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Manga the Week of 2/21/18

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SEAN: There are some tasty treats coming out next week, so let’s just jump right in.

Perhaps not tasty per se, but definitely interesting is Fukushima Devil Fish, which Breakdown Press is putting out. It’s by the late creator of Red Snow, and is subtitled “An Anti-Nuclear Manga”. I think it’s more of a collection rather than a story in itself. It doesn’t get more indie than this.

ASH: I’ve been waiting for this one for a while; I’m looking forward to finally getting my hands on it.

SEAN: J-Novel Club has the 2nd volume of isekai harem fantasy How NOT to Summon a Demon Lord, which is, well, good if you like isekai harem fantasy, and bad if you don’t.

There’s also a 3rd volume of Occultic;Nine, which I’m hoping will make a bit more sense and will try not to kill off the entire cast, though the barn door may already be open on that one.

Kodansha has only one print release this week, that being the 4th volume of That Time I got Reincarnated As a Slime.

They do, however, have a plethora of digital titles. We get All Out!! 5, Chihayafuru 9 (sooooo far behind), Cosplay Animal 4 (I need to finish 3, I enjoy this quirky, smutty series), Fuuka 16 (its end was recently announced). Hotaru’s Way 5, Kasane 10, and The Prince’s Black Poison 3 (as recently recommended by Japanese shoujo manga editors).

MICHELLE: I’m definitely down for All Out!! and Chihayafuru and really need to check out Hotaru’s Way, too. I confess The Prince’s Black Poison had looked like something I wouldn’t be keen on, but maybe I should give it another look.

ANNA: I’m soooo far behind with Chihayafuru too, but I love it.

SEAN: Seven Seas has a monstrous number of titles out next week. Let’s start with recurring volumes as we see Bloom Into You 4, Captain Harlock: Dimensional Voyage 3, the 5th print light novel of Grimgar of Fantasy and Ash, Lord Marskman and Vanadis 6, Magical Girl Spec-Ops Asuka 2, NTR: Netsuzou Trap 4, and Tales of Zestiria 4.

MICHELLE: I need to get caught up with Bloom Into You.

ASH: Bloom Into You for me, too. I’ll likely be picking up more Captain Harlock as well.

SEAN: Ending next week is Kase-san and, which has its 4th volume Kase-san and an Apron due out. I think it’s still having occasional online shorts, so there may be a 5th down the road, a la Orange, but this is it for now.

And there’s two debuts. The first is a classic example of current trends, with Giant Spider & Me: A Post-Apocalyptic Tale, which is, no lie, an adorable sweet slice of life story about a young girl and a giant spider after the apocalypse. There will be tea. Or at least espresso.

ASH: I just recently learned that food is a major part of this series, which of course bumped it up even higher on my list!

The second is a lot more retro. Some of you may remember Saint Seiya… pardon me, Knights of the Zodiac from way back in the Viz days. Now Seven Seas has Saint Seiya: Saintia Sho, a new series by the same writer with a different artist, featuring an all-female team. It runs in Champion Red, but I am not holding that against it. Should be interesting.

MICHELLE: Hmmm…

ANNA: I have a very similar reaction.

SEAN: Speaking of classics, Vertical is rescuing Voices of a Distant Star (from the creator of your name) and reprinting it with new translation. It’s complete in one volume, and it’s guaranteed to be bittersweet.

MICHELLE: I never did read this the first time.

ANNA: Me too! I’m curious about it.

SEAN: Viz has some more Gundam for us with a 6th Mobile Suit Gundam Thunderbolt.

And they also have a 3rd Tokyo Ghoul: re.

So, devil fish? Tea with spiders? Slime power fantasies? Or time-dilated romance? We cater to every taste.

Baccano!, Vol. 1

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There are two things you need to know before you read this review. First, I’m a ride-or-die Godfather II fan, the kind of person who’s obsessively watched Robert DeNiro’s performance as the young Don Corleone more times than I can count. Second, I am not a Light Novel Person, despite my repeated efforts to embrace the format.

I disclose this information because Baccano! is a manga adaptation of a light novel series set in Prohibition-era New York, where rival families — one from Sicily, one from Naples — run guns, booze, and card games. That meant there was a 50% chance I’d love this series, since the premise screams “Manga Godfather!”, and a 50% chance I’d hate Baccano!, since the manga was conceived as a tie-in product for the novels’ hardcore fans. What I didn’t expect, however, was just how inept the adaptation would be; I assumed that my objections would be to content or characterization, not a sloppy, hole-filled (holy?) narrative. Shinta Fujimoto’s storytelling, however, is serviceable at best and amateurish at worst, cramming too many events and characters into volume one. The result is a jumbled mess of introductions, reunions, and exposition masquerading as conversation; I spent as much time backtracking two or three pages as I did moving forward, relying on the Wikipedia to demystify poorly explained plot twists, not the least of which is that some characters are immortal. 

Superficially, the artwork seems more polished than the narrative, but a close examination reveals just how perfunctory Fujimoto and Katsumi Enami’s character designs really are. The Martillos and Gandors are so blandly drawn that nothing about them reveals about the characters’ ethnicity, social standing, or profession, let alone the time period in which the story unfolds. The same is true for the physical environment. A few establishing shots depict fire escapes and brick buildings, but Fujimoto seldom provides much in the way of period detail, nor does he convey just how densely settled Little Italy was in the 1920s.

His lazy world-building is most evident in chapters two and three, when Firo Prochainezo, a foot soldier in the Martillo Camorra, tracks an assassin through the tumult of the San Gennaro Festival in much the same fashion as Don Corleone pursues Don Fanucci in The Godfather II. In Coppola’s hands, these scenes are bursting with the activity of brass bands and puppeteers re-enacting San Gennaro’s martyrdom, a vibrant pageant of Sicilian Catholic tradition. In Fujimoto’s version, however, the festival looks about as exciting as a high school pep band rehearsal, with a few token shots of musicians and festival goers. Worse still, Fujimoto has difficulty making these scenes an organic part of the story, inserting them into a potentially suspenseful cat-and-mouse game that unfolds in the alleyways of … well, it’s supposed to be Little Italy, but honestly, it looks as much like Sesame Street as any real city.

About the best I can say for Baccano! is that it clocks in at a mere 160 pages; anything longer would seem as eternal as the characters themselves. I know I’m not the intended audience for this manga, but the series’ die-hard fans — those who read the novels and watched the anime — surely deserve a more artful tie-in than this disastro totale.

BACCANO!, VOL. 1 • ORIGINAL STORY BY RYOHGO NARITA, ART BY SHINTA FUJIMOTO, CHARACTER DESIGN BY KATSUMI ENAMI • TRANSLATION BY TAYLOR ENGEL • YEN PRESS • 160 pp. • RATED T, FOR TEEN (LANGUAGE, VIOLENCE)

The Combat Baker and Automaton Waitress, Vol. 2

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By SOW and Zaza. Released in Japan by HJ Bunko. Released in North America by Bookwalker. Translated by David Musto.

It took me a while to get into this volume of the series, but once the main plot got into gear it practically flew along. I felt uncomfortably like Sophia while reading this. She’s the soldier and childhood friend of Lud’s who wants him to return to the military rather than trying to atone for his crimes by baking bread in some town in the middle of nowhere. Lud, over the course of the book, realizes that’s not why he’s doing this, and that being a baker and seeing people happy *is* what he wants going forward. That said, I have to admit that the book really comes alive once the terrorists arrive and things turn a bit Die Hard. Lud may be a baker, but he is also an excellent soldier. That said, I was also pleased that a large amount of the saving the day fell to both Sophia and Sven, who have no need for Lud to come and rescue them.

The book starts off at the bakery but doesn’t stay there long, as fantasy not-Germany is trying to win over its conquered people and therefore is having a party on the not-Hindenburg, and they want Lud’s bread to be part of that. Of course, there are a few small problems. 1) Lud will have to give an interview, and his smile still terrifies people. Luckily, Sven takes over with help from some hair dye and glasses. 2) His former commanding officer/childhood friend is there as well, and she wants him to join the military again so he can be with her… um, I mean do what’s he was meant to do. 3) This is all a publicity stunt, so once Lud actually boards the airship he finds himself cruelly mocked and belittled. And of course 4) Terrorists have boarded the ship and are going to crash it into a major city, killing thousands. Add in Milly, the angry girl from the first book who now has a massive crush on Lud, and has stowed away, and you have a lot going on.

There is, of course, a bit of a harem here, but given Lud’s personality, nothing is really going to come of it. That said, I wonder how much of Lud’s obliviousness is genuine – there’s a clear moment here where he reveals he knows exactly who Sven really is, to her surprise, but it’s just as quickly forgotten. I suspect he’s trying to keep things as they are, which is always a dangerous thing to do in Japanese series – “I wish things could stay like this forever” is a classic death flag. The series also has some very interesting worldbuilding in regards to the supposed “peace” after the war, and how fragile that really is, especially if some of the soldiers who know nothing else are trying to stir up war again. I could have done without the dickhead terrorist stripping and threatening Sophia with rape, the go-to standard for “I want readers to see my villain is eeeeeeevil”, but at least she kneed him across the room and stepped on his goolies, rather than get rescued by Lud. Sophia can take care of herself.

I still wish I could change the font in Bookwalker’s app to a different one, but the translation seems much improved in Book 2. It also comes with a very short story about the world of the series. If you’re looking for a light novel that’s not quite the same as the “standard”, but still has enough tropes to be comfortable, this is an excellent series to read.

The Promised Neverland, Vol. 2

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

(As with Vol. 1, and likely going forward, these reviews spoil the volume in question. Because that’s exactly what reviews are for.)

After all the revelations of the last volume, I had expected this one to slow down, and it does a bit, but that does not mean there are not still jaw-dropping moments within. One of the strengths of this series is its ability to pull the rug out from under the reader and make them want to reread everything that’s gone before with the new information in mind. There’s also a wonderful depth of character, something which you do normally see in Jump series, but rarely this early on. A lot of this book comes from Norman’s POV, and shows off how clever he really is, a balance between the cool and logical Ray and the impulsive, naive Emma. In fact, Emma’s naivete is explicitly called out as her weakness. So it’s also wonderful to see that she hasn’t just been saying the most idealistic option without trying to think of ways to make it happen, including the best tag game ever.

Planning a mass breakout of thirty-five or so kids, most of whom are somewhere between four and six years old, is a tough job. Ray is right – it would be so much easier for only a few kids to escape. But Emma is even more right – they can’t escape and leave other innocent kids behind to get killed or eaten or whatever it is that the things outside are doing to them. The tag game is Emma’s way of toughening the kids physically and also forcing them to think on their feet and trust their impulses (which is Emma’s greatest strength). Of course, the game of tag does not only help develop the kids physically, but shows off more of Krone as a character, after she decides to join in in order to prove to herself that she’s the one who has the upper hand. Krone can be terrifying, but I found her a bit less discomfiting than last time, mostly as she’s gained added depth – her war with Mother to see who’s in charge going forward is chilling, as is her scene with Gilda.

And then there’s Ray, who pretty much steals the volume by design. I had expected the “who’s the traitor?” question to be spun out over a few more chapters, but if the reader thinks about it, the traitor has to be someone the reader is already very familiar with, which narrows the list of suspects exponentially. As for Ray himself, I have a sneaking suspicion that he’s going to be headed for a fall in a volume or two – being a double agent is just as difficult as it sounds, and something else is going to go wrong – possibly right away, if that cliffhanger involving the impulsive Don is anything to go by. I also loved the scene with Emma interrogating him – like Norman and Ray, the reader assumes her to be the “Luffy” of the group, an optimistic bright shining light who’s nevertheless a bit simple. But she’s as smart as they are, and her deduction of how he figured out the tracking devices is topped only by her chilling response.

I haven’t even gone into the artwork, which is wonderful, be it the detailed, almost Escher-esque backgrounds or the gloriously silly expressions on Emma’s face. For those who worried that The Promised Neverland couldn’t surpass its first volume, the second book should show you that it’s still a cut above. Highly recommended.

Bookshelf Briefs 2/12/18

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Ace of the Diamond, Vol. 8 | By Yuji Terajima | Kodansha Comics (digital only) – After a great deal of effort, Tanba shows himself to be in excellent shape for Koshien. This, plus the trust his teammates have in him, makes it even more devastating when he’s hit by a ball in a practice game right before the tournament begins, fracturing his jaw. He’ll be able to return by the quarter-finals, but meanwhile it’s up to the younger pitchers to keep things together until then. I’m a sucker for a good training montage, so enjoyed Chris drilling Furuya and Sawamura on their control and defensive fielding skills. The coach has some nice moments where he shows appreciation for both the team and the female managers, and it’s also satisfying to watch Seido crush their first-round opponents. In fact, this is quite a satisfying volume all around, aside from a couple of grammatical errors in the translation. – Michelle Smith

Gabriel Dropout, Vol. 2 | By Ukami |Yen Press – There’s very little actual forward plot here—the series runs on its gags, so mostly what changes is the situation. We see the girls going to the beach; the story of how Gabriel and Vignette first met; the absolute ludicrousness that is Satanya buying a gun (no, not a real gun); Halloween costumes; and the class president, who is 100% human and a bit horrified by the out-of-context dialogue between the class angel and devil. Of course, the question here is “does it work? Is it funny?”, and the answer is yes, this is still funny. Raphael and her trolling continues to be my favorite, though we do see she does have one weakness. If you like light fluffiness and laughs, this is an excellent series to pick up. – Sean Gaffney

I Hear the Sunspot: Theory of Happiness | By Yuki Fumino | One Peace Books – One of the debut manga from last year that left the greatest impression on me was the deceptively quiet I Hear the Sunspot, so I was very happy to discover that it had a sequel, Theory of Happiness, that would also be translated. While ostensibly a boys’ love manga, the beautifully nuanced, evolving relationship between the series’ two leads—Taichi and Kohei—is rarely at the forefront of the story. Even so, it remains an essential underlying component constant to both the narrative and its characters. Theory of Happiness also introduces Maya who, like Kohei, has partial hearing loss, but whose experiences and perspectives are uniquely her own. As was the case with the first volume, Theory of Happiness is an exceptionally lovely and thoughtful manga with marvelous characterization. Apparently there is at least one more volume in the series; I hope to see it released in English, too. – Ash Brown

Magi: The Labyrinth of Magic, Vol. 28 | By Shinobu Ohtaka | Viz Media – The war ended up being a bit of an anticlimax, mostly as we find out late in the volume that Harukyuu had a ringer from the start who was going to make the outcome obvious. I continue to wonder if Sinbad is going to end up being the major antagonist of the series, but I suspect that may have to wait till Alibaba’s return. Which isn’t happening just yet, though his chibi-doll form is certainly proving more mature than the petulant Judar. As for the war itself, I definitely enjoyed the character development for Kogyoku, who is forced to fight and kill in order to protect those closest to her and make sure they don’t lose themselves. It’s a big step forward for the former petulant princess. As for Aladdin… he’s still a bit lost. Great stuff. – Sean Gaffney

Murcielago, Vol. 5 | By Yoshimurakana | Yen Press – Kuroko may be the star of the series, and she’s very good at being clever and solving the problems the police give her, but she is an absolutely horrible, despicable person. The only reason we read this series is because her over-the-top horribleness is so hilarious—when she sets out to seduce the mother of the missing nine-year-old girl who’s been captured by a serial child killer, your jaw wants to drop but you can only laugh. I actually wondered why we never got a follow through on it, but given the volume starts with Kuroko in bed with the victim from volume four, I may simply have to wait patiently. This is not a series for the timid—the graphic child strangulation is as bad as it sounds—but oh my god, it’s fun if you have a certain twisted mindset. – Sean Gaffney

My Hero Academia, Vol. 11 | By Kohei Horikoshi | Viz Media – The grimness of this arc doesn’t let up—Bakugo is rescued, but the sacrifices are significant. I appreciated their teacher explaining that if they weren’t in a very unusual situation right now, he would have expelled the entire class except for those kidnapped and/or injured. Being a hero means following the rules—that’s why they aren’t vigilantes. (No, I haven’t read the side series yet.) We also get some home visits to the class’s parents, which range from hilarious (Bakugo) to dramatic (Izuku) to rather sweet (Kyoka). Next time we should get preparation for provisional hero licenses. In the meantime, enjoy the best thing about the volume, which I never mentioned: the epic All-Might fight in the first half. (OK, yes, and the new dorm chapters.) Top-drawer Jump. – Sean Gaffney

No Game No Life, Please!, Vol. 3 | By Kazuya Yuizaki and Yuu Kamiya | Yen Press -The laughable schedule of the NGNL novels, which have been delayed so often that people now simply roll their eyes, means that this third volume of the spinoff introduces characters from novels which aren’t out yet, and expects the reader to be familiar with them. That said, hardcore NGNL fans are famous for boycotting the Yen Press novels anyway, and are likely getting this solely for the laughs and the fanservice. There’s plenty of both, so they should feel at ease. We do see a bit of the point of this series, which is trying to give Izuna more experience. But for the most part it’s a goofy spinoff manga, not to be taken seriously and meant to be forgotten after it’s read. It does what it wants to. – Sean Gaffney

Orange Junk, Vol. 3 | By Heldrad | Chromatic Press – Oft described as a love letter to shoujo manga, Heldrad’s ongoing webcomic Orange Junk is a wonderfully energetic and addictive series. The third volume sees the conclusion of the male modeling competition which Bruce initially entered in an attempt to pay his mother’s hospital bills. Miles, the son of the man who financially ruined Louise’s family, unexpectedly turns out to be Bruce’s rival in the contest as well as in love. Louise, of course, remains rather oblivious to that particular fact; she hasn’t realized that Bruce has romantic feelings for her and the grudge she holds against Miles and his family overshadows most everything else. Orange Junk is intentionally ridiculous and melodramatic with explosive chemistry and surprising friendships among the increasingly large cast of strong personalities. While it isn’t exactly a parody, the series is most definitely a comedy, and a highly entertaining and legitimately funny one at that. – Ash Brown

Plum Crazy! Tales of a Tiger-Striped Cat, Vol. 4| By Natsumi Hoshino | Seven Seas – You’d think that I, a fervent cat lover, would adore Plum Crazy!, but sadly that is proving not to be the case. Maybe the problem is that I love cats for how they actually are, but that the cats in Plum Crazy! are given so much inner dialogue and human motivation that they hardly feel like cats anymore. They exchange Christmas gifts, for example, and there’s a running gag (I use the term loosely) where Plum is concerned about the environment. Occasionally there are some cat-like behaviors, like Plum getting stuck above the ceiling (this really happened to a cat of mine!) and Snowball’s search for a snuggly sleeping spot, but they’re just not enough to make up for the rest (and it bugs me that nobody tries to correct Snowball’s bad behavior). Alas, I think I might be dropping this series. – Michelle Smith

The Promised Neverland, Vol. 2 | By Kaiu Shirai and Posuka Demizu | VIZ Media – After a fantastic and surprising first volume, I have no excuse for being taken completely unawares by the big reveal in this volume, and yet I was. The nuanced way Norman managed to turn this information into an advantage was well handled, and boy, do I have sympathy for his position going forward. Meanwhile, a game of tag with Krone reveals it’s not impossible to get the jump on her, and the three leads decide to bring the next oldest pair (Don and Gilda) into the loop. The thing is… they don’t tell them the whole truth, and I’m sure this is going to come back to bite them, especially since Don is potentially about to discover it on his own by snooping in Mom’s secret room. What a cliffhanger! – Michelle Smith

Welcome to the Ballroom, Vol. 9 | By Tomo Takeuchi | Kodansha Comics – STILL no amazing breakthrough, though it’s hinted we may FINALLY see it next time. Instead we mercifully get a bit less of Tatara and Chinatsu torturing themselves and more perspective from the rest of the cast, who can’t take their eyes away from this train wreck. We also see the return of Chinatsu’s rival Akira, who gets a flashback which shows, unsurprisingly, that her attitude stems from a severe case of hero worship gone wrong. (It could also be read as sort of yuri if you want to, but I suspect that’s not what the author has in mind.) There’s also a lot of dramatic dancing here, with lots of the art that is probably the best reason to read this title. I’m still reading it, but mother of God, END THIS ARC! – Sean Gaffney

Val x Love, Vol. 1

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By Ryosuke Asakura. Released in Japan as “Ikusa x Koi” by Square Enix, serialization ongoing in their magazine Shonen Gangan. Released in North America by Yen Press. Translated by Ko Ransom.

In a way, I almost wish this had been worse. If it was completely bottom-feeling fanservice and nothing else, I could have smiled, nodded, said “Yeah, thought so”, and moved on. But there is the occasional flash, throughout this first volume, that it is going to gain greater depth and try to do something with the psychologies of its main characters, who have a lot of messed up things going on with them. You’d see it poking its head out… and then we’d paper over it with a monster fight which out of necessity seems to involve making out, or feeling up, or some other variety of fanservice that is literally dictated by whatever robotic-voiced rule machine seems to be in charge of the girls. It ends up feeling like you merely have to make the right level ups and the problems will be magically solved. And all the level ups involve stronger levels of “getting closer”. In other words, it’s not all that far from a mediocre ero game.

Our hero is Takuma, a young high schooler with a scary face. Nothing we haven’t seen before in Toradora!, or Haganai, or even Bleach. Except Val x Love takes it up to eleven, giving Takuma immense shark teeth and a huge body, making everyone absolutely terrified whenever he does something. Even worse, he’s somewhat socially inept – all he wants to do is study, so that he can make his dead mother proud. Unfortunately, he freezes up during tests so actually has horrible grades. The guy’s a wreck. And, not helping things, he is now living with eight other women (the ninth is absenting herself as she thinks he’s a loser), all of whom are valkyries sent by Odin to help save the world from demonic invasion. As I indicated abovel, they level up by completing various types of “love” tasks with Takuma – ‘so shopping while holding hands’, ‘be flirty’, and of course ‘feel bare breast for thirty seconds’. When this is achieved, they gain power and can take out the monsters.

There’s a lot that’s still unexplained about the sisters and their background, and most of them are barely sketched in here – I assume future volumes will take care of that. Natsuki is the lead heroine and obvious love interest, who’s a tsundere but competent, sort of in the Rin Tohsaka mode. The otehr featured girl is Itsuyo, who’s a bit more complex – her past as a cowardly girl and a lot of issues with her father have led her to have an outward “teasing oneesama” personality, but when it comes time to put up or shut up she’s freezing up just as badly as Takuma does. I was hoping this would lead to a nice sweet scene where they walk about their similarities and resolve to help each other become more confident. Instead, it leads to a kiss on the cheek and a quick monster elimination.

If you’re a young teen who wants monster fighting, cute girls, and the occasional bare breast (the series is rated M, likely more for that than any violent monster attacks), you’ll likely enjoy this. But it proved immensely frustrating for me in not going down more interesting roads. And given that the preview for the next volume featured the “oh no, I seem to have whipped cream all over my face and breasts” trope which is #1 on my Anti-Hit Parade, I think I will leave Val x Love for other valiant lovers to read.

Baccano!, Vol. 1

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By Ryohgo Narita, Shinta Fujimoto and Katsumi Enami. Released in Japan by Square Enix, serialized in their magazine Young Gangan. Released in North America by Yen Press. Translated by Taylor Engel.

For the most part, when you are reading the first volume in a series, you do not need to worry too much about spoilers. I can see a casual reader picking this up and thinking “Oh, this is an adaptation of the first light novel, I can read this instead.” And they’re… sort of correct – the 2nd and third volumes of this series will in fact be a pretty straightforward adaptation of the first light novel. However, this first volume serves as a prequel to the series, taking place 3 years prior. And it spoils the absolute heck out of some things. I’d recommend reading the first four books and watching the anime, really. If you’re already familiar with the series, though, this first book is a treat, especially for Firo fans, showing us a younger Firo more desperate to prove himself as his own man, but beset by his baby face and the fact that circumstances mean he has to try a bit harder. Luckily, he has his family. Well, families.

The main reason I gave that spoiler warning oin the first paragraph is because the manga also features Claire, showing off his acrobatics and his solipsism, at a point before he’s left Firo and the Gandors to set off on his own. Given that a large part of the second book revolves around who Claire Stanfield is, this will give it away. As for Firo, he’s perfectly characterized here. We see that he’s exceedingly observant and clever, but also easy to anger and filled with a desire to take care of everything by himself – which makes things far more dangerous for him here, in that he isn’t an immortal. The first chapter is entirely about this (and shows off Maiza’s dangerous side – folks who think of him as just an “accountant” may wind up dead), the rest of the book has anotehr plot about a seemingly immortal priest who’s going around killing people.

Narita excels at writing unpleasant people doing bad things and making you like them, and that’s the case here, as despite being mafia (or camorra, yes) gangsters, beating people up, killing them, and torturing them, you’re left with the feeling that the 1930s were a rollicking good time. There are other shoutouts as to events in the series proper – the villain behind the villain turns out to be very unsurprising provided you’ve read the first book, and there’s a substantially large role for Keith Gandor, possibly more substantial than he’s ever gotten in the actual novels. By the end of the book you’re ready for the adaptation proper, which begins in Vol. 2 but really begins with Isaac and Miria making their grand entrance at the end. There’s even a cameo by Carol at the end, for anime watchers.

If you’re new to the series and want to check out Baccano!, I do recommend this order: anime, then light novels, then this manga adaptation. If you’re a long time fan, though, this is a must buy.

Invaders of the Rokujouma!?, Vol. 9

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

There are many things that I greatly enjoy Rokujouma for, but it has to be said that surprises and plot twists are not one of them. This is not necessarily a bad thing, of course, but it does need to be said: if you’re reading Rokujouma and wondering what is going to happen next, “the most obvious thing” will be the correct answer. In this book we see Ruth getting an arranged marriage visit – given she’s the princess’s attendant and closest friend, she’s a bit of a hot commodity. We meet her theoretical fiancee, who is handsome, turned his father’s business around, donates to so many charities it’s ridiculous, and no doubt spends his spare time petting kittens. There is no reason to refuse this marriage except, of course for two things: 1) she’s in love with Koutarou, something that she finally accepts by the end of this book, and 2) he turns out to be… well, let’s save the gripping suspense for the next paragraph.

If you guessed “turns out to be secretly EVIL!”, congratulations, you can now write an anime series. In fact, not only is he secretly evil, but he turns out to look exactly like the sneering evil guy that Koutarou fought in the past in the previous mini-arc, something Koutarou lampshades. Actually, that arc is becoming the kick off for a lot of new plots – Koutarou is teaching Ruth sword fighting now because he wants her to fight like her ancestor did. More importantly, Ruth figures out the truth of what happened, that Koutarou is in fact the Blue Knight. She almost kneels before him in worship, to be honest, which made me a little uncomfortable, but given who Ruth is and the appearance of their biggest legend before her as the man she loves, it’s very much in character. Actually, given this book is almost all Ruth’s book, it’s pretty well characterized. Which isn’t surprising, as likeable characterization and development is the strongest point of this author.

As for the rest of the cast, it’s Valentine’s Day, and we are briefly reminded that Koutarou was supposed to, at the start of the series, be one of the “unpopular” guys that never got valentines. The very idea is laughable now, of course, so instead we’re treated to a comedic series of his love interests handing out chocolate one by one to an increasingly baffled Koutarou. Harumi is satisfied just saying it’s “obligation chocolate” when she knows it’s not. Theia gets the prize, however, as she says it’s definitely love chocolate, leaving Koutarou poleaxed. (She also implies that she’d be perfectly happy sharing Koutarou with Ruth, making me wonder if this is another series that’s going to have a harem ending of some sort.) The other girls also do well for themselves, apart from poor Yurika, who’s stuck in comedy relief mode this book, so is totally useless.

So now we have a new enemy, and I’m pretty sure he’ll be back, but probably not next book. Shizuka’s on the cover of this one, and of the main heroines she’s the least developed – in fact, is she a heroine? Perhaps she’s the best developed of the supporting roles. I wonder if she’ll get more focus next time. That said, the cliffhanger for this book implies Kiriha will get the bulk of the next one. Rokujouma remains a delight, even if it’s a very predictable delight.

Manga the Week of 2/14/18

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SEAN: Will you be my manga valentine? Well, it depends what’s coming out.

J-Novel Club gives us a 3rd volume of Clockwork Planet.

Kodansha has its usual pile of stuff. On the print end we have the 5th Aho-Girl, a 5th Descending Stories, an 8th Fire Force, and a 4th Love & Lies.

MICHELLE: I finally started Descending Stories and am really liking it so far!

ASH: I’m reading and enjoying Descending Stories, too! I also found the beginning of Love & Lies to be intriguing.

SEAN: For digital releases, there’s a 6th Grand Blue Dreaming, a 5th Kokkoku: Moment by Moment, a 3rd Lovesick Ellie, and a 6th Tsuredure Children.

MICHELLE: Alas, I have failed to start Kokkoku or Lovesick Ellie. One of these days.

SEAN: One Peace gives us a sequel to I Hear the Sunspot, subtitled Theory of Happiness.

ANNA: I really liked I Hear the Sunspot. Looking forward to this!

ASH: I Hear the Sunspot was wonderful and so is its sequel. I hope to see the next volume released in English, too!

MJ: This makes *me* really happy. In theory. (Sorry, I’ve definitely had too much coffee.)

SEAN: They also mercifully give us the 14th and final volume of Maria Holic. I thank them for rescuing the series and putting it out in full for its fans, of whom I am not one.

Seven Seas has a bevy of titles. There’s a 7th volume of Citrus, whose anime is currently airing; a 15th Haganai: I Don’t Have Many Friends, which may actually start trying to resolve things; Magical Girl Site 5; and the Testament of Sister New Devil STORM! 2, which needs to crossover with Akame Ga KILL!.

The debut next week is MaMaMa: Magical Director Mako-chan’s Magical Guidance, a one-off comedy manga from the creator of Monster Musume. Despite that, I plan to check it out.

SuBLime has three new volumes, as we see Awkward Silence 6, the 5th deluxe edition of Finder, and a 2nd volume of A Strange and Mystifying Story.

ASH: I’m still very happy that the license to A Strange and Mystifying Story was rescued.

MJ: Hm, I’ve been avoiding that title just on its premise, but an endorsement from Ash makes me think I should reconsider.

ASH: It admittedly has some questionable elements to it, but the series was starting to take some intriguing directions when it was initially left in limbo.

MICHELLE: I concur.

SEAN: Vertical has a 2nd omnibus of strange yet… no, just strange series Arakawa Under the Bridge, as well as an 11th Cardfight!! Vanguard.

ASH: Arakawa Under the Bridge is indeed very strange, and I love it for that fact.

SEAN: Viz has an 8th digital edition of The Children Nowadays, which one day I will find the time to check out.

And it’s Shonen Sunday time, which is #3 but tries harder, with a 31st Hayate the Combat Butler (still at twice per year) and a 28th Magi (mercifully still at 6 times a year). I look forward to both equally, I suspect the rest of the MB team is leaning towards the latter.

MICHELLE: Yep!

SEAN: So do any of these Valentine week releases make your kokoro go doki doki?

MICHELLE: *snerk*

Hayate the Combat Butler, Vol. 31

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

To the displeasure of a majority of Western fans, Nagi Sanzenin is the lead heroine in the Hayate the Combat Butler manga. And given that its hero is basically perfection in a butler costume, it makes sense that a large part of the plot development would involve forging Nagi to grow up and develop as a character. But Kenjiro Hata, the creator, knows two things: first of all, that he has to drag this out as long as possible so that the series can still run, and secondly, that people who have Nagi’s basic flaws and issues don’t change easily at all, and constantly fall back on the easy, the lazy, and the quickest way out. And, at the climax of the manga competition, that’s exactly what we see. Nagi is intelligent and can get things done, and her idea for SELLING is excellent, even though it objectifies Maria. But the point was CREATING, and there, Nagi fails. Again.

It’s telling that Nagi’s rival is Ruka, who is similar to her in many ways. They both have a thing that they are naturally excellent at, but all too easily fall into fannish habits: playing games, watching anime, and (in Nagi’s case) sleeping. But Ruka is seen here to buckle down and take Hina’s good advice, and her doujinshi (which Hata reproduces at the end of the volume) is short and cute. More importantly, it makes sense and attracts the reader’s eye, which nothing Nagi has ever created has done. Nagi does make a profit, but only after she gives in and allows Maria’s sexy candid photobook to be sold separately without her manga, which people are throwing in the garbage. (Maria has been reduced to a comedic character who gets humiliated for a while now, but this volume may take the cake.) The arc ends with Nagi saying next time we’ll do better, but… we’ve heard her say that before.

It’s very frustrating, and very true to life. That said, I suspect readers of Hayate the Combat Butler don’t really want true to life. Perhaps the new girl who is introduced near the end might help, but we know nothing about her. As for the other heroines in the book, mostly they stand to the side. Hina does a good jjob helping Ruka (and offers Izumi the same “hardcore” help later on, but Izumi’s drive to succeed is even lazier than Nagi’s). The other real subplot here is Wataru finally manning up and telling Isumi that he… loved her, as he seemingly is able to let go of his one-sided crush and move on. I’m not sure how I feel about Wataru and Saki as a couple, but you get the sense that the only thing preventing it from happening is the 20 volumes we have to go before the end.)

Hayate the Combat Butler is still funny, and enjoyable provided you don’t take the harem too seriously. I do not know of a single Hayate fan who does not take the harem too seriously, though, and that’s the rub. Still recommended for Hayate fans, though. You read the scans, now support the official release.

Outbreak Company, Vol. 2

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

Sometimes when you’re reading a novel, particularly if it’s a series, you find that it’s not paced exactly the way you want it to be. You’d really like the author to focus on the hints he dropped at the end of the last book, and he eventually does and it pays off quite nicely. But he’s content to wait around to do that, and instead meanders through various other plots that you don’t care about so much. Of course, the entire point of Outbreak Company is the enmeshing of the two plots, so you can’t say I shouldn’t have seen it coming. For all that I’m in this for the political intrigue and drama, Outbreak Company is about a man introducing a fantasy world to the wonders of otaku life. Manga, light novels, games… and the fandom wars that ensue when you have a bunch of people arguing about manga, light novels, and games. It’s certainly working out pretty well. In fact, it might be working out a bit TOO well, as Kanou realizes with a growing horror.

We do get a new character introduced in this book, a very bad spy who also turns out to be a very good artist. Elvia is a beast-girl, much to Kanou’s delight, and again what is thought in their own world to be a trait that inspires prejudice and hatred is looked on by our resident otaku as simply really cute. Throughout this book, Kanou is seen winning over everyone simply by virtue of being nice and not having pre-existing biases. He doesn’t look down on elves, dwarves, lizardmen, or beastgirls. The one flaw he has he shares with the rest of the Japanese forces, which is that he assumes that just because this country is based on “fantasy medieval kingdom” rules they’re a bunch of rubes. Instead, it’s Japan that ends up getting handed their asses, even when they try to threaten Kanou with the safety of his family near the end. These are not the brightest bulbs.

The main cast is excellent. Kanou may be an otaku, but his reasoning is very logical and thought out, and his solution to how to avoid having Japan simply steamroll over everyone is quite clever. Myucel is sweet and kind and helps Kanou when he’s at his lowest ebb, and also packs a mean magic punch. We get a bit more depth to Petralka, seeing why she’s so driven to succeed as the ruler and why her fuse is so short. She also gets possibly my favorite moment in the book, just by speaking a single sentence in Japanese. If there’s one drawback, it’s that, given this is written in Kanou’s first-person POV, Minori comes up a bit short. The author is at his most comfortable writing her as a BL fangirl – when he has to write her as a member of the JSDF, it works less well, and I wish we had a bit more of her own thoughts and feelings on this situation.

These are pretty short books – the anime dispensed with this one in a mere two episodes – but I think that works to their benefit, as otherwise I worry that the series would get bogged down in shout-outs to other anime and manga series and otaku trivia (which I understand the anime does). If you’re looking for a light, breezy read with more depth than you’d expect from its premise, Outbreak Company is a very good choice.

Bookshelf Briefs 2/5/18

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The Full-Time Wife Escapist, Vol. 9 | By Tsunami Umino | Kodansha Comics (digital only) – And so, The Full-Time Wife Escapist comes to a close. It’s a little disappointing that Mikuri and Hiramasa spend most of their time fine-tuning their living arrangements (divvying up chores, etc.) and not rejoicing in their love for each other, but they do get some nice moments near the end. I was way more interested in the Yuri/Kazami pairing anyway, and this finale did not leave me hanging in that regard (although I’d like to kick Kazami’s audaciously meddling coworker Igarashi to another planet). Even Numata gets a boyfriend, though it’s not quite “pair the spares,” since Mikuri’s friend remains single. She’s the one who speaks what I reckon might be the theme of the series: “There are all sorts of directions you can go in life, huh?” Indeed. This series has been a very enjoyable demonstration of that fact. – Michelle Smith

Giant Killing, Vol. 10 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – For the first time in three years, East Tokyo United has made it through the Japan Cup qualifier league. They face a challenge in their next regular match, though, since Murakoshi and Gino are sidelined (for reasons of penalty and injury, respectively) in the game against a team with a lot of talented young players. Tatsumi decides to field many of the older veterans in the match, but temporarily awards the captain’s armband to Tsubaki to help him build confidence. It’s your typical exciting soccer stuff, really, though I appreciate meeting another coach who cares a lot about seeing his players grow and Tatsumi’s curry party with the fans was nice, too. I’m starting to get a sense for more of the players on the team, and they’re starting to buy into Tatsumi’s vision. Perfectly executed sports manga! – Michelle Smith

Haikyu!!, Vol. 20 | By Haruichi Furudate | Viz Media – Here I am once again, trying to fill up a Bookshelf Brief with words that are more than “Well, that sure is volleyball” while also trying to convey that I am genuinely enjoying this series. We go from the fourth to the fifth set here, and it’s starting to take its toll on both teams, who are becoming rather exhausted. There’s more injuries to deal with too, as Tsukishima, already having achieved his character development, seems to break a pinky. But the most interesting part to me was the breaking of the “back and forth” scoring, as Karasuno runs up a big lead and then sees it vanish and they end up in a big hole. Haikyu!! makes volleyball seem exciting and I hope makes young kids want to play it. – Sean Gaffney

Kiss Me at the Stroke of Midnight, Vol. 3 | By Rin Mikimoto | Kodansha Comics – Still having fun, and I’d call this series ‘solid’ now. As the back cover makes clear, the faces continue to be a comedic highlight—the top of page sixteen is probably not as filthy as I thought it was, but it made me chuckle regardless. Much of this volume is devoted to a narcissistic member of Kaede’s old idol group, and his desire to seduce Hinana just so that he can rub it in Kaede’s face. This goes about as well as you’d expect, which is to say not at all. No, if there’s an upcoming serious danger, it may be more on the career front. I like how this manga is quite sexy without going into the sometimes sordid side that you see in some shoujo titles. Definitely a keeper by now. – Sean Gaffney

orange: future | By Ichigo Takano | Seven Seas – This sixth volume of orange features Suwa as the protagonist. The first part gives an accelerated version of his point-of-view of the original story and culminates in a “ten years in the future” moment that the future selves get to see in a shared dream. The rest of the volume shows how the future originally played out after Kakeru’s death, and how Suwa wooed Naho with some of the things Kakeru had said he wanted to do with her (thus using him and feeling like a scumbag for it) but managing to win her heart by being himself. It’s sweet, and though theirs is a different sort of love, it doesn’t feel unearned. I was happy that Takano-sensei has recaptured the same magical feeling; no need to worry that reading this will spoil your orange experience. – Michelle Smith

Red Colored Elegy | By Seiichi Hayashi | Drawn & Quarterly – Several volumes of Hayashi’s avant-garde manga have now been released in English, but the first and perhaps most immediately accessible was Red Colored Elegy, an influential work from the early 1970s which originally graced the pages of the alternative manga magazine Garo. The book has since gone out of print, but happily Red Colored Elegy will soon be re-released in a new edition accompanied by an extensive and incredibly illuminating essay by comics scholar Ryan Holmberg outlining the context and legacy of Hayashi and his manga. Red Colored Elegy is a stylistic and moody love story following the lives of Ichiro and Sachiko, two struggling young artists working in the animation industry, and the tumultuous relationship between them. It’s been a few years since I first encountered the manga, but even after multiple readings it remains a tremendous and beautifully crafted work with striking visuals and an emotionally resonant core. – Ash Brown

SP Baby, Vol. 2 | By Maki Enjoji | Viz Media – The author implies in the afterword that this series ended at only two volumes because of her pregnancy and subsequent childbirth, but honestly I suspect it wouldn’t have had a long life regardless. There was one section of the book I genuinely really liked, which had Tamaki reliving her traumatic past after an attempt of Kagetora’s life, which felt real and earned. Unfortunately, this is followed by such a manufactured climax that I had trouble realizing what actually happened before it was already resolved. At least we did have her realize she’s much rather kick ass as a bodyguard than stand around being a housewife. Still, in the end this is a bit of a damp squib. – Sean Gaffney

Toriko, Vol. 41 | By Mitsutoshi Shimabukuro | Viz Media – Still lots of fights, still very little food preparation, though they at least attempt to discuss how to prepare god. Sadly, I fear that in the end Toriko is far more influenced by battle manga than I’d like, and I miss the series’ early charm. Also, Komatsu is almost entirely absent from this book, and it shows. This despite the fact that we get what seems like every single cast member since volume one showing up to help in the final fight. (Tommyrod? Really?) If you like shounen GAR, there’s plenty to sink your teeth into here, with lots of “you fool, you underestimated me.” “No, you underestimated ME!” going on. As for me, still counting down to the end of this series that’s worn out its welcome. – Sean Gaffney

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 1

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America digitally by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

A lot of the transported/reincarnated to another world titles tend to follow the same series of events. If reincarnated, there’s sometimes a talk with and apology from God. Then the hero shows up at the standard vaguely medieval town, starts fighting fantasy monsters, and slowly amasses a group of young women around him. Oh, and is also ludicrously powerful. With this particular series, the hero is a heroine, but for the most part the exact same thing happens. The former Misato, killed rescuing a girl from being hit by a truck, is allowed by God to reincarnate in a fantasy world with magic and monsters and the like. That said, in her former life in modern Japan she was a talented, gifted girl good at anything… except making friends. And so she begs God to just make her an average girl in this new world. Hilariously, God has a ridiculously literal take on the word ‘average’. But that’s OK, as the heroine is just as ridiculous.

