• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Manga the Week of 12/18/19

December 12, 2019 by Sean Gaffney Leave a Comment

SEAN: There are 9 or 10 debuts this week and half of them are from Seven Seas. Hrm… how about a reverse order week?

Yen Press gives us an artbook, as we see The Art of Sword Oratoria, presumably lacking the title of its parent series to save space on the cover. Enjoy gorgeous art of Aiz, Loki, Lefiya and the rest from the LN illustrator, along with rough sketches and the like.

ASH: I’m not particularly familiar with the series, but Yen has done a really nice job with previous artbooks.

MJ: That is my take as well.

SEAN: Also from Yen we have Trinity Seven 18, My Youth Romantic Comedy Is Wrong As I Expected (manga version) 12, and The Monster and the Beast 2.

MICHELLE: I’m looking forward to more of The Monster and the Beast.

ASH: Yup! Me, too!

SEAN: Yen On debuts Weathering With You, the latest Makoto Shinkai book based on an anime film. Lately he’s been less depressing. Can he keep it up?

ASH: We shall see!

MJ: Count me in!

Yen On also has KonoSuba 10, The Devil Is a Part-Timer! 15, A Certain Magical Index 21, and Accel World 20. All these series are so long lately!

Viz has No Longer Human. This classic of Japanese literature has seen releases here before… even other manga adaptations. This one, though, is by Junji Ito, and is a 600-page hardcover brick. Get it for Christmas and wallow in it.

ASH: This is one of my most anticipated releases of the year. No Longer Human is a touchstone work for me and I am a big fan of Ito’s manga, so I’m really looking forward to seeing his take.

MJ: I somehow missed that this was coming, and now I’m very excited!

For Manga Bookshelf folks, we also get the yearly Ooku: The Inner Chambers, Vol. 16. And there’s Tokyo Ghoul;re 14, Terra Formars 22, Golden Kamuy 13, and the 20th Century Boys Perfect Edition 6.

MICHELLE: I will never not love Ooku.

ASH: It’s true. Glad for more Golden Kamuy, too!

MJ: What Michelle said!

SEAN: Vertical has the 2nd Monogatari Series Box Set, containing the 6 books of the 2nd “season”, as well as the 3rd Go with the Clouds, North-by-Northwest.

OK, Seven Seas. Let’s go down the debuts one by one. First, the manga version of Reincarnated As a Sword debuts.

Our Dining Table (Bokura no Shokutaku) is a one-volume BL manga from Gentosha’s Rutile, about a salaryman who one day meets two brothers – one his age, one a little kid – and teaches them to make food. Love might follow! This looks sweet.

MICHELLE: Super sweet. I’m very much looking forward to this one!

ASH: Yes! This manga is catered to my tastes.

ANNA: This sounds cute.

MJ: Oh, how lovely.

SEAN: My Father Is a Unicorn (Unicorn Otousan) is not, as far as I know, related to My Bride Is a Mermaid. Its title is its premise (stepfather, of course), and it ran in Frontier Works’ Hug Pixiv.

ASH: This sounds delightfully ridiculous; I plan on picking it up.

SEAN: Gal Gohan I just reviewed here. It’s a cute but ecchi series about a gal who falls for her teacher and the cooking class they do together. It runs in Hakusensha’s Young Animal.

ASH: Hmmm. I do like food-related manga…

Dirty Pair Omnibus (Dirty Pair no Daibouken) is a manga adaptation of the classic novel, but with updated character designs that remind me a bit of Adam Warren. Very appropriate, that. It ran in Tokuma Shoten’s Comic Ryu.

ASH: I’m hoping the original might be licensed at some point, but this adaptation might not be a bad place to start.

SEAN: Bloom Into You is a very popular yuri series, to the point where we’re actually getting the light novels based off of it. They focus on Sayaka, and the first is out digitally next week and in print later in 2020.

Also, Seven Seas has the fourth and final volume of Our Dreams at Dusk, which should be on everyone’s manga of the year shortlist.

MICHELLE: Maybe I will really succeed in reading this series soon!

ASH: It is such a good series.

ANNA: We are getting it at my library!

MJ: I can’t believe I haven’t gotten around to reading this, but that’s where we are. I must fix that!

SEAN: And we get Monster Musume 15 and Miss Kobayashi’s Dragon Maid: Kanna’s Daily Life 6.

One Peace has a 15th Rising of the Shield Hero light novel.

Kodansha has two print debuts next week. Saint Young Men is well-known, of course, and finally hitting our shores. Drifting Dragons is slightly less well-known, but, I mean, it’s filled with dragons. Both have already come out digitally.

MICHELLE: I’m happy to see Saint Young Men is getting a print release with, so far, no uproar.

ASH: I am so excited for a print edition of Saint Young Men! I’m very curious about Drifting Dragons, too.

ANNA: I preordered the print version of Saint Young Men right when it was announced.

MJ: I’m so ready for Saint Young Men!

SEAN: Also in print: Vinland Saga 11, To Your Eternity 11, O Maidens in Your Savage Season 5, and Again!! 12, which is the final volume.

MICHELLE: Again!! can be frustrating, in that it doesn’t always follow heartwarming sports manga beats, but when it pays off, it sure pays off. I’m looking forward to seeing how this manifests in the final volume.

ASH: Hooo! That’s a lot of really good stuff coming out from Kodansha! I’m reading all of these.

ANNA: I really need to catch up on Again!!. Also excited for more Vinland Saga.

SEAN: Debuting digitally next week is Watari-kun’s ****** Is about to Collapse (Watari-kun no xx ga Houkai Sunzen), a Young Magazine series which shows that digital-only can license seinen trash just as much as josei trash, I guess.

MICHELLE: *snerk*

SEAN: There’s also Shojo FIGHT! 8, Saint Young Men 4 digitally, Peach Girl NEXT 7, My Boss’s Kitten 3, and Are You Lost? 5.

MICHELLE: Shojo FIGHT! for the win!

SEAN: J-Novel Club has Banner of the Stars debut, the sequel to Crest of the Stars. We also get an 8th Lazy Dungeon Master.

Ghost Ship gives us World’s End Harem 7 and To-Love-Ru Darkness 13.

Dark Horse has a 6th volume of Drifters.

ASH: Oh! It’s been a while since I’ve read Drifters. Granted, there was a long break between the releases of some of the volumes. I’ll need to do a little catching up.

SEAN: Lastly, Cross Infinite World has the 2nd in the I Became the Secretary of a Hero! light novel series.

Lots of potential presents here. Anything catch your eye?

Filed Under: FEATURES, manga the week of

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 8

December 12, 2019 by Sean Gaffney

By Fuminori Teshima and COMTA. Released in Japan by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series started out starring two people, but the cast has grown exponentially sine then. As such, it seems appropriate that this volume is fairly light on both Zagan and Nephy – in fact, it actually manages to work that into the plot, as Foll is planning a massive party for the not-Christmas holiday that is upon us and wants to surprise both of them. Zagan is completely in the dark about the holiday, but Nephy isn’t – in fact, she’s working part-time at a pub to get money for a present. As such, both are absent from the main plot itself till the end, though there’s many scenes with both of them, of course. The main plot focuses again on Kuroko, who is literally confronting her past – unfortunately, she has to confront it as a small kitten. She (accidentally) joins forces with another sorcerer, one who has a troubled past that is a lot closer to hers than she’s aware. And worst of all, due to a villain and also the nature of the holiday, the dead are rising up.

