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An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 11

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series is trying its hardest to keep a good balance between the light-hearted romantic comedy that the majority of its readers are here for and the increasingly dark backstory that is constantly threatening to become the front story as well. That continues in this book, which has an awful lot of Zagan and Nephy being incredibly blushy and goofy around each other, wearing each others clothes, being in each other’s dreams, and generally being the most adorable couple around that haven’t even gotten to first base yet. Contrasted with that is the increasingly doomed Alshiera, the plotting, sinister or otherwise, of the various other archdemons, and the continued horrors being piled upon Dexia and Aristella. Fortunately, with one or two exceptions, this remains very readable overall, even if you are only in it to see when these two lovebirds will finally get it on. (Spoiler: don’t hold your breath.)

The main plotline involves Lilith, who is a succubus that controls dreams. She’s able to give Zagan and Nephy a shared dream (that, oddly, shows them in a Japanese high school) and is also trying to rescue a boy who is stranded in a nightmare. He’s connected to Alshiera, who is still slowly dying from events in previous books, and is trying to show everyone that this is fine and that she’s content with it, ignoring the fact that there are others who are absolutely not content with it. To make matters worse, Zagan and friends may have found Azazel, who is also in Lilith’s dreamland, and is likyly going to kill Alshiera once and for all. And, perhaps worst of all, Foll is going around asking everyone what they think about love. Is there someone actually interested in her? Or is she just a normal girl? (Well, a normal powerful dragon girl).

Describing the plot is somewhat difficult, as you can tell from the preceding paragraph, but it holds together pretty well. One irritating negative is a new character is introduced, and there is some anti-trans humor about them, so be warned. Still sadly very popular in Japanese manga and light novels. Lilith is, for the most part, taken seriously, and proves to be pretty awesome when she tries. I especially liked Alshiera gently trying to push Lilith away and get her to accept Alshiera’s death, and Lilith basically saying “nope, fuck that, gonna save you”. Zagan is also awesome as always, though there is worrying evidence that he’s pushing himself too hard that may come up in future books. Oh yes, and Kuroka gets drunk and horny on catnip wine. Let’s ignore that.

The series seems content to meander along, both in its romantic plotlines and its more serious fantasy-based plots. And we’re caught up with Japan, meaning we’ll likely be waiting even longer for the next book. Still, if you enjoy archdemons and elfs being super cute together, and don’t mind the occasional tonal crash when the bad guys have a scene, this remains a good series to be reading.

Manga the Week of 1/27/21

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SEAN: The end of January still has some choice titles coming out.

Seven Seas has rolled out its Airship imprint, so given I separate Ghost Ship titles I should probably do the same with Airship. Next week we get ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword! 2 in a digital-first edition.

ASH: I’m really curious to see how the Airship imprint evolves.

SEAN: Cross Infinite world has the 2nd volume of Hello, I am a Witch and my Crush Wants me to Make a Love Potion!.

A bunch of Ghost Ship titles, including Destiny Lovers 5, Parallel Paradise 4, Welcome to Succubus High! 2, and Yuuna and the Haunted Hot Springs 12.

J-Novel Club’s debut is one that manga fans will have seen before, as Seven Seas has been releasing the manga. The Ideal Sponger Life, where a young man gets isekai’d to another world so that he can be the husband of the reigning Queen. This is definitely one of those “come for the romance, stay for the politics” titles, and I look forward to it.

Also from J-Novel Club: Black Summoner 3, Mapping: The Trash-Tier Skill That Got Me Into a Top-Tier Party 3, and My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! 3. Three is a magic number?

Kodansha has two print debuts, though one has been out before digitally. Orient is the newest title from the creator of Magi, Shinobu Ohtaka. They’re in Shonen Magazine rather than Shonen Sunday, but despite that, it doesn’t seem to have more fanservice…

ASH: I plan on giving this one a look eventually; I’ve really enjoyed what I’ve read of Magi.

ANNA: One of these days I need to read all of Magi.

SEAN: The other debut is Sachi’s Monstrous Appetite (Ano Hito no i Ni Wa Boku Ga Tarinai), which runs in Morning Two. A boy loves his tall classmate, and she likes him too… because he smells delicious! Turns out she’s a monster, and monsters are drawn to his scent. Fortunately, she agrees to protect him rather than eat him. I admit I might pass on this if it weren’t in Morning Two, a magazine I respect.

ASH: There is that!

SEAN: Also in print: Fire Force 21, Magus of the Library 4, The Seven Deadly Sins 41 (the final volume), and Yamada-kun and the Seven Witches 23-24, which is not only in 2-in-1 status but is also now on a YEARLY schedule. Does it really sell that badly now?

ASH: Magus of the Library has impressed me with how much reality has been accurately incorporated into its fantasy. It looks good doing it, too!

SEAN: Digitally our debut is My Unique Skill Makes Me OP Even at Level 1 (Level 1 Dakedo Unique Skill de Saikyou Desu), which runs in Suiyoubi no Sirius. There’s a bunny girl on the cover, and the “hero” is way in the background. Should tell you everything you want to know about this.

Also out digitally: Am I Actually the Strongest? 3, Maid in Honey 5, My Best (♀) Butler 5, The Great Cleric 6, What I Love About You 2, and When We’re in Love 4.

Seven Seas’ debut manga is The Demon Girl Next Door (Machikado Mazoku), a 4-koma series that runs in Manga Time Kirara Carat. A teenage girl wakes up one morning with demon horns and a tail, and is told her job is to defeat the magical girl. Unfortunately, her power is… kind of like that of the first boss who gets killed off in Episode 3. Could be cute, could be dull.

Also from Seven Seas: The Conditions of Paradise: Azure Dreams (the third in that series), Cutie and the Beast 2, How NOT to Summon a Demon Lord’s 10th manga volume, and Our Teachers Are Dating! 2.

MICHELLE: I hadn’t even managed to read the first Cutie and the Beast yet!

ASH: I’m liking the series, so far, and will be picking up the second volume to see where it goes.

ANNA: I’m with Michelle, I’m already behind on Cutie and the Beast.

