• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Hetalia Axis Powers, Vol. 3

July 9, 2012 by Sean Gaffney

By Hidekaz Himaruya. Released in Japan by Gentosha, originally serialized as an online webcomic. Released in North America by Tokyopop in association with Right Stuf, Inc.

For the first time in over a year, I get to review a new Tokyopop book. And naturally, it’s the third volume of Hetalia Axis Powers. It was a runaway bestseller, so it makes sense that it should come back. The translation for it had already been done, given it was scheduled to ship a mere month after TP initially went under. And, being one of the company’s few Gentosha books, I imagine the renegotiations were easier than with a company like Kadokawa or Akita, who might inquire about the 7-8 other abandoned titles that there is little interest in reviving.

The quality of the book itself is a huge improvement over the first two, at least production-wise. The paper is thicker and more durable, there are color pages, and it simply feels more ‘quality’ than the almost xeroxed feel of the first two volumes. As for Himaruya’s art, it’s always going to look a bit dashed off, as that’s just what he does, but it does look a bit clearer here than in prior books.

The series is less about World War II than ever before, but that’s absolutely fine. History buffs may like Hetalia, but in the end it’s not particularly written for them. It’s a goofy comedy starring a bunch of (mostly) guys who do dumb things around each other, and happen to be nations of the world. There’s a bit less reliance on stereotype here (though still a lot – don’t think it vanishes) as we have grown to know the characters and therefore the author can rely on simple character-based gags, such as tomboy Hungary not realizing that she’s a girl, or Japan’s crushing disappointment that Switzerland does not look like Heidi at all.

This is not to say that there aren’t plenty of historical strips, they’re just used as setup for the most part. Probably the best in the book is the analysis of the alliance between Poland and Lithuania in the 15th and 16th century, which also gives us a chance to see some actual action in the series, however brief, as the two nations battle against Prussia and Sweden (what an odd pairing. Are their fanfics? … yes, of course there are.) At times the history/gag comic balance can be upset a bit, but it’s mostly unintentional. When Prussia comes across an older Hungary lying beaten against a tree with clothes torn open, the unpleasant implication is that she was just raped by Turkey. While this is not entirely out of place given the actual history that happened between the two, it jars in a comic that mostly has a light touch with catastrophic world events.

There are a few new nations introduced here (including another rare female, Belgium), and some get a bit more development, such as the Nordics. But for the most part the main cast of 3 Axis and 5 Allies remain the focus, and they have lots of goofy times. Several of the gags fall flat, but the book reads quickly, and in the end you read it with a smile on your face more often than not. That said, this is only recommended to those very familiar with the series, and would be a wretched starting point for newbies. Let’s hope it sells well enough to get a Vol. 4… and perhaps inspire some other license rescues?

Filed Under: REVIEWS

Manga Bestsellers: 2012, Week Ending 27 May

July 8, 2012 by Matt Blind 1 Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [423.3] ::
2. ↑3 (5) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [407.5] ::
3. ↔0 (3) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [384.3] ::
4. ↓-2 (2) : Naruto 56 – Viz Shonen Jump, May 2012 [379.5] ::
5. ↓-1 (4) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [371.5] ::
6. ↔0 (6) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [343.0] ::
7. ↑7 (14) : Maximum Ride 1 – Yen Press, Jan 2009 [312.3] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [301.7] ::
9. ↓-2 (7) : Black Butler 9 – Yen Press, Jul 2012 [300.9] ::
10. ↑3 (13) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [286.3] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 83
Viz Shonen Jump 80
Tokyopop 67
Viz Shojo Beat 48
Kodansha Comics 42
Viz Shonen Jump Advanced 35
HC/Tokyopop 19
Dark Horse 16
Vizkids 15
DMP Juné 14

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,090.5] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [827.1] ::
3. ↔0 (3) : Black Butler – Yen Press [633.1] ::
4. ↔0 (4) : Maximum Ride – Yen Press [622.3] ::
5. ↑2 (7) : Warriors – HC/Tokyopop [561.1] ::
6. ↑4 (10) : Death Note – Viz Shonen Jump Advanced [511.9] ::
7. ↓-2 (5) : Negima! – Del Rey/Kodansha Comics [490.9] ::
8. ↓-2 (6) : Highschool of the Dead – Yen Press [417.4] ::
9. ↑4 (13) : Bleach – Viz Shonen Jump [411.7] ::
10. ↑1 (11) : Avatar: The Last Airbender – [multiple publishers] [394.0] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [423.3] ::
4. ↓-2 (2) : Naruto 56 – Viz Shonen Jump, May 2012 [379.5] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [301.7] ::
15. ↑13 (28) : Warriors SkyClan & The Stranger 3 – HarperCollins, Apr 2012 [251.9] ::
24. ↓-4 (20) : One Piece 62 – Viz Shonen Jump, May 2012 [209.8] ::
32. ↑3 (35) : Pandora Hearts 10 – Yen Press, May 2012 [183.4] ::
36. ↓-13 (23) : Highschool of the Dead 6 – Yen Press, Apr 2012 [170.4] ::
37. ↑61 (98) : Soul Eater 9 – Yen Press, May 2012 [166.6] ::
41. ↓-8 (33) : The Betrayal Knows My Name 3 – Yen Press, Apr 2012 [151.6] ::
43. ↑17 (60) : Pokemon Black & White 7 – Vizkids, May 2012 [151.3] ::

[more]

Preorders

9. ↓-2 (7) : Black Butler 9 – Yen Press, Jul 2012 [300.9] ::
10. ↑3 (13) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [286.3] ::
11. ↑1 (12) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [280.5] ::
12. ↑5 (17) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [278.3] ::
33. ↑22 (55) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [181.8] ::
38. ↑18 (56) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [166.5] ::
40. ↑8 (48) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [157.5] ::
48. ↑87 (135) : Bleach 40 – Viz Shonen Jump, Jun 2012 [144.5] ::
52. ↑25 (77) : Dance in the Vampire Bund 12 – Seven Seas, Jun 2012 [142.8] ::
53. ↔0 (53) : Naruto 57 – Viz Shonen Jump, Jul 2012 [142.4] ::

[more]

Manhwa

321. ↑289 (610) : Ragnarok 1 – Tokyopop, May 2002 [38.9] ::
369. ↑383 (752) : Bride of the Water God 11 – Dark Horse, May 2012 [33.7] ::
472. ↓-135 (337) : Bride of the Water God 9 – Dark Horse, Oct 2011 [26.2] ::
544. ↑204 (748) : Priest Purgatory 1 – Tokyopop, Aug 2010 [21.2] ::
572. ↓-240 (332) : INVU 5 – Tokyopop, Nov 2009 [19.4] ::
680. ↓-1 (679) : Bride of the Water God 10 – Dark Horse, Jan 2012 [14.5] ::
764. ↑687 (1451) : JTF-3 Counter Ops – RealinterfaceStudios.com, Mar 2011 [11.2] ::
868. ↑ (last ranked 15 Apr 12) : Jack Frost 1 – Yen Press, May 2009 [8.5] ::
874. ↓-152 (722) : Toxic (anthology) 1 – Udon, Jul 2012 [8.3] ::
1063. ↓-360 (703) : Black God 16 – Yen Press, Apr 2012 [5.0] ::

[more]

BL/Yaoi

40. ↑8 (48) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [157.5] ::
62. ↑10 (72) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [126.1] ::
76. ↑10 (86) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [110.7] ::
157. ↓-12 (145) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [71.5] ::
174. ↓-68 (106) : Private Teacher 3 – DMP Juné, May 2012 [67.9] ::
240. ↓-84 (156) : Private Teacher 2 – DMP Juné, Jan 2012 [51.2] ::
248. ↑3 (251) : Dog x Cat 3 – 801 Media, Jun 2012 [49.7] ::
257. ↑22 (279) : World’s Greatest First Love: Ritsu Onodera’s Affair 1 – Tokyopop Blu, Cancelled [47.4] ::
262. ↓-16 (246) : Good Morning – DMP Juné, May 2012 [46.1] ::
297. ↑489 (786) : Silver Diamond 8 – Tokyopop, Dec 2010 [41.4] ::

[more]

Ebooks

4. ↓-2 (2) : Naruto 56 – Viz Shonen Jump, May 2012 [379.5] ::
7. ↑7 (14) : Maximum Ride 1 – Yen Press, Jan 2009 [312.3] ::
13. ↓-4 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [265.0] ::
16. ↓-6 (10) : Maximum Ride 5 – Yen Press, Dec 2011 [246.7] ::
25. ↑20 (45) : Maximum Ride 2 – Yen Press, Oct 2009 [204.7] ::
28. ↑23 (51) : Maximum Ride 3 – Yen Press, Aug 2010 [192.1] ::
31. ↑16 (47) : Maximum Ride 4 – Yen Press, Apr 2011 [185.0] ::
42. ↓-13 (29) : Naruto 54 – Viz Shonen Jump, Mar 2012 [151.4] ::
53. ↔0 (53) : Naruto 57 – Viz Shonen Jump, Jul 2012 [142.4] ::
58. ↑117 (175) : Naruto 1 – Viz Shonen Jump, Jul 2003 [139.3] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

The Future Is Japanese: Science Fiction Futures and Brand New Fantasies from and about Japan

July 8, 2012 by Ash Brown

Editor: Nick Mamatas and Masumi Washington
Publisher: Viz Media
ISBN: 9781421542232
Released: May 2012

I have been impatiently waiting for The Future Is Japanese: Science Fiction Futures and Brand New Fantasies from and about Japan, edited by Nick Mamatas and Masumi Washington, ever since the anthology was first announced. I already adore Viz Media’s Japanese speculative fiction imprint Haikasoru and will buy and read anything it publishes. However, I was particularly excited about The Future Is Japanese because it is Haikasoru’s first original publication. (I also hope that it isn’t the last.) I was thrilled when the book was finally released in 2012. The anthology collects thirteen stories from creators both East and West (primarily Japanese and American). All but two of the stories were being published for the first time. Just looking at the table of contents I was very pleased with what I saw. Most of the contributors to The Future Is Japanese are already award-winners in their own rights; those whose works with which I wasn’t already familiar I at least recognized by name. As an added bonus, the book’s cover illustration is by Yuko Shimizu, one of my favorite artists. The Future Is Japanese had a lot going for it from the very start.

After a foreword by Masumi Washington and an introduction by Nick Mamatas, The Future Is Japanese begins strongly with Ken Liu’s short story “Mono no Aware,” a meditation on impermanence wrapped in a science fiction tale of humanity’s survival at the edge of space. The next two stories were probably my least favorite in the collection although there were moments in each that I enjoyed tremendously. “The Sound of Breaking Up” by Felicity Savage starts as one story and ends up being an entirely different one. This frustrated me because I was more interested in the first. David Mole’s mecha tale “Chitai Heiki Koronbīn” ends too abruptly for my taste and seemed like it should be the introduction to a longer work. (Granted, one that I would like to read.) These are followed by “The Indifference Engine” by Project Itoh which explores war, hatred, and prejudice. Originally published in 2007, the story confirmed the fact that I want to read everything written by Itoh. The next story was one of my personal favorites in the anthology, “The Sea of Trees” by Rachel Swirsky, a haunting tale about death, ghosts, and letting go. Toh EnJoe’s story “Endoastronomy,” which follows next, has a philosophical and intellectual bent to it, something I enjoy about and have come to expect from his work.

The next selection, “In Plain Sight” by Pat Cadigan deals with the complications caused by artificial and augmented realities. The Future Is Japanese continues with “Golden Bread” by Issui Ogawa. I happen to be fond of Ogawa’s longer works and was not disappointed with his short story. Next is Catherynne M. Valente’s contribution, “One Breath, One Stroke” which is about yokai that live close to the human world. Written in a delightful but fragmented style, the work creates more of a mood rather than a cohesive story. Ekaterina Sedia’s near future and slightly melancholic tale “Whale Meat” follows. Next in the anthology is a selection from the extremely prolific Hideyuki Kikuchi. I actually preferred “Mountain People, Ocean People” over many of the other works of his that I have read. Following next is “Goddess of Mercy” by Bruce Sterling, one of the longer stories in the collection it is about the pirates and darkness that settle on Tsushima island after Japan is destroyed. The Future Is Japanese concludes with “Autogenic Dreaming: Interview with the Columns of Clouds” by TOBI Hirotaka. Originally published in 2009, the story won a Seiun Award in 2010. A complex story featuring a digitization project that has unexpected consequences, “Autogenic Dreaming” particularly appealed to my information science background.

As with most short story collections, how much a reader will enjoy each individual work in The Future Is Japanese will depend on personal preferences. Although I wasn’t blown away by the anthology, personally I found The Future Is Japanese to be a very satisfying read. The short story can be a difficult form to master, but even the works that I found problematic had their strong points. The stories do all tend to be serious in tone, but the collection covers a nice range of speculative fiction from fantasy to science fiction to horror. The Future Is Japanese also has a good balance between Western and Japanese authors. Appropriately enough for the anthology’s theme, even the Western works show Japanese influence, whether stemming from the writers’ personal interests or from the creators having lived in or visited Japan. Overall, The Future Is Japanese is a solid anthology that was well worth the wait.

Filed Under: REVIEWS Tagged With: Haikasoru, Ken Liu, Masumi Washington, Nick Mamatas, Project Itoh, viz media

It Came From the Sinosphere: Passionate Wastrel, Infatuated Hero (Part 2)

July 6, 2012 by Sara K. 6 Comments

The Taiwanese cover for Passionate Wastrel, Infatuated Hero

On Tuesday, I introduced Passionate Wastrel, Infatuated Hero. Because there is very little information about the novel available in English, I split this post into two parts. This is part two.

The Style

First of all, this is a novel that MOVES. Before the reader is five pages into the novel, an innocent girl witnesses a murder. From that point on, the story does not slow down very much, and generally only when it needs to slow down. There are a few sections where the plot loses a little momentum—particularly when focusing on Ling Haotian’s moping over Zheng Baoan—but just when I think the plot might actually drag, a new plot twist bursts in with a BAM!

One reason the novel moves so well is its accessible writing style. I would not go so far as to call it a plain writing style, but the literary flourishes are generally playful in nature. For example, there is a scene where Zhao Guan and Ling Haotian seem to be in a competition to spit out the most chengyu. However, when Zheng Feng is not having fun with words, the language is very direct and to the point.

Fighting

The most enjoyable set of fights for me was the poisoners’ tournament. It has novelty—the contestants duel by trying to out-poison each other instead of using direct combat. It has all of the classic psychological appeals—our protagonist is the underdog (Zhao Guan is the least experienced of all of the contestants) and the stakes for him are really high. And because he is the least experienced of the poisoners, he needs to rely on his wits to win, which is a lot of fun for the reader.

Fighting is a central part of Ling Haotian’s development as a character. Training is how he (tries to) take his mind off of his problems, and as a wanderer he needs to fight to defend himself. It is when he wins a tournament—not of poisoners, but of the finest fighters in the martial arts world—that everybody, including himself, finally realises that he is himself and not merely the son or brother of so-and-so.

Feminism?

One of the reasons I was so interested in reading this novel was, being written by a female, I hoped it would be less patriarchal than other wuxia novels I’ve read. Is it feminist? On the surface, no. But there are some very interesting things beneath the surface…

The two main characters are male, and they both get lots of attention from beautiful women, which makes it seem like a typical harem fantasy wuxia aimed at straight males. However, the standard wuxia-harem-fantasy-for-straight-males tends to feature a man who, while strong, is not particularly handsome, and the women who fling themselves at him tend to be young chaste maidens (please note that I use the word “tend”—of course there are exceptions). Zhao Guan, on the other hand, is so gorgeous that the novel specifically states that 80% of the young women he encounters gets a crush on him. I have come to the conclusion that he probably looks like Hu Ge.

Two pictues showing off Hu Ge's prettiness.

Hu Ge, Chinese bishonen

Even with his looks, he still has to work at getting so many women, unlike the typical wuxia hero who basically has women fall into his lap. And, much as he does not like it, he often has to refrain from pursuing certain women for pragmatic reasons. Most wuxia heroes do not put so much thought into which women to pursue or not pursue—when they do refrain, it’s usually because of sexist cultural programming, not because they actually considered what might be in his or her best interests. Of course, if they actually thought about it before entering into certain problematic relationships, there would be less dramatic conflict, whereas making decisions based on sexist programming tends to increase, not decrease, dramatic conflict.

Zhao Guan of course prefers women who a pretty and not evil, but he does not care about their prior sexual history, or even if they have other sexual or romantic relationships (well, he does care about their other relationships … but in a “I won’t let him hurt her” sense and not a “how dare she have another man” sense). This lack of double standard is rather refreshing. He even takes a woman who had kidnapped and tortured him as one of his lovers. And while he does care about looks, the most beautiful women in the story are immune to his charms for some reason (*cough* the Ling brothers *cough*). This does not look so much like a fantasy for straight males to me. This looks like a fantasy for straight fangirls who want a hot guy who won’t turn them down.

What about straight fangirls who are not physically pretty? They have Ling Haotian. The most beautiful women in the story all fall for him or one of his brothers, not Zhao Guan. Meanwhile, Zheng Baoan, while not ugly, is said to be the plainest-looking young woman in the story. Yet she is the only woman that both Ling Biyi and Ling Haotian want. Even though they can get women who are far, far more beautiful. And they are both hot dudes. This is unambiguously a fantasy aimed at straight female readers.

Speaking of Zheng Baoan, she’s a cool character herself; she’s sweet, reserved, feminine, and tough as nails. Ling Haotian says she is far braver than he (I agree). Whereas Ling Haotian generally runs away from problems, Zheng Baoan confronts them. And while he’s busy angsting over his feelings for her, Zheng Baoan is too busy saving his life to indulge in angst. I like characters like this because they illustrate that courage is just as compatible with femininity as with masculinity.

And then there’s the gender-reversal in Zhao Guan’s story. First of all, instead of being a girl who has heard her parents say they wished she were a boy, Zhao Guan hears his mother wishing she had a daughter, and the other people who take care of him as a child keep on saying it is such a pity he is not a girl. Wuxia novels have no shortage of women who, for various reasons, dress and try to pass as male. No woman does that in this novel. Instead, it is Zhao Guan who sometimes tries to pass as female. His reason is very practical—he needs to hide from his enemies, and it is sometimes safer for him to present himself as female than male. However, he feels no shame in dressing as a woman. This reflects that he really, really does think females are equal to males—he has no reason to be ashamed of being perceived as female. Now count the number of straight men in your life who would not experience any shame or embarrassment if they had to dress up and pass as women.

And speaking of gender reversal, there’s Zhao Guan’s mother herself. She basically lives the live of a male wuxia hero without being male. She overcame childhood tragedy, mastered various martial arts skills, rescues the weak and innocent, punishes wrongdoers, became the leader of a martial arts faction, drinks alcohol, and has her own (reverse) harem. It’s a pity that she has to die so early in the novel … I’d be willing to read a novel which features her as the main character.

How the Novel Made Me Feel

Back in the later years of elementary school and in middle school, I voraciously gobbled up whatever decent-or-better fantasy novels came my way. I did it because it went beyond fun. I lived the exciting adventures of those characters.

Reading this novel brought that feeling back for me. I read this novel at a steady clip of about 145 pages per day—which may not seem like that much until you realize a) I didn’t start studying Chinese until I was in my 20s and b) I often had to put the book down to savor some bit which had captured my imagination. This novel dominated my life while I was reading it, and the story is still ringing through my mindspace.

And … CURSE YOU ZHANG FENG FOR WRITING THAT ENDING! YOU MADE ME CRY!

Availability

The only part of this novel that is available in English (or any other non-Asian language) is the excerpt I translated for this review. There is not even an unfinished fan translation.

I know the handful of wuxia novels which have been published into English or French have not been best-sellers (if any wuxia novels have been published into any non-Asian languages other than English or French, please comment—I want to keep track of all wuxia novels published in non-Asian languages). However, just as contemporary manga tends to be more commercially successful in English translation than classic manga, I suspect contemporary wuxia might be more commercially successful than classic wuxia in the English-speaking world. I think a publisher could make money bringing out this novel in English if they marketed it properly. Now, once enough people in the English speaking world are hooked on wuxia, the classic novels could come out, heh heh heh…

At the very least, it is available in both simplified and traditional characters. For those learning Chinese as a foreign language, I think this novel is a good pick because it has such an accessible style. Is it the easiest novel to read on linguistic grounds? No. But it is entertaining and fast-paced, which in my opinion is more important than whether the grammar or vocabulary are easy. And compared to many other wuxia novels, the vocabulary and grammar are not hard.

Conclusion

I think it’s pretty obvious at this point that I love this novel. It is a monumental artistic work that a literature professor would approve of? No. But much as I love high-brow culture, sometimes I want a story which will just suck me in. This story did that. If you can, you should give it a chance to suck you in too.


Sara K. used to be really into fantasy novels. Looking back, she wonders how she found time to read all those novels considering that she also had to go school, do homework, sleep, and so forth. It gives her hope that she might be able to actually find time to read many of the wuxia novels on her reading list. And she definitely plans to read Zheng Feng’s other novels.

Filed Under: It Came From the Sinosphere Tagged With: Novel, wuxia, zheng feng

Attack on Titan, Vol. 1

July 6, 2012 by Sean Gaffney

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

When the buzz for this series first started coming out, right about when it got the Kodansha manga award last year, I recall many people mocking Shueisha for turning it down. The author had shown the series to the editors of Weekly Shonen Jump, and was promptly told that the series was not Jump enough. So he turned around and sold it to Kodansha, and now it’s a bestseller. But they were absolutely right. This isn’t a Jump series at all. Leaving aside the basic horror of the premise, modern Jump simply isn’t this grim. Even Kodansha thought it was more suited to their monthly magazine than the flagship.

The series immediately knows that its strength are the titans themselves. They are huge, grotesque, and unknowable, even as the humans in the city desperately try to discover their weak points and flaws. Seeing likeable characters literally getting eaten by these things not only gives a feeling of desperation to the series, but helps you to side even more with our band of heroes who have vowed to destroy them – particularly the brother-sister team who keep the viewpoint.

Speaking of that, and this is a bit of a spoiler, apologies. I’m not at all sure, at the end of Vol. 1, how I feel about Eren. So-called decoy protagonists are nothing new in manga, and we’ve certainly seen folks we thought would be the hero getting mercilessly killed off right away before. But he doesn’t quite have the right *feel* of one of these, and I’m not sure the manga is ready to follow Mikasa and Armin for the rest of the series. I came out of the closing moments of the cliffhanger thinking along the lines of “…really? How are they going to walk back from that one?” Of course, if I prove to be wrong, it’s quite an impressive step to take. Especially given that the seemingly emotionless Mikasa seems more likely the sort to launch a roaring rampage of revenge after this.

If the series does have a downside, it’s the art when titans are *not* on the screen. There’s a fairly large cast filled with military types here, many of whom I presume will form our core cast. It’s a shame I had so much trouble telling them apart, then, and kept flicking to the montage introduction in the middle of the book to try to get them straight. There’s also some basic siege cliches in here – Eren’s fight with Jean is right out of the big book of war movies.

More to the point, I’d like a few more signs that there’s light at the end of the tunnel. This series is still ongoing, at 7+ volumes in Japan, and I really hope that we get a few more bright spots ahead. As if it ends up being the story of how a ragtag bunch of misfits go up against the enemy and slowly die one by one, the story will be fascinating, but far too downbeat for my taste. I hope the 2nd book can show a bit more optimism.

Filed Under: REVIEWS

Manga Bestsellers: 2012, Week Ending 20 May

July 5, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [470.0] ::
2. ↑1 (3) : Naruto 56 – Viz Shonen Jump, May 2012 [452.3] ::
3. ↓-1 (2) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [442.8] ::
4. ↔0 (4) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [414.8] ::
5. ↔0 (5) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [403.3] ::
6. ↑1 (7) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [395.3] ::
7. ↓-1 (6) : Black Butler 9 – Yen Press, Jul 2012 [373.0] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [367.6] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [315.7] ::
10. ↔0 (10) : Maximum Ride 5 – Yen Press, Dec 2011 [296.4] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 84
Yen Press 80
Tokyopop 73
Viz Shojo Beat 50
Kodansha Comics 46
Viz Shonen Jump Advanced 37
Vizkids 20
DMP Juné 16
Dark Horse 14
HC/Tokyopop 12

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,189.0] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [954.7] ::
3. ↔0 (3) : Black Butler – Yen Press [790.1] ::
4. ↔0 (4) : Maximum Ride – Yen Press [624.0] ::
5. ↔0 (5) : Negima! – Del Rey/Kodansha Comics [567.5] ::
6. ↔0 (6) : Highschool of the Dead – Yen Press [490.1] ::
7. ↔0 (7) : Warriors – HC/Tokyopop [477.0] ::
8. ↑1 (9) : Pokemon – Vizkids [458.3] ::
9. ↓-1 (8) : One Piece – Viz Shonen Jump [454.7] ::
10. ↑1 (11) : Death Note – Viz Shonen Jump Advanced [428.0] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [470.0] ::
2. ↑1 (3) : Naruto 56 – Viz Shonen Jump, May 2012 [452.3] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [367.6] ::
20. ↓-3 (17) : One Piece 62 – Viz Shonen Jump, May 2012 [235.1] ::
23. ↔0 (23) : Highschool of the Dead 6 – Yen Press, Apr 2012 [227.1] ::
28. ↑9 (37) : Warriors SkyClan & The Stranger 3 – HarperCollins, Apr 2012 [200.0] ::
31. ↓-1 (30) : Rosario+Vampire Season II 8 – Viz Shonen Jump Advanced, Apr 2012 [192.6] ::
33. ↓-12 (21) : The Betrayal Knows My Name 3 – Yen Press, Apr 2012 [189.8] ::
35. ↑7 (42) : Pandora Hearts 10 – Yen Press, May 2012 [178.8] ::
37. ↓-2 (35) : Bleach 39 – Viz Shonen Jump, Apr 2012 [176.0] ::

[more]

Preorders

7. ↓-1 (6) : Black Butler 9 – Yen Press, Jul 2012 [373.0] ::
12. ↑1 (13) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [281.3] ::
13. ↑1 (14) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [279.5] ::
17. ↓-1 (16) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [270.3] ::
48. ↑5 (53) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [160.3] ::
53. ↑10 (63) : Naruto 57 – Viz Shonen Jump, Jul 2012 [153.4] ::
55. ↑52 (107) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [151.8] ::
56. ↓-23 (33) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [151.3] ::
65. ↓-1 (64) : Negima! 35 – Kodansha Comics, Jul 2012 [141.8] ::
72. ↑4 (76) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [124.7] ::

[more]

Manhwa

332. ↑137 (469) : INVU 5 – Tokyopop, Nov 2009 [36.0] ::
337. ↓-2 (335) : Bride of the Water God 9 – Dark Horse, Oct 2011 [35.3] ::
610. ↑59 (669) : Ragnarok 1 – Tokyopop, May 2002 [15.5] ::
679. ↑93 (772) : Bride of the Water God 10 – Dark Horse, Jan 2012 [12.4] ::
703. ↓-147 (556) : Black God 16 – Yen Press, Apr 2012 [11.2] ::
722. ↑28 (750) : Toxic (anthology) 1 – Udon, Jul 2012 [10.3] ::
748. ↓-102 (646) : Priest Purgatory 1 – Tokyopop, Aug 2010 [9.6] ::
752. ↑177 (929) : Bride of the Water God 11 – Dark Horse, May 2012 [9.4] ::
868. ↓-235 (633) : Color Trilogy 1 The Color of Earth – Macmillan First Second, Apr 2009 [6.9] ::
1200. ↑139 (1339) : March Story 2 – Viz Signature, Apr 2011 [2.2] ::

[more]

BL/Yaoi

48. ↑5 (53) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [160.3] ::
72. ↑4 (76) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [124.7] ::
81. ↑7 (88) : Love Mode 1 – Tokyopop Blu, Nov 2005 [114.0] ::
86. ↓-1 (85) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [111.1] ::
106. ↓-23 (83) : Private Teacher 3 – DMP Juné, May 2012 [98.5] ::
145. ↑14 (159) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [81.7] ::
156. ↓-54 (102) : Private Teacher 2 – DMP Juné, Jan 2012 [75.8] ::
176. ↑6 (182) : Vassalord 4 – Tokyopop, Nov 2010 [69.8] ::
211. ↑1 (212) : Vassalord 3 – Tokyopop, Sep 2009 [59.3] ::
246. ↓-36 (210) : Good Morning – DMP Juné, May 2012 [49.4] ::

[more]

Ebooks

2. ↑1 (3) : Naruto 56 – Viz Shonen Jump, May 2012 [452.3] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [315.7] ::
10. ↔0 (10) : Maximum Ride 5 – Yen Press, Dec 2011 [296.4] ::
14. ↑1 (15) : Maximum Ride 1 – Yen Press, Jan 2009 [274.4] ::
29. ↑2 (31) : Naruto 54 – Viz Shonen Jump, Mar 2012 [199.9] ::
38. ↓-2 (36) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [175.3] ::
42. ↑7 (49) : Naruto 53 – Viz Shonen Jump, Dec 2011 [172.6] ::
45. ↑2 (47) : Maximum Ride 2 – Yen Press, Oct 2009 [167.5] ::
47. ↑5 (52) : Maximum Ride 4 – Yen Press, Apr 2011 [161.3] ::
51. ↔0 (51) : Maximum Ride 3 – Yen Press, Aug 2010 [157.0] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Off the Shelf: Gods, Wine, & Time

July 5, 2012 by MJ and Michelle Smith Leave a Comment

MJ: I’m late. I’m late. For a very important date.

MICHELLE: I wonder if I could take this as a hint that you’ve finally read something I’ve been wanting you to read?

MJ: Hmmmm, I suspect the answer to that is “no.” I’m pretty sure I first encountered this as a small child, in Alice in Wonderland. And then a little later on a Barbra Streisand album.

MICHELLE: Oh, darn. I was hoping you’d read some of Alice in the Country of Hearts! Oh well. What did you read?

MJ: Well, my first read this week was Aki’s Olympos, a new josei single-volume omnibus release from Yen Press.

Olympos tells the story of Ganymede of Troy, said to have been abducted by Zeus and brought to serve him at Mount Olympus. In Aki’s adaptation, it is actually Zeus’s son Apollo who abducts Ganymede and holds him in the “miniature garden,” a prison filled with white flower petals as immortal as the gods themselves. Rather than occupying a position of honor as cupbearer to the gods as in the original myths, Aki’s Ganymede is relentlessly tortured by Apollo, who presses upon him the bleakness of his new immortality and takes pleasure in his futile attempts to escape. This torture is later escalated by Hades, who informs Ganymede that his only chance for relief would be for him to go mad, which would release him from Zeus’ celestial realm and into the dark of the underworld. Meanwhile, an eerily monstrous specter of Zeus hovers menacingly around the garden, infatuated with its human prisoner.

I’ve painted a pretty grim picture, I know, so you may be surprised to hear that Olympos is actually a fairly quiet, philosophical manga, meandering through its 300+ pages with musings on the nature of truth and immortality, and the impossibility of understanding between humans and gods. Unfortunately, “meandering” is a key word here. Despite a strong beginning, featuring a newly captured human (Heinz), charged by Apollo with the daunting task of convincing Ganymede—after years of Apollo’s goading—that escape from the garden is possible after all, the series soon loses focus, devolving into a kind of distractedly philosophical pudding that never quite gels.

That said, there’s a lot worth fishing out of this mythological goo if one has the will to do so, and I admit to enjoying quite a bit of it. Apollo’s journey is interesting in particular, as he comes to the realization that speaking the truth and knowing the truth are not necessarily the same things. Ganymede’s character, too, has a lot to offer, as he slowly comes to terms with his fate. Ganymede is described by Homer as the most beautiful of mortals, and this aspect of his story is one that Aki truly takes to heart. All of the artwork in Olympos is beautiful, in fact, almost beautiful enough to make up for its structural flaws.

MICHELLE: I have to say, “distractedly philosophical pudding” is a wonderful phrase, and one that could be applied to quite a lot of storytelling, in my experience.

And yes, despite its flaws, Olympos still sounds like something I’m going to want to check out. Especially because it’s josei and we see too little of that here.

MJ: I do think you’ll want to check it out. And though I think you’re likely to become frustrated with its lack of coherency at some points, I think you’ll end up enjoying it. I certainly did.

So, what have you been reading this week?

MICHELLE: First up for me is volume four of The Drops of God, a seinen series about wine that’s published by Vertical in two-in-one omnibus editions.

This series… how to describe it. My first compulsion is to say “It’s like Oishinbo with wine.” The protagonist, Shizuku Kanzaki, was never a wine fan while his father, a famous wine critic, was alive, but after his death, Shizuku becomes obsessed with learning about the stuff, which is fortunate because the terms of his father’s will require him to compete with a prententious critic (Issei Tomine) to identify a dozen or so wines based on verbal descriptions alone. In between the match-ups with Issei (the second of which closes out this volume), Shizuku and his trusty sidekick Miyabi get up to various things, which usually involve tasting a whole bunch of wine and rhapsodizing about them, sometimes with unintentionally amusing visuals and dialogue.

For instance, in this volume, the wine division of Taiyo Beer has a new client who turns out to be Miyabi’s first love from middle school. He wants to open a grocery store that stocks only name-brand wines, and it’s up to Shizuku and Miyabi to convince him that there are many worthy wines without a prestige name, and so they must search out and find certain ones capable of besting famous wines in a testing. Of course, they succeed, culminating in an absolutely hilarious scene where the first love guy takes a sip and is suddenly riding a pegasus amongst the clouds, taking a little tour of his childhood memories. I admit I laughed out loud.

I don’t mean to suggest that I don’t like The Drops of God, because I do, but it frequently strikes me as ridiculous, even more than your average sports manga (but not more so than the latter volumes of The Prince of Tennis). Perhaps it would help if I had a genuine interest in wine.

I do want to note that this volume has a special message in the back, which I’ll quote here: “The unveiling of the Second Apostle concludes “season one” of the English release. By author request, our next installment jumps ahead in the storyline to a segment on “New World” wines including those in Napa Valley. Tell all your friends about the series so there will be second and third seasons to fill in the gap! We appreciate your support.”

So now I am doing my part by telling all the folks reading Off the Shelf!

MJ: Important news indeed, Michelle! I, too, like The Drops of God, probably more than most sports manga, though that may simply be due to the fact that I have much more interest (generally) in wine than sports. I’m behind on this series, but I’m anxious to catch up. It’s just, well, fun. Also, it makes me thirsty.

MICHELLE: Yeah, it does kind of have that effect.

So, the last book that we’re going to discuss is one that we’ve both read, but we’re coming at it from slightly different perspectives. That is, you’ve seen the movie that it’s based on and I haven’t.

MJ: Indeed! It’s one of my favorite movies, even.

MICHELLE: What we’re talking about is 5 Centimeters per Second, another two-in-one omnibus from Vertical, though this time collecting the entire series. Do you want to describe the story, or shall I?

MJ: I can at least start! Based on the animated feature from writer/director Makoto Shinkai, 5 Centimeters per Second tells the story of a young boy, Takaki Tohno, and Akari Shinohara, the first love he can’t put behind him. He first meets Akari as she transfers into his elementary school in Tokyo. The two bond quickly, partly due to their mutual experience as children whose families move a lot. Mostly, though, they just like each other, so much so that their classmates eventually tease them about being in love. With middle school quickly approaching, they work hard to get into the same junior high, but just like that, Akari’s family is moving again, to Iwafune, quite a distance away.

The two keep in touch by mail, but when Takaki finds out that his family is going to be moving even further away, he decides to visit Akari by train while he still can. Rushing from school to the train, he is delayed several hours by a snowstorm, finally arriving in Iwafune late into the night to find Akari waiting hopefully at the station. This is the last time he will ever meet with her. Time passes, and with only letters and text messages to connect them, Takaki and Akari eventually grow apart. But Takaki’s lingering attachment keeps him from really being able to connect with anyone else.

MICHELLE: (This is spoiler territory here, so be warned.)

I really love how this story plays out because, unfamiliar with the movie, I kept expecting Takaki and Akari to reunite, especially since the opening pages portray them passing each other in the street. But it’s actually much more complicated than that, as the realities of day-to-day adult life have whittled down Takaki’s idealism to the point where he feels he has lost his real self. He never really put forth the effort to contact Akari—another character, Kanae, later shows that one can find someone if one really tries—but yet to move on, to really love someone else would feel like a betrayal. And so he is stuck.

And then at the end, we revisit the moment they glimpse each other, which is portrayed fairly ambiguously from Akari’s point of view. Did she notice him? Did she recognize him? I tend to think she did not, and I love how Takaki smiles at that realization—always kind, he is relieved to see that she’s moved on (did he notice her engagement ring?) and is not encumbered by memories of him as he has been with her. It’s sad, but it’s nice, and I love that it doesn’t go for the expected happy ending.

MJ: This kind of inevitable separation—both the pain of it and the cruel ordinariness of it—is a recurring theme in Shinkai’s work (you may remember that the manga adaptation of one of his earliest films, The Voices of a Distant Star, was the first review I wrote for PopCultureShock), and though he’s always explored this theme beautifully, 5 Centimeters per Second is his most poignant attempt, I think, because the barrier between Takaki and Akari is relatively small. They aren’t separated by light years like the characters in Voices. They’re on the same planet—even in the same country. But the reality is, of course, that there is so much more to it than just the distance, and it’s this kind of simple, simple truth that makes Takaki’s plight so sad and so relatable.

MICHELLE: While the title technically refers to the speed at which a cherry blossom petal falls from a tree, it rather elegantly captures the main obstacles facing Takaki and Akari: distance and time. But it’s a fall, and a separation, that feels almost leisurely because it takes place over a long span of time.

MJ: Beautifully said, Michelle! One of the interesting things about this adaptation is just how much more leisurely the time does pass. The film is fairly neatly divided into three parts, with the first section (Takaki’s childhood with Akari, up through the point when he visits her in Iwafune) feeling the longest and the most fleshed-out. In this manga series, the second two sections are greatly expanded upon, giving us a much closer look at the stories of both Kanae and Takaki’s later girlfriend, Risa, (who is barely seen in the film), which ultimately teaches us even more about Takaki and the women he’s unintentionally hurt with his kindness over the years. While I do miss the strength of some of the film’s imagery and direction (Takaki’s lonely train ride, for instance, feels absolutely epic in the film, thanks to Shinkai’s brilliant pacing), these additional insights really do add something significant.

MICHELLE: I thought his train ride seemed pretty epic in print, too, especially given the fact that a lot of what happens prior to that is, like, two-page vignettes charting the progress of his growing closeness with Akari, but the train ride was the first time we got a long, tense, interrupted sequence of events.

I did want to ask you… was anything different in the movie? Like, the plot? I’m kind of sad to learn Kanae’s not in it much, since I liked her a great deal, and especially appreciated the little optimistic twist (but yet still ambiguous) thrown our way at the end concerning her future.

MJ: Ah, I think I perhaps wasn’t clear. Kanae is in the film quite a bit (the entire second section revolves around her). It’s Risa we barely see. But even so, there isn’t actually any difference in the plot, it’s just that we’re shown much, much more of it in the manga.

MICHELLE: Well, that makes me happy, then!

MJ: It makes me happy, too. Good adaptations can be difficult to come by, but this one is quite good indeed.

Filed Under: OFF THE SHELF Tagged With: 5 centimeters per second, olympos, The Drops of God

Genshiken: Second Season, Vol. 1

July 4, 2012 by Sean Gaffney

By Shimoku Kio. Released in Japan by Kodansha, serialization ongoing in the magazine Afternoon. Released in North America by Kodansha Comics.

This review is based on an advance uncorrected proof provided by the publisher, and does not reflect a review of a finished product.

It’s not all that much of a surprise that the Genshiken series has returned for more adventures of everyone’s favorite otaku club. The original series also slowly evolved over its nine volumes, seeing the club shed members and switch club presidents, even though the basic cast stayed the same. But now almost all that cast has graduated, so this sequel also has the challenge of introducing a whole bunch of new people and hoping that the reader will appreciate them in the same way they did when Ogiue joined.

Speaking of Ogiue, as the series starts she’s the new club president, not that there’s much of a club. It only has three people, partly as it seemingly duplicates other club’s interests, but mostly as it still has Kukichi. I have to say that while I appreciate his value as a comic foil, Kukichi’s utter creeptasticness still rubs me the wrong way, even in this new series. Luckily, as in the original series, he is used sparingly. This is partly because Kio-san also has another comic relief character to balance things out, Suzanna. Who is also creeptastic, particularly in her inability to speak in anything but old anime phrases, but at least doesn’t make me want to wash afterwards.

As for the new folks, there are two characters who get the bulk of the screen time, and I suspect they will start to force out Ogiue and Ohno just as those two slowly took over from Sasahara and company. Yajima is a poor artist but wants to be better at it, and seems to be filling the ‘we need at least one normal person in the club’ function that used to be Kasukabe’s, though Yajima at least is also an otaku. More interesting is Kenjiro Hata (I thought this might be a Hayate the Combat Butler joke, but it seems to be a coincidence), a character who I can’t really discuss without spoiling the first volume. It’s Hata I expect most Japanese fans will be glomming onto, though I’m not sure about Western fans.

For those wondering if this will resolve anything from the prior series, such as Madarame’s unrequited love… well, Madarame does show up throughout, despite having graduated, and he still seems to be hung up on Kasukabe. Whether that goes anywhere I suspect depends on how fast the new group of characters catches on. I am reminded of the K-On! series, which tried to have its came and eat it too by introducing some new girls for Asuka’s high school band while also following the four others to college. In the end, neither one caught on with readers. Genshiken has been doing this from the start, but we now have a bit more of a tonal shift. As the cast has gotten more and more female, the otaku obsessions have grown more and more BL. The series still runs in Afternoon, a magazine for young men, but I do suspect that the sequel over here may find a larger crossover BL-audience than the original did. (Though the original also had its female fans, of course.)

In the end, I enjoyed getting back to this series. It’s like visiting an old hangout and seeing what’s changed. Thankfully, there’s little melancholic ‘good old days’ here: things are the same as ever, just with a new cast. I look forward to seeing their awkward fits and starts of growing up. Which is, of course, the real plot of Genshiken: Awkwardness Is Magic.

Filed Under: REVIEWS

Pretty Little Secrets by Sara Shepard

July 4, 2012 by Michelle Smith

From the back cover:
Rewind to junior year in Rosewood, Pennsylvania, to a winter break no one has ever heard about.

Fat snowflakes fall onto manicured lawns, quilted stockings hang over marble fireplaces, and everyone is at peace, especially Hanna, Emily, Aria, and Spencer. Now that Alison’s murderer is in jail and A is dead, they can finally relax. Little do they know there’s a new A in town…

What happens on holiday break stays on holiday break—right? But guess what. I saw. And now I’m telling.

-A

Review:
This will probably be the last full-length review I write of a Pretty Little Liars novel. Mostly that’s because I’ve run out of ways to say “it isn’t very good, but I still enjoy it,” but also… egads, this one was pretty bad.

Although published earlier this year, Pretty Little Secrets is actually set between books four and five of the series, so I opted to go ahead and read it now. The premise is that this is the winter break between those books and the new A in town is observing the four girls before beginning to seriously harass them. It feels a lot like a media tie-in novel, to be honest, shoehorned in between more pivotal events with decidedly lame plots that are designed not to contradict anything that comes afterwards. (Although, I’ve actually heard there are some discrepancies.)

In “Hanna’s Little Secret,” Hanna is despondent when her boyfriend, Lucas, goes on vacation with a hot chick, so she binge eats a while, then joins a fitness boot camp, where she competes with another girl to win the affections of their instructor. In “Emily’s Little Secret,” Mrs. Fields is upset over the theft of her precious ceramic baby Jesus (yes, really) from a church nativity scene, and enlists Emily to infiltrate the clique of girls presumed to be responsible. In “Aria’s Little Secret,” Aria’s old Icelandic flame shows up randomly and they decide to get married (yes, really). And in “Spencer’s Little Secret,” Spencer and her sister compete for the affections of a tennis player while their parents are having some angst related to the DiLaurentis family. There are small things connecting the stories, mainly the references to a vile-tasting vitamin water called AminoSpa.

I thought the Hanna and Spencer stories were structurally pretty similar, as both involved bitchy sisters/step-sisters as well as the protagonist getting duped by another girl who was actually after the same guy who turned out to be a player who used the same lines on them both. Though it’s really just as dumb as the others, the Emily story is probably the best because it contains a few snickerworthy lines.

All in all, please feel free to skip this collection. You’re not missing much of anything.

Filed Under: Books, Suspense, YA Tagged With: Sara Shepard

Manga the Week of 7/11

July 4, 2012 by Sean Gaffney

As one would expect after this week’s huge stack of manga after manga, next week is slightly quieter. But there are still a few new manga out there to please everyone.

Digital Manga Publishing starts us off with a new volume of the ever popular Finder. It’s a big title with yaoi fans, despite reviews tending to use the word “sexplosion” when describing it. There is also Flutter, whose cover features two really depressed-looking guys. And they have Secretary’s Job as well, which does not seem to be a sexplosion, but at least the cover doesn’t feature leads who want to kill themselves. So it’s a nice balance.

Fanfare/Ponent Mon has Vol. 3 of mountain climbing epic Summit of the Gods. Even if it wasn’t illustrated by Jiro Taniguchi (which it is), you should get this anyway as one should always support any Business Jump manga that actually gets brought over here.

Kodansha has the 5th volume of Tarzan-ish shonen manga Animal Land, which should appeal to anyone who liked Zatch Bell, the author’s other imported series.

Despite the cover, which looks remarkably like Seven Seas’ other OEL titles, Angel Para Bellum is in fact Japanese. It’s from the artist who does Dance in the Vampire Bund, and runs in Softbank Creative’s Flex Comics! Remember them? That’s right, CMX’s old buddies. And now Seven Seas has them! They also have the start of a new Alice spinoff, this one featuring Boris. At 7+ volumes, it promises to be longer than the original series. There’s also some Korean titles: Jack the Ripper/Hell Blade, and an omnibus of Vol. 5-6 of My Boyfriend Is A Vampire, which I presume is one of those titles that is also the plot.

Lastly, Viz has Vol. 4 of the adorable Fluffy Fluffy Cinnamoroll, which I always misspell. But not this time! Ha!

Be patriotic, Americans! Buy Japanese manga! Which one are you getting?

Filed Under: FEATURES, manga the week of

It Came From the Sinosphere: Passionate Wastrel, Infatuated Hero (Part 1)

July 3, 2012 by Sara K. 9 Comments

The Chinese cover of Passionate Wastrel, Infatuated Hero

There is not much information available about this novel in English, so I am giving it a more thorough treatment than usual, and making this a two-parter.

First, I think it’s better to show instead of describe the feel of the novel. So, before continuing, please read this short excerpt – click here to read it in English, click here to read it in Chinese.

Now that you’ve read that, you should have some idea what the novel is like, so you are ready to read this review.

Background Information

In China, this novel is titled Duōqíng Làngzǐ Chīqíng Xiá (多情浪子痴情侠), which roughly means Passionate Wastrel, Infatuated Hero. In Taiwan it is titled (天觀雙俠) Tiān Guān Shuāng Xiá. Even though I prefer the title Tiān Guān Shuāng Xiá, it’s difficult to translate into English, so I will stick with Passionate Wastrel, Infatuated Hero.

Wuxia has historically been dominated by male writers. To this day, if you ask somebody who is familiar with wuxia to name five writers, there is a good chance that that person will name five male writers. Fortunately, times are changing. Zheng Feng (the pen name of Chen Yu-hui) is, at least in Taiwan, the most popular contemporary wuxia novelist … and she’s not male. Passionate Wastrel, Infatuated Hero is the novel which put her on the map.

To learn more about Zheng Feng, read this interview (English translation available here).

Passionate Wastrel, Infatuated Hero is a sweeping wuxia novel set in China, Korea, and Mongolia. It includes naughty children and dying elders, Tibetan monks and Japanese pirates, princesses and prostitutes, Catholic missionaries and desert bandits, doctors and assassins, decadent cities and secluded mountains, desperate fugitives and frightened leaders. As the title implies, this tale revolves around two main characters.

The Passionate Wastrel

Zhao Guan loves drinking alcohol, and he loves having sex with pretty women even more … so he’s built up a reputation as a bad boy. Much of the plot of the novel follows this pattern: Zhao Guan meets a pretty woman, the pretty woman is in trouble, Zhao Guan gets her out of trouble, something happens between them (whether it’s sex, a kiss, or merely lustful fantasies on Zhao Guan’s part), and the plot moves on.

Even though he’s promiscuous, Zhao Guan does not come across as a creep because he cares a lot about what women think and how they feel. When he gets pretty women out of trouble, he does it because he does not like seeing people in trouble, not because he is trying to get sex—nor does he think they owe him sex if he does rescue them. Of course, if they do decide to have sex with him anyway, it certainly makes him happy. Furthermore, he really gets off making women happy. Of course, because he is such a good-looking young man, he makes many women happy (at least in the short term) by letting them into his bed. He often looks to the women in his life, whether or not he’s having sex with them, for advice when he has a problem of his own. And finally, he’s honest with all of his love interests—he tells them that he sleeps around, and that he is not going to stop.

However, while he seems carefree on the outside, he is haunted by the brutal murder of his mother. Years later he can still describe the scene in gruesome detail. He was lucky to survive himself. He wishes to find the killers and get revenge … but the killers left no clues, and he knows that even if he knew who the killers were, he is not match for them. Furthermore, he is almost certain that they are pursuing him in order to “finish the job”—in fact, he has numerous close calls. Thus, he often travels incognito and goes by false names lest he suffer his mother’s fate.

The Infatuated Hero

Ling Haotian is the son of Ling Xiao and Qin Yanlong (two of the most highly respected martial artists and doctors of the era) and is the younger brother of Ling Biyi and Ling Shuangfei (twin brothers who are the most promising and respected young martial artists of the generation). Ling Haotian feels it is impossible for him to live up to such high standards. He often withdraws himself, lest he disappoint somebody by not being as awesome as the rest of his family. He is very close emotionally to Zheng Baoan, his mother’s apprentice, and eventually gets a major crush on her. However he cannot bring himself to tell her how he feels.

Then the bombshell falls. Ling Haotian’s older brother Ling Biyi—who everybody claims is the most wonderful young man in the world—confesses his love for Zheng Baoan, and asks for her hand in marriage. Everybody says that Zheng Baoan is really lucky. For example, Zhao Guan says that if he were into men he would definitely fall in love with Ling Biyi. It is inconceivable to everybody—including Ling Haotian—that Zheng Baoan would not return Ling Biyi’s love. Ling Haotian cannot stand to see his brother and Zheng Baoan together … so he runs away from home.

This, of course, is the beginning of his adventures. He wanders Jianghu without any particular goal, other than trying to forget about Zheng Baoan and his brother (he fails, of course). During the course of his travels, he has to fight a lot, and also ends up learning a lot of martial arts. Gradually, he gets better and better. He is so preoccupied with his unrequited love that he does not notice it when his abilities surpass that of his celebrated brothers. A couple of women hand Ling Haotian their hearts, yet the only woman in his heart is Zheng Baoan.

Trouble, of course, has a way of finding him. In fact, really, really, really big trouble finds him. If you can read Chinese, I do not want to spoil it, but if you cannot read Chinese, then I might as well say that …

[BIG SPOILER WARNING]

Ling Haotian watches his brother, Ling Biyi, die in his arms, murdered. This makes it seem even more impossible to Ling Haotian that he could ever be with Zheng Baoan. He feels he cannot love her without wronging his deceased brother (in traditional Chinese culture, marrying your brother’s widow is considered a major taboo). When Ling Haotian brings his brother’s body back home, his parents treat him as a monster. It turns out that his other brother, Ling Shuangfei, had accused Ling Haotian of committing the murder out of jealousy over Zheng Baoan. Furthermore, Ling Haotian is framed for many other murders, meaning there are many, many martial artists seeking to get their revenge. Ling Haotian wants to avenge his brother’s death and clear his name—until he finds out that the man who murdered Ling Biyi is none other than his other brother, Ling Shuangfei!

Does he murder Ling Shuangfei (his own brother), or leave the death of Ling Biyi (who is also his brother) unavenged? Should he tell everybody the truth about the murder? Would anybody believe him?

Of course, with almost everybody in Jianghu trying to kill him, Ling Haotian will not live long without help. It just so happens that one of the only people who believes in Ling Haotian’s innocence is Zhao Guan … and Zhao Guan knows a thing or two about hiding from people trying to kill him.

It turns out that not only is Ling Xiao not Ling Biyi and Ling Shuangfei’s biological father, but that he killed their biological father. Ling Shuangfei murdered Ling Biyi because Ling Biyi refused to work with him to get revenge for their biological father. It turns out that Ling Shuangfei and Ling Biyi’s half-sister, trying to avenge their father’s death, is the one framing Ling Haotian for so many murders … and is also responsible for the murder of Zhao Guan’s mother!

[END SPOILER WARNING]

Yep, in Ling Haotian’s life, when it rains, it pours.

So that is a basic overview of the novel. In Part II, which will appear on Friday, I will express my opinion. Until then…

What is your impression of this novel based on this overview?

UPDATE: Part II is up!


There is no question about it now … Sara K. is now officially a wuxia fan. The more she learns about wuxia, the more novels she wants to read, and her reading list is growing faster than she can actually read them. And she still wants to read other things. Maybe she will one day grow tired of wuxia novels, but she thinks that will take a while.

Filed Under: It Came From the Sinosphere Tagged With: Novel, wuxia, zheng feng

Adventures in the Key of Shoujo: Sakura Hime, Vol. 2

July 2, 2012 by Phillip Anthony Leave a Comment

Sakura Hime: The Legend of Princess Sakura Volume 2 | By Arina Tanemura | Published by VIZ Media | Rated: T, Ages 13+

“Faint hearts never won fair maidens.”

This statement works in the case of both lead characters in Arina Tanemura’s Sakura Hime: The Legend of Princess Sakura. Aoba, a prince in the Japanese imperial court, is betrothed to Sakura, a princess of the moon (run with me here). But Sakura is now in danger of becoming a Youko (demon), and Aoba is charged with killing her. When last we left our leads, Sakura had to flee Aoba and his courtiers who were trying to kill her. After being betrayed by her retainer, Oumi, Sakura found sanctuary with Kohaku, a female ninja in the employ of Aoba’s family, and had finally confronted Aoba after being lured into a trap by him.

Well, things certainly have improved since last I wrote about this manga. A lot of the problems from the first volume have been addressed, if not corrected.

First up, the court intrigue hinted at now comes to the fore with not one or two but three groups with their own agendas working in the court. First is Aoba, who now is completely conflicted over his love for Sakura. She’s the enemy but she’s not at the same time. He has to kill her because of her exposure to the Youko. She is a demon so his course is clear. But when Lord Fujimarusaki (Aoba’s brother) offers a deal that allows Sakura to live in exchange for killing a local Youko that has been concerning the Togu (guy in charge) and his advisors, Aoba is stuck. Now that the reason for hating her has been put on hold, Aoba finds himself trying to fight his own brother for possession of her love.

Lord Fujimarusaki states his affection for Sakura both to her and to Aoba. But he also sees how important Sakura has become since Aoba rejected her. Suitors hoping for nothing more than political influence will try to gain her hand. So Fujimarusaki moves first. But is he doing this for noble reasons? Aoba doesn’t know, but doesn’t tip his hand.

Finally, an awesome new character has been introduced who has insiders in the Royal court working for them. This new character is definitively not human, has no trouble sacrificing others for the goal, and gets the cliffhanger moment at the end. Brilliant timing, and I hope this character will be staying around as more than just a villain of the week.

Poor Sakura’s position first gets better and then worse. After being betrayed by Oumi and then by Aoba, everything would be easier if she simply gave in and became a complete Youko. But her temperament (and I suspect her love for Aoba) is keeping her anchored, though I enjoy the fact that she, too, can’t get past either Aoba or his betrayal. They have a heated argument in this volume and you can see her wanting to tell him something—to tell him everything that she has in her heart and mind. But the fact is that he …I don’t know, has to be seen in a certain way with the court. Or perhaps she’s scared to tell him everything and risk losing him. Hmm, interesting bind to be in.

Also we finally learn why Oumi betrayed Sakura. On one hand, it’s predictable, and on the other it’s heartbreaking. Oumi isn’t strictly a bad person and she technically has good reasons for doing what she did. Still, no misguided person’s fall from grace stops at a single mistake, and sadly Oumi’s arc gets worse in tone. Sakura herself confronts the issue with Oumi at the same time, and Tanemura handles it well. If nothing else, the author seems to know where she’s going in this volume and sets up an excellent final act with tragedy, pathos, and heart.

My personal favourite moment in the volume comes when Sakura protects Aoba from a snake attack. Aoba thinks she did it for self-serving reasons but Sakura did it for the right reasons in her own mind. In doing so, it’s revealed that these near fatal wounds she receives are not as painless as people believe. When Aoba realises he’s hurt Sakura more than he imagined, he tries to console her as she sleeps. It’s a nice, poignant moment and it’s handled with care and no overload of emotion.

I think I’m still reading this story because of the setting in ancient Japan. This doesn’t allow for outward displays of affection, so everything is supposed to be low-key. Despite this, Tanemura lifts the constant downer material with great comedic spats between the characters. If they were in a modern setting, this story wouldn’t appeal all that much to me. It’s bubbly and effervescent but not overbearing. If I could single out anything, I’d say that there isn’t too much action going on for the most part. But not every apple has to be rosy red so I’m asking too much of the book. I’m still hanging in for a crack at volume three.

Filed Under: Adventures in the Key of Shoujo Tagged With: hime, manga, MANGA REVIEWS, sakura, sakura hime, shojo, shoujo

Manga Bestsellers: 2012, Week Ending 13 May

July 2, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [468.0] ::
2. ↔0 (2) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [424.8] ::
3. ↑5 (8) : Naruto 56 – Viz Shonen Jump, May 2012 [422.8] ::
4. ↓-1 (3) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [410.0] ::
5. ↓-1 (4) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [409.3] ::
6. ↓-1 (5) : Black Butler 9 – Yen Press, Jul 2012 [389.5] ::
7. ↔0 (7) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [382.5] ::
8. ↓-2 (6) : Negima! 34 – Kodansha Comics, Apr 2012 [366.5] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [346.2] ::
10. ↑1 (11) : Maximum Ride 5 – Yen Press, Dec 2011 [289.0] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 79
Yen Press 79
Tokyopop 75
Viz Shojo Beat 51
Kodansha Comics 47
Viz Shonen Jump Advanced 39
DMP Juné 17
Vizkids 17
Dark Horse 13
HC/Tokyopop 13

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,157.8] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [955.0] ::
3. ↔0 (3) : Black Butler – Yen Press [819.3] ::
4. ↔0 (4) : Maximum Ride – Yen Press [609.7] ::
5. ↑1 (6) : Negima! – Del Rey/Kodansha Comics [563.3] ::
6. ↑1 (7) : Highschool of the Dead – Yen Press [512.9] ::
7. ↓-2 (5) : Warriors – HC/Tokyopop [492.0] ::
8. ↔0 (8) : One Piece – Viz Shonen Jump [491.0] ::
9. ↑3 (12) : Pokemon – Vizkids [451.9] ::
10. ↑1 (11) : Bleach – Viz Shonen Jump [397.4] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [468.0] ::
3. ↑5 (8) : Naruto 56 – Viz Shonen Jump, May 2012 [422.8] ::
8. ↓-2 (6) : Negima! 34 – Kodansha Comics, Apr 2012 [366.5] ::
17. ↑7 (24) : One Piece 62 – Viz Shonen Jump, May 2012 [262.4] ::
21. ↓-9 (12) : The Betrayal Knows My Name 3 – Yen Press, Apr 2012 [236.7] ::
23. ↔0 (23) : Highschool of the Dead 6 – Yen Press, Apr 2012 [231.2] ::
30. ↓-15 (15) : Rosario+Vampire Season II 8 – Viz Shonen Jump Advanced, Apr 2012 [197.9] ::
35. ↔0 (35) : Bleach 39 – Viz Shonen Jump, Apr 2012 [188.2] ::
37. ↓-24 (13) : Warriors SkyClan & The Stranger 3 – HarperCollins, Apr 2012 [183.3] ::
38. ↓-10 (28) : Durarara!! 2 – Yen Press, Apr 2012 [182.8] ::

[more]

Preorders

6. ↓-1 (5) : Black Butler 9 – Yen Press, Jul 2012 [389.5] ::
13. ↑1 (14) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [275.5] ::
14. ↑2 (16) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [275.5] ::
16. ↑3 (19) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [263.5] ::
33. ↓-6 (27) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [189.6] ::
53. ↓-2 (51) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [155.6] ::
63. ↑30 (93) : Naruto 57 – Viz Shonen Jump, Jul 2012 [138.5] ::
64. ↑7 (71) : Negima! 35 – Kodansha Comics, Jul 2012 [138.4] ::
76. ↓-4 (72) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [120.0] ::
80. ↑5 (85) : Negima! 36 – Kodansha Comics, Oct 2012 [114.4] ::

[more]

Manhwa

335. ↑13 (348) : Bride of the Water God 9 – Dark Horse, Oct 2011 [34.8] ::
469. ↑662 (1131) : INVU 5 – Tokyopop, Nov 2009 [24.0] ::
556. ↓-60 (496) : Black God 16 – Yen Press, Apr 2012 [18.7] ::
633. ↓-127 (506) : Color Trilogy 1 The Color of Earth – Macmillan First Second, Apr 2009 [14.7] ::
646. ↓-339 (307) : Priest Purgatory 1 – Tokyopop, Aug 2010 [14.1] ::
669. ↓-51 (618) : Ragnarok 1 – Tokyopop, May 2002 [13.1] ::
750. ↑88 (838) : Toxic (anthology) 1 – Udon, Jul 2012 [10.1] ::
772. ↑57 (829) : Bride of the Water God 10 – Dark Horse, Jan 2012 [9.4] ::
929. ↑308 (1237) : Bride of the Water God 11 – Dark Horse, May 2012 [5.8] ::
1260. ↓-318 (942) : March Story 3 – Viz Signature, Oct 2011 [1.9] ::

[more]

BL/Yaoi

53. ↓-2 (51) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [155.6] ::
76. ↓-4 (72) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [120.0] ::
83. ↓-15 (68) : Private Teacher 3 – DMP Juné, May 2012 [111.5] ::
85. ↑5 (90) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [108.6] ::
88. ↑34 (122) : Love Mode 1 – Tokyopop Blu, Nov 2005 [105.3] ::
102. ↓-6 (96) : Private Teacher 2 – DMP Juné, Jan 2012 [96.4] ::
159. ↑3 (162) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [73.6] ::
181. ↓-94 (87) : Gravitation vols 3-4 collection – Tokyopop, Aug 2009 [64.3] ::
182. ↑31 (213) : Vassalord 4 – Tokyopop, Nov 2010 [64.3] ::
210. ↓-52 (158) : Good Morning – DMP Juné, May 2012 [57.0] ::

[more]

Ebooks

3. ↑5 (8) : Naruto 56 – Viz Shonen Jump, May 2012 [422.8] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [346.2] ::
10. ↑1 (11) : Maximum Ride 5 – Yen Press, Dec 2011 [289.0] ::
15. ↑5 (20) : Maximum Ride 1 – Yen Press, Jan 2009 [267.4] ::
31. ↑9 (40) : Naruto 54 – Viz Shonen Jump, Mar 2012 [193.8] ::
36. ↓-5 (31) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [185.0] ::
47. ↓-3 (44) : Maximum Ride 2 – Yen Press, Oct 2009 [168.2] ::
49. ↑5 (54) : Naruto 53 – Viz Shonen Jump, Dec 2011 [166.5] ::
51. ↓-1 (50) : Maximum Ride 3 – Yen Press, Aug 2010 [162.7] ::
52. ↑5 (57) : Maximum Ride 4 – Yen Press, Apr 2011 [156.5] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Vagabond, Vols. 1-3

July 1, 2012 by Michelle Smith

By Takehiko Inoue | Published by VIZ Media (first VIZBIG edition)

One of my goals for this Manga Moveable Feast was to finally read some of Vagabond. I’ve been collecting the VIZBIG editions since they started coming out, which means there were ten of these on my shelf (with their spines forming a group portrait) unread. Now that I finally have read some of Vagabond, I’ve found it so different from the Inoue I’m familiar with—and yet containing some of the same themes—that I’m rather at a loss for words.

Shinmen Takezo is the son of a legendary swordsman, though we don’t really find that out until volume three. Since the age of thirteen, when he killed a man who came to Miyamoto village looking to challenge its strongest occupant, he’s been ostracized by all save a couple of childhood friends and he’s recently been off to battle with one of them, Hon’iden Matahachi. They both survive a bloody battle, but Matahachi takes up with a thieving widow, leaving Takezo to return to Miyamoto with tidings of Matahachi’s survival.

To make a long story very short: Takezo meets with an unfriendly welcome and is manipulated by a clever monk named Takuan into reevaluating his life. Four years later, now going by the name Miyamoto Musashi, he shows up in Kyoto looking to challenge the head of the Yoshioka sword school, and though he defeats many of their members, he learns there are still those stronger than him. A drunken Matahachi accidentally sets the blaze that allows Musashi to escape, and the VIZBIG ends with him realizing that the old friend he left for dead might actually have survived.

Even though I knew this was about swordsmen, I somehow didn’t expect it to be as gory as it is. There are a lot of death blows being dealt here, as Musashi is obsessed with measuring/proving his strength against others and willing to sacrifice his life to this aim. That said, at times the art is absolutely gorgeous, and there are a few color pages that look like bona fide paintings. The scope, layout, and pacing of the story all lend it a cinematic feel that is genuinely impressive. There’s one scene early on, when Musashi turns around to face the one opponent left standing and it’s genuinely terrifying.

But yet, I mostly found it unaffecting. I expect there will be more insight into the main character as time progresses, but for now he’s so closed off, so proud of his strength and being hailed a demon that I can’t grow fond of him or endorse his goals. I have a feeling I’m not supposed to. I did identify with Matahachi a lot, though, especially his inferiority complex in regards to his friend and his inability to follow through with the heroic deeds he imagines himself performing. I like Otsu, the fiancée Matahachi left behind, and I’m intrigued by Takuan, the monk. I’ll keep reading for them, if nothing else.

One thing about Musashi reminds me a lot of Hisanobu Takahashi in Real. As a child, Hisanobu was attempting to master a particular basketball move that his father showed him. He worked very hard on it, but was never able to show his father because the latter abandoned the family. Musashi has also been abandoned by his mother and shunned by his father, and part of his drive to test himself seems due to the desire to show them his strength, show them that he doesn’t need to depend on anyone else. Musashi is a real historical figure, not a character Inoue created, but it seems like he’s drawn to these confident yet wounded types.

Ultimately, I can see why Vagabond is hailed as a masterpiece, and I will certainly keep reading it, but my heart will always belong to Inoue’s sports manga, Slam Dunk in particular. The heart wants what the heart wants!

Vagabond is published in English by VIZ Media. Single volumes up through 33 have been published, as well as ten “VIZBIG” editions comprised of three volumes each. An eleventh VIZBIG edition is scheduled to be released in December. Inoue has recently resumed the series in Japan, so the upcoming release of volume 34 (October) will be the first new Vagabond released in English in two years.

Filed Under: REVIEWS Tagged With: Takehiko Inoue, VIZ

Let’s Get Visual: Takehiko Inoue

June 30, 2012 by Michelle Smith and Anna N

MICHELLE: It’s been a while, but Let’s Get Visual has awoken from its hibernation in time to celebrate the Takehiko Inoue Manga Moveable Feast. Joining me for this occasion is special guest host Anna Neatrour, who is also co-hosting the MMF with me! Welcome, Anna!

ANNA: Thank you! I am excited to join in on a Let’s Get Visual post for Takehiko Inoue, because I think he is one of the top contemporary manga artists. He has an incredibly detailed and realistic style that really sets his manga apart from other series.

MICHELLE: I just started reading Vagabond the other day, and there was one close-up picture of Takezo drawn with extreme care and obvious skill, and I thought, “Y’know, this should be the image that all manga fans carry around to immediately dispel the misconceived notion that all manga looks alike and/or involves big, sparkly eyes.”

ANNA: I think that Inoue’s style (particularly in Real and Vagabond) is probably more reader-friendly to Western comics fans who haven’t read much manga before.

MICHELLE: Yeah, probably so. I’ve often thought that Western comic fans would probably like a bunch of seinen manga if they’d give it a chance.

Anyways, I suppose we should proceed to get visual! The images I’ve chosen are the very first pages in the very first volume of Real.

Real, Vol. 1 (VIZ Media)

I chose these images because they demonstrate how well Inoue is able to communicate Togawa’s character here without needing any words at all. Okay, sure, this guy is in a wheelchair, but he’s clearly driven. He’s pushing himself, possibly to the point of pain (if that’s what that one black panel represents). He has bulging muscles, so he’s clearly been at this a while. He’s moving fast. He may have a disability, but it doesn’t mean that he can’t take being an athlete seriously.

And then you turn the page and see that he is all alone. Inoue pulls back to show the entirety of the gym to emphasize Togawa’s solitude, and if that wasn’t enough, we get a glimpse of the empty school campus, as well. This sets the stage for what we later learn (which you mention in your review)—that Togawa’s attitude toward his wheelchair basketball team does not mesh well with his hobbyist teammates. Here’s a guy who is giving it his all, and he is the only one.

There’s just so much we can tell from this elegant introduction that it kind of blows me away.

ANNA: I agree that one of the things I like best about Inoue’s art is how much the images are able to contribute to the storytelling of his manga without overtly telling the audience anything. The themes touched on in the images you showed are addressed again later in the manga. Togawa’s ego and isolation contribute to his central struggle in the manga, and at the same time his willingness to practice all by himself shows just how dedicated he is to his sport.

MICHELLE: I will always, always be a big fan of nonverbal storytelling, so Inoue really wins my heart here by going above and beyond impressive art.

Want to tell us about the images you picked?

ANNA: The panels I chose were from Volume 26 of Vagabond, collected in the ninth VIZBIG edition of the series.

Vagabond, Vol. 26 (VIZ Media)

One of the reasons why I love Vagabond so much is that the fight scenes are never merely about two people fighting. There’s always a psychological or philosophical element involved. We see Miyamoto Musashi in a midst of battle against 70 members of the Yoshioka sword school, an ambush he willingly walked into. As he battles, he’s focused on centering himself and living in the moment. The close-up panels of his face show the process of self-reflection even as he is mowing down his opponents.

MICHELLE: That’s a really striking sequence. I like how he seems to be looking off into the horizon as he tells himself to have no aspirations for the future, as if to acknowledge the existence of other paths that he’s not allowing himself to take. Granted, I’ve not read the series that far—I’m barely on volume two—but it almost seems to me like he could walk away from this fight if he wanted to, but he’s not letting himself do it. Is that anywhere near the case?

ANNA: I don’t think Musashi is capable mentally of walking away from a fight like this. There are a lot of things that lead up to this sequence of many chapters where Musashi takes on the entire sword school, but one thing that struck me about the battle as a whole is that while you see Musashi getting beaten down and injured, towards the end Inoue almost has the reader concluding that it was really unfair to the 70 men who were planning on ambushing and attacking Musashi from behind that they had to go up against this one particular single opponent. Vagabond’s
fight scenes are always interesting, even when they stretch on for hundreds of pages, simply because the exquisitely rendered battles are contrasted with the internal struggles of the people who are fighting. Battle is as much of a mental exercise as it is a physical one.

MICHELLE: That’s an interesting point! So far I’ve only seen a few fights, and there hasn’t been much on Takezo’s (as Musashi is known at that point in the story) mental state yet. But I definitely admired the pacing and structure of Inoue’s artistic approach to battle—even watching Takezo just turn around and notice one opponent still standing becomes something frankly terrifying.

ANNA: One the things I enjoy about Vagabond is seeing the way Musashi changes over time. The man fighting the sword school in these panels has a measured sense of self and an inner stillness as he fights opponent after opponent. This is totally different from the way Takezo is portrayed in the earlier volumes, where he is more arrogant and animalistic.

MICHELLE: I definitely look forward to seeing how he gets from point A to point B. I admit, I still prefer Inoue’s sports-related series, but there’s just no denying that Vagabond is a masterpiece.

Thanks to everyone for reading, and we hope we’ve inspired you to check out some Inoue!

Filed Under: Let's Get Visual Tagged With: Takehiko Inoue, VIZ, VIZ Signature

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 409
  • Page 410
  • Page 411
  • Page 412
  • Page 413
  • Interim pages omitted …
  • Page 541
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework