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Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Sword Art Online Alternative: Gun Gale Online: 4th Squad Jam: Start

November 28, 2020 by Sean Gaffney

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This book was always going to have a tough time living up to the previous one, and let’s face it: it does not. It’s a pretty good book, especially in the back half once the game starts, but it does show off the big flaw with this series as opposed to its parent: Sigsawa is not as good at writing Karen, Elza, etc. as he is at writing Llenn and Pitohui. He’s here for the gun battles, and all else is secondary (leaving aside the last book, which feels like an aberration at this point). As a result, when we see something that is a huge threat to Karen in this book, it doesn’t really come off as well, because we’re far more familiar with the fast pink blur whose ideal man is her gun (no, literally, she says that here) than the tall awkward rich girl. Things are not helped either by the presence of one of my least favorite Kawahara traits, now borrowed by this author as well: the smug villain who wants the girl to submit to him.

As noted, Karen is at an event her dad is attending, trying to be a wallflower, when she meets a short, fat man who tries to commiserate with her about height. They converse, he leaves, all is good. Then she gets a marriage proposal, which her dad suggests she accept. While this is going on, there’s a new Squad Jam starting. Four people is a bit small, so this time around Pitohui grabs Clarence and Shirley to fill their ranks – though Shirley wants no part of this, really. There are two big problems with this Squad Jam, at least in this first book. The first is that we have added zombie monsters, who are attracted when one of their number is killed by gunfire. The second is that Karen’s wannabe fiancee has shown up in the game – his avatar is just as wish fulfilling for him as hers is for her – and, using her real name, demands that if he beats her she has to go out with him.

So yeah, another smug guy who wants to control the woman he desires in a Sword Art Online book, yay. He doesn’t show up in the back half, fortunately, so I will put off my grumpiness till later. As I said, the back half of the story is better, and I always enjoy seeing how different the teams in the game are to their real-life personalities – Llenn’s team gets waylaid by literal suicide bombers in the Jam, who pose quite a problem, but seeing what they’re really like made it more amusing than anything else. Our team shows off good teamwork as well – minus Shirley, who cannot let go of her grudge towards Pitohui (who, to be fair, fuels it) and Clarence, who is a big goofball and not much else, frankly. And then there’s Llenn’s constant effort to finally have a showdown with SHINC, which – no surprises – gets derailed by the cliffhanger, showing, I suppose, that money can’t buy happiness, but it comes close.

So it’s a setup book where I’m not that fond of the setup. Still, Sigsawa knows how to write his gun battles. And this one is a 3-book arc, so I’d better settle in.

Filed Under: REVIEWS, sword art online

The Intuition of Haruhi Suzumiya

November 27, 2020 by Sean Gaffney

By Nagaru Tanigawa and Noizi Ito. Released in Japan as “Suzumiya Haruhi no Chokkan” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Been a long time, hasn’t it? In fact, this is my first time reviewing one of the novels, despite my Haruhi Suzumiya tag being filled with manga, 4-koma, and alternate universes. Not that this is a novel either. The first book to come out since 2011 is a collection of three short stories; one short, one medium, and one long. In terms of writing style and narrative voice, it’s a welcome return to form. Kyon sounds exactly like he always does, making arcane references to obscure topics in his metaphors while also professing to be the dumb one in the group. That said, I will note that anyone who is reading this wanting to see what happens after the Sasaki books, i.e. actual plot or character development, is going to find this quite lacking. There is a token mention of those books at the end of the final story, but for the most part that is not what Tanigawa is here to do. What is he here to do, you may ask? Tell us about Ellery Queen and John Dickson Carr.

The first short, Random Numbers, features the SOS Brigade visiting shrines, and has the only Kyon/Haruhi ship tease in the book. It’s cute. The second short story, Seven Wonders Overtime, is the weakest. The Mystery Club brings news that the school has no “seven mysteries”, aka Toilet Hanako, piano that plays by itself, etc. The Brigade tries to think of interesting but explainable mysteries before Haruhi can create more dangerous ones. The final story is the longest, taking up over 2/3 of the book. Tsuruya’s Challenge is, as I noted before, a love letter to the early 20th century mystery writers who loved to create mysteries that were essentially puzzle boxes, and Koizumi and T (a new character, member of the mystery club and owner of a very short nickname) spend ages extolling their virtues to the point that readers may grow tired. After this, though, they get a number of emails from Tsuruya which tell anecdotes from her trips with her rich father and also have a secret inside them.

The book works best if you’re a fan of Tsuruya, adding a lot of background to her character while also keeping it essentially the same. (No, we don’t learn her first name.) I was also fond of T, who is a great new character, and her calling Kyon “Kyam” makes me smile. Given the nature of the final story involves both the cast and the reader figuring things out, I will not go into too much detail, except to say that there is a LOT of Koizumi and Haruhi theorizes for pages and pages. One of the two afterwords in the book is a tribute to the Kyoto Animation creators for the Haruhi anime who perished in the fire. I suspect that (plus possibly Endless Eight) has led Tanigawa to write a story that would be very, very difficult to film in a way that a) makes things interesting, and b) does not give away its secrets. Kudos to Andrew Cunningham, by the way – this must have been an absolute bear to translate.

This is a hefty Haruhi book (not counting the 10-11 omnibus, only Book 7 is longer), so readers are getting good value for money. Whether they appreciate that value is another matter. As for me, I’m just happy to see the author writing again. The series is left open, so I hope it is not another nine years before the next in the series.

Filed Under: melancholy of haruhi suzumiya, REVIEWS

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 4

November 26, 2020 by Sean Gaffney

By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Jordan Taylor.

Once again, I found this volume to be easy, peaceful reading, and once again I am at a loss to explain why as every time I try to describe it it sounds terrible. The same issues that plague previous books crop up here. The first half of the book features nothing happening. The main character has the personality of a herring, and yet has every single character in the series fawning over him. The battles are exciting, provided your idea of exciting is ‘reading other people’s transcripts of MMORPG fights”. Picking the proper stat is serious business. And, of course, everyone is horny on main for our hero but have generally agreed among themselves not to do anything (which is why when the married lady flirts with him they all team up to get upset). But again, there’s also nothing that immediately grates on me, nothing that says “OK, that did it, I now have an excuse to drop this”. It is serviceable wish-fulfillment of the highest order.

