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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Legend of the Galactic Heroes: Sunset

December 17, 2019 by Sean Gaffney

By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Matt Treyvaud.

And so the Legend of the Galactic Heroes comes to a close. (There are five volumes of short story collections also out in Japan, but they don’t seem essential to the narrative.) The story ends because the two sides finally come together and try to negotiate a compromise between Empire and Federation – Parliamentary Democracy, which is presented as the best of both worlds, mostly. But you could also argue that the series is ending as the author is running out of characters to kill off. This is a doom-laden book, with a bunch of the main cast given their final moments. Some go out fighting, like von Schönkopf and Merkatz, nobly in battle. Some die like villains, taking out swathes of others as they succumb to a brain tumor (Rubinsky). Some appear to die almost because the author forgot to kill them off and they were running out of pages, like von Oberstein. Hell, even von Oberstein’s DOG, the one thing that made him vaguely human, is dying. And then there is Reinhard.

I’m not really spoiling anything by talking about these deaths, as the book is still written like a history textbook from the future, so frequently talks about “this was the last time he would visit this planet”, etc. That said, you’d have to be reading the series with very narrow vision not to realize that Reinhard wasn’t going to make it to the end of it. Honestly, he hasn’t been the same since the death of Yang Wen-Li, and he knows it. What’s more, it may be his fatal flaw that finally kills him off. No, not the disease that he’s had for ages that finally gets a name but might as well be “Love Story disease”. Instead it’s his leaping off to battle against Julian’s forces one last time, despite knowing that he’s running a fever and choosing to hide it from everyone. The end of the war means peace, which means no more battles, which means that Reinhard is pretty much going to be out of his depth – something he admits at his deathbed, as he notes Hilda will be a much better leader as she’s the politician.

There are several cool space battles, including one where Julian and company essentially storm Reinhard’s ship as if it were a boat to try to get to him and negotiate, and another where we see Annerose, Reinhard’s sister, protect Hilda from terrorists (don’t worry, she doesn’t die). But for the most part the best moments are the speeches and dialogues, as with most of this series. A lot of the book discusses von Oberstein, whose methods continue to sacrifice the few to save the many, but in the worst, least honorable way possible, to the point where other Admirals try to punch him. He’s an unpleasant person but a great character, and I wish his death had more impact – perhaps the anime improves on this. Oh yes, and Julian and Katerose hook up, though her lack of presence in the final big scenes reminds me that LOGH tries to give us some good female representation but struggles at it.

I’m very happy that we were able to get the entire series out here in North America. It’s a classic, though admittedly more known here for the epic 80s anime, and worth reading to see how authors who aren’t Leiji Matsumoto handle a Wagnerian space opera sort of story, albeit one with a dry historical filter. A noble finale.

Filed Under: legend of the galactic heroes, REVIEWS

Our Dreams at Dusk: Shimanami Tasogare, Vol. 4

December 16, 2019 by Sean Gaffney

By Yuhki Kamatani. Released in Japan by Shogakukan, serialized in the magazine Hibana. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Ysabet MacFarlane.

After three volumes that are brilliantly written but also somewhat fraught and filled with frustration, it was wonderful to see how this final volume of Our Dreams at Dusk has so much acceptance in it. It’s in Tchaiko’s present, when he finds that the distance he’s been deliberately keeping between himself and his dying partner’s family doesn’t have to be that way. It’s in the past, where we get Someone-san’s feelings of wanting to be alone and “unlabeled”. And of course it’s in Daichi and Saki’s wedding, as Saki is accidentally outed to her parents and they both have to deal with the fallout… which is not as bad as initially feared. In the end even Misora is able to make peace with Tasuku after getting an apology, and then an apology for apologizing (which I really liked), and shows up at the wedding dressed to the nines. And, of course, there’s still the amazing artwork as well. It’s a conclusion that should satisfy almost everyone.

Tchaiko gets the majority of the focus in this volume. We learn about his partner, who’s dying an in a hospital, and see some of their life together, which looks wonderfully happy. Despite that, Tchaiko goes to visit him only when his family isn’t there, as he doesn’t want to insert himself into their lives – Seichiro has a son from a previous marriage (he had broken up with Tchaiko at that time) and they’re finally talking to each other again, so Tchaiko doesn’t want to get in the middle of that. But that’s not what Seichiro wants, and (as it turns out) not what his son wants either. Through Tchaiko, we also get a better handle on Someone-san, who (appropriately, as it turns out) has been around the periphery of this manga but never seemed to be a main cast member. In a flashback, she admits to Tchaiko and Seichiro that she’s asexual, but doesn’t want to be explaining that every minute of every day, which leads Seichiro to suggest she “wants to be no one, someone from who-knows-where”. It’s a great moment.

Speaking of Someone-san, I would be remiss if I didn’t talk about how far Tsubaki has come over the course of this manga. From being the remote object of Tasuku’s attraction to a somewhat uncomfortable participant in Cat Clutter’s world, he’s also the one able to point out crucial insights, such as when Someone-san makes cafe au lait for the group, and they’re all startled to see her getting involved. Tsubaki points out that she’s still a human being, a label that is both correct and as broad as possible. This leads to Tasuku inviting her to Daichi and Saki’s wedding despite knowing she won’t be there, and saying that her being someone is enough for him – and so is the distance, which doesn’t have to be less OR more. As for Tsubaki, at the end of the book he feels far more comfortable being Tasuku’s friend, and Tasuku’s acceptance by others and acceptance of himself has led him to grow enormously as well.

The book ends with a death and a wedding (and I didn’t even get into the reaction of Saki’s dad, which once again plays into “I know intellectually what my reaction should be, but it’s much harder when it’s my daughter we’re talking about”, but is really heartwarming), and it feels an appropriate place for the story to stop. It was an incredible journey, and this may be my choice for the manga title of 2019. Everyone who loves manga should be reading it.

Filed Under: our dreams at dusk, REVIEWS

Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!, Vol. 2

December 15, 2019 by Sean Gaffney

By Ameko Kaeruda and Kazutomo Miya. Released in Japan as “Onna dakara, to Party wo Tsuihou Sareta no de Densetsu no Majo to Saikyou Tag wo Kumimashita” by Overlap Novels. Released in North America digitally by J-Novel Club. Translated by Molly Lee.

