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Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Girl Friends The Complete Collection, Vol. 2

January 12, 2013 by Sean Gaffney

By Milk Morinaga. Released in Japan by Futabasha, serialized in the magazine Comic High!. Released in North America by Seven Seas.

When we last left our heroines, Mari had decided that her love was never going to be requited, and had decided to move on – sort of – and tell Akko that she’d gotten a boyfriend and had gone all the way. This leads us to the first half of this omnibus, which is Akko trying to figure out why this makes her jealous, and dealing with her own newly discovered feelings for her friend. The focus shifting to Akko is very welcome, as though she’s the outgoing one of the pair she is not necessarily more worldly or mature. We see flashbacks to her childhood that show her being very much a solitary person, and even when she made friends (via discussion of fashion and makeup) they didn’t seem to be lasting friendships. This is when she latched onto Mari.

girlfriends2

It’s interesting how Mari and Akko both have misunderstandings about the nature of their relationship, but in ways that are true to their characters. Mari is basically negative, with a “no girl could possibly like me in that way” sort of attitude. While Akko’s problem is that, after kissing Mari impulsively at karaoke, she assumes that all is now well and they *are* together, not realizing that actually discussion of such feelings is needed. This is not helped by Mari’s naivete – one of the best lines in the book is Akko’s exasperated “You don’t usually slip a friend the *tongue*, got it?” That said, this makes it all the more satisfying when they do finally connect and get together as a couple.

Of course, what does that entail? Since they’re both girls, going out together, texting each other late at night… they’ve done that before as just friends. So what’s different? Sexual attraction, of course, and unlike many a mainstream yuri (or faux-yuri) manga the author does spend a fair amount of time dwelling on this. Given both girls lied to each other about their sexual experience, each worries that they’ll screw things up somehow. (This leads to Akko looking at German Porn sites to see how girls do it, which made me laugh out loud). Eventually the two do take things to the next level, in a scene that sort of rides the edge of the OT rating that Seven Seas gave the book.

There is talk of the future, but it’s mostly the same sort of talk you’d find in books with a het romance – Akko’s going to a different school than Mari, leading to stress, but you know their love will see it through, etc. There’s a brief discussion of telling their friends and family about their relationship, but that’s not something that happens in the manga itself, nor do we see any of the fallout that might arise from being a lesbian couple in Japan. This is a seinen yuri fantasy for men that ran in Comic High!, after all. Reality is not welcome in its hallowed halls.

With all that said, I don’t think the manga suffers all that much from avoiding the harsher aspects of Mari and Akko’s relationship. This is meant to be adorable moe romantic fluff, and it succeeds admirably. The emphasis is more on romance here in this 2nd omnibus, but I was pleased to see that friendship is still given a huge spotlight – Sugi gets to be the ‘mature adviser’ type of friend, Tama-min the eccentric cutie, and we even get more development from Kuno and Taguchi, the other two girls in the main circle of friends. I was pleased to see that there was no effort made to pair up the other girls with each other… even though this isn’t overly realistic, having what’s called a “cast Full Of Gay” might have strained my credulity a bit.

It goes without saying that this is a great series that fans of yuri (and moe) will adore. That said, I do have one more very important complaint. If Akko is cosplaying Lum, then Mari should be Ataru… but she just doesn’t have the personality for it. Tama-min seems to have her cosplaying as Ryuunosuke, which she’s also unlikely to pull off, but I can see it if I squint. But if she’s doing Ryu, Akko needs to be Nagisa… which leads to even more problems. Tama-min needs to think these things through! Geez!

(Also, two of those omakes make me think that Milk Morinaga has watched too many 80s American sex comedies… Getting Lucky specifically.)

Filed Under: REVIEWS Tagged With: girl friends

JManga the Week of 1/17

January 11, 2013 by Sean Gaffney, Michelle Smith and MJ 1 Comment

SEAN: There are only 3 manga series next week from JManga, but one of them is a biggie. Let’s get the other two out of the way first.

ameiro1A 6th volume of PoyoPoyo’s Observation Diary means a 6th volume of adorable and funny 4-koma slice-of-life cat manga. I approve. (I may not *read*, but I approve…)

JManga has a 4th volume of Crime and Punishment: A Falsified Romance out incredibly fast, meaning I haven’t even had time to come up with a witticism for it. Bah.

And now for one I’ve really wanted to see. Miyabi Fujieda is one of the most popular yuri artists in the West, and his Iono-sama the Fanatics had half of its two volumes released by Infinity Studios before they folded. (It also had a character romanized as Fletch, something I bring up to Erica ALL THE TIME. It is unclear if her name was actually Irwin Fletcher. Somehow I doubt it. Also, Iono-sama really needed a female Irish cop…) Anyway! Ame-iro Kochakan Kandan may be better known here as Chatting at the Amber Teahouse, and it is absolutely adorable. I cannot wait to see it come out in English!

MICHELLE: That was definitely the only one on the list that excited me at all, so I’m glad to hear it’s absolutely adorable! I’d rather read adorable yuri than any other kind.

MJ: I’m with Michelle. As I so often am.

Filed Under: FEATURES, manga the week of

Manga the Week of 1/16

January 10, 2013 by Sean Gaffney, MJ, Michelle Smith and Anna N 2 Comments

SEAN: I’ve noted before that Midtown doesn’t always (or even often) use Diamond Distribution to get their orders. As a result, sometimes you get weeks like this. The titles on Midtown’s list for next week arrived most places today. While Diamond is shipping Yen’s stuff to most stores (including mine) next week, but not Midtown. (Again, a reminder that I use Midtown’s list mostly as it’s first, rather than most accurate.)

With that in mind, here’s a fusion of both lists.

Kodansha has the second volume of Missions of Love, which continues to feature a hero and heroine who really aren’t very likeable, and a love rival who is headed that way. It’s fun seeing the reader having to work harder at identifying with everyone. Fun stuff.

MJ: Yeah. Fun…

MICHELLE: Sometimes my need to like characters prohibits me from enjoying shows/books that other people swear are great. This might be one of those times.

ANNA: I really have had no urge to check this out, and I suspect those feelings will continue.

SEAN: I did mean fun in a genuine and non-sarcastic sense, by the way. I quite enjoy this series.

Seven Seas has a slew of titles (most of which, as I noted, arrived today everywhere else). The one I like the best is the 2nd and final omnibus of Girl Friends, which I already praised in my Pick of the Week. Cute yuri fluff/angst.

MJ: I also adore Girl Friends, though I’ve only read it at JManga.

MICHELLE: Same here.

SEAN: Gunslinger Girl is almost finished with its run, which must mean it’s running out of people to kill off. Expect more of that in this omnibus, which contains the Japanese Vol. 13-14.

I Don’t Like You At All, Big Brother!! has an omnibus out as well. with Vols. 3-4. I can’t think of anything funny to say here that isn’t slanderous. Moving on…

MJ: Heh.

SEAN: I know nothing about Jack The Ripper: Hell Blade, a manwha series also from Seven Seas, but the covers to Vol. 1 through 3 (which is out next week) at least reassures me that it isn’t moe. Yay! (Is there a moe Jack the Ripper 4-koma series? Maybe with his sister Jill the Ripper having a tsundere crush on him? Sounds like a winner to me.)

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SubLime has Vol. 3 of Punch Up!, whose cover art is complete and total win. Don’t care if it’s horribly offensive within. I can’t decide if it’s the cat with the ‘yay!’ face, or the glasses-wearing guy’s befuddled “now what was I doing again?… oh right, him” expression. It’s probably both. I do wish that SubLime provided bigger cover images, though…

MJ: From what I understand, Punch Up! is win all around! I gotta start reading this manga.

MICHELLE: I need to continue it! Loving the kitty footprint on the face, too.

SEAN: Yen Press, meanwhile, has a bevy of January releases. Black Butler has hit an even dozen, and continues to apparently be filled with supernatural antics and almost-but-not-quite-BL. But damn, it looks cool.

MJ: I think I am one of maybe three people who really can’t stand Black Butler. Sad, but true.

MICHELLE: I think it’s okay. It falls on the “worth reading” side of the scale for me, but doesn’t manage the heights of “worth rereading.”

ANNA: I did read the first volume of this and decided that was enough.

SEAN: Black God is up to Vol. 18. I know absolutely zilch about it, but now at least I have a group of people I can tag to gush about it for me. Michelle, MJ, gush away!

MJ: Well, hm. Collecting full series without reading them is usually Michelle’s MO, but I have to admit with shame that though I have the entire available run of Black God sitting in my shelf, I have yet to read any of it. This just change!

MICHELLE: Hey now, are you calling me out on my hoarding tendencies?! :) Actually, I’m doing far less of that these days, though I regret nothing when it comes to stuff from ten years ago that I’m very thankful to have snagged. Anyway, I too must admit that I have never read Black God. I do not have a good excuse. Sorry we have failed to provide the gushing you requested!

SEAN: A Bride’s Story is up to Vol. 4, and no doubt will continue to look lush and gorgeous, and feature a heroine that every other blogger in the world except me seems to connect with.

MJ: Though I do connect with the heroine, one thing I appreciated about volumes three and four, is that they are focused heavily on other characters. This is particularly poignant in volume three, but it doesn’t hurt volume four either. You might find more in it for you now?

MICHELLE: I haven’t started this one yet, though I was pondering doing so soon as there’s a new volume to discuss. So far, the only Mori I’ve read has been the first two volumes of Emma and her recent short story collection.

ANNA: I haven’t read volume 3 yet! But I did love Emma and will be catching up on this series eventually. I do love the fact that the editions are so nice.

