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Manga the Week of 10/9/19

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SEAN: A relatively light week? Could be.

Denpa gives us the 5th volume of Inside Mari.

ASH: Still a compelling read.

SEAN: J-Novel Club has no debuts, but we get the 2nd and final Middle-Aged Businessman, Arise in Another World!. There’s also Crest of the Stars 3, which wraps up that “arc”, though stay tuned for more “of the Stars”.

On the manga front, J-Novel Club has Infinite Dendrogram 2 and How a Realist Hero Rebuilt the Kingdom 2.

Kodansha’s print lineup has the debut of Granblue Fantasy. Based on the game, this series runs in the obscure Cycomics, and should be fun for those who like fantasy manga.

ASH: Manga based on games can sometimes be hit-or-miss, but I’ve read some very good ones and I do like fantasy series…

SEAN: There’s also Boarding School Juliet 8 in print.

Digitally, it’s another Cells at Work! spinoff. Cells at Work and Friends, fittingly, runs in Betsufure (Bessatsu Friend), so is a shoujo take on the franchise. The plot involves a Killer T Cell who has an intimidating expression, and as a result… Doesn’t Have Many Friends. Where have I seen this plot before?

We also have new digital volumes of Farewell My Dear Cramer (3), The Knight Cartoonist and Her Orc Editor (3), My Pink Is Overflowing (4), Queen Bee (2), and Tokyo Revengers (12).

MICHELLE: I will at least be reading a couple of these.

SEAN: Seven Seas debuts How to Train Your Devil (Maou no Mama ni Narundayo!). which runs in Mag Garden’s Comic Blade. Our heroine is tasked with defeating the Demon King… but he’s a baby. She resolves to reform him… and promptly gets named his primary caregiver. Hijinks, as they say, ensue.

Not technically manga but of interest to fans is Roadqueen: Eternal Roadtrip to Love. This yuri comic was funded by donors, and is apparently really good. I can think of one Manga Bookshelf peep who will be all over this.

ASH: Is it me? Because I’m really looking forward to this one!

MJ: I am interested in this as well!

SEAN: We also get the 11th Grimgar of Fantasy and Ash in print, If It’s for My Daughter I’d Even Defeat a Demon Lord’s 4th manga volume, the 4th Mushoku Tensei novel digitally, and Plus-sized Elf 3.

SuBLime has an 8th volume of Don’t Be Cruel.

And Vertical gives us a 3rd Master Edition of Knights of Sidonia.

Viz has a good lineup for Week 2, aka the Shonen Sunday week. Case Closed 72, Komi Can’t Communicate 3, Sleepy Princess in the Demon Castle 9, and That Blue-Sky Feeling 3.

MICHELLE: It’s the final volume of That Blue Sky Feeling, as well, and I’ll definitely be picking that up.

ASH: That Blue Sky Feeling has been such a lovely series so far; I’m very glad it got an English-language release.

MJ: What they said.

ANNA: I need to catch up on this!

SEAN: Lastly, Yen On gives us a 2nd volume of better-than-it-sounds light novel Torture Princess. (The writing is better than it sounds. The plot is still as dark and torture-y as you’d expect.)

Anything leap out at you here?

Durarara!!, Vol. 13

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

And so, in the end, so much of DRRR!! turns out to be about love. First and foremost we have the love of Shinra and Celty, which is twisted (as Shinra cheerfully admits, saying he values his love for Celty over her own happiness) but also romantic, with Celty continuing to be the most tsundere Dullahan ever. She also saves the day about ten times over here, making sure that Mikado doesn’t kill himself, stopping the zombie Saika outbreak for a bit, etc. There’s also the love Anri has for Mikado, which is still in its nascent form but at least she can now admit to herself that love is what it is. Mikado’s feelings are a bit more vague, but he did save her from being stabbed (and was apparently in a coma for a month afterwards!), so that counts for something. There’s Seiji and Mika, who have Celty’s head keeping them together, even if their motives are totally in opposition. And then there’s Haruna and her teacher, who get one of the more horrifying but also satisfying twisted ends. Love is everywhere.

And yes, let’s also talk about Shizuo and Izaya. I think if you told canonical Izaya that he was in love with Shizuo he’d have something nasty to say to you, but it is striking how dedicated he is to proving that Shizuo is a “monster”. Izaya, who loves humanity as an abstract whole but can’t be attached in any way to individuals, pales in comparison to Shizuo, who gets TOO emotional when confr4onted with individuals, and needs to learn restraint, something Vorona helps teach him a bit. (Basically, he needs people to be a good example for.) I would not say Izaya is jealous of this per se, but I think he does not want Shizuo, whose body is almost indestructible and who can throw vending machines with one hand, to be a normal human. Moreover, while Izaya needs to have Shizuo as his nemesis, Hark a Vagrant style, I’m, pretty sure Shizuo would be happy to never see Izaya again. They’re both dark mirrors of each other.

This was one of the few LNs where I’d watched the anime before I read the book, and I was surprised that the epilogue made a few changes. Aoba sitting himself down in front of Anri and Masaomi at the hospital and being smug reads oddly, and you wonder why Masaomi doesn’t slug him. I think the anime wondered this as well, adding in a scene with Akabayashi threatening him to replace it and make it clear that this isn’t Aoba’s win. That said, the epilogue does seem to wrap everything up, at least as far as the current plot points are. The afterword mentions the sequel LN Durarara!! SH, but it’s not clear if that will be licensed here, and Narita’s current erratic writing schedule means it’s somewhat stalled at the moment. Fortunately, DRRR!! works as a contained unit here. Celty comes to terms with herself, Mikado realizes that being a villain is not what he wants to be, and they all live happily ever after. Except Izaya.

Hayate the Combat Butler, Vol. 34

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

The history of Hayate the Combat Butler is an interesting one. Very much a funny gag sort of story for the first 16 or so volumes, it attracted that sort of audience, and the first couple of anime were of that nature as well. Then came the Athena arc, which was really good, and set up a far more serious backstory for the manga, which attracted fans who really wanted to know about that story. And so the last ten to fifteen volumes have made an attempt to still be light-hearted gag comedy while throwing out the occasional plot bone to keep readers here for the plot satisfied. It… hasn’t really worked. This will reach its apex about two volumes from now, in the series’ most infamous chapter, but for the moment readers who want more about castles and coffins will be delighted to find there’s an extended section here where Hayate discovers a hidden room in the boarding house, with something very familiar inside.