Also on the cover is Alshiera, the vampire who’s trying her best to get everyone to see her as someone not worth saving but doing a fairly terrible job of it – indeed, by the end Zagan has figured out the way to handle her best – it’s how to handle Nephy, and Chastille, and indeed literally everyone in the cast. Yes, be really nice to her until she cowers in embarrassment. She and Shax, the sorcerer that Kuroko befriends here, are both examples of the classic “can a former villain be redeemed” school of writing, and the answer is fairly firmly “yes” in both cases. Indeed, Shax is pretty much set up here as a love interest for Kuroko, complete with a father who now wants to kill him for daring to have his daughter take interest in him. Combining this with the somewhat sad and pathetic pairing of Chastille and Barbatos (who both have a long way to go), and you can see the author is definitely “pairing the spares” here.

The holiday during this book is Alshiere Imera, which (it’s hinted) is named after Alshiera, the vampire whose birthday it is. It’s an odd fusion of Christmas, Halloween and the Day of the Dead, which allows for the plot to happen (the zombies are created easily as it’s the one day per year when the line between here and the afterlife is so thin) but, let’s face it, is also an excuse to put Nephy and her friends in Santa outfits, even though Santa is never quite mentioned. Much as I mocked Chastille and Barbatos earlier, she and Zagan are not all that further along, though at least they have confessed. The present-giving scene is the sort of “so sweet it makes you sick” scene that people read this series for.

We are almost caught up with Japan on this series, as the next volume is the latest. Will it move the plot along/ Depends on what you’re calling the plot. In any case, this is a nice, solid volume of this sweet series.

Filed Under: archdemon's dilemma, REVIEWS

Aria The Masterpiece, Vol. 4

December 11, 2019 by Sean Gaffney

By Kozue Amano. Originally released in Japan by Mag Garden, serialized in the magazine Comic Blade. Released in North America by Tokyopop. Translated by Katie Kimura.

It is, a great deal of the time, very difficult to remember that this manga takes place in the future on a different planet. Honestly, a lot of that may be engineered by the residents of Aqua, who have deliberately set things up so that anyone coming to Neo-Venezia is going to be thinking “old-time Venice”, not “new, modern, future Venice”. It’s brought up explicitly in the chapter where Akari helps the old mailman deliver his letters – why are there so many letters, when the world has email? We’ve even seen Akari send emails. But it’s because people who stay here want to revel in the low-techness of it all. It’s for the mood. There’s also an element of slight fantasy throughout, usually involving Cait Sith, but even that makes the reader think of older stories of that nature rather than an alien for The Planet Formerly Known As Mars. And let’s face it, we the reader want that as well. With the odd exception of floating islands and Woody’s Miyazaki-esque bike, we want to take it easy.

The last of the main cast is introduced in this omnibus, as we meet Alice’s mentor Athena, who also turns out to be the last of the “three fairies” along with Alicia and Akira. Athena’s skill is in her gorgeous singing voice (which, by the way, is another reason to get the anime adaptation, which really does a great job), but she’s also an oddball who frequently simply flakes out or is misunderstood by the Very Teenage Alice. She and Alice, both being the “oddballs” of their groups, balance out Aika and Akira (angry tsunderes) and Akari and Alicia (balls of sunshine). And, like Akira and Alicia, she’s keeping a close eye on Alice and trying to help her develop into a first-class undine… despi8te occasional hiccups like the right-handed Alice deciding her left hand is useless, or the sudden adoption of a tiny Martian cat found at canalside. They make a good pair.

When I called Akari a “ball of sunshine” earlier, I wasn’t alone – one of the themes in this book is people staring open-mouthed at her ability to enjoy everything and describe how wonderful it is. Whether it’s glass-blowing, mail delivery, fireworks, or simply sitting at a cafe that keeps moving its seats to stay in the sun, Akari is a one-woman tourist brochure… a fantastic quality for an undine, of course, even though she remains blissfully unaware of her own talents. She’s still got a ways to go with the gondola, of course, and we’re only halfway through the manga, but we are gradually seeing the three apprentices mature and grow up, and the though it beginning to niggle into our heads that this may end with the older generation moving on to make way for the younger.

Fortunately we aren’t there yet. What’s more, starting with the next omnibus we’ll be reading material as yet unseen in North America. I can’t wait, this series is itself a ball of sunshine.

Filed Under: aria, REVIEWS

Arifureta Zero, Vol. 3

December 10, 2019 by Sean Gaffney

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve been comparing Miledi to Hajime in these reviews of Zero. And just as Hajime was written to be the ultimate in “I am cool and badass and will happily abandon anyone other than Yue to a fiery death” and then walked back to where he is now reasonable a decent person, likewise Miledi was introduced in the main series as the most annoying person in the world and then we gradually see in Zero how much of it is a front. It’s a front she feels more comfortable with, in fact – despite her complaining, she’d much rather be yelled at for being irritating than praised for being a force for good, mostly as it embarrasses her too much. It’s also a good way to avoid simply having her be too perfect – Miledi is going to save everybody, loves everybody, and has magical powers that can take out a demon lord possessed by a God. Of course she has to be annoying. You need SOMETHING.

As you might guess by the cover, the new Liberator who join’s Miledi’s forces in this book is male, and men don’t get Arifureta covers, meaning Meiru and Miledi pull double-duty. They’re headed back to meet up with Oscar and Naiz’s group, to see if they can revive the comatose kids (spoiler: not quite yet), when they suddenly find out that there was an attack on the base and most of the group was kidnapped. As it turns out, they were kidnapped to avoid ANOTHER kidnapping. Vandre is half-demon, half-dragon, and all tsundere, as he kidnapped Miledi’s group to try to get them to help him own group of people being tortured for experiments by the Demon King. Of course, Miledi will totally save them anyway, especially when it looks like there’s more to the Demon King than meets the eye. But can she do it while fighting off a powerful local disease?

First off, the book begins and ends with broad characterizations of cross-dressing gay men who are, of course, sexual predators for the lulz. Ugh. This is not the first time the author has gone to this well, either. Aside from that, it’s a decent enough book. As with the other Zero books, it leans heavily on fight scenes, particularly in the second half, but there is also a decent amount of characterization, particularly of Vandre, the new guy, and Miledi. Vandre and Oscar also look to be adding a new annoying trait to the Liberators, as they don’t get along and snipe at each other constantly in a “vitriolic best buds” sort of way. I do wonder if they can actually weaponize this trait, the way that Miledi has weaponized being annoying to the point where it throws villains off.