SEAN: The Disappearance of Nagato Yuki-chan continues to struggle with its slow start, something that is allowed in Japan but not North America, which is far more unforgiving to manga that take a while to get there. We’ve got one volume to go till the good stuff. Till then, enjoy the sweet fluff.

Soul Eater has reached a point where I can’t really divide it into arcs anymore. Disasters just pile one upon another until they seem to reach the sky. I presume the same thing will happen here. But it will look cool, the characterization will be magnificent, and the abstract art style will amaze me. (This is just a prediction, but I’m usually right.)

MICHELLE: This is the first description that’s ever made me want to read Soul Eater.

BookGirlv6Final

SEAN: Lastly, in the “not manga” category, Book Girl and the Undine Who Bore A Moonflower is out, the 6th in the series and the final stand-alone novel before the two-part finale. The title may be a mouthful, but this is probably the best light novel series I’ve seen brought over here to date. And for those who missed Maki in the last book, the ojou with a thing for our Book Girl heroine, she apparently features prominently in this one.

MJ: I haven’t read these either, and I really should, given that both you and Erica are fans.

MICHELLE: Now, here is an instance of a series where I’ve collected all the volumes so far without reading them. I swear I’ve got good intentions!

ANNA: I am slightly ashamed that I have not tried out any volumes of this series because usually as a librarian I would be all over any series with the phrase “Book Girl” in the title. One day I will read it!

SEAN: So what are you combining 3 different release lists to get?

Filed Under: FEATURES, manga the week of

Paradise Kiss, Vol. 2

January 10, 2013 by Sean Gaffney

By Ai Yazawa. Released in Japan by Shodensha, serialized in the magazine Zipper. Released in North America by Vertical, Inc.

The second volume of Paradise Kiss continues Yukari’s journey into the glamorous world of modeling, even though it’s also about finding that you can’t simply drop everything and start a new career with nothing to fall back on. It’s also about her growing feelings for George, and realizing that a relationship with him is likely going to be far more difficult than becoming a top model. And of course it’s also a josei manga by Ai Yazawa, even within its pages. George is put out that the plot changed in between chapters, he’s chided for reading the manga and seeing Yukari’s inner monologues, and Yukari even gets in on the act, noting that she’s the heroine and can control who the hero is by who she falls for. It does seem a bit odd having her break the fourth wall along with the others. Yukari is the one that’s supposed to be the grounded girl among these flighty artists.

parakiss2

But Yukari’s image of herself is changing. Miwako helps her land a modeling gig that her sister is designing for (more Neighborhood Story cameos, as fans once again whine that this never got licensed), and she pulls it off quite well. She then uses that contact to get in touch with an agency that wants to promote her. Yukari’s upbringing has basically stomped her self-image into the ground, so there’s a constant feeling from her of waiting for the other shoe to drop. But no, she is really good at this. The words of praise and encouragement from everyone but George help as well, and set up the emotional climax of this volume, where she reconciles with her mother and agrees to return to school (but still model). It’s great stuff.

The problem, of course, is that she’s also fallen for George, hard. And while he clearly has a desire to see her succeed, mature, and become strong, he also does not given her any sort of support or encouragement – at least not explicitly. Yukari has a tendency to overthink everything, so pairing her with a man who’s almost impossible to read is frustrating enough. But you get the feeling that, unlike the rest of the cast, if Yukari were to fail or not measure up to George’s ideals, he would simply move on. He doesn’t emotionally connect, unlike the rest of the cast. We do get more scenes here of Arashi and Miwako’s relationship troubles, and the fact that he’s still jealous and fearful of Hiro. They are both easy to relate to. George is not.

(Poor Arashi is also the only straight man in a cast filled with outlandish characters, and you can see that it exhausts him. This is why he needs to make up with Hiro – he’d finally have someone to take the pressure off.)

George is an incredibly popular character. He’s handsome, dashing, trying to be a good lover (physically, at least – and he’s not the best at that either, as is lampshaded in a conversation between him and Isabella). But he has no interest in the give of a give-and-take relationship, and thus is the sort of guy you like to read about but would hate to deal with in real life. The one time in the volume that he really seems to open up to Yukari is when he’s talking about the clothing that he’s designed. Which is great for a manga that runs in a fashion magazine, but, like Yukari, I keep waiting for the other shoe to drop. In the meantime, though, no one can deny that this is a glorious soap opera, well-told.

Filed Under: REVIEWS Tagged With: paradise kiss

Weekly Shonen Jump Alpha Recap: January 7, 2013

January 9, 2013 by Derek Bown 3 Comments

cover-wsjaThere’s no real cure for a lazy writer than a topical issue that is updated every week. Thus, here we are, with a brand new column dedicated to celebrating the spearhead of digital and simultaneous manga publishing in the West: Weekly Shonen Jump Alpha.

The basic idea of this column is to provide my opinion of the most recent issue of WSJA, and to provide a forum for fans to share their own opinions on the latest Jump chapters. For those who hate reading but love listening to people talk about manga, fear not, just check out my podcast, new episodes posted the weekend after each issue comes out. You can find it at: Burning Lizard Studios

Without further ado, let’s see how the chapters this week fared. And yes, ye have been warned, there will be possible spoilers in these columns. I’ll try to keep it to a minimum, but when talking about a story you kind of need to talk about the story. So I can’t make any promises.

One Piece Ch. 693
The thing about One Piece is that depending on who you’re talking to it’s the most satisfying manga to read on a weekly basis, or it’s complete gobbledegook. Well, if you’ve paid attention to what I’ve written in the past then you know I love One Piece more than any other shounen manga. And this week was as good as ever. Some would say that Oda’s artwork is cramped, and I can’t quite deny that, seeing as how I had that same reaction the first time I ever saw the manga. But the advantage of this is that we get a chunky bit of story every week. And with how large the cast of One Piece is, that’s an absolute requirement.

The majority of this chapter was setting up the finale of this arc. Caesar Clown looks like he’s about to get away scott free, if Baby Five manages to get past Franky. With the island possibly exploding it looks like we’re in for a close escape.

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Naruto Ch. 614
Speaking of series with giant casts, Naruto is one of those series that could either use a little more content with each chapter, or at the very least spend a little more time focusing on the side characters. And even when it does focus on side characters, it’s never the ones that actually need the focus.

Case in point: A certain character is mortally wounded this chapter, and apparently dies. I’m not one to downplay tragedy, even when it’s fiction, but this really would have meant more if the certain character had actually done something in the past three hundred chapters.

It’s not like it’s impossible for an underused character’s death to be tragic; after all, Asuma’s death back in the early days of the time skip was actually well written and tragic. This is because right before killing Asuma, Kishimoto took the time to show us why him dying was tragic. His relationship with Kurenai was confirmed, and we get the revelation that they were about to have a child together. Coupled with the impact this has on his students it’s a pretty tragic moment. Granted I wasn’t entirely convinced because I personally would have preferred to see more of him before he was offed, but at the very least Kishimoto took the effort to make his death meaningful.

With the death in this chapter I have to admit that there’s still a chance that it will become more meaningful in later chapters. It just doesn’t help that I haven’t read anything substantial about this character in the past four years or more. The flashbacks to his scenes with Naruto early on in the manga don’t help much either. Rather they feel more like Kishimoto is waving them in our face, saying, “Remember how meaningful he was back when I bothered to do anything with characters other than Naruto and Sasuke? Feel bad!!!”

Nisekoi Ch. 56
It takes some serious writing chops to take a character like Marika Tachibana and actually make her interesting. We’ve seen her likes before. She’s the one everyone hates in the harem show—the arrogant one, the clingy one, the Shampoo, the Ayeka. The characters hate her, and the readers hate her. And yet, that really isn’t the case with Marika. Sure, her outer character is blatantly one-note, but those moments with her are actually entertaining, and there are just enough hints that there is more to her character—that she’s playing a part to keep us interested.

It also helps that Komi Naoshi is a genius at comedic facial expressions. I rarely get through a chapter of Nisekoi without finding an expression I love. This week the prize goes to Ruri, for her look of utter disgust at being ranked right under Shu.

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Toriko Ch. 216
I love Toriko far more than I should, considering I haven’t even read all of it. I’ve read the first nine volumes, and everything that’s been published in WSJA. This one is a victim of Viz’s inability to provide the chapters leading up to the most recent in a way that is actually economically feasible. Thus I find myself stuck in a position where I can either read the most recent volumes and wait for those to catch up with the chapters first published in WSJA, or I can find alternative ways to catch up. At the moment I’m holding strong with just reading the volumes, so here’s hoping we catch up soon.

I love cooking, and I love shounen fighters, so this is a match made in heaven. Especially with the most recent arc being a cooking festival. This is where I’ve truly fallen in love with the series. All the colorful characters, the way something as simple as food and cooking can fascinate an entire world. All of it together is just wonderful, and the introduction of Brunch these past chapters has been a great addition. This chapter itself is a bit on the weaker side, since it skims over most of the competition to introduce the final matches. Personally I would have loved to see more of the preliminaries, but considering how many chefs were involved I’m thinking this was probably for the best.

Cross Manage Ch. 15
I don’t particularly care for sports manga, nor am I making the mistake of getting too attached to brand new Jump series. Experience has taught me that new series have to be phenomenally lucky to actually survive to the point where they really become entertaining.

A lot of Cross Manage has been focusing more on the development of the main characters than the actual sport of lacrosse. This isn’t necessarily a bad thing, considering that lacrosse is presented more as a setting rather than the driving force of the story. But I really would like to spend some more time with the extended cast. I like series like this, where superficially it’s about a sport, but really it’s about the large cast of characters. So I find myself at a loss for what to do with a series that promises shounen manga, but then gives me a shoujo manga.

