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Manga the Week of 10/24

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After a third week that was honestly pretty puny, this week brings a more robust group of titles.

Dark Horse has a new Bride of the Water God, one of those manwha titles that always makes me wish I had more money so I could give them a try. it also has the 25th volume of Gantz, which makes me wish that the author’s earlier series, HEN, was licensed instead.

Kodansha Comics has Volume 8 of Bloody Monday, its action thriller conspiracy title that sadly doesn’t lend itself well to jokes or puns.

Vertical has its new shoujo series, Limit, from the author of Life (if anyone remembers the old days of Tokyopop). If you read Life you know what we get here. Only even more intense. HOT HOT BULLYING ACTION.

And there’s a pile of stuff from Yen. Black Butler hits Volume 11, but is no match for Black God, which is at Volume 17 (and just ended in Japan this August) (yes, it runs in Young Gangan, but the creators are Korean. Think March Story or Sun-Ken Rock). Nagato Yuki is still adorable and Ryoko is still not insane in the 2nd volume of Disappearance. Durarara!! hits the end of its first arc, but don’t worry: Yen already has the Saika arc lined up. Pandora Hearts hits a dozen volumes, and there’s also the debut of Infernal Devices: Clockwork Angel, a manga version of Cassandra Claire’s novel.

Lastly, there’s Triage X. Which runs in Dragon Age. And is by the artist who does High School of the Dead. The cover is presented here without comment.

So, what’s in your manga collection this week?

Manga Bestsellers: 2012, Week Ending 7 October

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Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [372.2] ::
2. ↔0 (2) : Yotsuba&! 11 – Yen Press, Sep 2012 [358.2] ::
3. ↔0 (3) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [346.9] ::
4. ↔0 (4) : Naruto 58 – Viz Shonen Jump, Sep 2012 [338.9] ::
5. ↑1 (6) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [338.3] ::
6. ↓-1 (5) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [336.3] ::
7. ↑1 (8) : Death Note vols 1-13 box set – Viz Shonen Jump Advanced, Oct 2008 [292.7] ::
8. ↓-1 (7) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [290.7] ::
9. ↑5 (14) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [271.6] ::
10. ↔0 (10) : Alice in the Country of Clover Cheshire Cat Waltz 2 – Seven Seas, Sep 2012 [262.9] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 85
Viz Shonen Jump 78
Viz Shojo Beat 59
Kodansha Comics 43
Viz Shonen Jump Advanced 37
DMP Juné 23
Dark Horse 21
Vertical 21
Seven Seas 18
Viz 13

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [975.5] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [752.2] ::
3. ↔0 (3) : Bleach – Viz Shonen Jump [648.2] ::
4. ↑2 (6) : Maximum Ride – Yen Press [440.1] ::
5. ↓-1 (4) : Alice in the Country of Clover – Seven Seas [437.5] ::
6. ↓-1 (5) : One Piece – Viz Shonen Jump [429.6] ::
7. ↔0 (7) : Death Note – Viz Shonen Jump Advanced [403.8] ::
8. ↑1 (9) : Negima! – Del Rey/Kodansha Comics [391.3] ::
9. ↓-1 (8) : Yotsuba&! – Yen Press [381.8] ::
10. ↑1 (11) : Avatar: The Last Airbender – [multiple publishers] [346.7] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

2. ↔0 (2) : Yotsuba&! 11 – Yen Press, Sep 2012 [358.2] ::
4. ↔0 (4) : Naruto 58 – Viz Shonen Jump, Sep 2012 [338.9] ::
8. ↓-1 (7) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [290.7] ::
10. ↔0 (10) : Alice in the Country of Clover Cheshire Cat Waltz 2 – Seven Seas, Sep 2012 [262.9] ::
12. ↓-3 (9) : Bleach 46 – Viz Shonen Jump, Sep 2012 [253.7] ::
13. ↓-1 (12) : Bleach 47 – Viz Shonen Jump, Sep 2012 [247.9] ::
14. ↑4 (18) : Loveless 9 – Viz, Sep 2012 [244.4] ::
15. ↓-4 (11) : One Piece 64 – Viz Shonen Jump, Sep 2012 [243.5] ::
23. ↑8 (31) : Cardcaptor Sakura Omnibus 4 – Dark Horse, Oct 2012 [197.7] ::
30. ↑12 (42) : Negima! 36 – Kodansha Comics, Oct 2012 [170.4] ::

[more]

Preorders

9. ↑5 (14) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [271.6] ::
17. ↔0 (17) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [230.9] ::
19. ↔0 (19) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [227.2] ::
51. ↑9 (60) : Naruto 59 – Viz Shonen Jump, Nov 2012 [134.4] ::
53. ↔0 (53) : Nausicaa of the Valley of the Wind 2 vol hardcover box set [complete] – Viz Ghibli Library, Nov 2012 [133.0] ::
74. ↔0 (74) : Omamori Himari 9 – Yen Press, Nov 2012 [106.6] ::
80. ↓-10 (70) : Negima! 37 – Kodansha Comics, Jan 2013 [102.3] ::
107. ↑12 (119) : Alice in the Country of Joker Circus & Liar’s Game 2 – Seven Seas, May 2013 [90.5] ::
110. ↑32 (142) : Battle Angel Alita Last Order 16 – Kodansha Comics, Dec 2012 [89.4] ::
111. ↑14 (125) : Alice in the Country of Joker Circus & Liar’s Game 1 – Seven Seas, Feb 2013 [88.9] ::

[more]

Manhwa

550. ↓-7 (543) : Bride of the Water God 10 – Dark Horse, Jan 2012 [16.5] ::
767. ↓-122 (645) : Time & Again 6 – Yen Press, Jul 2011 [8.6] ::
780. ↑8 (788) : Bride of the Water God 11 – Dark Horse, May 2012 [8.2] ::
792. ↓-130 (662) : Time & Again 3 – Yen Press, Jul 2010 [8.0] ::
844. ↓-194 (650) : Time & Again 2 – Yen Press, Mar 2010 [7.0] ::
874. ↓-123 (751) : Time & Again 5 – Yen Press, Mar 2011 [6.4] ::
883. ↓-89 (794) : Time & Again 1 – Yen Press, Dec 2009 [6.2] ::
913. ↓-105 (808) : One Thousand & One Nights 8 – Yen Press, Aug 2009 [5.7] ::
965. ↑540 (1505) : Color Trilogy 1 The Color of Earth – Macmillan First Second, Apr 2009 [4.7] ::
1068. ↓-57 (1011) : Arcana 4 – Tokyopop, Mar 2006 [3.5] ::

[more]

BL/Yaoi

14. ↑4 (18) : Loveless 9 – Viz, Sep 2012 [244.4] ::
29. ↑1 (30) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [173.4] ::
81. ↑86 (167) : Secret Thorns – DMP Juné, Oct 2012 [102.1] ::
141. ↑185 (326) : The Tyrant Falls in Love 7 – DMP Juné, Sep 2012 [74.7] ::
202. ↑72 (274) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [56.0] ::
211. ↑174 (385) : Sleepless Nights – DMP Juné, Jan 2013 [53.4] ::
214. ↓-19 (195) : His Arrogance – 801 Media, Dec 2008 [52.2] ::
215. ↑69 (284) : Samejima-Kun & Sasahara-Kun – DMP Juné, May 2012 [52.2] ::
228. ↑97 (325) : Honey*Smile – DMP Juné, Oct 2012 [50.8] ::
251. ↑6 (257) : Black Sun 1 – 801 Media, Nov 2008 [44.8] ::

[more]

Ebooks

16. ↔0 (16) : Naruto 57 – Viz Shonen Jump, Jul 2012 [241.7] ::
20. ↑2 (22) : Maximum Ride 1 – Yen Press, Jan 2009 [214.3] ::
26. ↔0 (26) : Maximum Ride 5 – Yen Press, Dec 2011 [180.2] ::
36. ↓-2 (34) : Naruto 56 – Viz Shonen Jump, May 2012 [164.2] ::
54. ↔0 (54) : Naruto 55 – Viz Shonen Jump, Mar 2012 [129.3] ::
58. ↓-3 (55) : Maximum Ride 2 – Yen Press, Oct 2009 [124.1] ::
65. ↑1 (66) : Maximum Ride 4 – Yen Press, Apr 2011 [117.7] ::
79. ↑14 (93) : Maximum Ride 3 – Yen Press, Aug 2010 [102.3] ::
87. ↓-4 (83) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [98.9] ::
101. ↑14 (115) : Naruto 52 – Viz Shonen Jump, Jul 2011 [91.8] ::

[more]

A First Look at Cross Manage

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For a series whose plot hinges on a mammary collision, Cross Manage is better than it has any right to be: it’s interesting, funny, and populated with appealing characters who rise above type. The collider and the collidee are, respectively, Sakurai, an aimless second-year student, and Misora, captain of the girls’ lacrosse team. Though Sakurai has joined and quit twelve clubs, he has yet to discover an activity at which he excels; he scoffs at the idea that anyone would play a sport or pursue a hobby simply for enjoyment. Misora is his diametric opposite, an enthusiast who can describe the history of lacrosse in voluminous detail, but can’t make a shot to save her life. When Sakurai accidentally grabs Misora’s chest during an impromptu coaching session, she offers him a choice: become the manager of the girls’ lacrosse team, or risk public humiliation.

Yikes! The “whoops-I-touched-your-boob!” gag is one of the most overused and least amusing “comic” bits in shonen manga, not least because it portrays boys as the victims of mammary collisions, rather than the other way around. I admit that my heart sank a little when I read that scene: surely Kaito could have found a more creative way to set the plot in motion, perhaps one that didn’t scream Love Hina: The Lacrosse Years. But I soldiered on for another chapter, and was pleasantly surprised to discover that Cross Manage wasn’t evolving into a panty-fest or a string of lecherous, Benny Hill-style gags, but an amusing character study of two charmingly screwed-up teens.

Anyone who’s read more than two shonen rom-coms will recognize Sakurai and Misora as familiar types, but artist/author Kaito has invested them with more personality than is called for by the genre. Misora, for example, is a classic Shonen Spaz Dream Girl, but she’s an interesting variation on the type; though she’s utterly incompetent at everything, she’s clearly knowledgeable about lacrosse. She freely admits that she’s terrible, but she doesn’t care because playing the game gives her a sense of accomplishment and purpose.

Sakurai embodies another classic type, the Cool Reader Surrogate. As portrayed in the first two chapters of Cross Manage, Sakurai is a natural at everything — photography, shogi, sports — even though he never practices. Sakurai is a sympathetic character nonetheless, one who’s both moved and puzzled by Misora’s dedication to a sport at which she… well, sucks. And while Misora has a lot to learn from Sakurai about how to handle the stick and pass the ball, Sakurai clearly has a lot to learn from Misora as well — not the least of which is how to enjoy doing things at which he’s not an expert. (Also how to comport himself around girls, of whom he has a deep, unnatural phobia that’s sure to be explained in a future chapter.)

As with many Shonen Jump titles, the artwork is crisp if not terribly distinctive; I’d have a hard time picking Sakurai and Misora out of a line-up of recent Jump characters, though both are memorable enough within the context of the story. Kaito has the artistic chops to populate Cross Manage with a diverse supporting cast — a key skill in a series that promises to have a bumper crop of comic relief characters. Though he hasn’t had many opportunities to showcase this skill just yet, a throwaway scene involving the “prince” of the shogi club hints at Kaito’s ability to establish personality through a few well-chosen details.

If Kaito can steer clear of excessive fanservice, and provide both Sakurai and Misora room for personal growth, I could see myself following Cross Manage; if not, it will join the large pile of shonen romantic comedies that I’ve abandoned after the fifth — or fifteenth — “misunderstanding” involving groping, nudity, or panties. Stay tuned.

CROSS MANAGE, CHAPTERS 1-2 • BY KAITO • VIZ MEDIA • CURRENTLY RUNNING IN WEEKLY SHONEN JUMP ALPHA

Manga the Week of 10/17

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If you thought last week was tiny, wait till you get a load of this week. Tiny tiny tiny. (I blame Yen for shipping a week later than usual.)

Kodansha has the 2nd omnibus of the popular shoujo title Kitchen Princess.

Speaking of omnibuses, Viz has the 9th Tenjo Tenge omnibus, showing that we’re getting near the end. And they also have Vol. 4 of March Story, which has a Korean creator but runs in a Japanese magazine, so is manga in my opinion.

That’s it. Not even enough to make bad jokes about. Anything?

Crazy For You, Vol. 1

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By Karuho Shiina. Released in Japan by Shueisha, serialized in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by JManga.

I will admit, JManga is very good at planning their surprises. I had thought the big news for NYCC would be the Kodansha rescues, where they picked up several old Del Rey series that sold poorly enough that Kodansha Comics didn’t want to continue them, and are going to finish them off on the JManga site. And that is indeed very awesome news. But they followed it up with new, unreleased in North America titles from another of the ‘untouchable’ publishers that everyone assumed was supporting JManga quietly without actually giving them anything. Shueisha has added two older shoujo titles that Viz presumably doesn’t have an interest in, and I couldn’t be happier. Especially as one of them is an earlier series from the author of Kimi ni Todoke.

The first 3/4 of this volume is, quite simply, warm fuzzy fluffy shoujo romance. The heroine is Sachi, who is bright, bubbly, and eager to experience life, whatever it may be. She’s naive to a fault, but otherwise is quite different from Sawako, Shiina’s other heroine. Her more down-to-earth friend Akemi is arranging a get together so Sachi and her other friends can meet some guys Akemi’s boyfriend knows (the curse of all-girl schools). While there, she sees Yuki, a somewhat passive yet handsome guy, and falls almost instantly in love. The problem is that Yuki has issues. Will she be able to get through to his true self and show him her feelings? And is she really ready for love herself?

Sachi is an interesting heroine, at once incredibly naive and yet aware of her own naivete. At times in this volume she sets herself up to be hurt, knowing that even if she does it will be a good life experience and make her a stronger person. She’s also able to see that Yuki is a deeply wounded young man, though she’s unable to see exactly what those wounds are. After he initially rejects her (we suspect as she’s not the sort of girl he can casually date and drop), they become friends, but Sachi is still trying to show how much she cares for him. There’s a very awkward yet warm tone to their conversations that KnT fans will find familiar.

So, we get a cute bubbly girl and a quiet guy whose mask hides his loneliness and true feelings. We also have the cute beta couple of Akemi and her boyfriend, and another guy, Akahoshi, who is another shoujo cliche, the guy who initially is annoyed by the girl’s ditziness, but starts to fall for her as he realizes she has a truly good heart. It’s all very cute but slight. But this is six volumes long, not one, and we realize that something has to go wrong. The last 15 pages or so are a total mood swing, turning violent and dramatic, and end with a brutal cliffhanger. I suspect Volume 2 will be a lot less happy and fluffy.

(I actually liked the way all the players came together. Kimi ni Todoke’s main romantic pairings all tend to happen in parallel to each other, with no intersections (except maybe Kent). This is a giant messy pile of friendships and relationships.)

I’ve said this before about other titles, but again, this is what I want to see JManga doing. A nice, solid shoujo title that other publishers aren’t going to bother with. It doesn’t quite hit the heights of Kimi ni Todoke (the art, in particular, is less elegant and more typical shoujo), but it has a likeable heroine and an addictive plot. I want to know what happens next. Good thing Vol. 2 is also out now.

It Came From the Sinosphere: Spirit Sword

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The cover of the third volume of 'Spirit Sword'

I have previously discussed Zheng Feng’s first publishing success, Passionate Wastrel, Infatuated Hero. While that was her first published novel, this novel is actually the first novel she wrote, though after publishing Passionate Wastrel, Infatuated Hero she made major revisions to this one before publication. She said that, of the two, this novel was much more difficult to write, partially because she would often weep while revising it. I can believe it. In fact, she thinks she made Passionate Wastrel, Infatuated Hero so breezy to compensate for the solemness of this novel.

So, what is this novel about?

Story Overview

The martial arts world is being menaced by the ever-growing Fire Cult. So some people try to divine how to defeat the Fire Cult. They get a prophecy, which says that to extinguish the fire (as in the Fire Cult), the spirit sword must weep.

The story starts with a boy who has the power to read other people’s minds and to sometimes see the future (yep, psychic powers). Yet even though he can sometimes see the future, he doesn’t know about his own past – he has no memory of anything that happened to him before he was five years old, and knows nothing whatsoever about his parents. Furthermore, his body is covered with strange marks. He doesn’t even know his own family name – only his nickname, ‘Ming’er’.

Meanwhile, the Fire Cult is taking over the world with its kung fu, assisted by the psychic powers of its charismatic yet monomaniacal leader, Duan Dusheng. And for some reason, the Fire Cult is seeking out Ling Xiao, a former cult member who betrayed them. Yet Ming’er knows Ling Xiao’s father, Ling Manjiang and knows that he and Ling Xiao are about the same age … how could a little boy been a member of the cult, let alone do something so terrible that the cult would still be searching for him years later.

As it so happens, while Ming’er lives with Ling Manjiang, Ling Manjiang has a relationship with a woman, and she dies after giving birth to a daughter, Ling Yun. Ling Manjiang leaves, telling Ming’er to treat Ling Yun as his own sister.

Well, as a teenager, Ming’er finally figures it out … this ‘Ling Xiao’ boy is none other than himself. His mother was mad that Ling Manjiang was falling in love with another woman, so she left him and entered the Fire Cult. Duan Dusheng recognized Ling Xiao’s psychic powers, and decided to steal them. However, in order to make use of them, Duan Dusheng had to subject Ling Xiao to heavy-duty physical torture. His mother regretted bringing her son into the Fire Cult, so she made him drink a potion which made him lose all of his memories, sent him to a safe place. The cult punished her with torture and death. During the novel, Ling Xiao occasionally angsts over the fact that he doesn’t have a single memory of the mother who made such a sacrifice for him.

And of course, because he is in fact Ling Xiao, Ling Yun happens to be his biological half-sister.

This is only the beginning of course (this novel is over a thousand pages long), but I think this is enough to get the idea. Oh, and if you don’t know Chinese, you might want to know what the meaning of the prophecy is, right?

[MAJOR SPOILER WARNING]

At some point Duan Dusheng had loses his psychic powers, but he is still practically invincible because of a special kung-fu power. But to maintain this invicibility, he needs to regularly sexually assault young women. Most of these women die, and the ones who survive usually go mad. Now, if somebody interrupted the kung-fu ceremony, Duan Dusheng would temporarily lose his invincibility, but he’s not going to let anybody get close enough to do such a thing (well, except for his victim, since the victim has to be nearby for the ceremony to work, but trying to get into the ceremony this way is a suicidal mission).

So, during the course of the novel, Ling Xiao falls in love with a woman called Qin Yanlong, whose backstory is even more complicated than Ling Xiao’s. She has observed that, in spite of all of the suffering Ling Xiao has endured, he’s not a bitter guy at all, and it’s really difficult to make him angry. In fact, he doesn’t even hate Duan Dusheng. He is so used to being tormented that he thinks it’s normal … yet he won’t allow anyone he loves to suffer. The only time he ever wanted to kill anybody is when he thought that his beloved sister, Ling Yun, had been assaulted and tortured, and the only time he ever weeped was when he thought she herself (Qin Yanlong) was dead or dying.

Qin Yanlong eventually realizes that the ‘spirit sword’ mentioned in the prophecy is Ling Xiao himself. And she puts two and two together.

[END MAJOR SPOILER WARNING]

How it Works as a Prequel

So, since I had read Passionate Wastrel, Infatuated Hero first, I knew how things were going to end up in this story. That did not reduce the suspense. It might have actually increased the suspense, since I knew exactly how terrible things were going to get the for the main characters.

Yet there were many surprises. For example, when Qin Yanlong was first introduced as Cheng Da’s young male companion, my reaction was ‘WTH’, because a) in Passionate Wastrel, Infatuated Hero, Qin Yanlong is female and b) in Passionate Wastrel, Infatuated Hero, Qin Yanlong is paired with Ling Xiao, whereas Cheng Da is paired with Ji Huohe (to the extent you could call it a pair, since they were both had other partners).

And, as a fan of Passionate Wastrel, Infatuated Hero, I greatly enjoyed seeing the characters from that novel appear in this one, though I personally would have liked to have seen more of Ji Huohe (Zheng Feng says that she plans to write a novel about Cheng Da one day … I hope we might see more of Ji Huohe in that one). Learning more about their backgrounds, particularly Qin Yanlong’s background, was also a fannish delight.

Yet it is remarkable just how different this novel is from Passionate Wastrel, Infatuated Hero considering that many of the same characters appear in both. Whereas Passionate Wastrel, Infatuated Hero is fleet-footed and humorous (well, it’s can also pretty grim, but the grim parts tend to be brief), Spirit Sword is somber and tragic. And it was much harder to get into Sprit Sword. I was hooked on Passionate Wastrel, Infatuated Hero by page 10, but it took over a hundred pages for me to really get sucked into Sprit Sword.

And while Passionate Wastrel, Infatuated Hero is definitely more fun, Spirit Sword feels like a deeper experience. I cried a lot more while reading this novel. I think it’s because of the pain level. While Ling Haotian and Zhao Guan have to suffer quite a bit in Passionate Wastrel, Infatuated Hero, it’s not in the same league as what Ling Xiao and Qin Yanlong endure in Sprit Sword.

The fact that Zheng Feng has written two such different yet wonderful novels had only deepened my admiration for her.

The Intoxicating Atmosphere

It’s really hard to describe the feel of this novel. It’s … a lot like classic fairy tales, (the originals from Hans Christian Anderson, Brothers Grimm, etc … not the Disney versions). Those old fairy tales are often bizarre and, frankly, cruel when you take a cold look at them. Yet they form such striking impressions in one’s mind … blood red and snow white and all.

A lot of this novel like that. If you actually pause (like I did when I was trying to put in the description) you think ‘what the jianghu is that?!’ For example, while Ling Xiao is being tortured and slowly dying from the curse Duan Dusheng put on him, a woman comes into his dreams and relieves the symptoms of the curse, and Ling Xiao falls in love with her. That could come straight from a fairy-tale; a curse that kills slowly, and the mysterious dream woman who eases the pain. Or, for example, the time Qin Yanlong comes back bloodied up. It turns out that she had become friends with a tiger and her cubs, but when the tiger threatened Ling Yun, she ended up killing her friend (the tiger), getting heavily wounded herself, and begs Ling Xiao to take care of the orphaned cubs because she’s in no condition to raise them herself.

But life is like that. Or at least, a life worth living. Surprises happen. Great emotions get stirred by striking events. Whether it’s a 80 tall waterfall, or hearing that your great-aunt saw two of her children die, a full life is marked by punctures to mundane.

This novel is a bit like Please Save My Earth, and I’m not talking about the psychic powers. It sounds ridiculous when you summarize it, but makes total sense while actually experiencing it … and it just sucks you in with the complex character backgrounds and (often messed-up) interactions.

Availability in English

Ha ha ha ha ha.

Conclusion

I think you have all figured out by now that I love this novel. I’m now sad that there is currently only one un-read Zheng Feng novel left for me … but Zheng Feng is still an active writer, so I look forward to reading whatever she writes as long as her pen (or keyboard) keeps moving.

Next Time: The Love Eterne (movie)

Sara K. really did see an 80m high waterfall today. In fact, she saw a lot of waterfalls today. And rainbows. And mountains shrouded with clouds. And forest-blanked hills. And a clear, blue, cascading stream. And … you get the idea.

Bookshelf Briefs 10/8/12

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This week, Michelle, MJ, and Sean look at recent releases from VIZ Media and Vertical, Inc.

The Drops of God: New World | By Tadashi Agi & Shu Okimoto | Vertical, Inc. – Rather than release a fifth volume of this series, which would’ve included volumes nine and ten of the original release, Vertical has jumped ahead to this New World arc (volumes 22 and 23 of the original), which focuses on wines from regions without a long-established winemaking tradition, particularly the US and Australia. It’s incredibly easy to jump back into the story even after a gap of over a dozen volumes, since so little changes with the characters., though Issei is a lot more prominent now and his hair has mysteriously gotten cuter. Highfalutin’ descriptions of wine still abound, and still make me roll my eyes with regularity, but there’s something captivating about this series that keeps me reading. Honestly, it’s more the sports manga-like themes of perseverence and presumed eventual triumph than the subject matter or the characters, but that’s enough for me. – Michelle Smith

The Flowers of Evil, Vol. 3 | By Shuzo Oshimi | Vertical, Inc. – There are a number of scenarios I might have imagined coming out of the rather stunning final pages of the second volume of The Flowers of Evil, but this series continues to be fresh and surprising in just about every way. Oshimi’s characters refuse to fall into neat categories, while still managing to ring true—in fact they feel truer with each page. Volume three is unexpectedly moving as Kasuga comes to the surprisingly insightful realization that putting his dream girl on a pedestal is not the same thing as loving her, and as all three of the series’ main characters are faced with truths they weren’t quite prepared for. If this series’ first volume read mainly as “better than Sundome” its third proves that it is really so much more. Highly recommended. – MJ

Jiu Jiu, Vol. 2 | By Touya Tobina | VIZ Media – After being so thoroughly unimpressed with the first volume of Jiu Jiu, I wasn’t expecting much from the second volume. Perhaps, then, my low expectations are the reason that I somehow now feel more kindly disposed towards the series, even though it’s still pretty generic and aimless and has weirdly proportioned art. I haven’t been moved to care more about Takamichi, Snow, and Night as characters, but I don’t hate the plot wherein the boys/dogs want to assert their independence, or that they’re prodded in this direction by Meru, a mischievous new character who spends part of his time in the form of a super-cute vampire pig. I hate to think a vampire pig is all it takes to sway me, but at least it’s something unique, which this series desperately needed. – Michelle Smith

Nura: Rise of the Yokai Clan, Vol. 11 | By Hiroshi Shiibashi | VIZ Media – In a contest for ‘Jump manga that varies most in quality’, Nura may not have any serious competition. This particular volume is mostly one long battle, which I generally don’t like to begin with, and unfortunately the author does not manage to save much of it from excessive tedium. There’s a focus in the middle on Awashima, who changes sex depending on whether it’s light or dark (so is rather grumpy about the darkness of Kyoto, keeping her female all the time), which is meant to show her accepting both sides of her, I think, but simply reads as an annoying diversion. At least towards the end we get a really nasty bad guy, who proceeds to take all our heroes and crumple them into little balls of failure. I suspect Nura will get his revenge in Vol. 12, hopefully in a more interesting way. -Sean Gaffney

The Story of Saiunkoku, Vol. 8 | By Kairi Yura and Sai Yukino | VIZ Media – It really is startling how much I’ve come to love this series. I think it’s the fact that all the court intrigue and scheming is presented in both a positive *and* negative light, with the best schemers winning because they are smarter and more devious than the bad guy. This is a series that has a lot of handsome men relying on people underestimating them, which is nice but means the author has to have them be savvy enough to back that up. It works very well here. Our heroine Shurei does very well keeping up with everyone, and is starting to chip away at the ‘she is a woman and therefore weak’ attitude in the court. Well, given the last chapter, she’s going to get a lot more chances to do that in the future. All this plus a tiny bit of romance again. Saiunkoku is simply a great story, full stop. -Sean Gaffney

Toriko, Vol. 12 | By Mitsutoshi Shimabukuro | Viz Media – Toriko fares much better than Nura this time around, mostly as it’s between arcs and has therefore gotten away from the standard Jump ‘2-3 volumes of people punching each other hard’ syndrome. Instead, we get to see the results of Century Soup, and then set out on a new arc, as Toriko is told he’s not really strong enough yet to take on the Gourmet World. So he does some training by climbing a ten-thousand-meter plus vine to a sky garden with the best vegetables in the world. Actually, Komatsu is the one who really impresses here – not that he does anything, but his simple willingness to carry on is amazing. Toriko is all about world building, which is what makes it so much fun – the combination of food, fighting, and larger than life characters. I also suspect our hero is in for some harsh reality soon, though… -Sean Gaffney

Skip Beat!, Vol. 29

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By Yoshiki Nakamura. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz.

I hope you enjoyed the Black Bird-esque cover art, as that’s really the closest thing Skip Beat gets to romance. Oh yes, there’s Kyoko and Ren teasing each other briefly, but the point of that scene is the same as it’s been before – when pressed, Kyoko freaks out completely and shows, as Lory lampshades in this volume, that she’s not remotely ready for love or romance. Which is one reason why Skip Beat is at Vol. 29 and things are still up in the air. Not that we’ve any doubt that the final pairing will be Ren and Kyoko – if Sho somehow manages to win her heart I’ll be mind-boggled (and I think angry fans would storm Hakusensha’s offices). But there’s simply demons in Kyoko’s past that really haven’t resolved yet.

Honestly, I wish we’d see more of Kyoko’s mother. Yes, she’s horrible, and I certainly don’t want to see more of her interactions with Kyoko. Except I totally do, because her emotional abuse at her mother’s hands is what continues to drive her story. Every single time she twitches or reacts poorly to someone getting angry with her – even when it’s obviously meant to be comedic – it reminds me that she’s hypersensitive to everyone’s reactions. And one reason she may be so good at method acting is that she grew up trying to be the good child – or, as she increasingly got pawned off on Sho’s family, the dutiful wife/sister figure. Kyoko’s ability to immediately sense when Ren is upset with her, and her over the top reactions, are incredibly funny, but they’re also built on a foundation that screams ‘trigger warning’.

In a way, Kyoko’s emotional maturity when it comes to love and romance (and even simple things such as friendship) is trying to catch up to the personas that she’s put on her entire life. Which is why she’s still so incredibly naive about love. Her discussion with her Bo costume about Ren’s ‘playboy’ ways show that Lory isn’t kidding about her being completely unable to love. He may glibly tell Ren to avoid taking ‘that final step’ with her, but there’s a reason behind it – if Kyoko is freaking out to the point of bolting across the room when Ren even suggests seducing her, she’s not ready for anything else.

As for the rest of the manga, despite the fact that we’re twenty-nine volumes in, not much time has passed within the manga itself, as we can see given that Dark Moon is only just wrapping up. Meanwhile, Cain Heel’s drama finally starts filming, and we meet one of his fellow actors, Murasame, who seems to be a combination of rival and tsukkomi, as he points out to himself all the weird things Cain and Setsu are doing, but is also clearly attracted to Setsu. Of course, he shows this attraction via his own emotional immaturity – after pondering the best way to introduce himself to her, he starts by insulting her brother. Kyoko’s not the only one with issues.

I love the fact that this cute, funny shoujo manga can make me write about serious things. It doesn’t look to be ending anytime soon, so here’s to more volumes (and perhaps Kyoko conquering her love and affection demons).

License Requesting the Fall 2012 Anime Season – Manga Edition

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So you’ve decided you really like that hot new 2012 anime property – so much so that you want to support it by actually buying the manga instead of just reading it on a scan site! First of all, congratulations, you are a very rare individual. But it’s not as easy as walking up to a publisher at New York Comic Con and saying “Hey, you guys should get _____!” After all, what if they don’t deal with that publisher? What if it doesn’t have a manga? What if it’s already licensed and you didn’t realize it?

So, for the anime fan who wants to try a bit of manga, a quick guide to how to beg for Fall 2012 titles. (Note: if I don’t mention a title here, it doesn’t have a manga as far as I can tell.)

First off, let’s eliminate series that are already licensed and actively coming out here. That takes care of Bakuman (Viz), Hayate the Combat Butler (Viz), Hidamari Sketch (Yen), Jormungand (Viz), Kamisama Hajimemashita (Viz) and Yu-Gi-Oh Zexal (Viz). (It’s a Viz world, kids, we just live in it.) I’m also including BTOOOM! (Yen), which is licensed but doesn’t debut till next year.

Secondly, there’s a couple of series which were licensed, but are now, putting it politely, “On hiatus”. Asking about them will likely get you a pained look and a ‘We have no plans at this time’ response. So that takes out Code: Breaker (Del Rey), JoJo’s Bizarre Adventure (Viz), and Gintama (Viz). The one exception to this is Code: Breaker – JManga has picked up the two volumes Del Rey released, and there is a definite possibility for more in that online-only direction. And technically, JoJo’s finished the arc that it was putting out, so I suppose it’s more ‘didn’t pick up further arcs’ than ‘on hiatus’.

Lastly, Sakurasou no Pet na Kanojo is based off a light novel that has no manga yet, as far as I can tell. Asking about light novel licenses is a great way to get publishers to cry.

So, which publisher can you nag for which books?

SEVEN SEAS: Well, they aren’t at NYCC (they don’t do the East Coast), so a politely worded tweet might do the trick. The anime Onii-chan Dakedo Ai Sae Areba Kankei Nai yo ne, aka ‘As Long As There’s Love, I Don’t Care If He’s My Brother!’ is the latest in a theme of faux-incest titles. And runs in Comic Alive. Both of which are very similar to things Seven Seas has recently picked up.

TOKYOPOP: OK, so technically they don’t put out much these days. But honestly, there’s really no better fit for Seitokai no Ichizon, a Kadokawa title that runs in Dragon Age. See if you can sweet-talk Stu.

KODANSHA COMICS: There are two really obvious titles here and one less so. The non-obvious one is Shin Sekai Yori, based on an award-winning SF novel. Its manga adaptation does indeed run in Kodansha’s Bessatsu Shonen Magazine. It began… about 2 weeks ago. So ask them to keep it in mind for NYCC 2013. So that leaves the two big contenders: Sukitte Ii na yo and Tonari no Kaibutsu-kun, both of which run in Kodansha’s shoujo magazine Dessert. They’re both terrific, but they are in a magazine that is generally ignored when it comes to shoujo NA licenses (honestly, Kodansha Comics tends to avoid anything but Nakayoshi these days), and they’re both still running (series that haven’t already ended in Japan worry publishers).

VERTICAL, INC.: See the two previous titles. If Kodansha says no, maybe Vertical wants to try it out? They are putting out Limit this fall, after all…

JMANGA: Aside from Code: Breaker, which I mentioned above, the one that jumps out at me is Teekyū, a school tennis comedy from Earth Star Entertainment’s Comic Earth Star. JManga recently put out four of their titles, so there’s always a possibility of more.

YEN PRESS: The only one that really leaps out at me is Zetsuen no Tempest, a fantasy manga that runs in Square Exin’s Shonen Gangan. Being a Gangan title, Yen seems the most likely player there. It’s also possible they might look at Little Busters, the latest from the Air/Kanon/Clannad folks, which runs in Kadokawa’s Comp Ace, but that seems less likely.

VIZ MEDIA: There’s a whole host of properties Viz *could* license here, but I’m not sure how many are genuinely *possible* licenses. Magi – The Labyrinth of Magic has a lot of potential, and is probably the most likely title on this list, but it’s 14 volumes and still running, and it also runs in Shonen Sunday, whose success in North America has been poor in the post-Inu Yasha age. Dangerous Jii-san Ja is a comedy 4-koma manga for kids about a goofy grandpa that runs in Corocoro. I can’t see it coming out here. At all. Medaka Box I have discussed many times before, and the same points still apply. And as for To-Love-Ru Darkness, even if the prequel had come out via Viz, this new sequel is simply too M-rated for their usual Jump line.

I HAVE NO IDEA: Two titles simply don’t leap out as going to any publisher. Aoi Sekai no Chūshin de is a fantasy manga that seems to anthropomorphize the console wars, and is written by a Russian woman. It is put out by Micro Magazine. I don’t know who they are either. Judging by the name, I’m guessing they focus on gaming. Lastly, there’s Chiisai Oyaji Nikki, from Ohzora Shuppan, which is about a very small old man.

Anything in that list take your fancy? You know I’ll be uselessly beating the Medaka Box drum…

Not By Manga Alone: Supernatural Revue

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This month Michelle catches up with vampires and vampire slayers with Buffy Season Nine and Angel & Faith, while Megan visits the Twilight Zone through Underwater Welder, and the trencoats-and-tentacles world of Fatale.

Welcome back to Not By Manga Alone!

Buffy the Vampire Slayer Season Nine, Vol. 1 | By Joss Whedon, et al. | Dark Horse – After pretty much hating Season Eight by the end, I wasn’t sure I was going to bother with Season Nine. The completist in me couldn’t quit so easily, however, and I ended up tentatively checking out the first issue. It was loads better than anticipated, and so here we are!

This first collected volume includes the first five issues of the series, which comprise the four-issue “Freefall” arc and a oneshot entitled “Slayer, Interrupted.” The former introduces readers to Buffy’s new life in San Francisco, where she’s working as a barista and living with a couple of new roommates. Willow’s got a job as a computer programmer, and Dawn and Xander are trying to distance themselves from the supernatural element and move on with their lives. Buffy’s keen to have a normal existence, too, but soon finds herself a fugitive when some formerly vampire corpses turn up and she’s the prime suspect.

The plot here is not exactly exciting, but there are some good moments. Despite seeming somewhat younger than she did at the end of the TV series, Buffy feels more or less in character, especially when you consider that she’s finally free to act her age. At times, the dialogue seems a little too focussed on being amusing, but it’s hard to really complain about that. And if you’re a Spike fan and missed him in Season Eight, you’ll be gratified by his interaction with Buffy in these issues. You might, though, be a little bummed that Xander and Willow don’t seem to be playing much of a role in Buffy’s life these days. And you might be further bummed that Georges Jeanty’s art is still occasionally downright bad, including some abysmal renderings of Willow.

So far, Season Nine is a distinct improvement over Season Eight, but it isn’t perfect. And we haven’t even gotten to the controversial twists in the next batch of issues! Those will have to wait for next time. – Michelle Smith

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Angel & Faith, Vol. 1 | By Christos Gage, et al. | Published by Dark Horse – I’ve always found Angel and Faith’s relationship to be a really interesting one. They’ve bonded over their search for atonement for past misdeeds and have seen each other at their worst. So it makes perfect sense that, after Angel does something terrible at the end of Season Eight (seriously, it’s impossible to avoid spoilers, so get out now if you don’t want to know!), Faith is the only one who cares enough about how it affects him to stay by his side.

I have to say… I really love this series. It is, by far, the best Buffy comic I’ve ever read. There are a few reasons for that. Time for a list!

It’s got a cool premise. Angel and Faith are now living in London, following up on cases from Giles’ journals. Angel has gotten it into his head that he’s going to bring Giles back to life, and Faith is torn between supporting someone who’s been there for her in some terrible moments and stopping him from committing a tremendous mistake.

Tighter focus than other Buffy comics. There’s no obligation to include half a dozen recurring characters (though a fluff piece about Harmony is included here) and therefore no grumblings when they appear to receive short shrift.

Faith is really a terrific character. She has matured so much, and has several great lines of dialogue as she confronts this realization, like, “I’m the — what? You’re kidding, right? If I’m the grownup, we’re screwed.”

The art. Hallelujah, Faith is free from the mangling inflicted upon her by Georges Jeanty. As drawn by Rebekah Isaacs, Faith not only looks as lovely as Eliza Dushku, but she’s expressive in ways Jeanty could never dream of achieving.

In short, this comic is great. Even if you hated Season Eight and even if you have no interest in Season Nine, Angel & Faith is still worth your time. – Michelle Smith

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Underwater Welder | By Jeff Lemire | Top Shelf — I heard a lot about this book before I read it. That’s what happens when you go to a ook launch cold. Lemire talked a lot about process (did you know he redraws every panel, rather than scanning and editing? take note, tracers), and a lot about how hard it is to find time to work on passion projects. Underwater Welder is four years in the making. Lemire made substantial changes to the plot and character designs along the way, and it all pays off. Underwater Welder is a weirdly pretty book. It’s also a smart one, tightly written and illustrated. There are no unnecessary panels, few misfires, and no dropped threads. This is 220 pages of wrung out coming of age, through a glass darkly.

In the introduction, Damon Lindeloff says that Underwater Welder is akin to one of the great Twilight Zone episodes, and man is he right. (All the cool reviewers are saying so!) Jack, our eponymous (literal) welder, is an expectant father with daddy issues grounded in real tragedy. When Jack was a boy, his father went diving one Halloween night and never came back. Jack was left waiting, and he’s never stopped waiting. With a baby on the way, and the looming promise of being dry docked while waiting out an injury and parental leave, things come to a head. Spoiler alert! Jack goes diving, and with the help of a lost and found pocket watch, things get weird. Jack gets the time and space, in the form of an emptied out town gone moebius strip, to work out those issues. And, you know how these things work, soon enough it becomes obvious that working things out is necessary to his ever getting home. This is a really spare narrative. It feels about as long as an hour long tv episode, quickly sketched, and full of supporting characters who I wish we’d had more time with. The focus is strictly on Jack and his dad, with the slightest detour for Jack’s wife and his mother. Jack’s wife is a latter days addition–Lemire originally intended her role to be filled by a male friend–and while it’s a smart choice, I still wish she’d gotten more page time.

Fundamentally, Underwater Welder is about fathers and sons. Jack and his dad are allied actually and thematically, even with Jack’s dad dead or MIA for most of the book. They both love the water, need the water, and are disconnected from the ordinary because of it. The demands that Jack’s wife and mother put on him have some weight, but once he’s in the water, they’re lifted. But only for a while, because this is a coming of age story. Specifically a coming into fatherhood story. Jack’s task, the thing he’s got to work out during his supernatural time out, is to be the man and the father that his own father never could be, and to be the one he should and needs to be. Lemire and his wife were starting their own family while he worked on the book, and that gives the book some of its weight and purpose. Lemire is nothing like Jack, but Jack’s journey is, supernatural experiences aside, an utterly ordinary one.

At the talk, Lemire mentioned that he’s one of those artists who can’t look at old work. The increase in skill from Essex County (nominated for everything, a few years back) to Underwater Welder, is pretty obvious. It’s a tighter, prettier, and more thoughtful book. The mix of scratchy figures and wide expanses of dreamy wash are, you know, Lemire’s thing, but also a wonderfully useful tagteam for storytelling purposes. This is a book where art and layout always perfectly in tune with story. The town is characterized by claustrophobic grids of same size panels; the ocean by splash pages. It’s considered, and arresting, and makes the book an even better read. – Megan Purdy

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Fatale Vol. 1 | By Ed Brubaker and Sean Phillips | Image — I’m a trade waiter, so I do a lot of breathless waiting. But this is a Brubaker and Phillips book, and as they say on Tumblr, my feels, let me show you them. I discovered Brubaker through Catwoman, rediscovered him through Captain America, and then, adoration cemented, I started in on his creator owned stuff. His work with Phillips is by now effortless. They’ve been teaming up regularly since 2003, when they started on Wildstorm’s (underrated and unread) superheroes-and-spies limited series Sleeper. In 2006 they gave us the critically acclaimed (and adored by Megan) crime drama Criminal, and in 2008 the superhero/pulp mashup Incognito, and now there’s Fatale.

The pitch everyone gives for this series is that Fatale is cthulhu noir, and, wow. Ok. Who needs a review, right? Trench coats and tentacles. Cthulhu noir. It’s a perfect premise, but does it work? Kind of.

Fatale Vol. 1 is strictly an introductory book, but because it’s dominated by a flashback and has an ending bereft of pressing questions, it’s hard to know where the series will go next. It’s a weak first volume that focuses on premise and feeling more than character, to the extent that it’s hard to get a handle on any of them. Will Dominic, the male lead of the flashback sequence, be back? I don’t know. Do I care about what’s going on with Nick, the male lead of the framing story? Not really. Who is Josephine, the female lead of both stories, aside from the femme fatale to end all femme fatales? I’m not sure. But so far, she’s the only character I’m interested in seeing more of. The hook here is all in the what, rather than the who.

Fatale opens with Dominic’s funeral, and Nick standing over his grave. We learn that this man’s only friend, Nick’s father, is now institutionalized. We meet Jo, a beautiful woman with a past. Nick finds an unpublished manuscript, shots are fired, the caper begins. Soon we’re thrust back in time to Dominic’s own adventure, the story on which Nick’s newfound manuscript is based, but there’s a thematic disconnect. The opening is straight up noir and with the move to Dominic’s story, there’s a sudden genre shift into a Lovecraftian thriller. Things play out for Dominic more or less as you’d expect. And the volume closes with Nick, now looking for Jo. It’s a poor introduction in the sense that it’s all introduction. The volume feels unfinished, and doesn’t stand on it’s own. The framing story drags down the flashback. The flashback doesn’t pay enough forward to make the framing story intriguing. Neither part serves the other, and the sum of it is like, ok, that was a thing that happened. And while I want to know what happens next, don’t need to know–I’m not hooked. I’ll keep reading because Brubaker and Phillips have yet to fail me, but I wonder if another reader, one who isn’t already a fan, would make the same choice. Nick and Dominic are dull everymen, and while desperate, cursed Josephine has enough ruthlessness to be interesting, I’m not sure if she’s interesting enough to to carry the book. Premise and setting are doing all the heavy lifting so far. The villain and his minions, the crooked cops, the looming horror of elder gods, face tentacles–they’re where Fatale shows real energy.

Unsurprisingly, Phillips does good. The art is stylish and expressive, and there’s not much more I can say on that subject, other than a greater visual distinction between past and present would have given Brubaker’s script some more oomph. As it is, it’s a matter of period details (clothes, buildings), rather than a sense of visual character that divide the two parts of the book.

I can recommend Fatale, but mostly on the merits of the team’s previous work, and the expectation that it’s going to get better. As it is, this volume was a bit of a disappointment. – Megan Purdy

Give My Regards to Black Jack, Vols. 1-2

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Give My Regards to Black Jack tells a familiar story: a newly-minted professional enters his field, convinced that he has chosen the True Path. He soon discovers, however, that many of his colleagues have chosen profit over passion, forcing him to decide whether to follow their example or fight the system.

Eijiro Saito, the hero, is a graduate of a top medical school, brimming with energy and enthusiasm. Though Saito lands a plum internship at Eiroku University’s teaching hospital, his pay is meager; he supplements his income by moonlighting at a woefully understaffed emergency room. At both institutions, Saito encounters crooked doctors who demand bribes from patients; arrogant doctors who belittle poor patients; and money-minded doctors who care only about the hospital’s bottom line. For all the challenges to Saito’s idealism, however, he clings tenaciously to the belief that candor and sincerity are a doctor’s greatest assets.

As agit-prop, Give My Regards to Black Jack succeeds. Author Shuho Sato makes a convincing case that billing practices encourage Japanese hospitals to treat patients as cash cows, rather than people in need of medical care. Sato also offers a blistering critique of doctor training, showing us the toll that long hours, poor pay, and workplace bullying exact on residents.

As drama, however, Give My Regards to Black Jack is too tidy to be moving. True, Saito’s despair at his own futility seems genuine. Early in volume one, for example, Saito finds himself alone in the operating room with a motorcycle accident victim. Fearful of killing the patient, Saito does nothing; only the last-minute intervention of a more experienced surgeon prevents the victim from dying on the table. In a moment of self-hatred, Saito dissolves into tears, castigating himself for his paralysis — a scene that intuitively and emotionally feels right, given where he is in his residency.

Where the story falters is in its portrayal of the senior doctors at Eiroku Hospital: they’re haughty and deceitful, primarily concerned with asserting their authority over patients and junior staff members. Even when their words ring with truth, their advice is framed as a cynical and self-serving pose. Not all of the doctors fit this mold: the repulsively drawn Ushida, who toils in the Seido emergency room, is a wiser and more compassionate soul than his wolfish face or feral demeanor might suggest. So is Saburo Kita, a maverick heart surgeon who loves karaoke and paisley shirts; Kita cuts a flamboyant figure, but is humble when discussing his work. These characters are few and far between, however, with many more doctors acting like graduates of the Snidely Whiplash School of Medical Malpractice.

The series’ other shortcoming is the artwork. Though Sato shows a Tezukian flair for close-ups of mangled flesh and pulsating organs, his character designs lack Tezuka’s finesse. Tezuka’s Black Jack might be a cartoonish figure with his cloak and Frankensutures, but those design elements are fundamental to establishing Black Jack’s personality; a reader could dive into any Black Jack story and immediately understand who he is. Moreover, all of the characters in Black Jack are crafted with similar care, each assigned a few simple but telling details that communicate their role in the drama.

By contrast, Ushida looks like he stepped out of Toriko, with his bug eyes, lantern-jaw, and perma-sneer. Since none of the other characters are rendered in such a grotesque fashion, one could make the argument that Ushida’s ugliness must serve a dramatic purpose, symbolizing the corrosive effect of his working conditions. We never spend enough time with Ushida, however, to know how much he sacrificed his ideals for a steady career, nor do we see enough of his behavior with patients to rationalize his appearance. It seems perverse to draw only one character in such a distorted fashion; say what you will about Tezuka’s caricatures, but there was always a unifying aesthetic in Black Jack that made it possible for the reader to view Dr. Kiriko, Pinoko, and Biwamaru as inhabitants of the same universe.

What Sato’s work has in common with Tezuka’s is a fierce conviction that the Japanese medical establishment is bloated, ineffective, and indifferent to real human suffering. Sato addresses these shortcomings in a more explicit fashion than Tezuka did in Black Jack — or Ode to Kirihito, for that matter — using real medical procedures and real administrative dilemmas as plot fodder. Yet Sato’s stories are often unmoving, as his hero’s idealism compels him to take simplistic stands on complex issues. Tezuka, on the other hand, focused more on entertaining audiences than on educating them about Japanese health care, building his stories around a character whose subversive, self-interested behavior never prevented him from treating the genuinely deserving. Tezuka’s stories might be more formulaic and absurd than Sato’s, but they’re never so earnestly dull that they read like anti-JMA propaganda. Call me crazy, but I’ll take killer whale surgery and teratoid cystomas over a hectoring medical procedural any day.

GIVE MY REGARDS TO BLACK JACK, VOLS. 1-2 • BY SHUHO SATO • SELF-PUBLISHED (AVAILABLE THROUGH AMAZON’S KINDLE STORE)

Manga the Week of 10/10

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It’s a smaller week, Week #2, but it tries harder! What’s coming out right before New York Comic Con?

Kodansha has two titles that, as usual, came out yesterday via Amazon and bookstore-oriented places. (pats Diamond on the head) Arisa is in the homestretch with Vol. 9, and Cage of Eden is starting to gear up with Vol. 7. Cage of Eden’s cover is also only mildly socially unacceptable this time! (I make no guarantees about the inside, though. Expect boobs.)

Seven Seas has a troika of releases, many of which hit Diamond *and* bookstores this week. For some reason, the Northeast Corridor (including me) is getting these in next week. Dance in the Vampire Bund hits its penultimate volume (don’t panic: a sequel has already started in Japan), and still has Vampire in the title, in case you missed that. Venus Versus Virus has a 3rd omnibus out, which I think may be the last (total apathy about the series prevents me from verifying this). And Girl Friends, Morinaga Milk’s popular yuri manga, gets a print release with the first of two omnibuses. Girl Friends is sweet, likeable, funny, and does not end with dead lesbians (sorry for the spoilers).

Sublime, Viz’s BL imprint, has Vol. 2 of Punch Up. Which has a kitty on a hot guy’s head. I don’t think I need to say anything else, really. KITTY!

Speaking of kitties, or at least catboys, Viz is starting to re-release the fantasy manga Loveless, which runs in Comic Zero Sum and is… not *quite* BL, even though most of the fandom would disagree with you. It is extremely popular, though, and it’s nice to see Viz rescue it. They also have a new Case Closed and the penultimate volume (did I really use penultimate twice in one post?) of Kekkaishi, which is beloved by bloggers (and hence has mediocre sales, the usual fate of titles beloved by bloggers).

So what appeals to you guys? Also, would you buy a manga that has as a tag line ‘Beloved by bloggers!’?

Manga Bestsellers: 2012, Week Ending 30 September

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Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

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Manga Bestsellers

1. ↔0 (1) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [370.3] ::
2. ↔0 (2) : Yotsuba&! 11 – Yen Press, Sep 2012 [357.6] ::
3. ↔0 (3) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [350.5] ::
4. ↔0 (4) : Naruto 58 – Viz Shonen Jump, Sep 2012 [345.2] ::
5. ↑1 (6) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [335.8] ::
6. ↓-1 (5) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [335.3] ::
7. ↔0 (7) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [295.3] ::
8. ↔0 (8) : Death Note vols 1-13 box set – Viz Shonen Jump Advanced, Oct 2008 [289.4] ::
9. ↔0 (9) : Bleach 46 – Viz Shonen Jump, Sep 2012 [285.3] ::
10. ↑1 (11) : Alice in the Country of Clover Cheshire Cat Waltz 2 – Seven Seas, Sep 2012 [278.7] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 88
Viz Shonen Jump 85
Viz Shojo Beat 56
Kodansha Comics 45
Viz Shonen Jump Advanced 37
DMP Juné 24
Dark Horse 20
Seven Seas 19
Vertical 17
Viz 12

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [977.4] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [777.1] ::
3. ↔0 (3) : Bleach – Viz Shonen Jump [701.2] ::
4. ↔0 (4) : Alice in the Country of Clover – Seven Seas [470.7] ::
5. ↔0 (5) : One Piece – Viz Shonen Jump [461.2] ::
6. ↑1 (7) : Maximum Ride – Yen Press [445.7] ::
7. ↓-1 (6) : Death Note – Viz Shonen Jump Advanced [400.3] ::
8. ↔0 (8) : Yotsuba&! – Yen Press [386.3] ::
9. ↔0 (9) : Negima! – Del Rey/Kodansha Comics [377.6] ::
10. ↔0 (10) : Highschool of the Dead – Yen Press [354.7] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

2. ↔0 (2) : Yotsuba&! 11 – Yen Press, Sep 2012 [357.6] ::
4. ↔0 (4) : Naruto 58 – Viz Shonen Jump, Sep 2012 [345.2] ::
7. ↔0 (7) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [295.3] ::
9. ↔0 (9) : Bleach 46 – Viz Shonen Jump, Sep 2012 [285.3] ::
10. ↑1 (11) : Alice in the Country of Clover Cheshire Cat Waltz 2 – Seven Seas, Sep 2012 [278.7] ::
11. ↓-1 (10) : One Piece 64 – Viz Shonen Jump, Sep 2012 [274.7] ::
12. ↑2 (14) : Bleach 47 – Viz Shonen Jump, Sep 2012 [274.2] ::
15. ↓-2 (13) : Yu-Gi-Oh! GX 9 – Viz Shonen Jump, Aug 2012 [256.0] ::
18. ↑1 (19) : Loveless 9 – Viz, Sep 2012 [240.5] ::
23. ↔0 (23) : Toradora! 5 – Seven Seas, Aug 2012 [210.4] ::

[more]

Preorders

14. ↑3 (17) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [262.2] ::
17. ↓-2 (15) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [241.7] ::
19. ↓-3 (16) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [237.3] ::
31. ↑26 (57) : Cardcaptor Sakura Omnibus 4 – Dark Horse, Oct 2012 [170.1] ::
32. ↓-2 (30) : Avatar: The Last Airbender The Promise 3 – Dark Horse, Oct 2012 [169.8] ::
42. ↑10 (52) : Negima! 36 – Kodansha Comics, Oct 2012 [151.5] ::
53. ↑3 (56) : Nausicaa of the Valley of the Wind 2 vol hardcover box set [complete] – Viz Ghibli Library, Nov 2012 [134.6] ::
59. ↑20 (79) : Girl Friends: Complete Collection 1 – Seven Seas, Oct 2012 [123.5] ::
60. ↑12 (72) : Naruto 59 – Viz Shonen Jump, Nov 2012 [120.9] ::
64. ↑23 (87) : Berserk 36 – Dark Horse, Oct 2012 [117.5] ::

[more]

Manhwa

543. ↑1 (544) : Bride of the Water God 10 – Dark Horse, Jan 2012 [16.5] ::
645. ↓-97 (548) : Time & Again 6 – Yen Press, Jul 2011 [12.2] ::
650. ↓-120 (530) : Time & Again 2 – Yen Press, Mar 2010 [12.0] ::
662. ↓-83 (579) : Time & Again 3 – Yen Press, Jul 2010 [11.6] ::
751. ↓-185 (566) : Time & Again 5 – Yen Press, Mar 2011 [9.0] ::
788. ↓-47 (741) : Bride of the Water God 11 – Dark Horse, May 2012 [8.2] ::
794. ↓-130 (664) : Time & Again 1 – Yen Press, Dec 2009 [8.0] ::
808. ↓-141 (667) : One Thousand & One Nights 8 – Yen Press, Aug 2009 [7.7] ::
954. ↑256 (1210) : Let Dai 10 – Netcomics, Dec 2007 [4.8] ::
959. ↓-180 (779) : One Thousand & One Nights 11 – Yen Press, Aug 2010 [4.8] ::

[more]

BL/Yaoi

18. ↑1 (19) : Loveless 9 – Viz, Sep 2012 [240.5] ::
30. ↑5 (35) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [172.2] ::
167. ↑1085 (1252) : Secret Thorns – DMP Juné, Oct 2012 [66.0] ::
195. ↑40 (235) : His Arrogance – 801 Media, Dec 2008 [56.6] ::
201. ↓-5 (196) : The Man I Picked Up – DMP Juné, Aug 2012 [55.1] ::
234. ↑174 (408) : Il Gatto Sul G 1 – DMP Juné, Apr 2006 [48.0] ::
257. ↑13 (270) : Black Sun 1 – 801 Media, Nov 2008 [42.6] ::
258. ↑82 (340) : The Tyrant Falls in Love 6 – DMP Juné, May 2012 [42.6] ::
263. ↑2 (265) : Awkward Silence 1 – SuBLime, Jul 2012 [42.2] ::
274. ↔0 (274) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [40.9] ::

[more]