We do also get a look at the Church here, briefly, and see that, thanks to evil people and also brainwashing, it may only have one sensible person in it. They’re also trying to get a jump on Miledi in snatching up Ancient Magic Users, so next time we head off to the forest. Till then, this remains a decent spinoff, particularly if you like fight scenes.

Filed Under: arifureta, REVIEWS

Gal Gohan, Vol. 1

December 9, 2019 by Sean Gaffney

By Marii Taiyou. Released in Japan by Hakusensha, serialization ongoing in the magazine Young Animal. Released in North America by Seven Seas. Translated by Andrew Cunningham. Adapted by Bambi Eloriaga-Amago.

Sometimes Japanese manga companies have a broad spectrum of things they release across all genres and age groups… and sometimes they specialize. Hakusensha is one of the latter – it has no shonen titles per se, and is best known over here as the top shoujo publisher with its magazines Hana to Yume and LaLa. But… they do also have Young Animal. As with most magazines with ‘Young’ in the title, it caters to the young adult male, with each cover featuring a cover and insert section of an idol singer or model. Unlike the shoujo end of the company, Young Animal titles rarely get licensed over here – the most famous one still going is probably Berserk, which has lots of the gool ol’ ultraviolence. But there’s also fanservice and ecchi titles, and Young Animal has plenty of those as well. A good example of which we’re reviewing today, Gal Gohan. That said, like some of the best ecchi manga, there’s a certain purity of tone to it.

Shinji is a relatively new teacher, having difficulties making connections with students and doubting himself as with all good newbie teachers in manga like this. Shinji, however, teaches home ec, which makes it even harder – he doesn’t even see the students as much. Meanwhile, Miku is a very stereotypical “Gal” – tanned skin, loose socks, accessories, etc. – and is in danger of flunking out of school. The jaded principal suggests bribing her teachers with cookies, and so she goes to Shinji to try to get some help. Things go badly at first, but he gradually realizes that under her Gal exterior is a rather tender young maiden, and she starts to fall for him pretty hard – to the point where she decides to join the cooking club, even though – well, actually, because – it’s just the two of them. How far can Miku take her teasing… and how serious is it meant to be? And can Shinji avoid the temptations of his student?

This pretty much is the perfect setup to a series designed to entice young men. Miku is pretty, outgoing, busty, and is not ashamed to panty flash her teacher… at first. As the manga goes on, she starts to get a little shyer about that sort of thing, hinting that her teasing has gotten closer to an actual crush. Despite being a manga about a cooking club, there’s minimal attention to the recipes or preparation – this is not a foodie manga. You’re here to see if Shinji can resist the extreme forwardness of Miku (he has so far), and if Miku can get across to her teacher that she’s not just teasing but really does like him (she hasn’t so far). Part of Shinji’s reticence is simple – he’s her teacher, she’s his student, this is a forbidden relationship. But we also do get a bit of him not quite understanding a “maiden’s heart”, which allows Miku to be frustrated in a cute way.

I’m assuming anyone reading this knows what sort of manga they’re getting. But it caters to its readers very well, enticing without getting too over the line – Miku’s teasing and flashing of her body is relatively innocent compared to where the series could have gone. Worth a read if you like this genre.

Filed Under: gal gohan, REVIEWS

86 –Eighty-Six–, Vol. 3: Run Through the Battlefront [Finish]

December 8, 2019 by Sean Gaffney

By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

True to its title, this is the second half of the story that began in the second volume. The Legion now have a massive Railgun that they used to destroy 40% of the Federation’s forces. Given that the Federation lacks Kamijou Touma, they need to defeat it by more military means. Fortunately, the railgun was slightly damaged when it was dealing out masses of deaths, so there’s time to send a strike force. That said, the chance the strike force survives and takes out the Railgun is basically 0%. It’s essentially a suicide mission. And so, as you likely guessed, it’s time to send out the 86, who are not fitting in well with the other soldiers and don’t seem to want to retire somewhere and grow potatoes. It’s very much a “if you love war so much why don’t you MARRY it?” sort of attitude, and our heroes just sort of shrug and get on with it. They’re the only ones who can really do this anyway. But will they have help?

As you might expect, a great deal of this book is very grim. We see soldiers with wives and families tragically blown to bits, and drivers shielding their superiors and ending up as corpses. There’s also the 86, who are, as is pointed out, still children, but we’re not really in a position in this war when they can avoid using them. They want to try not to be like the Republic… but when things go badly and someone has to be sacrificed, it’s all too easy to go with the ones who everyone already pities, especially when they’re so… well, stoic. Especially Shin, who in this book contrasts himself with Kiriya, one of the Legion’s main forces but still with memories of Frederica, his “princess”. We get POV from both of them in the book, and near the end Shin realizes that the main difference between them may simply be that Shin isn’t dead… something he’s not confident is a good thing.

Fortunately there is a bit of… well, I won’t say humor, but less bleak stuff here. I did laugh out loud at the reveal halfway through the book. We all knew it was coming, but it’s still really funny seeing every single one of the 86 (yes, including Shin) scream “ARE YOU AN MORON?!” at the same time. We also get the appearance of Lena, who has been fighting a losing battle against the Legion on her own end, and ends up meeting with Shin at the final battle with the Railgun. Neither one know who the other one is, though Shin eventually figures it out. It’s a reminder at how good Lena is at strategy, and I look forward to her actually joining the main cast again after this. She’s also a reminder that Shin actually was more emotional and occasionally smiled in the first book, something we haven’t seen at all in this two-parter. Frederica has helped, to be sure, but maybe Lena is just what the 86 need – someone who accepts them without pity.

The author has said the next book will be lighter in tone, something I don’t believe for a minute, but it should at least be another one-volume book. In any case, if you enjoyed the first two book in the series this is still a very good read. It’s not quite as good as the first, but that’s a high bar.

Filed Under: eighty-six, REVIEWS

Yona of the Dawn, Vol. 21

December 7, 2019 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

It can sometimes be hard to remember that Hak, in the context of this series, is a normal human. He does not have any Dragon Warrior powers, but gets by by simply being very, very, VERY strong. This becomes very clear about two-thirds of the way through this volume, where the tension that has been slowly building about how long can Su-Won and Hak get away with not meeting face to face finally breaks – there’s just no avoiding it in the melee battle to save Riri that is going on. Indeed, it’s the unspoken communication between the two that saved Riri’s life, and I really long for some sort of alternate universe where the two of them fight crime. But unfortunately, they are enemies. Ju-Do certainly doesn’t forget that, and he alone is ready to take down Hak for the benefit of the Kingdom. But there’s more complexities going on here than can be dealt with by a murder. Hak and company saved so many lives. They do have to ignore each other right now.

The first half of the book is quite serious and action packed, though I’m not entirely sure Zeno saving Yona by literally dropping himself like a bomb on the enemy can be called 100% serious. Su-Won is once again doing far more than a King should be doing, which to be fair Riri is very grateful for. He’s still not really recognized by his subjects or indeed neighboring kingdoms, which leads to scenes like the one we get here, where a thousand soldiers are taken down by him and his four generals… and yes, the Happy Hungry Bunch, an alliance that makes both uncomfortable. The second half is lighter in tone, starting with Hak, whose nerves are frazzled by having to ignore Su-Won here because of circumstance, becoming a cuddlebug and hugging Jaeha and Zeno, both of whom react appropriately for such an occurrence.

