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SOS. Really.

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This post is strange for me to write. It’s about the comic I’m writing a script for, which I’ve talked about here before, even recently, but what’s scary about this for me is that I’m going to have to let my ignorance and inexperience show in a very obvious way. So here goes. I don’t know who is reading this blog these days, if anyone, but I’d very much appreciate any advice offered.

I’m writing the script for a comic, as I’ve said. An OEL manga, really, but that’s not the important bit right now. What’s important is that I need to find an artist who is the right fit for the comic and for me, which I’m pretty terrified about, much of that terror being related to fear of presenting myself as an idiot. A few important facts:

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The Summoned by Cameron Dokey: D

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From the back cover:
Doyle is in the supermarket when the latest vision hits. Fear. Fire. Death. And an ornately engraved ancient amulet. As usual, the Powers That Be are none too specific. When he comes to, he is being tended by an anxious young woman named Terri Miller.

A shy girl from a small town, Terri is new to L.A., and feeling like a wallflower in the bright lights of this big city. Soon after her encounter with Doyle, who heads off without more than a perfunctory thank-you, a charismatic young man invites her to a meeting for a club to which he belongs.

Meanwhile, Angel and his gang have been turned on to a killer who burns his victims beyond recognition. Several of the deceased have connections to Terri’s newfound circle of friends, and Cordelia suddenly finds herself in possession of an amulet that looks awfully familiar…

Review:
Lest you think I read that description and went, “Ooh, that sounds totally awesome!”, I hasten to explain that the first five words were sufficient to induce me to check this book out from the library. I’ve read a few Angel tie-ins before, but they were all set later in the series, and consequently did not feature Doyle. And the supermarket part sounded potentially amusing. I fully expected the rest to be pretty crappy.

Alas, the supermarket turned out to be a disappointment. I wanted to see Doyle amidst the bright lights and cheesy muzak, searching grumblingly for some hard-to-find but specific item that Cordelia had sent him to fetch. Or maybe rejoicing on having scored a good deal on something random, like squash. But no, he was just on a Guinness run. Boring.

I heartily disliked Terri, who was one of those whiny “I’m so worthless” people I can’t stand. Here’s an example: she’d promised to pick something up at the store for a homeless guy, but forgot. Instead of going back in like a normal person, she was overcome by “a sense of failure greater than any she’d ever known.” She promptly joined a cult, despite having received a warning from one of its current members. When she later regretted the decision, I could summon no sympathy for her.

As predicted, the rest of the story was not good. The plot was lame and the characterization of Angel and Doyle often felt wrong. I had a hard time believing they’d say or think the things they were saying and thinking, particularly during a manufactured argument over whether Doyle was capable of charming the insipid Terri—his character further sullied by the fact that he actually liked her—in order to obtain information on the cult.

The author also had a weird habit of trying to justify things, like spending an entire page on why Doyle was using a pay phone instead of his cell to call Angel. Sometimes this resulted in puzzling lines like “Terri dropped her face into her hands. The fact that, even to her, her reaction felt obvious didn’t render it any the less potent.” I wasn’t quite sure what that meant, but it seemed like the intent was to defend the clichéd writing.

Angel novels aren’t usually this lousy. I certainly hope there aren’t any out there worse than this one. For anyone considering giving them a try, I’d recommend Sanctuary as a good place to start.

Fullmetal Alchemist Read-a-Long, Volumes 3 & 4

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This is a continuation of the Fullmetal Alchemist re-read I started last weekend. It’s been such a pleasure so far to re-read this series. Hiromu Arakawa’s storytelling, rich characterization, and humor make for an incredibly compelling reading experience. I have said before that if I could ever create something that made another reader feel the way I do when I’m reading Fullmetal Alchemist, I would consider that the greatest accomplishment of my life. That statement holds up on the second read.

Discussion of Volumes 1 & 2 here. Now on to volumes 3 & 4!

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Tears of a Lamb 2 by Banri Hidaka: B+

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From the back cover:
It’s “Sports Day” at school! Coincidentally, it’s also the last day Kanzaki has a chance to make it onto the basketball team. He faces an old rival who knows about his past failures, and when an accident puts his ability to play in jeopardy, it shakes up his confidence even more. It’s up to Kei to pump him up and help him get his game face back on.

Review:
Usually, I find school events like festivals or sports days to be a bit of a cop-out story-wise, but in this case, its approach was actually mentioned in the first volume, and there’d been enough build up that it actually had some narrative importance.

Kanzaki hadn’t played basketball since near-blindness in his left eye caused him to commit an error that cost his junior high team an important game. He’d been avoiding the game since. With the help of Kei and others, he finally realized that he’d forgotten the fun that could be had in simply playing, versus the attitude that winning is everything. This might sound kind of lame, but it was really handled pretty well over the course of several chapters. I swear I got kind of verklempt at one point.

The main goodness, however, was the growing friendship between Kei and Kanzaki. I especially liked how Kanzaki was sensitive to her eating disorder (she’s a recovering anorexic) and didn’t put her in situations where she’d feel compelled to accept food. He did this completely nonchalantly, and it was an excellent way to show (not tell) his caring side. In return, she bolstered him when his confidence flagged. I’m very pleased that this relationship is shown with such a firm foundation of regard and consideration and isn’t based on love-at-first-sight theatrics.

The not so good stuff:
* The over-the-top humor from the last volume was toned down slightly, though I was annoyed when Kanzaki’s overbearing sisters visited and one had fun smacking him around. I’ve encountered that from time to time (like in Boys Over Flowers) and I dislike it thoroughly.
* There were further errors in overlays, mostly with the original not being completely removed before the translation was applied atop it. I noticed a couple of typos and weird symbols, too.

Add some mystery about Kei’s past (and one panel that hints to something in Kanzaki’s, as well) and the second volume of Tears of a Lamb works out to be a satisfying read.

Ultimo. A rant?

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September’s issue of Shonen Jump arrived in my mailbox today, nicely timed, as it contains “Chapter 0″ of Stan Lee and Hiroyuki Takei’s Ultimo, which I’d just been reading about in yesterday’s comic-con reports. Sadly, my reaction to it has been distressing.

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Tears of a Lamb 1 by Banri Hidaka: B

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From the back cover:
Freshman Kei has one thing on her mind: getting into fellow classmate Kanzaki’s apartment. She won’t tell him why at first, but she’s searching for something that she lost in there two tenants ago. Starting with this strange connection, a friendship grows between two students who have each suffered their own separate trauma. Can Kei and Kanzaki help each other get over the secrets that are tearing them apart?

Review:
At first, I was pretty bored by Tears of a Lamb. There wasn’t anything obviously wrong with it, but neither was there anything really special. Additionally, the main characters reminded me of some in Fruits Basket: Kei was kind of like Tohru, with a never-give-up attitude and an ability to understand others’ problems; Kanzaki was kind of like Kyo, gruff on the outside but caring within; and Takama-sensei (who’s also Kei’s cousin) was kind of like Shigure, with a silly/playful side as well as a more serious one. I have no idea which series came first, but these similarities made the setup here seem awfully familiar.

In one of her columns, Hidaka-sensei mentioned that, when she conceived of the tale, she was eager to introduce a character from Kei’s past and wasn’t dwelling a lot on the introductory bits with Kei and Kanzaki at school. The difference showed, as when the story delved into the more serious territory of Kei’s past, my enjoyment of it markedly increased. The personalities of Kei and Kanzaki were fleshed out more and there were some really nice scenes between them as they very slowly started to become friends and to confide in each other about their problems. The progression of the relationship was well done, especially in comparison to some shoujo I’ve recently read, where love declarations came after only a few pages.

I was less enamored of the “funny” parts of the story, since I didn’t find them particularly humorous. I guess some folks might enjoy spazzing older brothers who hurl forks at boys who criticize their sisters, but not me. Honorifics were maintained, which I appreciated, but there were a couple of other problems in the translation. At one point, Kanzaki was referred to with an incorrect first name, and there were other small things like weird symbols where apostrophes should be and odd placement of overlays. Hidaka’s art is clean and cute; in fact, that’s what initially attracted me to her works.

After a slow start, Tears of a Lamb wound up finding an original story after all. I’ll be continuing with the series.

Deja Demon by Julie Kenner: B-

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From the back cover:
Between attending gala fund-raisers for her husband’s political campaign, training her teenage daughter to wield a crossbow and a stiletto, potty-training a toddler, and her increasingly complex personal life, Kate hardly has time to prepare for the impending chaos: a neighborhood Easter party that has her buried in eggs.

Keeping the local kiddos in line will take all of Kate’s skills as a mother and Demon Hunter, just when she’ll need them the most. An old enemy has descended upon San Diablo—along with a full-blown army of the undead and a powerful demonic ally. Once again, it’s up to Kate to save the world. Good thing she can multitask!

Review:
Before I get into the content of my review, I’d like to compose a brief note to the author.