Arihito and company are still on the seventh floor, but have been making a bigger and bigger name for themselves. They’re still having trouble as the larger group on the floor, Beyond Liberty, are taking over the main hunting grounds and blocking others from going there. Oh yes, and they have a man whose skill is almost literally “pick up artist” who is a clear traitor. Something has to be done… after opening another cool treasure chest, choosing new skills, upgrading weapons, and getting a snazzy wool suit – and a gun, in case this wasn’t bad enough. They also need Beyond Liberty to go too far, which it does, and introduces yet another named Monster who is incredibly dangerous and who the main forces cannot remotely defeat. It’s up to our heroes, with the special guest Seraphina (again), to get the job done.

I know that we’d seen kids in this world before – indeed, Melissa is explicitly said to be the child of a human and demi-human – but I was still startled to see Daniella, a very pregnant adventurer, fighting on the front lines. Of course, it turns out that Beyond Liberty, like Elitia, has their own reasons for wanting to advance as fast as possible, but it does remind you that adventuring is the big thing here, and you either keep doing it constantly or you stagnate… which much of this floor has already decided to do. Ads for Arihito’s party, while everyone keeps praising him almost to the point of making one ill, the fact that his position is “rearguard” does mean that it’s the women in the party who get to do the really cool things. We are seeing some character development in Suzuna and Misaki, and they are very much becoming a family, albeit one that feels “warm” whenever their patriarch sleeps behind them.

So yeah, still not great. But it delivers what readers probably want, and if it tried to do something new and different it would likely be a disaster. Next time we see then going on a vacation, which means we should see even LESS happening. Fun times.

Filed Under: REVIEWS, world's strongest rearguard

Shortcake Cake Vols 9 and 10

November 26, 2020 by Anna N

Shortcake Cake Volumes 9 and 10 by suu Morishita

There’s around 5 volumes of revelations and drama packed into these two volumes of Shortcake Cake, but one of the advantages of finally finding out the truth about Riku and Rei’s relationship at last is that seeing the backstory and the emotional aftermath as Riku and his friends attempt to deal with their new reality inspires feelings of empathy in the reader. Morishita is adept at portraying a great deal of emotional nuance as the characters in Shortcake Cake start to puzzle out who they are and how their relationships are evolving.

The 9th volume opens with Shiraoka telling Ten and Chiaki the circumstances surrounding Riku’s past. It turns out that Rei’s mom, who was a teacher, adopted Riku after a student of hers left him as a baby in her classroom. Rei was a much-wanted child after a long struggle with infertility. While Rei’s parents tried to raise both boys with equal amounts of affection, Rei grew up attempting to establish his big brother bona fides even though Riku was only one month younger. Rei signed up for extra lessons in an unsuccessful attempt to get approval from his grandfather, who just seems flat-out emotionally abusive because he hates the fact that his daughter even got married in the first place. Rei’s resentment grew and grew, and when his parents died in a tragic car accident, he took the opportunity to kick Riku out. Shiraoka promptly took him in and raised him as an older brother. Aspects of Riku’s personality such as his sometimes ingratiating manner and desire to please but not actually get close to anyone are explained through the events in his past. When Riku’s long-lost older sister shows up at the boarding house he’s confronted with the choice of connecting to his biological family. The core of the story is how Ten and Chiaki are determined to continue to support Riku along with Shiraoka. While Rei has totally been a jerk, it is also clear that he’s lashing out in pain and unable to move on and find any kind of peace within himself.

One of the nice things about this volume is seeing Chiaki’s relentless overtures of friendship towards Riku and how he’s changed after hearing Riku’s story. Chiaki has avoided his overbearing older brother, but after seeing how Riku’s family broke down he’s decided to face his own family again. When Chiaki proclaims about Riku “I love him! He’s my one and only best friend!”, Riku says to himself that Chiaki is an idiot and Shiraoka responds “You’re pretty lucky to have met such a good idiot.” While Riku’s adoptive family might have been torn apart, he’s managing to put a found family together by finally allowing his friends to get to know him, and seeing this evolution take place over 10 volumes of Shortcake Cake is rewarding for the reader. While Riku goes on a visit to Chiaki’s family, Ten attempts to intervene with Rei. As this volume races towards a dramatic confrontation, I’m hoping that both Rei and Riku are able to find some sort of peace. Shortcake Cake‘s stories of found family combined with sibling estrangement make for a gripping story, and it is great to see how the core trio of Ten, Riku, and Chiaki have evolved together through their friendships.

Filed Under: Manga Reviews, REVIEWS Tagged With: shojo, shortcake cake, shoujo, viz media

Manga the Week of 12/2/20

November 26, 2020 by Sean Gaffney, Anna N, Michelle Smith, Ash Brown and MJ Leave a Comment

SEAN: It’s the last month of the year… what are we seeing, manga and light novel-wise?

Bookwalker has the 13th volume of The Ryuo’s Work Is Never Done!.

Dark Horse debuts Mob Psycho 100: Reigen, a one-volume spinoff of the original that ran in Ura Sunday.

ASH: I’m curious about this one.

SEAN: In print, J-Novel Club has two debuts: an omnibus version of the Infinite Dendrogram manga, and an omnibus of the Otherside Picnic light novels! Both contain the first two volumes. There’s also I Shall Survive Using Potions! 3 and In Another World with My Smartphone 13.

Digitally, J-Novel Club gives us Banner of the Stars 4, How NOT to Summon a Demon Lord 13, and Invaders of the Rokujouma!? 34.

They’ve also got manga digitally, including the manga debut of Bibliophile Princess, featuring one of my favorite fluffball heroines. There’s also the debut of Record of Wortenia War’s manga, and A Very Fairy Apartment 5.

Kodansha’s print debut is Mashima HERO’S, a crossover between three of the author’s biggest series: Rave Master, Fairy Tail and Eden’s Zero.

ASH: Somehow missed hearing about this one until now.

SEAN: Also in print: the 41st and final volume of The Seven Deadly Sins.

ASH: That was quite a run.

SEAN: There are two digital debuts. One is a Shaman King spinoff, The Super Star. It takes place after Flowers, and is still ongoing in Shonen Magazine Edge.

The other debut is The Invincible Reincarnated Ponkotsu (Ponkotsu ga Tensei Shitara Zongai Saikyou), a reincarnation isekai whose summary is so stupid I may actually give it a try. It runs in Suiyoubi no Sirius, and is probably glorious trash.

ASH: I have been convinced to read things for similar reasons in the past.

