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My Week in Manga: July 24-July 30, 2017

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My News and Reviews

Last week saw the beginning of the most recent manga giveaway here at Experiments in Manga. This time around I’m giving away a copy of Higasa Akai’s The Royal Tutor, Volume 1 which was recently released by Yen Press in print after having previously only been available digitally. The winner will be announced this coming Wednesday, so there’s still a little time left to enter for a chance to win; simply tell me a little about one of your favorite members of royalty from a manga. Otherwise, it was fairly quiet around here last week, although one of my many cousins got married so I did spend a long weekend in Pittsburgh with my parents and siblings. Pittsburgh’s a really interesting place and we had good time. I’m really glad I wasn’t the one driving, though; Pittsburgh’s roadways are intense!

Anyway. Elsewhere online, Japanese author Hiromi Kawakami was recently interviewed for the Huffington Post–”The Stories Behind Ordinary Lives and Things.” I definitely need to read more of Kawakami’s work, but I have reviewed her novel Manazuru in the past. She’s also a frequent contributor to the literary magazine Monkey Business which I enjoy a great deal. Udon Entertainment hasn’t made many public comments regarding the status of The Rose of Versailles, but Nick Rowe recently talked to the publisher and it sounds like the manga might finally be released sometime next year. If you didn’t make it to the San Diego Comic Con, Jamie Coville has posted audio recordings of many of the panels including Manga Superheroes: Super Differences Between Japan and US. Heidi MacDonald, Deb Aoki, and Brigid Alverson recorded a few more episodes of Three Women in a Hotel Room at SDCC, too, talking about all sorts of things related to comics, manga, and pop culture in North America.

Quick Takes

Don't Be Cruel: Plus+, Volume 1Don’t Be Cruel: Plus+, Volume 1 by Yonezou Nekota. I’ve been meaning to read Nekota’s boys’ love manga series Don’t Be Cruel, but I haven’t actually had the opportunity to yet. However, I did recently  find myself in the possession of the first volume of Don’t Be Cruel: Plus+, a manga which more or less collects the main series’ side stories along with some additional content. I’m sure that Plus+ would be more meaningful to someone has read Don’t Be Cruel proper, but I was pleasantly surprised by how accessible it was even though I haven’t. (It probably does help that I have read a fair amount of boys’ love in general, though.) I don’t know how much humor is in the main series, but Plus+ is definitely not attempting to be serious. The manga basically brings Nekota’s Don’t Be Cruel doujinshi together, and some of them are intentionally unrealistic and over-the-top ridiculous, including one in which the characters switch bodies. There’s also a fair amount of sex, too. The stories focus on the physical and emotional relationships that have developed between Maya and Nemugasa, two young men with vastly different personalities. Even though I haven’t read Don’t Be Cruel, I found myself consistently amused by the surprisingly sweet mix of silliness and smuttiness in Plus+.

Venus Wars, Volume 1The Venus Wars, Volume 1 by Yoshikazu Yasuhiko. Not very many of Yasuhiko’s manga have been released in English and of those only one Mobile Suit Gundam: The Origin is currently available in print. In Japan, The Venus Wars was four volumes long. One volume was released in English, but as far as I can tell, Dark Horse actually published about half of the series as individual floppy comic issues. The Venus Wars is similar in genre, tone, and illustration to Yasuhiko’s work on Gundam, but I didn’t find myself quite as engaged by it. (I may have felt differently if more had been translated.) However, I did really like the series’ setting and basic premise. After Venus is struck by an asteroid in 2003, the planet is so greatly changed that it becomes possible for humans to terraform and colonize it. By 2089, the two major powers on Venus–Ishtar and Aphrodia–are drawing closer to all-out war and Earth is far enough away that its government and military can do very little to effectively intervene. Ken Seno is a young man who has been scouted by an elite unit of the Aphrodia military. He eventually joins, although initially it seems that his decision is based less on of any sort of patriotic duty than it is on his interest in the powerful, high-tech battlebikes that will come along with his assignment.

Wolf Children: Ame & YukiWolf Children: Ame & Yuki by Yu. I haven’t actually seen Mamoru Hosoda’s film Wolf Children, so I have no idea how Yu’s adaptation compares with the original anime, but I can definitely say that I enjoyed the manga. Originally a three-volume series, Wolf Children has been collected into a single, hardcover omnibus for it’s English-language release. At its heart, Wolf Children is a lovely, bittersweet tale about love, family, and growing up. Hana is a young woman in college who becomes romantically involved with a man who is half-wolf. They eventually marry and have two children together who, like their father, can also transform into wolves. After he dies unexpectedly, Hana finds it more and more difficult to provide for and protect her daughter and son. In order to keep them and their secret safe, Hana ultimately moves the family to the secluded countryside where, for the first time, they truly become part of a community. Wolf Children is largely told by Yuki, the oldest of the two siblings, tracing both her family history and her and her brother Ame’s childhood. Over time, Yuki and Ame grow and change, their lives taking drastically different paths as they struggle with being part-wolf and part-human. But through everything, their mother Hana and her immense love for them is always there.

H. P. Lovecraft’s The Hound and Other Stories

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By Gou Tanabe. Released in Japan by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Dark Horse Comics. Translated by Zack Davisson.

This is the first in a series of Lovecraft adaptations that are still being done in the pages of Enterbrain’s oddball magazine Comic Beam, home of Emma, Thermae Romae, and other hard-to-classify series. The mangaka, Tanabe Gou, has specialized in adapting horror titles to the comics page, and just reading a few pages into this volume will show you that he knows his stuff. This volume collects three of Lovecraft’s more well-known short stories and turns them into fairly gripping horror manga, with plenty of the author’s tortured, overdone prose, but not so much that you want to stop reading (as I frequently do with Lovecraft). Thankfully, the nameless horrors in these particular stories also don’t feature Lovecraft’s awful brand of racism that has led fans to back away from him a bit in modern times. You can enjoy them for what they are: scary stuff with no reasonable explanation.