Dear Julie –
You (and, apparently, your editors) seem to be laboring under a misconception about the meaning of a certain word. “Eviscerate” means to disembowel or remove internal organs. An inanimate object cannot be eviscerated. When you write, therefore, that a wall of red flames eviscerated everything in its path (specifically mentioning pedestals) and that our heroine “escaped even as the demons and their lair were eviscerated,” I am going to have to call foul.

Sorry to be the bearer of bad news; I hope you’re not too gutted.

P. S. When a scene occurs outside, silence cannot fill the room.

Anyways, because I was unaccountably eager for this fourth installment in the Demon-Hunting Soccer Mom series, I was the first patron in the reserve queue for it at my local library. The shame! These books really aren’t very good, and I’ve come to realize each of them follows the same formula.

1. A demon minion attacks Kate in her backyard and demands information on something its master needs for his big “king of the world!” ritual. This can be some bones, a ring, or a sword. Up until this point, the good guys will never have heard of this thing. The demons never seem to realize that maybe they should keep their plans to themselves.

2. Some scattered investigation into the threat will ensue but take a backseat to Kate’s domestic concerns. These will involve a dinner party.

3. The word “kiddo” will be used a distracting number of times. Mostly by Kate, but she seems to infect others with it; even priests aren’t immune. Kiddo count in this book: 12.

4. Kate will angst about keeping secrets from her husband. This will not prevent them from making out repeatedly.

5. Someone Kate cares about (usually her teenage daughter) will be kidnapped by the demons.

Deja Demon offers some variety in the details, but adheres to this same basic framework. By the halfway point, I’m thinking, “Okay, that’s it. I am not going to read these anymore.” But then something I’ve been wanting to happen finally does, and it weakens my resolve by being kind of awesome. It’s just too bad said event is preceded by 300 pages of stuff I feel like I’ve read before. Perhaps a more appropriate title for this book would’ve been Déjà Vu.

Manga. Sort of. Which I am able to make all about me.

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I’ve been thinking a lot about what draws me to manga over western comics, partly because I’ve started reading Captain America, which I’m enjoying, but wow it is hard for me to get used to reading comics in color. I feel like I should like it *more*, but I mostly find it overwhelming (which is, I think, the main reason I haven’t made it through all of Sandman, despite my deep love for Neil Gaiman). For some reason it is a lot easier for me to follow comics that are in black and white, and there’s no getting around it. I’m also really accustomed to the number of panels found on a page of manga, rather than on a page of a western comic book, and I find manga easier to look at because of that as well. What I’m really getting around to here, though, is why I tend to consider my graphic novel in-progress to be an OEL manga rather than an American comic book, and these things (as well as others) influence that. In the next couple of months I’m going to be searching for an artist to collaborate with me on the project, and I think I need to be clear with myself about what I’m looking for, before I get all tangled up in that.

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Fullmetal Alchemist Read-a-Long

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I’ve started re-reading Fullmetal Alchemist from the beginning, mainly to pass the time until the next volume is released by Viz, and I’ve been posting my thoughts about it as kind of a read-a-long with others in a non-public place. I thought I’d try adding these posts here as well, to be publicly accessible. If anyone else wants to join me in re-reading, that’s great, or if you might start the series for the first time and read along, I’d be completely thrilled!

And so, on to discussion of Fullmetal Alchemist, Volumes 1 & 2!

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Hornblower and the Atropos by C. S. Forester: A

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From the back cover:
In the wake of a humbling incident abord a canal boat in the Cotswolds, young Captain Horatio Hornblower arrives in London to take command of the Atropos, a 22-gun sloop barely large enough to require a captain. Her first assignment under Hornblower’s command is as flagship for the funeral procession of Lord Nelson.

Soon Atropos is part of the Mediterranean Fleet’s harassment of Napoleon, recovering treasure that lies deep in Turkish waters and boldly challenging a Spanish frigate several times her size. At the center of each adventure is Hornblower, Forester’s most inspired creation, whose blend of cautious preparation and spirited execution dazzles friend and foe alike.

Review:
I am such a fan of Forester’s writing style. The Hornblower novels always have their fair share of adventure, of course, but less grandiose moments are equally riveting. This book opens with Hornblower and his wife taking a journey by canal. Through Hornblower’s fascination with the process and exhilaration at filling in for a wounded crewman, the reader is instantly drawn into the story. Later there are naval skirmishes and negotiations with nations of dubious neutrality, but it’s the efforts of Hornblower and crew to recover British funds from a sunken vessel that I personally find most interesting.

Forester is also deft at efficient characterization. Here’s an example: Hornblower has just taken command of his new ship and in the company of Mr. Jones, his new First Lieutenant, reads his orders. They contain the surprising directions to plan Lord Nelson’s funeral. Hornblower can’t help but laugh at the absurdity of it. The next line reads: “Mr. Jones decided that he should laugh, too, and did so, obsequiously.” I really like how that kind of sums up Jones’ entire personality.

Speaking of supporting characters, some are almost unbearably annoying. Hornblower’s wife seems to be more shrewish than ever before, and seriously needs a hobby aside from her husband. There’s a “ridiculous doctor,” which compels to me to wonder how often that character type may be found amongst military crews in various media. Certainly Gaius Baltar is ridiculous. Bashir was a trifle ridiculous at times. Are there more I’m forgetting?

I always like Forester’s endings, too. This one is no exception, culminating in an important event in Hornblower’s personal life and kind of bringing the series full circle for me. The first Hornblower novel to be written, Beat to Quarters, also the first I read, is the next after this one chronologically. After going back in time to when he was a Midshipman and Lieutenant, now he’s finally become the man he was when I first encountered him. It’s an interesting effect, though I still intend to follow internal chronology for any rereads of the series.

In conclusion, I continue to adore the Hornblower saga and recommend it unreservedly.

Time Stranger Kyoko 1 by Arina Tanemura: B-

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I’m thrilled to announce that I’ve been invited to contribute reviews to the Manga Recon section of PopCultureShock. This is my first review for them, and it was originally published here. Carlos Santos from ANN has also written a review of this title, and brings up some points left out of mine, so you may want to check his out, as well.

It’s the 30th century and all of the nations of Earth have united to form a single kingdom. The treasure of the people is their princess, Kyoko, but she’d rather attend school like a normal girl than fulfill any of her royal obligations. Her sixteenth birthday is approaching, however, and along with it the celebration at which Kyoko must finally appear before her subjects, putting an end to her incognito scholastic career.

Kyoko resigns herself to her fate, but her father offers her an alternative—if she can awaken her younger twin sister, who has been asleep since birth, and turn princess duties over to her, Kyoko can have her freedom. To do this, she must locate twelve godstones scattered around the planet and the twelve telepaths who can use them. When gathered, they can set into motion the giant clock upon which Princess Ui sleeps and use its power to awaken her.

I was pretty put off initially by the notion that Ui was to be awoken for the sole purpose of foisting princess duties upon her. Even though Kyoko intends to give her sister a choice in the matter, it’s still a thoroughly selfish aim. Quickly, though, Kyoko ends up revealing her identity anyway (to thwart a band of thieves who’re menacing her schoolmates) and her goal becomes simply meeting her sister.

Adventure ensues, with Kyoko gradually acquiring more powers and, eventually, locating the first of the telepaths. She’s often tempted to use her powers for selfish reasons, but usually ends up helping others in the end. Other hobbies include requiring rescue by her bodyguards and behaving irrationally.

There are some comedic elements to the story, though not all of them are a success. I giggled at the instructions for the issuance of a royal greeting (step 5: gesture flamboyantly!) and I like that Kyoko’s magic cane has a personality and dialogue, but I can’t stand the character of Chocola. She’s the King’s cat android pet, and I reckon I’m supposed to find her unbearably cute, but instead she just creeps me out.

As usual, Tanemura’s artwork features big eyes, lots of screentone, and a plethora of flowers. I was a little disappointed that she didn’t avail herself of the opportunity to draw the kirito—humans whose DNA has been combined with that of plants or animals—in a new and different style. Mostly, they just get things like pink hair or gold eyes. Kyoko herself has pointy ears, but no one has commented on them thus far, so I’m not sure if she’s supposed to a hybrid or not.

While I didn’t love this volume, I didn’t absolutely hate it, either. It’s true that neither the story nor the characters particularly engage me, but because the series is only three volumes long, it’s really not that much of a commitment to see it through to the end. I expect that I will do so.

As a final thought, I leave you with a topic: Arina Tanemura is the manga equivalent of Meg Cabot. Discuss.

Review copy provided by the publisher.

Storm Front by Jim Butcher: B-

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From the back cover:
With rent past due and a decent meal becoming an issue of some importance, Harry Dresden needs work, and soon. A call from a distraught wife, and another from Lt. Murphy of the Chicago PD Special Investigation Unit makes Harry believe things are looking up, but they are about to get worse, much worse.

Someone is harnessing immense supernatural forces to commit a series of grisly murders. Someone has violated the first law of magic: Thou Shalt Not Kill. Tracking that someone takes Harry into the dangerous underbelly of Chicago, from mobsters to vampires, while he himself is under suspicion of the crimes. One thing is certain, if he can’t stop whoever is on the killing spree, Harry will be the next victim.

Review:
I will confess up front that I spent $40 for the unabridged audio edition solely because it’s read by James Marsters. I’ll not be doing that again. Not that Marsters was bad—he was quite good, really, aside from a couple mispronunciations (I’m pretty sure that when one refers to one’s self as a “spellslinger” it’s not intended to be pronounced “spells linger”)—but because I can’t see spending that much money on a book in this series now that I know what I’ll be getting.

What will I be getting?

1. Sexay laydays. Of the six female characters (including the first victim), four were sexay. Three of those worked in the sex trade in some capacity. Scenes with them involved sentences like, “She laughed, a sound rich enough to roll around naked in.” The fifth was a client whose missing husband was into the orgy scene. The sixth was a cop, possessed of martial arts skills but not averse to using feminine wiles to extract Harry’s cooperation on a case.

2. A yawner of a mystery. I’m not sure it’s possible for me to be less interested in mob-related plots. Harry’s angsty backstory wasn’t that great, either. Oh, also, he has a totally eyeroll-inducing name: Harry Blackstone Copperfield Dresden.

3. An interesting magic system. It seemed that a fair amount of thought went into devising it. Standard things like spells and potions seemed the norm, but I thought the method for preparing the latter was pretty neat.

4. A talking skull. Easily the most entertaining character in the book. It didn’t hurt that Marsters gave him a British accent, so that he kind of sounded like Spike.

I am reminded of the Demon-Hunting Soccer Mom books by Julie Kenner because, though this series has some serious flaws, I kind of want to keep reading it anyway. My local library has all but one of them, though only the most recent is available with Marsters’ narration. I’ll miss the Spike-sounding skull, but he isn’t worth $40.

Seduce Me After the Show by est em: A

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From the back cover:
A stylish, tempestuous dance of anguish and passion. Seduce Me After the Show contains seven short stories which take place within the artistic worlds of dance, painting, and music. Overall themes focus on the dichotomy of hope and despair as well as the relationship between pleasure and longing. In the title story, devastated by the death of his world famous dancer mother, Theo Gallardo abandons his own dancing career to become an actor and co-stars in a film with popular Hollywood idol Darren Fergus. What should have been a joking kiss shared between them takes a sudden turn when Darren asks, “So what now?” Theo answers, “That depends on the script.” As lustful passions boil over, will Theo be able to regain the fire that he once possessed and return to the dancing world?

Review:
The back of this book is doing a lot of my (self-appointed) job for me! Though, to be honest, I probably never would’ve written about the “dichotomy of hope and despair” anyway.

Right up until I read the last story, I thought my favorite tale would end up being the two-parter starring Theo and Darren (details above). It’s wonderfully told, with an ending I adore even as I wish there were more to read about these two. The final story has a similar feel and tells the story of a man returning to Kyoto after a long absence. He’s come back to attend a festival and, while there, asks about an old friend of his. Gradually, the details of their parting are revealed and, I swear, the final page makes me sniffly.

I really like the art—the use of screentone and backgrounds is minimal, resulting in a largely black and white style. Some of the character designs are quite original, too. Theo looks more like Severus Snape than he does a typical manga character. One of the couples includes a guy in his fifties, and when’s the last time you saw that happen in this genre? Lastly, I appreciate that est em takes the “artistically suggestive” route with the pair of love scenes; depicting things in exacting detail would detract from the emotional element.

Usually, I don’t notice things like paper or print quality, but the production values from Deux (the yaoi imprint of Aurora Publishing, a fairly new player on the American manga scene) are good enough to attract my notice. The translated dialogue seems natural and though I had trouble a couple of times working out exactly what Theo meant, I think that’s just a facet of his character. There was one fairly glaring grammatical error, though. “You’re work has really matured.” Nails on a chalkboard, that one.

My only real complaint is the surfeit of ambiguity. There are times when it isn’t easy to determine which character spoke a line, whether two characters actually slept together, or how one really feels about the other. I’m sure all of this is intentional, but to quote Davy Keith from Anne of Green Gables (‘cos where better to do that than in a yaoi review?), “I want to know!”

Seduce Me After the Show is a character-driven collection featuring grown-up men dealing with their feelings for each other. There’s no blushing or glomping here, and though the stories may be short, they’re also original, thoughtful, and memorable. If you buy one yaoi title this year, buy this one. There’s another book by est em due in December, though, so maybe make it two.

A slightly different version of this review was also published at Manga Recon.

I.O.N by Arina Tanemura: B-

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From the back cover:
Ion Tsuburagi chants the letters of her first name as a charm to bring good luck when she needs it. Then she meets Mikado Hourai, the president of the Psychic Powers Research Society at school, and touches a mysterious substance he’s been developing. Now chanting ‘I-O-N’ gives her telekinetic powers!

Review:
I don’t normally comment on covers, but I.O.N has one of the prettiest I’ve seen. It’s all shades of green, blue, and purple, making Ion’s ginormous Ribon-issue brown eyes stand out. Her hair is blue on the cover, which prompts me to consider that I haven’t really encountered too many manga characters with oddly-colored hair (by which I mean impossible for a human and not merely improbable for a Japanese person). Maybe that’s more of an anime thing. In this case, I’m not sure whether Ion’s hair is truly supposed to be blue or if Tanemura is just having fun with the cover art. Either way, it’s purty.

Alas, it turns out the cover is really the best thing about this one-shot. Some of its problems are due to its length. Exposition gets crammed into dialogue where it doesn’t really belong, resulting in awkward sentences like, “I was wondering who that was, but what do you know, it’s Mikado Hourai, the President of the Psychic Power Research Society.” Emotional developments are also rushed, like when Ion declares that she might be falling for Hourai a mere 7 pages after meeting him.

The rest of the problems are due to the story itself, which just isn’t very cohesive. The nature of the plot is episodic, with Ion using her new-found powers to perform astonishing feats such as extinguishing fires, saving drowning kids from being struck by malicious logs, and protecting her romantic rival from a falling tree. Tanemura’s sidebars mention that her editors kept her in suspense regarding the ultimate length of the series, and it shows. She doesn’t really try to do anything substantive until the end, but even so, that mostly consists of Hourai being uncertain whether he likes Ion for herself or because she’s got psychic powers.

The artwork is typical of Tanemura’s style—lots of screentone, lots of flowers and stars—but as this is her first published manga volume, the result is a little less polished than in her later works. When seen from straight on, noses are just vertical lines and after I conceived of the notion that they looked like coin slots, I kept seeing them in the fashion. Pages do get a little overcrowded at times, but I didn’t have any problems following the story visually. I particularly like the character design for Tagosaku, who’s drawn in a different style from everyone else. The loyal henchman of the President of the Student Council, he’s essentially just a weird little dude who is used for comic relief throughout. I like him.

I.O.N is a decent read. It’s largely lacking in substance and purpose, but if one goes into it just expecting a magical girl fantasy, it’s not that bad. It might be better to procure it from a library, though, if one can.

Sand Chronicles 2 by Hinako Ashihara: A

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From the back cover:
Just when Ann has adjusted to life in the countryside—and even has a boyfriend!—her father invites her to live with him in Tokyo. Now she must choose between a father she hardly knows and a young man she is just beginning to know. But she soon discovers that they aren’t the only ones vying for her affections!

Review:
In a recent post on his blog, David Welsh said, “It’s entirely possible that Hinako Ashihara’s Sand Chronicles is less a great graphic novel for teens than a great graphic novel for former teens who remember the pointed moments of awkwardness and uncertainty of that time of life.” I kept remembering that comment as I read this volume, and I think it’s very true.

There’s a definite sense of “this was once terribly important to me and I wanted it to last forever, but now it’s all just a memory” about it all. This is bolstered by the way the story is structured—like a series of recollections and snapshots in time, with the shortest interval between chapters so far being six months. It induces strong nostalgia in me for those days—the me I was, the things I did, the people I used to see every day—and I think a distance of some years from one’s adolescence is required for that kind of wistful retrospection to flourish.

As regards the story itself, I really love both chapters included in this volume. In the first, Ann must decide whether to remain in Shimane with Daigo and her friends or to return to Tokyo to live with her father. The depiction of her divided loyalties and struggle to decide is very well done and I was impressed by how much of an emotional response the conclusion to the chapter provoked in me. In the second, the love triangle that’s been developing since the first volume gets explored. I really like that neither of the boys involved is an easy shoujo stereotype. One is more reserved than the other, but there are no fiery hotheads involved.

Seriously, y’all. Read this manga.