SEAN: Also out digitally: Altair: A Record of Battles 23, Cells at Work: Bacteria! 6, Chihayafuru 23, Ex-Enthusiasts: MotoKare Mania 5, Otherworldly Munchkin: Let’s Speedrun the Dungeon with Only 1 HP! 2, and Smile Down the Runway 16.

ANNA: I’m so far behind with Chihayafuru but I continue to be glad it is being released.

MICHELLE: I share your gratitude. Also, Ex-Enthusiasts: MotoKare Mania is a fun josei series that I’ve enjoyed so far.

SEAN: Seven Seas has two debuts. The Kingdoms of Ruin (Hametsu no Oukoku) runs in Mag Garden’s Comic Blade, but honestly it sort of lost me when I saw the words “revenge fantasy”.

The other debut, and done in one, is How Many Light-Years to Babylon? (Babylon Made wa Nan-kounen?), a comedy sci-fi story from the creator of The Voynich Hotel. This one I’m far more optimistic about, especially as it won the Seiun Award, the Japanese equivalent of the Hugo.

ASH: Oh! This sounds like one I should definitely check out.

SEAN: There’s also a 10th Akashic Records of Bastard Magical Instructor, A Certain Scientific Accelerator 11, the 11th Didn’t I Say to Make My Abilities Average?! (digitally), and Skeleton Knight in Another World’s 5th volume (manga) and 7th volume (light novel).

Vertical has the 6th Bakemonogatari manga, with a lovely snek on the cover.

No debuts from Viz, but some quality titles. We see Chainsaw Man 2, Demon Slayer: Kimetsu no Yaiba 19, Dragon Ball Super 11, Jujutsu Kaisen 7, One Piece 95, Queen’s Quality 10, Skip Beat! 3-in-1 14, Spy x Family 3, Twin Star Exorcists 20, Vampire Knight: Memories 5, We Never Learn 13, and Yona of the Dawn 27.

ANNA: Always happy for more Yona of the Dawn, Spy x Family, and Queen’s Quality.

MICHELLE: Indeed, several favorites for me among that lot. I’m especially keen to read the next volume of Yona, as the last ended on quite a pivotal moment.

ASH: Those three series are at the top of my list, too. I also plan on reading more Chainsaw Man.

MJ: I’m behind, but I have been a fan of Queen’s Quality, so I really should pick that up!

SEAN: Yen On debuts Reign of the Seven Spellblades (Nanatsu no Maken ga Shihai Suru), which is yet another magical academy series but also comes highly recommended.

Also from Yen On: Bottom-Tier Character Tomozaki 5, Is It Wrong to Try to Pick Up Girls in a Dungeon? 15, and My Youth Romantic Comedy Is Wrong As I Expected 10. The last of which has been delayed several times. As I expected.

Two debuts for Yen, though one is not really: Kingdom Hearts III, the manga has its first volume.

The other is Eniale & Dewiela. If you ever wondered what the creator of Witch Hat Atelier would do if she was told to make something akin to Panty and Stocking with Garterbelt, then this is the title for you. It’s 3 volumes total, and ran in Enterbrain’s Fellows! and Harta, two magazines which always earn an automatic purchase from me.

ASH: I’ll definitely be on the lookout for a copy of this!

MJ: Interesting!

SEAN: And there is IM: Great Priest Imhotep 6, Kakegurui Twin 8, Murcielago 16, Phantom Tales of the Night 6, and Puella Magi Madoka Magica: The Different Story: The Complete Omnibus Edition.

ASH: I’m a couple volumes behind on Phantom Tales of the Night, but I have been enjoying it.

SEAN: Anything here catch your eye?

Filed Under: FEATURES, manga the week of

Bleach: Can’t Fear Your Own World, Vol. 2

November 23, 2020 by Sean Gaffney

By Ryohgo Narita and Tite Kubo. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Jan Mitsuko Cash.

There was a lot in the first volume of Can’t Fear Your Own World, Ryohgo Narita’s sequel to Bleach, which made me nostalgic for the good old days of the popular Bleach franchise. This second volume, on the other hand, kind of makes me nostalgic for the bad old days of the Bleach franchise. That’s not to say this book is not well written – it’s quite good at what it does. But there’s a very, very large chunk of the middle of the book that can be summed up as “some guys fight, and some more guys show up to interrupt the fight, then different guys fight while the first fighters watch, and then new people show up to interrupt THIS fight”, etc etc., until there are about 25 or so people all standing around watching a very small boy on top of a very large monster get excited. And, gotta admit, this is also the Bleach experience. Love it or hate it, Bleach would not be Bleach without epic fights that take forever with no real purpose.

The book can essentially be divided into two parts. Back in Karakura Town, Hisagi is interviewing Urahara for his ongoing news report about the events of the last few months, and also sort of trying to get some information out of him. Sadly, they are interrupted by Aura, a Fullbringer who seems to be connected to the Big Bad of this volume, and whose powers are not really like the other Fullbringers we’ve seen before. (Did you know Orihime was a Fullbringer? No? Never heard it mentioned before this book.) She’s taking advantage of the main cast of Bleach being out of town (they are rescuing Karin and Yuzu from some unnamed issue) to do what Tokinada wants. Back in Soul Society, as I noted before, everyone wants to fight everyone else. This ends up dragging together Soul Society captains (Shinji, Kenpachi, Shunsui), Arrancar (Tia, Nel, Grimmjow), Quincy (I can’t remember any of them), and Fullbringers (Tsukishima, Ginjo, etc.), and they all team up to go try to stop the Big Bad, if only as he’s unlikely to let them fight each other.

As you can see, a lot of this book relies on you remembering what happened in the Thousand Year Blood War arc, which I am not. I cannot tell any of these goombaws who Mayuri has resurrected and essentially made into his gofers from another, and honestly even if I did, the text would not read much differently. In Baccano and Durarara!!, Narita just barely manages to make his huge cast memorable – sadly, here he’s working from Kubo’s prior failure at it. On the bright side, every page or two has an amusing fun bit that will make you smile and keep you reading. Hiyori shows up, and is exactly as you’d expect her to be – she’d kick the reader in the shins if she could. Urahara manages to be very in character, and uses the same stupid written in blood message AGAIN (as I said, very in character). And take a shot every time someone wishes Ichigo were there, except no, do not do that.

This book is HUGE, twice the size of the first one, and absolutely did not need to be that long. But, well, if you’re writing something true to the Bleach experience, go big or go home. I expect next volume will mostly consist of one giant fight over the course of 290 pages. I also expect Grimmjow will STILL not get to fight Ichigo.