SEAN: Square Enix tries to blast us with long titles, as we get The Misfit of Demon King Academy: History’s Strongest Demon King Reincarnates and Goes to School with His Descendants 3 and The Strongest Sage with the Weakest Crest 3. (What is it with Vol. 3s next week?)

Vertical has the 11th volume of To the Abandoned Sacred Beasts.

Yen On has the 2nd light novel volume of High School DxD. Still banned from Kindle!

Yen Press did a lot of very last minute delays when I did Manga the Week of last week, and then un-delayed them even more last-minute, so some titles I didn’t mention are already out. Angels of Death 11, IM: Great Priest Imhotep 7, and the debut of Re: Zero’s 4th arc, The Sanctuary and the Witch of Greed, in manga form. Don’t be surprised if I say the same thing next week.

For actual next week stuff, Yen Press has a sort-of debut – this was released chapter by chapter ages ago, and is now getting a collected-in-one omnibus. Grim Reaper and Four Girlfriends (Shinigami-sama to 4-nin no Kanojo) ran in Gangan Joker. A nebbish guy avoids being killed by the Grim Reaper by declaring he’ll live life to the fullest from now on. He writes a confession letter… in fact, he writes four of them, knowing they’ll turn him down. They all accept. Welcome to four-timing! Gotta say, this does not sound great.

ASH: Hmmm.

SEAN: Speaking of omnibuses, there’s also Cirque du Freak: The Manga, which is getting a new omnibus edition. Warning: Darren Shan. (Indeed, in Japan the manga was CALLED Darren Shan, as the author’s pen name is also the main character’s name.)

Also from Yen Press: Fiancée of the Wizard 2 and Hakumei & Mikochi: Tiny Little Life in the Woods 8.

ASH: I meant to give the first volume of Fiancée of the Wizard a read, but haven’t actually done that yet. Better get to it before I get too far behind!

SEAN: Lotsa interesting stuff. Anything for you?

Otherside Picnic, Vol. 4

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

Last time I talked about the fact that the narrative voice in this series is Sorawo’s, and how that makes the character of Toriko more intriguing. After this book, I’ll go even further and say that the narrative of Sorawo is vital to what makes Otherside Picnic so good, and that it’s even better because it can’t be trusted. In the first story in this book, Sorawo worries that she and Toriko are becoming desensitized to horror, but quickly shoves that off to the side, which is a shame, as yes, she absolutely is. More to the point, the horrific urban legends that she and Toriko are seeing are starting to be personally aimed at her, to the point where 3/4 of this book takes place in the “real world”. Sorawo’s past is not a pleasant one, and this book wants to remind her of it and, if ,possible, drag her back into it again. And then there’s Toriko, who is finally able to get Sorawo to stop denying what’s really, really obvious.

There are four short stories here. Two are good (1 and 3), two are great (2 and 4). The first sees our girls joining Migiwa and the rest of his organization in cleaning up the remains of the “farm” where Sorawo was kidnapped, and finding several Otherside creatures and booby traps along the way. The second sees Sorawo being threatened by something in the apartment next door to hers, to the point where she’s forced to stay first with Akari (to the displeasure of a jealous Natsumi) and then Kozakura, before finally confronting the source with Toriko. The third story sees the two (plus Kozakura) at a hot spring, which is mostly Toriko trying to make her feelings clear but also involves a brief brush with mannequins. Finally, after getting their APV upgraded, Sorawo and Toriko spend a night in the Otherside… at a crumbling and abandoned love hotel, where Sorawo’s past finally catches up with her and tries to get her to make a tragic choice.

I joked on Twitter about how Sorawo made a deal to have all that urban legend knowledge (her bookshelves are RIDICULOUS) at the expense of being unable to recognize lesbians, which is not really true, but it feels like it at times. She doesn’t seem to quite get why Natsumi is jealous of her staying with Akari, and the first half of the book has the usual uncomfortable denial of Toriko’s feelings. After a while, though, it becomes more clear that Sorawo really does know what Toriko means, but is too busy being scared and self-loathing to confront it. She can say ‘I love you and want to spend the rest of my life with you” here, but that’s not quite the same thing as what Toriko wants – Toriko wants physical affection. It’s not clear where things go from here, but after confronting her past again in the Otherside (that kerosene bit – brrrr), I do think they’re in a better place to actually be in a relationship.

The anime is airing as I type this, and seems to be leaning more into “cute girls doing cute horror things” than I’d like, but for those who would like a bit more terror and a bit more yuri, this volume fits the bill perfectly.

Bookshelf Briefs 1/20/21

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Goodbye, My Rose Garden, Vol. 3 | By Dr. Pepperco | Seven Seas – Last time I said that this series never quite tipped over into melodrama, but let’s face it, that’s what happens here. I mean, it’s good melodrama, and you really feel the tortured emotions of these girls who just want to be able to love each other. If I’m honest, the fact that this series has a happy ending feels a bit unrealistic given everything that’s been stacked against them since the start, but that’s OK, because it fits the work emotionally, and no one wants to see this end with someone visiting another’s grave. If you enjoyed Emma but wish it had more lesbians, Goodbye, My Rose Garden should be right up your street, and I always enjoy seeing Japanese authors write Victoriana. – Sean Gaffney

New Game!, Vol. 10 | By Shotaro Tokuno | Seven Seas – Kou is back and in charge, and the most interesting part of this volume was her decision to make Aoba the main character designer for the new game, even though she’s not the most talented artist in the room. Sometimes you just want a style. Elsewhere, Kou and Rin’s relationship continues to be “Rin is as blatantly gay as possible, Kou does not get it, but it’s getting more and more blatant by the volume,” and I figure a dam has to break at some point. As for the others, Nene is promoted to full-time employee after, of all things, an airsoft battle, and we see some of the aftermath of the previous game the team released, including some BL doujinshi popping up. This is cute, and nothing else, but it is very cute. – Sean Gaffney

The Night Beyond the Tricornered Window, Vol. 7 | By Tomoko Yamashita | SuBLime (digital only) – I don’t think there’s any currently running series that leaves me quite as desperate for the next volume as Tomoko Yamashita’s thoroughly excellent The Night Beyond the Tricornered Window. In this volume, we have Mikado learning to value the safe places he has had in his life while shying away from being Rihito’s safe place, various people trying to dig up information about the professor, Erika’s mother finally growing a backbone and urging her daughter to run away while she can, and many not-so-subtle hints about the professor’s true identity. There’s a lot of plot, there’s a lot of emotion, and there are a lot of striking visuals. I love it so much and am bummed that it recently ended in Japan. At least there’s a forthcoming anime adaptation to look forward to! – Michelle Smith

