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Features & Reviews

Bookshelf Briefs 4/5/23

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Ayashimon, Vol. 1 | By Yuji Kaku | VIZ – Ayashimon starts with a bang: we meet Maruo, a boy who’s so obsessed with shonen manga that he devotes his entire childhood to becoming as strong as his favorite heroes. In a few nifty sight gags, author Yuji Kaku establishes how quickly Maruo becomes invincible, to the point where he’s feared by everyone and unable to work a normal, nine-to-five job. A chance encounter with a demonic mob boss puts the despondent Maruo on a new path, however, leading to a steady gig as the muscleman for a scrappy yakuza gang. It’s at this moment in the story that volume one begins to sag; the later chapters lack the comedic flair and brisk pacing of the introduction, as Kaku relies too much on expository dialogue for world-building purposes, in the process squandering the good will he created with his energetic, imaginative introduction. – Katherine Dacey

The Invisible Man and His Soon-to-Be Wife, Vol. 1 | By Iwatobineko | Seven Seas – This one has a bit of a gimmick, as it’s in shades of blue rather than in black and white. It might need the gimmick as it’s basically sweet and nice and that’s about it. A detective agency is run by a man who is invisible, helped by a boisterous beast girl, a grumpy but kind human guy, and the secretary, who is blind but always seems to know just where her boss is. The two quickly fall for each other. Sadly, the two are also both terminally shy and awkward, so this is a very slow-burn romance, mostly consisting of dinner dates and discussion of how each of them deals with the problem surrounding sight. I’m not sure I want to read this in an ongoing manner, but there’s absolutely nothing wrong with it. If you like cute, it’s here for you. – Sean Gaffney

Marmalade Boy: Collector’s Edition, Vol. 1 | By Wataru Yoshizumi | Seven Seas – Marmalade Boy was one of the first manga I ever read, and I’ve always remembered it with extreme fondness. Thus, I was fairly concerned that I’d not like it as much upon a reread. Happily, I needn’t have worried, because this series is still great and conjures up many nostalgic feelings. Yes, the premise of Miki and Yuu’s parents switching partners, remarrying, and merging their families under one roof is kind of out there, but I enjoyed Miki’s reactions to everything going on in her life and Yuu was actually a lot kinder—and more obviously interested in architecture—than I remembered him being at the outset. The color pages in this new edition are also really nice. True, there is a student-teacher romance that has not aged at all well, but that’s not going to stop me from relishing revisiting a beloved fave. – Michelle Smith

Medalist, Vols. 6 | By Tsurumaikada | Kodansha Comics (digital only) – This is now an award-winning manga, and I assume it’s selling like crap, or else it would definitely be getting a print release. It deserves it so much. The first chapter in this volume is a fist-pumping burst of joy, as everything Inori has been training for up to that point comes together and she absolutely blows everyone away. And then we get the rest of the volume, where she realizes that there’s still so much more she has to learn—and learn fast—or else she’s toast. The manga never hesitates to remind you what a cutthroat world figure skating is, and how it has no mercy for anyone who cannot keep up. Tsukasa is also realizing this as well, and has just as many self-esteem issues as Inori… with the added pressure of needing to be her rock. I cannot wait to see what happens next, and hope she goes as far as possible. – Sean Gaffney

My Hero Academia: Team-Up Missions, Vol. 3 | By Yoko Akiyama and Kohei Horikoshi | Viz Media – It’s hard to review this kind of spinoff because the stakes are so low. Nothing unusual can happen, as it can’t break canon. And, sadly, a huge chunk of it has to feature the stars—there’s a major story here that’s once again about Bakugou being really mad, and Izuku flinching a lot. In the main part of the series, he’s apologized for the bullying, but not the constant rage, really. Oh yes, and there’s a Mineta chapter where he dresses up as a small dog for perverse reasons. The girls are disgusted with him, but no one bothers to file a complaint with the school or anything—by now I assume they go unread. I think what I’m trying to say is that I take My Hero Academia too seriously to enjoy this wannabe version. – Sean Gaffney

My Special One, Vol. 1 | By Momoka Koda | VIZ – Sahoko hates attractive boys and is almost pathological in her dislike of idols, loudly proclaiming that she hopes that all of them are cursed to become fat and bald. She’s still suffering from the aftereffects of her first love confession going terribly wrong. However, her feelings begin to change when she meets an idol in real life. Kouta appears in the neighborhood diner that Sahoko’s family runs. Sahoko becomes flustered when she asks Kouta for an autograph for her best friend Yuko, and when he turns his charm on her she becomes filled with unfamiliar feelings…could she actually be developing a crush on a cute boy?! The first volume of this manga is cute, if a bit predictable. While there’s some humor, I wasn’t extremely invested in the characters. I’m not sure if it is going to make it into my regular reading rotation, but I could definitely see myself binging on it at some point in the future if I’m in the mood for low-stakes romance. – Anna N

She Loves to Cook and She Loves to Eat, Vol. 2 | By Sakaomi Yuzaki | Yen Press – Food is still the primary reason for the manga, but now that it’s settled in this new volume is ready to delve deeper into the lives of both its leads. Notomo is being pressured to marry, and constantly sees dating advice given as if it assumes that she’s cishet, and is not a happy camper. We also learn Kasuga’s past, as she was part of an abusive household growing up, where she and her mother were treated as second-class citizens due to being women. As this is happening, both are subtly trying to feel out if this is just a really good friendship or something more, but unfortunately neither one of them have the answer yet. This manga is frankly fantastic, one of the best I’ve read recently, and every LGBTA fan should pick it up. – Sean Gaffney

We’re New at This, Vol. 12 | By Ren Kawahara | Kodansha Comics (digital only) – We’re New at This is trying its best to give us good observations about how to be a loving couple and not annoy your partner too much, and now that we’re observing more than one couple we get to see some things we wouldn’t with our leads, such as how to deal with a pregnant wife. As for Ikuma and Sumika, they are here for that, but they also get to carry the bulk of the OTHER reason readers love this, which is the sexy times. Here a cherry blossom party quickly turns alcoholic, and a horny Sumika asks her husband to get them to a love hotel… which turns out to have a few devices that might take their heights of ecstasy even further. These two really, really love each other, both as a married couple and as two folks who really love sex. It’s still cute. – Sean Gaffney

The Revolutionary Reprise of the Blue Rose Princess, Vol. 1

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By Roku Kaname and Hazuki Futaba. Released in Japan as “Aobara-hime no Yarinaoshi Kakumeiki” by PASH! Books. Released in North America by Cross Infinite World. Translated by JC.