Filed Under: bleach, REVIEWS

Unnamed Memory, Vol. 1

November 21, 2020 by Sean Gaffney

By Kuji Furumiya and Chibi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Sarah Tangney.

It has become increasingly rare in the Japanese light novel world to find a straightforward novel that can be called “fantasy”. Oh, the light novel market is riddled with fantasy novels, to the point where, 3-4 years ago, having anything licensed with non-supernatural content was a huge surprise. But they’re not the sort of fantasy I mean. Either they’re all based around game mechanics, or they’re literally trapped in a game-style worlds. And then there’s the Infinite Isekais, be it reincarnated souls or just “I was in my classroom and now I have a sword and three hot young girls” sorts. But there is something to be said for simply having a normal fantasy. Magic has rules, yes, but they aren’t the rules of Casting from MP. Our hero has a curse, but it’s not draining his HP bar. And that’s what we’re getting with Unnamed Memory, the story of a prince with a curse and the witch who’s trying to break it, and also the story of how the two of them are made for each other, even if she’s not admitting it yet.

Prince Oscar is our hero, and he has a curse: a witch cursed his family when he was a boy so that any woman who had his child would die. Now 20 years old and one of the strongest in his kingdom, he goes to another witch, rumored to grant any wish to those who can climb to the top of her tower, and ask her to break the curse. That said, once he meets the witch, Tinasha, he has a better idea: she can marry him, as witches are strong enough to break this curse. She refuses to do that, but she does agree to spend the next year with him at the castle, at first as the “witch’s apprentice” and then, once her cover is blown, out in the open. Over the course of the book they solve mysteries, defeat ancient evils, fend off threats from other countries, and banter. The banter is the reason to read the book.

First up, I will say I wish that we’d had a bit more depth to Oscar at first. We get to know him a bit better as the book goes on, but at first I trusted him about as much as Tinasha does, and it’s easy to see why she brushes off his constant attempts to get her to marry him. Tinasha fares slightly better, although her past is also mostly suggested in this first book. There’s also a couple of unpleasant scenes, one being a dream – brought on by the drug of another witch – which leads to him having to strangle Tinasha, a rather ugly solution I thought could be handled differently, as well as one attempted assault on her when Oscar gets jealous. I mention these as the things I didn’t enjoy, mostly because the rest of the book is otherwise excellent. A very good supporting cast, some cool battle scenes, and the interplay between the main cast is very well done indeed. The book reads smoothly and makes you want more.

So I wasn’t over the moon with it, and I think I need another book or two to like Oscar as much as the author wants me to, but otherwise I can see why this was one of the most anticipated LNs of the year. Especially recommended for those tired of the usual game stats light novels – this has none of that.

Filed Under: REVIEWS, unnamed memory

Outbreak Company, Vol. 15

November 19, 2020 by Sean Gaffney

By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha Light Novels. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

Last time, I said that I was tired of ending each volume of Outbreak Company wondering when it would come to an end. I guess they heard me, because this is definitely the start of the endgame. For one thing, leaving aside his horny dream fantasies (which seem to be written to give the artist an excuse to draw the girls naked in an otherwise relatively serious story), Shinichi seems to be taking a bit more seriously the fact that he has three different girls in love with him. Unsurprisingly, most of his thoughts on this involve Myusel, the obvious front runner. If they do become a couple, can they go back to Japan? She is half-elf and not a citizen, after all, and while the Japanese government is happy to help Shinichi while he works for them, he suspects that this help would dry up if not turn against him. That said, given they overheat merely holding hands at the moment, baby making is still something only in dreams for now.

The main plot involves Elvia’s kingdom of Bahairam suddenly turning into a disaster area, with constant earthquakes and buildings turning into pillars of fire. The reason seems to be whatever is in the “Dragon’s Den”, a secret facility, but those who know of it aren’t talking. Even worse, Myusel’s mother is delivering supplies to the Kingdom and ends up getting trapped in the devastation. She asks Clara and Amatena to immediately go and get Shinichi, who is the one person who might be able to fix this. How? We’re not sure, and neither is he. But now the rest of the cast (sans Petralka, who is unable to get away from the basic need to rule her kingdom) head out to find out what the heck is causing this and if there is any way of stopping it. And things get even more confusing when they meet an android replica of Theresa Bigelow, a North American army officer.

There have been hints of the big reveal planted throughout the series, and they’re especially blatant here, as the first chapter opens with Shinichi showing his class a copyright-altered Planet of the Apes to demonstrate to them the idea of those “kinds of endings”. It does make things a lot more interesting, and is handled very well. There’s also some cool action scenes, though again the author’s habit of throwing in constant nudity whenever he can is a bit irritating, especially when our heroes are being surrounded by “the nekkids”, as Minori calls them. Speakoing of which, this volume changes viewpoints quite a bit, and it’s nice to hear from people other than Shinichi’s POV, though I admit it’s not always that easy to see who’s narrating at first. And, fantasizing aside, Shinichi and Myusel are very cute here. Again, I still think if this ends with a choice at all it will be Myusel.

So a very good book in general, and should lead nicely to the next one to end the arc. The series ends with 18, though there’s a short story volume after that that I’m unsure will be licensed. If you’ve been reading this series all along, there’s no reason to stop now. Also,l I’m fairly certain you cannot gain a handle on military strategy just by reading Legend of Galactic Heroes, Petralka.

Filed Under: outbreak company, REVIEWS

Manga the Week of 11/25/20

November 19, 2020 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: Happy Thanksgiving! Please be safe when you celebrate it!

Cross Infinite World gives us the 2nd volume of Another World’s Zombie Apocalypse Is Not My Problem!, which surprises me, as I thought it was a standalone. Though perhaps it surprises me less because it was on last month’s list – it got bumped.

Dark Horse Comics has two deluxe volumes – Vol. 6 of Berserk and Vol. 2 of Hellsing.

ASH: I plan on getting my hands on that deluxe Berserk volume.

SEAN: Ghost Ship has a trio of titles, as we see Fire in His Fingertips 2, World’s End Harem 9, and Yuuna and the Haunted Hot Springs 11.

ASH: Fire in His Fingertips is definitely one of the spiciest josei manga being released in print right now.

SEAN: J-Novel Club debuts The Bloodline, their first attempt at pulling a Cross Infinite World and licensing direct from the author – this isn’t out from a Japanese publisher yet. The plot sounds a lot like Our Last Crusade, but with vampires.

