this has to go, but it will be interesting to see how Laios talks himself out of this one. – Sean Gaffney

Ramen Wolf and Curry Tiger, Vol. 1 | By Emboss | Seven Seas – At first glance, Ramen Wolf and Curry Tiger looks like a standard-issue food manga, focusing on two friends whose main hobby is trying out new restaurants. The artwork reinforces the idea that this is a Food Manga™ with numerous close-ups of Wolf and Tiger slurping noodles, sighing contentedly, and rubbing their bellies as they sample new delicacies, all of which are rendered in meticulous, mouth-watering detail. The frenetic pacing, however, robs the story of its educational and entertainment potential; at every turn, we’re bombarded with new characters, few of whom are properly introduced to the reader, despite the presence of a narrator. By the end of volume one I felt tired and hangry—a sure sign that this series wasn’t working for me. YMMV. – Katherine Dacey

Sakamoto Days, Vol. 2 | By Yuto Suzuki | VIZ Media – The second installment of Sakamoto Days does pretty much what you’d expect: we’re introduced to new assassins—none of whom are equal to the task of killing the hero—and a conspiracy involving a top-secret organization. We’re also treated to a few amusing flashbacks to Sakamoto’s training, as well as an acrobatic fight scene that begins on a roller coaster and ends at a haunted house. Though the action scenes aren’t as dazzling as the best Shonen Jumpka titles, Yuto Suzuki knows his way around a good sight gag, and peppers every fight sequence with a few humorous interludes. What really keeps Sakamoto Days aloft, however, is heart: the characters’ obvious affection for one another makes it easier to embrace the story’s killer-gets-dragged-back-into-his-old-life plot. Recommended. – Katherine Dacey

See You Tomorrow at the Food Court | By Shinichiro Nariie| Yen Press – This is a dialogue-heavy story that relies entirely on the personalities of the two high school girl leads. Yamamoto dresses like a gal, but is relatively serious and has a job. Wada looks like an honor student, but is a flake who is all over the place. They’re best friends, and every day they eat at the food court in the mall and discuss… whatever. This was marketed as yuri-ish, but aside from the final chapter it’s not really. It is a good examination of high school girls and the need to have a “public” face. How much you like it depends on how much you can tolerate Wada, who can be very hard to take a lot of the time, though I think she’s ultimately lovable. A one-shot for now, it just restarted in Japan. – Sean Gaffney

Sword Art Online: Girls’ Ops, Vol. 8 | By Neko Nekobyou and Reki Kawahara | Yen Press – This is the final volume of the series, and like previous volumes, it focuses on its main character—Lux. She’s had the emotional arc since the very start of the series, and now she gets to come to terms with the death of her friend, come to terms with the fact that she was a pawn of Laughing Coffin, and come to terms with the hero-worship she has for Kirito, even when he’s an NPC that may or may not contain his soul. It wouldn’t be SAO without playing fast and loose with sentience. In the meantime, this was a solid series that gave screen time to most of the regulars who are not Kirito, Asuna or Sinon, and I’m happy to have read it. – Sean Gaffney

Sword Art Online, Vol. 25: Unital Ring IV

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

The basic premise of Unital Ring is that something has mashed up all the MMORPGs out there, meaning that SAO, ALO, GOO, etc. are all in the same world. This even includes American games where you choose to star as a bug (the spiders side is far more popular than the centipede side, and I don’t really blame them, though I do admit to a bit of surprise that the game is popular in the West at all.) But, as we have also discovered, Unital Ring is not just about uniting the various games our cast has played in, it’s about uniting the various arcs of the series. The first non-web novel arc Kawahara takes on sticks together all of his previous books, plus real life, plus the Underworld, which it turns out is a lot more relevant to the main plot than we’d thought. That said, the series no longer moves as fast as its first volume did, meaning that any chance of the Underworld side meeting up with the Unital Ring side is going to have to wait a bit.

The book is divided into two chunks, with a real world interlude between them. The first takes place in Unital Ring, as Kirito and company try to figure out a way to stop Mutasina and her blackmailed players from destroying the new town that’s been raised around their log cabin. This, as you can imagine, involves a lot of fighting, game stats, etc., and should be very familiar to the SAO reader. It’s hard to coordinate, though, meaning that Asuna can’t get a chance to meet up with the mysterious new transfer student who’s been trying to talk with her. As for Underworld, well, we still don’t know if Eolyne is Eugeo reborn, or a clone, or a descendant, or what, but there’s enough to make Kirito and Alice very suspicious. That said, they have a bigger issue to take care of: reuniting Alice with her sister, who has been in cryosleep.