Not to say a shounen with shoujo tendencies is a bad thing, I actually find it hilarious that Cross Manage is potentially fooling people into believing it’s a shounen manga, when it so clearly isn’t.

At the very least we’ll get to see some more lacrosse, with perhaps some more focus on the ancillary characters during this tournament arc. I’d love to see this manga continue, but considering the fates of Barrage and Takama-ga-hara, I’m not too optimistic about Cross Manage‘s chances.

Bleach Ch. 521
Is it just me, or would Kubo be happier if he replaced his entire cast with big breasted women? Or just women in general. It seems to me that there is nothing he loves more than expanding a story that should take a fourth of the time it takes, and that’s drawing attractive women. Now, as a straight male I have absolutely no problem with this whatsoever. However, as a fan of manga, and fiction in general, I would appreciate if a bit more care went into the story. I’ve mentioned One Piece as an example of a manga that has a lot of material every week; well Bleach is the exact opposite. Kubo’s biggest problem, and there are some doubts that this is entirely his fault, is that he just doesn’t have enough material per chapter. A chapter of One Piece may take me a quarter of an hour to read. I can get through a chapter of Bleach in about five to eight minutes. There just isn’t enough to sink your teeth into on a weekly basis.

bleach

To be fair to this chapter, I’ve always liked Kubo’s sense of comedy. It’s not necessarily what he does best, but in my opinion he does it pretty well. The overall comedic sense of this chapter might throw some people off, but I for one at least enjoyed it. I look forward to next week’s chapter where we get to find out about the origin of Zanpakuto.

Yu-Gi-Oh! Zexal Ch. 25
Just this first column alone has taught me something important about being a manga reviewer. Sometimes you have to read something you don’t want to read. Sometimes you have to read a chapter based on an anime, based on a card game, based on a manga that by all accounts was pretty decent but has since turned into a monster of a franchise.

I’ve only ever watched the first Yu-Gi-Oh! series. And not even all of that. I’ve never read the manga. Nor have I ever read the manga (besides a few chapters) of the spin-off series. The problem with a manga like this is that it’s a tie-in media for the anime, and in my personal experience that tends to be a code phrase for, “Not very good at all.” There’s an element of laziness that creeps through in the adaptation from a different media to the graphic novel media.

But, let us not allow my bias to cloud my vision of this chapter of Yu-Gi-Oh! Zexal. What do I really think of the chapter? To be honest I don’t have a clue. Like Toriko, this series has the disadvantage of having several chapters published before it made its way into WSJA. But unlike Toriko I refuse to spend money to catch up on this series.

Superficially this is the most Yu-Gi-Oh! of all the series. The hair alone would put any glam rock band to shame. At least with the original series all the crazy hair looked fairly anime standard. With this one it looks like all the characters are Yugi poser wannabes. How many different shades of color can one head of hair have!?

This series even goes so far as to introduce technology that would be a lot more effective at resolving the conflict than a bunch of cards. Someone kidnaps your little brother? Forget the cards, you’ve got a jetpack! Fly up there and save the kid!

I will admit that a lot of my complaints stem from never really getting into this franchise. So at the very least I can say that were I invested in the series I might be more positive about this. But since I am not, I have gone from the original series to this, which is a bit of a jarring transition to say the least. As an outsider I can say that what I’m looking at is pretty ludicrous, but as an outsider I readily accept the fact that I just might be missing something.


That wraps up this week’s recap, join me next week as we continue our journey towards legally reading Jump chapters at the same time as Japan. If you want to know my opinion on last week’s chapters, check out my podcast, Manga^3 for the latest in manga news and commentary: http://www.mediafire.com/?09m5dfpi5lx92tf

Filed Under: REVIEWS, WSJA Recaps

It Came from the Sinosphere: The Eleventh Son

January 8, 2013 by Sara K. Leave a Comment

The cover of the Taiwanese edition of "The Eleventh Son"

It is high time that I actually write a post about Gu Long, so here it is.

But First, the Story

Xiao has a reputation as a notorious bandit (even though nobody’s proven he committed any crime), and ends up rescuing Shen, who is The Most Beautiful Woman in the World (there are so many Most Beautiful Women in the World in wuxia fiction that it’s ridiculous – this gets lampshaded in Passionate Wastrel, Infatuated Hero where they keep a bloody list of the most beautiful women in the world, which Zhao Guan takes exception to). Xiao and Shen end up spending a few months together, and fall in love with other. Alas, Shen is already married, to a handsome, strong, skilled, rich, well-mannered young man no less. Oh, and she’s pregnant (with her husband’s child).

Anyway, Xiao has his own matters to deal with, being an outlaw and all. Eventually, Shen’s family is murdered and Xiao is accused. Things get pretty gnarly…

Now, I Talk about Gu Long

Gu Long, along with Jin Yong (discussed previously many times in this column) and Liang Yusheng (discussed here), is considered one of the three great writers of “new wuxia”. I actually prefer to call it “Cold War wuxia” since, you know, a new generation of wuxia writers has already emerged. Gu Long is also one of the four great (Cold War) wuxia writers of Taiwan, of which he is certainly the most popular.

What I respect about Gu Long is that he created his own personal style of wuxia, and was never content with his success – he always strove to push the wuxia genre and his own craft to the limit of his ability. As such, his works feel unique, both distinct from other wuxia writers, and distinct from each other.

Gu Long studied foreign literature in college, so it should come as no surprise that his works are heavily influenced by non-Asian literature. That isn’t to say that other wuxia writers weren’t influenced by foreign writers – Jin Yong was certainly influenced by classical Greek literature and Alexandre Dumas – but studying foreign literature is one of the things which helped Gu Long break away from the conventions of the genre and make his own kind of wuxia. Some of the foreign writers who influenced him include Ernest Hemingway, Ian Fleming, John Steinbeck, and Friedrich Nietzsche.

I’m tempted to say that Gu Long’s works are ‘wuxia noir’, except his work is so diverse that I think that is too limiting.

Writing Style

Some people say that a picture is worth a thousand words. Right now, I think thousands of words are worth taking pictures of.

Here is a random page from The Bride with White Hair.

BenQ Digital Camera

Those paragraphs are … well-sized. Actually, these paragraphs seem a bit shorter than average for Liang Yusheng – it’s not unusually for a paragraph to take up an entire page (yes, even in this big-page format). Furthermore, Liang Yusheng uses quite a range of vocabulary.

Here is a random page from a Jin Yong novel.

BenQ Digital Camera

That is a wall of words alright. And not just any words – the vocabulary required to read this is significantly more advanced than needed to read Liang Yusheng. I reckon it took me about 90 hours to read Shè Diāo Yīngxióng Zhuàn. It’s not just non-native readers who think Jin Yong is hard – I’ve met Taiwanese people who claim they can’t read Jin Yong novels because it’s too hard (on the other hand, I’ve also seen 10-year-olds reading Jin Yong novels).

Now what about Gu Long? Here’s a random page:

test3

It’s heavy on dialogue, and even the non-dialogue paragraphs are awfully short, heck, most of the sentences are short too. It’s not just the paragraph/sentence length – the vocabulary is also much more basic. Granted, Gu Long occasionally uses pretty advanced vocabulary, but even so, when it comes to difficulty, he’s definitely not in the same league as Jin Yong or Liang Yusheng.

I think you now understand why some learners of Chinese interested in wuxia choose to start with Gu Long.

The fact that Gu Long chooses to write mostly dialogue and sentences which are much shorter than what is standard for Chinese literature (or even conversational Chinese) definitely affects the mood. Whereas Jin Yong will go into a loving digression about tea or something, Gu Long can be so brief it’s stark.

Gu Long and Gender

Ha, I could dedicate an entire post to this topic.

Some people say that Gu Long is the most misogynist of wuxia writers. Other people say that Gu Long wrote better and showed more respect female characters than other wuxia writers.

I partially agree with both sides.

I think Gu Long has earned reputation as a misogynist. No other wuxia writer I’m familiar with comes anywhere close to saying anything as vile as what Gu Long says about women in some of his works. To be fair, the most misogynist remarks are concentrated in the villains’ mouths, however the narrator and protagonists are also guilty, and even if it’s in the villain’s mouth, it’s not much fun to read.

Now, I don’t think there is any respect in which one could claim that Gu Long writes better female characters or is more gender-egalitarian than Zheng Feng or Liang Yusheng. There are certain respects in which I think Gu Long handles female characters in a more egalitarian manner than Jin Yong or certain other wuxia writers … but in my opinion, this is more than outweighed by the misogynist bile that Gu Long sometimes pours out. It’s my impression that a much higher percentage of Jin Yong fans than Gu Long fans are female, and I think it’s because that it’s because, overall, Jin Yong is simply friendlier to a female audience.

But it’s not the sexism which most bothers me about Gu Long. It’s the gender-rigidity. Like I said, Gu Long’s works have quite a bit of variety, and some of his works are much less misogynist than others. However, everything I’ve read by him is full of statements like “All men do X because they are men” and “Women always do X. Otherwise, they would feel bad.” First of all, this erases anybody who doesn’t conform to the gender binary While I wouldn’t call Jin Yong or Liang Yusheng champions of gender diversity, they do have some characters who are not cis-gendered. But even among cis-people, there is greater differences between people of the same gender than there are between different genders. While I think there are biological between the sexes, I think gender is a social construct, and that most of the “differences” between female and male are driven by society, not biology. I strongly take exception to Gu Long’s policing of gender roles, which is far more stringent than any other writer I’ve encountered in Chinese.

I will give credit to Gu Long for offering his characters more flexibility vis-a-vis gender in Happy Heroes (which was translated into French as Les quatre brigand du Huabei), but that seems to be the exception, not the rule, for Gu Long.