There’s also a pile of other titles. By the Grace of the Gods 5, Cooking with Wild Game 10, Demon Lord, Retry! 5, Full Metal Panic! 9, The Greatest Magicmaster’s Retirement Plan 7, the 11th and final volume of Kokoro Connect, My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! 2, and My Next Life As a Villainess 8.

No print debuts for Kodansha, but some new volumes. We see I’m Standing on a Million Lives 8, Noragami: Stray God 22, Sayonara Football 2 (the final volume, though also see Farewell My Dear Cramer), The Quintessential Quintuplets 11, The Witch and the Beast 2, and Yuzu the Pet Vet 4.

MICHELLE: Man, I’m already so far behind on Yuzu the Pet Vet.

ASH: Likewise!

SEAN: SEAN: Digitally there is a debut. Am I Actually the Strongest? (Jitsu wa Ore, Saikyou Deshita?) is a reincarnation isekai that runs in Suiyoubi no Sirius. A reincarnated kid is abandoned for being weak. But is he? Is he really? No word on whether the author’s high school bullies play the villains here, but it’s possible! That is typical of the genre.

There’s also Cells at Work: Baby 2, Farewell My Dear Cramer 12, Maid in Honey 3, My Best (♀) Butler 3, Orient 8, Shaman King: Red Crimson 4 (the final volume), The Slime Diaries 4, and When We’re in Love 2.

Seven Seas has a massive amount of stuff. Let’s start with the debuts. Days of Love at Seagull Villa (Umineko Sou Days) is a Comic Yuri Hime title about a spurned fiancee who runs away, and the single mom who runs the housing complex she runs to. No relation to Umineko: When They Cry. Probably. It’s from the creator of I Married My Best Friend to Shut My Parents Up.

MICHELLE: This looks really good!

ASH: It does! I’m looking forward to giving it a try.

MJ: Could be interesting.

SEAN: Kageki Shojo!! The Curtain Rises is a one-omnibus shoujo manga that originally ran in a not-shoujo venue, Shueisha’s Jump Kai!. It’s about the lives of two Takarazuka girls. There is a sequel, as yet unlicensed, still running in Japan, this time in Hakusensha’s Melody.

MICHELLE: This looks really good, too!

ASH: Yes, it really does! In fact, it’s probably one of the releases that I’ve been most looking forward to this year.

ANNA: I’m intrigued by this for sure.

MJ: Same here!

SEAN: Two light novels we’ve seen digitally already also make print debuts: The Saint’s Magic Power Is Omnipotent and The Sorcerer King of Destruction and the Golem of the Barbarian Queen. We also get the 2nd volume of each of those series digitally.

Also due out next week: Adachi and Shimamura 3 (print) and 4 (digital), Citrus+ 2, D-Frag! 14, Dungeon Builder: The Demon King’s Labyrinth is a Modern City! 3, Gal Gohan 5, GIGANT 3, Harukana Receive 6, High-Rise Invasion 15-16, Magical Girl Site 13, My Senpai is Annoying 3, Neon Genesis Evangelion ANIMA 4, PENGUINDRUM 3 (manga version), Scarlet 2 (the final volume), and Species Domain 8. A large number of these have been out digitally for a while.

Tokyopop has the 7th volume of Futaribeya: A Room for Two.

Vertical has the 14th volume of Witchcraft Works. They also have the digital debut of the final volume of Katanagatari.

Yen On only has three volumes, but one is a doozy. The Intuition of Haruhi Suzumiya is the 11th volume in the light novel series, coming out digital-only (for now, print will follow) in North America at about the same time it’s out in Japan. The last volume in the series came out in English almost 7 years ago to the day. It’s been a while. Now, this is merely three short stories, but hey, it’s nice to see Haruhi back again – rumors of the author’s crippling writer’s block were worrying.

ASH: It has been some time! I never got around to reading them all, but I did enjoy the Haruhi novels that I made time for.

SEAN: They’ve also got The Asterisk War 14 and Sword Art Online Alternative: Gun Gale Online 7.

On the Yen Press side, no debuts, but we get Breasts Are My Favorite Thing in the World! 2, Bungo Stray Dogs 16, Is It Wrong to Try To {Pick Up Girls in a Dungeon: Sword Oratoria 13 (manga version), Overlord the Undead King-Oh! 5, and Teasing Master Takagi-san 10.

Give thanks for manga! And again, stay safe. Masks, please.

Filed Under: FEATURES, manga the week of

A Certain Magical Index SS, Vol. 1

November 18, 2020 by Sean Gaffney

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Prowse.

Despite its name, and despite the fact that Yen On is releasing it after the main Index series, this is not particularly a short story volume. Instead, it’s four interlinked plot threads, which are presented as distinct chapters – he’s done this before. In Japan this came out between the 13th and 14th volumes of the main series, and it takes place there as well, with most of the cast worrying about what seems to be an inevitable war with the Roman Orthodox Church (which, to be fair, does happen). I am happy that we are finally seeing it here, though I will admit that a lot of its events would have had more impact if it had come out in its proper place. In particular, this volume introduces one of the main protagonists of the series – though honestly you’d never know it from the book itself, as he doesn’t even appear till 4/5 of the way in, and gets taken out by Touma like garbage. Which melds nicely with the book’s themes.

Introduced in this book: Shiage Hamazura, the aforementioned third protagonist. Sasha is also seen here as herself, rather than in “I am possessed by Gabriel” mode, though thanks to the Russian equivalent of Laura Stuart she’s walking around in a fetish outfit. We also meet Komaba Ritoku, though he sadly has the misfortune of running up against Accelerator, so he’s killed off here. He shows Accelerator the picture of a girl he’s trying to protect – his sister? Well, he’s dead now, so we will never know the identity of this mystery girl… well, unless Yen licenses New Testament. This volume also helps to solidify GROUP as part of the dark side of Academy City, and shows that they can grumpily work together when they want to – though they don’t here, as Accelerator and Musujime Awaki get their own separate fights.

There’s silliness at the start (how does Touma manage to pat Aisa on the back and knock her bra off?), which also leads to one of the few deliberately funny jokes in these books which usually try to be funny and fail – Touma’s heartfelt “I’m going to start studying English!” is a big LOL. Most of the book is introducing us to Skill-Out, a group of Level Zeroes trying to wreak havoc. Later books show them off as well, but, as Touma yells at Hamazura, they could have chosen to protect the weak (and indeed we see Komaba was doing this), instead of basically being a bad biker gang with explosives. We also meet once more Mikoto’s mother, the self-proclaimed “bisexual-disaster cougar”, who is also there for humor (not as funny) but also to possibly pull Mikoto out of Academy City due to impending war. Fortunately for the Railgun’s romantic prospects, Touma manages to impress her mom enough that she decides to leave her there. And, of course, Touma gets to punch the villain, in this case Hamazura, though notably instead of “breaking that illusion” he says Hamazura can break his own illusions himself.