Practice Makes Perfect, Vol. 4 | By Ui Hanamiya | Kodansha Comics (digital only) – There’s a bit less sex in this final volume, mostly because it is a final volume, and we have to wrap up all the plot threads that are not “let’s treat sex like practicing for a sport.” I was pleased to see that the manga made all the right choices. There’s a brief “I’m jealous the girl I love spends her days surrounded by hot guys,” but it doesn’t last and the hot guys are all rooting for him. I will admit I *hate* very public proposals, but if I can get over that, it was sweet. Best of all, Nohara is forced to choose between getting married or her career… and she chooses the career, going to Italy for two years and enduring a long-distance relationship. They even both get Olympic golds! Though not in sex. I hope this sees print; it was great. – Sean Gaffney

Pretty Boy Detective Club, Vol. 1: The Dark Star That Shines for You Alone | By NISIOSIN and Kinako | Vertical – As someone who can appreciate both pretty boys and mystery novels, I was intrigued by Pretty Boy Detective Club. Actually, I am still intrigued by the premise and think it would probably make a fun anime. As a light novel, though, I really wasn’t a fan. This first book in the series is told from the perspective of Mayumi Dojima, self-proclaimed “extreme contrarian,” who enlists the aid of a group of eccentric middle-school detectives in finding the elusive star she saw ten years ago. Mayumi’s narrative voice is not particularly enjoyable to begin with, but also because we’re following her, we see absolutely nothing about how the boys investigate her case and almost nothing about the boys themselves, except superficial things and one recurring joke about how one of them is in love with a first grader. I truly did want to like this but ultimately it merits only a “meh.” – Michelle Smith

Queen’s Quality, Vol. 10 | By Kyousuke Motomi | Viz Media – New arc starts here, with more than one snake possessing people and wanting out. Unfortunately, one of those snakes is in Kyutaro, and does in fact get out at one point, which leads to a scene that manages to be both scary and sexy, because he attacks Fumi late at night when they are both, not to put too fine a point on it, rather horny. Honestly, this is one of those series that’s worth reading for the art alone—it’s simply terrific here, especially when we get to see how badass Fumi can be, wielding both a sword and a headbutt with equal perfection. It looks as if we’re going to have snake vs. snake battling next time, which hopefully will not lead to clan vs. clan. I always enjoy when a new volume is out. – Sean Gaffney

Sacrificial Princess and the King of Beasts, Vol. 11 | By Yu Tomofuji | Yen Press – The kidnapping arc finally wraps up, with a lot of action and also a lot of heartfelt debate about what it means to be a good leader, including a glorious scene where Sariphi plays Fenrir like a fiddle, telling him “his majesty would come to where I am” knowing that it will get him to do it as well. After a very bloody battle, which takes up most of the middle of the book, His Majesty is so worn down he actually gets ill enough to turn human… a dangerous thing given that he’s in his chambers. Fortunately, he has his queen by his side. Also fortunately, there’s another wonderful battle scene, mock this time, between Lanteveldt and Jormungand. This remains a highly underrated shoujo series. – Sean Gaffney

Snow White with the Red Hair, Vol. 10 | By Sorata Akiduki | Viz Media – I always seem to fall behind with this series—as I review volume ten, volume eleven is due out—but reading it always reminds me how much I enjoy it. For one thing, we finally get Kiki’s backstory, and I enjoyed it—it’s not tragic, and she’s on relatively good terms with her father. The issue is that she’s being told to get married and return home, and she’s not ready to do either yet. The manga seems to be shipping her and Mitsuhide hard, but I dunno. As for our title character, she’s as happy as can be right now, which is perhaps ominous given this series is 21 volumes and counting, but it’s nice to see. Unless you’re an Obi shipper. Of whom there are a whoooooole lot. This is still wonderful. – Sean Gaffney

We’re New at This, Vol. 1 | By Ren Kawahara | Kodansha Comics (digital only) – This comes from the creator of Ao-chan Can’t Study, so the fact that it’s all about sex is not particularly surprising. More accurately, it’s all about our newly married couple NOT having sex—they’re childhood friends, and do love each other, but are both rather embarrassed about the idea, and both easily can “not be in the mood” if things aren’t perfect. The volume—and likely the series—involves them trying to get the other one into the mood. Best part of the manga is the wife, Sumika, who is the ‘deadpan stoic’ sort, which makes it funnier that she’s a rather horny newlywed. The husband, Ikuma, is alas more of a standard nerdy drip. Still, there’s enough fun here for me to read more. – Sean Gaffney

Sword Art Online, Vol. 21: Unital Ring I

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This is the first book in the “main” Sword Art Online series that was not adapted from the webnovel that Kawahara wrote years earlier. As such, it’s the first one where we should have raised expectations, and for the most part the book delivers on those expectations. No, sorry, Kirito haters, he still gets to have the big climactic finishers, but honestly, if you’re a Kirito hater but still reading Sword Art Online at Volume 21, I’m going to put the blame on you there. And, if it helps, he spends most of the book in just his underwear. That said, the prose feels smoother, the cast all get things to do that don’t involve mooning over Kirito, and some of them even get really cool things to do on their own, without Kirito at all! Yes, that’s right, More Deban has finally paid off, if only for Silica. As for the plot, well, let’s take all the SAO-style games in the world and dump all its players in a blender? Sounds about right.

We pick up in the fall, a few days before Asuna’s birthday and a couple of weeks before Kirito’s. After having to essentially spend an entire month doing homework because “I was in a coma after being stabbed, but it’s a state secret” is a poor excuse for your high school teacher, Kirito is back at his log cabin preparing to help Liz and Silica do some grinding. Unfortunately, right after Asuna and Alice arrive (yes, Alice is now a regular, and is trying to get a dragon mount in ALO), a huge system crash causes all of Aincrad to disintegrate. Our heroes are barely able to steer the falling cabin to a water landing, but it’s still pretty smashed. Worse, they appear to be inside a new game, Unital Ring, which has taken over ALL the games that use Kayaba’s “Seed”, and promises a huge reward to whoever gets to the goal. But Unital Ring is a survival game, where you have to make your own rope and knives, and our heroes are suddenly level 1. Can they figure out what’s going on? More importantly, can they save the cabin?