This then leads to a wonderful chapter where, having moved back to the forest to camp out, Hak and Yona try to have a heart to heart. There’s an earnest core here, as Yona has felt fairly “princess in need of rescuing” this arc, which makes her unhappy, and Hak is dealing with her being in danger PLUS Su-Won, so is, as I said, a bit frazzled. But Hak is hugging others, and Yona wants to be hugged… except (she thinks to herslf) she hasn’t had a good bath in a while, so she must stink. Hak has not, in fact, noticed this, and later says she’s been filthier before (not the right thing to say), which leads to an amazing battle between the two of them, Yona avoiding his touch and Hak trying to capture her. It all ends well, though, with hugs being had, and Hak being reassured. That said, though, Yona still is apparently unaware of her own feelings towards Hak. How long will that last?

To no one’s surprise, this is an exceptional volume of Yona, and brings this arc to a close. What happens next? Intrigue? Action? Shenanigans? All of the above? Please read this series.

Filed Under: REVIEWS, yona of the dawn

You Call That Service?, Vol. 1

December 6, 2019 by Sean Gaffney

By Kisetsu Morita and Hiroki Ozaki. Released in Japan as “Omae no Gohoushi wa Sono Teido ka?” by GA Bunko. Released in North America by Yen On. Translated by Jasmine Bernhardt.

This book lets you know right away that it’s a comedy, and, with the exception of one or two bits near the end, does not really let up on that throughout the volume. The characters do comedic things, the setup is written to be highly amusing, there’s a lot of boke/tsukkomi humor, and you get the standard harem novel staples, lots of girls after the hero, misunderstandings, etc. There is even a psycho lesbian and a yandere stalker girl, which Japan seems to find far more hilarious than I ever have. Actually, that seems to be the issue I have with this entire book. It really really sets itself up to be a laff riot, but it’s not particularly funny. There were times I smiled at an obvious gag, and there were points where you could clearly tell I was supposed to laugh, but the laughs just were not coming across. Which is a problem when your series is a comedy.

Our hero is Ryouta, whose grandfather made a misplaced wish that has cursed him to be attractive to all girls around him, which is a pain when the girls are mentally unstable or his immediate family. He’s walking in the mountains one day to get away from it all and happens on a city… and a young girl, who quickly bites him on the neck. She’s a vamp–erm, part of the Sacred Blood Empire, which this entire city is now made of, and wants Ryouta to be her minion. Sadly, he’s less obedient than she’d like. As they live together and go to school, he meets more Sacred Blood denizens, all of whom have their eyes on him, and learns about the Emperor, all the while yearning for the one girl in his life he actually felt love for, his elementary school crush. In the end, all these plotlines converge and Ryouta has to decide who he wants to be loyal to.

This was written in 2011, which is several generations old in light novel years, and it shows. The lead girl, Shana… erm, Taiga… no wait, Louise… Nagi? Ah, I got it, Shiren, cries out to be played by Rie Kugimiya, and Ryouta is the sort of bland, nice-but-snarky harem lead that you get in this sort of thing. The first 2/3 of this book is mostly them interacting, and while it’s comedy that I don’t find funny, it’s not all that bad. Shiren is clearly desperately lonely, and Ryouta realizes this fairly quickly. That said, there was one part where I did actively scream “fuck this”. As I said above, I’m not fond of “psycho lesbian” as a character trait to begin with, and this one went from zero to murderous in about ten seconds… then, after being forced to lick our hero’s blood in order to avoid dying, suddenly is into him as well. It’s one of the plotlines you’d assumed writers had given up on because it always gets bad press these days… but here it is.

The author is VERY prolific, having also written I’ve Been Kiling Slimes for 300 Years (which IS funny, though not always as funny as it wants to be) and the upcoming A Mysterious Job Called Oda Nobunaga. Both of those are likely better than this, which I recommend only to those anime fans who want to watch anything with a small, angry blonde with twintails.

Filed Under: REVIEWS, you call that service?

Bookshelf Briefs 12/5/19

December 5, 2019 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Anonymous Noise, Vol. 17 | By Ryoko Fukuyama | Viz Media – I had thought this would be a race to the finish, but honestly it’s feeling more like a leisurely victory lap. The single is doing well, Nino is singing duets, Yuzu is finally getting through to his mother after literally taking her on a world tour, and the last of the beta couples finally get together. Oh yes, and Momo has written a new song, one that he really, really wants Nino to sing. The main pairing is still, I suspect, going to be Yuzu and Nino, but this is a nice final threat—after all, this is how the two of them bonded in childhood, as we see in a flashback. The next book is the final one, so however it goes, we’re near the end of the journey. I enjoyed this, though it was never as lights-out as some other shoujo titles. – Sean Gaffney

Blue Morning, Vol. 8 | By Shoko Hidaka | SuBLime – Blue Morning manages to be unique and complicated until the end. Hidaka-sensei does a good job of giving happy endings to side characters, like Akihito’s friend Soichiro, that feel earned rather than sappy, and which initially suggest that Katsuragi really will take Akihito’s offer to accompany him to England for two years of study. In the end, though, Katsuragi has too much that he wants to accomplish in Japan and stays behind. I love that, as much as these guys love each other, they each have aspirations (both personal and on a societal scale) that they cannot abandon. All of this independent effort leads up to an absolutely marvelous final page wherein, without any bits of clunky narration signposting the moment, Akihito and Katsuragi are finally walking side by side as equals. I have really enjoyed this series and see myself rereading it someday. – Michelle Smith

Farewell, My Dear Cramer, Vol. 4 | By Naoshi Arakawa | Kodansha Comics (digital only) – Warabi Seinan’s girls’ soccer team has been working hard and has successfully made it to the finals of the Inter-High preliminaries for their prefecture. They’re up against the reigning champs, who had insufficient intel on just how good Warabi is these days. It’s an intense match, full of girls who passionately love soccer and their appreciation for “friends who really get each other.” This series really has improved a lot since its initial volume. It’s still a little strange that we were introduced to Suo and Soshizaki first, yet the majority of the story continues to focus on their teammate Onda, and the action is still sometimes a bit hard to follow (it would probably be good if I could conclusively tell which team scored the cliffhanger goal), but it’s hooked me sufficiently enough now that I can heartily recommend it. – Michelle Smith

Hatsu*Haru, Vol. 9 | By Shizuki Fujisawa | Yen Press – Kagura and Tarou finally get their arc. Sadly, it’s easily the dullest part of this volume, and you sense that the author has written four pairs but really only cares about two and a half of them. (Sorry, Miki and Kiyo, you’re the half.) That said, the pairings that do get attention are well-crafted. Ayumi, desperate for a story now that the love lives have cooled down, runs a “hottest guy” poll. The prize is a hot springs trip. Kai, who has been struggling to be more affectionate (read: hugs) with an aloof Riko, decides that he’s going to go all out. But of course Takaya is hot too. And there’s upperclassmen as well, right? Who’s the winner? I won’t spoil, but it’s a very amusing choice, and works well for the plot. Good despite Kagura being boring. – Sean Gaffney