So overall, this is very good setup for books 14-22, and you might want to go back and read those again if you have the time. Next time we’ll get the second SS book, which I understand is far more of a short-story volume than this one was, although I imagine they’re probably all interconnected as well.

Filed Under: a certain magical index, REVIEWS

Strike the Blood, Vol. 16

November 17, 2020 by Sean Gaffney

By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

After the last volume, which as I noted was “Strike the Blood: The Movie”, the first third of this book is very jarring indeed, as it seems to reboot the series with an entirely different cast. Kojou is on a different island – with his memories wiped – and has a different guardian, different companions, and they seem to spend their days learning how to be attack mages and dungeon crawling. He occasionally has brief flashes of his old life, but for the most part remains blank about it. And all is well, apart from the very obviously evil teacher and the fact that the ghost of Yukina keeps showing up and scaring students. Needless to say, it turns out that Kojou is NOT on a series reboot, but is instead trapped in a game – sort of. Also not really. The actual plot manages to bring back an organization from much earlier in the series, as well as the girl now dedicated to wiping out said organization. And, needless to say, has lots of cool fights.

The most interesting thing in the book is the introduction of Shizuri, Kojou’s new Watcher in this other world and the Girl Of The Book. It’s interesting that it starts off with her being a blatant Yukina clone, almost to the point of parody, but that actually ends up being what makes her work for me. OK, Shizuri is more ‘tsundere’ than ‘kuudere’, but in other ways they are much the same. This makes it easier to care about her more than the other two members of Kojou’s class group, who don’t have obvious analogues. Her backstory is suitably tragic, and, needless to say, she gets her blood drunk by Kojou at the end, meaning she is probably going to be added to the harem pile, which is already ridiculously high. I do wonder how she’ll fit in with the rest of the cast, particularly as the series has now ended in Japan, so we’re not far away from the final volume.

The reappearance of Yuuma is also a surprise, mostly as I’d forgotten she existed – as had most readers, I imagine. She is a refreshing dose of cool in a series whose heroines mostly tend to live or die on how much they can be angry at Kojou, though it’s unclear whether she’s merely back for this volume or will turn up again. I will argue that I was sort of hoping that one of the big plot beats of the last book – Nagisa now knows Kojou’s secret – would be brought up here. Having her hospitalized a month later and not really talking with anyone except Shizuri is kind of kicking the problem down the road. And, as always, the author’s attempts at humor are not very funny. “haha, you’re going to have to repeat a year because of constant saving the world” is eyebrow-raising, not laugh inducing. Though I was amused that 6 months in the other world taught Kojou to study.

Anime fans may be more spoiled than novel fans on the next book, as it appears to finally bring in the Children From The Future. Till then, this was a better than average Strike the Blood.

Filed Under: REVIEWS, strike the blood

Bookshelf Briefs 11/16/20

November 16, 2020 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

A Bride’s Story, Vol. 12 | By Kaoru Mori | Yen Press – Being at a yearly schedule for this series is bad, but it could be worse: Yotsuba&! seems to come out every 3-4 years. The best part of this volume sees Mr. Smith and Talas meeting up with Anis and Sherine, a married couple that, as before, remains defined by the lack of husband in their lives. He’s there, to be sure, but this may as well be a yuri couple for all the emotional beats. Also, learning how to write everyone’s name is very awesome and cathartic. Elsewhere, Karluk is reminded that everyone has different skill sets, and Pariya has to deal with unexpectedly being on her own. The “plot” of the series barely exists, and I’m not sure it will last till Karluk comes of age. But it’s peaceful and the art is gorgeous. – Sean Gaffney

Cherry Magic!: Thirty Years of Virginity Can Make You a Wizard?!, Vol. 1 | By Yuu Toyota | Square Enix – With a title and conceit like Cherry Magic!, I’ll admit I wasn’t expecting much from the series, so I was delighted to encounter a surprisingly charming and lighthearted first volume. After turning thirty without experiencing so much as a first kiss, Adachi finds that he can now read people’s minds when he physically touches them. The ability can occasionally be helpful, but in general he tries to avoid using it. Things take an awkward turn when he bumps into his coworker Kurosawa, inadvertently learning he’s been hiding a crush on him. Kurosawa is a popular and nice enough guy, but Adachi, being romantically inexperienced, isn’t quite sure what he should do with his newfound knowledge—especially considering that Kurosawa hasn’t actually mentioned anything about liking him yet. Cherry Magic! is a silly but sweet romantic comedy; I had fun reading it and would happily read more. -Ash Brown

Farming Life in Another World, Vol. 1 | By Kinosuke Naito and Yasuyuki Tsurugi | One Peace Books – If you liked everything about In Another World with My Smartphone but wish that the magical smartphone had been replaced with a magical farming tool, have I got a series for you. Most of the plot beats are even the same, although Hiraki manages to get it on with most of his wives a good 20 or so volumes before Touya. Despite that last sentence, those who are buying this for the “snu snu” will not be happy—it’s far more interested in the farming, as well as his accumulation of wolves, spiders, and brides. I’m honestly not unhappy that we only got the manga version of this—I suspect it would be tedious in prose. As it is, it’s perfectly good slow-life isekai with a farming bent. – Sean Gaffney

Himouto! Umaru-chan, Vol. 11 | By Sankakuhead | Seven Seas – This is the penultimate volume of the original series, though I understand there are several spinoffs. That said, there’s nothing here indicating that we’re headed for a big finish or climax. Which makes sense—this is not really that kind of series. It does show us how Umaru and Ebina met, which is as cutesy as it sounds. Indeed, cutesy is the watchword for every single chapter. Even the sibling relationship friction, which was what drove many of the early volumes, seems to have been dialed way back as they’re mostly getting along now. It’s a good sign that the series should be wrapping up, really, and so it is. That said, if you love Umaru-chan, this should make you happy. – Sean Gaffney