It is notable that everyone involved in the discovery of the hidden room is not one of the “normal” cast members, if such a word can be used to describe people like Hinagiku or Nagi. It’s Hayate, Tama the tiger, the ghost priest, Alice, who still doesn’t remember her past but is there because of who she is, and Isumi, who reminds us that this is still a comedy even in the dramatic plot sections by making an absolutely ridiculous entrance through the wall of the building, knowing full well how awesome she will look. Sadly, she looks less awesome when up against the series’ new minor villain, whose name I’m not sure of yet but she does enjoy wearing her Gurren Lagann cosplay shades. This doesn’t answer many questions… well, OK, any questions, except who shade-wearing woman is working for… but it does remind you that this plot exists, and it weighs on Hayate’s mind.

Elsewhere,the boardinghouse continues to fill up, first by adding Ruka, who has “run away from home” because they’re trying to make her stop being a doujinshi artist and stick to pop idoling, as well as Ayumu, who literally has a mom and dad to live with but scrapes up the money to live in the boarding house for a month because she senses how big a threat Ruka is in the Hayate sweepstakes. (This leads to the best gag in the volume, where Hinagiku is stunned to find that she isn’t a threat – after all, if she can’t confess, what good is she?) We also get more of Ruka’s backstory, which matches Hayate and Hinagiku’s on the “bad parents” front (the bad parents are always in silhouette). And Nagi’s manga continues to be the series’ achilles’ heel, as her attempts to get better at it are bad and she still remains pretty annoying.

Still, overall this was a very good volume for the 5-6 people still buying this series, and if anything else we got to see Isumi performing feats even an olympic gymnast might have trouble with.

Suspension: Kubitsuri High School – The Nonsense User’s Disciple

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By NISIOISIN, illustrations by take. Released in Japan as “Kubitsuri Hai Sukūru: Zaregoto Tsukai no Deshi” by Kodansha. Released in North America by Vertical, Inc. Translated by Daniel Joseph.

(This review was based on a copy provided by the publisher.)

It’s been a long time coming, my friends. We got the first two books of Zaregoto back in the Del Rey days, and they did not sell well at all. But Nisio’s reputation grew, and the Monogatari novels did better, and then Zaregoto got an anime, not to mention the constant fan begging on Twitter, and here we are: the third in the Zaregoto series, a mere nine years later. Was it worth the wait? I think so. It’s not as good as the second book, but that’s a very high bar to clear. More to the point, while it’s still invested in lampooning the mystery genre, Nisioisin is not as concerned with the intricacies of the Whodunnit anymore. Which is good, as it’s pretty obvious early on who the killer is. Instead we get what the Zaregoto series does best, which is a book that looks at what it means to be a normal human told through the story of people who aren’t remotely normal.

Ii-chan is abducted… erm, invited by Jun Aikawa to help her with an escape. There’s a certain girls’ academy that has a student that would like to leave it. And so Ii-chan dons a girls’ school uniform and goes to meet this girl, Ichihime Yukariki. Of course, things do not go quite as easy as that, as Ii-chan quickly finds that the school seems to be training up assassins. Needing to get rescued from the rescue by Jun, the three of them try holing up in the office of the Director, only to find that there’s no escaping a pile of corpses that keeps getting larger. In the meantime, Ii-chan continues to entertain the reader by being his usual self, deflecting, prevaricating, omitting, and outright lying most of the time. The question is, how is he going to deal with it when he runs into someone who’s a little bit like him? No, not Zerozaki, someone else.

This is a slim book, the shortest in the series (there was apparently a contest, which Nisio used as an excuse to add an extra book to his contracted amount), and it’s also far more action-filled than the previous two. Which is to be expected given that Jun plays a much larger role here. It’s also got a lot more corpses than the previous two, though to be fair most of those are offscreen. The reason to get the book, though, is the dialogue and conversations between Ii-chan and the cast. He still avoids saying his name, but does give a few hints to one of the students which might help narrow it down for those who might know Japanese and also be good at math. And Ichihime is also a fascinating new addition to the cast. I’m not sure if she’ll show up again, but I suspect that Ii-chan inviting her to live in the apartment complex he currently does is some fairly unsubtle foreshadowing. I also really liked the other two students we met here, but sadly this is the last we’re going to see of them, unless Nisioisin does something weird like write them into a prequel in his Zerozaki side series. Lastly, Jun calls Ii-chan out on being a mystery protagonist – like Jessica Fletcher, wherever he goes, murders follow.

This does not have the psychological fascination of the second book, as I said earlier. It’s a quick hit-and-run. But it’s still a really good read, and I certainly hope that it does well enough that we get the 4th and 5th books (a 2-parter) before 2029.

Invaders of the Rokujouma!?, Vol. 23

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

As we are at a particularly dramatic point in the main storyline, clearly it is time for another short story collection that takes place before everyone went off into space. These stories all seem to take place at some vague point between Vols. 14-20, and once again three of them were serialized online and one is original for this book. You can probably guess that the best of the four is the exclusive one, and you’d be correct, but they’re all pretty decent, showing off these characters we’ve come to enjoy. The first story continues a theme of Harumi being rather annoyed at Koutarou treating her like the sweet, fragile girl, so she asks Kiriha for advice on how to be a “bad girl”. This goes about as well as you’d expect, as Harumi is as sweet as pie. Likewise, Clan is noted for her awkward tsundere attitude around Koutarou, and that’s not going to change either, even if she does start working out with him and Shizuka.

Elfaria gets the cover art for once, as well as the third story, where she explains why she looks so young (genetics, she’s an alien) and allows Yurika, Maki and Sanae to give her a makeover to make her look even younger, at least for a time. This also allows Koutarou to see Elfaria as she was when he first met her, which throws him for a loop – no doubt her intention. This all leads to the final story, where the class goes on a trip to… well, the text if careful not to say where they go, except they have to fly, but it’s not Kyoto. A rather lonely Harumi and Clan end up tagging along, but the big plot point of this story is another girl in the class, Shiori, who has known Koutarou since he was little, has made up her mind to confess to him. (His basic standoffishness is why she put it off for so long.) Suddenly the girls are all worried – sure, they’re all close to Koutarou, but will this girl pass them all?

The answer isn’t surprising (no), but the key point comes when Kiriha realizes what’s been bugging her about this whole situation: the girls are feeling jealous of Shiori, but not of each other. No one in the group resents anyone else for being in love with Koutarou. It’s important setup given that this ISN’T one of those fantasy isekai worlds where polygamy is legal to solve everything. Kenji also helps underline this point by telling Koutarou he has to buckle down and pick one of the girls to date formally, and Koutarou absolutely cannot so it as he can’t imagine living without any of them. The feeling of family has to come first – they all love each other, but “romantic love” is still down the road. The story also helps to remind everyone how much the girls – and Koutarou – have grown sine the start of the series.

So overall a good short-story collection. That said, I’ll be glad to be back in the main action with Vol. 24. Good thing it’s already out.

Accel World: Pull of the Dark Nebula

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

It goes without saying that Sword Art Online is just SLIGHTLY more popular than Accel World, by a factor of about 100. This despite the fact that I think that in general Accel World is the better written title, mostly as Kawahara learned form the mistakes he made in SAO. It serves him well in this 19th volume, which is, once again, almost entirely setup for the next big series of battles. The subtitle sounds ominous, but is actually suggestive of the larger plot: Kuroyukihime’s group is going to storm the White Legion territory, but there just aren’t that many of them. What’s more, Kuroyukihime herself needs to stay behind. What’s the answer? More allies. We already have the new snack-based trio that joined last time. And we have Niko and Pard. Perhaps Ash Roller. But is that enough? Can we get some former enemies on our side? What’s more, perhaps we can even… merge two legions? The author makes this sound pretty dramatic and exciting, which is good, because more than any other AW book to date, this is all conversations.

The former enemy is Magenta Scissor, which is not too much of a surprise. The surprise is who comes to fight/debate her into switching sides. It’s not Haruyuki, and I like that the cast has grown large enough that we can have scenes like this not need to feature him. Instead it’s Chocolat Puppeter, who engages in a water-based battle with her partner Avoacdo Avoider before getting to the core of Magenta’s cynical philosophy, much of which stems from her real life watching Avocado (who, it is hinted, has a learning disability in real life) get bullied by the other kids in the hospital they were both in. She also has a condition I’d never heard of, but (like everyone in Accel World) helps to explain her avatar in general. Again, a reminder that a good core of Brain Burst is based on childhood traumas.

The start of the book finishes up the conversation in the Castle, with Graphite Edge (who is feeling less like a Kirito gag and more like a takeoff on the typical blockhead shonen hero, though he’s smarter than that) divvying out information as slowly and obliquely as he can, but we do get an awful lot of plot and background details here that feel important. Accel World is, as far as I know, not ending anytime soon, but the pieces of what needs to be done before the ending are still in place. And, much like its parent series, we are also dealing with “NPC” characters who nevertheless pass every test of sentience out there. I’m not sure if Metatron’s fate will mirror Alice’s, but it’s plain to see what sort of things Kawahara was interested in and researching as he wrote this.

So this is a solid volume in the series. The 20th book sounds like it will begin the next “books of mostly fighting” arc, but I’ve been fooled by that before. Till hen, enjoy this book of mostly talking.

Dorohedoro, Vol. 23

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By Q Hayashida. Released in Japan by Shogakukan, serialized in the magazines Ikki, Hibana, and Monthly Shonen Sunday. Released in North America by Viz. Translated by AltJapan Co., Ltd. (Hiroko Yoda + Matt Alt).

I knew it had been a while since the last volume of Dorohedoro, but I did not realize that it had been a year and a half. It’s been a long journey – the manga started here in 2010, so almost ten years ago. And in Japan it’s been since 2002. This volume is packed – it’s 350 pages long, so essentially a double volume – trying to get everything resolved before the end of the series. As a climax, I think it’s very fitting. It is not without some last minute deaths (the Cross-Eyes, who have been the designated butt monkeys of this series, continue to fare badly) and is filled with lots of blood, gore and zombies, as you’d expect from Dorohedoro. But for the most part, this is as close to “and they all lived happy ever after” as you’re going to get from this story, and I was quite pleased. (It also stayed firmly on the side of “this is not about romance” – the three “couples” are together, but there’s nothing suggesting they aren’t just friends.)

I really can’t discuss this volume without discussing its major brilliant move. Caiman, for the most part, has been defined by his search for who is the head in his mouth – we now know – but also by his love of gyoza. This love has been far more than just a light coedy personality thing for some time now, but it’s in the final volume where it reaches its zenith. To stop the sorcerer-destroying monster, Caiman is made into a sorcerer, which gives him a magic rod that he can use how he sees fit. This ends up essentially turning him into Magical Gyoza Caiman, complete with a magical familiar gyoza, which we have, of course seen before. Together Caiman essentially functions in this final volume like Sailor Moon, going up against tthe big bad and the big bad’s final monster, and trying to rescue his friend, who has died. It’s Episodes 44-45. Except that Caiman actually survives.

Once this is taken care of and Nikaido is resurrected (she does not get much to do here, but her arc resolved before Caiman’s), it’s time for the epilogue. Well, actually, we do see Shin and Caiman join forces to defeat the monster right at the end, despite still having an understandable antipathy between each other. The epilogue shows Shin and Noi are still partners, Fujita is the only one who seems to think of honoring the dead, and that more than being a devil or being a sorcerer, Nikaido wants to run the Hungry Bug. Oh yes, and there’s Turkey, who offhandedly remarks that they apparently transitioned to a female for the past few years – something that En’s family notably doesn’t care about in the least, instead being more surprised that Turkey’s mask IS a turkey you can eat. I thought this was a terrific offhand character moment that fit right in.

And so we end Dorohedoro. Easily the most popular of the series that Viz debuted under the SigIkki imprint, I believe that its end means the end of that imprint as well, though I could be wrong. It was worth it. This was a badass, dark but hilarious journey from a woman manga creator filled with violence, nudity, friendships, tragedy, magic, and gyoza. I loved it.

Shojo & Tell: Moto Hagio Edition

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To celebrate the release of Moto Hagio’s The Poe Clan, Shojo & Tell host Ashley MacDonald invited me to join her for an in-depth conversation about three of my all-time favorite manga: A, A’, They Were Eleven, and A Drunken Dream and Other Stories. We mulled over plot developments, discussed problematic passages, and agreed that “Iguana Girl” may be the biggest tear-jerker in the Hagio canon. (Seriously–I can’t read it without getting the sniffles.) Ashley just posted the episode, which you can check out here:

For more insight into the manga that we discussed, I recommend the following essays and reviews from The Manga Critic vault:

I want to thank Ashley for the opportunity to chat about Hagio, and for doing such a terrific job of editing our conversation! If you’re not regularly following Shojo & Tell, I encourage you to check out the archive, as Ashley is a thoughtful host with a knack for choosing great manga and great guests. Recent contributors include Aisha Soleil and Rose Bridges discussing Bisco Hatori’s Ouran High School Host Club, Asher Sofman discussing CLAMP’s Tokyo Bablyon, and Manga Bookshelf’s own Anna Neatrour discussing Meca Tanaka’s The Young Master’s Revenge. Go, listen!

 

Our Last Crusade or the Rise of a New World, Vol. 1

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By Kei Sazane and Ao Nekonabe. Released in Japan as “Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

Let’s get this out of the way first: that is one awkward title, and it’s actually the much better choice, as when this was first announced by Yen the title was the even worse “The War Ends the World / Raises the World”. It’s trying to convey a certain apocalyptic mood, asking whether this book will feature the end of everything or the rebirth of something. This world has two power blocs fighting each other to the death. The Empire is a nation of science, with a mysterious council behind the scenes and battle-hardened swordsmen and engineers. The Sovereignty is a magic-dominated world, run by a royal family descended from their progenitor, and controls the very elements. They hate each other a whole lot. The Empire has just released its best swordsman, currently serving life in prison, to defeat the Sovereignty’s most powerful astral mage. He was a boy. She was a girl. Could I make it any more obvious?

If I was to be even more glib than I was in that last sentence (something I’m not sure is humanly possible), I’d say that this book is something like “Romeo and Juliet meets A Certain Magical Index”. Certainly Index fans will have a feeling of similarity with the magic and science sides of this particular world, especially given each have mysterious and possibly evil heads of state. Iska doesn’t quite have Touma’s bad luck, but the whole reason for his imprisonment seems to be that he saved an enemy mage (she didn’t have much power, and therefore he didn’t feel she deserved the treatment she got), which is very Touma. As for Aliceliese, there’s a good deal of Mikoto in her, particularly her tendency to get overemotional and upset when she keeps running into Iska coincidentally despite their being (supposedly) bitter enemies. Of course, they’re actually falling in love at first sight. Which, to be fair, is not much like Index, which will never given Touma romantic feelings.

This book is pretty solid, with some nice fight scenes, very amusing comedic romantic moments, and a reasonably-sized (for now) supporting cast. I will admit I did not immediately warm to Mismis, Iska’s commanding officer and “big sister”, mostly due to a very unfortunate interior illustration which can be described as “lol, huge boobs”, and I felt that her “empathic” skills that are apparently why everyone respects her should have been used a bit more often than the “ditzy klutz”. Speaking of the illustrator, they may be familiar to North American readers from Battle Divas, as well as the 2nd (of 3!) artists for The Magic in This Other World Is Too Far Behind!. Not a fan. Despite these flaws, though, I was intrigued enough to try more. It’s not as serious and dramatic as I’d have liked (for those who want that, give 86 a try), but if you want an “anime-style” action romance that for once does not seem to involve magic academies, this is a decent start.

Bookshelf Briefs 9/26/19

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Black Clover, Vol. 17 | By Yuki Tabata | Viz Media – As predicted, friends are fighting friends in this one, as a good deal of the cast have been Possessed By Elves. Not Asta, of course; he’s our hero. But Yuno seems to be affected… except he proves to be the only one with the mental strength to throw it off. I’d roll my eyes at this if it weren’t Black Clover, a series that runs on clichés. Speaking of which, remember that nun from chapter one? The one Asta is theoretically still in love with? She returns here as the villains go after the orphanage, allowing Asta and Yuno to return and show off how much they’ve grown. Black Clover loves to run on things we’ve seen before, but this volume may have had a bit TOO much of that, as it was unsurprising. But still fun. – Sean Gaffney

Daytime Shooting Star, Vol. 2 | By Mika Yamamori | Viz Media – I will admit, this series is going to live or die on how far it takes the teacher student romance—I don’t THINK it’s endgame, but as with most shoujo it’s hard to make sure. (Shonen romances are nice enough to telegraph the winner in the first chapter.) It’s well-crafted, and the author seems to be aware of the issues it involves, but we shall see. Till then, I do enjoy the kids hanging out with each other, particularly when Suzume manages to be so sleepy during a study break that Yuyuya’s mask slips off and she starts berating her in front of everyone—though the masochistic guys she then starts to attract are less welcome. I enjoy the sense of humor and characters in this, despite some issues. – Sean Gaffney

Daytime Shooting Star, Vol. 2 | By Mika Yamamori | VIZ Media – Daytime Shooting Star continues to be far better than it seems like it’s going to be, with a student-teacher romance at its core. The important factor, of course, is that Suzume’s love for Shishio is unrequited, though he does finally become aware of it at the end of this volume. One thing I really love is that there’s drama—Suzume has made friends with Yuyuka (who has a subplot of her own in which she slips up and shows her true belligerent self and gains some masochistic devotees as a result) and is attempting to shield her from the knowledge that the boy Yuyuka likes (Mamura) instead likes Suzume—but no cartoonish, over-the-top villains. There’s just complicated circumstances and likable characters and it’s all really great. I hope it doesn’t spoil it all by doing something stupid like hooking up Suzume and Shishio, at least while she’s still a student. – Michelle Smith

Emanon, Vol. 2: Emanon Wanderer, Part One | By Shinji Kajio and Kenji Tsurata | Dark Horse Comics – This is two large short stories continuing the story of a young woman who has memories going back to the dawn of time. We get a better understanding of what happens when she moves from mother to daughter, and what happens to the mother—it’s disturbing and a bit terrifying, no surprises there. The current Emanon also has a twin brother, something that’s never happened before, and their reunion is as awkward as you can imagine. As for the first story, boy howdy that is a lot of nudity. It’s absolutely gorgeous—the art alone is worth buying this for. But boy howdy, that is an AWFUL lot of nudity. Interested to see where this goes next. – Sean Gaffney

Golden Kamuy, Vol. 11 | By Satoru Noda | Viz Media – This volume gives us the Golden Kamuy equivalent of Bonnie and Clyde in two lovers, now reunited after he gets out of prison, who love to make love and also love to kill people. Naturally, they run afoul of the 7th Division, but the action sequences are absolute gold. Meanwhile, Sugimoto and company are running into a new outlaw running around defiling animals. Biblically. If you’re the sort to be bothered by a two-page spread of a man screwing a deer… well, you likely stopped reading Golden Kamuy long ago, but I feel I should give the warning anyway. It’s also sort of hilarious, like a lot of Golden Kamuy‘s grossest moments. Even for a series that runs on pure “what the hell?” this volume was pretty bonkers. – Sean Gaffney

The Ideal Sponger Life, Vol. 3 | By Tsunehiko Watanabe and Neko Hinotsuki | Seven Seas – Even when our lead couple have successfully coupled, there’s still intrigue. Zenjiro NOT taking a second lover is proving to be, you’ll pardon me, a royal pain, and his pretense (which is somewhat true) that he’s so gaga over Aura that he can’t even look at another woman will only take him so far. Worse, once Aura’s pregnancy gets out, it turns out that Zenjiro’s ancestors may actually ALSO be from this world, which means trouble if the two magical powers combine in their child. Fortunately, our hero is also really good at contractual language, something we rarely see in an isekai. I’ll be honest, this is a LOT more interesting than I was ever expecting. I want more. – Sean Gaffney

Queen Bee, Vol. 1 | By Shizuru Seino | Kodansha Comics (digital only) – I read Seino’s Girl Got Game back in the day, but truth be told, I didn’t like it very much. Queen Bee is definitely an improvement, though I continue to not love Seino-sensei’s approach to zany comedy. (I just think too hard about where random chainsaws came from, for example.) Anyway, the premise here is that Mihane Hirata is an aggressive girl with a scary face who’s in love with the class prince, Toma. He thinks she’s interesting and wants to get to know her, but doesn’t want her for a girlfriend. I didn’t like all the background characters who kept popping up to comment about how hideous Mihane is, but what I did like was both Mihane’s self-loathing and Toma’s insistence that she should just be herself. If this were longer, I might pass, but as it’s complete in three volumes, I will probably finish reading it. – Michelle Smith

Uzaki-chan Wants to Hang Out!, Vol. 1 | By Take| Seven Seas – Given the titular heroine, all puns intended, and the fact that the book literally has a raised cover so you can see her boobs stick out, you would think this would in fact be pretty lewd. It’s not. Aside from one or two accidental gropes and a brief shot of Uzaki in the shower, this is not a title about boobs. What is it? Well, picture Teasing Master Takagi-san if she were actually bad at it. Uzaki really likes her sempai and wants to hang out with him all the time. He finds her overeager personality and ludicrous breasts to be rather exhausting, but doesn’t dislike her per se, so they do in fact hang out a lot. Slice-of-life then occurs. If you like that sort of manga, and can tolerate the breasts, this is worth a look. – Sean Gaffney

The Way of the Househusband, Vol. 1 | By Kousuke Oono | Viz Media – One of the manga debuts that I was most looking forward to this year was The Way of the Househusband. The premise is simple enough—a legendary yakuza boss known as The Immortal Dragon has left the underworld behind and now lives a his life as a stay-at-home spouse—but Oono’s execution is brilliant. The intensity, fervor, and complete earnestness of this former yakuza in his approach to household chores, shopping, and all the rest is magnificent to behold. I would certainly be interested in learning more about The Immortal Dragon’s wife and the story behind them settling down into marital bliss, but even if that is never more than hinted at, I expect The Way of the Househusband will continue to be immensely satisfying and ridiculous in the best sort of ways. I was not at all disappointed by the first volume and am eagerly awaiting future installments. – Ash Brown

The Way of the Househusband, Vol. 1 | By Kousuke Oono | VIZ Media – Tatsu used to be a revered yakuza known as “The Immortal Dragon,” but now he’s given up that life to pursue happy domesticity. Seldom has a series won my heart so quickly. It actually wasn’t the “cozy yakuza comedy” aspect, though that offers plenty of amusing scenarios, from Tatsu thoroughly intimidating an unscrupulous door-to-door salesman to drafting rival thugs to help him at a bargain sale to taking cooking lessons with a bunch of ladies to exclaiming “hot damn” over a great deal on cabbage. No, it was the cat, curiously sauntering into the background to survey the goings-on. The kitty has the best reactions (and some bonus chapters of his own). Tatsu’s career-woman/otaku wife Miku is great, too, and I look forward to the story of how they met. This short volume goes by swiftly, but it is quite the treat. – Michelle Smith

Why Shouldn’t a Detestable Demon Lord Fall in Love? Vol. 1 | By Nekomata Nuko and teffish| Sol Press – This book is like just eating pure sugar from the bag. For once the demon lord is the one summoned to another world. He’s fine with that, as a) everyone hated and misunderstood him in his own world, and b) his summoner is a hot young woman raising two cute orphan children. He’s nice. She’s nice. The kids are nice. Even the tsundere kid is really nice. There is an evil lord and his evil assistant, and they are the standard “I have no redeeming features” brand of evil, but you get the sense they were put in by editorial decree. The author just likes writing sweet married life scenes. I don’t know whether this deserves more volumes, but it was pretty good. – Sean Gaffney

Witch Hat Atelier, Vol. 3 | By Kamome Shirahama | Kodansha Comics – It’s titles like these that make you realize the sorts of things Harry Potter didn’t do. After resolving the cliffhanger of the previous volume, Coco continues to learn how to be a witch, helped by a young man in a potions workshop who can’t see colors, which makes it hard to, well, tell potions apart, as absentminded folks don’t really label them well. He’s a smart cookie, though, and shows her a shortcut that might help save her mother. Meanwhile, a lot of forces are making things more difficult for her—both actual antagonists, giving her secret powerful ink, or her own teacher, who may be more of a smiling villain than anything else. One of the best new titles this year. – Sean Gaffney

Manga the Week of 10/2/19

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SEAN: Welcome to October. Here’s your giant pile of manga.

ASH: Huzzah!

SEAN: Cross Infinite World gives us a light novel adapting a visual novel. Root Double -Before Crime * After Days- √After is the first of (I believe) five books that delve into this story, which is apparently a variation on “we are trapped and people are dying”. And yes, that apparently is its real title.

J-Novel Club has a ludicrous amount of new releases. On the manga side, we debut Animeta! 1 in print, and also have the 2nd volume digitally. Also debuting (print and digital, I think) is Marginal Operation, a military thriller that runs in Kodansha’s Afternoon.

MICHELLE: Hooray for Animeta!.

ASH: Oh, that does look good!

SEAN: On the novel end, the digital debut is the highly awaited Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!. Despite the “Sexiled” in the title, this is apparently more a feminist (and also yuri) take on light novel fantasies, written after the Japanese medial school scandals showing they were fudging results to admit fewer women. I’ve seen bits quoted and it sounds fantastic.

ASH: I’ll admit, the quoted bits that I’ve seen make me want to give the entire book a read.

MJ: I read very few light novels, but I might have to at least *think* about this one.

SEAN: There are also print volumes for How NOT to Summon a Demon Lord (6), If It’s for My Daughter, I’d Even Defeat a Demon Lord (5), In Another World with My Smartphone (6), and The Magic in This Other World Is Too Far Behind! (5). Digitally, we also get a 7th Lazy Dungeon Master.

Kodansha’s one debut is digital this week, another sequel. Cells NOT at Work! runs in Shonen Sirius, and is about immature red blood cells who want to be NEETs.

MICHELLE: There’s at least one more of these spinoffs in the works, too.

SEAN: In print, we get Again!! 11 and The Heroic Legend of Arslan 11.

ASH: I’ve been enjoying Again!! immensely. I’ve sadly fallen behind with Arslan, but I’ve generally liked what I’ve read.

SEAN: And the usual pile digitally. Drifting Dragons 4, Goodbye I’m Being Reincarnated 3, My Sweet Girl 7, Smile Down the Runway 2, and The Tales of Genji: Dreams at Dusk 8.

Seven Seas has two debuts. Ghostly Things (Ayashi Kotogatari) is a Mag Garden title about a girl and a bunch of spirits. The Wize Wize Beasts of the Wizarding Wizdoms (Wizdoms no Kemonotachi) also deals with magical creatures, but runs in Akaneshinsha’s Opera, so my guess is it’s more on a BL tip.

MICHELLE: Wize Wize Beasts is by Nagabe, of The Girl from the Other Side fame! I’m really looking forward to it.

ASH: YES! YES IT IS! I’m very excited to get my hands on it.

MJ: I’m always into spirits, so I might check out Ghostly Things. But also, yes on Wize Wize Beasts.

SEAN: Vertical debuts the manga version of Bakemonogatari. It runs in Weekly Shonen Magazine, and is drawn by Oh Great!, the author of fanservice laden Tenjo Tenghe. Normally I might carp, but honestly he’s the perfect creator to give us Araragi’s teenage perversions as well as making monologues EXTRA dramatic.

Viz has one debut this week, and it’s a new josei title. An Incurable Case of Love (Koi wa Tsuzuku yo Doko Made mo) is another title from the pen of Maki Enjoji, author of Happy Marriage, and ran in Petit Comic. Expect her usual: male lead that’s standoffish at first, lots of bickering. This one’s a doctor-nurse variant.

ANNA: I am here for this.

ASH: Hooray for josei!

SEAN: Viz has a LOT of shonen out next week. Food Wars! 32, My Hero Academia 21, My Hero Academia Vigilantes 6, My Hero Academia: School Briefs 3, the One Piece Color Walk artbook that takes in Water Seven and surrounding arcs, The Promised Neverland 12, We Never Learn 6, and World Trigger 19.

MICHELLE: So much good stuff!

SEAN: On the shoujo side, we have Ao Haru Ride 7, Kaze Hikaru 27 (a couple months late, but still at its one volume a year pace!), Natsume’s Book of Friends 23, Takane & Hana 11, and Yona of the Dawn 20.

ANNA: Nice! I love Yona and I’m always happy for a new volume of Kaze Hikaru.

MICHELLE: I am literally reading every single one of those.

ASH: I’m reading most of them!

MJ: Even I am reading some of these!

SEAN: Lastly, Yen has a few September stragglers now coming out in early October. This includes the 13th and final volume of Durarara!!, the 20th A Certain Magical Index and the 8th Goblin Slayer on the light novel side, and Laid-Back Camp 7 and Sacrificial Princess and the King of Beasts 7 on the manga side.

ASH: I enjoyed the opening volumes of Sacrificial Princess and the King of Beasts; I should make a point to catch up.

SEAN: That’s a lot, and it’s a lot of debuts. What are you getting?

Ms. Koizumi Loves Ramen Noodles, Vol. 1

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By Naru Narumi. Released in Japan as “Ramen Daisuki Koizumi-san” by Takeshobo, serialization ongoing in the magazine Manga Life Storia. Released in North America by Dark Horse Comics. Translated by Ayumi Kato Blystone.

We have had so many food-related manga coming out over the past few years that it’s become somewhat hard to break away from the pack, especially given that there’s dungeon crawl foodie manga, isekai foodie manga, Fate/Stay Foodie, etc. When I picked up the first volume of this, I was uncertain what we would get besides a lot of loving descriptions of ramen. And we certainly do get those. The title is no lie, and Koizumi will happily ramble on and on about broth, sauces, ingredients, soft or hard noodles, etc. But the series actually does a good job balancing out the ramen with a real cast of characters. Koizumi is a recent transfer student, and another student, the hyperactive, overly affectionate Yu, wants to be friends with Koizumi. (And possibly more, yes, but if there’s yuri in this it’s really tiny.) The difficulty is that Koizumi loves ramen noodles but not much else. And also Yu pushes way too hard.

The plot, such as it is, involves various ramen places and Koizumi eating in them, while Yu attempts to get to be her friend and mostly fails miserably. There are two other girls in the cast, the popular but fragile Misa and the “class president”-esque Jun, both of whom amusingly seem to bond with Koizumi much better than Yu, who is simply trying too hard. The series is light-hearted so this isn’t too much of an issue, with Koizumi mostly being very cold about it. And it does throw Yu a bone towards the end, when Koizumi collapses due to a personal tragedy (the ramen shop is closed today), and Yu makes her special (and weird) homemade ramen. The chapter with Misa, where she eats spicy ramen with Koizumi to get over a breakup, is excellent (I was expecting her to fold when she first tasted the ramen, but no…) and Jun’s chapter will resonate with anyone who has terrible eyesight.

The other star of the manga is, of course, the ramen. I’m not a ramen student, so mostly just smiled and nodded when Koizumi went off on her long tangents explaining ramen’s styles and variations, but they do seem very informative. I was especially amused by the chapter where she managed to find ramen in a McDonald’s (it was in Hawaii), and by contrast once ate a burger and fries in a ramen shop. She’s not Chie-sensei, she can eat other things. The ramen and eating of such are also drawn nicely, giving the reader a healthy appetite, which is the goal. Given that the series is seven-plus volumes in Japan, I’m sure we haven’t even begun to get into all the ramen discussion we could be having, though I hope that it continues to balance things out with stories of the four lead girls.

Food manga enthusiasts, or those who like manga starring a bunch of cute high-school girls, should like this. Just… take it down a notch, Yu.

The Way of the Househusband, Vol. 1

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If you’ve seen Lillehammer or My Blue Heaven, you’ll immediately recognize the foundation on which The Way of the Househusband is built: a mafia don or hit man renounces his old life and joins the ranks of ordinary civilians working nine-to-five jobs, mowing lawns, and attending school plays. Predictably, the transition from whacking rivals to whacking weeds is a bumpy one, as the former criminal discovers that the skills he acquired in his old line of work haven’t fully equipped him for a more prosaic existence; seemingly benign interactions at the principal’s office or the post office are fraught with peril, as they’re guided by unfamiliar social codes. Then, too, there’s the specter of his old life—the possibility that a former associate might recognize him or seek him out for one last job.

The Way of the Househusband covers all of this well-spaded ground, earning its laughs by putting fresh twists on familiar scenarios. Its protagonist, the stone-faced Tatsu, is a former yakuza boss-cum-househusband who spends his days making elaborate bento boxes for his wife and scouring the grocery store for bargains. As is standard for this particular fish-out-of-water genre, Tatsu’s sangfroid is sorely tested by the minor annoyances of civilian life: a visit from the neighborhood association president, a trip to the mall.

When a knife salesman knocks on Tatsu’s door, for example, author Kousuke Oono teases the idea that his characters’ interactions might end in violence or a harrowing demonstration of Tatsu’s knife-wielding skills. Instead, Tatsu has an opportunity to show off his culinary prowess, winning over the understandably nervous salesman with his “patented hamburger steak plate.” The salesman’s rhapsodic expression and interior monologue put the gag over the top, as the salesman identifies the dish’s secret ingredient—“minced fish paste”—and muses that its flavor “takes me back to my hometown.”

Strong artwork is essential to selling a slapstick premise like Househusband’s, and for the most part, Oono succeeds. Oono’s characters have distinctive appearances that makes it easy to “read” their comic function–the suspicious neighbor, the former crime associate–but Oono never relies on this technique alone, often giving bit players an unexpected moment of steeliness or resourcefulness that nudges the joke in an unexpected direction. The salesman, for example, looks like a soft, middle-aged man, but turns out to be stronger, pushier, and more determined than his initial reaction to Tatsu might suggest, quickly recovering his composure after Tatsu answers the door wearing a bloody apron. (“I was just, uh, doin’ a little butcherin’,” Tatsu explains sheepishly.)

Appearance-wise, Oono does a great job of making Tatsu look utterly incongruous with his surroundings. With his pencil-thin mustache, scarred face, and aviator sunglasses–not to mention his black suit and tattoos–Tatsu cuts a striking figure in the supermarket and on the street. Oono invigorates this obvious sight gag by swathing Tatsu in housewife “drag,” outfitting him in a kerchief and apron emblazoned with a shiba inu to further emphasize just what a fish out of water Tatsu is. That same attention to detail extends to the way that Tatsu moves; Oono draws him like a human cobra whose sinewy, explosive movements strike terror into his enemies’–and his neighbors’–hearts.

Sheldon Drzka and Jennifer LeBlanc’s skillful adaptation of the script is the icing on the cake, giving every character a distinctive voice, and every exchange the pleasant zing of a good Saturday Night Live or Key & Peele sketch–no mean feat, given the cultural specificity of the jokes.

As good as the script and art are, however, I have a sneaking suspicion that Way of the Househusband might run out of gas after three or four volumes unless Oono pivots the storyline in a new direction–say, by introducing a baby into the picture, or revealing that Tatsu’s hard-charging wife has a secret past of her own. But for now, I’m happy to continue reading any series that pits a former yakuza boss against a Roomba and a frisky cat, or depicts a manly man going to extreme lengths to ensure that his wife has a tasty lunch. In the immortal words of Paris Hilton, that’s hawt. Recommended.

VIZ Media provided a review copy. Read a free preview here.

THE WAY OF THE HOUSEHUSBAND, VOL. 1 • STORY AND ART BY KOUSUKE OONO • TRANSLATION BY SHELDON DRZKA, ADAPTATION BY JENNIFER LEBLANC • VIZ MEDIA, LLC • 166 pp. • RATED T+, FOR OLDER TEENS (SUGGESTED VIOLENCE, YAKUZA JOKES)

Otherside Picnic, Vol. 1

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By Iori Miyazawa and shirakaba. Released in Japan by Hayakawa Publishing. Released in North America by J-Novel Club. Translated by Sean McCann.

This is the third in J-Novel Club’s line of “sci-fi yuri”, and it’s arguably the least sci-fi of the lot. In fact, I’d argue it’s more straight up horror with elements of folklore, though there are lots of explanations for what’s going on in scientific terms, and even a “works cited” at the end. As with the author’s previous book, Side-by-Side Dreamers, I think this book would be more for the horror fan than the yuri fan. That said, the relationship between the two leads is one of the main reasons to get the book. It’s told in first-person POV, and does a good job of sublimating its “I am attracted to this woman” vibe beneath a general “she is pretty while I am so plain” mindset. But it’s the plot that brings them together, as they’re relying on each other while exploring – and later, trapped – in another world which has very lethal dangers to both of them. The dangers are the reason I called the book horror – this book is TERRIFYING at times.

Sorawo is our main heroine and narrator. She presents herself as being your typical introvert with a normal past, which turns out to be mind-bogglingly far from reality, but we don’t find out about that till the end. She likes to explore abandoned areas, and one day found an entrance to another world. After a couple of brief minute-long explorations, she decides to investigate for real – and ends up about to drown in a marshland. She’s saved by Toriko, who appears to be Sorawo’s opposite, but again, appearances can be deceiving. She’s in this other world looking for her friend/mentor/crush, who disappeared a while back. They decide to team up and try to find her, and also learn more about this world and its monsters, which are seemingly based on Japanese urban legends… something Sorawo is very familiar with.

I will state here that there was one aspect of the book I wasn’t too fond of. The concept of the brilliant scientist/doctor/genius who looks like an elementary schoolgirl has been done to death in Japanese media, and I don’t think we needed it here. Honestly, Kozakura would have worked exactly the same without that aspect of her character, functioning as “mission control” and later brought in, much to her dismay, to the actual otherside world. It was hard not to think of her as Hakase from Nichijou. Other than that, though, this ended up being a ball to read, though I will state those who dislike horror imagery may want to give it a pass. There’s lots of images and phrasing designed to scare, and it works. Sorawo also grows greatly throughout the book, forced to examine her own personality and realize her shortcomings. Toriko doesn’t fare as well, as we get no POV of her, but the good news is that for once this is not the first and only book in the series, and there are two more to date. Which is good, as the book ends with everyone still trapped, and I’d like to see how/if they get out.

If you enjoyed Last and First Idol and Side-by-Side Dreamers, there’s no reason not to immediately get this book. For those new to the “genre”, I’d recommend it for thrills and great dialogue and imagery.

Restaurant to Another World, Vol. 3

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By Junpei Inuzuka and Katsumi Enami. Released in Japan as “Isekai Shokudou” by Shufunotomosha. Released in North America by Seven Seas. Translated by Elliot Ryouga. Adapted by Jude Wetherell.

We’re introduced to the third main cast member from the anime here. Kuro (who calls herself Black in her inner monologue, but they mean the same thing anyway) is an ancient legend now living, literally, on the moon because in her true form she causes people to drop dead around her. Fortunately, she can suppress it when she turns into an elf girl and can enter the restaurant, where she falls in love with the chicken curry and stays to become the restaurant’s second waitress. That said, much like the first two books, the staff don’t get much focus at all. The emphasis is on the diners – some old friends, some new – and the food they’re eating. We jump around a lot more here, sometimes confusingly (one chapter ends with an ancient warrior going to see his late lover, who seems to have the same name as our sweets-loving princess), but if you love reading about food, this remains the light novel for you.

Indeed, sometimes the novel seems to actively avoid any conflict at all. The first and second volumes had a few arguments (usually about food), but there’s none of that here, as they’ve learned to simply avoid the people they know would cause friction. It’s especially obvious with Kuro, who once has an ancient Elven priestess come for food and completely not notice her, despite mentioning her fearsome and terrifying past earlier in the book. It was a bit frustrating to me till the end, when it became apparent that – much like her power of “death” – Kuro seems to be making it so that she’s unnoticed by all but the strongest folks – and they’re not saying anything. She was asked by “Red” – the dragon we’ve seen earlier – to essentially be security for the restaurant in case someone tries to kidnap the owner and take him back to the other world. So far she’s done her job very well, but it can lead to a certain… I want something exciting to happen, dammit!

Till then, there’s just getting excited about the food. We get a few interesting variants here. Birthday Cake comes up to celebrate a child’s not-quite-coming-of-age-but-close-enough, and we see the Master preparing BBQ for a Japanese festival he’s participating in (we do not actually see the festival). The sake-steamed clams sounded amazing. And oh yes, right near the end as the legendary warrior is experiencing the wonder of croquettes, we find that the Master and his father (who we also see, as several of these chapters take place “in the past”) may not be as completely unrelated to the fantasy world as previously expected. I liked the idea, very appropriate for a book like this, that since the master was not able to use, say, magic or swordfighting in modern-day Japan, that he was taught how to be a marvelous chef instead. You pass down what you can to teach your children.

We’ve seen a plethora of food-related manga and novels recently, but this one remains in the top tier for both descriptions of delicious food and also giving you enough characterization and plot to keep coming back for more even though it’s still a bit thin. A yummy read.