I will admit, it’s a lot of fun seeing Kirito depowered through a large chunk of this, though of course by the end he’s starting to get back in business. Honestly, the book feels like he’s been reading his fan mail and taking its advice. Kirito and Suguha/Leafa, for the first time in the entire series to date, actually feel like an older brother and younger sister. Yui, in the new Unital Ring, is back to being a real live girl… though that also means she has real HP. It’s not a death game per se, but apparently when you’re killed off you can’t get into the game again, so there is a lot of tension for our heroes. And then there’s the last four pages, which I will try not to spoil. But really, if you’re Kawahara and are starting to write the first non-webnovel book in the main series, what’s the very first thing you’re going to import from the other works? Correct. The other character introduced is a bit of a “I won’t tell you about her till the next volume”, but Accel World fans may find their name very familiar, especially those who just read the last volume in December.

Unfortunately, we’ll have to wait a bit longer to see the outcome of that double cliffhanger, as Vol. 22 is a short story volume, containing four short stories that were released as exclusives with various DVD anime packages in Japan. That said, one of the characters who showed up for the cliffhanger will be in the first of those short stories. In the meantime, I was very pleased with this SAO. Let’s keep it up.

The Demon Sword Master of Excalibur Academy, Vol. 2

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

I am, as readers of this site well know, easy to please. This can sometimes be a bit frustrating when I have series that don’t do anything particularly wrong, but are also not particularly stellar. The Demon King Master of Excalibur Academy falls under that. I will admit that I find the fact that the Demon King is in a 10-year-old body irritating, but it is mostly avoiding fanservice and groping, so that’s not a big enough reason to move on. The books are short, the prose is readable, the girls get things to do, and the battles are pretty cool, so boxes checked off there. That said, this really isn’t going to be making anyone’s top 10 light novels list anytime soon. There was an argument recently about whether using the word ‘generic’ is pejorative, and yes, it probably is, but there’s no word that better fits the series than this. It’s like eating a slice of bread. No butter, no jam. Just the bread.

The Academy is put on the back burner for this volume, with the biggest class-related event happening being that Leonis skips class. There’s a good reason for this, though – a huge ship is arriving carrying the Fourth Princess, who is paying a visit. Unfortunately, a horde of void creatures break out as she arrives, causing those who have gathered to see her to have to be evacuated onto the ship. Also unfortunately, this turns out to be a plot by terrorists, who are there to kidnap the princess and gain more equality for beastmen. Also also unfortunately, the terrorists have a mole in their ranks who has her own agenda, which is “kill everyone by having the ship slam into a reef, so that she can get her hands on a bunch of demon swords. Fortunately, Leonis and the girls from the first volume are there to stop them.

One of the interesting things in the series is the fact that it’s post-apocalyptic, and not very far away from it either. This allows Leonis to be thoroughly confused at how much has changed since he was alive, and also allows the book to constantly be interrupted by monster attacks, which are well-written but also mean that there’s not much actually happening here, even with the short page count. We do get a few revelations about Regina, Reselia’s maid, comrade in arms, and Girl With A Secret (TM). The secret is not hard to guess, and I will admit that I was frustrated that a meeting we were building up to did not happen, but that’s the trouble with long-running series like these. (Also, sadly, the princess was very underwritten, and I wish we’d seen more of her.)

That’s one interesting thing about these books – they read like they’re cancellation proof. The author has been told “your name is big enough, so we’ll guarantee that you won’t be cut after two novels”, and it shows, as there’s a lot of long-term things going on here. Unfortunately, that means we don’t really get satisfying answers in THIS book. It’s a series that is “good enough for now” to a T.

Torture Princess: Fremd Torturchen, Vol. 6

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by MF Bunko J. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

(This is one of those “I spoil the ending” reviews.)

Let’s face it, the biggest flaw in this book comes after the afterword, where gives us a preview of the next volume, which introduces new antagonists to take the place of our protagonists. The flaw here is that this book was pretty much a picture perfect finale in every way, and the author admits that straight up. They say that the story of Elisabeth is not over, and that they still have more stories to tell, which is all fine and dandy, but it’s gonna be very hard to top Book6 next time, so it had better be good. As for this volume itself, well, it’s a War Against Heaven and Hell, with everyone (mostly) joining forces, and Kaito serving as a one-man army of his own. The question is whether they can pull off what needs to be done – killing Jeanne and Elisabeth. Izabella has already said straight up she won’t be able to kill Jeanne. Will Kaito be able to make the ultimate sacrifice?

No, of course not. Anyone who’s ready even fifty pages of this series knows the answer to that one. Indeed, the least surprising thing in the book (although Jeanne and Elisabeth both manage to be surprised, with Jeanne pulling off the best use of ‘motherfucker’ in a light novel ever) is Kaito’s plan. The bulk of the book is the lead up to that, where he first manages to convince the humans, demi-humans and beastmen to team up by either terrifying them or proving strong enough to equal them in combat (thankfully the first princess does not have a Red Sonja clause in her character), and then spends the bulk of the book walking around the various battle zones, watching the saints and soldiers fighting against horrific monstrosities from beyond our ken, and occasionally destroying them all with a ‘la’ when he feels he has to. Oh yes, and have one last picnic date with Hina, which honestly I think the readers care about more than the war itself.

Hina remains that very rare example of a yandere whose feelings are returned, and she’s finally risen above “she’s Rem from Re: Zero” status, though it is ironic that they both end their roles in the series in eternal sleeps. I was also surprised to see the relationship between Jeanne and Izabella be as romantic as it ended up being, despite Jeanne spending 90% of the book trapped in God’s Iron Maiden and Izabella walking around in a body that’s 3/4 artificial. There’s lots of cool fighting here, and a nice final confrontation between Kaito and Elisabeth, but the best moments from the book are the smaller ones – I loved Kaito and Izabella discussing the frailty of human beliefs, and how it drives them to commit atrocities against anyone who can fit the definition of “expendable”. And yes, in the end Kaito and Hina remove themselves from the series, leaving Elisabeth to live on, alone. Well, except for a lot of the cast, also alive. She doesn’t count them.