Revolutionary Girl Utena: After the Revolution | By Chihi Saito | Viz Media – I am, to put it mildly, not a fan of the original Utena manga. So I was initially incredibly uninterested in this 20-years-later single-volume afterword. That said, it does not seem to even take place in the same universe—it feels like Saito was told to make this an anime sequel more than a manga sequel. Good news, this means Juri is gay again. Not surprisingly, I found the Juri/Shiori/Ruka story the most interesting, though I still hate Ruka more than the creators want me to. Elsewhere, Touga and Saionji turn into Scooby Doo investigators, and Miki and Kaoru are still really into incestual subtext. I still prefer Artistic Veggie Platters as an Utena continuation, but this is OK. – Sean Gaffney

Teasing Master Takagi-san, Vol. 10 | By Soichiro Yamamoto | Yen Press – The “future” chapter showing Nishikata and Takagi married and having a daughter was wildly popular with readers. We don’t get another in the series here—by this point there was a spinoff all its own to take care of that—but we do see an older Chi in middle school, trying to be what her mother was with the guy she likes and failing miserably. It’s pretty adorable. As for the actual cast, they pet dogs, go fishing, eat candy, and make everyone think they are the most sickeningly sweet couple you’ll ever meet without actually being a couple. There’s no “plot advancing” chapters here, but there’s lots of cuteness, and Takagi is the most likeable of the “teasing” girls we see a lot of these days. – Sean Gaffney

That Blue Summer, Vol. 8 | By Atsuko Namba | Kodansha Comics (digital only) – Rio’s days in the tranquil village of Ueko are coming to an end. She has ended things with Ginzo because it was too hard, knowing they could never be together long-term, and tries to put on a brave face about going back home to Tokyo. But once she gets there and tries to move on, it’s clear she’s just going through the motions. I really liked that I wasn’t sure that the main couple would actually end up together, and also that the romance between a couple of side characters wasn’t just filler but a way to put things into perspective for Rio. What I liked most, though, is why Ginzo loves Rio—she’s the one who encouraged him to embrace his passion for graphic design, who created opportunities for him that boosted his confidence. This has been one of my favorites of the Kodansha digital-only shoujo offerings! – Michelle Smith

Yoshi no Zuikara: The Frog in the Well Does Not Know the Ocean, Vol. 1 | By Satsuki Yoshino | Yen Press – Despite my good intentions, I have yet to read Barakamon. And so I must ask… is this what Barakamon is like?! ‘Cos it’s good as hell! Naruhiko Tohno is a struggling manga artist who still lives in the remote village in which he was born and raised. He’s been writing fantasy manga for ten years and isn’t exactly gung-ho when his editor suggests he try writing rural slice-of-life instead, but it ends up selling far more than his previous series. I definitely enjoyed the segments about Tohno and his life growing up, particularly the obvious links between his middle-school friends and classmates and the characters in his manga, but I’m a little sad that we don’t spend more time with the characters in his manga, because they were totally charming, too. Guess I gotta go read everything in English by Yoshino-sensei now! – Michelle Smith

Yowamushi Pedal, Vol. 15 | By Wataru Watanabe | Yen Press – I mentioned as I was reading this that it’s astonishing that Watanabe has not turned his hand to horror manga, given everything about Midousuji in this volume, which is simply mind-numbingly creepy. That said, wow, he’s a good cyclist, and he likely will help to goad Naruko into becoming more well-rounded. Elsewhere, we learn how difficult it is to find new members who are as good as the old ones—the previous year was unusual, after all—and also not to abandon a potential member just because you judge them at first to be not worth your time. I hope to see more of our new huge son. It did feel weird that this volume did not have a major race in it, but I’m sure that’s coming soon. – Sean Gaffney

Filed Under: Bookshelf Briefs

Re: ZERO ~Starting Life in Another World~, Vol. 14

November 16, 2020 by Sean Gaffney

By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

I’ve always been a fan of Emilia, so have been inclined to cut her more slack than she possibly deserved, as those who’ve seen my other reviews know. That said, I get the feeling that for most Re: Zero fans, reading Emilia has sort of been like me reading Subaru in the first six books – screaming at her and wondering why she’s so bad at everything. This has only been underlined in this fourth Arc, which supposedly was going to give far more focus to Emilia – to the point of writing the other main love interest out of the story entirely – and then she spends the first three books sobbing on the ground, unable to get past a test that Subaru sails through. Of course, Subaru’s ‘overcome your past’ was, let’s be honest here, not the hardest test in the world. And at least he remembered it. Emilia’s past has a tragic centerpiece, and she’s also had her memories erased to boot – learning all of this with no emotional support would break a lot of people. Luckily, she now has that emotional support.

As you can see by the cover art, we get most of Emilia’s backstory here, though some elements (who her birth parents are) are still left clouded. Her aunt Fortuna, though, who raises Emilia as a daughter, is 100% pure awesome, and also… has Subaru eyes, something that causes me concern but I’m not going to dwell on it too much. And next to them on the cover is… yeah, that’s Petelgeuse, known mostly as Geuse here. He’s not quite what I was expecting, being fairly overdramatic and self-loathing even before said tragic events. I am grateful we got a lot of Emilia being cute here, showing her as a typical curious kid who does not enjoy being locked in a tree all day. This is balanced out by the present-day Emilia and Echidna watching the events as they happen, with Echidna being very irritated at how well Emilia is taking everything. They have the best dialogue in the book.

Meanwhile, while waiting for Emilia’s test to finish, Subaru, Garfiel and Otto confront Roswaal, who is still not willing to give an inch, despite some things happening that his book does not talk about. As long as the book ENDS the same way, he says, that’s enough. There’s some funny stuff here, mostly involving Roswaal’s reaction to Otto, but it’s clear that if they’re going to stop Elsa and her fellow animal-tamer assassin from killing everyone at the mansion, they’re going to have to do it themselves. Fortunately, Garfiel much better at fighting than Subaru is. We also got more backstory here, provided by Shima and the Ryuzus (which sounds like a girl group; from the 60s) showing the backstory of the Sanctuary, Echidna’s past with Roswaal, and most importantly Beatrice’s relationship to all of them. If Subaru is going to succeed, he has to get Beatrice away from her library, and given that’s the cliffhanger ending to this book, it’s a tall order.

The arc ends with the next book, but there’s still a lot to solve. Can Subaru end this with no deaths? Can Emilia pass the 2nd and 3rd Trials? Will the reader even see the 2nd and 3rd trials? (Signs point to no.) And will Roswaal finally be forced to give in and support Emilia for real? Can’t wait to find out.

Filed Under: re: zero, REVIEWS

Owarimonogatari: End Tale, Part 03

November 15, 2020 by Sean Gaffney

By NISIOISIN and VOFAN. Released in Japan by Kodansha BOX. Released in North America by Vertical, Inc. Translated by Ko Ransom.