As we start the second volume of Sexiled, things are looking good for Tanya and company. They’re celebrities now, heralded by the women in the city for what they did. They’re now guiding other parties to grow and learn. But, of course, there’s still the inherent sexism of everyday life. Some of the parties they’re guiding just want to show off in front of them. Sexual assault is framed as “she was asking for it by wearing that outfit.” Promises of marriage are extorted by drugging a girl. Even fashion is against them, as Tanya is told that only men can wear swords at the palace ball… even though Tanya is there as a bodyguard. And then of course there is Laplace’s behavior, as lately she’s seem distracted or even depressed at times. Why was she sealed up in the first place? And is is possible for her to also get revenge?

As with the first book, the writing here reminds you of the sort of thing that women deal with every day. The first half is filled with frustrating assumptions and casual misogyny that makes our heroine’s brains burn. Katherine, the fox-sorceress who was a minor antagonist in the first book, has joined Lilium, and she proves to be an excellent addition to the party, gaining confidence, inventing popcorn chicken, and also helping save the day so that things don’t have to end with a lot more deaths. Because the back half of this book is a lot more serious than the first one. Many of the relationships in this book are abusive, including the princess of the realm, as well as Laplace, whose determination to stand up against her abuser is very well done. I also liked how the kissing was reframed as plot-relevant (and Tanya noting that it was non-consensual at first, even if she ended up not minding it), and this leads to an excellent callback at the climax of the book.

The book is still a light novel fantasy, of course. We briefly see Tanya and Laplace fighting goblins, and there is much discussion of mana and its ability in helping to attain immortality. The fight scenes are relatively simply but breezy, never getting too bogged down in spell creation or other pitfalls. There’s also a healthy dose of humor – I quite liked Nadine yelling “POW POW” in Tanya’s ear, and the smarmy tone of one of the jerks dealt with in the book is mocked by criticizing the very typography of his lines. There’s also a nice scene at the very end of the book which shows a young palace guard who was also inspired by Tanya’s party to chase after his own dreams, and his genuine gratitude and admiration of her feels like a “not all men” that’s actually earned for once. I will admit I think the art that comes with the book is merely adequate – there are some nice scenes of Tanya and Laplace in the middle of the book where the illustrations feel very flat. I wonder if we’ll get some fanart from others.

I’m not sure where the series goes from here – we’re caught up with the Japanese release – but I will definitely be devouring the next book in the series. Still an excellent takedown of misogyny as well as a good light novel fantasy.

Filed Under: REVIEWS, sexiled

So I’m a Spider, So What?, Vol. 7

December 14, 2019 by Sean Gaffney

By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

(Note: This review, especially towards the end, gets more spoilery than usual as you can’t not talk about the end.)

I have to admit that “they battle a bunch of fighter jets in order to infiltrate a UFO with tanks and robots” was not really the plot I was expecting when I picked up the seventh volume of Spider So What. But, having finished the volume, I can’t say I’m too disappointed in it. We’ve seen robots and cyborgs in this series before, of course. It also helps to show off the true arrogant brokenness of Potimas, who manages to be an evil elf while at the same time being an embarrassed chuuni who can’t bear to see people using his old design specs that he made back in the day. There is not one moment in this book where you like him, and the relationship between him, White, and the Demon Lord helps to remind us that the “truce” between the later two is miles and miles ahead of the loathing and antipathy they feel for Potimas. They might even be… friends?

After accidentally freeing two world-killing pieces of tech from an underground bunker simply because of her insatiable curiosity, White and the rest of her merry band have to join forces to destroy it. Unfortunately, this means joining forces with Potimas, whose designs they’re based on, as well as the Pontiff and a group of local dragons. Most of the book is spent on the battle, with White’s chatterbox narrative voice, constantly belittling and mocking herself and showing self-doubt at every confrontation contrasting with how everyone ELSE sees her, which is to say an emotionless, morally ambiguous nightmare who is STILL GETTING STRONGER. There’s a lovely moment where White is in a fury and the Demon Lord wraps her in thread to stop her. White immediately teleports out of it, and while she’s calm again, she notes offhandedly the Demon Lord looks super surprised but doesn’t get why. This push and pull on her character is one reason this series works.

Then we get to the climax of the book, where the Demon Lord, Potimas, and White are faced with a bomb that is about to explode. There are really very few options that are available. Still, I suspect only White could come up with “swallow the bomb”, which causes a Daffy Duck-esque explosion but does not, remarkably, kill her off. Good thing too, as Vol. 8 is due in the spring. What’s more, she has now leveled up to the point where the “game system” part cannot help her anymore… she’s a god. “D” helpfully explains this, and decides to give her another name: Shiraori, which I will start using in future. (Notably, “D” does not suggest calling her “Wakaba”, supposedly her old name from Earth, and refers to her as “nameless spider”. This feels very much like ominous foreshadowing.) As a God, Shiraori as all the power she used to and more… but has to learn how to do everything without the “game world” help. Including walking on her new human legs. To her, this is very much “restarting from zero”.

So overall, a solid book of fighting, but the last fifth or so is dynamite (literally), with one revelation after the other. I can’t wait to see where things go next. (Also, when will we catch up to the other kids?)

Filed Under: REVIEWS, so i'm a spider so what?

Bookshelf Briefs 12/13/19

December 13, 2019 by Ash Brown and Sean Gaffney Leave a Comment

Arifureta: I Heart Isekai, Vol. 1 | By Misaki Mori, based on the novel by Ryo Shirakome | Seven Seas – This pretty much delivery exactly what it promises, going through the first three Arifureta light novels in the style of a gag comic. There’s lots of Hajime and Yui being sickeningly in love, Shea getting beaten up, Tio being a pervert, etc. We even get golem-Miledi advertising Arifureta Zero, on sale in all good stores. It’s actually pretty fun, and keeps a good balance, not being too perverse while still staying true to the original, which is pretty perverse, and not hitting the same one-note gags—or if it does, pointing that out. Fans of the original should have a lot of fun with this spinoff. – Sean Gaffney

Arpeggio of Blue Steel, Vol. 15 | By Ark Performance | Seven Seas – The flashbacks continue here, but some of them are actually engineered, which is an excellent conceit. Haruna and Kirishima are shown the memories of how Kyouhei and Iori are invited to join the crew… and in the case of Iori, expand her backstory a great deal, as she’s a rich daughter who’s rebelling not just against her father, but everyone who sees the Fog as forbidden tech. After coming out of it (and Kirishima being sad she’s back to being a bear), they’re able to tell the others about what they experienced but can’t have them access the memories like a ship would. It’s just like being human! The second half of the book is not as interesting, but this remains the top of the line for girls-as-objects manga. – Sean Gaffney