We begin with “The Temple”, which takes place in WWII – something which may puzzle readers, as the story was written in the 1920s. The ‘about the author’ at the end mentions that Tanabe moved the action up a few decades, and honestly it works even better that way – the original U-Boat Captain was so villainous he may as well have been a Nazi. they find the head of an old Grecian statue on a dead British soldier, and its presence gradually makes the crew of the U-Boat lose its sanity – not helped by the captain shooting “traitors”. Soon he ends up discovering Atlantis underwater, and where that statue really came from. In “The Hound”, two men who enjoy grave robbing for kicks find a jade amulet and take it back to England, where they are soon haunted by the ghastly beast that they may have killed at the gravesite. Finally, in “The Nameless City”, there’s only our narrator, exploring a city in Arabia that no one dares go near, and finding (all together now) eldritch horrors beyond his comprehension.

Honestly, the plot is pretty much irrelevant. What matters most here is mood, and Tanabe nails it, particularly in The Hound, which I found the best of the three stories. The sense of an encroaching doom that will engulf our characters (all male – women rarely if ever appear in a Lovecraft story) grows more and more with every turn of the page, and the few actual shots of violence are striking. Lovecraft stories are about the unseen, the imagined, and the unimaginable. Therefore a lot of adaptations risk becoming silly by showing said unshowable evil and having it not measure up. Tanabe has just the right amount of balance, as The Temple relies on its narrator’s own villainous depths, and The Hound is glimpsed mostly in shadow and corners. The Nameless City does draw a few monsters in detail, but its viewpoint is still firmly on the narrator (and the amazing vistas that he’s passing through).

Lovecraft is not for everyone, and I would not blame people from passing simply based on the name. But if you like horror and want to read something really creepy and offputting, this is an excellent adaptation. He’s done more of these – I think The Colour Out of Space was also adapted – and I hope it does well enough that we see more.

Kagerou Daze VII: From the Darkness

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By Jin (Shinzen no Teki-P) and Sidu. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Kevin Gifford.

Each volume in the series has competed to see who in the Mekakushi Dan has the worst childhood, and we may have a new winner with Kido, who gets the focus here. The book is divided into two parts that it goes back and forth between, like previous volumes in the series. The main story continues, with Shintaro, the Mekakushi-Dan and a newly revived Takane trying to find a way to stop Tateyama – or rather, whatever is behind Tateyama – and figure out how to stop this whole mess. This is interspersed with Kido’s childhood, being a child of an affair whose mother then dies several years later, causing her to be taken in by her rich father. Kido is an introverted self-hating mess, which honestly fits pretty well with what we’ve seen of present-day Kido, so the flashbacks work pretty well. Luckily, she also has a big stepsister looking out for her. Unluckily, this book is called “From the Darkness”.

Kido’s sections are the strongest in the book, doing a good job (despite the author’s self-deprecation in the afterword) of a realistic young girl resented by most people in the mansion, ignored by her father, and waiting to be abused by a sister that she’s sure hates her. But Rin does not, in fact, hate her, and after a series of painful to read but oh so accurate scenes of Kido wondering when the next blow is going to fall, she gradually begins to open up to the other girl and speak. Unfortunately, her dad is not merely cold and withdrawn, he’s rather unhinged, something which I wish was written in a slightly less abrupt way – the shortness of these books means that sometimes motivations get either left out or reduced to a villain monologue, and in this case it’s the later, as Kido’s father insanely expounds on why he went mad. After tragedy strikes, Kido finds herself in Azami’s realm, where Azami – rather startled to be meeting someone – realizes that Kido has one of her Eyes, and tries to explain as best she can. This section works much better.

Things don’t get much better in the main storyline, where we learn that you rarely gain a cool cyborg body without its creator having the ability to take the body over and turn it evil. Balanced against this is the reunion of Shintaro and Takane, who has to explain why she did what she did as Ene – which is fairly heartwarming – and why she ACTED like she did as Ene – which is the funniest part of the book. Unfortunately, while Shintaro’s plan to take out Tateyama is a good one, as I said, it reckons without one of the group being possessed. And so how we end the book with Shintaro dead, Kido dead, everyone else presumably about to die, and the realization that Book 8 not only may be the last but also isn’t out in Japan yet. This will have to satisfy Kagerou Daze fans for now, but I think it will do a fine job.

Also, will Seto ever get developed?

Princess Jellyfish, Vol. 5

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By Akiko Higashimura. Released in Japan in two separate volumes as “Kuragehime” by Kodansha, serialization ongoing in the magazine Kiss. Released in North America by Kodansha Comics. Translated by Sarah Alys Lindholm.

I realize that it is coincidence, but frequently the volume of Princess Jellyfish that I am reading is there to answer the questions and concerns I mentioned in my review of the previous volume. Last time I talked about wanting Kuranosuke to have to deal with consequences and be thrown off his game more, and I also mentioned the market for the jellyfish dresses being upscale and not for people like Tsukimi. Lo and behold, in this volume Kuranosuke is not only dealing with once again being told how hard it is to be a successful clothing maker in the world today, but also has to stand by and suck it up as Shu and Tsukimi get close enough to start dating, although given the two of them are still talking at cross-purposes a bit, I’m not sure if that’s going to be an endgame. And yeah, what fashion would Amars, the most unfashionable, wear?

Amars is actually pretty impressive here; for all that they may whine and complain a lot (especially Mayaya), they’re very much involved in both saving the apartment complex and getting the jellyfish brand out there. And the biggest worry of the book, how they will react when they hear that Tsukimi and Shu are going out, also turns out to less of a crisis than expected – Shu is, after all, the son of a politician and being groomed for greater things. Ergo, a political marriage would be a godsend for the rest of Amars. Of course, as a reader I’m not entirely convinced that Tsukimi would make a very good politician’s wife. As for the dresses, now that we’ve established the high-end dresses, we need cheaper stuff for the casual buyer. But what if the casual buyer is Amars? Would they wear this stuff? Not a chance. So.. what WOULD they willingly buy?

This volume features not one, not two, but THREE characters slowly realizing that they’ve fallen in love, each with different impact. Tsukimi is the most obvious, adn I’m still not sure it’s sunk in for her, or even if she grasps what it means going forward. The proposal certainly hasn’t sunk in. Inari, meanwhile, hears from Shu that he has a “fiancee” at the apartments, and is horrified not just at the idea that one of those girls (she doesn’t know which one) could have bewitched him but that it hurts her enough for her to realize that she has genuine feelings of love for Shu as well. As for Kuranosuke, I think he’s the furthest behind, as he’s not really admitting to himself at all how he really feels about Tsukimi even as he distances himself by saying he’s the “sorcerer” who placed a spell on her to make her a “princess”. Which is all very well and good, but sounds pretty cowardly to me.

They just announced the manga is wrapping up in Japan this fall, though we still have a few omnibuses to go to catch up. In the meantime, it gets better with each volume, and if you haven’t picked it up yet you should.

I Saved Too Many Girls And Caused The Apocalypse, Vol. 4

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

Life as a parody can be difficult, especially when it’s unclear whether you are a parody or not anymore. Little Apocalypse started off being pretty blatantly a parody of all of those harems with piles and piles of women, as well as titles where the male lead goes around “rescuing” the girl of the week (hi, Index). But as the volumes have gone on I think it’s safe to admit that sometimes it tends to forget this and just tries to be a straight up harem action novel. You can usually tell by the fact that the author is forgetting to include R’s sarcastic asides for dozens of pages at a time, and it’s R that reminds us that Rekka’s frustrating indecision and waffley-ness is not actually bad writing but a deliberate decision. That said, I would not blame those who hate indecisive male leads from dropping the series, though I do wonder why they started it in the first place.

We’re back to three girls on the cover, and the author brags in the afterword about having made it to double digits on the heroines. That said, one of the previous ones doesn’t even get mentioned, and a second is only mentioned in passing. As with Negima, all heroines are important but some heroines are more important than others. New heroines this time include Rosalind, the blonde loli vampire that you knew we were going to get sooner or later, and who serves as the main antagonist (though she’s also a heroine); Silver Slayer, a homunculus trained to destroy Rosalind who has been chasing her the last two hundred years or so; and Chelsea, a mage who is desperately searching for a way to save her dying little brother. Add to all this Hibiki (from Book 3), who actually brings Chelsea to Rekka; Lea (from Book 2), who’s there to provide some muscle; and the main three heroines from Book 1, who likely always will be the top heroines.

And then there’s Rekka, who continues to be the savvy-only-when-necessary male lead. As with most of these books, the first half drags quite a bit as we set up the pieces, and the second half is much better as the pieces all interlock and Rekka can deal with them all at the same time. When Rekka is fretting about having set up dates on Sunday with all the girls at the same time, the book sadly falls into the exact cliches it’s meant to be making fun of, and is not as interesting. (Also Christ, I hope he went to buy Harissa some clothes after this.) For a book that’s so low in page count, there’s a lot going on in each one – I didn’t mention the evil genie, or the Philosopher’s Stone. The author knows how to bring a situation to chaos and let it play out. He now needs to work harder on what to do when everything is at rest. Recommended for those who can tolerate a wishy-washy male lead, written by design. If you can’t, avoid this series with great avoid.

Manga the Week of 8/2/17

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SEAN: The Dog Days of August begin with a manga pile worthy of an entire dog show.

Cross Infinite World has been releasing some shoujo light novels digitally, something I had shamefully forgotten till now. They have a release next week of AkaOni: Contract with a Vampire.

ASH: Oh, shoujo! I’d forgotten as well. It’s great to see these being released.

SEAN: Fantagraphics has the 2nd and final Otherworld Barbara omnibus, and I really really want to get it. Sadly, I actually ordered it from Amazon rather than Diamond, and for once Diamond is ahead of the game here.

MICHELLE: Woot. Looking forward to this one.

ANNA: Can’t believe I missed the first one, well now I can get both!!!!

ASH: Likewise, I’m going to have to wait for my copy, but I’m always excited to read Hagio’s work.

SEAN: J-Novel Club will be releasing the 3rd How a Realist Hero Rebuilt the Kingdom. Take a shot for each mention of Machiavelli.

And we get our monthly Invaders of the Rokujouma?!, the 5th volume in that long series.

Kodansha Digital gives us a new Del Rey rescue with the 20th Alive.

Kodansha has a 22nd volume of Attack on Titan, which finally gives us a beach episode.

ASH: Hahaha! Does it really? I admit, I’ve fallen a bit behind in reading Attack on Titan.

SEAN: GTO: Paradise Lost has a 4th volume digitally.

As does suspense title Kasane.

There’s also 2nd volumes for new series Kounodori: Dr. Stork and Love’s Reach.

One Peace has two debuts hitting comic shops next week (and bookstores a bit later). I Hear the Sunspot (Hidamari ga Kikoeru) is from Printemps Shuppan, running in the mostly BL magazine Canna. This isn’t BL, and appears to be about a student with hearing loss. It seems interesting.

ASH: My copy of I Hear the Sunspot actually arrived early. I’m very curious about the manga and hope to read it soon.

ANNA: Huh, that does sound interesting.

SEAN: They also have a light novel debut, Mikagura School Suite. It seems to be a Battle School title, based on a series of Vocaloid songs.

Seven Seas has a 3rd Magical Girl Site, which despite its title is dark horror.

And there’s a 3rd There’s a Demon Lord on the Floor, which is comedy fanservice just as its title implies.

Udon has a 6th volume of Persona 3.

Vertical has a done-in-one manga debut. She and Her Cat is written by Makoto Shinkai, so expect a bittersweet ending, but it should be very good.

ASH: As many Shinkai manga are, I suppose.

MICHELLE: Of course I am entirely down for this.

ANNA: Done in one manga are certainly nice sometimes!

SEAN: And now it’s time for Viz. The 17th Assassination Classroom has the kids arguing about whether they should assassinate in the classroom, fittingly.

There’s a 4th Behind the Scenes!!, which I continue to be a bit lukewarm on.

And an 8th Black Clover, which will feel even more like Fairy Tail now that Fairy Tail has ended.

Bleach’s 3-in-1 release hits Book 20.

And Food Wars! has a 19th volume – will things continue to be ‘darkest just before the dawn’?

Haikyu!! continues its monthly release with its 14th volume. The Japanese release is around Vol. 27 or so, so we’ve a ways to go before we catch up.

MICHELLE: I’m eager for both Food Wars! and Haikyu!!.

ASH: I’m still loving this series, and loving that it’ll continue to be released monthly for a while yet.

ANNA: I clearly need to go on a big volleyball binge.

SEAN: JoJo’s Bizarre Adventure has another hardcover of its least impressive arc with a 4th Stardust Crusaders.

ANNA: I love these hardcovers and the insane action of JoJo’s.

SEAN: Rejoice! August means Kaze Hikaru, which may be only one volume a year but it tries harder!

MICHELLE: Yaaaaaaaaay!

ASH: I plan on picking it up!

ANNA: I LOVE IT SO MUCH!!!!!!!!

SEAN: Kuroko’s Basketball has its 13th/14th volumes out in this omnibus, which will involve the characters playing basketball.

MICHELLE: *snerk*

ANNA: I thought they were all pastry chefs!

SEAN: Maid-sama! has come to an end with this 9th omnibus. Will Misaka be able to kick ass and take names? And how much blushing will we have? (Answer: so much.)

MICHELLE: I’m looking forward to the finale.

SEAN: My Hero Academia is one of Jump’s biggest hits, containing a cast filled with characters everyone loves, and Mineta. The 9th volume ships next week. (Seriously, everyone hates Mineta.)

One Piece’s 83rd volume will continue to develop Sanji’s predicament and upcoming marriage.

Platinum End’s 3rd volume will be there for hardcore fans of this manga team.

So Cute It Hurts!! is almost over, as the 14th volume is the penultimate one.

Toriko is also almost over, though the 39th volume shows we have a few more to go.

Vampire Knight: Memories is the debut from Shojo Beat. It’s nice to see the author return to her most popular world, I guess, though I worry it’s because she wasn’t able to duplicate that success.

Yona of the Dawn’s 7th volume continues our PIRATES! theme, though I do not believe ninjas, zombies or robots feature.

ASH: I think I’m okay with that.

ANNA: I so enjoy Shojo Beat’s fantasy manga.

Yu-Gi-Oh! never quite ends, as this is the 11th 3-in-1 and we’re still not near the end.

Lastly, Yen Press has one straggler, as the third Twinkle Stars omnibus finally shuffles onto the scene, looking furtively at its shoes as it apologizes for being so late.

MICHELLE: <3

ASH: I quite taken with the first two omnibuses, so I’m glad the third is finally here!

ANNA: Maybe I will finally read the first two volumes that are stacked up on my to-read pile!

SEAN: Which of these titles dog your footsteps?

Kakegurui: Compulsive Gambler, Vol. 1

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Kakegurui: Compulsive Gambler resists easy labels, combining elements of a tournament manga, high school drama, and instructional comic. The plot focuses on Yumeko Jabami, a wealthy girl who transfers to Hyakkaou Private Academy, one of those only-in-manga institutions where the curriculum emphasizes poker and roulette instead of reading and writing. Although Jabami seems demure, her pleasant demeanor turns to maniacal resolve at the first mention of gambling. Within hours of arriving at Hyakkaou, she’s engaged in a high-stakes game of rock, paper, scissors with another student, betting ¥10,000,000 on the outcome. (When in Rome, I guess?)

To make the contest more exciting, author Homura Kawamoto adds a few novel rules, transforming a simple set of challenges into a complex game of chance involving cards, ballot boxes, and voting. He also raises the dramatic stakes by initially portraying Jabami as impulsive — even foolish — in her decision to stake ¥500,000 on a single face-off. By the end of the game, however, we realize just how cunning and observant Jabami really is, as she not only triumphs over her snotty opponent Saotome, but does so by figuring out how Saotome was cheating and using that information against her.

What really puts this chapter over the top is the artwork. Toru Naomura stages the contest like an extreme sporting event, using her entire bag of tricks to convey the contestants’ intense effort — sweatdrops, speedlines, split screens, sound effects — and mimicking the kind of camera work that ESPN trots out for the X Games. The fluid, inventive layouts are also key to making these betting matches come to life, artfully illustrating the rules of play without too much speechifying; even the most inexperienced Go Fish player could follow the game and calculate Jabami’s odds of winning. Naomura’s most effective gambit, however, is the way she draws Jabami’s face. When Jabami is playing her cards close to the vest, her eyes resemble dark, placid pools, but when she’s trouncing the competition, her eyes go supernova, turning into a set of concentric, fiery rings that mimic the line work in Saul Bass’ iconic Vertigo poster:

For all the swagger with which Jabami’s first match is staged, it’s clear that Kawamoto is more interested in the mechanics of gameplay than in the development of three-dimensional characters or the introduction of new plot twists. Each of the subsequent chapters follows the same basic pattern as the first, with Jabami besting her opponent after blowing the whistle on her for cheating. Then there’s the fanservice: Naomura never misses an opportunity to draw an extreme mammary close-up or a glimpse of underwear. And ugly underwear, I might add; Naomura’s artwork is solid, but her application of plaid screentone is so clumsy that it screams MacPaint.

Despite these shortcomings, volume one of Kakegurui is a fun, trashy read that has the good graces not to take itself too seriously. I’m not sure if the premise is strong enough to sustain my interest for more than a few volumes, as the series’ cast of schemers, cheaters, and sadists seem doomed to repeat the same patterns of behavior from chapter to chapter. I put my odds of continuing with Kakegurui at 3 to 1, but other readers may find the psychological combat between Jabami and her opponents enough to persevere through seven or ten installments.

KAKEGURUI: COMPULSIVE GAMBLER, VOL. 1 • STORY BY HOMURA KAWAMOTO, ART BY TORU NAOMURA • TRANSLATED BY MATTHEW ALBERTS • YEN PRESS • 240 pp. • RATING: OT, FOR OLDER TEENS (16+)

Love’s Reach, Vol. 1

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By Rin Mikimoto | Published digitally by Kodansha Comics

I am an enormous fan of Kodansha’s digital offerings, so it pains me to admit that I can’t find anything to recommend about Love’s Reach.

Sixteen-year-old Yuni Kururugi, a “genius ice queen,” excels in every subject except for English, which is taught by her 24-year-old, supposed-to-be temporary homeroom teacher, Haruka Sakurai. He’s flirty and unprofessional with his students, and though Kururugi likes the way he looks, she finds everything else about him unpleasant. When he calls her to his office after school one day, he creepily backs her against a wall and says, “Have you been getting answers wrong on purpose? Maybe you’re really just trying to get my attention.” The briefly gratifying fact that Kururugi smacks him and says, “Let me be perfectly clear. I hate you” is undercut by her reflections upon how cute he looks in that moment. Sakurai ends up requiring Kururugi to attend daily tutoring sessions and, inevitably, they fall in love.

This is one of those cases where, even setting aside the problematic student-teacher relationship aspect, I just don’t see why these characters like each other. Sakurai flip-flops between manipulative mind games and minimal acts of kindness (oh boy, he left her some patches for her sore ankle!), and allows other teenage girls to hang all over him. What’s to like about that jerk? For her part, although we are told several times that Kururugi is a genius, she sure doesn’t act like one. Some of her behavior might be excused as romantic inexperience, but not the fact that after insisting on a date with Sakurai, it never occurs to her that someone might see them out together until someone does. Eyeroll.

None of the relationship drama is interesting and by the halfway point, I was thinking, “When can this be over?” and that was before the predatory lesbian teacher showed up to blackmail the happy couple! Too, the art style is really weird. The space between a character’s eyebrows and the top of their head occupies as much space as their entire face!

So, to sum up. Weird art. Unlikeable characters. Inexplicable and icky romance. I won’t be continuing this series.

Love’s Reach is complete in ten volumes. One volume is available in English now and the second comes out next week.

Review copy provided by the publisher.

Generation Witch, Vol. 1

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By Uta Isaki. Released in Japan as “Gendai Majo Zukan” by Ichijinsha, serialized in the magazine Comic Rex. Released in North America by Seven Seas. Translated by Jill Morita. Adapted by Janet Houck.

It’s been nice to see the ‘slice of life’ genre move, to a certain extent, beyond ‘a bunch of female students living their everyday high school life’ in recent years. We’re seeing slice of life manga with actual twists, and one of the more current ones, fitting in with manga’s current obsession with anything supernatural, is “slice of witch life”. Flying Witch is an example of the ‘pure’ slice of life genre, with regular characters and an ongoing plot, but now we also have Generation Witch, which is more of an anthology series, each new chapter featuring a new witch and new issues. This works in the book’s favor, as it allows stories to have more resolution than they otherwise might have, and also lets the stories be a bit more depressing and dark than you’d sometimes see in slice of life.

The premise is that this is a modern-day Japan, but in a world where about 1% of the population have magical powers of some way, shape or form. The world, somewhat surprisingly, seems to have adapted to this very well, and witches are quite popular and cool. This first volume shows us a series of stories that are basically ‘what is life like around someone who can do magic?’ We start with a traditional witch (complete with broom), who’s also an overprotective older sister, trying her best to save her sibling from a guy who might be a new friend but in reality turns out to be just another pervert. The longest story in the book, taking up about half of it, involves a young man who was teased for his dreams of using magic as a kid (his powers matched an anime girl), and so is trying to live like a normal person. We all know how that ends, he runs into a very eccentric witch who wants him to join her club which helps find people’s lost things.

The last couple of stories take a much more serious turn, and show the dangers of magic powers. The first is a somewhat disturbing story of a young salaryman who goes home to his “daughter”, who turns out to be his childhood friend who he promised to marry as a kid. Sadly, she’s a witch who can’t control her powers, which means a) she can’t leave the house, and b) she won’t grow beyond a little girl. But he’s with her anyway, in a thankfully chaste way, and it’s a bit melancholy how he tries to assure himself that he’s been very lucky. The last story is let down by the fact that we can see where it’s going almost immediately, but shows us a young girl who can see the future and her budding relationship with her classmate, and ends in tragic fireworks.

This was pretty solid, if not groundbreaking. The idea of an anthology series about witches is a good one, and this also looks to be 5 volumes and done in Japan, which seems just about right. If you like witches and don’t mind that sometimes there aren’t happy endings, this is a good book to pick up.

Behind the Scenes, Vol. 4

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Behind the Scenes Volume 4 by Bisco Hatori

I thought the first few volumes of Behind the Scenes were ok but a little rough just due to the somewhat frantic pacing of character introductions and the episodic nature of the plot. I enjoyed the forth volume very much, because it gave me more insight into the background of many of the characters.

The volume opens with difficulties as everywhere Ranmaru goes he seems to be trailed by an eccentric group of people. It ends up being his family in town for a surprise visit. After seeing his lolita sister, his mother the former spy, and his father who is obsessed with social networking and western culture, it is easy to see why Ranmaru fits in so well with the extreme personalities in the art club at school. Ranmaru still has a tendency to look on the dark side of things, and isn’t fully able to interpret his family’s devotion as affection.

This shorter story is followed by a longer episode that showcases the art squad’s ability to get a job done at any cost, as Goda has to work with a director he’s clashed with in the past. The tension is made even worse when it turns out that the perfect location for the shoot is Goda’s childhood home, where his father is still in residence and passing judgement on his son’s chosen path. Becoming an art director is not very similar to Goda’s family tradition of the priesthood! Goda’s approach to finishing up the photo shoot demonstrated both compassion and sacrifice, so perhaps the two careers aren’t as misaligned as someone would think.

I’ve been wondering about Izumi’s breezy personality, and he finally gets some of his history filled in with this volume. The backdrop for this is the manga plot staple of a school festival, but Hatori’s spin on it is to show the art squad continuing to work behind the scenes to ensure that everyone else is a success. I found this volume so much more satisfying with the stories that focused a little bit more on character development than wacky antics. Hatori’s art is polished, and I’m enjoying the slight hints of steampunk illustration that she tucks in to the opening pages of each chapter.

Manga Giveaway: The Royal Tutor Giveaway

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It’s once again the final Wednesday of the month which means it’s once again time for the monthly manga giveaway here at Experiments in Manga! For this month’s giveaway, everyone participating will have a chance to win The Royal Tutor, Volume 1 by Higasa Akai as published in English by Yen Press. (The series started out as a digital-only release, so I was very happy when a print edition was announced, too.) As usual, the giveaway is open worldwide!

The Royal Tutor, Volume 1

While I have almost no interest whatsoever in the lives of contemporary royal or imperial families, I find that I actually do have a significant fondness for fictional stories, historical or otherwise, that deal with royal dynasties and their courts. Generally, what particularly captures my attention is the seemingly inevitable court intrigue–the intense relationships that develop between people and the resulting complicated, shifting web of power. Potentially, all of this drama can lead to a very serious story, but some manga like The Royal Tutor are also able to incorporate a fair amount of humor and levity into the narrative.

So, you may be wondering, how can you a copy The Royal Tutor, Volume 1?

1) In the comments below, tell me a little about one of your favorite members of royalty from a manga. (Don’t have a favorite? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s really all there is to it. Participants in the giveaway have one week to submit comments and can earn up to two entries. Comments can also be sent to me directly via email using the address phoenixterran(at)gmail(dot)com if needed or desired. I will then post those entries here in your name. The giveaway winner will be randomly selected and announced on August 2, 2017. Good luck, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: The Royal Tutor Giveaway Winner

Mixed Bathing in Another Dimension: The Ancient Seawater Baths

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By Nagaharu Hibihana and Masakage Hagiya. Released in Japan as “Isekai Konyoku Monogatari” by Overlap. Released in North America digitally by J-Novel Club. Translated by Sophie Guo.

Last time we had a large focus on the adventures of Haruno’s party; this time they’re absent (except to get mentioned in the cliffhanger) and the focus is solely on Touya and his party. To be honest, for the first half of the book I wished we’d cut away a couple of times – while fighting mutant hermit crabs and stopping scheming merchants at an auction is all very well and good, there’s no denying that the volume tends to meander for over half the book till it gets to the plot it came here for. One it does hit that plot, though, things pick up, and the second half works much better, and introduces us to a new girl, though she’s not new to Touya: it’s his sister Yukina, who passed away three years earlier back on Earth, now resurrected into this world as a demon girl.

Oh no, I hear you cry, a little sister character in a harem series. And you are correct to do so, though the narrative is very odd in that respect. The illustrator is certainly down with Yukina as a sexy young thing, and we see Touya blushing at her – in the illustrations. Likewise, the afterword has the author bragging about how he finally got the “not related by blood yet related by blood” sister into the harem (she’s resurrected as a demon, see, so technically no longer Touya’s blood relation). What’s pushing back against this is Touya himself, who in the narrative shows absolutely no sign of seeing Yukina as anything but a little sister, even when they’re bathing together. Obviously, this will likely change, but for the moment Touya and Yukina read like a normal (if overly close) pair of siblings. Though she does get to do the jealous “cling to his arm and stick out her tongue at a rival” pose. So there’s that.

Speaking of Yukina, sometimes in this series, despite the depth that the author gives to the backstory and concepts, I feel as if he’s writing it very linearly, and I ended up thinking that here; Yukina and her death should have been foreshadowed at least two books earlier, particularly as it gives an answer to “why doesn’t Touya really care about getting home?”. Elsewhere, the bath levels up again a few times. Sometimes it’s sensible – we finally have toilets (with bidets), and the tub is now big enough to fit Yukina in along with everyone else – and sometimes it’s just silly, like the sink tap that dispenses orange juice and udon broth, which just puzzled me. Touya is a little annoyed about the blessings of the Goddesses being “had a really nice bath”, but honestly, he does pretty well with that bath. Don’t be ungrateful.

In any case, they now have a submarine, courtesy a mad scientist, which may come in handy as the cliffhanger reveals that Haruno and her party are in trouble. The 5th volume just came out in Japan this month, so I’m not sure how fast we’ll see it here. But, sibling love aside, Mixed Bathing remains a nice, relaxing isekai with attention to character and narrative. One of J-Novel’s best current series.

Bookshelf Briefs 7/25/17

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Dreamin’ Sun, Vol. 2 | By Ichigo Takano | Seven Seas – First of all, I get what the author is trying to do with Zen, and yes I know there are guys like that in real life, but oh my God I want him OUT OUT OUT of this manga, he is making me very unhappy. Aside from that, this was a decent second volume, mostly focusing on Shimana’s burgeoning love, though there are signs of a larger plot, mostly involving Taiga, who remains the only adult in the room (which is sort of sad, given I’m sure we haven’t even begun to dig into his own issues). Shimana herself can be hard to take, but she grows on me as the book goes along. You can tell this came out before orange, which is stronger, but this is still quite a decent book. Only lose the moments of Zen. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 4 | By Tsunami Umino | Kodansha Comics (digital only) –Mikuri and Hiramasa make incremental progress toward genuine couplehood in this volume, particularly when Mikuri’s aunt gives them a voucher for a night’s stay at a swanky premium inn. I am always delighted to see that, beneath Hiramasa’s stoic exterior, there exists an inner spaz with the hots for Mikuri. At one point, it gets the better of him and he plants a smooch on her, which he’s then incapable of explaining. Meanwhile, Mikuri has realized that she loves him, but while he’s reining himself in lest he drive her away, she worries she’s just forcing her desires on him. After the kiss, there may be hope, but she’s just too scared to admit her feelings. In less capable hands, their failure to communicate and just get together already would be supremely frustrating, but somehow Umino provides just enough payoff to make it work. Looking forward to volume five! – Michelle Smith

Haikyu!!, Vol. 13 | By Haruichi Furudate | Viz Media – We’re still in the middle of the qualifiers, and our heroes are taking on a team that likes to have FUN when they play. I was honestly expecting them to get curbstomped, but this isn’t that kind of manga (or sport, really) and once again Karasuno has to work hard and try new things in order to break through and beat them. We see how other teams can try to use their own moves against them (though I doubt they’ll be trying Hinata’s wall-jumping anytime soon). Then we go up against a normal, good team who’s simply well-disciplined and OK in all aspects—as noted by everyone, a bad draw for the eccentric Karasuno students. Will they win? And how injured is Daichi? Excellent shonen sports. – Sean Gaffney

Honey So Sweet, Vol. 7 | By Amu Meguro | Viz Media – How much you enjoy this volume will, I believe, depend on how much you sympathize and see yourself in Miyabi, who has absolutely no idea what to do with the feelings she now has and is also filled with social anxiety, leading to several bad choices throughout this book. I felt bad for her despite her being aggressive about trying to steal Taiga, because we know she has no hope whatsoever. Meanwhile, Nao is noticing what Miyabi is doing but is repressing her own feelings, which fortunately she gets told quickly is the WRONG thing to do. What follows manages to be sweet and cute, even if it’s about a girl trying to break up an already established couple. Nothing is fluffier than this series. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 5 | By Natsuki Takaya | Yen Press – Sometimes it is hard not to read this series and see echoes of Fruits Basket in it, particularly in this volume, as Vergue is acting an awful lot like Kyo. Fortunately instead of Liselotte, his interaction is with Anna, who gets to show off more of her true self and browbeat him into thinking about his circumstances. It’s probably the scene I liked best in the volume. Liselotte is not having an easier time of it; she’s traumatized at seeing her brother at the festival she’s trying to quietly spy on, and she finally meets up with the Woglinde, who magically gives Liselotte back her hair but I have no doubt is likely going to be more of an antagonist than anything else. Save up, as we’re caught up with Japan, but still good. – Sean Gaffney

Nichijou: My Ordinary Life, Vol. 9 | By Keiichi Arawi | Vertical Comics – Again, so much of the humor in Nichijou is about things simply being strange and bizarre for their own sake—you may let out a laugh at the bizarre goings-on, but this is the type of manga to inspire headtilts and chuckles more than tears of laughter. We get a flashback to Yukko and Mai meeting Mio, who is starting at a new school and is not prepared for it to be as super weird as it is, and also flashforwards to the future, where the Professor is going to school, Nano is keeping house, and strangely Nakamura is living with them. Oh yes, and in separate chapters, Yukko and Mio almost die. If you love Nichijou, you’ll love this. If you don’t, well, you likely dropped it long ago. – Sean Gaffney

Princess Jellyfish, Vol. 5 | By Akiko Higashimura | Kodansha Comics – It’d been a while since I read any Princess Jellyfish and I’d kind of forgotten how wonderfully unique it is. I haven’t read a story where a bunch of otaku work so hard at a real-world challenge, but they’re really trying to make a go of this clothing line. Meanwhile, Kuranosuke, who’s been the voice of encouragement this far, is getting a dose of reality on the state of the apparel business. I also love how Tsukimi has begun to change (and even to date!) and that Jiji, too, is getting out into the world and rediscovering some practical skills. I hope this series ends happily, but I appreciate how much detail we’re getting on the complexities of what they’re attempting, even if it means success is unlikely. Very highly recommended. – Michelle Smith

The Water Dragon’s Bride, Vol. 2 | By Rei Toma | Viz Media – Not quite as disturbing as the first volume, but this is still a very dark and dramatic manga. We learn that Asahi is not the first person to have been spirited away to this world, and that the one she finds out about (a female doctor) never returned home and is buried there. Not the sort of thing you want to find out if you’re missing your mom and dad. As for the Water Dragon, he’s as annoyingly petulant as ever, making sure Asahi is not killed off, drowned, etc. but also treating her like an annoying pest, to the amusement of his fellow gods. I expect more romance in future books, as we end with the ever popular “10 years later,” showing us Asahi all grown up. Solid. – Sean Gaffney

A Certain Scientific Railgun, Vol. 12

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By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer, Adapted by Maggie Danger.

Warning: the first paragraph of this review, above the picture, is spoiler-free for the most part. After that I will not only be spoiling the volume itself, but also A Certain Magical Index 15, which comes out in May 2018 from Yen On. Most Index fans know this spoiler well, but for the casual readers among you who have only read Railgun, stop after the first paragraph. This is a solid Railgun volume, with thankfully little to no fanservice (Kuroko is absent, which helps). It’s a book of two halves, the first of which features Saten and Frenda meeting by chance and bonding over canned fish, then getting caught up in a nasty situation because Saten has once again been mistaken for something more than she is. The second half sets up a new arc as Mikoto and Misaki investigate a girl who is yet another Secret Project of Academy City’s endless array of mad scientists. Railgun readers should enjoy this.

OK, spoiler-free time is over. THIS BOOK HAS SO MANY DEAD PEOPLE. A lot of what Kamachi has been doing with Railgun (and unlike most spinoffs of popular light novels, you can tell he has a major hand in this series) has been to fill in the blanks between Index volumes where Touma wasn’t around, not just from Mikoto’s perspective but also others. He’s also taken a lot of the cast and expanded their roles immensely to give them depth, and no one’s a more obvious example of that than Frenda. We’ve seen Frenda multiple times through Railgun, first as a villain in part of the Railgun-only Sisters arc, then again in the Railgun anime ending helping Mikoto take out a Big Bad, and then various spotty cameos. Now she gets a big focus story as she works to help save Saten – despite the fact that she wonders why the hell she’s doing this – from the machinations of SCHOOL, a dark organization which is using Indian Poker for its own nefarious ends. Frenda really is likeable here, and when she and Saten text each other at the end, you smile, hoping she’ll turn up again.

But to the reader of Index Novel 15, which came out 8 years before these Railgun chapters, this is tragedy. Because Frenda dies, ripped in half as revenge for being “a traitor”. The “One Week Later” at the end of the arc, showing Saten texting Frenda and getting no response, and seeing Uiharu at her door instead, is horrible, and meant to be incredibly depressing. Also, note that Uiharu’s shoulder and arm are in a sling – I suppose I should be grateful that Railgun isn’t going to cover that as well, as that’s also an Index 15 thing. Oh yes, and SCHOOL will, with one exception, also be entirely dead by the end of Book 15 (and in one case, good riddance – my lip curled when I saw Kakine on the page). As I said, this volume is crawling with people who, in the main series, die horribly. It CAN be read without knowledge of those events, and is still quite good. But for those who know what happens next, the first half of this volume is very different. I definitely recommend coming back to it later on after you read Index 15.

My Week in Manga: July 17-July 23, 2017

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My News and Reviews

Although I’ve started to include Quick Takes of novels as part of the weekly My Week in Manga feature, it’s been a little while since I’ve actually written and in-depth review of a novel here at Experiments in Manga. However, last week featured my review of Tomoyuki Hoshino’s ME, one of my most anticipated literary releases of 2017. Much like the rest of Hoshino’s work available in translation, ME is challenging and can demand quite a bit from the reader, but I found it to be worth the effort. The novel is an incredibly surreal but thought-provoking exploration of identity, self, and society. Hoshino’s fiction definitely isn’t for everyone, but I hope to see even more of it translated in the future.

Last week there were also some manga-related licensing announcements made at the San Diego Comic Con. Among other things, Udon Entertainment has picked up Virginia Nitōhei’s manga adaptation of Otherwordly Izakaya “Nobu,” will be adding Romeo & Juliet, Adventures of Tom Sawyer, and Adventures of Huckleberry Fin to its Manga Classics line, and will be releasing Mega Man MasterMix, a full-color edition of Hitoshi Ariga’s Mega Man Megamix. Vertical Comics will be publishing Kinoko Natsume’s Chi’s Sweet Adventure, a spin-off of Konami Kanata’s Chi’s Sweet Home. And finally, Viz Media announced that it would be releasing Tsuyoshi Takaki’s Black Torch, Inio Asano’s Dead Dead Demon’s Dededededestruction (I’m definitely interested in this), Aka Akasaka’s Kaguya-sama: Love is War, and Koyoharu Gotouge’s Demon Slayer: Kimetsu no Yaiba.

Elsewhere online, a recent episode of the Manga Mavericks podcast provides an overview of the licensing news from Anime Expo in addition to digging into Kabi Nagata’s My Lesbian Experience in Loneliness and Gengoroh Tagame’s My Brother’s Husband. Over at The OASG, Krystallina expresses some valid concerns and criticisms of Digital Manga’s most recent crowdfunding efforts. And speaking of crowdfunding campaigns, there have been several less dubious projects that have caught my eye recently: Deer Woman is an anthology featuring comics created by Native and Indigenous woman which are inspired by traditional Deer Woman stories; Gothic Tales of Haunted Love is a collection of full-color gothic romance comics; and then of course there’s Sparkler Monthly Magazine: Year 5 which is particularly important to me. With every year that passes Sparkler Monthly just keeps getting better and better. I’ve featured a small selection of some of the magazine’s content before, but there’s so much more that I’ve never even mentioned here and it’s all great stuff. Please consider contributing to the campaign if you’re able!

Quick Takes

After Hours, Volume 1After Hours, Volume 1 by Yuhta Nishio. Recently there has been a notable surge of yuri and other lesbian-themed manga being released in English, mostly by Seven Seas, although other publishers have been licensing some as well. After Hours, for example, is the first yuri title from Viz Media if not ever at least in a very long time. That certainly caught my attention, but even more so was the fact that After Hours is not a schoolgirl manga and is instead about adult women (although the cover art does make Emi in particular look fairly young). Emi is invited out to a club by her friend but is generally left to fend for herself once she’s there. That’s when Kei more or less comes to her rescue. The two women hit it off and Emi ends up going home with Kei that night, one thing leading to another. It’s incredibly refreshing that Emi and Kei’s mutual attraction isn’t treated like an aberration or made out to be like it’s a big deal simply because they’re both women. After that first night their relationship continues to naturally develop, largely without angst, as they get to know each other better, Kei introducing Emi to her friends, the local music scene, and her passion as a DJ. The release of second volume of After Hours hasn’t been publicly announced yet, but there is no question that I’ll be picking it up; I absolutely loved the first volume and look forward to reading more.

Blindsprings, Volume 1Blindsprings, Volume 1 by Kadi Fedoruk. Sadly, I was unable to contribute to the Blindsprings Kickstarter campagin which raised funds to release the first print volume of the webcomic, so I was thrilled when I had the chance to pick up an early copy and chat a little with Fedoruk at this year’s Toronto Comic Arts Festival. In addition to first five chapters of the comic, the first volume also includes twenty-six pages of bonus content, artwork, and character profiles. Blindsprings is a beautifully illustrated, full-color comic with an engaging story, a diverse cast of characters, and an intriguing, complex, and well-developed world. (I especially appreciate how a variety of genders and sexualities are naturally and unobtrusively incorporated into the story.) Princess Tamaura is about to complete her 300-year agreement to serve the as an Orphic priestess for the sake of her sister, but her contract with the Spirits is broken when she is “rescued” against her will by a young man determined to prove a point. Tammy is torn from her sanctuary and thrust into a modern world in which Orphic traditions and their practitioners are harshly oppressed, the Academists and their magic now largely in control of what was her homeland. But there are still those who resist, and Tammy soon finds herself caught up in the conflict.

Tokyo Ghoul: PastTokyo Ghoul: Past written by Shin Towada Sui Ishida and illustrated by Sui Ishida. Viz Media doesn’t publish many novels outside of its Haikasoru imprint, but considering the popularity of Ishida’s Tokyo Ghoul manga series, it’s not too surprising that Towada’s trilogy of light novels were released as well. Although Past is Towada’s third Tokyo Ghoul novel (well, technically it’s more of a collection of vaguely-related short stories), the volume serves as a prequel to Tokyo Ghoul as a whole, the six chapters delving into the backstories of many of the Tokyo Ghoul‘s prominent characters. Despite taking place before the main series, Past is definitely not an introduction. It is intended for readers who are already invested in the franchise–a few of the stories don’t absolutely require prior knowledge in order to follow them, but others are nearly incomprehensible without at least some basic familiarity with Tokyo Ghoul. The general premise of Past is great, the volume allowing fans of Tokyo Ghoul the chance to spend more time with and gain a better understanding of some of the characters, especially as Past is able to tell stories that wouldn’t have immediately fit in the primary series. It’s unfortunate then that the actual writing is frustratingly awful much of the time with drama and angst frequently favored over plot developments that make logical sense.