Still, we get the arrival of a new sneering smug villain at the end, as well as a girl who seems to be based off of Alice Carroll/Alice in Wonderland, something that I don’t think we’ve ever seen in a single piece of Japanese media. After a satisfying climax to this book, I admit reluctance to see it continue, but I’ll read the next one to see if the author can pull it off.

Arifureta: From Commonplace to World’s Strongest, Vol. 11

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It’s been over a year since I reviewed the 10th volume of Arifureta. In between that time we’ve had two volumes of Arifureta Zero, as well as a volume of short stories, and we also had the anime come to an end and remind us that some stories really work best when you can’t SEE all the fanservice. That said, all good things must come to an end, and while this is not the final volume of the series, it certainly feels like Vol. 12 is going to be. We get all the setup for the final battle here. Yes, that does mean a “darkest before the dawn” start to the book, and Yue fans will likely not be happy that she ends up possessed by the evil God and therefore not in most of the book, but after that it’s basically a curtain call for anyone who’s ever been relevant in this series and also several people who haven’t – like most of the rest of the students.

So yes, Hajime and company are told by the bad guys to come meet the evil God and his evil assistant, and they’ve taken the students hostage (which doesn’t work) as well as Remia and Myu (which does). After a brief “it’s OK, I’m really a good guy” shtick that fools almost no one, we get reminded why Ehit is so powerful, and they basically mops the floor with everyone, including Hajime, and takes Yue’s body for their own. They also say that in three days, they’ll destroy the world and then move on to destroy Earth. Fortunately, that means they have three days, so the rest of the book consists of preparing to fight back, heartwarming scenes with Hajime and his loved ones (Kaori and Tio get “I love you” scenes, and Aiko and Liliana are clearly upgraded to “will be added to the group in the near future”), and wacky fanservice and comedy, because likely there won’t be much time for that in the final book.

Despite bringing back almost everyone from previous books, the writing glides right through it, assuming (correctly) we won’t remember three-quarters of everyone here. There are also some students, who haven’t gotten anything to do in nearly six books, who get to briefly shine in the spotlight, which is nice to see. Certainly nicer than seeing Kouki – again – side with the villains. Now, much of this is Eri mind-controlling him, but I’m sorry, I just cannot work up any sympathy for him by now. I can’t see him dying, particularly given there’s three different people still trying to snap him out of it, but wow, I absolutely do not care if they succeed or not. And Tio gets another good character building book, with a side story of her own, and it shows off the super-powerful lonely princess equally with the anal pleasure-obsessed pervert.

The novels are still quite popular, and I suspect once the main series is finished the “After Story”, which is still being written to this day on the web, will be put out officially in Japan. That said, for the moment, this is the big lead up to the finale next book, and contains most of the good things about the series, as well as a few of the bad. Fans should enjoy it.

Baccano!: 1710 Crack Flag

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Yeah, I avoided this one for a while I will admit. I don’t like tragedies, even when I know they’re coming. What’s more, this book was famous among Baccano! fandom as the pinnacle of the series, and therefore had a lot to live up to. Does it do that? pretty much, yeah. Balancing out the mystery of exactly what’s going on, the achingly sweet and awkward romance between Huey and Monica, and the creeping feeling of impending doom that powers the 2nd half, Crack Flag is a huge winner. And that’s not even mentioning our villain. Pardon the language, but “Fuck Fermet” has been a refrain among the fandom for years, and while we’ve seen why in other books, no more is it driven home than here. Fermet wants nothing more than to bring despair to people, and with Huey and Monica we get the ultimate example of that in action. Izaya only wishes he were this evil. (I may have said that line before.)

The book says 1710, but it actually begins in 1707, two years after the events of The Ironic Light Orchestra. The poet and playwright Jean-Pierre Accardo is at a party for nobility, feeling very out of place, until he runs into Lebreau Fermet Viralesque and his 6-year-old charge Czeslaw Meyer. Through a relaxed, easy conversation, the two form a bond. At the same time, Huey and Monica’s bond is deepening as well, even if he’s still reluctant to admit it. Unfortunately, the arrival of a huge galleon from the Dormentiare family drives Monica to despair… though, as with most tragedies, we quickly learn that if the parties involved had actually spoken to each other, there’d be little she had to worry about. Will Huey be able to break through her walls? Can Huey break through his own walls? And, whatever you do, don’t go to the theatre tonight…

This is a brutal book (the author says in the afterword he won’t be getting quite this dark again, which, OK, 1711 would like to have a word with you), so let’s concentrate on things that are happier – Huey and Monica. It’s so WEIRD seeing Huey like this given, well, 1711 to the present, and it drives home how much she and Elmer mean to him. And yes, I don’t want to leave Elmer out – he does his best here, and while his own thoughts are still rather terrifying, he’s a terrific character. We also see here how Maiza went from “this alchemy stuff is all bullshit” to suddenly becoming ALL ALCHEMY ALL THE TIME, and I am rather amused that all it took was just a throat-slitting (and recovery). And Carla is fantastic, taking no shit from any men around her and doing her best to figure out what’s going on in Lotto Valentino. We’ll be seeing more of almost all of them in future books, thank goodness.

So yes, this book hurt to read, but it was also one of the best in the series. Narita says 1711 is next, and I guess in terms of stuff he had to write from scratch he’s correct. But first we’re getting another bonus volume. Just as Another Junk Railroad was an expanded version of the freebie that came with the audio drama, the next book is an expansion of the 5-part novel that came with the Anime DVD releases. It answers that hideously terrifying question: “what if Elmer and Graham met?”.

Reset! The Imprisoned Princess Dreams of Another Chance!, Vol. 1

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By Kei Misawa and poporucha. Released in Japan as “Torawareta Ōjo wa Nido, Shiawasena Yume o Miru” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Evie Lund.

If Japanese light novels are good at anything, they’re good at “take a premise and do slight variations on it for years”. As such, it can sometimes be very hard to read a book without thinking of that OTHER book you just read. Three are few readers who will pick this book up and not think “huh, this sounds just like Tearmoon Empire”, a series that also has a princess who is imprisoned end up traveling backwards in time to when she’s a child and trying to fix things so that she doesn’t die. Fortunately, the two books do not take the same approach. Reset is not a comedy, for one, and everyone pretty much sees our heroine accurately for who she is: a spoiled young princess who was sheltered her whole life and is now trying to be a slightly less sheltered young princess and not always achieving it. Mostly this succeeds, though there is one major head slapping moment towards the end.

Annabel is the princess of a country called Najir, and has recently married Daniel, the prince of a neighboring country. Unfortunately, one day he shows up furious, accuses her of betraying him, and she in thrown into the dungeons. If only she knew why this happened – she has no idea. What’s worse, her knight and protector Ed is brutally beaten and killed, causing her latent magic (which she’s never been able to use) to explode, destroying a huge chunk of the castle. Then… she wakes up as a twelve-year-old. Now she has to figure out how to change the future. But she doesn’t have a magical diary to help her, or any clue whatsoever. She’ll have to rely on the natural intelligence of a young girl who was home tutored her entire life and rarely left the castle till the day she died. This will go well!

The book’s chief strength is also its chief weakness, which is Annabel herself. She’s not from Japan, she’s not a reincarnation, and she’s not remotely snarky or sarcastic. She is an innocent lamb who is trying her best to figure out how she got from what seemed like a happy and loving marriage to “you are evil and I am imprisoning you”. She decides that ‘sheltered’ is the thing to work on first, so leans on her family to allow her to go to the same school as her older brother. From here she tries to activate her still latent magic (which does not go well most of the book), tries to research the neighboring country to figure out why they did this to her, and also falls in love with Ed, who is also in her school, and is quietly wonderful. Unfortunately, while less sheltered, she is still naive as heck, so there is a scene where, searching for an important item she lost, she allows two men to lead her down a dark alley and try to sell her to pimps. It’s such a jaw-droppingly stupid moment you want to scream. Yes, it’s there for plot reasons so she can activate her magic, but man alive, there must have been a better way.

This is a series still being written, so I’m not sure when we’ll get the next volume. Certainly the main problem has not been solved. Still, if you like Peggy Sue stories (called yarinaoshi loop stories in Japan, thank you, helpful afterword), this should entertain, though be aware that Annabel is very, very “young naive princess”.

Manga the Week of 1/20/21

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SEAN: Well, that was a nice break this week, huh? Next week is back to a giant pile, I’m afraid.

J-Novel Club has a quintet of light novels. We get Can Someone Please Explain What’s Going On?! 5, Holmes of Kyoto 3, The Master of Ragnarok & Blesser of Einherjar 14, Outbreak Company 16, and Slayers 5.

In print, Kodansha just has Life Lessons with Uramichi Oniisan 2.

Digitally, of course, there is far more. The debut is Will It Be the World or Her? (Sekai ka Kanojo ka Erabenai), a Bessatsu Shonen Magazine title. A guy tries to confess to his childhood friend… but another girl shows up and says she’s his girlfriend. What’s more, he has to forget about the other girl… or else the world will end! This sounds like an updated UY, but the cover art sort of puts me off.

We also get Dolly Kill Kill 10, Dr. Ramune – Mysterious Disease Specialist – 3, GE: Good Ending 13, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 2, I’m Standing on a Million Lives 10, Kakushigoto 11, Orient 10, Saiyuki 4, and We’re New at This 2.

ASH: I’m still pleased that Saiyuki is being re-released; I’d love to see even more of Minekura’s work in English.

ANNA: I’m glad that Saiyuki is being re-released too!

MJ: I am, too!

SEAN: Two debut manga from Seven Seas. The first is Rozi in the Labyrinth (Roji Meikyuu no Rozi), from Mag Garden’s Comic Garden. It’s another “innocent girl in a world of supernatural beings” series along the lines of Nicola Traveling the Demon’s World.

ASH: This is a sub-genre that appeals to me. Nicola is a delight, so I’ll probably give this series a try, too.

MJ: Same here.

SEAN: Tamamo-chan’s a Fox! (High School Inari Tamamo-chan!) runs in Niconico Seiga, and has a fox spirit try to blend in as a human so that she can enjoy high school life. Unfortunately, her disguise is not all that great. This looks cute?

ASH: I’m intrigued?

MJ: This does sound potentially adorable.

SEAN: Also from Seven Seas: The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files 2, A Centaur’s Life 19, Classroom of the Elite 7 (in print), GIGANT 4, The Hidden Dungeon Only I Can Enter 2 (manga version), Kuma Kuma Kuma Bear 4 (manga version), Monster Girl Doctor 7, and Mushoku Tensei 9 (digitally).

ASH: I haven’t actually read the first volume yet, but I’m definitely interested in Jack Flash and the Faerie Case Files.

SEAN: Tokyopop has two volume 2s. BanG Dream! Girls Band Party! Roselia Stage (a final volume) and A Gentle Noble’s Vacation Recommendation (not a final volume).

Vertical has a number of titles. APOSIMZ 6, Blood on the Tracks 4, Don’t Toy with Me, Miss Nagatoro 5, and Weathering with You 2.

Viz’s debut is Asadora!, a new series from Naoki Urasawa that runs in Big Comic Spirits. This seems to be one of those “follow a girl from childhood into her adult life” series, so this first volume should be full of adorable little scamps.

MICHELLE: I’m looking forward to this!

ASH: Likewise!

ANNA: Me too!

MJ: Hurray!! Totally into this.

SEAN: There’s also BEASTARS 10, Children of the Whales 16, Dead Dead Demon’s Dededede Destruction 9, Hell’s Paradise Jigokuraku 6, and Mobile Suit Gundam Thunderbolt 15.

ASH: I need to catch up on BEASTARS.

ANNA: I need to catch up on Dead Dead Demon’s Dededede Destruction.

SEAN: Yen On has a debut light novel: King of the Labyrinth (Meikyu no Ou). This seems to be a dungeon crawl light novel, only from the perspective of the monster, a powerful minotaur.