Why is Gu Long more wretched than his Chinese-speaking precedents and contemporaries? I can’t definitely answer that question … but remember how I mentioned that he was strongly influenced by foreign literature? Among other things, he was influenced by the James Bond novels … and one of the lines in The Spy Who Loved Me is (trigger warning) “All women love semi-rape. They love to be taken.”

Gu Long, to his credit, has written with sensitivity at least one female character who had experienced rape, and has never managed to make a statement quite that terrible. Nonetheless, he is the only wuxia writer I know who I could ever imagine saying anything like that. Overall, his gender-policing seems to be derived much more from European and American writers than Chinese writers.

Women in The Eleventh Son

Fortunately, The Eleventh Son is quite tolerable when it comes to gender, at least by Gu Long standards. Shen, as The Most Beautiful Woman in the World, could have easily just been a fantasy object, but she’s a fully realized character with a vibrant inner life. She tries to figure why she is not in love with her fantastic husband, she is very attached to her birth family and visits them regularly, she isn’t sure how to deal with Xiao, etc. In fact, she has so much going on that she hardly has brain space left to think about her pregnancy.

Shen’s also not always a helpless victim – she has mastered a bad-ass martial art technique courtesy of her family (and thus is heavily tied up with her feelings about her family), and ends up rescuing Xiao more than once. Eventually, she is the one who decides how to resolve the love triangle between Xiao, her husband, and herself.

Additionally, another female character ends up starting a successful new romance in her mid-to-late thirties (I don’t remember her exact age).

Availability in English

This novel has been published in English.

theeleventhson

Ha, I bet you weren’t expecting that!

I haven’t read the translation myself, but the reviews I’ve read claim that it’s excellent.

Conclusion

I actually discussed Gu Long more than this novel specifically, didn’t I? That’s probably because I think this is less interesting than the other Gu Long novels I’ve read. It’s not that it’s a bad novel – it’s fast-moving and I got involved in the story and all – it’s just that I can’t think of much to say about it.

If you can read French, I recommend Les quatre brigands du Huabei (my favorite Gu Long novel so far) over this one. In fact, if The Eleventh Son hadn’t been translated into English, I would have probably chosen to write a post about Happy Heroes/Les quatre brigands du Huabei instead. However, if you can’t read French/Chinese/etc., then I actually highly recommend reading this novel. Gu Long is one of the most influential writers of the 20th century, and this is quite different from anything I’ve read in English. Most importantly, it is a fun read.

Next Time: Night Market Hero (film)


Sara K. sometimes wonders why she spends so my effort reading, watching, and writing about stuff in Chinese. After all, the global economy is speeding head-first into another crisis, the too-big-to-fail-banks and other oligarchical/monopolistic corporations have murdered democracy in the United States (and other countries), and if we don’t make radical changes right now, climate change will kill off at least 90% of the human population within 30 years. Shouldn’t she be spending her energy dealing with these issues instead? However, she also thinks that the power of popular culture is underestimated, and needs to be examined.

Filed Under: It Came From the Sinosphere Tagged With: Gu Long, Novel, The Eleventh Son, wuxia

Psyren, Vol. 8

January 8, 2013 by Sean Gaffney

By Toshiaki Iwashiro. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz.

No, I haven’t really skipped Vols. 2-7. Psyren simply lends itself well to the brief, one-paragraph reviews I do for Manga Bookshelf every week, and I’ve covered them all over there. Nura: Rise of the Yokai Clan is a similar title. They’re both what I call ‘mid-range’ Jump titles. They’re not huge, breakout hits, and they tended to linger at the bottom of the table of contents when they were still running. But they fill the magazine, and they provide a good helping of ‘Friendship, Training and Victory’, Jump’s motto. The slow economy means we don’t see as many of these types over here now – Viz tends to wait for breakout hits, like Toriko and Bakuman, or more recently Nisekoi. But all this is not to call Psyren generic shonen. It has its very good points.

psyren8

When we last left our heroes, they were back in the Psyren world, which is not particularly one of those good points. I find Ageha and company’s quest to discover the truth about their powers and trying to change history far more interesting when they’re back among the kids of Elmore Wood and their former Psyren mentors. I’m not sure the author agrees with me, but at least this time round we get a little bit more than just desolate wastelands and explosions of power. The attempts to change history are finally WORKING, and even though everything still goes to hell, this time Ageha and company have a few more allies to choose from.

If you take time to look at what’s going on in this volume, you’ll end up with the feeling that you’re being emotionally manipulated. Which, well, is what authors do. Almost every scene in this volume is there to make you squee with joy, or tug at your heartstringas, or laugh out loud (only a couple of times there – this is, for the most part, a serious series). You feel for our heroes when the bad guys take them apart (including ripping off Ageha’s foot, which looks appropriately gross), and grin when the cavalry arrives to rescue them and kick the villain’s asses. (The cover spoils the cavalry’s appearance a bit, but hey.) And the flashback describing the destruction of the world, as well as the death of many of the more adult Psyren charact4ers, is really depressing.

So, I hate the Psyren world, but I’m not alone. The reader really wants Ageha to change things so that this ISN’T the future they have to deal with. Unfortunately, I have a feeling that to do that, we’ll need to be here a while, but hey, there are checks and balances. By the way, if you have friends who read superhero comics and want to see what this manga thing is all about, Psyren would be a very good entry point for them, as it’s basically kids with superpowers they don’t quite now how to control battling a mysterious organization. There’s a little Teen Titans theme going with the Elmore Wood kids. And hey, one of the women in this volume even wears a hilariously awful fanservicey outfit which emphasizes her huge chest, even though she’s canonically shy and modest. What’s more superhero comics than that?

Psyren is not a Jump title you obsess over like Bleach or One Piece. You will forget about the series a few hours after you read the new volume. But that volume will please and entertain you, and gives you good shonen vitamins and minerals. Sticks to the ribs in your quest to stave off a hunger for more manga. Check it out.

Filed Under: REVIEWS Tagged With: psyren

Strobe Edge, Vol. 2

January 7, 2013 by Anna N



Strobe Edge, Vol 2 by Io Sakisaka

I liked the first volume of Strobe Edge well enough, but I was hoping that the second volume would be a tiny bit more interesting, in order to justify my wanting to keep following the series. I wasn’t disappointed, as the second volume dropped the emphasis on the heroine Ninako’s naivety in favor of some standard shojo plot elements with an emphasis on the characters’ emotions and just enough of a twist to produce some unexpected moments.

Ninako is back at school after summer vacation, wondering how to deal with the fact that she confessed her feelings to laconic yet secretly super-nice heartthrob Ren on the last day of school. Ren turned her down nicely, mentioning his girlfriend. Ninako practices how to say hello to him and reflects that their first encounter will likely be as difficult for the rejector in addition to the rejectee. Unfortunately word of Ninako’s daring has spread and she is known throughout the school as “girl who confessed to Ren on the train platform.” Her friends try to comfort her, but Ninako finds a slightly unwelcome distraction in the person of Ando, a flighty womanizer who seems fascinated by her indifference to him and her continued love for Ren even after being rejected. The unlikely trio gets thrown together in doing some committee work for school, and while Ando might have a habit of trying to collect as many girls’ cell phone numbers as possible, he does exhibit some genuine friendship and sensitivity to Ninako when she’s placed in an awkward situation.

Strobe Edge isn’t the type of shojo manga that challenges conventions, but it is extremely well-executed. I couldn’t find anything to quibble with the artwork, and the pained expressions Ninako sometimes makes as she navigates the storm of teenage romance offsets some of the expected shojo prettiness. There were plenty of humorous elements too, as Ninako is initially embraced by a secret society at school that is comprised solely of girls that Ren has rejected. I continue to enjoy the fact that most of the characters are genuinely nice and sympathetic. A bonus story in this volume focuses on the way Ren and his girlfriend Mayuka began their relationship, and it was fun to see a different aspect of those characters told from Mayuka’s side. I wish more manga had side stories that served as a supplement to the main plot, as opposed to publishing unrelated short stories by the same author in the back of a volume just to fill it out. Strobe Edge is perfect comfort reading for anyone who wants to read a well-done shojo manga that keeps things on the light and fluffy side.

Review copy provided by the publisher.

Filed Under: REVIEWS Tagged With: shojo beat, Strobe Edge, viz media

Off the Shelf: Chocolat

January 7, 2013 by MJ and Michelle Smith 13 Comments

chocolate8MJ: Good morning, Michelle! How are you holding up after your marathon read?

MICHELLE: Fairly well! I’m usually a terribly slow reader, so it’s always nice to marathon manhwa since the big, spacious paneling allows me to go a lot faster!

MJ: Girls’ manhwa, especially, is easy on the eyes… and in more ways than one, most of the time!

So, anyone who’s been following My Week in Manga will know that the series Michelle and I have been marathoning this week is Chocolat, a girls’ manhwa series by writer JiSang Shin and artist Geo—the same team who brought us Very! Very! Sweet. This series went abruptly on hiatus after seven volumes—the last of which was published here in 2008—and finally resumed publication in South Korea in the spring of 2011. Its North American publisher, Yen Press, collected the series’ final three volumes into a single omnibus that was released just last month.

Chocolat tells the story of Kum-Ji Hwang, a middle-school student obsessed with a popular idol group known as “DDL,” and particularly its lead singer, Jin. Having discovered DDL too late to get in on its fan club’s initial membership drives, Kum-Ji and her friends are firmly stuck at the very bottom of the fandom hierarchy, with little hope of ever seeing their idols up close, let alone interacting with them in any meaningful way. Frustrated by this cruel reality, Kum-Ji gets in on the ground floor of the fan club for a new idol group, Yo-i. Though she cares nothing at all about Yo-i, Kum-Ji’s status as a club officer grants her special access to entertainment complexes and live events, including those that Yo-i shares with DDL!

When the day finally arrives that Yo-i and DDL are working in the same studio, Kum-Ji struts in proudly to find her way to DDL’s waiting room, and though she finally gets her opportunity to meet Jin, her moment of glory is interrupted by E-Soh, a cute (but spoiled) boy she tussled with on the elevator, who also happens to be the lead singer for Yo-i. Catching on to Kum-Ji’s ruse, E-Soh threatens to blow her cover unless she agrees to be his personal slave.

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blackmail1    blackmail2

The rest of the plot is totally predictable, right? Kum-Ji will grudgingly consent to E-Soh’s terms, all the while hating him with her whole heart, until hate finally turns into mutual love and they live happily (and entertainingly) ever after. Right?? Thankfully, no.

Though Kum-Ji initially succumbs to E-Soh’s blackmail, she’s not cut out for polite servitude and her rebellious nature pretty much ensures that her cover is doomed from the start. But as it turns out, Kum-Ji’s aunt is a coordinator for Yo-i, which means that Kum-Ji’s proximity to the idol world is not wholly dependent on her fan club status. This is pretty fortunate for Kum-Ji, since her “disrespectful” treatment of E-Soh puts her immediately at odds with the Yo-i fan club president—a dazzling beauty commonly referred to as “Barbie.”

Beyond this, the series becomes pretty complicated to summarize. Though its melodramatic nature gives it a formulaic feel, its romantic entanglements and various character trajectories are actually quite difficult to sum up in any kind of neat way. Predictably, E-Soh falls for Kum-Ji (in typically inexplicable fashion—at least at first), but Kum-Ji’s feelings are much more complicated as she tries to weigh her growing friendship with E-Soh against both her longstanding idol worship of Jin and her unexpected sexual attraction Yo-i’s main rapper, E-Wan. Meanwhile, Barbie’s obsession with E-Wan spurs her to pursue a career as an idol herself so that she can approach him as a colleague instead of a fan, and E-Wan struggles with just figuring out how to coexist with other humans at all. Ultimately, the series becomes a strange mixture of tried-and-true romance formulas and surprisingly insightful musing on the nature of love and corporate-made social hierarchies, which works better than you might think.

MICHELLE: Wow, that summary was incredibly well done!

As I began Chocolat, I had the same expectations. “Okay, this is another series where a childish and uncouth girl encounters a handsome and rich guy and they bicker and bicker until suddenly he loves her, but then she’s never grateful for anything he does until suddenly she matures and they live happily ever after.” And, on some levels, it kind of is that, but there are definitely some twists to the old formula.

I expected that Kum-Ji would mature—for the first four volumes, she’s pretty insufferable—but I wasn’t prepared for just how awesome she would become and how necessary all that earlier squabbling would turn out to be. If you’re introduced to a character who is calm and mature, they could be a bit dull, but knowing her background, when we see her exhibiting those qualities, we’re just struck by how much she’s grown. Also, she is completely reflective on her own past behavior and acknowledges several times how she’s sorry for it and grateful for the many kindnesses she initially rebuffed. By the end of the series, I liked her very much.

I also thought JiSang Shin and Geo did a decent job explaining why these boys would be attracted to her, even though it initially seems so inexplicable. Aside from the fact that their obsessively scandal-phobic production company is keeping them away from girls as much as possible, Kum-Ji is the one girl they meet who is utterly honest and who expects nothing from them. E-Wan later explains that he’s attracted to her because, growing up the son of a mother who never put him first, he can see that she’ll become a terrific mother one day. Strong, loving, and utterly willing to protect her kid with the full extent of her ability. (Well, okay, he doesn’t necessarily say all that, but that’s what he means.) She finally convinces him that real love is possible, and if his change of heart is a little swift and unconvincing initially, by the end I was sold on their relationship.

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beautiful

MJ: I think in general I have a higher tolerance for heroines like Kum-Ji than you do (I tend to find the arrogant male love interest much more insufferable), but in Kum-Ji’s defense, specifically, I feel that she has an especially good excuse for immaturity, since she is actually younger than all of the male idol characters, none of whom are any more mature than she is, when you think about it—quieter, in some cases, but not particularly mature. I am in complete agreement with you, however, on how awesome she becomes, and I need to extend the same praise to E-Soh, whose personal growth is just as dramatic as Kum-Ji’s. It’s not often that I find myself equally admiring both the heroine and the guy she doesn’t end up with by the end of a romance comic.

MICHELLE: Oh, I found the arrogant guys pretty insufferable, too! The tone of the story in early volumes is also more “comedic,” in that there are lots and lots of ugly panels and some truly awful attempts at humor at Wu-Hee’s (the female member of Yo-i) expense. I expect you know what sequence I’m talking about, and I really could have done without that. The whole manhwa could’ve done without that! But, in general, I don’t get along that well with comedies, so that probably contributed significantly to my irritation with earlier volumes. I had faith that the story would eventually shift into something more my speed, though, and it did.

E-Soh is indeed an interesting character. I really liked the bit at the end where he’s realizing that the idol business can’t go on forever and he should think about what else he might want to do with his life. I’m not sure characterization with him was always consistent—at one point he’s playing a sort of Momiji role by helping Kum-Ji and E-Wan get together, but later he’s demanding of his bandmate “What the heck do you see in her?!!”—but his overall story line is a good one.

MJ: Yeah, I think there are some confusing moments in E-Soh’s character development, but some of those end up being used to great advantage, too. One of the things I love most about the way Kum-Ji and E-Soh’s relationship is written throughout the series, is that the authors aren’t afraid of letting them be confused or to hurt themselves and each other in the midst of that confusion. Neither of them is portrayed as the villain in the relationship, and the differences between the way Kum-Ji feels about E-Soh versus E-Wan versus Jin are really nuanced and not necessarily cut along the lines drawn by typical romance tropes. Likewise, E-Soh’s feelings about Kum-Ji and E-Wan are changeable and not easily defined. Because of this, Kum-Ji and E-Soh’s relationship is probably my favorite in the series—kind of because they don’t end up together romantically. There’s a scene near the end of the final volume in which Kum-Ji thanks E-Soh for making a clean break with her, and he acknowledges how difficult keeping it clean actually was that really sums up how well the relationship is written and it actually made me kind of teary at the time.

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MICHELLE: I agree completely about the nuanced difference in Kum-Ji’s feelings, and I thought that the manhwa-ga team did a great job clarifying those for the reader at a pace that matched the internal clarification Kum-Ji herself was experiencing. This leads me to note that the portrayal of fandom is also really well done—the dedicated fervor as well as the gradual moving away from that kind of idealized obsession while still looking back on all those times with nostalgic fondness. It’s never portrayed as a waste of time and the feelings experienced by fans are presented as absolutely genuine.

And yet, reality inevitably wins out in the end. There’s a great scene where E-Wan, thinking to do something nice for Kum-Ji, invites her over to Jin’s place, but by then her feelings for E-Wan have developed so much that she only has eyes for him and practically ignores her idol lounging next to her on the couch in his bathrobe.

MJ: Yes, I absolutely loved the way the story handles fandom/fans. I think Jung-Yeon (aka “Pretty Boy Jin”) is one of the best examples of this. First, I love the fact that Kum-Ji and her friends continue to think of his online fandom name as his actual name (wow, can I relate to that), and also that he ends up being both a totally real guy with his own life and issues and also a serial fan who is just really good at being a fan. He’s that fan whose homemade gifts and banners outshine everyone else’s, and by the end of the story he’s moved on to another fandom to which he’s just as devoted as he ever was to DDL (I can relate to that, too).

fans

MICHELLE: Because he looks so much like Jin when he’s first introduced, I kept waiting for the big reveal that he was some secret little brother or something, but nope, just a fanboy. At one point, it seemed like his story would come more to the fore, as there was a line about his parents having kicked him out, but then we never hear about it again, so I’m not sure what happened there.

MJ: Oh, interesting, I never really expected it to become more prominent—just kind of took it as a character note—but I should mention, too, that I liked his relationship with Kum-Ji and the kind of friend he was to her, even if it was clear that they weren’t exactly on the same page there. I was glad that the authors didn’t feel it necessary to try to neatly fit him into her harem (like making him confess or something), but that there was some ambiguity and unsettled-ness in terms of how each of them viewed the friendship.

MICHELLE: Definitely. If it had been yet another boy expressing his interest in her, it would’ve been overkill.

Speaking of boys who fancy Kum-Ji, we haven’t really talked about E-Wan very much. He starts off very surly and angsty—this, combined with the boy band aspect of the story, reminded me of the lead character in You’re Beautiful to the point that I called him “Murderbot” in my notes a few times—but we eventually learn that he’s had a terrible home life. It seems like he joined Yo-i at least in part to distract himself from his pain, but all the smiling and singing and pretending like nothing’s wrong are really wearing him down.

Burdened by a past full of unsolicited, expectant admirers, he’s pretty nasty to Kum-Ji when she finally confesses her feelings to him, but when she—unlike all the others—actually takes his feelings into account and leaves him alone afterwards, he apologizes and starts becoming nicer in general. I actually found his about-face here a little too sudden—I was so suspicious I wondered whether his illness was terminal or something—but it’s certainly not unwelcome.

ewan    murderbot
Twin Murderbots?

MJ: Ha! I’ll admit that “Murderbot” came to my mind a few times as well, though I do kinda love that, unlike Tae-Kyung in You’re Beautiful, E-Wan isn’t the obvious love interest from the start. He sort of sidles in there unexpectedly as Kum-Ji gets to know the group, unlike E-Soh, who is completely transparent and in Kum-Ji’s face (and thus, ours) the whole time.

E-Wan’s transformation felt pretty slow and natural to me, but I wonder if that has something to do with the fact that I was actually re-reading the first seven volumes rather than marathoning the whole series for the first time. Did my later impressions of E-Wan color my reading of him early on? That certainly seems possible.

Though as a reader, I would have been happy to see Kum-Ji end up with either E-Soh or E-wan (as long as she was happy), I admit I loved E-Wan’s final volume persona as the cranky idol who will only behave for magical manager Kum-Ji. I would have been sad had that E-Wan never surfaced. He’s pretty adorable.

MICHELLE: “Sidling” is the perfect way to describe how E-Wan ends up becoming the love interest. I really liked that, too, though because Kum-Ji ends up genuinely becoming such close friends with E-Soh, ending up with him wouldn’t have felt super-predictable either.

And yes, I quite liked the glimpse of the two of them at the end! In their notes, the creators mentioned being dissastified with the conclusion to the series, but I honestly don’t see what’s wrong with it! I was a little worried when Kum-Ji didn’t get angry when E-Wan suggested she forget college and just marry him, but relieved to see that she did indeed go to university and made a name for herself doing something related to him, but by no means dependent upon him.

MJ: Speaking of Kum-Ji’s career trajectory, I also am in love with the scene in which she discovers that she’s good at sewing costumes and her aunt says (essentially) something along the lines of, “Well, if you’re just going to go to fancy costume design school and still end up doing this like all the rest of us did, you might as well just skip that enormous time-suck and sign up with us now!” Because even though this isn’t precisely what Kum-Ji ends up doing, it’s still surprisingly practical advice for a romance series to be handing out.

MICHELLE: Yeah, and there’s an arrow pointing to the lady who did go to a prestigious school and the caption “sewing spangles on a shirt.” Hee.

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spangles

This does bring up the thoroughly corporate nature of the band. It’s never expressly stated, but I don’t think any of the boys knew each other before being drafted to be in the group together. (E-Soh and Wu-Hee were “discovered” simultaneously.) Due to their closeness, it’s possible E-Wan and Eun-Sung did know each other, but this is never explored. (Eun-Sung in general is never explored, which is kind of a shame.) They live in dormitories furnished by the company and have a rigorous schedule of promoting an album, then having a break while another group rotates into the spotlight, then having a “comeback” when it’s time for their second album. Although we see them rehearsing from time to time, it’s generally just choreography. They’re never seen writing songs or playing instruments, and are really described as rappers in a “dance group” rather than singers in a band. So, really, they don’t seem to be musicians with any particular love of music. They’re just handsome and coordinated guys put together by a company to generate income. It’s all very… sterile.

MJ: Yes, definitely. And it’s interesting how the comic addresses it, too, by acknowledging it without judgement. On one hand, there is a character who really does crave more—Jin, who eventually leaves DDL in order to pursue his own songwriting and a career as a real musician—and we also have Barbie, who (rather accidentally) discovers that she’s got real talent as an actress. But E-Wan’s job (and the job of all the other members of Yo-i) really is just to be an idol, completely crafted by corporate entertainment for mass consumption. And this is totally okay, according to Chocolat! I kind of love that. It’s oddly refreshing.

MICHELLE: “Acknowledging it without judgment” nicely sums up the depiction of fandom, too!

So, let’s talk about Barbie for a minute! Originally Yo-i’s fan club president before embarking upon the path to stardom, Barbie is desperately in love with E-Wan. Although she is at times at odds with Kum-Ji—and orders a couple of fangirl attacks upon her—they eventually call a truce. Towards the end of the series, however, when Barbie learns that Kum-Ji lied to her about having feelings for E-Wan and went so far as to confess to him, Barbie declares that she must pay the price for the deception.

I was expecting more bullying to ensue, but instead there’s actually a fairly awesome moment when Barbie intercepts the boys just as they’re about to go back on stage for their comeback and pulls E-Wan into a much-photographed embrace, effectively overshadowing their return (which had been delayed by a terrible car accident) with scandal. Perhaps I shouldn’t have been surprised by this twist, but I was, and quite delighted by its cruel efficiency.

MJ: Everyone’s reactions to her villainous move were so, so interesting, too! E-Wan, E-Soh, and Kum-Ji all react in ways so true to their characters, it’s a further delight!

MICHELLE: Is there anyone else we forgot to talk about? Although the supporting cast is pretty vivid, I’m not sure I have too much to say about them, aside from lamenting again that Eun-Sung and, to an even greater extent, Wu-Hee are not given very much to do. I did like the acknowledgment that it was only Wu-Hee’s quirkiness that kept her safe from fangirl vitriol, but she’s pretty much portrayed as a country bumpkin throughout.

MJ: I was a bit offended by Wu-Hee’s country bumpkin portrayal in the beginning, though I liked her quite a lot by the end, so I’m thinking the offensiveness must have been toned down at that point. Sadly, I think her role in the series was mainly to provide E-Soh with both a huge burden of guilt (as she’s horribly injured in a work-related car accident not long after he prevents her from quitting the group) and a crippling neurosis (again, related to the accident).

(click image to enlarge)

trauma

Eun-Sung, on the other hand, seems to exist to provide a sounding board for E-Wan, though one thing I do like about the way he’s written is that he’s really kind of an ass, which was totally unexpected—at least by me. So often, I expected him to come out and say something warm and helpful only to be confronted by a guy who is perhaps more caught up in the corporate-invented classism of the idol business than anyone. There’s a scene early on where he basically lectures Kum-Ji about not respecting her betters which was so not what I was expecting from the role he seemed to play. It made his close, cuddly relationship with E-Wan even more intriguing. I’m not sure even now that I completely understand how they really got there.

MICHELLE: I also wasn’t expecting Eun-Sung to be such an ass! Early on, I was still making You’re Beautiful parallels and had him pegged for the kindly Shin-Woo type. Sounds like we were in the same boat there.

MJ: We certainly were!

I’d also like to take a moment to express my enjoyment of Kum-Ji’s circle of fandom friends, because I was so pleased that the authors decided to check back in with them at the end of the story so that we could see how they all turned out. They managed to capture fandom friendship perfectly as something that really is real, but is also usually destined to fade over time as the friends all move on to other obsessions or regular life pursuits. They portray this without trivializing the group’s fandom experience or the bond formed between them, and it made me feel certain that the writers had been fans on that level themselves at some point in their lives.

MICHELLE: I think there were actually some author features in early volumes (these would be the Ice Kunion editions) that mentioned them being fans of some group, but I can’t remember now what it was. So yes, I’m sure they had intimate knowledge of those kinds of friendships. Heh, now I’m recalling a girl I was “best friends” with in sixth grade based on the fact that we liked the same boy. And when I stopped liking him, our friendship fizzled overnight.

MJ: I’ve had both that exact friendship (which can feel—and I think is—very real in the moment) and also the even better kind that ends up transcending fandom and remains even after the shared interest has waned. After all, I met my husband via band fandom! Chocolat‘s nuanced approach leaves room for all of this, and I love it for that. Also, I admit I’m a fan of Pretty Boy’s new look. Heh.

prettyboy

MICHELLE: It certainly is striking!

MJ: I suppose it’s obvious by now, but I’d like to wrap up just by saying how happy I am that Yen Press opted to complete this series, even after such a long hiatus. It’s a charming treat, and I’m grateful for the opportunity to see it through to the end … and also for the opportunity to discuss it with you! Thank you, Michelle, for a delightful conversation!

MICHELLE: It was fun!


More full-series discussions with MJ & Michelle:

Moon Child | Fullmetal Alchemist | Paradise Kiss | Tokyo Babylon (with guest Danielle Leigh)
The “Color of…” Trilogy | One Thousand and One Nights | Please Save My Earth
Princess Knight | Fruits Basket | Wild Adapter (with guest David Welsh)

Full-series multi-guest roundtables: Hikaru no Go | Banana Fish | Gerard & Jacques | Flower of Life

Filed Under: OFF THE SHELF Tagged With: chocolat, manhwa

Bookshelf Briefs 1/7/13

January 7, 2013 by Sean Gaffney, Anna N and Michelle Smith 1 Comment

This week, Sean, Anna, and Michelle look at recent releases from VIZ Media and Vertical, Inc.


jiujiu3Jiu Jiu, Vol. 3 | By Touya Tobina | VIZ Media – The halfway decent second volume of Jiu Jiu must’ve been a fluke, because this one was equal parts confusing and dreadfully dull. It’s primarily about a meeting of the various hunter clan members, including the guy who used to be Takamichi’s fiancé as well as the guy who’s her current fiancé. Some family heads don’t approve of using mixed breeds as minions, but right when their actions are facing the most scrutiny, Snow and Night commit various acts of violence that I assume are provoked by jealousy (but it’s all a bit too muddled to be sure). I’m not even able to appreciate the occasional tidbits of fanservice, since I see Takamichi’s canine familiars more as “dogs who transform into hot boys” rather than the reverse. I’ve given it three volumes to snare me, to no avail. I think I may be done with Jiu Jiu now. – Michelle Smith

limit2Limit, Vol 2 | By Keiko Suenobu | Vertical – Limit continues to be shojo for the person who is weary of shojo. There’s no boys on the horizon at all, and being stranded in the wilderness takes the typical high school centric plots out of the equation entirely. Suenobu continues to develop the different personalities and characters of the small group of survivors of a school bus crash. What I found most interesting in this volume was the way the horror of the situation really comes from within each girl. Survival depends on being able to drop the programmed responses that they’ve been taught by modern society. Kamiya is pragmatic almost to the point of being sociopathic, but her knowledge of survival skills and ability to handle the tarot Otaku with a sythe Morishige makes it seem like she’s best fit for survival. Usui’s weakness is her lack of self confidence, and her belief that the mean girl norms of highschool are going to continue indefinitely, and she ends up putting herself in a sticky situation. Konno’s dawning self-awareness and her reappraisal of the situation places her in conflict with Kamiya, but I wonder if Konno’s self-prized trait of being able to go with the flow will enable her to continue on as food and shelter remain scarce. I’m looking forward to volume 3! – Anna N

oresama12Oresama Teacher, Vol. 12 | By Izumi Tsubaki | VIZ Media – I must admit I’m not all that fond of the new character, Aki, who so far has proved to be more of a really annoying pest than anything else. But then, I thought the same thing about Yui at first, and now I love him to bits, the idiot. And speaking of idiots, it’s hard not to feel sorry for Okegawa, who now has to repeat a year because everyone around him is a dork. (But glorious dorks – the traps set up to stop him are the funniest part of this volume). There’s little plot movement here beyond introducing Aki, but I was pleased to see a few heartwarming moments involving Ayabe and his family (and a hint that the student council president isn’t as evil as he seems). Lastly, there’s even a brief feeling of Takaomi possibly getting jealous, and reinforcing his master-servant relationship with Mafuyu. As always, Oresama Teacher is PACKED WITH STUFF. -Sean Gaffney

otomen14Otomen, Vol. 14 | By Aya Kanno | VIZ Media – After adoring Vol. 13 and its Ryo focus, there was no way I wasn’t going to be let down by this new volume, which heads back towards its Otomen focus. That said, there’s stuff to like here as well. Kitora is the focus of the first half of the book, along with Juta’s tsundere sister Kuriko, who likes Kitora in the usual ‘constantly angry at him’ way. There’s also a genuine supernatural element to the chapter, which makes things a bit odder. I wasn’t as wild about the second half, as honestly the otomen plot is wearying, given that every single male character in the series is proving to be a secret otomen. One thing does carry over from last volume – Asuka is still uncertain about what he wants to do with his life, but is beginning to realize that he has to resolve things with his mother before he can move forward. Let’s hope that resolution comes soon. -Sean Gaffney

strobeedge2Strobe Edge, Vol. 2 | By Io Sakisaka | VIZ Media – Oh, Strobe Edge, you’re as sweet and insubstantial as cotton candy, but I still like you. In fact, sometimes my brain needs a comforting and thoroughly unchallenging high-school romance like this. In this second volume, Ninako is trying to move on from being rejected from her first love, Ren, and has asked that they remain friends. Meanwhile, she meets a flirtatious guy named Ando who is sometimes obnoxious and sometimes keenly observant, a trait that comes in handy when Ninako meets Ren’s girlfriend and learns that she’s super nice and cute. What it boils down to is… there’s really nothing new here. But what is here is well done and compelling and easily digestible. It’s like brain balm. I’ll definitely be continuing on. – Michelle Smith

Filed Under: Bookshelf Briefs

Manga Bestsellers: 2013, Week Ending 6 January

January 6, 2013 by Matt Blind 1 Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [408.5] ::
2. ↔0 (2) : Maximum Ride 6 – Yen Press, Sep 2012 [399.7] ::
3. ↑1 (4) : Naruto 59 – Viz Shonen Jump, Nov 2012 [367.6] ::
4. ↓-1 (3) : Sailor Moon vols 1-6 box set – Kodansha Comics, Nov 2012 [355.0] ::
5. ↑1 (6) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [354.1] ::
6. ↓-1 (5) : Death Note vols 1-13 box set – Viz Shonen Jump Advanced, Oct 2008 [352.2] ::
7. ↑1 (8) : Vampire Knight 15 – Viz Shojo Beat, Nov 2012 [329.7] ::
8. ↓-1 (7) : Nausicaa of the Valley of the Wind two volume hardcover box set [complete] – Viz Ghibli Library, Nov 2012 [313.1] ::
9. ↔0 (9) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [300.7] ::
10. ↔0 (10) : Maximum Ride 1 – Yen Press, Jan 2009 [285.4] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 100
Viz Shonen Jump 96
Viz Shojo Beat 56
Kodansha Comics 51
Viz Shonen Jump Advanced 36
Seven Seas 27
Dark Horse 24
Viz 13
Tokyopop 11
Del Rey 9

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,039.0] ::
2. ↑1 (3) : Naruto – Viz Shonen Jump [759.8] ::
3. ↓-1 (2) : Maximum Ride – Yen Press [755.7] ::
4. ↔0 (4) : Black Butler – Yen Press [634.9] ::
5. ↔0 (5) : Vampire Knight – Viz Shojo Beat [540.4] ::
6. ↔0 (6) : Death Note – Viz Shonen Jump Advanced [500.3] ::
7. ↑1 (8) : Bleach – Viz Shonen Jump [464.4] ::
8. ↓-1 (7) : Soul Eater – Yen Press [458.1] ::
9. ↔0 (9) : Alice in the Country of Clover – Seven Seas [377.0] ::
10. ↑11 (21) : Ouran High School Host Club – Viz Shojo Beat [370.4] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

5. ↑1 (6) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [354.1] ::
18. ↑2 (20) : Yu-Gi-Oh! Zexal 2 – Viz Shonen Jump, Dec 2012 [222.7] ::
21. ↓-4 (17) : Black Bird 15 – Viz Shojo Beat, Dec 2012 [216.3] ::
25. ↑196 (221) : Bleach 54 – Viz Shonen Jump, Jan 2013 [205.4] ::
26. ↑2 (28) : Puella Magi Madoka Magica 3 – Yen Press, Dec 2012 [203.2] ::
44. ↑42 (86) : A Certain Scientific Railgun 6 – Seven Seas, Dec 2012 [163.3] ::
45. ↓-15 (30) : D. Gray-Man 23 – Viz Shonen Jump Advanced, Dec 2012 [163.3] ::
49. ↓-10 (39) : Pandora Hearts 13 – Yen Press, Dec 2012 [160.4] ::
69. ↓-36 (33) : Bleach 52 – Viz Shonen Jump, Dec 2012 [134.2] ::
73. ↑99 (172) : Girl Friends: Complete Collection 2 – Seven Seas, Jan 2013 [130.1] ::

[more]

Preorders

30. ↑16 (46) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [197.8] ::
39. ↑40 (79) : Sailor Moon 12 – Kodansha Comics, Jul 2013 [166.2] ::
63. ↑40 (103) : Sailor Moon 11 – Kodansha Comics, May 2013 [143.3] ::
100. ↓-2 (98) : Alice in the Country of Joker Circus & Liar’s Game 1 – Seven Seas, Feb 2013 [103.4] ::
102. ↔0 (102) : Alice in the Country of Joker Circus & Liar’s Game 2 – Seven Seas, May 2013 [99.4] ::
108. ↓-2 (106) : Wallflower 30 – Kodansha Comics, Feb 2013 [94.6] ::
113. ↓-9 (104) : Battle Angel Alita Last Order 17 – Kodansha Comics, Feb 2013 [92.6] ::
116. ↓-2 (114) : Negima! 38 – Kodansha Comics, Apr 2013 [91.4] ::
130. ↑23 (153) : Negima! Omnibus 6 – Kodansha Comics, Feb 2013 [83.7] ::
142. ↓-22 (120) : Bakuman 19 – Viz Shonen Jump, May 2013 [76.8] ::

[more]

Manhwa

552. ↑8 (560) : March Story 4 – Viz Signature, Oct 2012 [16.0] ::
633. ↓-108 (525) : Chocolat 8 – Yen Press, Dec 2012 [12.0] ::
657. ↓-276 (381) : Jack Frost 1 – Yen Press, May 2009 [10.9] ::
660. ↑21 (681) : Bride of the Water God 12 – Dark Horse, Nov 2012 [10.9] ::
945. ↑ (last ranked 28 Oct 12) : Raiders 6 – Yen Press, May 2011 [4.7] ::
1139. ↓-297 (842) : Moon Boy 9 – Yen Press, Nov 2010 [2.6] ::
1295. ↓-714 (581) : Legend 6 – Yen Press, Oct 2009 [1.3] ::
1365. ↑ (last ranked 7 Oct 12) : Raiders 3 – Yen Press, Jul 2010 [0.9] ::
1412. ↑ (last ranked 2 Dec 12) : Jack Frost 2 – Yen Press, Nov 2009 [0.7] ::
1448. ↓-36 (1412) : Angel Diary 6 – Yen Press, Jul 2008 [0.5] ::

[more]

BL/Yaoi

133. ↓-14 (119) : Alice the 101st 3 – DMP DokiDoki, Jan 2013 [82.7] ::
135. ↑32 (167) : Ze 7 – 801 Media, Jan 2013 [79.4] ::
150. ↓-19 (131) : A Century of Temptation – DMP Juné, Apr 2013 [74.1] ::
154. ↑ (last ranked 9 Sep 12) : Ai no Kusabi (novel) 2 – DMP Juné, Mar 2008 [72.0] ::
191. ↑191 (382) : Loveless 10 – Viz, Jan 2013 [58.3] ::
198. ↑6 (204) : Otodama: Voice from the Dead 2 – DMP DokiDoki, Oct 2013 [57.0] ::
211. ↓-2 (209) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [55.1] ::
242. ↔0 (242) : Ninth Life Love – DMP Juné, Dec 2012 [48.6] ::
247. ↓-1 (246) : Honey*Smile – DMP Juné, Oct 2012 [47.7] ::
251. ↓-33 (218) : Loveless 9 – Viz, Sep 2012 [47.3] ::

[more]

Ebooks

10. ↔0 (10) : Maximum Ride 1 – Yen Press, Jan 2009 [285.4] ::
31. ↓-7 (24) : Maximum Ride 2 – Yen Press, Oct 2009 [192.0] ::
33. ↓-4 (29) : Maximum Ride 5 – Yen Press, Dec 2011 [181.9] ::
34. ↓-9 (25) : Maximum Ride 3 – Yen Press, Aug 2010 [180.8] ::
56. ↓-2 (54) : Naruto 57 – Viz Shonen Jump, Jul 2012 [156.0] ::
61. ↓-9 (52) : Maximum Ride 4 – Yen Press, Apr 2011 [150.6] ::
89. ↓-5 (84) : Naruto 56 – Viz Shonen Jump, May 2012 [111.1] ::
103. ↑7 (110) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [99.3] ::
112. ↓-15 (97) : Naruto 1 – Viz Shonen Jump, Jul 2003 [93.0] ::
126. ↓-3 (123) : Blue Exorcist 2 – Viz Shonen Jump Advanced, Jun 2011 [85.3] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Dengeki Daisy, Vol. 11

January 5, 2013 by Sean Gaffney

By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz.