For the most part this story is a comedy, and the source of the comedy is Misato, who in this new world is first named Adele, and later takes on the name Mile. As she wanders through this new world like a bull in a china shop, you realize that even if God HAD made her an ordinary human she’d still have managed to stand out regardless. What she finds is that she’s average, not compared to the typical human, but average against everything in the world, including elder dragons. As such, she has super strength, super magic powers, and super reflexes. This horrifies her, and she spends most of the book trying desperately not to stand out. She is incredibly bad at this, to a ridiculous degree. Fortunately, she is a bit better at actually making friends this time around, first at the Academy for Slightly Lesser Nobles she is sent to, and then later on at the Hunter Academy when the series reboots itself.

The big flaw in the series, of course, is that it was originally a webnovel, and feels like it. As I said, about a third of the way through the book the author clearly decides that they have a better idea of what to do with their heroine, and so Misato/Adele ends up in a new country with a new name and at a new academy, but the situations she’s in are much the same – she even gets three other friends who seem wary/annoyed with her at first but quickly warm up to her after realizing that she’s less of a snooty genius and more of a hot mess. The reader may wonder why the first section wasn’t simply excised in editing. Once things do settle down, though, we get a number of fun, entertaining and funny scenes. Mile and her friends form a nice cohesive unit, and I like how she tries to teach them how to be more powerful by working the magical system this world has while also telling them it’s SUPER SECRET. And, of course, we see her being ridiculously overpowered, which is so ridiculous it turns out to be contagious.

The book tends to meander a bit, and anyone who gets annoyed by “OP heroes” should steer well clear. That said, I found reading this book an absolute hoot, and it was also nice to see a standard “other world” series where the focus is on a girl and her friendships and not possible romantic interests. The print book ships in June, and given that the second book is slated for August, I’m hoping we can read it digitally earlier than that. Also, what with this series, Walking My Second Path in Life, the upcoming I’ve Killed Slimes for 300 Years, and (sort of) So I’m a Spider, So What?, we’re finally getting a decent number of light novel heroines who are women. About time.

The Manga Guide to Microprocessors

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The Manga Guide to Microprocessors by Michio Shibuya,‎ Takashi Tonagi, and Office Sawa

I’ve always been interested in didactic manga, back to the time when Japan Inc (remember that?) was one of the few manga volumes available back in the late 80s. I’ve seen the No Starch Press booth from a distance at library conferences, but I haven’t tried out one of their manga guides before.

The Manga Guide to Microprocessors starts out with a framing story to ease the reader into an introduction to foundational computer science concepts. Ayumi is a champion shogi player who agrees to take on a computerized version of the game programmed by Yuu. She’s beaten by the machine and is determined to learn everything she can about computers so she can redeem herself. Crazy computer genius Yuu then starts taking Ayumi through everything she (and the reader) need to know about the guts and internal logic of computers.

One thing I appreciated about this book was the varied visual layouts for each chapter. There are several pages of story/manga as some foundational concepts are introduced, a few pages of text, broken up by small graphics and illustrations, and occasionally pages of text dialog between both characters as they explore different concepts together. There’s always something visually interesting to look at, which is important if you don’t naturally find discussions of floating point arithmetic super compelling. The illustrations are serviceable, without a whole lot of style, but fabulous art isn’t really the reason why anyone would read a book like this. Throughout the book Ayumi and Yuu gradually become more friendly, although their tendency to fight livens up the explanations.

Overall, I thought this was a good introduction to the subject, and I plan on checking out the Manga Guide to Statistics next, because I feel like I could use some basic knowledge of that topic.

Oresama Teacher, Vol. 23

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By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions.

Last time I reviewed Oresama teacher I thought that it might be wrapping up in 2-3 volumes. Well, perhaps I was being a bit hasty. The cover art has all the feel of a “Next stage!” sort of deal, and indeed we now begin the new year with a new bunch of first years and Mafuyu getting to be a sempai. The rest of the volume is also content to roll out new subplots, as we get not one but TWO new villains to contend with. That said, it is starting to feel a little overextended, especially given how monstrous this cast has become, and especially because, despite graduating last volume and moving on to college, Miyabi and Okegawa both end up coming back to help the Public Morals Club out. Which is probably for the best, because Mafuyu and company are finding themselves in over their heads, and Takaomi is not around to save them.

The main villain, as it turns out, is the next wave of Hanabusas. Miyabi’s sister Toko has surprised everyone by not going to school in Tokyo to be near him, but instead enrolling at Mafuyu’s school to… well, cause trouble, it seems. She’s not there to help her father, or so she says, but she’s certainly doing a good job of it anyway. That says, she does bring up a good point regarding why Miyabi went there, as he’s graduated with all the people he was trying to protect still there. Now, I suspect Miyabi feels that they’re strong enough to carry on without him, but they’re already going through withdrawal pangs. That said, Miyabi feels a lot like Momochi, there to be a potentially bad villain who will be converted by the power of Mafuyu’s shininess.

The other villain is less obvious, but I have a feeling will be a lot more trouble. Mafuyu and Hayasaka are rather surprised at first that Takaomi is NOT their homeroom teacher for their third year. In fact, he’s teaching the first years, including Toko… at first. Instead, the new third year homeroom teacher is Mr. Maki, who is seemingly nice but airheaded… but his airheadedness is actually destroying the public morals club twenty times faster than actually standing against it would do. With new attacks both direct and indirect, Mafuyu and Hayasaka have things looking bad for them right away.

Of course, it’s not all drama – this is still a series written by Izumi Tsubaki. There’s loads of laughs here to be found, particularly once you realize what actually happened to Takaomi. We also get Hayasaka’s unfortunate summer break, Yui once again breaking out the world’s worst ninja skills, and (as always) the entire conversation between Mafuyu and Okegawa. But there’s a lot more serious here than usual, the most we’ve seen since Hayasaka’s brainwashing, and I have a feeling that when Vol. 24 rolls around things are going to get worse before they get better. That said, for fans of Oresama Teacher this is still an essential volume.