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One Piece, Vol. 81

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

In almost all respects, this volume of One Piece is leagues better than the last one. It’s the start of a new arc, which means that the chaos that Oda now writes as a matter of course is a bit more tightly controlled. There’s amazing fights, mostly in flashback. There’s great humor, mostly involving the two leaders of Zou and their animal characteristics. Our heroes get to actually be heroes, and we are reminded once again that Luffy’s piracy is not about raping and pillaging. There’s also surprising drama, as we find out about the extent of Big Mom’s power (complete with a shout-out to the movie Se7en) and her reach. And, perhaps most important of all, Sanji gets a last name.

This is more important than it sounds. Of the original ‘main’ cast of One Piece, it was noteworthy that three of them were never given family names, which might imply there’s some lingering backstory to be had in the future. After all, we never met Nami’s birth parents, and Usopp’s father is still presumably bumming around with Shanks. And then there’s Sanji – or rather, Sanji Vinsmoke, who happens to be one of a family of famous assassins. We don’t actually get too many details here, and I’ve no doubt we’ll be meeting them soon, but I like that Oda is able to riff on details that he wrote literally over 70 volumes ago in an “I meant to do that” way – namely that Sanji was born in North Blue, and getting from North to East (where he met Luffy and the others) is not an easy thing, As for Sanji’s decision to leave the Straw Hats in order to forcibly be married off… well, that’s what this arc is about, no doubt, and I don’t doubt he’d sacrifice himself to save the crew. (Note Capone threatens Nami first – he knows Sanji well.)

We also see the Sanji side of the Strsaw Hats arriving at Zou in the aftermath of the battle with Kaido’s underlings (we’ve still not really dealt with Kaido much, but as is pointed out, no doubt they will need to face him soon – along with Big Mom), and right away they’re making a humanitarian effort to save lives and help people. I always enjoy it when the Straw Hat Pirates show off their innate goodness, and this isn’t even in a “we’re saving the kingdom” way – if that had been the case they’d have arrived earlier. There’s also a tremendous reveal right at the end of the volume, which I won’t spoil, but Usopp and Nami’s tears, as well as Luffy’s huge grin, pretty much spell out how I felt about it. It was amazing.

So all in all we’re back to excellent volumes of One Piece, and I couldn’t be happier. Next time we get more anthropomorphs, and try to decide which direction the plot will go next – there are many ways it could go.

Gatesmith, Vol. 1

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Gatesmith, Volume 1Creator: Jen Lee Quick
Publisher: Chromatic Press
ISBN: 9781987988079
Released: July 2016
Original run: 2014-2015

My introduction to the work of Jen Lee Quick was through her comic Off*Beat. The first two volumes of the series were originally published by Tokyopop after which the comic sadly languished unresolved until it was rescued by Chromatic Press, becoming one of the publisher’s flagship titles. After completing Off*Beat with Chromatic Press, Quick began working on a second comic series with the publisher called Gatesmith. The origins of Gatesmith actually date back to Quick’s Tokyopop days as well, but the ideas for comic have significantly changed since then. At least one thing has remained the same though–Gatesmith is a dark fantasy Western drastically different from Off*Beat. Gatesmith began serialization in Chromatic Press’ digital magazine Sparkler Monthly in 2014. The first volume concluded in 2015 and the serialized content was subsequently collected as an ebook along with an exclusive epilogue comic and the short prequel comic “Hungry.” A small print run of Gatesmith, Volume 1 was released in 2016. As a fan of Quick’s work, I was very happy to snag a copy.

Edgeward is a western frontier town undergoing a transformation as its residents slowly build it into a successful mining city. But Edgeward is also the home to numerous strange happenings, phenomena which some people attribute to the area’s large deposits of mythrilite, a promising but potentially dangerous new energy source which hasn’t yet been thoroughly studied. Modernization can carry along with it tremendous risks, but there seems to be something even more primal, ancient, and bizarre at work in Edgeward. On the outskirts of town, strange lights can be seen in the middle of the desert. Peculiar trees spontaneously emerge where no tree has any right growing. Rumors circulate about monsters and creatures of legend roaming about. Ranchers are losing livestock and are uncertain whether or not to blame humans or something much more diabolical. Whatever it is that is going on in Edgeward may very well have a greater meaning and far-reaching impact than anyone realizes.

Gatesmith, Volume 1, page 72The setting of Gatesmith, while beautiful, is also a harsh and frequently brutal one. Survival is certainly not guaranteed in such an unforgiving environment. The comic opens with an attack on a covered wagon that leaves everyone directly involved in the incident dead and the violence in the story doesn’t end there. At this point virtually everything is unknown in Gatesmith, and the unknown is very apt to get someone killed. Gatesmith, Volume 1 offers very few answers as Quick layers mystery upon mystery. In the series, myth, folklore, and the supernatural are closely intertwined with scientific, social, and technological progress. The anxieties surrounding the changing times are very real and sometimes manifest in unexpected ways. When humans are attempting to deal with things that they don’t completely comprehend or understand trouble naturally follows, but it’s not always the inhuman that people have to worry about–unintentionally or not, civilization can be just as destructive and isn’t necessarily always a positive force. Tremendous resilience and adaptability will be required of any of the characters who hope to reach the end of Gatesmith alive.

Gatesmith is off to an incredibly intriguing start with its first volume; I am intensely curious to see how the comic continues to develop from here. However, part of what makes Gatesmith so appealing and engrossing is also what makes the comic somewhat frustrating. Quick is working with several storylines and a marvelously diverse cast of characters, but this early on in the series the connections between them all are not immediately clear. With the many strange occurrences and often stranger characters involved in Gatesmith, the ultimate direction and drive of the story is somewhat obscured at the moment and the worldbuilding hasn’t yet been established in its entirety. What has been revealed so far is enticing and tantalizing, though. Gatesmith is an interesting blend of genres. Quick draws on traditions of Westerns, folklore, horror, and other speculative fiction without relying heavily on preexisting elements or well-worn tropes, combining them together in striking ways. Currently Gatesmith is on a break as Quick concentrates on a few other creative projects, but I hope to see more of the weirdly wonderful and wonderfully weird Western soon.

Chihayafuru, Vol. 1

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By Yuki Suetsugu. Released in Japan by Kodansha, serialization ongoing in the magazine Be Love. Released in North America digitally by Kodansha Comics. Translated by Ko Ransom.