Black Clover, Vol. 18 | By Yuki Tabata | Viz Media – We continue this long arc of humans vs. humans-possessed-by-elves, and there’s a lot of “I know you’re in there somewhere now fight dammit” to this book. Luck gets the brunt of the front end, and honestly, it reminds me of Black Clover‘s greatest strength AND biggest flaw: it’s so straightforward it verges on predictable. One bit I really liked was seeing Asta confront a somewhat dazed Sally (who’s lost her glasses) and convince her, perhaps, to be a mad scientist for GOOD instead of evil. Given that Sally is very much amoral rather than immoral, she can be swayed by this pitch. Oh yes, and the battle against Charlotte was probably the most interesting of the giant fight scenes we see. This probably worked better animated. – Sean Gaffney

The Ideal Sponger Life, Vol. 4 | By Tsunehiko Watanabe and Neko Hinotsuki | Seven Seas – A great deal of this fourth volume is dedicated to making it a bit more isekai-ish than it has been, as the forest is under attack by monsters, and the Kingdom has to figure out the best way to stop them. Fortunately, they don’t seem to have adventurers or dungeons here, so it’s back to good old-fashioned politics, as we need to see whose reputation would be helped or hindered by being the one to save the day or fail miserably. In other news, they’re getting better at making glass, Zenjiro is getting more proficient with magic, and we’re about to get two new characters… one of whom definitely seems like a new romantic rival. One of the better isekais out there. – Sean Gaffney

Murcielago, Vol. 12 | By Yoshimurakana | Yen Press – The solution to the person going around killing master swordsmen turns out to be very family-oriented, and also has a lot of possession involved. That said, the most entertaining part of this book may have been seeing Kuroko really struggling to win here—she admits several times that she’s having difficulties, whereas in past books you never really got a sense she was in danger. The final fight of the volume, leading to the cliffhanger, is especially good. That said, it looks like it will wrap up quick next time, if the preview is anything to judge by. In the meantime, you can also enjoy Reiko shamelessly showing off outfits for the reader and then having Kuroko pay for them because, well, she’s a cute girl. – Sean Gaffney

Nicola Traveling Around the Demons’ World, Vol. 1 | By Asaya Miyanaga | Seven Seas – There are now several manga translated into English with a similar underlying premise—a young woman or girl who is under the care of a non-human guardian. The execution in each can differ dramatically, however. (Apparently this is a sub-genre that I particularly enjoy, as I’ve loved all variations.) In the case of Nicola Traveling Around the Demons’ World, Miyanaga has created an exceedingly charming, delightful, and even joyful series. The title mostly sums up the work. Nicola is a young witch who has entered the demons’ world hoping to improve her magic. She’s not really supposed to be there, though, so a kind-hearted traveling salesman (and devil) named Simon has taken it upon himself to watch out for her. With each chapter being fairly episodic there’s not much of an overarching plot, but the magic and wonder of Nicola Traveling Around the Demons’ World builds and is consistently heartwarming. – Ash Brown

Filed Under: Bookshelf Briefs

Manga the Week of 12/18/19

December 12, 2019 by Sean Gaffney Leave a Comment

SEAN: There are 9 or 10 debuts this week and half of them are from Seven Seas. Hrm… how about a reverse order week?

Yen Press gives us an artbook, as we see The Art of Sword Oratoria, presumably lacking the title of its parent series to save space on the cover. Enjoy gorgeous art of Aiz, Loki, Lefiya and the rest from the LN illustrator, along with rough sketches and the like.

ASH: I’m not particularly familiar with the series, but Yen has done a really nice job with previous artbooks.

MJ: That is my take as well.

SEAN: Also from Yen we have Trinity Seven 18, My Youth Romantic Comedy Is Wrong As I Expected (manga version) 12, and The Monster and the Beast 2.

MICHELLE: I’m looking forward to more of The Monster and the Beast.

ASH: Yup! Me, too!

SEAN: Yen On debuts Weathering With You, the latest Makoto Shinkai book based on an anime film. Lately he’s been less depressing. Can he keep it up?

ASH: We shall see!

MJ: Count me in!

Yen On also has KonoSuba 10, The Devil Is a Part-Timer! 15, A Certain Magical Index 21, and Accel World 20. All these series are so long lately!

Viz has No Longer Human. This classic of Japanese literature has seen releases here before… even other manga adaptations. This one, though, is by Junji Ito, and is a 600-page hardcover brick. Get it for Christmas and wallow in it.

ASH: This is one of my most anticipated releases of the year. No Longer Human is a touchstone work for me and I am a big fan of Ito’s manga, so I’m really looking forward to seeing his take.

MJ: I somehow missed that this was coming, and now I’m very excited!

For Manga Bookshelf folks, we also get the yearly Ooku: The Inner Chambers, Vol. 16. And there’s Tokyo Ghoul;re 14, Terra Formars 22, Golden Kamuy 13, and the 20th Century Boys Perfect Edition 6.

MICHELLE: I will never not love Ooku.

ASH: It’s true. Glad for more Golden Kamuy, too!

MJ: What Michelle said!

SEAN: Vertical has the 2nd Monogatari Series Box Set, containing the 6 books of the 2nd “season”, as well as the 3rd Go with the Clouds, North-by-Northwest.

OK, Seven Seas. Let’s go down the debuts one by one. First, the manga version of Reincarnated As a Sword debuts.

Our Dining Table (Bokura no Shokutaku) is a one-volume BL manga from Gentosha’s Rutile, about a salaryman who one day meets two brothers – one his age, one a little kid – and teaches them to make food. Love might follow! This looks sweet.

MICHELLE: Super sweet. I’m very much looking forward to this one!

ASH: Yes! This manga is catered to my tastes.

ANNA: This sounds cute.

MJ: Oh, how lovely.

SEAN: My Father Is a Unicorn (Unicorn Otousan) is not, as far as I know, related to My Bride Is a Mermaid. Its title is its premise (stepfather, of course), and it ran in Frontier Works’ Hug Pixiv.

ASH: This sounds delightfully ridiculous; I plan on picking it up.

SEAN: Gal Gohan I just reviewed here. It’s a cute but ecchi series about a gal who falls for her teacher and the cooking class they do together. It runs in Hakusensha’s Young Animal.

ASH: Hmmm. I do like food-related manga…

Dirty Pair Omnibus (Dirty Pair no Daibouken) is a manga adaptation of the classic novel, but with updated character designs that remind me a bit of Adam Warren. Very appropriate, that. It ran in Tokuma Shoten’s Comic Ryu.

ASH: I’m hoping the original might be licensed at some point, but this adaptation might not be a bad place to start.

SEAN: Bloom Into You is a very popular yuri series, to the point where we’re actually getting the light novels based off of it. They focus on Sayaka, and the first is out digitally next week and in print later in 2020.