Kino’s Journey: The Beautiful World, Vol. 4 | By Iruka Shiomiya, based on the novels by Keiishi Sigsawa | Vertical Comics – Even when telling a story that has a happy, uplifting climax, the writers of Kino’s Journey just can’t help but do a last-minute twist of the knife. The story of a young women who is resolved to show her airplane can fly is such a story, making you punch the air in happiness until we get the crowd’s reaction to the whole thing, which is… not bad. Sort of the opposite, but unsettling. Also unsettling is a short story about a couple grooming their child for a war he doesn’t want to fight in, and a city that revels in the anti-war paintings of a man who lives outside the city… till they hear why he really paints them, and their reaction destroys him. Kino’s Journey wants you to hate war. It succeeds. – Sean Gaffney

Pandora in the Crimson Shell: Ghost Urn, Vol. 12 | By Shirow Masamune and Rikudou Koushi | Seven Seas – So we still don’t have Vlind’s full name—it seems to be VlindXX XXXX, but we do get a little more about her camera crew, who, like Vlind, are also very reminiscent of another series the artist used to draw back in the day. If they’re meant to be Hyatt and Elgala, then Elgala has shrunk quite a bit, though she still has her snark. Meanwhile, Hyatt has not only gained a lot of height but is also now married to Watanabe, if her last name is any indication. It also talks about her health having been bad and throwing up blood, so it’s not exactly being subtle. As for the rest of the manga, well, when I spend the entire review talking about the cameos on the first page, I think you can guess. – Sean Gaffney

Seven Little Sons of the Dragon: A Collection of Seven Stories | By Ryoko Kui | Yen Press – I enjoy Kui’s manga series Delicious in Dungeon immensely, so I was looking forward to reading more of the creator’s work a great deal. After finishing Seven Little Sons of the Dragon, I am convinced that I will sincerely love just about anything created by Kui. Collected in this volume are seven stories that, while unrelated, are all fantastic in nature. A couple explicitly feature dragons (as one would perhaps expect from the title) while the remaining feature mermaids, werewolves, local gods, living paintings, and a family with supernatural abilities. The stories range in tone as well, from the comedic to the dramatic (or some combination of the two), but I would describe them all as touching in their own way. Seven Little Sons of the Dragon is a delightful and highly satisfying collection of short manga showcasing some of Kui’s versatility as both an artist and a storyteller. – Ash Brown

Skip Beat!, Vol. 43 | By Yoshiki Nakamura | Viz Media – As suspected, Momo does NOT get the role opposite Kyoko. Fortunately, it’s because the director wants to use her in a different project. Kyoko is devastated, but has other things to worry about, like an attempt on her life. It happens so fast that I had to go back and reread to see how to got to the roof, but the whole scene is terrific. Meanwhile, the main issue with Kyoko and Ren is they’re simply not communicating well—they think that the other person knows what they mean, but it’s always at cross purposes. As a result, Ren’s in the doghouse again. But given that Skip Beat! looks like it might be trying to rival the length of Glass Mask, that’s not really a surprise. If you haven’t read the previous 42 volumes… well, don’t jump on now. But otherwise, absolutely get this. – Sean Gaffney

A Tropical Fish Yearns for Snow, Vol. 1 | By Makoto Hagino | VIZ Media – Konatsu Amano has just moved from Tokyo to a small seaside town and is on her way to her aunt’s house when she’s drawn to an open house at the high school she’ll be attending. The aquarium club has opened to the public, and while looking around, Konatsu meets kind Koyuki Honami, who happens to be the club’s only member. Pretty and with a reputation for being perfect, Koyuki is actually lonely, and Konatsu is able to relate to her (drawing parallels to a story from literature class along the way) and encourage her not to always pretend things are fine when they aren’t. This is a really low-key story so far, but I do really appreciate that each girl has her strengths and weaknesses and that they seem well suited to support each other. I look forward to seeing how things develop! – Michelle Smith

Filed Under: Bookshelf Briefs

Manga the Week of 12/11/19

December 5, 2019 by Sean Gaffney 2 Comments

SEAN: Are you ready for another big list of things? Of course you are, that’s why we’re here. Will it be accurate or will books get delayed at the last minute? Again?

We’ll try this again: Dark Horse has the 3rd Emanon. They also have the 4th Gantz omnibus.

ASH: I still need to read the second volume of Emanon, but I really liked the first.

SEAN: Denpa Books debuts (no, really, it’s finally here, I saw it at Anime NYC) Gambling Apocalypse Kaiji (Tobaku Mokushiroku Kaiji). This classic title is being offered as a gorgeous omnibus which will literally cut your fingers on the chin of the main character. OK< not really. But it does look great. It ran in Young Magazine, and is filled with smart people making bad choices.

MICHELLE: The Amazon blurb promises “a world of debt, debauchery, and delusion,” which is somewhat intriguing, if not uplifting.

ANNA: It does sound intriguing.

ASH: I am very excited to get my hands on this! (I actually saw it last week at a bookstore in the wild; I should have just picked it up then.)

MJ: I mean “smart people making bad choices” is really all the hook I need.

SEAN: Ghost Ship gives us To-Love-Ru 17-18.

J-Novel Club has the 2nd manga volume of The Master of Ragnarok and Blesser of Einherjar.

But, more importantly, they have the 2nd volume of Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!. Come read more of the light novel that took the internet by storm.

ASH: I’m thrilled that it was recently announced that this series will eventually be released in print, too, which means I’ll actually read it!

SEAN: Kodansha has, last I checked, print volumes of Boarding School Juliet 9, Eden’s Zero 5, Granblue Fantasy 2, Kiss Me at the Stroke of Midnight 10, Missions of Love 19, and Yuri Is My Job! 5. Missions of Love is a final volume. I’ll miss its soap operaness.

ASH: I’ve fallen behind with Missions of Love, but it really is a marvelously melodramatic series.

SEAN: Digitally the debut is Ex-Enthusiasts: Motokare Mania, a josei title from Kiss about a girl obsessed with her ex-boyfriend. Seems on the comedy side.

MICHELLE: So much digital josei these days!

ANNA: Honestly, I can’t keep track.

SEAN: And also 1122: For a Happy Marriage 2, AICO Incarnation 3, All Out!! 11, and Farewell My Dear Cramer 5.

One Peace has a 12th manga volume of The Rising of the Shield Hero.

Seven Seas has a double dose of Arifureta. The 7th novel comes out in print, and we also get Arifureta: I Love Isekai!, the gag comic spinoff.

There’s also Dragon Quest Monsters + 5, the print version of How a Realist Hero Rebuilt the Kingdom 5, The Ideal Sponger Life 4, and Plus-Sized Elf 4.

SuBLime has Seven Days: Monday-Sunday, an omnibus re-release of the title DMP put out ages ago. It ran in Craft magazine, which is not about knitwear.

MICHELLE: I remember MJreally loved this one but I didn’t get around to reading it. I will seize this chance!

ANNA: Aww, I was really hoping for knitwear manga.

ASH: I can think of at least one knitting manga off the top of my head that I would loved to see licensed someday. In the meantime, I’m very happy that Seven Days was rescued and is being brought back into print!

MJ: I was SO excited to note that this was coming out again! I loved it back in its DMP days and I’m not sure I ever got to read its second volume, so this omnibus release is very much welcome!

SEAN: They also have Candy Color Paradox 4.

Vertical gives us a 2nd volume of The Golden Sheep, which reminds me I have been avoiding the first volume and its no doubt incredibly melancholy realism.

MICHELLE: I liked it, for what it’s worth. There’s hope at the end of it.

ANNA: This reminds me that I bought and have not read the first volume.

SEAN: Viz gives us some comedy with Komi Can’t Communicate 4 and Sleepy Princess in the Demon Castle 10.

Lastly, Yen On has a 5th WorldEnd light novel, which is the final volume, though there are short story collections and a sequel series. In addition, Yen Press has the 9th volume of the 3rd Re: Zero arc.

Assuming no release dates change at the last minute, what are you getting next week?

Filed Under: FEATURES, manga the week of

The Water Dragon’s Bride, Vol. 11

December 4, 2019 by Anna N

The Water Dragon’s Bride Volume 11 by Rei Toma

I was genuinely not sure what to expect in the final volume of The Water Dragon’s Bride. While I naturally tend to assume that a happy ending is a given in a shoujo series, this series has explored the nature of humanity through the slowly changing personality of a god. It has also been unflinching about portraying all the petty and dark aspects of human nature, especially the machinations of humans who attempt to take advantage of the divine.

Water Dragon Bride 11

In the end, the final volume of this series has an elegantly constructed ending that allows for multiple moments of closure, another opportunity to ponder the nature of immortality, and some flashbacks that add additional resonance and meaning to the previous volumes. The Water Dragon God’s power is now fading after investing power into Asahi. Before he becomes too weak and disappears, he announces that he will send her back to her world. Asahi decides that she wants to spend time enjoying regular activities like picking berries and going fishing. Asahi, Subaru, and the Water Dragon God enjoy some brief lyrical moments just doing basic human activities. Toma’s skills in paneling and illustration are shown off to great advantage throughout this final volume, as brief wordless scenes convey a depth of emotion that make dialog and description unnecessary.

As the Water Dragon God prepares his farewell, Subaru gets a chance to be heroic yet again, looking out for Asahi and her future in a way that she might not immediately appreciate. Themes of longing and loss are explored as The Water Dragon God moves into a new plane of existence and Asahi integrates back into the life that she’s left behind twice. Overall, this was a tremendously affecting series, with a mystical and elegiac quality that sets it apart from other fantasy shoujo that I’ve read. I hope more of Toma’s manga makes it over here.

Filed Under: Manga Reviews, REVIEWS Tagged With: shojo beat, shoujo, the water dragon's bride

Sword Art Online Alternative: Gun Gale Online: 3rd Squad Jam: Betrayer’s Choice (Part 2)

December 4, 2019 by Sean Gaffney

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

As with most of these volumes, I find that this volume of SAO Alternative starts slow and gradually gets going till a 2nd half that verges on fantastic. The first part of the book briefly checks in with all the other teams, showing us what they were doing while Llenn and company were having their adventures by the train depot in the first part. They all gradually get the same notice: one of them is a traitor, please report to the traitor area for debriefing. The reactions range from vague dissatisfaction to rage to deep sadness, and then there’s Pitohui, who is OVER THE MOON. The story then moves to a massive ocean liner that is grounded on the island… except the island is sinking under the ocean, so gradually it becomes a real boat. Can everyone get to the boat before they drown? Can they defeat this new team made up of “betrayers”? And will the betrayers really work together anyway?

There are some nice moments with characters other than the two leads, I will briefly admit. The soldier that Pitohui fought in the 2nd Squad Jam gets a name and some righteous fury, not that it does him much good. SHINC are still the best huge Russian women who are really cute middle schoolers out there, and I really loved it when Llenn and Eva teamed up – if they can’t have their long-awaited battle (and it’s become clear by now the narrative will ALWAYS stop them in some way), this is almost as good. Fukaziroh is also a lot of fun, with quips at the ready, though she also functions as a good sounding board for Pitohui to actually (gasp!) open up. And the final battle between Fukaziroh and Eva is almost as good as Llenn and Pitohui’s. But not quite. Because, once again, we’re here to read about these two girls and their twisted relationship.

A warning for those who love reading SAO spinoffs but hate Kirito: he’s not in this book, but a flashback shows Pitohui, as a beta tester for SAO, fighting a swordsman who is very clearly him. I’m very glad that Pitohui missed getting trapped in SAO despite what it ended up doing to her already somewhat broken self, as I suspect she would have ended up in Laughing Coffin. (So does she.) But it’s seeing Pito’s vulnerability that’s the best part of this book – admitting to Fukaziroh that she’s terrified of Llenn, her real-life bodies own limits impacting her performance towards the end, and her own latent attraction to Llenn, who is not only cute and lethal (especially when in a rage-filled haze as she is towards the end here) but also in real life tall, athletic, and pretty. Sadly, Llenn still seems to have no interest.

I left out the book’s big spoiler, as it’s a very well done twist. And the ship’s AI was wonderful. Other than that… well, people read Alternative for the gun battles, and there are certainly a lot of those here. I read Alternative for the characters, though, and it was great to see some development with them as well. Will we get a 4th Squad Jam next/ Or something else?

Filed Under: REVIEWS, sword art online

Re: ZERO ~Starting Life in Another World~, Vol. 11

December 2, 2019 by Sean Gaffney

By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

I was sort of expecting this volume of Re: ZERO to be a lot of dying and repeating, and that’s what it is, but we have the added factor, which is good for the reader but bad for Subaru, that things are not repeating in the same way. Due to the nature of Subaru’s Return by Death, every time he dies and comes back the people he needs to convince distrust him more and more as a possible Witch Cultist. Also concerning (and thankfully pointed out by the text) is that Subaru is getting perhaps a little too used to his Return by Death, to the point that his normal emotions are getting a bit flattened. Now, admittedly, the end of the book shows this is not necessarily the case, but if Subaru is going to be a pragmatist I would like him to be one who shouts and waves his hands and is sarcastic to people he dislikes. Grimdark Subaru is not a thing I want.

Having been ignominiously killed by a familiar face at the end of last book, Subaru wakes up in the Tomb, having just completed the first task. He now informs the reader that the one who killed him was Elsa. Remember Elsa? From Book 1? She’s back, and as he finds out when he returns to the mansion again, this time with Ram, she’s there for slaughter and not much else. Even when he can escape her he’s eaten by some sort of beast creature. And things aren’t much better back at the Sanctuary. As I said earlier, Garf is disliking him more and more due to the “witch smell” he gives off the more he returns by death, Roswaal is being very cagey and suspicious (Subaru asks him point blank at one time “are you the enemy?”), and Emilia is sadly still not passing her trial – in fact, she’s barely in this book, much to the annoyance of fans who would like to see her at least try to pull even with Rem.

