Features & Reviews

Bookshelf Briefs 2/1/16

February 1, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

Behold: briefs!

Akuma no Riddle, Vol. 2 | By Yun Kouga and Sunao Minakata | Seven Seas – Now that we’ve set up the And Then There Were None-style premise, it’s time to start firing off the assassins one by one to see how they will fail at taking out Haru. This volume comes in both evil and good flavors; the evil is a truly insane modern-day Jack the Ripper girl who simply loves killing; she’s actually taken out pretty easily by Haru, who is a lot better at avoiding death than Tokaku had expected. The other is more skilled, and has grown up being a scapegoat, but fails just the same. Given that next volume involves a production of Romeo and Juliet, I expect the Takarazuka assassins will get taken out then. Not as good as the first volume, but still readable. – Sean Gaffney

Golden Time, Vol. 2 | By Yuyuko Takemiya and Umechazuke | Seven Seas – Say what you will about Taiga in Toradora!, but she proved to be very likable and understandable right off the bat, despite her anger issues. Kouko is a much tougher nut to crack, and a lot of Golden Time‘s second volume might be spent with the reader wondering why we’re supposed to root for this couple in the first place. Luckily Banri is a far more fascinating protagonist, with his amnesia and honest attempts to show Kouko where she’s going wrong. I have a sneaking suspicion that he’s going to regain those memories before long, and it won’t be good for anyone involved. In the meantime, enjoy Kouko’s desperate flailing attempts to hold onto the past, and how it all crumbles around her. – Sean Gaffney

Horimiya, Vol. 2 | By Hero and Daisuke Hagiwara | Yen Press – I suspect the resemblance to Kare Kano is not going to be going away anytime soon, so accepting that, this is another cute and likable volume of romantic goodness. Hori deals with being ‘the capable one,’ meaning everything is foisted onto her, as well as a new somewhat immature rival. Miyamura is simply having difficulty understanding the concept of friendship at all. As a result, while the two have clearly fallen for each other hard, neither one is in a position to actually admit it, even to themselves. As for Yoshikawa and Ishikawa, they make the cover, and Ishikawa gets a lot to do, but I suspect their subplot hasn’t really started yet. I am really enjoying this series. – Sean Gaffney

Kiss of the Rose Princess, Vol. 8 | By Aya Shouoto | VIZ Media – Series-ending battles don’t get much more shoujo than this! Kaede gets not one but two “awakenings” due to his feelings for Anise, which she rather awesomely does not have time to deal with right now, then two villains are dealt with through the power of love and general shoujo empathy. Anise’s knights fight their hardest on her behalf, while she hurries on to the solo showdown with her villainous dad that we’ll have to wait until the final volume for. Anyone want to bet she wins him over with love and understanding? This is far from the best series I’ve ever read, and I doubt I’ll read it again, but I’m at least looking forward to seeing it through to its conclusion. – Michelle Smith

My Neighbor Seki, Vol. 6 | By Takuma Morishige | Vertical Comics – There’s never going to be much plot progression in a series like this—the closest this volume gets is a chapter where, due to various circumstances, Seki’s sister sits in with that day’s class. That said, the draw of this manga is as always Seki’s flights of fancy and Yokoi’s reactions to them, and there are some excellent ones here. Some might be funnier with knowledge of Japanese period art, I admit, but others are universal, like the foosball table, or the paper airplanes. Yokoi is less invested in studying than ever, and I fear for her future, but it can’t be denied that her reactions are what makes everyone want to come back to this series. – Sean Gaffney

Requiem of the Rose King, Vol. 3 | By Aya Kanno | Viz Media – If we’re still reasonably sticking to the basic plot of Shakespeare, then it makes sense that there’s so much of Henry and Richard in this volume; it may be the last of it that we ever see. It’s good, showing off both characters’ good and weak points, as well as the bond that they both feel (a bond that immensely frustrates Henry’s son, who is losing both in regal and romantic power). Meanwhile, the political part of this manga still excites, with Margaret’s rage knowing no bounds, and Elizabeth raising the stakes with several lovely insane grins. It may be turning into a bit of a bizarre harem manga, but make no mistake about it, tragedy is never going to be very far away from Richard. – Sean Gaffney

Requiem of the Rose King, Vol. 3 | By Aya Kanno | VIZ Media – I think this is my favorite volume of the series yet! Richard has been trying to convince himself that he needs neither love nor light in his life, seeking the clarity of the battlefield, but when he miraculously meets up with Henry once more, he begins to think “perhaps with him.” And, indeed, there are several tantalizing near-kisses here. Alas, their time together is short, and Richard tries to forget it when back at court, where Edward’s impromptu marriage has alienated his most ardent supporter and ticked off France, to boot. The blend of history and emotion is nicely balanced in this volume, and there’s a heck of a cliffhanger. Oh so ardently recommended! – Michelle Smith

Sword Art Online: Girls’ Ops, Vol. 2 | By Neko Nekobyou and Reki Kawahara | Yen Press – Having tried to balance action, fanservice, and some touching analysis of post-Sword Art Online syndrome, the second volume leans a bit harder towards the comedy and fanservice, with a beach setting providing lots of opportunities for bikinis, and the monster that needs to be vanquished being of the tentacle variety. Much of the interesting parts of this otherwise slight volume involve the new original character, Lux, and her self-esteem issues, something the other three girls mostly have no issue with. The last chapter brings Sinon into the group, which makes sense, as the main books still stick to Kirito, sometimes Asuna, and not much else. Forgotten heroines welcome here. – Sean Gaffney

School Judgement, Vol. 1

February 1, 2016 by Anna N

School Judgement Volume 1 by by Nobuaki Enoki and Takeshi Obata

This was a series that I expected to be wildly enthusiastic about, just for the Takeshi Obata art factor alone, so I was surprised to have a more measured reaction once I read the first volume. There were aspects of the setting and execution that didn’t sit well with me, but as always Obata’s art is beyond excellent.

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School Judgement is set in an elementary school where conflicts are resolved by formal classroom arbitration, along with child prosecutors and defense attorneys. Two transfer students are introduced at the start of the volume. Abaku Inugami is a defense specialist whose hobby is arguing. He establishes his skills in an epic cross examination of his new teacher that results in her lifting the ban on video games at school. Pine Hanzuki is a prosecuting attorney who enjoys dressing up in magical girl outfits and is accompanied everywhere she goes by a rotund sidekick.

The new students are put to work promptly in “The Suzuki Dismemberment and Murder Case” where the Suzuki in question is a classroom fish. Tento Nanahoshi is the hapless student accused of fish murder, and when he is acquitted, he sticks around to provide a normal sidekick counterpoint to Inugami’s intensity. School Judgement is very entertaining when it sticks to power courtroom poses and mystery unraveling. I thought it was hilarious that the judges of the cases are babies who have prematurely aged due to their judicial duties, looking like wizened old men. Obata made Go dynamic and filled with suspense, so I was fully expecting dynamic courtroom scenes. There were some unexpected artistic choices too – when an adult is unmasked as evil, she’s suddenly rendered with a greater level of detail and rictus-like facial expressions that wouldn’t be out of place in a horror manga.

It could be that I didn’t like many of the characters due to their single-minded obsession with arguing, but both Inugami and Hanzuki aren’t particularly sympathetic. Hanzuki’s a spoiled rich girl, and while it seems that Inugami’s obsession with the law is due to a tragic event in his past, he’s too abrasive to root for. Nanahoshi is around to be a counterpoint to all the lawyering, but for the most part he’s also bland and forgettable.

The aspects of School Judgment that I didn’t care for were the contrast of the lower school setting and the art, which looked more like Hikaru no Go Obata in style with some of the darker or more mature themes. In a shonen manga set in a high school, I’d not really care about random bath scenes for example, but in School Judgement when the character is 12, that creeps me out a bit. Also, another story line is an extended drug metaphor, which also seems to be a bit much with the current setting. I think I would have enjoyed this manga much more if it had either aged down and just been an all ages title with cases to solve that invoked lighter themes, or if was aged up and set in a high school with the same type of stories. As it was, I found the manga entertaining in spots, a bit unsettling here or there, and I didn’t really care about what happens to the characters at all. My quibbles are mostly with the writing, because I think any manga by Obata ends up being a master class in illustration. So I’d recommend this for the art alone, even though I didn’t enjoy the story.

My Week in Manga: January 25-January 31, 2016

February 1, 2016 by Ash Brown

My News and Reviews

A couple of different things were posted at Experiments in Manga last week in addition to the usual My Week in Manga feature. First up was the first manga giveaway of the year, and there’s still time to enter for a chance to win Fuka Mizutani’s Love at Fourteen, Volume 1. Last week I also reviewed the first omnibus of Hiroaki Samura’s Die Wergelder, which is brutal and intense to say the least. The manga is greatly influenced by violent, erotic Japanese films from the 1970s and it shows. And speaking of explicit manga, Digital Manga’s Project-H imprint is currently running a Kickstarter campaign to publish Yamatogawa’s Vanilla Essence hentai collection. It seems like Digital Manga is now relying on Kickstarter projects for just about everything, and I have no idea how long the publisher will be able to last like that; it’s a bit concerning.

Quick Takes

The Ancient Magus’ Bride, Volume 3 by Kore Yamazaki. I continue to love The Ancient Magus’ Bride and look forward to future volumes a great deal. The series has this sort of atmospheric melancholy to it that I really like along with touches of horror and darkness that have yet to become overwhelmingly bleak. In large part, The Ancient Magus’ Bride seems to be dealing with loneliness and the intense longing and need to belong somewhere. It’s only after being purchased by Elias that Chise feels as though she’s actually wanted and that is a dangerously enticing feeling to have. Their relationship is a peculiar one, but it is also compelling. For better or for worse, Chise still knows very little about Elias. He seems very reluctant to reveal his true nature to her, whether out of fear that he will be rejected or for some other reason entirely. What is clear is that Elias is very powerful, very dangerous, and not entirely honest. Despite this and despite the warnings of others, Chise remains devoted to him. She, too, is powerful and dangerous, though she has yet to learn how to completely control and claim that power for her own.

Dog X Cat, Volume 4 by Yoshimi Amasaki. I believe Dog X Cat is up to six volumes or so and still ongoing in Japan, but it seems unlikely that more of the series will be released in English any time soon if ever. It’s been a few years since I read the first three volumes of the boys’ love series, but it didn’t take very long to get reoriented with the manga. The fourth volume is actually a fairly self-contained story, too. Atsu and Junya used to only be best friends but now they’re also well-established lovers. Junya is the more adventurous and demanding when it comes to sex to the point of ignoring Atsu’s needs and desires which is unfortunate; otherwise their relationship is quite good and they obviously love each other. Keeping with the rest of the series, Amasaki finds plenty of opportunities to include sex scenes. However, their vacation-cum-research trip to the mountains takes an extremely unfortunate turn when an earthquake traps them under a burning building. Though there are sweet moments, most of the forth volume of Dog X Cat deals with this traumatizing event and its lasting aftermath.

Library Wars: Love & War, Volumes 11-14 by Kiiro Yumi. I’ll readily admit to enjoying Library Wars and its dramatic and fantastical portrayal of librarianship. I don’t think that librarians will militarize themselves any time soon in the fight for freedom of expression and information, but it does make for an interesting story that does actually explore some of the complexities of the debates surrounding censorship. Library Wars has two sides to it that don’t always mesh with each other very well, but I do like them both. There’s the romantic and comedic side of things as many of the characters come to terms with their evolving feelings for their colleagues and then there’s the more action-oriented part of the story, complete with shootouts and attempted kidnappings. These particular volumes have some pretty exciting developments on both fronts. Although Iku’s ineptitude is often emphasized, which is something that I dislike about the series, she continues to prove her reliability in dangerous situations when it really counts. I didn’t realize that there is only one more volume left in this series, but I’m really looking forward to it; it should be a good one.

orange: The Complete Collection, Vol. 1

January 31, 2016 by Sean Gaffney

By Ichigo Takano. Released in Japan by Shueisha and then Futabasha, serialized in the magazines Bessatsu Margaret and Manga Action. Released in North America by Seven Seas.

I always feel a certain need to geek out when reviewing titles like these, such as explaining that it’s not a typo in the header, orange really is meant to be spelled with a small O. Or talking about the odd move from a shoujo magazine (Betsuma) to a seinen one (Manga Action) when the author switched publishers. Or that the complete series is out digitally via Crunchyroll (though I haven’t spoiled myself). But honestly, there’s enough to talk about in this title so that I don’t need to go into that at all. (cough) This is three volumes in one, and tells us the bittersweet story of a group of friends, struck by a tragedy from their youth, who unite in order to stop it happening. It’s a chunky book, but is absolutely worth the time.

orange, for the most part, reads like a shoujo romance, as you’d expect for a series begin in Betsuma. Naho, our heroine is cute but shy, and Kakeru is cute but troubled, in the best manga tradition. There’s a guy with an obvious crush who suppresses it in order to support his crush’s true love, and those two girls who exist to contrast with the heroine; one spunky, one grumpy. It honestly reads a lot like Kimi ni Todoke in many ways, but there’s a twist: Naho has a letter from herself ten years in the future, telling her she has to prevent a tragedy; the fact that Kakeru killed himself when he was just seventeen. It’s the science-fiction premise that’s what really drives this book.

The doubts and self-awareness that comes from teenage love meshes well with the doubts and self-awareness that comes from changing the timeline. It’s all the more poignant when we see flashes forward to the future, the one without Kakeru, and see that Naho and Suwa are married with a child. It weighs so heavily on the two of them that they’re willing to sacrifice everything in order to save their friend. Of course, it’s not all angsty drama, there’s a lot of fluffy humor and fun here. Everyone’s basically a good kid. The issue is Kakeru has a huge amount of stress in his life – he’s moved from the city, his mother just killed herself and he takes the blame for it, and of course he’s also falling for Naho, even as he tries dating someone else.

We get the first three volumes here, and by the end you realize that Naho is not the only one who got a letter from her future self. This of course makes you want to go back and reread what you’d just seen, to see if it’s now more obvious that everyone was acting based off of future knowledge. And there still remain the question of whether or not they’ll succeed – these sorts of series can also be tragic, and it would not surprise me if things ended with Kakeru dying in any case. I certainly hope not, though, as I want to see everyone here happy. In the meantime, fans of shoujo should absolutely make orange a must buy.

Die Wergelder, Omnibus 1

January 29, 2016 by Ash Brown

Creator: Hiroaki Samura
U.S. publisher: Kodansha
ISBN: 9781632361950
Released: December 2015
Original release: 2013-2015

I was very excited when Kodansha Comics announced that it would be releasing Die Wergelder in English. At the time, I actually didn’t know much about the manga series beyond the fact that it was created by Hiroaki Samura, but that was more than enough to capture my attention—Samura’s long-running, award-winning series Blade of the Immortal was one of the first manga that I ever read and it remains a personal favorite. I’ve also throughly enjoyed Samura’s two short manga collections that have been translated, Ohikkoshi and Emerald and Other Stories. As Blade of the Immortal was drawing to a close in Japan, Die Wergelder was just beginning, the first volume being published in 2013. The second volume was released two years later in Japan in 2015. The first installment of Kodansha’s English-language edition of Die Wergelder, also published in 2015, collects both of those volumes.

Shinobu has made a mistake that may very well cost her life. After attempting to run way with a low-ranking yakuza member, along with a rather large sum of his syndicate’s money, the two of them are caught and Ro’s boss isn’t particularly happy with them. Normally Shinbou would likely have been killed without a second thought, but her background happens to make her uniquely qualified for a job that Ro’s boss needs done. She’s more or less forced into accepting and so suddenly finds herself embroiled in the schemes and rivalries of multiple groups. The world of organized crime is fraught with danger and made even more so with the appearance of Träne, an assassin hellbent on revenge against those who have done her tremendous wrong. And then there’s Jie Mao, an opposing bodyguard whose deadly combat skills make her a formidable foe. Shinobu does have the guts and brash attituded needed to survive, but that’s also a large part of why she’s in such trouble to being with.

Die Wergelder is heavily inspired by or at least influenced by 1970s Japanese pink films—theatrical releases steeped with eroticism, nudity, and sex. More specifically, Samura is taking cues from Toei’s Pinky Violence series of films. (Träne’s dark long coat, wide-brimmed hat, and tale of vengeance would appear to be a direct reference to the Female Convict Scorpion films in particular.) Likewise, Die Wergelder contains fairly extreme content, including gratuitous sex and explicit violence. Women and men, although to a somewhat lesser extent, are brutalized and degraded both sexually and physically throughout the story. Die Wergleder is true to its lurid and exploitative roots and the series seems to be self-aware of that. With an additional heavy dose of sadism, it’s certainly not a manga to be lightly recommended to just anyone, though what it does it does well.

By far the most interesting and compelling characters in Die Wergelder are the women. They are easily the most sexualized and objectified as well, but they’re also powerful and terrifying forces to be reckoned with. In comparison, the men of Die Wergelder aren’t particularly memorable, even when they are impressively powerful their own right. Träne and Jie Mao are stunning to watch as they fight. As I’ve come to expect, Samura’s action sequences are dramatic and dynamic. The martial skills shown may frequently be unbelievable, but they are devastatingly effective. With all its brutality and torture, Die Wergelder can be exceptionally violent and gruesome even while being beautifully drawn. It’s a deliberately uncomfortable series, Samura pushing the boundaries of acceptability. Rape, murder, abuse, and unethical medical experimentation are all regular occurrences, and that’s just scraping the surface of the despicable, thrilling, disturbing, titillating, and vicious world that Samura explores in Die Wergelder.

The Manga Revue: Giganto Maxia

January 29, 2016 by Katherine Dacey

Kentaro Miura’s Berserk is a rite of passage for manga readers: you may not have soldiered past the second volume, but you tried because a Real Manga Fan told you that it was The Most Amazing Manga Ever. I freely admit that I didn’t finish Berserk–too violent for me, I’m afraid–but I marveled at its intricate plotting, feverish pace, and deadly seriousness. (Also: Miura’s penchant for awful names.) When Dark Horse announced that it had acquired Giganto Maxia, I decided to treat this new series as a second “date” with Miura–a chance to decide if I’d judged his work unfairly the first time around. Here’s how that date went.

Giganto Maxia
By Kentaro Miura
Rated 16+, for older teens
Dark Horse, $13.99

Let’s start with the good: Giganto Maxia is a visual feast that’s every bit as imaginative as Hayao Mizayaki’s Nausicaa of the Valley of the Wind. Kentaro Miura’s pages abound in war-ravaged landscapes, fantastic fighting machines, and bizarre creatures that straddle the fence between human and animal. The specificity of his vision, and the care with which he stages battle scenes, obviates the need for dialogue; we can almost hear and feel what the characters are experiencing on every page.

Miura’s script, however, is as tin-eared and self-serious as a high school literary rag. The two leads–Prome, a pale mystic who looks like a young girl, and Delos, a warrior slave–spend an inordinate amount of time describing what’s happening around them, even when the pictures make it abundantly clear. Yet for all their chatter, neither character provides much useful information about the post-apocalyptic world in which Giganto Maxia takes place: who are the Olympians? Why are they so intent on annihilating other tribes? And what, exactly, are the Giganto? The absence of these details leaves a big hole in the story: the characters’ motivation for fighting the Giganto. At the end of the volume, we’re not really sure what Prome and Delos stand for, or what’s at stake if they fail–two fatal flaws in a series that desperately wants the reader to get swept up in their quest.

The bottom line: A talky script and barely-there characters sink this smart-looking fantasy series.

The publisher provided a review copy.

Reviews: Sean Gaffney and Michelle Smith round up the latest volumes of Arpeggio of Blue Steel, Kimi ni Todoke, and Non Non Biyori at Manga Bookshelf; Sean also reads The Testament of New Sister Devil so that you don’t have to. Over at Women Write About Comics, Amanda Vail and Paige Sammartino offer “short & sweet” reviews of Barakamon, Are You Alice?, and My Hero Academia.

Nick Creamer on vol. 3 of The Ancient Magus’ Bride (Anime News Network)
Gary Thompson on vol. 10 of Black Jack (The Fandom Post)
Demelza on Fairy Tail (Anime UK News)
Megan R. on Gate 7 (The Manga Test Drive)
Nick Creamer on vol. 7 of Genshiken: Second Season (Anime News Network)
Sean Rogers on A Girl on the Shore (The Globe and Mail)
Sheena McNeil on vol. 1 of Honey So Sweet (Sequential Tart)
Rebecca Silverman on vol. 1 of Honey So Sweet (Anime News Network)
Matt on vol. 2 of Inuyashiki (AniTAY)
Sean Gaffney on Kagerou Daze III: The Children Reason (A Case Suitable for Treatment)
Claire Napier on Memoirs of Amorous Gentlemen (Comics Alliance)
Michael Burns on vol. 13 of Nisekoi (AniTAY)
Matthew Warner on vol. 76 of One Piece (The Fandom Post)
Matthew Warner on vol. 3 of One-Punch Man (The Fandom Post)
Rebecca Silverman on vol. 4 of One-Punch Man (Anime News Network)
Matthew Warner on vol. 3 of Peepo Choo (The Fandom Post)
Sheena McNeil on vol. 5 of Pokemon X.Y. (Sequential Tart)
Helen on vol. 1 of ReLife (The OASG)
Matt on vol. 4 of A Silent Voice (AniTAY)
Saeyong Kim on vol. 3 of Thermae Romae (No Flying No Tights)
Sarah on Tsubasa WoRLD CHRoNiCLE: Niraikani (Anime UK News)
Charlotte Finn on Wandering Son (Comics Alliance)

Manga the Week of 2/3

January 28, 2016 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith Leave a Comment

SEAN: It’s a busy February, so let’s jump right into next week’s releases.

Dark Horse has a 4th volume of Oreimo spinoff Kuroneko.

Kodansha has a 3rd volume of the reluctant reverse harem manga Kiss Him, Not Me!.

ASH: I largely enjoyed the first volume of Kiss Him, Not Me!, but I’ve somehow already managed to fall behind in the series!

SEAN: Seven Seas has a couple of releases. Magika Swordsman and Summoner has reached Vol. 3, which means, given I think the hero is supposed to get a harem of 72 women, it has a ways to go.

And Monster Musume has reached Volume 8, but has not even begun to run out of Monster Girls.

I apologize for leaving out a book last week. Vertical has the first novel of Seraph of the End, whose manga has been coming out via Viz. I think Anna will be interested in this title.

ANNA: I think you are right! Thanks for the heads-up! I am interested in this light novel series, because it features Guren Ichinose, who people have seen in the manga as a more established authority figure. I think the light novel series focuses more on a prequel to the story that’s established in the manga, so it should be really interesting to existing fans of this franchise.

MJ: I’m definitely more interested in this than the manga, so count me in for that, too.

SEAN: There’s also a 3rd omnibus of Tokyo ESP.

MICHELLE: Yay!

MJ: And this!

SEAN: And Viz has its traditional giant pile. There’s an 8th Assassination Classroom, with more wacky death shenanigans. Not that the teacher has ever been killed.

Behind the Scenes!! is the new manga by the creator of Ouran High School Host Club, and it also runs in LaLa. It’s about a shy guy who ends up pulled into a wacky drama club.

MICHELLE: I’m looking forward to this one! Or perhaps I should use two!!

ANNA: Me too!!!!!!

MJ: This is *so* on my list!

SEAN: Bleach has a 14th 3-in-1, which if I recall correctly has some of the best scenes in the entire series for IchiHime shippers like me.

Food Wars! has hit double digits, but the food battle carries on regardless.

MICHELLE: I will always rejoice over more Food Wars.

ASH: I enjoy it as well.

SEAN: JoJo’s Bizarre Adventure has a 2nd volume of its 2nd arc, Battle Tendency. Expect great faces.

ANNA: I really have not much to say about this other than JOJO!!!!

ASH: JooooooJoooooo!!!

SEAN: And Kamisama Kiss is at Volume 20! I really hadn’t expected it to last this long. It’s still great, though.

ANNA: It is a rare series that manages to be so consistently great for so long.

SEAN: Maid-sama! has a 3rd omnibus, and is as problematic yet readable as ever. Hope you like lots of words.

MICHELLE: And yet I like it enough to keep reading.

ANNA: It has moments of charm despite being problematic.

SEAN: And superhero school manga My Hero Academia has a 3rd volume.

Naruto has another of those epilogue light novels, this one called Shikamaru’s Story. My guess is it stars Shikamaru.

One Piece is up to Volume 77, and yes, it’s still in Dressrosa. But who cares, it’s One Piece, it will be awesome.

MICHELLE: I actually never read 76. Must rectify.

SEAN: QQ Sweeper finally gets a 2nd volume. I had wondered where it was.

MICHELLE: I’m looking forward to more of this!

ANNA: Super excited for this!

ASH: Same!

MJ: Yes, yes!! So much yes!

SEAN: School Judgement is a new Weekly Shonen Jump series by the artist who did Bakuman and Death Note, this time paired with a new writer. It’s Ace Attorney meets Jump, I hear?

MICHELLE: And to this!

ANNA: I’m going to check this out for sure.

ASH: I somehow completely missed hearing about this until now.

MJ: I was so surprised to see this, considering the intensity of my Takeshi Obata fandom. I’m so on this.

SEAN: So Cute It Hurts!!!!! now gets 5 punctuation marks for its 5th volume.

MICHELLE: But not so much this.

ANNA: I like it, but it is a middle of the road title. Fun disposable reading though.

SEAN: Toriko has no punctuation parks after its title, and thank God, as it’s Vol. 32.

Lastly, the original Yu-Gi-Oh has a 5th 3-in-1.

What are you going to get from this list?

Kagerou Daze III: The Children Reason

January 28, 2016 by Sean Gaffney

By Jin (Shinzen no Teki-P) and Sidu. Released in Japan by Enterbrain. Released in North America by Yen On.

After two volumes of being very confused, I think I am finally starting to get a handle on Kagerou Daze, and elements of the plot are now coming together in ways they hadn’t before. As with the second volume, this book is divided into two parts, which interlock in alternating chapters. One details the struggle of a young boy in the city and his hopeless crush on a girl his age who seems to be using him as a baggage holder. The other continues to show us Shintaro and Momo getting involved with the Mekakushi-Dan, and dealing with the eye powers – which now have one more member, as the boy from the first story shows up with red eyes and a desperate need to save the girl he loves.

I’ll be honest, I found the Shintaro plot a lot more interesting – almost the reverse of the second book, where it was Takane who held my attention. Part of the problem is that Hibiya and Hiyori are both not very likeable kids – Hiyori deliberately, as she’s written as very much a stereotypical arrogant rich girl (complete with a “Mean Girls” sort of accent, with lots of ‘likes’ interspersed), but I suspect we’re meant to sympathize with Hibiya’s somewhat stalker-ish obsession with her more than we do, and the doll he creates that can speak n her voice is just icing on the cake of creepy. That said, he fares much better in the second story, where he’s allowed to be what he actually is away from his crush, a confused and emotional young kid.

Shintaro and Momo also grow over the course of this volume, although I have a sneaking suspicion that Shintaro may regress soon. The scene between him and Kano is the most powerful in the book, both to show the pain and despair that Ayano’s death sent Shintaro spiraling into, and also to show the reader that Ayano is somehow connected with this group as well, and not just Shintaro’s dead friend. It also shows us a cruel and vicious side to Kano, which I had suspected was there but hadn’t seen till now. As for Momo, she and Hibiya get off on the wrong foot (he calls her “Gran”, which I suspect is Oba-san in the original, and she understandably freaks given she’s still in high school), but quickly develop a sibling-like relationship. He seems to have seen her teacher before, too…

The writing here is quite interesting. It’s rare to see a Japanese book with English wordplay – the title of the book, The Children Reason, and one story within, The Children Record, could have multiple meanings, and the original Japanese used the English words. (The author does need to get better at remembering how he’s numbering, though – going from 01 to 02 to 03 to IV was jarring, and that was also in the original Japanese.) There’s also some subtle callbacks, such as Ene having a complete freakout when she sees Konoha, which sounds so much like her old self that Shintaro almost figures it out before she distracts him. Overall, I remain interested, despite a majority of the characters having serious character flaws, and will definitely pick up the next volume.

Manga Giveaway: Love at Fourteen Giveaway

January 27, 2016 by Ash Brown

January is almost over so here it is, Experiments in Manga’s first manga giveaway of the year! Let’s get right to it: For this giveaway you will all have the opportunity to enter for a chance to win Love at Fourteen, Volume 1 created by Fuka Mizutani and published in English by Yen Press. And, as always, the giveaway is open worldwide!

Had I been thinking about it thematically, a giveaway for Love at Fourteen—a sweet and somewhat nostalgic story of first love—would have been nicely suited for a February or March giveaway because of Valentine’s Day or White Day, respectively. Then again, my love of manga and my love of spreading that love cannot be contained or limited to a single month! Looking at it that way, and following a peculiar train of logic, a manga giveaway featuring a love story would be more than appropriate any time of the year. Thus, Love at Fourteen! Because, why not?

So, you may be wondering, how can you win Love at Fourteen, Volume 1?

1) In the comments below, tell me a little about your favorite manga love story. (If you don’t have one, simply mention that!)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each giveaway participant can earn up to two entries and has one week to submit comments. Entries can also be emailed directly to me at phoenixterran(at)gmail(dot)com if needed or preferred. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on February 3, 2016. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Love at Fourteen Giveaway Winner

Bookshelf Briefs 1/26/16

January 26, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

Arpeggio of Blue steel, Vol. 6 | By Ark Performance | Seven Seas – Much of this volume involves seeing how our heroes will escape from the Japanese military, who have orders to execute everyone involved. Luckily, they’ve made friends in high places, so have the perfect solution, albeit one that delivers quite a bit of blood and gore. That turns out, however, to be the lead-in to a much bigger plot revelation, one that is fascinating and could spin out over the next several volumes. In the meantime, there’s lots of political wrangling and cool submarine battles to be had. If you’re avoiding this series because it’s cute girls are secretly big boats, you’re missing out—this is “What if cute anime boats were written by Tom Clancy?” – Sean Gaffney

Blue Exorcist, Vol. 14 | By Kazue Kato | Viz Media – Japan has always, in all genre types, been big on having the strength to save yourself rather than relying on others to save you. This has, of course, led to a giant bullying culture that doesn’t get fixed. But in manga the others are going to save you anyway, of course. Izumo has had it rough, and has spent most of her school life brutally pushing everyone away with her sharp tongue. Now, of course, as she realizes that she cannot actually deal with the nine-tailed fox on her own, she realizes what she had was true friends, and finally knows she actually loved them. It’s a standard epiphany, but done very well, and there’s lots of cool action as well. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 23 | By Karuho Shiina | Viz Media – I have been waiting for this plot point to come to fruition for what seems like years, possibly as it has actually been years. Kento and Ayane have always been the most uncomfortable of the three main couples, to the point where you realize she has more chemistry with her own teacher than she does with her boyfriend. But Ayane is also bottling a ton of self-hatred, and it finally comes out here and allows her to do what she probably should have done a while ago—break up with Kento, and try to get into the women’s college in Tokyo. Kento has always been one of my least favorite characters, but he takes it well here, even with his desperation showing on his face. The whole volume just sings. Highly recommended. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 23 | By Karuho Shiina | VIZ Media – Most of the time, I am able to imagine what it’s like to be this or that character in a shoujo manga series, but Ayane Yano is the exception. She’s unique and fascinating, coming across as more mature and aloof than her peers, but is crippled by self-hatred for her inability to truly be serious about anything, including her boyfriend. Volume 23 is all about her, as she must decide whether to pursue her dream of attending university in Tokyo while contending with how much she has hurt Kento by not factoring their relationship into her decision. I would’ve been really peeved if things hadn’t ultimately turned out the way they did, but man, it’s hard to watch Ayane hate herself this much. Still, I am already greatly looking forward to her eventual triumph, which makes me wonder how long this series will continue. – Michelle Smith

My Love Story!!, Vol. 7 | By Kazune Kawahara and Aruko | VIZ Media – Much like Kimi ni Todoke above, this volume of My Love Story!! revolves around the main character’s reserved friend trying to return the feelings of someone who loves them. In this case, Yukika Amami has loved Sunakawa since preschool, and he follows through with his pledge to get to know her before responding to her confession. I love that Sunakawa is kind without being condescending and that there are no misunderstandings between Takeo and Yamato as to why he’s been hanging out with this other girl, but most of all I love the emphasis on how his friendship with Takeo makes Sunakawa happier than anything else in his life, and that he basically affirms his love for his good-hearted friend. Amami may be a little hard to like, but if she highlights Sunakawa’s present contentment, then I’m glad she came around. – Michelle Smith

Natsume’s Book of Friends, Vol. 19 | By Yuki Midorikawa | VIZ Media – Normally, I am not very big on episodic stories, but I’m always charmed by those in Natsume’s Book of Friends. For the most part, this is a quiet, restful sort of volume, in which Natsume reconnects with an old school friend and deals with some cursed dolls, helps a rock-washer locate his missing apprentice, and learns about an incident in which his grandmother actually helped some yokai. Some angst does arise in the final chapter, however, when Natsume is invited back to the Hakozaki estate to deal with a yokai and runs into exorcists from the Matoba clan, with whom he simply cannot relate. Too, Natsume hopes to follow up on a clue about his grandfather, but nothing comes of it so far. Part of me looks forward to following this plot thread, but honestly, I’d be just as happy with more melancholy episodes like these. – Michelle Smith

Nisekoi, Vol. 13 | By Naoshi Komi | Viz Media – Incremental developments are part of what make good harem series work—knowing when to stick with the status quo and when things have to move forward. It doesn’t even need to involve the main characters—in this volume, Haru finally realizes the “false” relationship between Raku and Chitoge means that he’s not actually being a giant two-timer, and that it’s OK for Kosaki to like him—and Haru as well, of course, though she mostly sublimates this into “help my sister get together with him.” Meanwhile, Ruri gets the more dramatic plot, as she has to deal with her goofy grandfather and that fact that she’s dying—and wants to see her in a happy relationship. I still really enjoy this series. – Sean Gaffney

Non Non Biyori, Vol. 3 | By Atto | Seven Seas – Slice-of-life series can be hard to balance, and I feel that the third volume of this particular one is running into difficulties. Part of it is that the charm of life in a town that’s in the middle of nowhere runs out fast when you realize how few people are actually in this town, or how little there is to do. Another part is that Natsumi, the high-spirited but annoying girl who drives much of the plot, is more annoying than sympathetic, and this leads to things like the world’s worst culture festival, whose humor relies on how painfully awful it is. Obviously asking for better plotting and characterization runs counter to the spirit of slice-of-life, but asking for slightly better writing does not. I hope the next volume works better.-Sean Gaffney

Pandora in the Crimson Shell: Ghost Urn, Vol. 3 | By Shirow Masamune and Rikudou Koushi | Seven Seas – There’s still an arguably interesting story here under all the lolicon crap. Nene is reluctant to use the amazing superpower device, as she wants to get by on her own without relying on it like a crutch. But given that she CAN use the device to save the day, when the day needs saving, why not use it? The trouble is that this moral is still wrapped around fingering vaginal ‘ports’ to gain that power, hence the lolicon crap tag. Ah well, at least Excel Saga fans will get to see an amusing cameo of Kabapu… or rather, of a Kabapu-head costume, which is as horrifying as it sounds. For hardcore Shirow/Koshi fans only. – Sean Gaffney

The Testament of New Sister Devil, Vol. 1

January 26, 2016 by Sean Gaffney

By Tetsuo Uesu and Miyakokasiwa. Released in Japan as “Shinmai Maou no Keiyakusha” by Kadokawa Shoten Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by Seven Seas.

First of all, that is one awkward title. I’ve accidentally written it sa “New Sister Devil” at least twice, and it is very much in the genre of ‘random words strung together’ that we’ve seen so often these days. Looking at the title, you’d immediately guess it was based on a light novels, and you’d be correct. As for the manga itself, it shares similarities with a few other titles released over here lately. The premise could be vaguely interesting, some of the characters are promising, and there’s a whole lot of non-consensual sexual assault as fanservice that makes me ultimately rejecting recommending it to others.

As I said, I did enjoy the basic premise and backstory. Each of the main characters is introduced as a normal person to whom wacky plot points keep happening, only it turns out that they’re actually far from normal and have been hiding secrets of their own. Basara is actually from a village of heroes who are there to fight demons – a fight that he’s run away from after his powers got out of control as a child. His father, who appears to be the one complete dupe in the series, turns out to have also known all along. the one innocent in this, ironically, is Mio, who is the daughter of a demon – a fact she was totally unaware of until her entire family was slaughtered one day. Each of them has a very good reason for wanting nothing whatsoever to do with the war to see who gets to rule Hell, and yet they’re drawn into it anyway, because they’re fundamentally decent people. This is a good premise.

Sadly, we also get fanservice, to the point of near explicitness here, mostly due to Mio’s attendant Maria, who is a succubus, and who uses her powers “accidentally” to bind Mio as Bassara’s underling. This means she has to obey his orders, and if she doesn’t, her body gets more and more aroused. The only way out of this is, of course, to grope and otherwise assault her till she climaxes. Add to this and we have the usual ‘waking up with my fake sister lying on top of me’, ‘bath scene with lots of jiggling and bouncing’, and ‘let’s lick the arm in suck a way that it resembles giving head’. Honestly, half the time I’m amazed this isn’t in Young Ace instead of Shonen Ace. But to be fair, this is exactly the sort of thing that would interest teenage boys.

So if you can put up with the humiliation of the female lead (Maria seems to have no shame, so no worries there) and enjoy fantasy along the lines of Devils and Realist and some of the other ‘war in hell’ titles we’ve seen, this may be for you. As for me, I feel I can resist the call.

My Week in Manga: January 18-January 24, 2016

January 25, 2016 by Ash Brown

My News and Reviews

Two in-depth reviews were posted at Experiments in Manga last week. The first was of The Fall of Language in the Age of English by Minae Mizumura, a fascinating and immensely readable work of nonfiction about literature and language. (Mizumura’s A True Novel also greatly impressed me, so at this point I’ll basically read anything written by her; if only more would be translated!) The second review was of KaiJu’s Mahou Josei Chimaka, one of Chromatic Press’ most recent paperback releases and a delightfully entertaining parody of and a loving homage to the magical girl genre. The comic is playful, humorous, and a lot of fun.

Elsewhere online: The Toronto Comic Arts Festival has announced its first round of featured guests. The list includes Rokudenashiko, whose manga What Is Obscenity? will be making its English-language debut at the festival. Bruno Gmünder will be bringing The Passion of Gengoroh Tagame back into print later this year in a newly revised and expanded edition. Ryan Holmberg’s most recent What Was Alternative Manga? includes a translation of a discussion between Hayashi Seiichi and Sasaki Maki. And on Twitter, Digital Manga is hinting at a launch of another classic manga Kickstarter, only this time it won’t be Tezuka.

Quick Takes

Bug Boys, Volume 1: Welcome to Bug Village by Laura Knetzger. Although I’ve read and enjoyed a few of Knetzger’s short autobiographical comics, I picked up Bug Boys more by chance than anything else. I’m so glad that I did, because I’m absolutely loving this comic. Originally a series of self-published mini-comics, the first book was recently released by Czap Books. The hefty volume collects all of the previously released Bug Boys comics in addition to new, never-before-seen content. The comics are mostly black-and-white, but Knetzger also occasionally uses color. The story follows Rhino-B and Stag-B, two young beetles and best friends living in Bug Village, as they grow up, go on adventures, and explore their world. It’s all incredibly cute and touching, even when the two of them are dealing with some fairly big, weighty issues. Friendly enough for children, but also thoroughly enjoyable for adults, Bug Boys is one of the most wonderfully delightful and charming comics that I’ve read in a very long time. I’ll definitely be keeping an eye out for more of the series and for more of Knetzger’s work.

Butterflies, Flowers, Volume 1 by Yuki Yoshihara. Once wealthy aristocrats, the members of the Kuze family have fallen on hard times. They no longer have any servants and have instead become the masters of a soba noodle shop. Choko is now searching for separate employment, only discovering after the fact that her new boss, Masayuki Domoto, is the son of the family’s old chauffeur. Butterflies, Flowers is a somewhat peculiar romantic comedy that’s hard to take seriously. Granted, I don’t think that the manga is really intended to be taken seriously. And I’ll admit, the first volume of the manga made me laugh on several occasions. The power dynamics in Butterflies, Flowers are all over the place, so it’s difficult to know what to expect from one page to the next, especially where Choko and Domoto are involved. At first Choko doesn’t have much confidence—working in an office is a new experience for her—but every once in a while she’ll take charge of the situation. As for Domoto, he frequently switches from being an overbearing and demanding boss to being completely subservient to the woman and family that used to employ his father.

Terra Formars, Volumes 5-8 written by Yu Sasuga and illustrated by Ken-ichi Tachibana. It’s been a while since I’ve read any of Terra Formars, but it wasn’t too difficult to pick it up again where I left it—even considering the various plot twists, the series is pretty easy to follow and tends to be fairly action-oriented. By far the best thing about Terra Formars for me are the over-the-top battles between super-powered combatants. Not only have humans been crossed with insect genetics, there are examples of those who have been crossed with birds, mammals, aquatic creatures, plants, and even bacteria, giving the individuals a wide variety of incredible abilities. Realistic? Perhaps not, but the resulting battles are epic. (Surprisingly, Terra Formars has actually taught me quite a few things about plants and animals.) The political maneuvering back on Earth, while being portrayed in a very dramatic fashion, frankly doesn’t interest me that much. However, it is that drama that largely propels what little story the series has. It also means that the modified humans end up having to fight each other in addition to the Martian inhabitants.

Mahou Josei Chimaka

January 22, 2016 by Ash Brown

Creator: KaiJu
Publisher: Chromatic Press
ISBN: 9781987988017
Released: December 2015
Original run: 2014-2015

Mahou Josei Chimaka, or Magical Woman Chimaka, is the second long-form comic by KaiJu, a creative team made up of Kate Rhodes and Jennifer Xu, that I’ve had the opportunity to read. The three-chapter comic was originally serialized online in Sparkler Monthly between 2014 and 2015 before being collected and released in both digital and print book editions by Chromatic Press later in 2015. I love everything that Chromatic Press is involved with, but I was especially looking forward to Mahou Josei Chimaka for a number of reasons. Most notably, I was greatly impressed by KaiJu’s previous comic The Ring of Saturn (which also released by Chromatic Press) and have been closely following the team’s work ever since. It also didn’t hurt that in large part Mahou Josei Chimaka is a loving homage to and parody of the magical girl genre. That and it also it ends up being a sweet romance between two women.

Fifteen years ago Shimmer Shimmer Skypatcher Chimaka faced her greatest nemesis and lost, failing to protect her city. While Chimaka was able to temporarily repel the threat, a large portion of the city was laid to waste and left a giant, lifeless crater. Now her enemy has returned, intending to finish the job, only Chimaka isn’t a magical girl anymore. Her life fell apart after that fateful, disastrous encounter and, although she’s back on her feet again, the magic is gone. Chimaka now spends her days working as a scientist at Squid Petroleum and nights drinking with her colleague Pippa with whom she has become very close. But with the return of her old enemy, along with the persistence of a certain government agency which uncovered her past, Chimaka needs to find a way to regain her powers. The ever cheerful Pippa is determined to do all that she can to help Chimaka, but the task that the two of them face is a difficult and daunting one—Chimaka must once more become Shimmer Shimmer Skypatcher if she wants to save the world.

Mahou Josei Chimaka is crafted to especially appeal to readers who are fans of the magical girl genre (or, in this particular case, the magical woman genre) and who are interested in a slightly different approach than is often seen. While it’s not absolutely necessary to be familiar with the common tropes and themes of the genre—Mahou Josei Chimaka is completely enjoyable as a story in its own right—readers who are will be in a better position to truly appreciate the entirety of the comic and its satire. The elements one would expect to see in a magical girl story are all present in Mahou Josei Chimaka, including but certainly not limited to animal companions, transformation sequences, dazzling accessories, and an emphasis on the power of love. But these have all been slightly skewed through the lens of Chimaka’s growth into cynical adulthood. And yet, while KaiJu’s interpretation of the magical girl genre is honest and mature, it doesn’t become dark and depressing.

Mahou Josei Chimaka is a delightfully funny and charming comic. Much of this comes from the contrasting but complimentary personalities of the comics’ two leading women and the sweetness of their blossoming relationship, but as a whole Mahou Josei Chimaka is very playful. KaiJu has a great sense of humor which comes through not only in the story and characters, but in the artwork as well. The artists alternate between using more realistic illustrations and those that are exaggerated for great comedic effect. The final chapter does perhaps rush the story’s climax a bit as the creators pull out all the stops for the epic final battle, but it’s a sort of intentional ridiculousness that’s highly entertaining. Although preventing the end of the world is serious business, Mahou Josei Chimaka mixes in silliness in the best sort of way. I enjoyed the comic on my first read but I find that I like it even more after reading it again; Mahou Josei Chimaka is a great deal of fun.

Strike the Blood, Vol. 2

January 22, 2016 by Sean Gaffney

By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

I’d mentioned in my review of the first volume that Strike the Blood reads like a series that was written in anticipation of being made into an anime. Having now completed the second volume, I’ll go a little further – it reads almost like a novelization, as if the anime had come first. This is actually good in many respects – the fight scenes are excellent and highly easy to visualize, and the normal pauses you see in these sorts of series where the plot is slowly explained are kept to a minimum. It does mean that I have the same issues I had with the first volume, though – the character types are all too predictable, as are the plot twists.

As a case in point, we have Sayaka, Yukina’s former roommate and friend and the orphanage devoted to taking girls and making them into magical superstars. She has a giant hate-on for Kojou, of the sort that we know will turn to love by the end of the book, because of course he’s not like those *other* evil vampires. She also has a pseudo-lesbian obsession with Yukina, which I expect will be promptly dropped now that it’s fulfilled its function as minor yuri bait. It’s disappointing, because while Yukina and Asagi also have elements of cliche written into their characters (elements which are exaggerated a bit more in this second volume), they both manage to feel like read young teenage girls, while Sayaka reads like a caricature.

The worldbuilding here fares better, as we once again see a series that knows it won’t be cancelled for a few volumes, so is content to spin out a few interesting subplots and not actually do anything with them. Koujo’s younger sister is clearly possessed by something, but we never quite find out what. Likewise, Asagi’s hacking abilities are starting to go beyond ‘teen genius’ and into legendary abilities. We meet another powerful vampire here, Vatler, and while he also has his share of cliched behavior, his smug “I did it for the lulz” attitude is more tolerable than Sayaka’s angry not-lesbian.

I will likely be reading more of this, despite my grumping. The prose is some of the smoothest we’ve seen in a Yen On release, with very little of the awkward narrative stuttering you see with a lot of first-person light novel narratives. And as I said earlier, the action scenes are genuinely exciting and not confusing, which is impressive given how much destruction is racked up here. The villain is a terrorist, and you get the sense that the author had seen Die Hard before writing him, as he’s very much in the Alan Rickman vein of “polite yet murderous”. There’s also a character from the first volume who returns – that did surprise me, though sadly it also involved maid fetishism. So it’s a good series, but I do wish that I wasn’t able to see the blueprint it works off of so easily.

Manga the Week of 1/27

January 21, 2016 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: It’s time to bury you in manga releases once more, folks. What do the companies have up their sleeves?

ASH: All right, let’s do this!

Kodansha has the 12th and penultimate volume of My Little Monster. I can’t believe it’s ending so soon.

MICHELLE: I know! Thankfully, Say I Love You. is still ongoing.

SEAN: Noragami has hit double digits, likely to the delight of Kodansha.

ASH: I’m a few volumes behind, but I have been enjoying Noragami.

SEAN: And there’s a 12th volume of The Seven Deadly Sins.

Seven Seas has a bunch of stuff for us. Akuma no Riddle intrigued me more than I was expecting, so I look forward to the second volume.

MICHELLE: I need to investigate this one.

SEAN: Magical Girl Apocalypse does not intrigue me at all, but it has its fans who will enjoy this 6th volume.

And possibly the polar opposite of that title, Non Non Biyori has a 3rd volume.

Lastly, there’s an omnibus Vol. 1 release of the manga Orange, which has been up digitally on Crunchyroll, but Seven Seas now gives us a print release. It originally ran in Betsuma, then moved to Manga Action, showing it can be both shoujo and seinen. I think this is the first half.

ASH: I’ve heard good things and am looking forward to this one!

ANNA: Huh, I think I’m now officially intrigued.

MICHELLE: Me, too!

MJ: I’m always surprised when I’m interested in a Seven Seas release, but here we are!

SEAN: Vertical gives us another omnibus of Chi’s Sweet Home, with Vol. 4-6. Adorable kitties!

MICHELLE: Yay, kitties!

MJ: Chiiiiiii!

SEAN: And now it’s time for the Yen deluge. First up is Yen On. The Isolator was a new series by the author of Sword Art Online and Accel World, new enough so that it’s been a year since the first volume. Vol. 2 should be interesting.

And there’s a third volume of somewhat surreal teenage superpowers novel Kagerou Daze.

Yen Digital has a bunch of new titles coming out, and I’ll just note the complete volumes. Aphorism 2, Crimson Prince 2, Renaissance Eve 2, Scarlet Empire 3, and Sekirei 2. For those who enjoy tablet reading, try one of these series out.

On to actual print manga titles from Yen Press. There’s a 6th Accel World manga, which should be in the middle of one of the angstiest arcs.

Akame Ga KILL! reaches Vol. 5, continuing to try to excite us with capital letters and exclamation points.

Alice in Murderland 3 doesn’t have capital letters or exclamation points, but it has murder. Isn’t that enough?

A Certain Magical Index 4 decides it’s best to skip the boring vampire girl and move right to what readers really want, the sister clones.

The Devil Is A Part-Timer! 4 also adapts the novels for those who prefer exciting artwork with your plotting.

Final Fantasy Type-0 Side Story Volume 3 still remains very difficult to say.

First Love Monster’s 3rd volume will remind its readers of the discomfort they felt while reading Bunny Drop, I suspect.

Horimiya’s first volume was absolutely terrific, and I am delighted to see the 2nd one out next week.

MICHELLE: Me, too! The first volume was a lovely surprise!

ANNA: I’m intrigued again!

MJ: This is the volume I’m looking forward to most this week, I think!

SEAN: How to Raise a Boring Girlfriend (aka Saekano) is based on a light novel Yen doesn’t have the license for. It seems to feature an otaku hero and his collection of eccentric female acquaintances, just like every single other light novel ever.

Kagerou Daze also has a 4th manga volume out.

Log Horizon has a manga spinoff coming out, The West Wind Brigade, focusing on bishonen guild leader Sojirou.

Puella Magi Madoka Magica has a 2nd volume of its manga adaptation of the Rebellion movie.

So I Can’t Play H! has a 4th volume.

Sword Art Online has a 2nd volume of its side story Girls’ Ops, focusing on the female characters who get progressively ignored by the novels.

And it also starts to adapt a new arc, with the first Sword Art Online: Phantom Bullet volume.

MJ: I wish I was more interested in the manga adaptations of SAO, but they haven’t thrilled me.

SEAN: Taboo Tattoo is the other new title from Yen this month, running in my old nemesis, Media Factory’s Comic Alive. I have low expectations, but we shall see.

Triage X has reached Volume 11, despite all the prayers to the gods and curses I’ve attempted to put on it.

There’s a 5th Ubel Blatt omnibus, helpfully called Ubel Blatt 4. You know, if it had a light novel series, which Yen licensed with the same numbering, Amazon might literally explode into shards trying to keep track.

ASH: Ha! (It probably would.)

SEAN: Umineko When They Cry finishes up another arc, and if it helps this is definitely the low ebb of the series. From here out, things can only get better. Well, mostly better. Somewhat better?

And lastly, there’s an 11th omnibus of Until Death Do Us Part. Or its British version, Until Death Us Do Part.

MICHELLE: Aaaand now I have The Kinks in my head!

SEAN: Aside from staring at me blankly for that last obscure joke, what’s everyone doing next week?