Also, Seven Seas has the fourth and final volume of Our Dreams at Dusk, which should be on everyone’s manga of the year shortlist.

MICHELLE: Maybe I will really succeed in reading this series soon!

ASH: It is such a good series.

ANNA: We are getting it at my library!

MJ: I can’t believe I haven’t gotten around to reading this, but that’s where we are. I must fix that!

SEAN: And we get Monster Musume 15 and Miss Kobayashi’s Dragon Maid: Kanna’s Daily Life 6.

One Peace has a 15th Rising of the Shield Hero light novel.

Kodansha has two print debuts next week. Saint Young Men is well-known, of course, and finally hitting our shores. Drifting Dragons is slightly less well-known, but, I mean, it’s filled with dragons. Both have already come out digitally.

MICHELLE: I’m happy to see Saint Young Men is getting a print release with, so far, no uproar.

ASH: I am so excited for a print edition of Saint Young Men! I’m very curious about Drifting Dragons, too.

ANNA: I preordered the print version of Saint Young Men right when it was announced.

MJ: I’m so ready for Saint Young Men!

SEAN: Also in print: Vinland Saga 11, To Your Eternity 11, O Maidens in Your Savage Season 5, and Again!! 12, which is the final volume.

MICHELLE: Again!! can be frustrating, in that it doesn’t always follow heartwarming sports manga beats, but when it pays off, it sure pays off. I’m looking forward to seeing how this manifests in the final volume.

ASH: Hooo! That’s a lot of really good stuff coming out from Kodansha! I’m reading all of these.

ANNA: I really need to catch up on Again!!. Also excited for more Vinland Saga.

SEAN: Debuting digitally next week is Watari-kun’s ****** Is about to Collapse (Watari-kun no xx ga Houkai Sunzen), a Young Magazine series which shows that digital-only can license seinen trash just as much as josei trash, I guess.

MICHELLE: *snerk*

SEAN: There’s also Shojo FIGHT! 8, Saint Young Men 4 digitally, Peach Girl NEXT 7, My Boss’s Kitten 3, and Are You Lost? 5.

MICHELLE: Shojo FIGHT! for the win!

SEAN: J-Novel Club has Banner of the Stars debut, the sequel to Crest of the Stars. We also get an 8th Lazy Dungeon Master.

Ghost Ship gives us World’s End Harem 7 and To-Love-Ru Darkness 13.

Dark Horse has a 6th volume of Drifters.

ASH: Oh! It’s been a while since I’ve read Drifters. Granted, there was a long break between the releases of some of the volumes. I’ll need to do a little catching up.

SEAN: Lastly, Cross Infinite World has the 2nd in the I Became the Secretary of a Hero! light novel series.

Lots of potential presents here. Anything catch your eye?

Filed Under: FEATURES, manga the week of

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 8

December 12, 2019 by Sean Gaffney

By Fuminori Teshima and COMTA. Released in Japan by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series started out starring two people, but the cast has grown exponentially sine then. As such, it seems appropriate that this volume is fairly light on both Zagan and Nephy – in fact, it actually manages to work that into the plot, as Foll is planning a massive party for the not-Christmas holiday that is upon us and wants to surprise both of them. Zagan is completely in the dark about the holiday, but Nephy isn’t – in fact, she’s working part-time at a pub to get money for a present. As such, both are absent from the main plot itself till the end, though there’s many scenes with both of them, of course. The main plot focuses again on Kuroko, who is literally confronting her past – unfortunately, she has to confront it as a small kitten. She (accidentally) joins forces with another sorcerer, one who has a troubled past that is a lot closer to hers than she’s aware. And worst of all, due to a villain and also the nature of the holiday, the dead are rising up.

Also on the cover is Alshiera, the vampire who’s trying her best to get everyone to see her as someone not worth saving but doing a fairly terrible job of it – indeed, by the end Zagan has figured out the way to handle her best – it’s how to handle Nephy, and Chastille, and indeed literally everyone in the cast. Yes, be really nice to her until she cowers in embarrassment. She and Shax, the sorcerer that Kuroko befriends here, are both examples of the classic “can a former villain be redeemed” school of writing, and the answer is fairly firmly “yes” in both cases. Indeed, Shax is pretty much set up here as a love interest for Kuroko, complete with a father who now wants to kill him for daring to have his daughter take interest in him. Combining this with the somewhat sad and pathetic pairing of Chastille and Barbatos (who both have a long way to go), and you can see the author is definitely “pairing the spares” here.

The holiday during this book is Alshiere Imera, which (it’s hinted) is named after Alshiera, the vampire whose birthday it is. It’s an odd fusion of Christmas, Halloween and the Day of the Dead, which allows for the plot to happen (the zombies are created easily as it’s the one day per year when the line between here and the afterlife is so thin) but, let’s face it, is also an excuse to put Nephy and her friends in Santa outfits, even though Santa is never quite mentioned. Much as I mocked Chastille and Barbatos earlier, she and Zagan are not all that further along, though at least they have confessed. The present-giving scene is the sort of “so sweet it makes you sick” scene that people read this series for.

We are almost caught up with Japan on this series, as the next volume is the latest. Will it move the plot along/ Depends on what you’re calling the plot. In any case, this is a nice, solid volume of this sweet series.

Filed Under: archdemon's dilemma, REVIEWS

Aria The Masterpiece, Vol. 4

December 11, 2019 by Sean Gaffney

By Kozue Amano. Originally released in Japan by Mag Garden, serialized in the magazine Comic Blade. Released in North America by Tokyopop. Translated by Katie Kimura.

It is, a great deal of the time, very difficult to remember that this manga takes place in the future on a different planet. Honestly, a lot of that may be engineered by the residents of Aqua, who have deliberately set things up so that anyone coming to Neo-Venezia is going to be thinking “old-time Venice”, not “new, modern, future Venice”. It’s brought up explicitly in the chapter where Akari helps the old mailman deliver his letters – why are there so many letters, when the world has email? We’ve even seen Akari send emails. But it’s because people who stay here want to revel in the low-techness of it all. It’s for the mood. There’s also an element of slight fantasy throughout, usually involving Cait Sith, but even that makes the reader think of older stories of that nature rather than an alien for The Planet Formerly Known As Mars. And let’s face it, we the reader want that as well. With the odd exception of floating islands and Woody’s Miyazaki-esque bike, we want to take it easy.

The last of the main cast is introduced in this omnibus, as we meet Alice’s mentor Athena, who also turns out to be the last of the “three fairies” along with Alicia and Akira. Athena’s skill is in her gorgeous singing voice (which, by the way, is another reason to get the anime adaptation, which really does a great job), but she’s also an oddball who frequently simply flakes out or is misunderstood by the Very Teenage Alice. She and Alice, both being the “oddballs” of their groups, balance out Aika and Akira (angry tsunderes) and Akari and Alicia (balls of sunshine). And, like Akira and Alicia, she’s keeping a close eye on Alice and trying to help her develop into a first-class undine… despi8te occasional hiccups like the right-handed Alice deciding her left hand is useless, or the sudden adoption of a tiny Martian cat found at canalside. They make a good pair.

When I called Akari a “ball of sunshine” earlier, I wasn’t alone – one of the themes in this book is people staring open-mouthed at her ability to enjoy everything and describe how wonderful it is. Whether it’s glass-blowing, mail delivery, fireworks, or simply sitting at a cafe that keeps moving its seats to stay in the sun, Akari is a one-woman tourist brochure… a fantastic quality for an undine, of course, even though she remains blissfully unaware of her own talents. She’s still got a ways to go with the gondola, of course, and we’re only halfway through the manga, but we are gradually seeing the three apprentices mature and grow up, and the though it beginning to niggle into our heads that this may end with the older generation moving on to make way for the younger.

Fortunately we aren’t there yet. What’s more, starting with the next omnibus we’ll be reading material as yet unseen in North America. I can’t wait, this series is itself a ball of sunshine.

Filed Under: aria, REVIEWS

Arifureta Zero, Vol. 3

December 10, 2019 by Sean Gaffney

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve been comparing Miledi to Hajime in these reviews of Zero. And just as Hajime was written to be the ultimate in “I am cool and badass and will happily abandon anyone other than Yue to a fiery death” and then walked back to where he is now reasonable a decent person, likewise Miledi was introduced in the main series as the most annoying person in the world and then we gradually see in Zero how much of it is a front. It’s a front she feels more comfortable with, in fact – despite her complaining, she’d much rather be yelled at for being irritating than praised for being a force for good, mostly as it embarrasses her too much. It’s also a good way to avoid simply having her be too perfect – Miledi is going to save everybody, loves everybody, and has magical powers that can take out a demon lord possessed by a God. Of course she has to be annoying. You need SOMETHING.

As you might guess by the cover, the new Liberator who join’s Miledi’s forces in this book is male, and men don’t get Arifureta covers, meaning Meiru and Miledi pull double-duty. They’re headed back to meet up with Oscar and Naiz’s group, to see if they can revive the comatose kids (spoiler: not quite yet), when they suddenly find out that there was an attack on the base and most of the group was kidnapped. As it turns out, they were kidnapped to avoid ANOTHER kidnapping. Vandre is half-demon, half-dragon, and all tsundere, as he kidnapped Miledi’s group to try to get them to help him own group of people being tortured for experiments by the Demon King. Of course, Miledi will totally save them anyway, especially when it looks like there’s more to the Demon King than meets the eye. But can she do it while fighting off a powerful local disease?

First off, the book begins and ends with broad characterizations of cross-dressing gay men who are, of course, sexual predators for the lulz. Ugh. This is not the first time the author has gone to this well, either. Aside from that, it’s a decent enough book. As with the other Zero books, it leans heavily on fight scenes, particularly in the second half, but there is also a decent amount of characterization, particularly of Vandre, the new guy, and Miledi. Vandre and Oscar also look to be adding a new annoying trait to the Liberators, as they don’t get along and snipe at each other constantly in a “vitriolic best buds” sort of way. I do wonder if they can actually weaponize this trait, the way that Miledi has weaponized being annoying to the point where it throws villains off.

We do also get a look at the Church here, briefly, and see that, thanks to evil people and also brainwashing, it may only have one sensible person in it. They’re also trying to get a jump on Miledi in snatching up Ancient Magic Users, so next time we head off to the forest. Till then, this remains a decent spinoff, particularly if you like fight scenes.

Filed Under: arifureta, REVIEWS

Gal Gohan, Vol. 1

December 9, 2019 by Sean Gaffney

By Marii Taiyou. Released in Japan by Hakusensha, serialization ongoing in the magazine Young Animal. Released in North America by Seven Seas. Translated by Andrew Cunningham. Adapted by Bambi Eloriaga-Amago.

Sometimes Japanese manga companies have a broad spectrum of things they release across all genres and age groups… and sometimes they specialize. Hakusensha is one of the latter – it has no shonen titles per se, and is best known over here as the top shoujo publisher with its magazines Hana to Yume and LaLa. But… they do also have Young Animal. As with most magazines with ‘Young’ in the title, it caters to the young adult male, with each cover featuring a cover and insert section of an idol singer or model. Unlike the shoujo end of the company, Young Animal titles rarely get licensed over here – the most famous one still going is probably Berserk, which has lots of the gool ol’ ultraviolence. But there’s also fanservice and ecchi titles, and Young Animal has plenty of those as well. A good example of which we’re reviewing today, Gal Gohan. That said, like some of the best ecchi manga, there’s a certain purity of tone to it.

Shinji is a relatively new teacher, having difficulties making connections with students and doubting himself as with all good newbie teachers in manga like this. Shinji, however, teaches home ec, which makes it even harder – he doesn’t even see the students as much. Meanwhile, Miku is a very stereotypical “Gal” – tanned skin, loose socks, accessories, etc. – and is in danger of flunking out of school. The jaded principal suggests bribing her teachers with cookies, and so she goes to Shinji to try to get some help. Things go badly at first, but he gradually realizes that under her Gal exterior is a rather tender young maiden, and she starts to fall for him pretty hard – to the point where she decides to join the cooking club, even though – well, actually, because – it’s just the two of them. How far can Miku take her teasing… and how serious is it meant to be? And can Shinji avoid the temptations of his student?

This pretty much is the perfect setup to a series designed to entice young men. Miku is pretty, outgoing, busty, and is not ashamed to panty flash her teacher… at first. As the manga goes on, she starts to get a little shyer about that sort of thing, hinting that her teasing has gotten closer to an actual crush. Despite being a manga about a cooking club, there’s minimal attention to the recipes or preparation – this is not a foodie manga. You’re here to see if Shinji can resist the extreme forwardness of Miku (he has so far), and if Miku can get across to her teacher that she’s not just teasing but really does like him (she hasn’t so far). Part of Shinji’s reticence is simple – he’s her teacher, she’s his student, this is a forbidden relationship. But we also do get a bit of him not quite understanding a “maiden’s heart”, which allows Miku to be frustrated in a cute way.

I’m assuming anyone reading this knows what sort of manga they’re getting. But it caters to its readers very well, enticing without getting too over the line – Miku’s teasing and flashing of her body is relatively innocent compared to where the series could have gone. Worth a read if you like this genre.

Filed Under: gal gohan, REVIEWS

86 –Eighty-Six–, Vol. 3: Run Through the Battlefront [Finish]

December 8, 2019 by Sean Gaffney

By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

True to its title, this is the second half of the story that began in the second volume. The Legion now have a massive Railgun that they used to destroy 40% of the Federation’s forces. Given that the Federation lacks Kamijou Touma, they need to defeat it by more military means. Fortunately, the railgun was slightly damaged when it was dealing out masses of deaths, so there’s time to send a strike force. That said, the chance the strike force survives and takes out the Railgun is basically 0%. It’s essentially a suicide mission. And so, as you likely guessed, it’s time to send out the 86, who are not fitting in well with the other soldiers and don’t seem to want to retire somewhere and grow potatoes. It’s very much a “if you love war so much why don’t you MARRY it?” sort of attitude, and our heroes just sort of shrug and get on with it. They’re the only ones who can really do this anyway. But will they have help?

As you might expect, a great deal of this book is very grim. We see soldiers with wives and families tragically blown to bits, and drivers shielding their superiors and ending up as corpses. There’s also the 86, who are, as is pointed out, still children, but we’re not really in a position in this war when they can avoid using them. They want to try not to be like the Republic… but when things go badly and someone has to be sacrificed, it’s all too easy to go with the ones who everyone already pities, especially when they’re so… well, stoic. Especially Shin, who in this book contrasts himself with Kiriya, one of the Legion’s main forces but still with memories of Frederica, his “princess”. We get POV from both of them in the book, and near the end Shin realizes that the main difference between them may simply be that Shin isn’t dead… something he’s not confident is a good thing.

Fortunately there is a bit of… well, I won’t say humor, but less bleak stuff here. I did laugh out loud at the reveal halfway through the book. We all knew it was coming, but it’s still really funny seeing every single one of the 86 (yes, including Shin) scream “ARE YOU AN MORON?!” at the same time. We also get the appearance of Lena, who has been fighting a losing battle against the Legion on her own end, and ends up meeting with Shin at the final battle with the Railgun. Neither one know who the other one is, though Shin eventually figures it out. It’s a reminder at how good Lena is at strategy, and I look forward to her actually joining the main cast again after this. She’s also a reminder that Shin actually was more emotional and occasionally smiled in the first book, something we haven’t seen at all in this two-parter. Frederica has helped, to be sure, but maybe Lena is just what the 86 need – someone who accepts them without pity.

The author has said the next book will be lighter in tone, something I don’t believe for a minute, but it should at least be another one-volume book. In any case, if you enjoyed the first two book in the series this is still a very good read. It’s not quite as good as the first, but that’s a high bar.

Filed Under: eighty-six, REVIEWS

Yona of the Dawn, Vol. 21

December 7, 2019 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

It can sometimes be hard to remember that Hak, in the context of this series, is a normal human. He does not have any Dragon Warrior powers, but gets by by simply being very, very, VERY strong. This becomes very clear about two-thirds of the way through this volume, where the tension that has been slowly building about how long can Su-Won and Hak get away with not meeting face to face finally breaks – there’s just no avoiding it in the melee battle to save Riri that is going on. Indeed, it’s the unspoken communication between the two that saved Riri’s life, and I really long for some sort of alternate universe where the two of them fight crime. But unfortunately, they are enemies. Ju-Do certainly doesn’t forget that, and he alone is ready to take down Hak for the benefit of the Kingdom. But there’s more complexities going on here than can be dealt with by a murder. Hak and company saved so many lives. They do have to ignore each other right now.

The first half of the book is quite serious and action packed, though I’m not entirely sure Zeno saving Yona by literally dropping himself like a bomb on the enemy can be called 100% serious. Su-Won is once again doing far more than a King should be doing, which to be fair Riri is very grateful for. He’s still not really recognized by his subjects or indeed neighboring kingdoms, which leads to scenes like the one we get here, where a thousand soldiers are taken down by him and his four generals… and yes, the Happy Hungry Bunch, an alliance that makes both uncomfortable. The second half is lighter in tone, starting with Hak, whose nerves are frazzled by having to ignore Su-Won here because of circumstance, becoming a cuddlebug and hugging Jaeha and Zeno, both of whom react appropriately for such an occurrence.

This then leads to a wonderful chapter where, having moved back to the forest to camp out, Hak and Yona try to have a heart to heart. There’s an earnest core here, as Yona has felt fairly “princess in need of rescuing” this arc, which makes her unhappy, and Hak is dealing with her being in danger PLUS Su-Won, so is, as I said, a bit frazzled. But Hak is hugging others, and Yona wants to be hugged… except (she thinks to herslf) she hasn’t had a good bath in a while, so she must stink. Hak has not, in fact, noticed this, and later says she’s been filthier before (not the right thing to say), which leads to an amazing battle between the two of them, Yona avoiding his touch and Hak trying to capture her. It all ends well, though, with hugs being had, and Hak being reassured. That said, though, Yona still is apparently unaware of her own feelings towards Hak. How long will that last?

To no one’s surprise, this is an exceptional volume of Yona, and brings this arc to a close. What happens next? Intrigue? Action? Shenanigans? All of the above? Please read this series.

Filed Under: REVIEWS, yona of the dawn

You Call That Service?, Vol. 1

December 6, 2019 by Sean Gaffney

By Kisetsu Morita and Hiroki Ozaki. Released in Japan as “Omae no Gohoushi wa Sono Teido ka?” by GA Bunko. Released in North America by Yen On. Translated by Jasmine Bernhardt.

This book lets you know right away that it’s a comedy, and, with the exception of one or two bits near the end, does not really let up on that throughout the volume. The characters do comedic things, the setup is written to be highly amusing, there’s a lot of boke/tsukkomi humor, and you get the standard harem novel staples, lots of girls after the hero, misunderstandings, etc. There is even a psycho lesbian and a yandere stalker girl, which Japan seems to find far more hilarious than I ever have. Actually, that seems to be the issue I have with this entire book. It really really sets itself up to be a laff riot, but it’s not particularly funny. There were times I smiled at an obvious gag, and there were points where you could clearly tell I was supposed to laugh, but the laughs just were not coming across. Which is a problem when your series is a comedy.

Our hero is Ryouta, whose grandfather made a misplaced wish that has cursed him to be attractive to all girls around him, which is a pain when the girls are mentally unstable or his immediate family. He’s walking in the mountains one day to get away from it all and happens on a city… and a young girl, who quickly bites him on the neck. She’s a vamp–erm, part of the Sacred Blood Empire, which this entire city is now made of, and wants Ryouta to be her minion. Sadly, he’s less obedient than she’d like. As they live together and go to school, he meets more Sacred Blood denizens, all of whom have their eyes on him, and learns about the Emperor, all the while yearning for the one girl in his life he actually felt love for, his elementary school crush. In the end, all these plotlines converge and Ryouta has to decide who he wants to be loyal to.

This was written in 2011, which is several generations old in light novel years, and it shows. The lead girl, Shana… erm, Taiga… no wait, Louise… Nagi? Ah, I got it, Shiren, cries out to be played by Rie Kugimiya, and Ryouta is the sort of bland, nice-but-snarky harem lead that you get in this sort of thing. The first 2/3 of this book is mostly them interacting, and while it’s comedy that I don’t find funny, it’s not all that bad. Shiren is clearly desperately lonely, and Ryouta realizes this fairly quickly. That said, there was one part where I did actively scream “fuck this”. As I said above, I’m not fond of “psycho lesbian” as a character trait to begin with, and this one went from zero to murderous in about ten seconds… then, after being forced to lick our hero’s blood in order to avoid dying, suddenly is into him as well. It’s one of the plotlines you’d assumed writers had given up on because it always gets bad press these days… but here it is.

The author is VERY prolific, having also written I’ve Been Kiling Slimes for 300 Years (which IS funny, though not always as funny as it wants to be) and the upcoming A Mysterious Job Called Oda Nobunaga. Both of those are likely better than this, which I recommend only to those anime fans who want to watch anything with a small, angry blonde with twintails.

Filed Under: REVIEWS, you call that service?

Bookshelf Briefs 12/5/19

December 5, 2019 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Anonymous Noise, Vol. 17 | By Ryoko Fukuyama | Viz Media – I had thought this would be a race to the finish, but honestly it’s feeling more like a leisurely victory lap. The single is doing well, Nino is singing duets, Yuzu is finally getting through to his mother after literally taking her on a world tour, and the last of the beta couples finally get together. Oh yes, and Momo has written a new song, one that he really, really wants Nino to sing. The main pairing is still, I suspect, going to be Yuzu and Nino, but this is a nice final threat—after all, this is how the two of them bonded in childhood, as we see in a flashback. The next book is the final one, so however it goes, we’re near the end of the journey. I enjoyed this, though it was never as lights-out as some other shoujo titles. – Sean Gaffney

Blue Morning, Vol. 8 | By Shoko Hidaka | SuBLime – Blue Morning manages to be unique and complicated until the end. Hidaka-sensei does a good job of giving happy endings to side characters, like Akihito’s friend Soichiro, that feel earned rather than sappy, and which initially suggest that Katsuragi really will take Akihito’s offer to accompany him to England for two years of study. In the end, though, Katsuragi has too much that he wants to accomplish in Japan and stays behind. I love that, as much as these guys love each other, they each have aspirations (both personal and on a societal scale) that they cannot abandon. All of this independent effort leads up to an absolutely marvelous final page wherein, without any bits of clunky narration signposting the moment, Akihito and Katsuragi are finally walking side by side as equals. I have really enjoyed this series and see myself rereading it someday. – Michelle Smith

Farewell, My Dear Cramer, Vol. 4 | By Naoshi Arakawa | Kodansha Comics (digital only) – Warabi Seinan’s girls’ soccer team has been working hard and has successfully made it to the finals of the Inter-High preliminaries for their prefecture. They’re up against the reigning champs, who had insufficient intel on just how good Warabi is these days. It’s an intense match, full of girls who passionately love soccer and their appreciation for “friends who really get each other.” This series really has improved a lot since its initial volume. It’s still a little strange that we were introduced to Suo and Soshizaki first, yet the majority of the story continues to focus on their teammate Onda, and the action is still sometimes a bit hard to follow (it would probably be good if I could conclusively tell which team scored the cliffhanger goal), but it’s hooked me sufficiently enough now that I can heartily recommend it. – Michelle Smith

Hatsu*Haru, Vol. 9 | By Shizuki Fujisawa | Yen Press – Kagura and Tarou finally get their arc. Sadly, it’s easily the dullest part of this volume, and you sense that the author has written four pairs but really only cares about two and a half of them. (Sorry, Miki and Kiyo, you’re the half.) That said, the pairings that do get attention are well-crafted. Ayumi, desperate for a story now that the love lives have cooled down, runs a “hottest guy” poll. The prize is a hot springs trip. Kai, who has been struggling to be more affectionate (read: hugs) with an aloof Riko, decides that he’s going to go all out. But of course Takaya is hot too. And there’s upperclassmen as well, right? Who’s the winner? I won’t spoil, but it’s a very amusing choice, and works well for the plot. Good despite Kagura being boring. – Sean Gaffney

Kino’s Journey: The Beautiful World, Vol. 4 | By Iruka Shiomiya, based on the novels by Keiishi Sigsawa | Vertical Comics – Even when telling a story that has a happy, uplifting climax, the writers of Kino’s Journey just can’t help but do a last-minute twist of the knife. The story of a young women who is resolved to show her airplane can fly is such a story, making you punch the air in happiness until we get the crowd’s reaction to the whole thing, which is… not bad. Sort of the opposite, but unsettling. Also unsettling is a short story about a couple grooming their child for a war he doesn’t want to fight in, and a city that revels in the anti-war paintings of a man who lives outside the city… till they hear why he really paints them, and their reaction destroys him. Kino’s Journey wants you to hate war. It succeeds. – Sean Gaffney

Pandora in the Crimson Shell: Ghost Urn, Vol. 12 | By Shirow Masamune and Rikudou Koushi | Seven Seas – So we still don’t have Vlind’s full name—it seems to be VlindXX XXXX, but we do get a little more about her camera crew, who, like Vlind, are also very reminiscent of another series the artist used to draw back in the day. If they’re meant to be Hyatt and Elgala, then Elgala has shrunk quite a bit, though she still has her snark. Meanwhile, Hyatt has not only gained a lot of height but is also now married to Watanabe, if her last name is any indication. It also talks about her health having been bad and throwing up blood, so it’s not exactly being subtle. As for the rest of the manga, well, when I spend the entire review talking about the cameos on the first page, I think you can guess. – Sean Gaffney

Seven Little Sons of the Dragon: A Collection of Seven Stories | By Ryoko Kui | Yen Press – I enjoy Kui’s manga series Delicious in Dungeon immensely, so I was looking forward to reading more of the creator’s work a great deal. After finishing Seven Little Sons of the Dragon, I am convinced that I will sincerely love just about anything created by Kui. Collected in this volume are seven stories that, while unrelated, are all fantastic in nature. A couple explicitly feature dragons (as one would perhaps expect from the title) while the remaining feature mermaids, werewolves, local gods, living paintings, and a family with supernatural abilities. The stories range in tone as well, from the comedic to the dramatic (or some combination of the two), but I would describe them all as touching in their own way. Seven Little Sons of the Dragon is a delightful and highly satisfying collection of short manga showcasing some of Kui’s versatility as both an artist and a storyteller. – Ash Brown

Skip Beat!, Vol. 43 | By Yoshiki Nakamura | Viz Media – As suspected, Momo does NOT get the role opposite Kyoko. Fortunately, it’s because the director wants to use her in a different project. Kyoko is devastated, but has other things to worry about, like an attempt on her life. It happens so fast that I had to go back and reread to see how to got to the roof, but the whole scene is terrific. Meanwhile, the main issue with Kyoko and Ren is they’re simply not communicating well—they think that the other person knows what they mean, but it’s always at cross purposes. As a result, Ren’s in the doghouse again. But given that Skip Beat! looks like it might be trying to rival the length of Glass Mask, that’s not really a surprise. If you haven’t read the previous 42 volumes… well, don’t jump on now. But otherwise, absolutely get this. – Sean Gaffney

A Tropical Fish Yearns for Snow, Vol. 1 | By Makoto Hagino | VIZ Media – Konatsu Amano has just moved from Tokyo to a small seaside town and is on her way to her aunt’s house when she’s drawn to an open house at the high school she’ll be attending. The aquarium club has opened to the public, and while looking around, Konatsu meets kind Koyuki Honami, who happens to be the club’s only member. Pretty and with a reputation for being perfect, Koyuki is actually lonely, and Konatsu is able to relate to her (drawing parallels to a story from literature class along the way) and encourage her not to always pretend things are fine when they aren’t. This is a really low-key story so far, but I do really appreciate that each girl has her strengths and weaknesses and that they seem well suited to support each other. I look forward to seeing how things develop! – Michelle Smith

Filed Under: Bookshelf Briefs

Manga the Week of 12/11/19

December 5, 2019 by Sean Gaffney 2 Comments

SEAN: Are you ready for another big list of things? Of course you are, that’s why we’re here. Will it be accurate or will books get delayed at the last minute? Again?

We’ll try this again: Dark Horse has the 3rd Emanon. They also have the 4th Gantz omnibus.

ASH: I still need to read the second volume of Emanon, but I really liked the first.

SEAN: Denpa Books debuts (no, really, it’s finally here, I saw it at Anime NYC) Gambling Apocalypse Kaiji (Tobaku Mokushiroku Kaiji). This classic title is being offered as a gorgeous omnibus which will literally cut your fingers on the chin of the main character. OK< not really. But it does look great. It ran in Young Magazine, and is filled with smart people making bad choices.

MICHELLE: The Amazon blurb promises “a world of debt, debauchery, and delusion,” which is somewhat intriguing, if not uplifting.

ANNA: It does sound intriguing.

ASH: I am very excited to get my hands on this! (I actually saw it last week at a bookstore in the wild; I should have just picked it up then.)

MJ: I mean “smart people making bad choices” is really all the hook I need.

SEAN: Ghost Ship gives us To-Love-Ru 17-18.

J-Novel Club has the 2nd manga volume of The Master of Ragnarok and Blesser of Einherjar.

But, more importantly, they have the 2nd volume of Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!. Come read more of the light novel that took the internet by storm.

ASH: I’m thrilled that it was recently announced that this series will eventually be released in print, too, which means I’ll actually read it!

SEAN: Kodansha has, last I checked, print volumes of Boarding School Juliet 9, Eden’s Zero 5, Granblue Fantasy 2, Kiss Me at the Stroke of Midnight 10, Missions of Love 19, and Yuri Is My Job! 5. Missions of Love is a final volume. I’ll miss its soap operaness.

ASH: I’ve fallen behind with Missions of Love, but it really is a marvelously melodramatic series.

SEAN: Digitally the debut is Ex-Enthusiasts: Motokare Mania, a josei title from Kiss about a girl obsessed with her ex-boyfriend. Seems on the comedy side.

MICHELLE: So much digital josei these days!

ANNA: Honestly, I can’t keep track.

SEAN: And also 1122: For a Happy Marriage 2, AICO Incarnation 3, All Out!! 11, and Farewell My Dear Cramer 5.

One Peace has a 12th manga volume of The Rising of the Shield Hero.

Seven Seas has a double dose of Arifureta. The 7th novel comes out in print, and we also get Arifureta: I Love Isekai!, the gag comic spinoff.

There’s also Dragon Quest Monsters + 5, the print version of How a Realist Hero Rebuilt the Kingdom 5, The Ideal Sponger Life 4, and Plus-Sized Elf 4.

SuBLime has Seven Days: Monday-Sunday, an omnibus re-release of the title DMP put out ages ago. It ran in Craft magazine, which is not about knitwear.

MICHELLE: I remember MJreally loved this one but I didn’t get around to reading it. I will seize this chance!

ANNA: Aww, I was really hoping for knitwear manga.

ASH: I can think of at least one knitting manga off the top of my head that I would loved to see licensed someday. In the meantime, I’m very happy that Seven Days was rescued and is being brought back into print!

MJ: I was SO excited to note that this was coming out again! I loved it back in its DMP days and I’m not sure I ever got to read its second volume, so this omnibus release is very much welcome!

SEAN: They also have Candy Color Paradox 4.

Vertical gives us a 2nd volume of The Golden Sheep, which reminds me I have been avoiding the first volume and its no doubt incredibly melancholy realism.

MICHELLE: I liked it, for what it’s worth. There’s hope at the end of it.

ANNA: This reminds me that I bought and have not read the first volume.

SEAN: Viz gives us some comedy with Komi Can’t Communicate 4 and Sleepy Princess in the Demon Castle 10.

Lastly, Yen On has a 5th WorldEnd light novel, which is the final volume, though there are short story collections and a sequel series. In addition, Yen Press has the 9th volume of the 3rd Re: Zero arc.

Assuming no release dates change at the last minute, what are you getting next week?

Filed Under: FEATURES, manga the week of

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