ASH: Okay, I do like a good minotaur story…

SEAN: They’re also reprinting the Haruhi Suzumiya light novels, in paperback but with the original cover art that was used for the hardcovers. The first two are out next week.

ASH: I’d somehow missed that particular news!

Yen On also has The Asterisk War 15, High School Prodigies Have It Easy Even in Another World 3, I’ve Been Killing Slimes for 300 Years and Maxed Out My Level 9, Kingdom Hearts III: The Novel 3, My Youth Romantic Comedy Is Wrong As I Expected 10.5, Strike the Blood 17, Sword Art Online 21, That Time I Got Reincarnated As a Slime 10, and Wandering Witch 4. Phew.

Yen Press has no fewer than four debuts next week. Wow! We’ll start with The Dark History of the Reincarnated Villainess (Tensei Akujo no Kuro Rekishi). This runs in LaLa, and has an amusing and also horrifying premise: our heroine is, yes, reincarnated as the villainess… but it’s from her own story she wrote in middle school!

MICHELLE: Huh. The premise and the fact it runs in LaLa piques my interest a little.

ASH: That does sound like one of the better variations on the theme I’ve heard lately.

MJ: This sounds kind of great, potentially.

SEAN: Dear NOMAN is from Kadokawa’s Comic Walker, and it’s about a girl who can see supernatural creatures but pretends not to. Then, one day, it becomes impossible to keep pretending. This is semi-yuri, and also only two volumes long.

ASH: Count me as curious.

MJ: Same!

SEAN: Mama Akuma (Akuma no Mama) is a Gangan Online title about a demon who prides himself on granting any wish… then a fourth-grader wishes for him to be her mama? Well, if that’s the wish, then that’s how it’s got to be. This looks fun.

MICHELLE: I will probably have to check this out.

MJ: This sounds very much like my thing. FYI, Sean totally called this in my DMs.

SEAN: Mint Chocolate is from HanaLaLa Online, and is the old standard “oh no, the guy I like is now my step-brother, how will we live under the same roof?” sort of series. Sounds like the classic “jerk slowly becomes not jerk” shoujo title, too…

In non-debuts, we get Combatants Will Be Dispatched! 4 (manga version), Delicious in Dungeon 9, Heterogenia Linguistico 2, Interspecies Reviewers Comic Anthology: Darkness, Trinity Seven 22, and The World’s Strongest Rearguard 3 (manga version).

Lots of debuts nxt week. What catches your eye?

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 4

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Clearly someone has been listening to my review, as after last volume’s weird hotel detour, this one gets back to what I expected the series to be about: Lloyd and company’s time in the academy. Not that we spend much time there, as the town’s cleaned out and empty starter dungeon is suddenly teeming with terrifying dragons and monsters and the like. There’s also the issue of a man wandering around and asking people what he looks like, and then dealing with them if the answer is wrong. And there’s the usual dose of over the top humor and goofy fun from all our regulars. Unfortunately, when you live by the silly cliche you can also die by the silly cliche, so I have to warn in advance that the main antagonist of this volume is an obsessed lesbian who ends up turning evil. Which, I get it, is also a character type to parody. It’s just not one I want to see again.

As noted, the academy has gotten word that their empty dungeon is suddenly dangerous again, and sends Lloyd and company to check on it, figuring he’s ridiculously strong enough, even if he still has crippling self-esteem issues. To no one’s surprise, there does turn out to be a top-tier monster in the dungeon – a giant snake. To everyone’s surprise, Lloyd is not able to defeat it, and gets kicked around a bit. There may be more to this monster than meets the eye. There’s also the man walking around killing people… erm, sorry, testing them and then making them disappear. He turns out to be an old foe of Alka’s, and he and the smiling friend of Lloyd we met in the previous volume are here to be the Big Bads for the series as a whole. And for this volume, it means taking one woman’s obsession with Marie and turning it into a monstrous nightmare.

There are some really good action scenes here. As noted above, Lloyd for once is not One-Punch Man, and seeing him have to actually struggle is excellent, and hopefully will show off some character development. There’s also a lot of hilarity involving the King, who has recovered from being possessed but seems to have turned into a middle manager, and whose “reward catalog” is roundly attacked, and justifiably so given one of the rewards is “marry whoever you want” without giving thought to the other person. As for Micona, she has an irrational hate-on for Lloyd, mostly as he’s living with Marie, and it turns to a massive grudge when she’s merged with a treant by the bad guys. (Who remove her at the end, so I’m sure she’ll be back down the road). And of course, when you have a tree monster who attacks using roots, well, yes, there’s Marie tentacle attacks as well, though not too explicit, thank God.

So something of a mixed bag in the end, but I’m pleased to see the book actually buckling down and getting to its long-term plot. The implication is that the next volume will bring the main cast to Lloyd’s village, which promises to be quite fun in a sadistic sort of way. Much like the rest of the series, really.

Accel World: Kuroyukihime’s Confession

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

I suspect how much readers enjoy the first half of this book depends on how invested they are in awkward teen romance. Last time we ended with Kuroyukihime inviting Haruyuki over to spend the night at her place, and he ends up accepting here, though he’s not quite sure how long he’ll be staying. As it turns out, the answer is “all night”, and there’s also a bath scene involved, which, as with everything else about this series, gets 80 times more awkward when you remember they’re both 13-14. But they are pretty sweet dorks, and things don’t really go anywhere beyond “I am depressed and want to take comfort in you”. And, as it turns out, Kuroyukihime has a lot more to be concerned about than being caught in an Unlimited EK, as her friend Megumi, aka Orchid Oracle, seems to be held hostage by the enemy… which has caused her real-world self to fall into a coma. Can they rescue her? And can Haruyuki get yet another girl to fall for him without trying?

Yes, we can add another “don’t read this in public” volume cover to the pile. In any case, one of the more important things that comes up here is Kuroyukihime opens up to Haruyuki about the circumstances of her birth, and we finally, definitively put to rest the rumor that her parents are Kirito and Asuna. (I’m not sure why anyone ever found this acceptable, unless they like grim ‘n gritty.) In any case, we don’t get her name, or the names of her parents, but we do discover that Kuroyukihime was a “machine child”, incubated in an artificial womb. While the direct SAO connection isn’t happening, fans of the Alicization arc may recognize some of the discussion here about the nature of the soul. According to Kuroyukihime, her parents regard her as an experiment rather than a child – she even has a barcode on her neck to drive the point home. It’s pretty heavy.

The weaker part of the book is in the middle, when most of the cast gets together virtually to try to figure out how to fix the huge trap they’re in. This involves lots of banter, some jealousy, and a whole lot of talking, but essentially boils down to “no, we can’t do this, no we can’t do this, hey, why don’t we try this”, only over the course of 50 pages. Things pick up again when Haruyuki teams up with Rose Milady in order to rescue Orchid Oracle, her sister, from the clutches of the White Legion. This amounts to a bunch of cool battle scenes, and Kawahara is quite good at those. Haruyuki tries to do the whole “I’m not really good at anything I just have a lot of help” whining, which promptly gets smacked down. That makes me happy. More importantly, they actually succeed in both the rescue and waking Megumi up, meaning this volume does not leave us hanging. (Well, everyone’s still in the deathtrap, but…)

So a decent volume, with some much needed revelations, but the core issue here is still not resolved, so the arc continues. Recommended to those already reading the series.

The Devil Is a Part-Timer!, Vol. 18

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

This book is definitely front-loaded with stuff that I am here for. Much as I appreciate the machinations and plans for avoiding destruction going on on Enta isla, I will admit I’ve always been more drawn to the Japan side of this series. And just as everyone is working to ensure that they have a future for humans, angels and demons over there, others need to work to ensure that they have a future going forward in Japan. Even if that future may not involve Maou. As you might guess by the cover art showing her with her hat off, Chiho finally gives her notice to McRonald’s, as she needs to prepare for college, and then move on to her dream of… well, that’s the problem, isn’t it. Which college does she want to try for? Does she want to keep doing archery? Does she have a career in mind at all? And most importantly, can she find a way to stand at Maou’s side rather than just admiring him from afar?

It’s not just Chiho either – McRonald’s is suddenly down FIVE people after a bunch of resignations, and Maou and Emi – their two most important part-timers – have to take all of July off to, well, save the world. They also have a new manager, and while she’s a perfectly good normal manager sort, she is not the exceptional, once-in-a-lifetime manager that Kisaki was. This causes her no small amount of anxiety. Now Maou has to find some part-time help for the business. More importantly, he has to simply be patient and not worry too much as his allies are busy putting everything in place. It’s something he’s not used to, and he apologizes to Chiho at one point, as she is very used to it. And there’s also a disturbing new revelation that implies that not only might Alas Ramus and Acieth not be able to help in the final battle, they may be turned to the other side.

Not gonna lie, my mind keeps drifting back to the frank conversation Rika has with Chiho about her future, and about her love for Maou. If only as the author seems to take the time to sink what is probably the series’ most popular pairing – Rika says that Chiho’s only real competition for Maou is probably Suzuno, and that Maou and Emi aren’t happening. It’s worth actually quoting:

“What, am I wrong? I mean, some people say a lot of good relationships start from less than nothing, but I think Stockholm syndrome would work only so much with those two. It’s a miracle they’re acting like friends right now, even. I can’t see much more than that happening.”

Other than that, the book is quite good, with some very funny bits – the new part-timer at McRonald’s being the best – but it does suffer a bit from Maou and Emi being necessarily sidelined at the moment. The stage is set for the final battle… but we have three volumes to go, not two, so I suspect we’ll have wacky unrelated shenanigans next time. Till then, Chiho fans should really enjoy this book.

The Sorcerer’s Receptionist, Vol. 2

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By Mako and Maro. Released in Japan as “Mahousekai no Uketsukejou ni Naritaidesu” by ArianRose. Released in North America digitally by J-Novel Club. Translated by Roko Mobius.

It should go without saying, really, but fans of this sort of light novel should also be fans of shoujo manga that also runs along these lines. If you, as a reader, read manga where the lead couple are constantly at odds? The girl is constantly angry at the smug arrogant guy? Everyone seems to think they’re already a couple even though she hates his stupid guts? Yeah, that’s this series in a nutshell, it’s just in prose rather than in Hana to Yume. So yes, if smug arrogant guys constantly mocking the heroine are not your cup of tea, don’t read this, because we know who the end guy is going to be and it’s him. The other thing to mention here, which I believe I also did in my first review, is that you’d better love “oblivious to love” and “everyone can see it” as tropes, because the book is drenched in them. When it’s not actually dealing with Nanalie’s actual work, it’s watching everyone smirk at her cluelessness.

As noted above, the book is divided in half. Half the time we are seeing Nanalie at her job at Harre, growing better at it, learning valuable magical skills, and beating up lesser demons. At one point she’s sent to the southern branch for a month to see what it’s like there, and the answer is basically “hot, with added exorcisms”. The other half of the book is her interactions with Rockmann, who always seems to be around despite her best efforts to not see him, and is always there to rub it in her face that he’s still Number One and she is Number two. This even applies to alcohol – Nanalie has an amazingly high tolerance… but not as good as Rockmann’s. The one worrying plotline is that a neighboring kingdom is asking – rather aggressively – for ice witches, and Nanalie is being asked to hide that she is one. What’s really going on here? Also, why is Nanalie being asked to meet the King?

This book is not without its problems. the ending to the first book implied that there was some dangerous demon possession going on… but it’s solved quickly and then dropped. More importantly, the nature of the “Ice Witches Wanted” plotline involves Nanalie not knowing anything about it, and so the climax of the book, frustratingly, takes place offscreen, with most of it explained to her in a “yeah, sorry about this” way by the director. It’s realistic that they would take such steps, but as a reader it is incredibly anticlimactic. Also, Rockmann heals up far too quickly and far too well given they’re making this out to be the first time Nanalie might actually feel something for him. Fortunately, the rest of the book is filled with fun banter and situations, and Nanalie when she’s furious and snarky is the best Nanalie.

There is a suggestion of a few ongoing plots, with some backstory dropped to help the reader along, so I don’t expect this will be ending soon. It’s a fun little series, if a bit uneven, and recommended for those who like shoujo manga where the leads yell at each other all the time.