This book suffered somewhat for coming out on the same day as The Do-Over Damsel Conquers the Dragon Emperor, which is also about a noble young lady who is brutally murdered by a hateful mob and travels back in time to when she is ten years old, intent on getting a different result. Alicia does not have quite as many problems once she ends up back in her ten-year-old self as Jill did in Do-Over Damsel, but then Alicia is not quite sure of anything regarding her previous self. One of the more interesting parts of this book is that Alicia can only remember what happened the day she was killed. So she knows she became Queen, and was blindly defending her unfaithful husband out of love, but she’s not quite sure how things got to the point where everyone now hates her and she’s run through with a sword. The other major difference between this and Do-Over Damsel is that this is a far more serious-minded book.

So yes, Alicia is now back in time, when her father is alive, she wasn’t married off to the King of another land, and, most importantly, she’s not dead and disgraced. One of the few things she does remember is the face of the man who killed her… who has just shown up at a ball she’s attending. It turns out he has a tragic past that causes him to be shunned… but Alicia decides that the first step should be to get him as her advisor, so that she can learn why all of this happened at all. This is a big change for the princess, who before she “awoke” to her past life was pretty and beloved, but tended to avoid lessons and instead played tag around the castle. Fortunately, most of the cast takes her personality change in stride.

This is a solid book, whose main problem is separating itself from a pack that has gotten very, very cluttered with other series. (Including other series by the artist, who also drew Accomplishments of the Duke’s Daughter’s artwork.) Alicia is likeable, and the combination of her lack of memories from the past and the fact that she appears to have been somewhat shallow in her past life means that she’s able to mostly act her age. Clovis, her former murderer and current advisor, is also very nice when people are not blaming him for what his grandfather did, and I am also very happy that, for once, we actually get the “I’ve come from a previous time loop” confession straight away, which allows for more than one 10-year-old to try to figure out how to stop it. The rest of the cast are OK, with Alicia’s father the king seeming to be more savvy than he lets on.

Again, the main drawback to this is: there’s no reason to read it if you’re already reading 8 other “girl goes back in time to change her fate” light novels. But if you like that genre, this is another good one.

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 1

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by Jenny Murphy.

This has really become the year of Sarasa Nagase. Last month J-Novel Club released one of her earlier one-shots, The Disowned Queen’s Consulting Detective Agency. One of her two biggest hits, I’m the Villainess, So I’m Taming the Final Boss, just had a semi-successful anime, and is being released by Yen Press. And now we get her other big hit, whose webnovel is just as long as Final Boss. The two series are somewhat similar. While the first one is a take on the basic Villainess book, where our heroine has knowledge of a game and discovers she’s the antagonist, this one is what’s called in Japan a “Yarinaoshi” genre, which we in the West call a “Peggy Sue”, after the 1980s movie Peggy Sue Got Married. Our heroine is killed and finds herself going back in time to try to get things right this time. That said, both Final Boss and Do-Over Damsel have one big thing that’s exactly the same: their heroines are both completely bananas.

Jill Cervel is fleeing for her life, having been betrayed and wrongfully accused by her fiance. (Try to contain your shock.) Cornered, she leaps off a tall castle wall to her certain death… and wakes up back at the age of ten years old, right when she’s about to get engaged to the fiance that murders her. And said fiance really, really wants to get engaged to her. To avoid this, she grabs the guy behind her without looking and says that she’s already pledged herself to this guy. Of course, this guy happens to be Hadis Teos Race, emperor of the Rave empire, a gorgeous young man who IMMEDIATELY accepts Jill’s proposal and whisks her away to his country. Has she gone from the frying pan into the fire?

I mostly loved this, so let’s start with a few caveats. Jill is ten here, regardless of her mental age, and spends a great deal of the book worrying that her new lover is into little girls. This is not helped by the plot, which requires him to take someone under 14 as a bride (not for sex reasons, I promise). The other caveat is the reason that her fiancee is out to murder her, which is that he is sleeping with his younger sister and she just discovered this. Frankly, Gerald is one of those “so evil it’s laughable” guys we often find in light novels, and so it’s no surprise that he’s the worst. Hadis is the biggest surprise, as I expected him to be similar to Claude from Final Boss and he is very much not. He’s kind of a mess. As for Jill, she is a hoot, she’s overpowered as hell, and she’s trying her best to not die even when the universe really, really wants her to die. The author’s heroines are always the main reason to get the book, and this is no exception.

Cross Infinite World is fast-tracking this one a bit more than their usual schedule (possibly as it’s more than 2 volumes long), so we’ll get the 2nd book in about 3 months. If you like reset novels, or strong heroines, or “eccentric” lead characters, this is a great choice.

Arifureta: From Commonplace to World’s Strongest, Vol. 13

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

The last third of this very long final volume of Arifureta is a giant victory lap. We get lots of cleanup after, the apocalypse, lots of comedic stuff involving the Haulia, some vaguely amusing jokes, and Hajime finally gets around to having sex with most of the rest of the harem (offscreen, sorry to all those wanting your “snu-snu”). It probably goes on far too long, frankly. But I was so happy to be reading it, because it meant that I was not reading fight scenes. After last volume being 175 pages of fights, this volume is 220 pages of fights, and frankly I would rather chew my own arm off than read more of the battle first going one way, then the other, and the occasional nameless person that we don’t know actually dying. The only named people we know who die are the evil God, and Eri, who was killed off last book. We know how this final battle will turn out, this is not Arifureta Zero.

Even the fights in the book are divided neatly in half. The first third of the book shows us Ehit’s apostles versus the rest of the cast that weren’t fighting in Book 12, including Kaori, who frankly gets the MVP for that battle easily. That said, it shows off everyone’s cool moves, shows everyone almost winning and them almost losing, etc. It’s very much a final battle. Then we cut to Ehit vs. Hajime for the second half, and the same thing happens, only every time it appears that Hajime is almost losing, he pulls some new “I was only fooling” bullshit out of his ass, because, frankly, this is Arifureta, and if you didn’t think this was coming you’re reading the wrong series.

So yeah, the first two thirds of the book is basically fight now grr. the only emotional moment is the one pre-designed to be a tear-jerker, which is where Miledi shows up to save the day and also die, because now that Ehit is finally defeated there’s no reason why she cannot finally pass on and rejoin all her friends and her true love. (There’s an additional short story that adds a nice even happier ending to that, if you like). The last third is a bit more varied, as we see Kouki trying to deal with apologizing to literally everyone he’s ever known, Kousuke unlocking his inner chuuni and ending up with a rabbit girlfriend, and Liliana pouting because she’s still too young to get the sex that the rest of the girls all get. And there’s a nice little epilogue where Hajime finally returns home to his family, which is heartwarming.

The webnovel this was based on has an After Story that would probably run about 13 more volumes, but Overlap has shown no sign they plan to release any of it, so this might be it for Arifureta. Which is fine, frankly. It ties up well, and I don’t need the wacky adventures of Yue in Japanese high school. To the end, Arifureta was the “I’ve got the lamest power and everyone hates me, but it’s secretly THE COOLEST” that every other similar series tried to be, and none of them really could ever touch it. I won’t MISS it per se, but I’m glad I read it. Mostly.

The Manga Review: Out Like a Lamb

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The final week of March may not have brought warm weather or flowers to your neck of the woods, but it did yield a few licensing announcements from Seven Seas; an update on the publication status of Okinawa; a preview of the forthcoming Rick and Morty manga; a press release confirming that Ooku: The Inner Chambers is coming to Netflix; and news that Junji Ito’s “Bloodsucking Darkness” is being adapted into a film by Fangoria Studios. The Guardian also ran an interesting piece about France’s long-time love affair with anime and manga. Among the most interesting tidbits I gleaned from the article is that 55% of all comics sold in France in 2021 were Japanese in origin. (Kudos to the Guardian‘s editorial team; the headline is, as the French might say, magnifique.) Also of note: school children in Hiroshima will no longer read Keiji Nakazawa’s Barefoot Gen after the city’s municipal school board determined that assigning students “a partial extract of the work makes it difficult to convey the true nature of the atomic bombing.”

AROUND THE WEB….

Over at the Sports Baka substack, Ichi offers an in-depth look at Run On Your New Legs, a story about an amputee who falls in love with running after getting fitted for a new prosthetic. [Sports Baka]

Erica Friedman files a report from Comiket, where she’s researching the current state of the yuri market, and meeting other yuri enthusiasts. [Okazu]

Speaking of conventions, Jocelyne Allen shares some of the doujinshi that she collected before the pandemic. [Brain vs. Book]

The staff at AniFem want to know what queer manga and anime are bringing you joy right now. [Anime Feminist]

Louis Kemner makes the case that Lemon Irvine is the best female character in Mashle: Magic and Muscles, and deserves a more prominent role in the anime adaptation. [CBR]

If, like me, you’re not always excited to learn your favorite manga has been turned into an anime, you’re not alone. [CBR]

Lisa De La Cruz winds down her March Manga Madness series with a look at two CLAMP one-shots: Shirahime-Syo: Snow Goddess Tales and The Legend of Chun-Hyang. [The Wonder of Anime]

REVIEWS

If you missed Mari Yamazaki’s delightful Thermae Romae the first time around, let Adam Symchuk’s thoughtful review persuade you to pick up the new omnibus edition. “The heart of Thermae Romae is a beautiful celebration of the baths themselves, and an understanding of the integral role they have in the social/politcal landscape of both countries,” he notes. “Mari Yamazaki brilliantly uses the light humor of her story to convey the importance of springs, and draws connections between the two cultures that create a familiarity that transcends time and location.”

The latest Reader’s Corner is now live at Beneath the Tangles, offering short, incisive reviews of In the Land of Leadale, Touring After the Apocalypse, and The Villainess Stans the Heroes.

NEW AND NOTEWORTHY

COMPLETE AND ONGOING SERIES

Manga the Week of 4/5/23

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SEAN: It’s April! The best month! Let’s see what’s coming out next week.

ASH: Let’s!

SEAN: We start with Airship, which has some print releases. There’s Irina: The Vampire Cosmonaut 4 and The Weakest Tamer Began a Journey to Pick Up Trash 3.

And for early digital, we see The World’s Fastest Level Up 3.

Per Denpa’s twitter, they say that they should have Gambling Apocalypse Kaiji 4 and Heavenly Delusion 5 out next week, so we’ll go with that.

ASH: Oh! I’m reading both of those series.

SEAN: Ghost Ship debuts Please Go Home, Miss Akutsu! (Kaette Kudasai! Akutsu-san), a Young Ace Up! title that is another in the genre of “girl teases the guy she likes”. This one takes place at his apartment, though, and is apparently pretty sweet – the Ghost Ship imprint is more for nudity than actual sex, I think.

ASH: There is definitely a range when it comes to Ghost Ship titles.

SEAN: Also from Ghost Ship: Might as Well Cheat: I Got Transported to Another World Where I Can Live My Wildest Dreams! 5.

No debuts for J-Novel Club, but we do have a large number of ongoing series. Ascendance of a Bookworm 24, Bibliophile Princess 6, Black Summoner 12, Holmes of Kyoto 14, The Ideal Sponger Life 11, The Master of Ragnarok & Blesser of Einherjar 22, The Misfit of Demon Academy 4 Part 1, Private Tutor to the Duke’s Daughter 7, The Saga of Lioncourt 4, and To Another World… with Land Mines! 6.

ASH: As always, yay, Bookworm!

SEAN: Kaiten Books has a 3rd print volume for Gacha Girls Corps.

Kodansha has a print debut of a formerly released digital title, Quality Assurance in Another World (Kono Sekai wa Fukanzen Sugiru). It’s a Comic Days title about a young girl who meets a “Seeker”, someone who tries to fix problems in their world. But… just what *is* their world, anyway?

ASH: I am glad to see more of Kodansha’s digital titles released in print.

SEAN: Also in print: Attack on Titan Omnibus 10, Lovesick Ellie 9, and Sweat and Soap Manga Box Set 2 (which comes with a free thing of soap).

ASH: Ha! Hopefully it’s a good as the series itself.

SEAN: The digital debut for Kodansha is Lovely Muco! (Itoshi no Muco), the story of a dimwit Akita dog and their glass-blower owner. It comes from Evening magazine, and is based on a real dog.

We also get Chihiro-kun Only Has Eyes for Me 8, Chihayafuru 37, The God-Tier Guardian and the Love of Six Princesses 7, Life 2, Medaka Kuroiwa is Impervious to My Charms 6, MF Ghost 12, Phantom of the Idol 5, Raised by the Demon Kings! 7, and Watari-kun’s ****** Is about to Collapse 13.

Seven Seas has one new debut. Cinderella Closet is a shoujo title from Betsuma about a plain jane girl who gets transformed by her office coworker with the power of makeup! But that same coworker has a secret…

MICHELLE: Hm…

ANNA: OK, I’m a bit intrigued.

MJ: Is the makeup… magic? I must know.

SEAN: Also from Seven Seas: Bite Maker: The King’s Omega 7, The Knight Blooms Behind Castle Walls 2, Let’s Buy the Land and Cultivate It in a Different World 3, My Sister, The Cat 2, She Professed Herself Pupil of the Wise Man 8, and World End Solte 2.

Steamship gives us GAME: Between the Suits 3.

Udon Entertainment has a 5th volume of Daigo The Beast: Umehara Fighting Gamers!.

Viz Media debut Tista, a title from the creator of Spy x Family, it ran in Jump Square back in 2007. A young, church-going girl turns out, in the evenings, to have a job as a deadly assassin! Spy x Family fans will recognize the subplot.

ASH: Oh, ho!

ANNA: Nice!

MJ: Here for this.

SEAN: Also from Viz: Dr. STONE 25, Kaguya-sama: Love Is War 25, Moriarty the Patriot 11, My Love Mix-Up! 7, One Piece 102, Rainbow Days 3, Romantic Killer 3, and Snow White with the Red Hair 24.

MICHELLE: I look forward to catching up on My Love Mix-Up!.

ASH: Likewise! I have some reading to do.

ANNA: Oh man, I’m quite a bit behind.

SEAN: Actually relatively short for the first week of the month. Any good stuff here for you?

7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy!, Vol. 3

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By Touko Amekawa and Wan*Hachipisu. Released in Japan as “Loop 7-kaime no Akuyaku Reijou wa, Moto Tekikoku de Jiyuukimama na Hanayome (Hitojichi) Seikatsu wo Mankitsusuru” by Overlap Novels f. Released in North America by Seven Seas. Translated by Amy Osteraas. Adapted by Vida Cruz-Borja.

Sometimes, particularly when it’s a villainess book, all of which take place in “vaguely Europe in the days before cars”, I struggle to remember how supernatural the series is meant to be. Now, obviously there’s SOME supernatural content going on, namely the fact that Rishe keeps looping around to try to not be horribly killed, and this particular book has talk of a girl who can supposedly “curse” those close to her, but for the most part it is content to otherwise be vaguely realistic. That said, I do wonder if the author is having fun with our expectations a bit, as two of the book’s emotional climax rely on the fact that Rishe and Arnold are vampires. They’re NOT vampires, of course. But neck biting is such a thing here that it even gets a color page. That said, there’s a rational reason for it. But still. Vampire Arnold. Mmm-mmm.

Rishe comes to Arnold with some news: it turns out that running away does not actually break an engagement when it involves religion and royalty, so she’s still engaged to Dietrich. Fortunately, Dietrich’s new partner is fine with them breaking it, so that just leaves the Church. She’ll have to go to the Grand Basilica and have a long, involved ceremony designed to make sure this is OK in the eyes of God. Of course, all this is part of Rishe’s next plan in “find out why Arnold keeps turning evil”, as she’s there to see why Arnold was so dedicated in her past lives to wiping out the entire Church and most of its believers so thoroughly. And along the way, she also runs into a spoiled duke’s daughter… one who she’s very familiar with from her fourth life.

Gotta say, the more we hear about Arnold’s father the more we can probably explain the reasons behind Arnold’s actions as “I just snapped”. Not to get too gory here, but the actions taken on newborn children who don’t “pass the test” that Arnold is forced to watch are are the stuff of nightmares. Which, as it turns out, Arnold has frequently – his only respite in this volume is when he’s sleeping next to Rishe, who is sleeping off a poison. As for Rishe, it’s interesting seeing how the memories of her past lives still drive her present circumstances. She’s not Millia’s maid and minder in this world, but she still very much feels the same way about her, and is thus puzzled at the changes in this universe compared to her past one. Fortunately, those changes end up being a big clue, and lead up to an exciting ending that once again revolves around talking Arnold down from committing murder.

I’m not sure how many volumes this will run – 7, for the 7 lives? – but there’s a 4th one out in Japan, so definitely one more. I enjoy this series mostly for Rishe, who’s a lot smarter and savvier than many of her villainess counterparts.

Secrets of the Silent Witch, Vol. 3

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By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

It’s not just the Silent Witch, really, everyone in this series has secrets of some form or another. The most obvious one is the Second Prince, who everyone calls a puppet and certainly has “I must obtain the throne” as his goal, but one gets the sense that “And them I will let my grandfather rule with me as a puppet” is NOT on his agenda. Monica, of course, has her main secret mission, but there’s also the fact that she would really rather NOT have Prince Felix find out her real identity given how much it consumes him. And there’s also her time at Minerva Academy before this series, which comes back to haunt her in a big way this book, as it turns out intermural sports are still a thing in this world, and that does not just mean the school sports teams (I don’t even think this school has sports). Monica is about to come face to face with another secret – one that haunts her.

Monica is still recovering from the events of the previous book, but at least she now has her two “sports” classes. Horseback riding is a bit awkward now that her friend Casey has withdrawn from school in a concerted effort to not be executed for an attempted assassination on the second Prince. Fortunately, Felix is there to help her discover such impossible talents like “how not to fall over immediately”. Then there’s her chess class, where she proves to be a prodigy – but that comes back to bite her, as she’s now part of the three-person chess team facing off against her old school. But there’s no way that anyone from her old school would recognize her, right? She has a disguise! Unfortunately, the worst POSSIBLE person is on the other team – a guy who helped turn Monica into the complete wreck she (mostly) is today.

I note I haven’t even been able to mention the back half of the book, which has some really good stuff involving Felix, and also a tear-jerker involving Monica’s father. But honestly the middle of this book feels like the real climax, with Monica finally facing the asshole whose petty jealousy and overweening pride trampled on any feeling she might have, and realizing… why do I have to care about this guy anymore? Why is he worth my time? Now, to be fair, the nature of the plot means that he actually does do one or two noble things here, and we probably WILL see him again, but I appreciated the effort, which is more than some other books make. We also get to see more and more how people at her school DO value her as a friend and care about her, though I think if you asked her about it she’d think that it will all vanish once her “mission” is over. We’ll see about that.

I had thought this series was three volumes when I first heard about it, but now we not only have a 4 and a 5 but a short story volume as well. It makes sense, the writing in this is fantastic, and Monica herself is someone I could cheerfully read for 800 pages. If I were Kadokawa, I’d ask for more as well.

Re: ZERO ~Starting Life in Another World~, Vol. 21

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu” by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

As I said last time, this book starts off a new arc but is also a continuation of the previous one, which is both good news and bad news. The good news is that we don’t really get a huge new cast to remember like the previous arc’s start: all the main characters here are familiar faces with the only new person showing up at the very end. The bad news, of course, is that I don’t get a whole bunch of new faces to talk about in a review, just the old familiar ones, which is a problem as this book is very much “clearing an obstacle” as a plotline. There is a place our heroes have to get to, it’s considered impossible to get there, but they do get there thanks to some old familiar faces, some nice gossip from an innkeeper, and of course Subaru’s Return By Death, which comes back gloriously in this volume, featuring some of the goriest deaths to date.

Yes, yes, look at the cover’s Rem’s back. Except she’s not, she remains in a coma the entire volume, so don’t get too excited. But she’s one of the many things that Subaru is hoping the Sage of the Watchtower can fix, along with Julius and Anastasia (who Subaru now sometimes calls “Foxidna”, i.e. Echidna wearing a fox stole. Anastasia/Echidna is not fond of that). Unfortunately, this involves making a journey so impossible even Reinhardt couldn’t manage it. Towards that end, they go back to the mansion and grab Rem (and thus Ram as well) and also Melia, the minor villain who can control beasts from a prior arc, who agrees to help them as basically she’s reluctant to go back to the person who hired her and pay the price of her failure. Unfortunately, not only do they have to deal with sandstorms, twists in time and space, and terrible monsters, but the Sage of the Watchtower seems to want Subaru dead. And she has lasers.

Rem may be in a coma for the volume, but that does not mean that her presence does not influence the others. Subaru and Ram both have very complex feelings of love and loathing regarding her, and Ram’s are even more complex as she’s the one who can’t remember her. One of the “death” endings involves everyone losing control of their emotions and killing each other, and Subaru and Ram both scream at each other for not caring enough about Rem’s wellbeing. And then there’s Emilia, who is sure that she loves Subaru, but has not quite gotten the hang of what that kind of love is. Everyone boggles a bit when she suggests she’s 100% fine with her and Rem both being objects of Subaru’s affection… till she throws in every other close friend he has, and we realize she means as a big family. Hang in there, Subaru.

So yes, a good volume, but it’s basically a long prologue to what’s actually going to be happening, which will no doubt involve Shaula, the character introduced right at the end, who seems far more delighted to see Subaru than is reasonable under any circumstances. We’ll see what happens next.

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 8

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

The main thrust of this series is supposed to be the quiet life, but of course we also need to kickstart the next arc, which is basically “the new hero is broken”, and so this volume tries to have it both ways, with half the book being Red, Rit and Ruti on vacation doing things like making curry for the first time, or doing emergency appendectomies. The other half shows us the new hero’s party, and his arrival in Zoltan and interaction with the cast that remain in that sleepy town. Unfortunately, this created the main issue I have with this book, which is that the dissonance between the two plotlines is too great. I was unable to enjoy Red’s mountain vacation because I kept waiting for the evil things to start happening, and it put me on edge in a way I was not particularly fond of. Slow Life is there to be enjoyed, after all.

The start of the book is definitely in Slow Life mode, as Danan has recovered from his injuries and wants to celebrate by fighting Red in a spar, mostly to make sure Red hasn’t lost his edge by retiring to this backwater town. While this is happening, the Hero’s Party advances towards Zoltan, and we get a good look at Van, the new Hero. One gets the sense that The Gods were a bit annoyed with Ruti’s pesky ethics and morals, as Van does not have any of those. Hero is a job, and his only goal. Saving people is not part of that goal, nor is even being nice to them. Their job, according to him, is to battle the demon lord and die. And, in Zoltan, he finds an entire town full of people who don’t want anything to do with the battle against the demon lord. Uh-oh.

There was an interesting prologue to this book, showing the villain of the previous arc, Leonor, being shown the future that “should” have been, where she feels remorse at the end. (Said future also has Gideon being dead, and I get the sense that is what God wants more than anything else.) Leonor’s reaction is to basically say “fuck your redemption” and refuse to repent for anything. I respected that. But yes, “we have to kill God” definitely looks like it’s going to be the endgame of the series at the rate we’re going. Van is frankly terrifying and difficult to read, he makes your skin crawl. On the bright side, I continue to enjoy the author making Mister Crawly Wawly a genuine supporting character in this book, getting his own dynamic entrances and moments where he saves the day. In any other series he would be the adorable spider mascot there to show Tisse is a bit weird, here he helps humanize Tisse, who’s still probably my favorite character.

I would love to see more relaxed slow life stuff next time, but that’s not going to happen. Van vs. Ruti, coming soon. I just hope I can plow through it.

The Manga Review: Special K

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After months of speculation, Kodansha formally announced that it would be launching K Manga, a digital platform that will allow fans to read the latest chapters of current series as well as the full run of old favorites. The app, which will debut on May 10, 2023, will be available for both iOS and Android, and will function as “Kodansha’s official serialization platform.” As Deb Aoki notes, Kodansha’s press release was “vague in some key areas,” with no information about “pricing or subscription models,” but included a brief list of titles that would be available right away, from Attack on Titan and Blue Lock to Ghost in the Shell,  Fairy Tail, and Don’t Toy with Me, Miss Nagataro. Speaking with The OASG, Deputy Editor Yuta Hiraoka explained Kodansha’s decision to create its own digital platform for English-language readers. “To produce many simulpub titles, we had to be able to control the entirety of the process directly in-house,” Hiraoka told The OASG. “We also thought that by having all the titles available on the same service, we would be able to provide the same comfortable reading experience as we do in Japan.”

NEWS

Coming soon to a theater near near you: My Neighbor Totoro, which celebrates its 35th anniversary this year. Screenings will take place across the US between March 25th and March 29th. [Otaku USA]

ICYMI: Astro Boy’s boots have inspired one of 2023’s most outlandish—and fun!—fashion trends. [Black Girl Nerds]

Drawn & Quarterly will be publishing Yokai: The Art of Shigeru Mizuki in October 2023. [Anime News Network]

In other licensing news, Seven Seas announced that it will release a deluxe edition of Nagata Kabi’s My Lesbian Experience with Loneliness as well as a new, follow-up volume called My Pancreas Broke, But My Life Got Better. Seven Seas will also publish Black Night Parade, a comedy from the creator of Arakawa Under the Bridge and Saint Young Men. [Seven Seas]

ARTICLES AND OPINION

Sam Moore explores the horror of Kazuo Umezz’s classic The Drifting Classroom, comparing it with more recent coming-of-age stories. “Both Classroom and Promised Neverland create their horror by changing the ways in which time functions for these adolescent characters,” he notes. “Instead of being on the cusp of something – and growing as people to face whatever that might be – they’re thrown into the future both temporally and personally.” [The Gutter Review]

Is it too soon to start composing your Best Manga of 2023 list? The gang at Noisy Pixel don’t think so, and have just named their ten favorite manga of 2023… so far. Don’t be surprised if one or two of these make the final cut in December. [Noisy Pixel]

The latest Chatty AF focuses on how asexual and aromantic characters are represented in Our Dreams at Dusk, Sex Ed 120%, and I Want to Be a Wall. [Anime Feminist]

Kory, Apryll, and Helen review The Girl That Can’t Get a Girlfriend and Run on Your New Legs. [Manga in Your Ears]

The Trash Manga Friends jump in the WABAC machine for a look at Ultimate Muscle (Kinnikuman), a Shonen Jump classic from the 1970s. [Trash Manga Friends]

The OverMangaCast crew discuss the first twelve chapters of Tokyo Revengers. [OverMangaCast]

Xan dedicates the most recent Spiraken Manga Review to two new series: The Invisible Man & His Soon-To-Be Wife and Lazy Dungeon Master. [Spiraken Manga Review]

Before Naoya Matsumoto created Kaiju No. 8, he wrote Nekowappa!, a story about a human raised by cat gods. David and Jordan offer their first impressions of this two-volume series. [Shonen Flop]

Small press alert: the Manga Machinations crew focus on three indie manga: Mermaid Town, The Karman Line, and WONDER HOUSE OF HORRORS. [Manga Machinations]

Over at SOLRAD, Ayla Marsden posts an in-depth reflection on Kiyoko Okazaki’s Helter Skelter, in which an aging model who takes extreme measures to preserve her youthful body. “What fascinates me most is the woman’s body as a grounds for transformation, as a place of not only beauty and youth, but also of extreme ugliness and decay,” Marsden observes. “In that vein, I am fascinated by the woman’s body as a location of horror through transformation – the great potential that this body has to shock, disgust, and ultimately liberate.” [SOLRAD]

REVIEWS

If you need a reminder why Scott Cederlund is one of the best comics critics out there, check out his poignant review of Tatsuki Fujimoto’s Look Back. Elsewhere, Arpad Okay praises Mothers, a new anthology from Glacier Bay Books… Megan D. takes Blue Giant for a test drive… The Reverse Thieves name Skip and Loafer their manga of the month…  Justin and Marcella continue their read-through of Revolutionary Girl Utena… and the latest Reader’s Corner offers pithy assessments of Call the Name of the Night, Ima Koi, and The Remarried Empress.

New and Noteworthy

Complete and Ongoing Series

The Executioner and Her Way of Life: A Casket of Salt

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

You will pardon me if I am just a bit exhausted after reading this volume of the series. It consists entirely of payoff, which makes the plot more interesting, but also means that we don’t really get to relax and take in anything. And, frankly, we’re still inhibited by the actual writing. The anime was quite successful when it was released, and I think it showed off that the ideas and concepts in this series work best when they’re taken away from the author’s control. This book is a slog, no mistaking it, and while I realize some of that is simply because the events in it are unrelentingly grim that’s not the only reason. It doesn’t help that I get the feeling this series was supposed to end with this book (and Flare’s plan), but the upcoming anime had the publisher tell the author “we need to extend the series, can you make everything worse instead?”.

This book is about the battle between Menou/Akari and Flare, and it does not need supporting characters getting in the way, so Ashuna quickly departs (after confirming what we all knew already, that it’s Momo she’s really into). As for Momo herself, she falls for a fairly obvious trap and spends most of the book in a literal cage. This is not to say that Menou and Akari are getting all the cool and awesome things to do, though Menou does pretty well. Unfortunately, the new character from last volume has shown up, and she is absolutely the new antagonist and wants to let you know it by removing Akari from the board. The one thing that Menou has been trying to avoid this entire time has now happened, and what’s worse, she’s not a wanted traitor. Can she possibly find a way to set things right?

It’s hard to talk about this book without spoiling everything (as you can see by that awkward paragraph above), but I do want to say that a lot of the ideas and themes here are really good. We finally get revelations about Menou’s past, as well as Akari’s past, and they fit thematically. Everything about the Pandaemonium subplot was fantastic, and almost made me have an emotion. That’s probably the part of the series I look forward to seeing most in the next book. There’s generational stuff here, as we see the relationship back in the day between Flare and one of her isekai’d victims was similar to Menou and Akari’s. An anime of this would probably kill. It’s just… it all feels so flat on the page. I kept checking to see how long it had to go. The author’s writing has no style, no pep, no verve.

There’s enough here for me to grudgingly continue, if only to see if Ashuna can actually do something next time. But for the average reader wanting to see what comes next, I recommend waiting for a Season 2 of the anime.

Manga the Week of 3/29/23

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SEAN: March is going out like a lamb, but is the manga we’ve been waiting for actually coming out? Sorry, it got bumped to May. Meanwhile…

Yen Press has one title which is Visions 2022__Illustrators Book. This is, as you might guess, a sequel to Visions 2021__Illustrators Book, and is basically the finest pixiv artbook that you can reproduce without asking copyright holders’ permission.

Viz Media has Tombs: Junji Ito Story Collection (Bohyou no Machi), which is, well, another Junji Ito story collection. These are from the mid-90s, and mostly ran in Monthly Halloween, a shoujo horror magazine, and then its sister publication, Nemuki, after Monthly Halloween folded.

ASH: So much Junji Ito manga these days! But that won’t stop me from reading it.

SEAN: Also from Viz: Fist of the North Star 8 and Naruto’s Story—Uzumaki Naruto and the Spiral Destiny, a light novel.

ASH: Any week with Fist of the North Star is a good week.

SEAN: Udon debuts Persona 4 Arena, a Dengeki Maoh series for all you folks who wished Persona 4 were a fighting game. This is, in fact, an adaptation of a video game. (It got bumped.)

ASH: So many things do.

SEAN: From Tokyopop we have a one-shot, Welcome Back, Aureole (Okaeri Aureole), another Canna title (Tokyopop clearly has found another publisher who will speak to them and is milking it for all it’s worth) about two boys falling in love in high school.

They also have Konohana Kitan 12 and On or Off 3.

A new title from Steamship, The Villainess and the Demon Knight (Akuyaku Reijou to Kichiku Kishi). This Zero-Sum Online title has the heroine remember she’s a villainess in an otome game… a little too late. She’s disgraced, disowned, and is now a sex worker. Then her first customer is her childhood friend, who is a knight… who takes her as his fiancee.

ASH: That’s quite the character arc!

SEAN: From Square Enix Manga we see Beauty and the Feast 7, Soul Eater: The Perfect Edition 10, and The Strongest Sage with the Weakest Crest 11.

Seven Seas debuts The Valiant Must Fall (Yuukiarumono Yori Chire). This runs in Young Animal, and is from the creator of Gunslinger Girl. A suicidal samurai ends up being saved by a young woman with healing powers, and he wants to see what her deal is.

ASH: Hmmm.

SEAN: Also from Seven Seas: Dai Dark 5, and LES MISÉRABLES Omnibus 2.

ASH: I really need to catch up with Dai Dark.

SEAN: For those watching the anime and wishing there was more sex, One Peace Books has Farming Life in Another World 8.

Kodansha, in print, has Fire Force Omnibus 3, No. 6 Manga Omnibus 2, Sayonara, Football 16 (the final volume), The Seven Deadly Sins Manga Box Set 4, That Time I Got Reincarnated as a Slime 21, When Will Ayumu Make His Move? 10, and Wistoria: Wand and Sword 3.

Digitally, we get Bootsleg 3, Boss Bride Days 3, Cells at Work! White Brigade 4 (the final volume), A Couple of Cuckoos 10, DAYS 34, Gamaran: Shura 6, My Home Hero 2, and That’s My Atypical Girl 8.

Kaiten Books has The Yakuza’s Guide to Babysitting 6.

One debut from J-Novel Club, and it’s a manga version of a light novel that came out last month. I Parry Everything: What Do You Mean I’m the Strongest? I’m Not Even an Adventurer Yet! (Ore wa Subete o “Parry” Suru: Gyaku Kanchigai no Sekai Saikyou wa Boukensha ni Naritai) runs in Comic Earth Star Online.

And they’ve also got Campfire Cooking in Another World with My Absurd Skill: Sui’s Great Adventure 3, Full Metal Panic Short Stories 5, Seirei Gensouki: Spirit Chronicles 22, and VTuber Legend: How I Went Viral after Forgetting to Turn Off My Stream 4.

TECHNICALLY Ghost Ship has no new releases. In reality, I’m putting two titles here as being a bit too mature for Seven Seas’ list. Why Don’t You Eat Me, My Dear Wolf? (Tabenai no? Ookami-san) is a done-in-one volume from Rutile, and is a BL take on the Red Riding Hood story.

ASH: Oh, my!

SEAN: There’s also a 2nd volume of Asumi-chan is Interested in Lesbian Brothels!.

Cross Infinite World has two new debuts. The Do-Over Damsel Conquers the Dragon Emperor (Yarinaoshi Reijou wa Ryuutei Heika wo Kouryakuchuu) is another series from the creator of I’m the Villainess, So I’m Taming the Final Boss, and is in the increasingly popular villainess subgenre of “time rewind”. Sentenced to death by her fiance, our heroine suddenly finds herself six years in the past, right when she’s about to get engaged. She thus proposes to “random guy next to her”. Bad idea.

ASH: That does seem to be a questionable tactic.

SEAN: There’s also Revolutionary Reprise of the Blue Rose Princess (Aobarahime no Yarinaoshi Kakumeiki). “Yarinaoshi” is the Japanese for the Time Rewind genre, in case you’re interested. After getting stabbed to death, our heroine goes back ten years to try again.

We also get Return from Death: I Kicked the Bucket and Now I’m Back at Square One With a Girlfriend Who Doesn’t Remember Me, the 2nd novel in the series, but note the subtitle has changed.

In print, Airship has Arifureta: From Commonplace to World’s Strongest 12.

And in early digital: Classroom of the Elite: Year 2 4.5 and Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 8.

Any manga lamb chops for you?

Rascal Does Not Dream of a Lost Singer

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Mayoeru Singer no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

As we hit double digit volumes for this series, and we start what is basically “Rascal: The College Years”, it’s probably a good time to ask ourselves what we really want out of the series. Let’s face it, I’d be perfectly happy just watching Sakuta interact with the rest of the cast, no plot or dangerous supernatural phenomenon needed. Add in 40-50 pages of descriptions of subway stations, which is about the average with this series, and you could say that we don’t NEED the main premise of the series anymore. The main cast, for the most part, has accepted their past and trauma, and made a good effort at moving on. Sakuta and Mai are adults in college, and even Kaede will probably be graduating soon. There’s no NEED for what has been termed “Adolescence Syndrome”. And so, until the last page of the book, I assumed that this was the point of this volume. That the problems Uzuki had were totally normal.

You can sum up the plot of this volume as follows: “What measure is a non-airhead?”. Sakuta and Mai are now at college, and living the blissful couple life (well, except they barely see each other due to her job). He’s also tutoring two students from his old high school at a cram school, and hasn’t had to worry about any supernatural phenomenon in a year and a half. Uzuki and Nodoka, from Sweet Bullet, are also there, and Uzuki is in a lot of Sakuta’s classes, as they share a major. Uzuki is, of course, her usual lovable ditz self, and seems to get along with everyone in the class. “Seems” being the operative word. Because one day, Uzuki shows up at class, and something is… off. She’s making efforts to fit in more. She’s picking up social cues. What the hell is going on? This is so unlike her!

There’s actually a whole new mini-cast introduced here, which no doubt will get more of a look-in in future volumes. We meet Miori, who honestly seems to be Rule 63 Sakuta a lot of the time, and her obvious attempts to insert herself into his life. Ikumi, who we briefly saw in the last book, is briefly seen again, and Sakuta is still vaguely uncomfortable around her. There’s the cram school kids. I feel the author is apologizing for a lot of the old cast only making token appearances, but such is life. As for Uzuki and her issues, I thought it was very well handled and sometimes very sad, and the climax of the book was excellent. The actual resolution, though, feels not QUITE as happy as I’d have liked… especially given the OTHER new character we see at the end, who implies that this really WAS supernatural, not just Uzuki suddenly maturing. Enter Touko Kirishima.

No, it’s Touko, not Touka, this is not becoming a Tokyo Ghoul crossover. Exactly what it’s becoming is still undecided. But I will admit feeling unsatisfied that the catalyst for Uzuki’s issues was actually a third party. I will have to content myself with the fact that the conflict and resolution of it was all Uzuki, and she did very well.

Sword Art Online, Vol. 26: Unital Ring V

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

It’s not clear how much ;longer this arc of Sword Art Online is going to go, or if it really is the final arc in the story. I don’t think even the author knows, especially given that his afterword talks about how he gets distracted by side stories and diversions all the time and can’t advance the plot. But I think he’s thinking about it, and we get a little of that with Silica here, who gets to have most of the narration that isn’t Kirito’s when he’s in the Underworld. She’s been one of the original SAO gang for so long it’s sometimes hard to remember that she’s three years younger than most of the others, and she’s noticing that Asuna and Lisbeth aren’t playing games quite as much as they used to. It’s not framed in a “put away childish things” sort of way – indeed, Silica notes one of her friends think she’s the weird one for continuing to game so much after SAO – but hey, adulting is necessary. The real world beckons.

The plot here is neatly divided in half. On the Underworld side, Kirito, Asuna and Alice finally get to see Alice’s sister frozen in time, awaiting her return… along with two other surprise guests! Unfortunately, unfreezing them will involve Kirito and Eolyne becoming astronauts, going to one of the satellites where Kirito, pre-memory wipe, hid the information. But, of course, while there they find bad guys doing terrible things. On the Unital Ring side, the rest of the main cast need to find more ore in order to keep up with the other gamers, and doing so will involve facing off against a giant wasp nest! Can they use a dangerous flower that the SAO players know very well to try and swing the battle a little more their way? can can we really get to see a scene with Silica sitting on top of a giant bear fighting a wasp? Because that sounds pretty awesome, frankly.

This book not only thinks about the future a little bit, but also manages to recall the past. We get more “what measure is an NPC?” philosophy, but this also involves Asuna clearly thinking of Kizmel, and almost having a little breakdown. Those reading the Progressive books will know that Kizmel is hugely popular and I think the author is dragging things out a bit to use her more, but it’s also plainly obvious that she’s not going to stick around till the 75th floor, so we can guess what likely happened. And of course, we get more Underworld stuff, though of all the minor characters from that arc to make an emotional reappearance, the elevator operator was not the first one I would have guessed. It works well, though, and also allows our heroines to have a nice long bath, satisfying both Asuna’s love of bathing and also abec’s love of drawing fanservice.

So yes, the plot progression was minimal here, but this was a solid, fun read. SAO fans should be happy.