It has become very difficult these days, as manga fandom expands and grows more varied, to state outright that a series will “never be licensed”. Sure, there’s still a few holdouts that can boast that – I’m looking at you, Hajime to Ippo – but for the last few years we have lived in a renaissance of “oh my God I never thought we would get this title!”. In particular, seeing josei series on a regular basis is something that is welcome and heartwarming. And, in fact, Chihayafuru pulls off a troika. It’s josei, running in Kodansha’s Be Love, which has almost never been mined for licenses; it’s a big comeback for the author, whose career was on ice after a plagiarism scandal – this is her magnificent return. And it’s also a sports manga, something which may not be obvious when you look at its cover, but really sinks in after reading the first couple of chapters.

Of course, you could argue we’re overlooking another big reason why this was an unlikely license, which is the subject matter. This is a manga about a group of kids and their love for Hyakunin Isshu Karuta, a Japanese game that combines memory with one hundred famous poems – you’re given the start of the poem, and need to find the card with the second half of it. It requires speed, smarts, and a certain amount of guile – there’s a lot of smacking of cards here that made me raise an eyebrow and wait for a foul to be called, but that never happened. Playing this game is our heroine, Chihaya, whose name is similar to the start of one of the poems. She’s a brash tomboy who tends to always say what she’s thinking, which gets her in trouble. She’s friends with Taichi, a smart young kid with an oppressive mother – he carries both a chip on his shoulder and a crush on Chihaya. And then there’s the new student Arata, made fun of for his heavy local dialect (which is nicely adapted here by Ko Ransom – I’m reminded somewhat of the way Sweden has been translated in Hetalia, only more coherent) but a whiz at karuta. He gets the other two kids involved, and Chihaya in particular discovers that her speed and acute hearing are a boon.

Fans of the anime may be surprised to see that this entire volume takes place in elementary school – the adaptation made this a flashback after introducing her in high school. It’s still a good start, introducing the strengths and weaknesses of our leads, and having a romantic triangle that pretty much isn’t yet because they’re kids, but you can see it bubbling anyway. Unfortunately, everything comes to an end with Taichi going to a different middle school, and Arata having to move again due to the health of his grandfather (a world-famous karuta player). Will they ever meet again? Signs point to yes. In the meantime, with its engaging characters, dynamic art, and the ability to explain a complex sport/game without getting bogged down in exposition, Chihayafuru is a must read. It’s digital only, but if enough people get it, print may be feasible. Go get it, it’s worth it.

Sweetness & Lightning, Vols. 1-3

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By Gido Amagakure | Published by Kodansha Comics

sweetness1Widowed math teacher Kohei Inuzuka wants to do his best when it comes to raising his daughter, Tsumugi. It’s been six months since his wife passed away, and because he has never had much of an appetite and hasn’t fared well with cooking in the past, he mostly relies on store-bought fare for Tsumugi. However, after they run into one of his students, Kotori Iida, while looking at cherry blossoms, he can’t help but notice how fascinated Tsumugi is by the home-cooked lunch Kotori’s been eating. To make his daughter happy, he ends up taking her to Kotori’s family restaurant, which leads to regular dinner parties where they experiment with making different things together.

Sweetness & Lightning is not the only food manga currently being released in English, but it does offer something a bit different. Whereas Food Wars! features students enrolled at an elite culinary academy and What Did You Eat Yesterday? focuses on an accomplished home cook, Sweetness & Lightning is about neophytes. Almost everything is new to Inuzuka, and though Kotori is an enthusiastic fan of food with a chef for a mother, her own fear of knives has prevented her from doing much beyond making rice. With her busy mother helping with recipes and easy-to-follow instructions, the trio learns how to make things like Salisbury steak, sweetness2chawanmushi, and some seriously drool-inducing gyoza. Recipes are included, and for the first time, I feel like they’re actually something I might attempt.

The secondary focus of the story is on Inuzuka’s life as a single parent. Between having to leave work to pick a sick Tsumugi up from preschool, or losing sight of her at a crowded festival, or reacting to her leaving the apartment while he’s sick, he does his best to parent her in a loving and rational way. After being reunited at the festival, for example, I love the way he shows her that he’s been scared and upset, and yet recognizes that she feels bad about running off and is not a bad kid at heart. Tsumugi is a girl with a great deal of enthusiasm for life, and Inuzuka wants to preserve that as much as possible. Their bond is very sweet.

Of course, the questionable propriety of afterhours teacher-student socializing isn’t lost on Inuzuka, who consults with a colleague (and Kotori’s mother) prior to agreeing to the arrangement. sweetness3He and Kotori maintain their distance at school, and he frequently worries about inconveniencing her mother. And yet, the gatherings make Tsumugi so happy—and even lift her spirits when she begins to truly comprehend the permanence of her mother’s absence—that he gratefully accepts the Iidas’ hospitality. He behaves professionally at all times. Kotori, however, seems to be developing feelings for him, though it’s all mixed up as she sees him as both a guy and as a father figure. I wouldn’t be surprised if the manga ends with them getting married, but I hope nothing romantic ensues for a very long time.

Ultimately, this is a sweet, occasionally poignant, slice-of-life story about a father learning to prepare food for his daughter. It’s adorable in a non-treacly sort of way and I very much look forward to continuing.

Sweetness & Lightning is ongoing in Japan, where it is up to eight volumes. Kodansha will release volume four in English later this month.

Bookshelf Briefs 2/13/17

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Assassination Classroom, Vol. 14 | By Yusei Matsui | Viz Media – Japan enjoys using abusive parents for the sake of drama, but they sometimes have difficulty following through on this, and a lot of the time the parent is easily forgiven and it’s shown that the right thing to do is really to respect your parents after all. This shouldn’t be surprising, particularly in a Jump title, but Western fans might find Nagisa’s mother’s quick turn to the good fairly unrealistic. And judging by the cliffhanger we see here, we may be about to get the tragic flashback that shows how the school principal ended up being the sort who will literally destroy lives in order to better educate. I betcha two to one he’s easily forgiven as well. Despite this, still very recommended. – Sean Gaffney

Black Clover, Vol. 5 | By Yuki Tabata | Viz Media – After gradual improvements from volume to volume, this one is a bit of a step back, as we resolve one plot a little too easily before moving on to the next. Asta’s kidnapping is taken care of in a perfunctory “I needed a cliffhanger” way, and the villains get away to live to fight another day. The best of them is Sally, a sort of Evil Hange Zoe who is perfectly happy to drain magic permanently from a bunch of kids FOR SCIENCE! Things pick up in the second half, when said young kids are kidnapped in a very pied piper sort of way. Unfortunately, Gauche, another Black Clover member, has a sister complex which is explained and deconstructed, but that doesn’t make him any less irritating. A wildly variable volume. – Sean Gaffney

Fire Force, Vol. 2 | By Atsushi Ohkubo | Kodansha Comics – I’m still somewhat torn about this series. The characters are fun and the premise is good, and any manga series about firefighters is always welcome, even if we need to make them cool supernatural firefighters. That said, the move to Kodansha has overall been a very mixed bag, as this is simply visually less arresting than Soul Eater, though you can see him trying. The fanservice is also greatly amped up, not a surprise given that it’s Shonen Magazine, but something of a surprise after a series that ended with a giant boob joke. I guess he still had more to do. Overall, this is pretty good, and worth investigating further, but I’m not sure Soul Eater fans will be enjoying it as much. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 16 | By Yuto Tsukuda and Shun Saeki | Viz Media – The running gag of the series was that the main heroine was barely in it, but we’re finally starting to see that change with this new volume. Erina was always going to be Best Girl, much to the frustration of some fans, and it was therefore surprising how little she did over the course of the series. Now Daddy Dearest has come home to roost, hijacking the school and impressing his cooking theology on the student body, who I expect will get winnowed down very soon. He’s also shown to have been abusing Erina since she was a child, and his return is very much unwelcome by the now former head of the school, who begs Soma to save his granddaughter. I expect a far more serious arc next. – Sean Gaffney

Kuroko’s Basketball, Vols. 7-8 | By Tadatoshi Fujimaki | VIZ Media – What does any character in a sports manga do after suffering crushing defeat? Try to get stronger, of course. Everyone’s got their own wall to surmount, and Kuroko and Kagami realize they must get stronger independently before they’re able to rely on each other again. Kuroko, in particular, lacks any other skills aside from passing, so it takes him a while to figure out what he needs to do. But, because this is sports manga, he does figure it out. Also figuring things out is Kise, whom we spend a great deal of time with in the second half of the book, as Seirin wraps up their training camp with a trip to watch Kise and Aomine duke it out in the tournament. It’s definitely entertaining, though I can’t help but note some members of the Seirin team get a lot less attention than other guys on other teams. – Michelle Smith

One Piece, Vol. 81 | By Eiichiro Oda | VIZ Media – Man, it is such a relief to finally be done with the Dressrosa arc! In this volume, the two halves of the Straw Hat crew reunite on the island of Zou, populated by talking animal people called minks. I liked the way the story of the conflict there was related after the fact to the new arrivals, including the departure of Sanji, who has taken off on his own to take care of a problem related to his hitherto-unknown past as the son of the leader of an evil army. The problem is, he might end up making an enemy of one emperor of the sea while the Straw Hats have been gearing up for conflict with another. Luffy is far more concerned about losing Sanji as a crewmate, but I really loved the scene of the whole gang back again, debating what to do. And hey, it wasn’t Dressrosa! – Michelle Smith

Say “I Love You,” Vol. 17 | By Kanae Hazuki | Kodansha Comics – All right, Asami’s relationship troubles ended a lot more positively tan I expected, and Mei and Yamato are able to patch things up as well. And we’re even getting the next generation, as the grumpiest cast member, Aiko, is also the first to get pregnant. Given the series ends in the next volume, this is unsurprising. It does mean that the bulk of the dramatic lift is done by Megumi, who remains the one cast member whose life is still unresolved. It’s getting resolution now, but not really in the way that she wants. She and her French boyfriend break up (good, I never liked him), but this means she’s now getting almost no work at all. I doubt the series is going to end darkly, but given the last volume is months away, I worry. – Sean Gaffney

Toriko, Vol. 37 | By Mitsutoshi Shimabukuro | Viz Media – This is Toriko‘s final arc, and it’s the first time that I’ve ended a volume thinking “Thank God this is almost over.” The manga has become tedious, as it’s come to suffer from massive cast expansion at the expense of the regulars (Bleach Syndrome), and we’re getting a bunch of fights which feel like recapitulations of fights we’ve seen done better before. I did enjoy seeing Komatsu bond with a young poor kid who lives with his (as it turn out, missing) mom, but then he disappears so that we can move to another locale for more shonen battle rage. This eventually happens to all Jump series (even One Piece lately with Dressrosa), but it’s a shame to see it happen to Toriko. – Sean Gaffney

Yona of the Dawn, Vol. 4 | By Mizuho Kusanagi | VIZ Media – Once again, Yona of the Dawn reminds me of various different shoujo manga, but in a good way. Yona, along with her three male companions, is searching for the other legendary dragon warriors in a very Fushigi Yuugi way, even while she insists (in a very Basara way) that she’s not the incarnation of the Crimson Dragon King. When they do finally track down the Blue Dragon, he’s shunned by the villagers and forced to wear a mask to hide his powerful eyes, and given a sad backstory with an atmosphere that reminded me a bit of Natsume’s Book of Friends. I suppose all these comparisons show that Yona is not exactly the most original story ever conceived, but that doesn’t mean that it isn’t extremely enjoyable, and I will always appreciate Yona’s insistence on being able to protect herself. – Michelle Smith

Shojo Beat Quick Takes – Honey So Sweet Vol. 5 and My Love Story!! Vol. 11

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Kicking off the week of Valentine’s Day by reading some shoujo manga seemed like a good idea! Honey So Sweet and My Love Story!! are some of the most adorable and cute manga currently being published. Both couples in this series are in more established relationships, so it is interesting to see how the series continue to develop these romances.

Honey So Sweet Volume 5 by Amu Meguro

Christmas dates are a staple plot element in shoujo manga. In this case Nao and Taiga plan on getting together, but their solo date plans are quickly derailed when their entire group of friends decides that a Christmas party is happening. While everyone does have fun, it turns out that Futami decides to employ some social pressure to make sure that Nao and Taiga get some alone time. Hence, a scene of fierce blushing as the young couple is painfully aware that they are at last alone with each other. Other than blushes and some hand holding, nothing happens because Taiga’s mom suddenly returns home and embarks on a fierce examination of her son’s new girlfriend.

The artwork shifts from the general wispy and feminine style Meguro usually employs into some panels with dark screentone and bold fierce lettering as Taiga’s mom demands that the couple break up. Aggressive mothers are no match for Nao’s earnestness, as she proclaims that she loves Taiga and is determined to stay in the relationship. They then bond over Taiga’s embarrassing childhood photo albums. Nao also has to repair her relationship with her uncle and guardian Sou after accidentally staying out all night. While Sou denies being angry while acting passive aggressive and Nao decides that she’ll avoid the situation as much as she can, it takes a moment of insight and extraordinary emotional intelligence from Taiga for things to get back to normal.

A shoujo series that only focuses on the main couple gets boring fast, which is why this volume emphasizing relationships with parents or parent-like figures along with the regular romance ensures that the series as a whole continues to be entertaining.

My Love Story!! Volume 11 by Kazune Kawahara and Aruko

First of all, the skewed Sleeping Beauty illustration on this volume is hilarious. This is one of my favorite shoujo manga currently being translated just because it raises the bar so much for any series attempting to be both sweet and hilarious at the same time. At this point, Takeo and Rinko haven’t seen each other very much, but they are about to be thrown in close proximity due to some coinciding class trips.

Takeo is freaking out about his ability to control his romantic urges, while Rinko keeps not so innocently popping up in his personal space. As always in My Love Story!! there’s plenty of comedic tension but the couple ends up talking things through to smooth over any awkwardness. The next story in this volume focuses on a scenario where Takeo and Rinko try to learn more about each other’s hobbies. Takeo attempts to make pancakes with results that end up carbonized while Rinko starts running around to boxing gyms because she wants to learn how to do feats of strength. Takeo ends up training her in tumbling techniques, and the scenes showing his intensity with constant frowning and fire burning in the background and her determined attempts to be a good student are fun to read. I always put this manga down feeling like I’m in a better mood, and what more could someone want out of some leisure reading?

A First Look at Tokyo Tarareba Girls

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Are you breathlessly awaiting the next installment of Princess Jellyfish? Still fuming over Tokyopop’s cancellation of Suppli? Eagerly searching for a manga romance whose heroine is old enough to drink? Then I have the cure for what ails you: Akiko Higashimura’s Tokyo Tarareba Girls, which makes its digital debut tomorrow (2/14) courtesy of Kodansha Comics. This fizzy, fast-paced comedy is every bit as good as Higashimura’s Princess Jellyfish, deftly mixing wacky misunderstandings and witty banter with moments of genuine rue and self-reflection.

The first chapter begins with the narrator declaring, “I spent all my time wondering ‘What if,’ and then one day I woke up and was 33.” As Rinko fills us in on her career, female readers will feel an immediate sense of identification with her — she’s smart, capable, and constantly imagining her future instead of being fully invested in the present, something many of us are guilty of doing in our twenties and early thirties. Though Rinko has forged her own career path, she frets over being single. Rinko isn’t alone in her frustration, since Kaori and Kayuki — her gal pals and drinking buddies — are in the same boat.

The plot is set in motion by a cryptic message from Rinko’s co-worker Hayasaka. In a brief flashback to 2004, we see Rinko and Hayasaka on an uncomfortable date: she focuses on his shyness, his clothing, and his fumbling efforts to be suave, while he ignores her squirming and tries to give her an unwanted gift. Ten years later, both still work for the same company, although there’s a lingering note of tension — or is that romantic frisson? — between them. When Hayasaka sends Rinko a text asking, “I would like to discuss something with you. Could I trouble you for some time later this week?” Rinko immediately declares a “four-alarm” emergency and reaches out to her girls for counsel: after all this time, is Mr. Hayasaka planning to propose? And if so, should she say yes?

If you’re thinking been there, seen that, I get it. Tokyo Tarareba Girls sounds like a hundred other comedies about single women navigating a paired-off world, from Bridget Jones’ Diary to How to Be Single. What prevents Tarareba Girls from reading like a Sex in the City clone is Higashimura’s storytelling chops.

Consider Higashimura’s strategy for making us privy to Rinko’s thoughts. Though Rinko often functions as the series’ narrator, Higashimura looks for more imaginative ways to dramatize Rinko’s emotional life than simple disclosure. In one scene, for example, Rinko’s food — yes, you read that right — cheerfully engages her in a conversation about her romantic dilemma:

Coming from one of her gal pals, this exchange would sound too on-the-nose, a bald statement of the manga’s main thesis. But coming from an izakaya dish? That’s genius! It allows us a window into Rinko’s state of mind (and her state of intoxication) without falling back on such shop-worn devices as the “Dear Diary” entry or the “Little did I know then…” voice-over.

Elsewhere in chapter one, Higashimura uses a similar technique of transposing Rinko’s inner thoughts onto the outer world, using the visual language of action movies — explosions, falling debris — to evoke the intensity of Rinko’s embarrassment over misunderstanding a friendly overture:

This sequence, too, is genius: anyone who’s ever read too much into an email, a voice mail, a text, or a friendly conversation knows exactly how Rinko feels in that moment and can laugh — or cringe — in self-recognition. At the same time, however, the reader can also see that Rinko’s romantic delusions are blinding her to the real lesson of turning 33: that she should learn what — or who — she really wants instead of settling for Mr. Not Quite Right.

The first chapter ends with the introduction of a prickly, truth-telling character whose appearance adds a welcome jolt of energy to the story; his barroom sermon about self-defeating female behavior is a show-stopper, both for its blunt honesty and for the impact it has on Rinko and her pals. Whether he becomes Rinko’s enemy or love interest, his memorable exit leaves the reader wanting to know what happens next — further proof of Higashimura’s storytelling mojo.

TOKYO TARAREBA GIRLS, VOL. 1 • BY AKIKO HIGASHIMURA • KODANSHA COMICS • RATED OT, FOR OLDER TEENS (16+) 

My Week in Manga: February 6-February 12, 2017

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My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for January–it was kind of a strange month for manga and other media acquisitions for me, but it wasn’t as absurd as December so at least my wallet’s a little happier. I also managed to finish my draft for February’s in-depth review, so I should have that cleaned up and posted sometime later this week.

Last week I came across a few interesting things online related to queer manga, comics, and other media. Massive has now released Jiraiya’s Two Hoses in English, a manga telling the story of “The Greatest Couple,” characters who were initially designed for the company as part of its launch. (Massive has released Jiraiya’s Caveman Guu manga, too, which was subsequently collected in the excellent anthology Massive: Gay Erotic Manga and the Men Who Make It.)

I haven’t had a chance to actually listen to it yet, but the most recent ANNCast focused on LGBT representation in manga and anime with guests Erica Friedman, Jason Thompson, and Valerie Complex. Friedman also visited the University of Michigan back in January to discuss queer manga. The recording of her presentation Alt Manga, Queer Manga: Telling Our Own Stories is now available to watch on YouTube.

There were a few Kickstarter campaigns that caught my attention last week as well. First and foremost, Chromatic Press is raising funds to release the final volume of Lianne Sentar’s series Tokyo Demons in print, produce a revised edition of the first novel, as well as reprint the other books in the series. It isn’t a secret that I am a huge fan of the series, so I definitely want to see the project succeed. Tabula Idem is a great-looking tarot-themed queer comics anthology with an accompanying queer-themed major arcana tarot deck. I’m not very familiar with most of the artists involved, but Kaiju (whose comics I greatly enjoy) is contributing the cover illustration. Pamela Kotila has also launched a campaign to print the second volume of the webcomic Spidersilk. Though I haven’t actually read it yet, I recently picked up the first volume so this project seems to be aptly-timed.

Quick Takes

The Ancient Magus' Bride, Volume 4The Ancient Magus’ Bride, Volumes 4-6 by Kore Yamazaki. It’s been a little while since I’ve read The Ancient Magus’ Bride but that’s not because I don’t like the manga. In fact, it’s quite the opposite–The Ancient Magus’ Bride is actually one of my favorite series currently being released in English. I simply wanted to have a whole stack of volumes to read all at once. (Also worth noting: The first printing of Volume 6 is even accompanied by a special booklet with an additional comic!) Somehow, I had managed to forget just how much I enjoy The Ancient Magus’ Bride. I love its moody atmosphere and setting, beautiful artwork, and intriguing characters. Elias remains something of an enigma although parts of his past have now been revealed. He isn’t particularly happy about this development, though. Likewise, more is known about Chise, too, although she is still hesitant to share. The relationship dynamics in The Ancient Magus’ Bride are somewhat peculiar but remain compelling. Most of the characters in the manga are struggling with some sort of heartbreaking loneliness or feelings of isolation. To see them slowly drawing closer together, forming bonds of friendship, family, and love is immensely satisfying.

Mr. Mini MartMr. Mini Mart by Junko. Although the boys’ love manga Mr. Mini Mart was released in English first, my introduction to Junko’s work was through the series Kiss Him, Not Me. Because I was enjoying that series, I made a point to track down a copy of Mr. Mini Mart which for a time had gone out-of-print. (It’s more-or-less back in print again, but the manga seems to only be available directly from Juné Manga’s online store.) I forget why I initially passed on Mr. Mini Mart but I’m very glad that I finally got around to reading it. Mr. Mini Mart collects two boys’ love stories. Most of the volume is devoted to the titular “Mr. Mini Mart” but a short, unrelated one-shot manga “Young Scrubs” is included as well. It’s not nearly as good, though. “Mr. Mini Mart” is wonderful and surprisingly sweet. The story follows the high-school-aged Nakaba who, after an unfortunate incident in middle school, has been living as a shut-in. He gets finally gets out of the house when his uncle gives him a job at his store, but Nakaba has a difficult time getting along with his coworker Yamai and his abrasive personality. I’ll admit, I’m a sucker for a sensitive tough guy and it turns out that Yamai is an amazing example of one and is just a great person in general.

The Seven Princes of the Thousand-Year Labyrinth, Volume 1The Seven Princes of the Thousand-Year Labyrinth, Volume 1 written by Yu Aikawa and illustrated by Haruno Atori. I really wanted to like the first volume of The Seven Princes of the Thousand-Year Labyrinth more than I actually did. The basic premise is intriguing. A group of some of the kingdom’s most noteworthy, and in some cases most notorious, citizens wake up to find themselves trapped together in an elaborately booby-trapped castle. (The exception is the protagonist Ewan whose only distinguishing characteristics are his trusting nature, inherent kindness, and the fact that he’s from the kingdom’s most remote island.) The assumption is that whoever manages to survive the ordeal will become the kingdom’s emperor and reigning lords. There is a ton of potential in this set up, but The Seven Princes of the Thousand-Year Labyrinth simply didn’t work for me. Mostly I think it’s because the characters all come across as types rather than well-rounded individuals. What’s more is that they don’t even feel like they should all be a part of the same series; I found this lack of cohesiveness to be frustrating. The artwork is pretty, though, if not especially distinctive and there are plenty of plot twists, too.

TomieTomie by Junji Ito. Although uncommon, license rescues aren’t particularly rare, but Ito’s horror series Tomie is one of the very few manga to have been released in English by three different publishers. Most recently, Viz Media has collected the entire series in a single, massive tome with over seven hundred forty pages. The translation used is the same as the one in Dark Horse’s Museum of Terror series which I own, but I couldn’t resist the deluxe, hardcover treatment the volume received to match Viz’s other recent re-releases of Ito’s manga. Tomie was actually Ito’s award-winning professional debut and began serialization in 1987 in a shoujo magazine. The manga is largely episodic although there may be several chapters devoted to a single story arc and later stories sometimes make passing references to earlier ones. What ties the series together is the presence of Tomie, a beautiful young woman who is seemingly immortal. Time and again men fall desperately in love with Tomie and are eventually overcome by a desire to murder and dismember her. Not only does Tomie survive, she regenerates and multiplies, and so the horror continues. While not as mind-bendingly bizarre as some of Ito’s later works, Tomie is still weird, horrifying, gruesome, and grotesque.

Overlord: The Bloody Valkyrie

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By Kugane Maruyama and so-bin. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

There is a glut of light novels at the moment based on the game stats premise, be it “trapped in a game” or that the world simply works like a game. This includes Overlord, which manages to be a combination of both. At its best, Overlord shows us the cognitive dissonance between what Ainz is thinking in his head and what is actually happening, or what his minions are actually doing without his knowledge. At its worst, it gets bogged down in long grinding fights that are simply collections of spell moves. Overlord seems to be very much in the Dungeons and Dragons mode, which is fine for worldbuilding, but to keep the mechanics of it as well means that for non-gamers, the climactic fight can get amazingly tedious at times. Which is not what you want to hear about what you’ve spent the entire book building to.

This book also spends a large amount of time away from ainz – he doesn’t show up till a third of the way in – and thus also shows that the book is best when it focuses on him. I can see why we had the extended prologue – the plot is that his minion Shalltear has been mind-controlled, so we need to spend a fair amount of time with her at the start so that we actually get a sense about what the mind control really means and can try to care about her. Unfortunately, this is Overlord, a series made up of evil villains. And so Shalltear is a monster, who only seems sympathetic because the humans that she lays to waste here are a bunch of thugs who like to rape and rob young women. Her best moment was when she ran into one of the humans Ainz met in Book 2, who has one of his potions. This accidentally saves the girl’s life, as Shalltear has no idea why Ainz gave it to her, and so doesn’t dare kill her.

We are at the “this is successful, go ahead and expand your subplots” point in the series as well, so we get a few characters who show up and I suspect will be plot-relevant later on. This includes the somewhat ineffectual king, whose only ally seems to be his noble soldier (who we met in Vol. 1 thanking Ainz for defending the village). There’s also the king’s young daughter, who is gorgeous and beloved and I suspect has a lot more to her, and the daughter’s somewhat overly serious and twitchy bodyguard. And there is the unfortunately named Brain (it’s OK, the bodyguard’s name is Climb), who has spent much time training to be the strongest only to run into someone who completely breaks him to bits with no effort at all. The humans in this book tend to be cannon fodder, but he actually gets away, so we’ll see if he shows up again.

As I indicated, this is best when focused on Ainz and his inner monologues, meaning it’s the middle third that held my interest most. Overlord is still a series well worth reading. But it could stand a good editing, and eventually I will have to get used to the fact that it’s a bunch of bad guys power-tripping.

Secret of the Princess

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By Milk Morinaga. Released in Japan as “Ohime-sama no Himitsu” by Shinshokan, serialized in the magazine Hirari. Released in North America by Seven Seas. Translated by Jennifer McKeon, Adapted by Shannon Fay.

Morinaga Milk’s books are simply nice. They’re sweet. They put a smile on your face. They are not the most original books in the world – in fact, they sometimes have so many cliches that they rack up a Yuri Trope Bingo before they’re halfway done – but they’re smooth reads, and you don’t have to worry about serious tragedy befalling anyone. There is angst in this volume, don’t get me wrong, but it’s the sort of book where one of the heroines threatening to kill herself by jumping off a roof is treated as a loving confession rather than an actual suicide attempt. If you try to attack too much reality to this, it begins to come apart, but that’s the point. It’s yuri fantasy.

Stop me if you’ve heard this one before. At an all-girls school, Fujiwara is the tall, athletic, cool, one-quarter Western beauty who all the girls admire. She’s also just accidentally destroyed the principal’s expensive vase. This is witnessed by Miu, a girly young first year whose mother has drilled into her that the secrets to catching a good husband. Of course, at an all-girls school, men are thin on the ground, so Miu has no idea how actual dating works. So, in exchange for her silence, she asks Fujiwara to pretend to date her so she can discover how this all works. Of course, she doesn’t consider the jealousy of her fellow students, or Fujiwara’s own loneliness and need for the social interactions that she gains with Miu, or, of course, her own growing and conflicting feelings.

Miu can be a weak part of this book – she’s a bit hard to take and frustrating, though she improves as the volume goes on. This is complete in one book, and a short book at that, so there’s not really much time to slowly develop anything. Fujiwara fares better, having a home life that seems to be mostly filled with maids (of course she lives in a rich mansion, have you read this genre before?) and her friend Hirosawa, who is also a short-haired beauty with a fan club but is second to Fujiwara. (The shoujo dynamic of the blond taking second place to the brunet lead seems to be reversed for Yuri titles.) Other than that, there’s not much to talk about – they date cute, break up when they start feeling guilty about the “falseness” of things, get back together dramatically, and end up in bed (though fleetingly – for the most part, this is pretty squeaky-clean.)

So it’s not mind-boggling, but it’s nice to see some sweet titles coming out here after a year of Citrus and Netsuzou Trap. And we have more from this author coming up next month as well. I suspect it will be sweet, fluffy, somewhat insubstantial, and yuri. Much as this is.

Strike the Blood, Vol. 5

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

As always, Strike the Blood does what it wants competently and efficiently, with good pacing and a nice balance between the hero and his various female leads. And yet it continues to be one of the most frustrating light novel series that I follow, because it is content to be simply that. There’s potential for a lot more here, and at times the series looks as if it’s going to show you that potential… and then it backs off, content to give us a comedic perverted parent, or a bath scene with a giant nosebleed, or Yukina saying her catchphrase again with all the well-crafted timing of a Swiss watch. Strike the Blood is what it is, and thus I will never get to experience what I have with most other cliched light novel series, which is the joy of seeing the books get better as they go along.

This is the second half of a two-part arc, and as such we hit the ground running, with less development and more fights. Sadly, this also means less development for Yuuma, who is injured enough to be shunted to the side for the majority of the book, until the climax where she shows up to use her clone status against her mother. There is talk of the idea of her being a disposable tool being wrong, which would probably read a lot better of the author weren’t treating her like a disposable tool, using her to help resolve things at the climax and then cheerfully writing her out to go serve time as an accessory. We also finally meet Kojou’s mother, who is unaware (possibly) that he is a vampire now, and is an absurdly youthful genius doctor mom who has a tendency to feel up girls for fun. I called this “TV Tropes: The Novel” last time, and that hasn’t changed. His mother is there to provide gropes and exposition, and stop Yuuma from dying.

As for the plot itself, as the villain cheerfully admits, half of it is an excuse for a giant runaround using minibosses to build up tension but never actually do much beyond sort of threaten the hero and heroines and then get dealt with. I was happy to see Asagi get something more substantial to do – she remains my favorite of the three main heroines, and her solution to the first miniboss battle showed off her smarts (with the help of her AI that controls the entire island). Sadly, the main villain herself is less interesting, which is especially irritating as she didn’t have to be. There’s suggestion of a deeper story between her and Natsuki, and we even see a brief flashback, but it’s just spice to show why she hasn’t merely killed everyone before this. If we’d gotten an entire chapter devoted to Natsuki and Aya’s school days and what led to her descent into mad villainy, I might have praised it. But we don’t.

I keep hoping this will get bad enough for me to drop, but it’s far too efficient for that. It has dropped a new novel in our laps, and we will read it, vaguely enjoy it, be disappointed at what could have been, adn then forget about entirely until the next book. Sigh.

Yona of the Dawn, Vol. 4

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Yona of the Dawn started off pretty serious, given the nature of its plot. It always had some humor, but in the midst of regicide and fleeing from a murderous former trusted friend, you can understand why things were a bit edgy for a while. But now Yona is collecting allies, and learning to shoot a bow, and things are looking up even if she is occasionally still attacked by bandits or led into deathtraps by terrified villagers. This allows the author to bring in a lot more humor – the third volume already had a lot of this, but this one finds almost the perfect balance between action fantasy, tragic backstory, and hilarious shenanigans.

the hilarity tends to come from three different places. First we have Yun, the resident tsukkomi of the group, who keeps them from dying in the middle of the woods and tries to provide actual common sense among a group that sorely needs it. His line in snark is good, but it’s his offhand introduction of himself as “genius pretty boy” that made me giggle most. (And he’s not wrong – this is a very attractive cast in general.) Hak and Gija, meanwhile, are both attracted to Yona, though they either won’t admit it or aren’t aware of it, so this naturally puts them at each other’s throats. Luckily it’s in a comedic way, and I was reminded a couple of times of the dynamic between Legolas and Ginli – particularly with counting the number of dead bandits. And there’s also Yona, whose humor comes when she steps away from her princess and savior mode in order to, say, beat her would-be lovers across the head, or insult a squirrel’s name. This is a very amusing book.

This does not take away from its other qualities, though. We meet another Dragon Warrior here, and his past is tragic and filled with violence, and I suspect meeting Yona will be the best thing that ever happens to him – though you may need to convince him a little more first. It’s easy to be terrified of someone who’s different from you, especially if they have a mysterious power that can seemingly kill people. Luckily, nameless Blue Dragon (he was too unloved to be given a name!) is found by Yona and company. There are also lots of fights interspersed through the volume, which Yona does not take part in, though she is getting better with a bow. I like the scene where Hak admits he hates the idea of her learning to fight but loves the idea of her learning to be stronger – it strikes a nice balance between the patriarchal “women shouldn’t be doing this” and his growing respect for Yona as a young woman.

I’m not sure how long it will take to convince the Blue Dragon to come with them – not long, I expect, it’s not like he has much tying him down – but I eagerly await things being resolved in the next book. Must-read shoujo fantasy.

Manga the Week of 2/15/17

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SEAN: OK, I know why we’re all here, but god forbid I not do this in alphabetical order by publisher, so…

MICHELLE: *sits on hands*

ANNA: *taps fingers impatiently*

SEAN: Dark Horse gives us a 4th volume of Fate/Zero, which has been getting darker and darker by the volume.

J-Novel Club has gotten to the point where we’re getting 2nd volumes. My Big Sister Lives in a Fantasy World may be very light novelish, but I found it a lot more fun than expected. Look forward to Vol. 2.

Their debut is Paying to Win in a VRMMO, which for once seems to feature a total immersion VR world that DOESN’T trap the players inside it.

OK, what you’ve been waiting for. Kodansha announced a few digital-only titles, and one was a long-coveted “this will never be licensed because it’s too Japanese” series, Chihayafuru. The story of a girl and her Hyakunin Isshu Karuta growth… what’s too Japanese about that? A josei series from Be Love magazine, everyone will buy this or I will personally come to your house and stare balefully at you.

MICHELLE: I’ll bring the cricket bat.

ANNA: I am SO excited, this is one of those titles I thought would never come out here.

MJ: This, this-y, this this. This this.

SEAN: We’re also getting the digital debut of Springtime with Ninjas, a shoujo title from Nakayoshi that I feel bad for, first because it pales next to Chihayafuru and Tokyo Tarareba Girls, but mostly because I won’t be able to read it without adding “And Germany!”.

MICHELLE: And now I won’t, either! :)

ANNA: I enjoy shoujo ninjas!

SEAN: As hinted, we also see Tokyo Tarareba Girls debut. Also a josei title, this one from Kiss magazine, it’s by the creator of Princess Jellyfish, and is award-nominated and fantastic.

MICHELLE: This is one I didn’t know I needed, and now I’m so eager. I will give Springtime with Ninjas a chance, too. Mostly to show my appreciation to Kodansha for the josei, though, I admit.

ANNA: I did not know about this either but josei titles are a must buy for me.

MJ: Well, huh. yes.

SEAN: Those are all digital-only, though if they sell well I hope that will change. In print we have the third volume of vampire manga Happiness.

ASH: I’m definitely someone who prefers reading in print, but I’m thrilled that these manga are being translated at all! Also, even though I’m a little weary of vampire manga, I am liking Happiness so far.

SEAN: There’s also a 6th Heroic Legend of Arslan, which I need to catch up with one of these days. I feel bad that I clamor for Silver Spoon while ignoring this.

ASH: It’s a pretty solid historical fantasy series, though I do join you in clamoring for Silver Spoon.

SEAN: And a 2nd volume of the odd yet compelling Nekogahara: Stray Cat Samurai.

Speaking of odd (but not always that compelling), One Peace has a 3rd Kuma Miko.

Seven Seas has four volumes out next week, including a 4th Hour of the Zombie.

Re: Monster is one of the weirder male power fantasies I’ve ever read, so I may give Vol. 2 a try, though I’m wary.

Seven Seas has been doing a LOT of yuri the last few weeks. The one-shot volume next week is Secret of the Princess, from popular author Morinaga Milk. It ran in Shinshokan’s Hirari.

MICHELLE: Hmm… Maybe on this one.

ASH: I have enjoyed many of the creator’s other manga, so I should probably give this one a look, too.

SEAN: And a 4th Shomin Sample, which no doubt will have a girl showing us her panties on the cover.

SuBLime’s 3rd volume of Ten Count is still not about boxing.

MICHELLE: Definitely not.

ASH: Nope.

ANNA: Indeed, no.

MJ: I am skeptical. Though not regarding its lack of boxing.

SEAN: Vertical’s To The Abandoned Sacred Beasts’s 4th volume does feature beasts, though, I believe.

Viz time. Hayate the Combat Butler makes me happy to see it even though it comes out so infrequently. Bring on Vol. 29!

Magi does not have the ‘only twice a year’ issue Hayate does, which is why we’re seeing Vol. 22.

Lastly, there is a 6th Monster Hunter: Flash Hunter.

Well, this was more exciting than I’d expected a few days ago! What are you getting next week?

MICHELLE: A plethora, apparently!

Mixed Bathing in Another Dimension: The Hero of the Unlimited Bath

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By Nagaharu Hibihana and Masakage Hagiya. Released in Japan as “Isekai Konyoku Monogatari” by Overlap. Released in North America digitally by J-Novel Club. Translated by Dan Luffey.

One of the benefits of rock-bottom expectations is the numerous ways you can be pleasantly surprised. Light novels in general, particularly those licensed in North America, tend to cater to the older teen/younger adult male reader. “Isekai” books, where our hero is transported to another world, are already a hoary cliche. And let’s face it, this was advertised as a harem novel which features the hero bathing with any number of girls. It had the potential to be bad on a monumental scale. Luckily, it isn’t. Now, don’t get me wrong. The plot is still as traditional as heck, it applies that weird harem logic whereupon our hero is deeply in love with a girl till she vanishes from his sight and the next one comes along, and there is endless talk of butts, boobs, and naked flesh. That said, let me tell you why I actually enjoyed this.

First of all, there is the twist in the premise. Yes, this is a standard “Japanese kids brought over to fantasy world to save the kingdom from invasion by demons” plot. Each of the five summoned (though we only really deal with two, our hero and first heroine) get a power that is supposed to help then become a hero and destroy evil. The snag is that Touya’s power is the ability to open a door to a standard Japanese bathroom wherever he is, with unlimited supplies of water, shampoo, etc. The fun here is seeing not only how he uses this in the ways you’d expect (he’s in medieval fantasy land, so the idea of shampoo is amazing to them), but also in ways that would never occur to you (the final boss battle in the book, which is so hilarious I don’t want to spoil it). Touya is a clever kid, and I like how he keeps thinking of both the strengths and weaknesses on his useless power. (Note this isn’t a hot spring or public bath – it’s a bath you’d find in a home, and seats two if they’re very friendly.)

The other, even more surprising thing is how the main characters actually communicate with each other. This is a harem adventure, after all. You expect tsunderes left and right, the hero tripping and falling into boobs, lots of lecherous grins, etc. But no, Touya is a normal teenage boy. Which means that yes, he thinks of sex all the time. But it’s not taken to any pervy extremes. More importantly, he actually communicates with the women he meets! Consent is super important throughout this book, and I can’t tell you how happy it makes me to type that. Over and over again Touya tells the girls the nature of his magic bath, the fact that he has to be *in* it to have it work, and that yes, nudity will probably be involved. He asks if they’re OK with this at every single step. And they are, of course, though they’re nice girls too. In fact, Touya and Haruno falling for each other, although swifter than you’d like, is really cute and sweet. They even kiss! Halfway through Vol. 1! What kind of harem adventure is this?

A few more minuses – in addition to the basics I mentioned in the first paragraph, there’s that odd Japanese idea that thinking about sex AT ALL makes a person a ‘pervert’, which I’ve come across in more works than this. And once again we get a hero who has to emphasize over and over that he’s not gay, just in case the presence of other men in the narrative – even if they’re giant lizardmen – might cause the reader to question their sexuality. But overall, this was a lot better than I expected, especially on the romantic end. I’d still only recommend it to male readers, but if you’re wary of the ‘traditional’ harem story, you should give this one a try.

Kindred Spirits on the Roof: The Complete Collection

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By Hachi Ito, Aya Fumio and Toitentsu, based on the visual novel by Liar-Soft. Released in Japan in two separate volumes as “Okujou no Yurirei-san” by Shinshokan, serialized in the magazine Hirari. Released in North America by Seven Seas. Translated by Amy Osteraas; Adapted by David Liederman.

The success of Kindred Spirits on the Roof as a visual novel was one of the big events of 2016 – indeed, I even reviewed the game here – so it shouldn’t be a surprise that Seven Seas would pick up a manga adaptation of it. What is a surprise is that this isn’t just the usual manga adaptation of the visual novel itself; instead, you get two long stories that take place the year after the game happened, featuring new characters but with many cameos and supporting appearances from our heroines we know and love. This, of course, also allows the authors to hook up new couples, something that wasn’t likely to happen if they focused on the already resolved game pairings.

This was released in Japan as two separate volumes, “Side A” and “Side B”, by two different artist teams. As with many series that follow this path, the A side is better. Shiori is a shy student with a talent for art who is trying to recover from her best friend confessing to her the previous year. They haven’t spoken since, though it doesn’t appear to be because Shiori isn’t interested (certainly not in THIS series, at least), but because she has no idea what to say or how to react, and also she’s a giant introvert. Luckily, she’s in a class with Hina and Seina, two of the visual novel’s heroines, and they can help give her perspective and also talk about their own experiences. As this year’s cultural festival comes up, Shiori finds the courage to tell Maki how she really feels. The festival also gives us an opportunity to have everyone else cameo, even the girls who had graduated (and the ghosts, though they’re reduced to sort of smiling down on the new lesbians from heaven, as one does).

The second half isn’t quite as gripping, though it isn’t actually bad or anything. Chiharu is also a new first-year, and she’s a fan of yuri pairs (boy, did she come to the right school). When she sees two upperclassmen try to get members for the quiz club, she’s enthralled… not by quizzes, but at the thought of what a cute couple they’d make. Joining the club, she finds a kindred spirit (see what I did there?) in Tokino, who is taller and more reserved but also a yuri fan. If this manga weren’t so light and fluffy, this would be a recipe for disaster. But it is light and fluffy, and so Chiharu and Tokino turn out to be correct, and resolve to help push their two sempais together… and possibly learn something more about their own relationship. There are fewer cameos here, so things lean more heavily on the new girls.

Both stories are cute and fluffy and not too deep, and filled with cute fluffy high school yuri. I do think that anyone who wants to read them should play the game first; it adds to the experience of knowing who all these people are. If you have played the game, you’ll definitely want to buy this.