It’s been a long detour since we last saw Koyomi Araragi getting brutally murdered by Izuko Gaen at the end of the short story volumes. We’ve seen how Ogi came into his life, why he got so disaffected in his first year of high school, and finally finished up with everything he was doing in that very busy August. But now we’re FINALLY ready to wrap up all the plot points that have been bubbling under for the entire series. The history and state of the town ever since Kissshot Acerolaorion Heartunderblade arrived one year previously. The string of oddities that have popped up ever since, particularly Nadeko Sengoku’s transformation into a snake god. The “darkness” that erases things that break the rules, which removed Mayoi Hachikuji from the series. But mostly, everything Ogi has done ever since she arrived. Can Araragi wrap this all up? Despite being dead? And can he pass his exams? Heck, can he even go on a date with… um… what was her name again?

Oh right, Senjogahara, who graces our cover, and who is quick to point out that it’s been so long since she’s had a major role in the series she’s forgotten her character. Before we get to her, though, we get Mayoi Hell, where Araragi, as all vampires do, goes to Hell, meeting Mayoi there (she’s there for dying before her parents) and going on an extended recap of his life. This serves to remind him of his tendency to save the girl, and that if he had to do it again he’d do the exact same thing. After a long explanation of what’s been going on (he had to die to get rid of his vampirism, Gaen’s gonna revive him), and a brief “do I deserve to live” that gets the punching from Mayoi that it deserves, he returns… with Mayoi, who he basically kidnaps in a leglock. Which is very him. Aside from my usual issues with Mayoi (the “lol he’s sexually harrassing a grade schooler and it’s funny!) stuff, this was alright, though it suffered from endless exposition (more of that later).

Next we get Hitagi Rendezvous, the “sweet” center of the book, where Senjogahara takes Araragi on a date, something they have not done since Tsubasa Cat waaaaay back at the start of the series, and attempts, through various date activities, to get him to swear one thing for the rest of his life. Sadly, she keeps losing. This has some of the best writing in the series, apart from a brief interlude with Ogi interrupting Araragi’s dream (he falls asleep at a planetarium) to provide more exposition (more of this – yes, even more – later). Senjogahara has never been the tsundere she claims to be – she’s too straightforward for that – but here she does have some very odd push/pull dynamics, as she’s clearly dressing in a “Hanekawa” way as she thinks that’s what he finds attractive, but is also discussing their future together to the point of naming their daughter (Tsubasa, which Araragi finds “heavy”, and I think Hanekawa would agree). The ending of this one is the high point of the book.

This leaves Ogi Dark, where we finally get the true nature of Ogi revealed. It makes sense within the series – indeed, clever readers may have guessed it already – ties in with the series mythology, and also allows the basic conflict of “what do we do with aberrations” to come into play. Gaen, Hanekawa, Meme Oshino, and Ogi Oshino all have different ideas on how to deal with them. Unfortunately, sometimes they lead to bad things, as we saw with Ogi’s manipulation of Nadeko. Gaen tries to convince Araragi to take care of Ogi once and for all… treat her like the “Darkness” she’s pretending to be. But, of course, Ogi is not only the main villain of the series, and Araragi’s dark mirror (more on that next book), but also a girl that needs saving. Despite also getting bogged down in exposition (always a danger with Gaen in the story), the ending to this part was excellent, even giving us a “happily ever after”.

So my main complaint is the wordiness of the backstory and exposition (which isn’t going away) and the lolicon jokes (sadly also unlikely to go away), but for a series finale it’s mostly a winner. We even get a hint as to why Ogi is still around for Kanbaru’s book, and why’s he’s a guy in that one. That said, we aren’t QUITE done with Araragi – the final final book in this arc, End Tale (cont’d), is due out soon.

Filed Under: monogatari series, REVIEWS

The Reincarnated Prince and the Twilight Knight

November 14, 2020 by Sean Gaffney

By Nobiru Kusunoki and Arico. Released in Japan as “Herscherik” by M Novels. Released in North America by J-Novel Club. Translated by Adam Seacord.

The second volume in this series pretty much picks up where the last one left off. There’s serious political intrigue. There’s tragic death and despair. There’s good old-fashioned sleuthing. And there is virtually none of the sort of thing that you’d expect in a reincarnation isekai – about the only thing that stands out is Herscherik briefly going all Marielle Clarac on us when he sees the titular knight and his former best friend (the first prince) angsting at each other and starts to ship them – though the text takes pains to tell us, over and over, that Ryoko was not a BL shipper per se. That, and the occasional scene where Hersch does something bad and Kuro yells at him, is the closest we get to humor in this series, which is far more concerned with showing us how HARD it is to change a corrupt world. Even when you discover the secret and stop the bad guys, you realize that there are bigger bad guys behind them who got away.

The titular Twilight Knight is that red-haired brooding man on the cover (OK, the one in the foreground, I clarify). Octavian is the 3rd son of the country’s most famous war general, and was easily the most talented of his children. Friends with the eldest prince, a lovely fiancee he adores, what could be better? Then his fiancee dies suddenly, and finding out why and how sends him spiraling into despair. Not, two years later, Herscherik is looking for a knight to protect him (every prince has one), but would rather not have a sycophant or someone only interested in his name. Octavian, who is trying out for the position as he’s being forced to by his family, seems like just the man. But can Hersch manage to awaken his spirit and get him to be the best knight he can? And can they stop the drug that killed his fiancee from making a comeback?

The majority of the plot, as you can see, is dealing with Herscherik as a 5-year-old 7th prince of the realm. But the most interesting stuff here may be on the Ryoko end of the equation. We get a few more glimpses of the life she had in Japan, and it’s clear that she was the type of employee who was overworked to death because she was competent enough to be given more. Herscherik is shaping up to be exactly the same. There’s also an oracle who is consulted at one point who not only gives our heroes the clue they need to solve the mystery, but also seems to be able to see that Hersch has the soul of a woman from another world inside him – something that is supposed to be impossible for this world. A far cry from the usual isekai “we summon heroes all the time” schtick. And Hersch is also starting to trust more people, which is helpful but also means more people are realizing he’s not your typical five-year-old boy.

So, as I noted, in the end our heroes win, sort of, but the main problem still exists. Which is good, as there are more volumes to come. For those who enjoy a good adventure series, this is right up your street.

Filed Under: reincarnated prince herscherik, REVIEWS

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