Ebooks

16. ↑2 (18) : Naruto 57 – Viz Shonen Jump, Jul 2012 [255.6] ::
22. ↑3 (25) : Maximum Ride 1 – Yen Press, Jan 2009 [220.5] ::
26. ↑10 (36) : Maximum Ride 5 – Yen Press, Dec 2011 [179.9] ::
34. ↑5 (39) : Naruto 56 – Viz Shonen Jump, May 2012 [167.0] ::
54. ↔0 (54) : Naruto 55 – Viz Shonen Jump, Mar 2012 [132.1] ::
55. ↑4 (59) : Maximum Ride 2 – Yen Press, Oct 2009 [131.3] ::
66. ↑3 (69) : Maximum Ride 4 – Yen Press, Apr 2011 [116.6] ::
80. ↑33 (113) : Naruto 1 – Viz Shonen Jump, Jul 2003 [104.3] ::
83. ↑3 (86) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [102.0] ::
93. ↑2 (95) : Maximum Ride 3 – Yen Press, Aug 2010 [98.9] ::

[more]

Adventures in the Key of Shoujo: Sailor Moon, Vol. 6

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Pretty Guardian Sailor Moon, Vol. 6 | By Naoko Takeuchi | Published by Kodansha Comics USA | Rated: T, Ages 13+

A curious thing happened to me the other night. After reading the sixth volume of Sailor Moon, I looked back over the earlier volumes of the series, and I came to the inescapable conclusion that the Sailor Senshi could be confused with a murderous vigilante gang. Now, before you laugh, let me explain it this way. In this volume, the girls find themselves tangling with the Mugen Group and their master, Pharaoh 90. The entire clan of bad guys all live in an evil-looking tower and seem to be happy drawing in unsuspecting minions rather than going out to destroy. Oh, and no, I’m not kidding about the evil tower part, several characters mention the fact that they get a weird feeling just looking at it. Therefore it becomes evil, the Trashheap has spoken on the matter.

As I was saying, the Mugen group are turning their students into monsters with the aid of some questionable science, at best, and then said monsters go on a rampage. The Senshi turn up and vaporize the bad guy and everything’s all right with the world. But if you viewed it another way, the Senshi have been going around destroying public property, causing mass panics and riots to break out, and killing any God’s amount of singers/idols/famous people because they were in league with that month’s chief villain. Isn’t anyone going to notice they’re, I dunno, dead? Or that there seems to be an abnormal amount of incidents around this particular part of Tokyo? Don’t get me wrong, I’m as OK with suspension of disbelief as the next person but does Takeuchi expect us to believe that nobody has noticed anything, at all? One of these days, I’ll get an answer, I just don’t think it’ll come from Sailor Moon. Not that I mind, because in this volume, we are introduced to Sailors Neptune and Uranus, two of the more interesting Senshi. I only know of these two by internet reputation so in that respect, I’m kind of trying to walk around spoiler territory for myself here. Haruka (Uranus) is interesting in that she is presented as a girl and a fella. There’s no ambiguity with her/him when they interact with other people. Strangely, the only person who is confused and states that she is confused is Usagi but that’s because Uranus kisses her in her male persona. There’s something familiar about Haruka to Usagi and it upsets her to think about it. Curiouser and curiouser. Michiru as Neptune is not as exciting but she definitely is more mysterious. I think because of her lower profile, I worry that Takeuchi will give all the revelations to Uranus, and that would be not so good.

Also, we are introduced to Hotaru Tomoe, a person whom I’ve heard about but know nothing about. Hotaru is a sick young girl whose father works for the Mugen group in their laboratory. He’s kind of like the Josef Mengele of the Mugen group insofar that nobody he knows specifically is being hurt by what he’s doing. In the meantime, eh, what do a couple of students matter? How do people like Professor Tomoe get college educations? Does nobody notice when his report cards read “COULD WORK HARDER. COULD APPLY HIMSELF. COULD BE LESS EVIL.”? Whatever his problem, Hotaru looks like she needs a friend, and she gets one in the form of Chibi-Usa. After stumbling into her in front of the Tomoe lab, Chibi-Usa decides to hang out with her. Is this going to end well? I don’t know but I’m happy that Takeuchi has decided to give Chiba-Usa something to do other than hang out with Usagi and Mamoru and monopolise their time together.

One of the wildest moments for me in this volume is the amount of bad guys who get vapourised by the Senshi. Sweet Christmas, they get enough time to say things like (and I’m paraphrasing here) “Sailor Mars! Sailor Jupiter! You won’t stop me or my master, Pharaoh 90! I’ll defeat-AARGGGHHHH!!!” before being turned into crispy critters. They even have their power levels displayed above their heads at one point and I was thinking going from head to head, “One round, one round, two round, end of level boss.” I am telling you, reading manga shouldn’t be this much fun. Every time a new villain is introduced to the series, I keep thinking of Col. Trautman saying to the Sheriff in Rambo that if he (the Sheriff) wants to send that many men to deal with the problem to not forget a supply of body bags. It’s almost like there’s no reason to give any credence to these lieutenants, they are literally not going to be in the book long enough to like or hate. Their job is to advance the plot or the characters or both. I’m not disparaging the practice, I’m just saying that you should be aware going into the series.

William Flanagan’s translation notes return in full and as always they are fun but not exhaustive. Things like naming structures and meanings of places and things always help me whenever I read manga so I was missing them in the previous volume. Kodansha continues to put out an excellent book with it being just the right size for me when I’m trying to find my groove at home (I would never read Sailor Moon out on the streets of Dublin. I value my life more!)

We are just around the halfway point in the manga and yes, we have a new villain who is in the Bwa-Ha-Ha mode again but this time, we don’t know if the new Senshi are friend or foe. This complicates matters and makes for an interesting interlude

Paradise Kiss, Vol. 1

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By Ai Yazawa. Released in Japan by Shodensha, serialized in the magazine Zipper. Released in North America by Vertical, Inc.

I had already done a review/overview of this series for a Manga Movable Feast a while back, but now we have Vertical’s new re-release with larger trim and a new translation, so it’s time to give it another look. Which I honestly don’t mind, as this is such a terrific series. I won’t be talking too much about the technical details – the larger size makes the asides much easier to read, I do note. As for the translation, it’s definitely different, and there are pluses and minuses to both. I do prefer Arashi not sounding like Johnny Rotten, though.

The cover and chapter pictures, by the way, might give away a bit of the plot: Yukari becomes a model. But then, most of you probably guessed that as it’s the premise. Yazawa has an eye for fashion and posing, and it all comes to the fore here, with many long, lingering shots of outfits and fabric, and even the rudimentary drudgery of sewing beads is made to look glamorous. Paradise Kiss is a colorful, vibrant place. By contrast, Yukari’s life is as stark and black and white as the manga itself – we barely get to know anyone besides Hiroyuki at her school, and her attention is so quickly distracted by George and company that her diligence to study is in doubt. (Notably, the entire PK group urge her to keep studying, and constantly ask if she has to hit the books. They’re all good students, and don’t want to be seen as the reason she isn’t. It’s Yukari’s own fault that she winds up blowing everything off all the time.)

I’ve said this before, and I’ll say it again – I really like Hiroyuki, and I’m glad to see how he interacts with Yukari and the others. The sequence where Yukari drags him to meet Miwako is painful but very well done – and Yukari, as many ‘well-intentioned’ folks seem to do, immediately realizes she’s made a mistake. That said, it worked out well in the end, even if what we mostly get from the story of Miwako. Arashi and Hiroyuki is of things left unfinished – by forcing a choice onto Miwako, Arashi has unwittingly left everything more open-ended than it should be. This will come back to haunt him in future volumes…

A word of warning to those who hate it – this manga is rife with metatextuality. The non-Yukari cast constantly talk about chapters, page placement, etc., reinforcing the fact that Yukari is not only entering the fashionista world of Paradise Kiss, but the manga ‘world’ as well. There are also several references to Yazawa’s shoujo manga Gokinjo Monogatari, which starred Miwako’s older sister, Mikako. Mikako makes a cameo, and a few other characters also show up. Don’t worry if you’ve never read the (unlicensed) prequel; the references actually serve to better flesh out the characters, and show that this isn’t just a story that began once Yukari entered the scene.

Did I forget to mention George? I did. Hi, George. I’ll have more to say about him in my next review. In the meantime, Paradise Kiss has attractive, vibrant characters, gorgeous and striking art, and a wonderfully wicked sense of humor. I’m incr3edibly happy that it’s back in print.