Sword Art Online has generally never been a mystery series, nor has it relied on surprises or last minute swerves. This is good, because at this point I will be a lot more surprised if Kamura, the new transfer student, ISN’T Mutasina. Kawahara can be very straightforward. That said, this is a perfectly fine volume of Sword Art Online, though it’s suffering from being the 4th book in what is probably another 9-book arc. There are hints that Unital Ring’s plot and the Underworld plot will connect in the future, but hints are all they are now, so it does suffer a bit from having to, about 2/3 of the way through the book, shift gears and remind us to start caring about what seems like a completely different story. It will probably read better when the whole arc is out, but for now it feels a bit thin.

Still, the next book is out in Japan, and we should see it in the spring sometime. Till then, enjoy Kirito cutting things with his sword and also acting like a dumb teenage boy.

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 7

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

The Piggy Duke series has always had a tendency, much like its title character, of avoiding difficult confrontations. We’ve seen in the last few books Slowe trying to work up the courage to confess to Charlotte and failing miserably, and the revelations about Charlotte’s past and how much everyone knows about it, while they have been coming out, are almost inevitably interrupted by some crisis needing attention, and by the time it’s over the moment has passed. Well, those who have been waiting seven books for Slowe to get off his ass and say something will be pleased to see that it finally happens here, as a stupid series of “high school drama” events manage to force his hand. The confession scene is excellent. As for the aftermath? Oh, sorry, it’s crisis time. The aftermath will have to wait. Sadly, Charlotte gets little to do in this volume, despite her heritage being one of the reasons for the crisis.

The title once again is a lie, as, in order to get rid of the stress he’s been dealing with recently, Slowe has taken to working out by lifting weights all over campus – something that the student body actually finds a bit terrifying. That said, he’s slimmed down again, so is attracting looks, and his “commoner” friend Tina tries to get him to branch out by actually interacting with other women besides her, Charlotte and Alicia – something that sadly proves disastrous for his reputation. Fortunately, a distraction comes along. The Witch, fresh off the last book, has gone to attack the Queen, and the fallout from that means that the Queen, her Guardian Knight, the Princess, and the Royal Knights are ALL now at the school, trying to bait the Witch. Unfortunately, this is also a family argument between mother and daughter… who do NOT get along.

We’d met the lazy princess before, but the narrative is a lot more sympathetic towards her this time, putting her behavior in much-needed context. Her behavior also ties into Charlotte’s past, which (of course) is not nearly as secret as Slowe would like, and I really enjoyed that this was part of the bargain made. That said, most of this book, as with the other books in the series, relies on you finding Slowe’s behavior amusingly annoying rather than just annoying. Again, I really wish we had more of Charlotte’s POV in this series, as she’s still technically Slowe’s retainer, and is having to deal with him being the talk of the school – again – and also some incredibly nasty rumors about him – again. If you add in his accidental confession to her, you can see why she spends the last quarter of the book unconscious. I’m sure we’ll find out what she thinks of Slowe’s confession of love in the next book… maybe.

I have been accused before of caring more about the romance in a book than the plot, and that’s probably true, but a lot of the plot in Piggy Duke is the romance, so I think I have the right to be a bit annoyed. Still, the Princess made this book worth reading, and I hope we see more of her in the future.

The Manga Review, 9/23/22

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This has been a relatively quiet week on the manga beat, so I’m going to lead off with a question: what are you reading? Is there a series that you wouldn’t hesitate recommend? A manga that looked promising but disappointed or, conversely, a manga that looked awful but turned out to be fun, interesting, or engrossing? Inquiring minds want to know!

NEWS AND VIEWS

As the eighth volume of The Yakuza’s Guide to Babysitting arrived in Japanese bookstores, publisher Micro Magazine announced that the series just reached an important milestone: one million volumes in circulation. [Otaku USA]

Another Wednesday, another passel of licensing announcements from Seven Seas: look for I Didn’t Mean to Fall in Love, My Girlfriend’s Child, and Please Go Home, Miss Akutsu! in 2023. [Seven Seas]

David Brothers leads a lively roundtable discussion of MOB PSYCHO 100, with an emphasis on its polarizing artwork. [Mangasplaining]

The reviewers at Honey’s Anime have compiled a list of their ten favorite historical manga, from Seven Shakespeares to Golden Kamuy. [Honey’s Anime]

Over at TCJ, Jon Holt and Teppei Fukuda have translated another essay by manga critic Natsume Fusanosuke, this one focused on Naoki Urasawa. Fusanosuke traces Urasawa’s evolution as an artist from the 1980s through the 2000s, noting the degree to which Urasawa’s early works were influenced by Katsuhiro Otomo. [The Comics Journal]

REVIEWS

Justin and Krystallina agree: you should be reading My Happy Marriage. Over at Women Write About Comics, Masha Zhdanova praises Nagabe’s Blue Monotone for its low-key approach to depicting teenage romance. “Nagabe uses anthropomorphic animals to tell a story about a familiar theme: being ‘weird’ isn’t inherently bad, and differences between people should be celebrated instead of shamed,” she observes. “The fact that this love blossoms between two animal boys, both outcasts in different ways, helps make this theme clear.” Also worth a look is Paulina Pryzstupa’s thoughtful review of Look Back, a novella-length story from the creator of Chainsaw Man.

New and Noteworthy

Complete and Ongoing Series

Manga the Week of 9/28/22

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SEAN: Oh no, I’m awake, September must be ending!

Yen On is taking the week off, but we have some Yen Press manga. Dead Mount Death Play 8, Laid-Back Camp 12, Play It Cool, Guys 4, and Re:ZERO -Starting Life in Another World-, The Frozen Bond 2.

From Viz Media we debut a JoJo’s Bizarre Adventure spinoff, Thus Spoke Rohan Kishibe (Kishibe Rohan wa Ugokanai). This features a series of short stories starring the eccentric guy from Diamond Is Unbreakable, and is coming out in deluxe hardcover, same as the JJBA volumes.

ASH: I’m looking forward to this one; Rohan is an interesting and popular character. (And he was also my introduction to JoJo’s Bizarre Adventure as a whole.)

ANNA: Yep!

SEAN: We also see Fist of the North Star 6 and Fullmetal Alchemist: The Ties That Bind (another reissue of an FMA light novel).

ASH: Still very happy to see Fist of the North Star coming out!

SEAN: Tokyopop debuts On or Off, a BL manwha webtoon about the dangers of falling for your boss.

They also have the 2nd volume of supernatural BL series Fangs.

After a number of minimal weeks from Seven Seas, they got everything back from the printers this time around. We start with 7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! (Loop 7-kaime no Akuyaku Reijou wa, Moto Tekikoku de Juukimama na Hanayome Seikatsu o Mankitsu Suru), a manga adaptation of the light novel series Seven Seas also released. It comes from Comic Gardo.

Cats and Sugar Bowls (Neko to Sugar Pot) is a collection of yuri-themed short stories by the same author, and is a single volume.

ASH: That sounds like it could be promising.

SEAN: A Chinese Fantasy: The Dragon King’s Daughter (Chuugoku Gensousen) runs in Futabasha’s Web Action, and is a series of classic Chinese folktales adopted into manga form.

ASH: Count me curious, for sure!

SEAN: Crossplay Love: Otaku x Punk (Josou Shite Mendokusai Koto ni Natteru Nekura to Yankee no Ryou Kataomoi), an LGBT comedy about two guys who want to visit a maid cafe, but only feel comfortable doing so dressed as girls. It’s from Mag Garden’s MAGXIV.

ASH: I am intrigued.

SEAN: Dinosaur Sanctuary (Dinosan) is from Shinchosha’s Comic Bunch, and asks what happens, after the events of “A Certain Movie”, to the other Dinosaur-themed zoos around the world?

ASH: That’s a fun premise.

SEAN: Lazy Dungeon Master (Zettai ni Hatarakitakunai Dungeon Master ga Damin wo Musaboru made) has had the novel coming out from J-Novel Club for a while now. Here’s the manga version, which runs in Comic Gardo.

Love is an Illusion! is a manwha webtoon that delves into the story of a guy who spends his whole life thinking he’s an alpha… till he runs into a real alpha who sees he’s just an omega deep down. BL, as you likely guessed.

Seven Seas also has The Case Files of Jeweler Richard 3, GIGANT 9, Hitomi-chan is Shy With Strangers 5, I’m in Love with the Villainess 3, Kiruru Kill Me 3, The Legend of Dororo and Hyakkimaru 5, Mushoku Tensei: Jobless Reincarnation 15, No Matter What You Say, Furi-san is Scary! 4, and Skeleton Knight in Another World 9.

One Peace Books debuts The Death Mage (Yondome wa Iyana Shi Zokusei Majutsushi), a light novel about a young man who is tired of getting reincarnated and then dying all over again, and resolves to use his powers from previous lives to put a stop to that.

ASH: I can understand that feeling.

SEAN: From Kodansha Manga we get the debut of Miss Miyazen Would Love to Get Closer to You (Ochikadzuki ni Naritai Miyazen-san). This Gangan Joker series has a girl trying to get to know the school’s delinquent, despite him being terrible at, well, communication. We know this genre by now.

ANNA: OK, I know the genre but I also enjoy people falling in love with delinquents.

SEAN: Also in print: EDENS ZERO 18.

Digitally we see Altair: A Record of Battles 25, Burn the House Down 4, A Couple of Cuckoos 9, DAYS 31, My Tentative Name 3, My Wonderful World 3, Oh, Those Hanazono Twins 5, The Prince’s Romance Gambit 11, SHAMAN KING & a garden 3, Tesla Note 6, and That’s My Atypical Girl 6, which definitely won’t be getting the Feature Image this week.

MICHELLE: Okay, finally some stuff for me. I am really curious about Burn the House Down and desperately need to get caught up on DAYS.

SEAN: Two debuts from J-Novel Club. Re:RE — Reincarnator Executioner (Re:RE -Ri: Āruī- Tenseisha o Korosu Mono) is a dark fantasy about a father trying to get back his daughter, whose body has been possessed by the evil Reincarnators.

Our other debut is a one-shot from the author of How a Realist Hero Rebuilt the Kingdom. Yashiro-kun’s Guide to Going Solo (Yashiro-kun no Ohitorisama Kōza) is a reversal of books like Bottom-Tier Character Tomozaki – a trendy girl is asking the lone wolf how she can be more like him!

J-Novel Club also has Did I Seriously Just Get Reincarnated as My Gag Character?!’s 2nd manga volume, The Ideal Sponger Life 8, Record of Wortenia War’s 8th manga volume, and Welcome to Japan, Ms. Elf!’s 6th manga volume.

Ghost Ship gives us Booty Royale: Never Go Down Without a Fight! 7-8 and Desire Pandora 3.

Dark Horse Comics has the 10th omnibus of GANTZ.

ASH: That’s a series I’ve not thought about in a long while.

SEAN: Cross Infinite World has Surviving in Another World as a Villainess Fox Girl! (Scenario Nante Iranai! Rival Chara no Kitsunekko). This book has not one but TWO “reincarnated into an otome game” characters, each with different motivations to save their favorite character. Unfortunately, their plans don’t match up.

Airship debuts a new “beautifully depressing” novel from the creator of I Want to Eat Your Pancreas. I Will Forget This Feeling Someday (Kono Kimochi mo Itsuka Wasureru) is about a couple trying their hardest to BE a couple despite being from different dimensions.

ASH: I often enjoy novels of that type, though I’m not sure I’m feeling up to it at the moment.

SEAN: We also get early digital volumes of Mushoku Tensei: Jobless Reincarnation 19 and Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court 2.

There’s a ton of stuff here, after the September of Barely Any Manga. What are you getting?

The Saint’s Belated Happiness: Newly Single, Now Living with the Demon Prince

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By Hari Garasumachi and Yotsuba Hanada. Released in Japan as “Iki Okure Seijo no Shiawase – Konyaku Hakisareta to Omottara Mazoku no Ouji-sama ni Dekiaisaretemasu!” by M Novels f. Released in North America by Cross Infinite World. Translated by Kai Sadler.

This is another book that falls into the category of “not a villainess, but villainess things happen to her” books. You know, dumped by her fiancee, exiled from the royal palace, etc. Generally speaking, most of the stories in this genre tend to go for the aware, savvy sort of heroine. This is not one of those stories. Honestly, the heroine of this book, Marialite, may be more on the Katarina Claes end of the spectrum – in terms of outward personality they’re not that similar, but they both have “empathy” turned all the way up to ten while “intellectual” is at about a two. Marialite is not an airhead per se… she’s just the sort of character I refer to as the “ara ara” woman. You know, Kasumi Tendo from Ranma. Every situation, no matter what it is, is met with a hand to the cheek, a tilted head, and an “ara, ara”. That’s what we’re dealing with here.

Marialite has had a pretty rough life, though if you asked her about it I doubt she’d say the same thing. Her parents are dead. When she was discovered to be the Saint, her fiancee (who was already cheating on her) was dumped and replaced with the Crown Prince. She then spend the next several years saving the kingdom with her plant-based powers. Now the kingdom has “magic tools” that will do the same thing. And she’s twenty-seven years old. So the Prince dumps her, planning to get a younger wife. Going back to her abandoned childhood home, Marialite finds a young boy hiding inside. Sorry to spoil the surprise (it’s not much of one), but he’s the Demon King of the title, and he gets much bigger very fast. He’s also over the moon for Marialite… who seems to not really realize what love is.

This book is, to be honest, highly variable. The sections with the Crown Prince are amusing if you like to see asshole misogynists get wrecked (and I do), but he’s so one-note it’s hard to really be happy. The best part of the book involves Cornelia, the daughter of a rival dukedom to the Demon King, who is a) an obnoxious ojou-sama, b) with fire magic, c) with cat ears, and d) secretly weak to characters like Marialite, who she can’t intimidate. Everything about her is great, though I wasn’t that wild about the “now she’s a maid” subplot. As for Marialite herself, her naivete about love is presented as the fault of her past relationships, both of which were terrible, but she also admits she doesn’t think she was in love with them either, so there’s little to no hurt feelings or devastation about them. This makes her something of a blank slate, to be honest. I suppose if we can have harem protagonists who are potato boys, we can have the same with shoujo romance protagonists. I just wish she had more personality.

This book does not really have a definite ending, and there may be more coming, but if so it’s not immediately obvious. Till then, if you like “dumped by the asshole prince and finds a better life” stories, or cat-eared red-headed girls who yell a lot, this is worth your time.

Bookshelf Briefs 9/20/22

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Don’t Toy with Me, Miss Nagatoro, Vol. 11 | By Nanashi | Kodansha Manga – I haven’t actually briefed this for a long time. Since I did, in fact, it had an anime, which was somewhat polarizing but is getting a second season. The premise has evolved now that Senpai is a senior, and that means there’s an actual new recruit to the art club. What’s more, Nagatoro has joined the judo club, trying to get back the competitive mojo she lost long ago when a more talented girl blew right past her. As a result, we may have some genuine change here, as the two of them can’t hang out endlessly in the art room anymore. Senpai knows this, which is why he actually struggles to try to ask Nagatoro to… y’know… hang out. Not a date. Nagatoro has mellowed, and so has this series. – Sean Gaffney

GAME: Between the Suits, Vol. 1 | By Mai Nishikata | Steamship – Oooof. It’s always dangerous doing a series about someone whose life is in a rut, who is going through the motions, who is burying herself in her work in order to avoid thinking too much. The danger is that the manga can be as boring as the protagonist’s life has become, and that’s exactly what happens here. Theoretically I should be annoyed at the male lead, who is the classic josei “smug jerk who will make the girl fall in love with him by being smug at her until she surrenders,” but I can’t be bothered, because the layout and the pacing are just too damn dull. This is supposed to be arousing! It’s a Steamship title! I should not be checking to see how many pages are left. Try one of their other titles. – Sean Gaffney

No Longer Heroine, Vol. 1 | By Momoko Koda | Yen Press – Hatori Matsuzaki has had a crush on Rita Terasaka for years. Believing that their status as childhood friends guarantees her the role of “heroine” in his love story, she is unthreatened by his string of casual girlfriends. That is, until he shows signs of actually getting serious about Adachi-san—an unlikely match in terms of looks but a sincerely good person—and Hatori is forced to consider the possibility that maybe she’s not the leading lady after all. Her obnoxious behavior in the wake of this revelation made me question whether I wanted to continue reading this series. Thankfully, she is quickly ashamed of herself, and though I cannot root for her to break up Rita and Adachi, I do root for her to move on and find a love of her own. – Michelle Smith

Teasing Master Takagi-san, Vol. 15 | By Soichiro Yamamoto | Yen Press – Now that ‘teasing the guy she likes’ has become a genre, we’ve seen several titles that deal with an inherent difficulty, which is that these sorts of series traditionally star a pretty, vivacious, charismatic girl and a much less charismatic boy. The question will always arise: “what does she see in him?” Fortunately, Takagi-san answers this question better than most other titles. Nishikata may struggle in his desire to “win” over Takagi, and he frequently shows off his immaturity (the series is about junior high schoolers, but sometimes you have to remind yourself of that), but he’s really a nice, decent person who always tries to do the right thing, and we see that here. That’s what she loves. – Sean Gaffney

World End Solte, Vol. 1 | By Satoshi Mizukami | Seven Seas – This author has managed to amaze me twice, first with Lucifer and the Biscuit Hammer, then with Spirit Circle. Both of those titles had one foot in the real world of Japan, however. This new series is 100% fantasy… even though our heroine’s powers have more than a little bit of magical girl to them. She’s dealing with a lot, as her parents are dead and she’s been sold by the beloved village head into slavery (yeah, I know, it doesn’t stick). Teaming up with a girly-looking boy trying to find a way to die, an obnoxiously perky fairy, and Mole Macarony from the Pogo books only with less Republicanism, and they’re off on an adventure… provided they survive the journey. This is hella fun, and I trust this author. – Sean Gaffney

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 6

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

Several characters over the course of this series have noted an odd disconnect between Inglis and, well, everything she says or does. We, the reader, know the reason for this, i.e. she’s a reincarnation of an ancient King. Of course, that’s not entirely the explanation, because the previous King was honestly nothing like Inglis – this seems to be that King unfiltered, with “fight fight fight eat eat eat” as their main theme song. Sometimes, though, this disconnect ends up happening to the reader as well, because some of the events in this volume feel like straight up horror, or tragedy, but they’re not written that way at all. They’re written the Inglis way. Which is to say “Aw, shame that happened, anyway, next battle plz”. And the effect can be jarring. I already have tremendous trouble with remembering anyone in this series who is not Inglis or Rafinha, I need my books to be uncomplicated. And what happens here… is, but that’s the problem.

To sum up this entire volume: “what if Smaug was a woobie?”. Inglis and the others have found an ancient sleeping dragon, but it’s hard to wake him up, so they decide instead to cut off his tail and use it to feel the starving people of that area (well, and feed Inglis and Rafinha, who gets first shot). The tail grows back, so no issues there. Finally the dragon does wake up, and he’s really, really pissed off at Inglis. Sadly for him, Inglis not only really wants a good fight, but is good enough to back up her talk. What follows is almost bullying, and it’s only resolved when the dragon finally decides “why am I bothering?” and stops rising to her taunts. That said, Inglis may have a bigger problem… the folks in the town they’re staying in want to execute Pullum for her brother’s crimes.

As I said, I liked the dragon. He was clearly being led by the nose by Inglis, and his solution to the problem was funny. Even the cast thinks that her plan was “become friends with the dragon”. That’s why the sudden ending of that plotline left such a bad taste in my mouth. It feels like it should be terrifying, sad and awful, but this author cannot really seem to do convey that mood, so it comes out, as most things in this series do, as “OK, so that happened”. Similarly, Ian’s story, which is similar to what happens to the dragon’s, comes to a sudden fatal end here, but there’s no real time for any emotions or grieving because we’ve already moved on to the next crisis. I get that they’re at war, but it’s not letting the reader connect with any of this either, and the result is that we don’t care.

This is still a good book if you like meathead girls who love to fight. But it’s very, very shallow.

Loner Life in Another World, Vol. 3

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Seven Seas. Translated by Eric Margolis. Adapted by Veles Svitlychny.

Increasingly reading Haruka’s narration in Loner Life is sort of like trying to solve a puzzle. Class Rep actually lays it out for us midway through the book: Haruka simply is incapable of seeing anyone’s actions except in the absolute worst way – and that includes his own. It’s especially true of him, in fact, because – with the exception of Angelica, who he has a very different kind of relationship with – he does not want to have anyone get too close to him or even like him all that much. For all that he complains about constantly getting lectured or having no money, it’s a situation he deliberately engineers himself. And I hate to break it to him, but the ship has definitely sailed with some of the girls – Class Rep, if no one else, certainly has feelings for him. But it gets to the point where even a spy sent to see what Haruka is like gets the absolute worst impression of him… at least till everything blows up.

After getting back from the Ultimate Dungeon, Angelica in tow, Haruka and his friends now have to go around trying to clear out all the other, lesser dungeons that lie around their town. Haruka’s casual, vicious approach to this makes everyone feel incredibly sorry for the monsters who just happened to be in his way. That said, he’s also casually doing things like saving the livelihoods of a dying hamlet by getting rid of the dungeon (and also giving them medicine and food, something he fails to mention in his tortured narration) or converting the general store in town into a 5-story department store with the latest fashions (also created by him, which prompts the girls to wonder when exactly he read so much about fashion). But when the “Stalker Girl”, aka spy, arrives from the noble city that financially cripples their town, it’s Haruka who sees the larger picture as to what’s going on.

It’s not quite as jaw-dropping as the speech from When Supernatural Battles Become Commonplace, but Haruka’s breakdown near the end of this book is startling in how (seemingly) out of character it is, as for once he briefly breaks his facade to try to convince the girls that they’re all in serious trouble here. The corrupt lord ruling the area is not above sending soldiers to wipe them out, and he’s also certainly going to kill the spy once she gets back and delivers her report. He spent the entire time he was dungeon crawling with the spy at his absolute trashiest and worst in order that she could go back and say that he’s not worth caring about, but when this didn’t work he finally snaps and has to fix things. Class Rep and the others get it, even if Haruka doesn’t want them to – she says he and Angelica “destroy tragedies”, and that’s as good a description as any.

One last thing: yes, this is the one with the vibration magic. Between that and Haruka’s “nighttime activities” with Angelica, the light novels are 200% hornier than the manga equivalent. The manga is still probably a safer bet, but the light novels remain a fascinating but flawed experience.

Formerly, the Fallen Daughter of the Duke, Vol. 1

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By Ichibu Saki, Nemusuke, and Ushio Shirotori. Released in Japan as “Moto, Ochikobore Koushaku Reijou desu” by Mag Garden Novels. Released in North America by J-Novel Heart. Translated by Andrew Schubauer.

The idea of the “twist ending” has gotten a bit of a bad rap in recent years. This can mostly be blamed on the films of M. Night Shyamalan, whose films got to the point where the real twist ending would be that there wasn’t a twist. There’s always the danger of alienating your audience as well – to quote Futurama, “it’s not ironic, it’s just mean!”. When done properly, though, a good twist ending can cause a person to immediately go back and look at the entire plot all over again. And, in a case like Formerly, the Fallen Daughter of the Duke, it can cause you to want to get the next book in the series. I won’t lie, this felt very much like a “villainess by numbers” storyline. Claire is more a rival than a villainess, but every single plot point in this book is predictable and right on the beat. At least, until everything turns out bad.

This book hits the ground running, picking up right as our protagonist, Claire, is rejected by her fiance, sister, and family. She quickly realizes that staying in her kingdom will do her no good at all, so resolves to escape to a nearby abbey. That said, it’s hard to escape when you’re the daughter of a duke and you have retainers that go with you everywhere. Then she runs into a young man and his group of friends, who help her ditch the retainers and offer to take her to their nearby country – which is much better off than the one she just came from. Oh, and said young man is really the prince of said country. Plus, the pitiful amount of magic she thought she had turns out to have been a massive trap. She’s really ludicrously powerful. So far so boring. But… why does she keep waking up in Japan? Is this a game? Is this a secret hidden route of the game?

Let’s start with that last part, because after a number of books where the “villainess” dies in every route, it’s refreshing to see this is the one bad route for Claire in the game. The player character, Charlotte, has a normal amount of routes and friends, and is helped by her older sister and NPC Claire, who is set to marry the prince. But if you play the secret hidden route, where you do something truly nasty to destroy Claire’s life in many ways, you get the chance to win the heart of the prince for yourself. That fits with the portrayal of Charlotte in this volume – she’s astonishingly stupid and petty, as befits a side route that was only added later for extra content, and where not as much thought was required. And then there’s the ending, which made me wonder what in God’s name the series was really going to be about. Nicely done.

That said, you’ll have to plow through a lot of “pleasant but predictable and a bit boring” to get to the good bits. it’s worth it, though.

The Manga Review, 9/16/22

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In an essay for The Nation, author Viken Berberian explains how manga became one of the world’s favorite forms of entertainment. He notes that in 2021, “manga made up 76.1 percent of overall graphic novel sales in the adult fiction category in the United States,” and almost a quarter of the overall French book market. And while I might quibble with some of his historical points–Moto Hagio is clearly a pioneer, but not “the mother of shojo manga”–my bigger concern about the article is tone. There’s a strong undercurrent of condescension in his prose, as he bemoans the fact his tweenage sons would rather read Jujutsu Kaisen than The Metamorphosis, and reassures the reader that “the hegemony of manga” has not “come at the expense of highbrow comics that wrestle with thorny autobiographical and political issues.” Though he ultimately acknowledges the power of manga to tell compelling stories, his praise for Shigeru Mizuki’s Onwards Toward Our Noble Deaths feels tepid at best. Caveat lector!

NEWS

Conceptual artist Ilan Manouach just unveiled his latest project: a limited edition “book” that collects all 21,450 pages of One Piece. The press release for ONEPIECE suggests the work will encourage “artists to think [about] comics in different scales and temporalities,” though they’ll need a cool $2,000 to acquire their own copy. [The Beat]

In licensing news, Yen Press will be releasing Mokumokuren’s horror series The Summer Hikaru Died. No release date has been announced. [Anime News Network]

Also making licensing news is Seven Seas, which added My New Life as a Cat, Cinderella Closet, and Soloist in a Cage to its spring 2023 line-up. [Seven Seas]

If you’re planning to attend NYCC this year, bring a mask. [ICv2]

Brigid Alverson sifts through the August 2022 NPD Bookscan numbers, and observes that “the manga chart is very driven by new releases, much more so than the others, and you can see it here with the newest volume of Jujutsu Kaisen at the top. Altogether there are eight August 2022 releases on the chart, all new volumes in ongoing series, plus a handful of first and second volumes.” [ICv2]

FEATURES, PODCASTS, AND INTERVIEWS

Scholar Eike Exner, author of Comics and the Origins of Manga: A Revisionist History, offers a thoughtful re-appraisal of the Euro-American influence on manga. “Comics historiography is plagued by two fundamental misunderstandings regarding the history and nature of the medium,” he argues. “The first is the notion that comics in different countries are best understood through the lens of the nation, as the offspring of individual national traditions. The second is the idea that comics are the result of a gradual ‘integration of text and image’ culminating in the combination of both in a single image space (the panel).” [The Comics Journal]

Cami traces the development of Italy’s small but dedicated BL fandom. [Anime Herald]

Here’s something with licensing potential: EVOL, “an anti-superhero book that is definitely reminiscent of The Boys,” with “fast and bold” pacing “like an action-packed capes comic, but coming from the other side of the equation.” [Brain vs. Book]

In the latest episode of Shojo & Tell, Ashley and Asher tackle one of CLAMP’s most controversial series: Chobits. [Shojo & Tell]

One of the most talked-about pieces of the week was Colleen’s “Misogyny in the Manga Community,” which delves into the long history of sexism in manga fandom:

Yui Kashima interviews Fumi Yoshinaga about how she got started in comics. “I think it was when I was in my third year of college,” Yoshinaga recalls. “A friend recommended me to read SLAM DUNK, and when I saw Kogure and Mitsui, I just came up with the idea of making their story (laugh). I couldn’t stay away from that idea and decided to publish a doujinshi.” And the rest, as they say, is history. [Tokion]

REVIEWS

In this week’s must-read reviews, Erica Friedman and Johanna Draper Carlson explain why you should be reading Yokohama Kaidashi Kikou. “The dialogue is simple, the scenarios are wholly about experiencing and feeling,” Friedman notes. “There is no plot here. Just have a seat and a cup of coffee and watch the grass. At the end of the world, that’s all that’s left, anyway.” Draper Carlson expresses similar sentiments: “The appeal of this series is twofold: lovely art and an acceptance of the joy of existence… It’s very Japanese in tone, but it also evokes Walden: the idea that a return to nature is soul-cleansing, and that small, everyday events are worth capturing.”

You’ll also find brief reviews at Women Write About Comics, where Masha Zhdanova critiques three new releases from VIZ, and at Beneath the Tangles, where the gang reviews a mixture of new and ongoing titles.

New and Noteworthy

Ongoing and Complete Series