I’m trying to think when Dengeki Daisy went from ‘shoujo series I quite like’ to ‘one of my top recommendations for shoujo period’. Probably around Vol. 8 or 9, when the thriller aspects of the title were at their height. Of course, this is not to take away from the comedy or the romance, but Daisy blends all three quite well. Judging from the cover, you might think that this was another melodrama like We Were There, and certainly there are a few dramatic angsty elements. But what’s most thrilling about this title is that it feels almost like a movie – action revelations, lots of running around, kidnappings and threats. A modernized Republic serial, without all the stupid bits.

dengekidaisy11

This volume mostly deals with Teru’s friend Rena, who has come a long way from the ‘princess’-type we saw early in the series. She’s somewhat trapped in an arranged marriage due to her family’s business, and is not very fond of her fiancee. Nor should she be, as he is a jerk through and through, something that the author really doesn’t try to hide at all (she even apologizes to the reader for all the face time he’ll be getting). Amusingly, he’s also shown to be a second-tier bad guys, and the true villains such as Chiharu have little respect for him. But this doesn’t mean he’s not a danger to Rena herself, and the cliffhanger is set up beautifully. It also gives Teru a chance to experience what everyone else in her group goes through when she’s kidnapped or threatened… and I don’t think she likes it any more than they do.

Earlier in the volume, when everyone thinks that Kazuki is merely a jerk fiancee, they set about trying to support Rena and cheer her up – while at the same time allowing her to handle the situation, which she feels she needs to do. I love the way that this manga handles its romances. Both Kurosaki and Kiyoshi (who has a crush on Rena) want desperately to simply sweep in like a white knight and solve all their respective love’s problems, keeping them safe from all harm. But both know that that’s just selfishness, and try to keep a balance between protectiveness and simply being there when needed. (To be fair, this cast does get into danger constantly, so you can see why they’re edgy.) Honestly, few shoujo mangas out right now respect their female characters as much as Dengeki Daisy.

Other things to note: Rena’s trick to inform everyone of her true feelings was brilliant, and they’re right, I hadn’t even thought of that method since childhood. Also, when Kurosaki says “wholesome high school kids read Betsucomi”, all I could think was “And unwholesome kids read Sho-Comi!”. (Kyousuke Motomi, like Mitsuru Adachi and Rumiko Takahashi, likes to plug her own work and her bosses whenever she can.) And that final page simply looks fantastic. If you haven’t been reading this series, try to catch up. It’s a complete winner.

Filed Under: REVIEWS

Manga the Week of 1/9

January 3, 2013 by Sean Gaffney, Michelle Smith and MJ Leave a Comment

SEAN: For once, all the manga that was supposed to arrive this week actually did, meaning that next week is quieter than usual, as I’m not shuffling titles that should have come out already around. Let’s hope this trend continues in 2013!

Dark Horse has Vol. 2 of OreImo. Of all the moe faux-incest manga that was published in 2012, it was among the best. Which is possibly the worst compliment ever, but there you go.

MICHELLE: I hate to start the year off with an “ugh,” but… ugh.

MJ: Ditto. Unfortunately.

07-ghost2SEAN: Viz takes up the remaining slots. 07-Ghost receives a new Vol. 2 (an older Vol. 2 came out years ago from publishers now defunct). It’s hard to make amusing comments about this title, so I hope that the series gets to Vol. 7 so that I can at least go with the numerology gag.

MICHELLE: Despite being confusing at times, I found the debut volume of 07-Ghost to be fairly intriguing, so I’m glad that VIZ opted to rescue this title. I’ll definitely be checking out volume two.

MJ: Yeah, I’m genuinely looking forward to this volume! I quite liked Volume One.

SEAN: Case Closed, meanwhile, has hit Volume 45. It has a few more volumes to go before it can pass Inu-Yasha as the longest running North American Shonen Sunday series. I hope that it makes it. (I also hope for an omnibus edition that restores the original names, but I suspect I can whistle for that.)

MICHELLE: I have generally benevolent feelings towards Case Closed, but they’re not sufficient to compel me to personally collect and house a series so notoriously long. I rely on my local library to do that instead. But it is a pretty fun series, if formulaic.

Tangent: I can’t whistle. I’m very bitter about that.

MJ: Awww!

SEAN: Lastly, how do you want your Loveless? There’s the 2nd omnibus, which will no doubt deepen all the mysteries and sexual tension. And there’s Vol. 10, where everything has already exploded messily and you get to see the pieces fly apart in amusing ways. What about it, readers? Slow or fast?

MICHELLE: I never did read Loveless the first time around, so while I’m happy to see those later volumes coming in, I’m still back in the 2-in-1 territory. I really enjoyed the first omnibus, and am looking forward to continuing.

MJ: I admit I’m pretty psyched about this release. I really enjoyed the first omnibus and I kinda can’t wait for more!

SEAN: Does anything catch your eye next week?

Filed Under: FEATURES, manga the week of

My Week in Manga, Episode 5

January 2, 2013 by MJ 2 Comments

Welcome back to our new video feature, My Week in Manga! This week’s episode includes a short review of volume two of Io Sakisaka’s Strobe Edge.

Manga this week:
Chocolate (Yen Press)
Strobe Edge, Vol. 2 (VIZ Media)
A Bride’s Story, Vol. 4 (Yen Press)
His Favorite, Vol. 1 (SuBLime Manga)
Planet Ladder, Vol. 1 (Digital Manga Publishing)

Links:

Off the Shelf (Strobe Edge, Vol. 1)
MJ’s Best Manga of 2012, Part 2
Off the Shelf: Chocolat

Edited by MJ
Music (“Stickybee,” “20/20,” “Stars Collide,” & “Swansong”) by Josh Woodward

Filed Under: My Week in Manga Tagged With: Strobe Edge

Dorohedoro, Vol. 8

January 2, 2013 by Sean Gaffney

By Q Hayashida. Released in Japan by Shogakukan, serialization ongoing in the magazine Ikki. Released in North America by Viz.

I’ve said a few times before that I don’t really read Dorohedoro for the plot, and it’s true. This is the sort of series that is best experienced by, when a new volume comes out, re-reading every previous volume just to remind yourself of all the little details. Since I don’t do that, I’m constantly forgetting things. But even I have to admit that the main plotline is starting to actually give us more than vague hints here. The Cross-Eyes are becoming more and more important, and Risu and Caiman’s search looks to be the same one, from different angles. Most of all, we meet a guy in a flashback who I have a sneaking suspicion is the one man tying this all together.

dorohedoro8

All right, enough of the plot. Let’s go back to talking about violence and humor, which are still this manga’s main fuel. Hayashida excels at writing grotesque action scenes filled with gore, and we certainly get that here. The highlight is probably Shin headbutting a man so hard his brain goes flying out the back of his head. I mean, this series isn’t rated M just for the breasts, you know. And quite often the violence and humor combine, such as the fate of the Cross-Eyed’s landlady, which is both horrible and yet somehow amusing. It’s hard to take an evil gang seriously when they’re such schlubs, and I can’t imagine what new bright-eyed character Natsuki sees in them.

The other thing threading through this entire series is drug use and abuse. The way magic works in this universe involves a lot of ‘black powder’ being sold to help non-magic users get a quick fix. Though they’re running out, so they’re starting to sell off some coarser fakes that aren’t as pure. No prizes guessing what the metaphor is here. Meanwhile, En is basically trying to build a new and better hallucinogenic mushroom, and finds that while it makes your wildest dreams come true, the comedown afterwards is rather harsh (poor Fujita…). I have to think at this point that En is aware that Chota is impersonating Nikaido and is just giving him enough rope to hang himself, given Chota’s pathetic attempts at impersonation.

But as always, it’s the relationships and friendships between everyone that are the main reason to read Dorohedoro. Shin may not have a crush on Noi the way she does on him, but his single-minded devotion to finding her is impressive to see. Nikaido and Caiman have swung back into their old groove, though I’m not sure how long that will last. Seeing Dr. Kasukabe reunite with his wife (who has a surprise new job!) is bittersweet but also rather touching, and I hope we see more of her soon. And then there’s Ebisu and her dream of her parents, reminding us that she is more than just comedy relief but a broken young girl.

I still can’t think of a dystopian title I’m enjoying more than Dorohedoro. I know that things will get much worse for everyone soon, but for once I’m actually looking forward to it. This cast does better when its backs are against the wall. And most importantly: will we see more of the Gyoza Fairy?

Filed Under: REVIEWS Tagged With: dorohedoro

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