A lot of this series relies on really good scenes that stick with you long after you’ve finished reading, and here the best of those is at the end of another Bad End in the mansion where Elsa is killing everyone. Subaru is already near death’s door from wounds and missing limbs when he happens upon the door to Beatrice’s library. Unfortunately, he was trying to rescue Rem at the time, so she’s toast. And Beatrice heals him, making it harder for him to go back and die. The ensuing temper tantrum that comes from him is understandable but also awful, and Beatrice’s hurt reaction, and then her enraged response, not only makes the reader feel horrible but also provides very important plot details. I suspect it may be Beatrice who gets development before Emilia here. Also nice to see Petra here again. Let’s give her a hand, people. (Sorry.)

So this was very much still a setup book, being Book 2 of 6 in this arc. There’s a lot of witches I didn’t really get into, including one familiar one who shows up right at the cliffhanger ending. Fans of the series will find a lot to sink their teeth into, though. Just… Subaru, are you OK?

Filed Under: re: zero, REVIEWS

How Heavy Are the Dumbbells You Lift?, Vol. 1

December 1, 2019 by Sean Gaffney

By Yabako Sandrovich. Released in Japan as “Dumbbell Nan Kilo Moteru?” by Shogakukan, serialization ongoing in the magazine Ura Sunday. Released in North America by Seven Seas. Translated by Wesley O’Donnell. Adapted by Sam Mitchell.

I must admit, I’ve seen titles devoted to giving the reader a bunch of fanservice. I’ve also seen titles that are “instruction” manga, where they’re teaching a lesson to the reader, usually via an unknowing protagonist. But, aside from maybe Futari Ecchi, I can’t think of a title that’s managed to balance them fairly equally as much as How Heavy Are the Dumbbells You Lift?, a series that really wants to go into great detail about how to properly work out and gain muscles, but also really wants to show you that it has a bunch of cute, large-breasted young women who frequently bend over, take showers, get very sweaty indeed, etc. It should be terrible, but somehow you get the feeling that, if asked to choose one, the author would jettison the service in favor of the lessons. (They wrote a long series about muscular men, Kengan Ashura, that supports this – though to be fair, if you like heavily muscled men, they are in this title.)

Hibiki is a high school girl who loves to eat, to the point where she’s getting a bit too chubby for her uniforms and swimsuits. She tries running… and gives up. Exercise at home… failure. Clearly she needs something more regimented. So she goes to a local gym. There she is surprised to meet the student council president, who is also there for gym membership. Hibiki, who feels a bit uncomfortable (she’s a “gal” sort, Akemi is the “pure” type), and notices the gym is filled with muscular men being beefy, is about to bail, but then she sees the instructor, Machio, who is a total bishie!… at least till he takes off his jacket, then he becomes a poster boy for beefcake. But Hibiki is smitten anyway, and, with Akemi and Machio helping her, she gradually begins to gain muscle mass (though she’s not losing weight yet) and learn the ins and outs of keeping in shape.

To a large degree this is a comedy. Hibiki is good at reacting to extremely silly situations (she also lampshades the fanservice frequently, even though she’s the most frequent body used) and noticing things like Akemi’s muscle fetish being disturbingly sexual, as well as the fact that Machio’s upper body seems to be a TARDIS. But the advice on weight training really is quite good, and I actually learned a thing or two. Plus, while there is an awful lot of fanservice, it doesn’t ever descend into mean-spiritness, and as I said earlier, the author wants to draw the girls working out just as much as looking hot. We also do see their muscle mass – Hibiki’s friend Ayaka looks at first to be the “normal” one in the group, then it turns out she’s part of a boxing family. (Speaking of which, Hibiki’s own undiscovered strength shows she might want to lean in that direction as well.)

It’s definitely for the male reader, make no mistake, but compared to what I was expecting, I found the first volume of this dumbbell manga to be rather interesting. I’m definitely going to be reading more.

Filed Under: how heavy are the dumbbells you lift?, REVIEWS

Bookshelf Briefs 11/30/19

November 30, 2019 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Let us give thanks for a hearty helping of briefs!

Beastars, Vol. 2 | By Paru Itagaki | Viz Media – If there was any doubt after reading the first volume of Beastars that I would be following the series, it has been completely banished after finishing the second. The sensitive gray wolf Legoshi continues to be a major draw for me, but so is Louis, the driven red deer who becomes an even more prominent character in the second volume (in addition to being featured on the cover). The scenes that the two share together are particularly intense, their contrasting personalities clashing and complementing each other in interesting ways. In part, using the framework of herbivore versus carnivore and the seemingly natural order of things, Beastars‘ narrative explores personal identities that challenge the expectations placed on individuals by a society that tries to neatly categorize them. But people are complicated and relationships are messy, something that Itagaki captures extremely well. Beastars is a dramatic and compelling series; I’m hooked. – Ash Brown

CITY, Vol. 6 | By Keiichi Arawi | Vertical Comics – Again, I feel that Arawi is not playing to his strengths by making this story of a city try to be as broad as possible. It’s best when there’s a through plot we can enjoy, such as seeing the restaurant owner/chef suffer from his cooking being average and his restaurant failing. There’s also some chapters that succeed by showing off amusing faces, such as the one where they try to figure out if one girl is mad or not (she’s not… at first), or trying to tell two identical twins apart when they insist on doing the exact same thing despite yelling about their differences. Unfortunately, when it’s random people doing random gags, it’s merely an average title. I’d like to be able to recall the names of anyone in this the way I can for Nichijou. – Sean Gaffney

Delicious in Dungeon, Vol. 7 | By Ryoko Kui| Yen Press – This volume concentrates on fleshing out the cast and backstory, possibly at the expense of the humor—there’s been less and less each book—but it’s not unwelcome. particularly when we get Senshi’s backstory. Elsewhere, Laios may be a child of prophecy, and he and his group had better find his sister and somehow get her back or the elves will get there first and destroy the entire dungeon… which will lead to massive loss of life. That said, rest assured that there’s still some eating of delicious monsters in this book, which is one reason people started to read it. It’s just that now there’s a plot that is more important. Now that this series comes out so infrequently, each volume is even more of a treasure. – Sean Gaffney

Dr. STONE, Vol. 8 | By Riichiro Inagaki and Boichi | Viz Media – We’re finally leaving the village, as Senku and company decide to take the fight to Tsukasa, which involves building a car. Yes, they build a car. That said, that’s hardly the most surprising thing in this volume, as we’re reintroduced to Taiju and Yuzuriha, last seen seemingly being written out of the manga for being too boring. But now, six volumes later, they’re back, and they’re in Tsukasa’s camp. Which is good, as Chrome has been captured. There’s slightly less science and slightly more action in this volume, but that just helps remind you that this is a Jump title at heart, and it will be nice to see the original three stars back together again. Though can Taiju and Yuzuriha magically get interesting? – Sean Gaffney

Guilty, Vol. 1 | By Ai Okaue | Kodansha Comics (digital only) – Sayaka and Kazu have been married for ten years, but only now has Sayaka actually told him she wants a child. Kazu does not. You’d think they’d have had this conversation over a decade ago! While he initially seems like a kind husband, readers soon learn that he is carrying on an affair with Rui, a woman who has positioned herself as Sayaka’s confidante at the bar she frequents, and is essentially keeping Sayaka trapped in a lie and denying her what she really wants. He’s utter trash, but Sayaka’s hard to sympathize with, as she is all too ready to believe his flimsy excuses. Drama involving GPS trackers, a coworker’s extramarital affair, and Sayaka’s first love ensues. I don’t really like these characters—though I have to admire how conniving Rui is—but I will probably be back for more. – Michelle Smith

Kaguya-sama: Love Is War, Vol. 11 | By Aka Akasaka | Viz Media – The ‘serious’ plots here are Ishigami deciding to try and get serious about studies to woo the girl he likes, only to find out how hard that is when you’ve slacked off for so long, and the cliffhanger ending, where Shirogane reveals what he plans to do about college. There’s also some great stuff with Hayasaka having to once again pretend to be Kaguya’s butler in order to fool Fujiwara. But all that pales next to the extended chapters of rap battles we get which reminds you that when the series is trying to be as funny as possible there’s no equal. This was around when the anime was announced (there’s a chapter lampshading it), and I honestly can’t wait to see these chapters done. Still great. – Sean Gaffney

Melting Lover | By Bukuro Yamada | Kuma – This is a collection of BL short stories with a supernatural bent. In “Bottom of Heaven,” a reluctant hitman is followed by a hedonistic angel who helps his victims rest in peace. In “The Circus After Midnight,” troupe dancer Luce exposes his animal trainer roommate’s most closely held secret after said roommate fails to believe his father figure could be guilty of sexual assault. The best story of the bunch is “Melting Lover,” in which a typhoon carries a shapeshifting blob onto the balcony of Keisuke, who is obsessed with his (straight) senpai from high school. Does he fuck the blob? You bet he does. The worst is “Noisy Jungle,” in which an android tells himself it’s natural to boff his human pet, while clearly thinking of it as an animal. Ick. Overall, though, I liked these dark stories and would read more by this author. – Michelle Smith

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 2 | By Satoru Yamaguchi and Nami Hidaka | Seven Seas – There’s another prose short story at the end of this second volume, which mostly just involves Katarina dreaming she’s in another universe, based on a standard shoujo private school manga, and because it lacks the “fantasy” elements her fate is… far more tolerable? As for the main manga, Katarina’s reactions to everything are the reason to get it, as it can give us all the faces that the light novel art wasn’t able to convey. She meets Maria here, who (to no one’s surprise) falls for Katarina just as hard as everyone else has, and Katarina is just as unaware of it. Still, Maria is still being bullied, so the plot of the game is still happening. A great adaptation. – Sean Gaffney

The Night Beyond the Tricornered Window, Vol. 6 | By Tomoko Yamashita | SuBLime (digital only) – I sometimes forget what an amazing balance Yamashita-sensei strikes between moments of romantic progress between Rihito and Mikado—like the scene where Rihito says, “I’ll help you. As long as it keeps you with me.”—and ominous reminders that Rihito has been through some terrible trauma and is a broken and dangerous person. In this volume, there are some parallels between his plight and that of Erika Hiura, who is trying to get away from the cult leader who’s compelling her to curse people. It was great seeing five to six characters in a scene together all working towards this common goal and feels like we might be heading towards a conclusion fairly soon. I hope Mikado emerges unscathed, but I do love that I am actually feeling some doubt about that. Can’t wait for the next volume! – Michelle Smith

One Piece, Vol. 92 | By Eiichiro Oda | VIZ Media – I was so worried going into this volume that Luffy was going to mess up the plans of the Wano rebels, which involve careful coordination and laying low for two weeks, neither of which he appears capable of. And, indeed, when he thinks Kaido has killed Tama, the little girl with whom he’s bonded, he picks a fight with the Emperor of the Sea. (I did appreciate seeing Luffy laid out by a single hit, though.) He ends up in a labor camp and, actually, this is for the best story-wise as it allows his more competent crewmates to help with the plan instead. It was so nice seeing Usopp distribute fliers, and Franky attempt to track down building plans for a mansion, and Robin snoop around in her geisha guise. I’ve missed those characters! This is shaping up to be a pretty fun arc! – Michelle Smith

Skip Beat!, Vol. 43 | By Yoshiki Nakamura | VIZ Media – I can’t recall there ever being a bad volume of Skip Beat!, but this one was exceptionally good. Kyoko has been cast as Momiji, but Moko did not get the role of Chidori, so Kyoko is worrying a lot about her (and feeling guilty). It turns out, however, that another challenging role has come Moko’s way. I very much love how these friends can talk to each other about their professional setbacks and opportunities. Meanwhile, Yashiro contrives for Ren and Kyoko to spend some time together, but it backfires when Kyoko, still beliving that Ren is in love with the horrible Morizumi, gets so overwhelmed by how he makes her feel that she gets mad. Poor baffled Ren. Still, I can’t help but feel that this is the start of some real progress for them. We shall see! – Michelle Smith

Skull-Face Bookseller Honda-san, Vol. 2 | By Honda | Yen Press – This is a fun title to read, but there’s not particularly much to review here. Honda-san walks us through more problems that Japanese bookstores have, from author signings to employee turnover and reassignments, to the difference between BL manga and gay manga. We meet wholesalers, go to a drinking party, and once again deal with a wide variety of customers, including possible yakuza and those who simply buy 90 pounds of titles and can’t carry them out the door. And there’s also the fact that Honda’s manga is now out, which means trouble when one of the prior plotlines, the customer service coaching one, annoyed the bosses. Still good, but you may want to stick to the anime. – Sean Gaffney

Teasing Master Takagi-san, Vol. 6 | By Soichiro Yamamoto | Yen Press – It’s hard to top the last volume, which contains the two most famous chapters in the series to date. But this volume remains cute as a button, with an extended plotline involving a visit to a water park that shows off Nishikata’s nice side as well as his embarrassed and scheming sides, and reminds you why Takagi likes him so much. Even better is a chapter where she’s depressed (and thus not teasing him) all day, and he tries to find out why and cheer her up. Not that she’s willing to give up her place as the winner of every battle. That said, even the chapter with the eyedrops (which is another “will they try for a kiss” moment) has a tag reminding us these are still innocent middle-schoolers. Which is why this is so cute. – Sean Gaffney

Filed Under: Bookshelf Briefs

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 165
  • Page 166
  • Page 167
  • Page 168
  • Page 169
  • Interim pages omitted …
  • Page 538
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework