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The Angel Next Door Spoils Me Rotten, Vol. 3

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By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

Tempting as it is to simply cut and paste my review of the 2nd volume here and call it a day, I will try to find new things to discuss. This series runs on sweet but slow burn, and there are very few surprises. On the downside, that makes it somewhat boring. On the good side, you know exactly what you’re getting and you get a lot of it. The main difference in the third volume is that Mahiru tries to come on to Amane a lot stronger to get past his impenetrable shell of self-hatred. She fails, but it’s the effort that counts. She is starting to get a bit sick of his attitude, though – as is the rest of the cast, including his new friend Yuuta, the “class prince”, who sees a kindred spirit in Amane and is rather startled that the feeling isn’t mutual. By the end of the book, everyone is dragging him constantly to feel better about himself. Will it help? Possibly?

Usually the 2nd paragraph of my reviews is where I summarize the plot, but the plot can essentially be summarized in three words: Mahiru Tries Harder. As such we get a lap pillow, and more spontaneous touching. We get Amane seeing another guy ask Mahiru out, and see just how difficult it can be for her to reject them, especially when they refuse to accept it. We see Mahiru managing to actually join Amane for lunch and get away with it. Most importantly we get Golden Week, where Mahiru asks Amane on a date. Of course, it’s not a romantic date to him – not at all, after all, how on earth would she ever have feelings for him? It’s just going out to a cat cafe, a mall (where much trying on of clothes is done) and an arcade (where there is winning of stuffed animals) but as Just Friends. That said, a return to school shows some folks spotted her on the date, so something may break next time.

The author knows Amane’s big flaw can be annoying to the reader, but instead of trying to disguise this it is shoved in our faces – and his. We do finally get his own tragic backstory here, which amounts to “I grew up rich and naive and then met typical middle-school two-faced jerks”, but it’s left him bitter, mistrusting and thinking he’s the absolute worst. This even plays into the title, as he regards everything Mahiru is trying to do in order to get her feelings across to him as “spoiling him”, so he automatically pushes back. Multiple times in this book she, Itsuki and Yuuta all tell Amane to man up, have confidence, and actually try to show Mahiru how he feels about her. The end of the book implies we may see this in the next volume, but for now, this is painful.

Still, the sweet and cute romance outweighs wanting to strangle the lead man, so I’m still invested in it. Imagine how sweet it will get once these two actually confess. Like eating Pixy Stix.

Arifureta Zero, Vol. 5

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

It’s been a good sixteen months since I last read Arifureta Zero… and come to think of it, eleven months since the last Arifureta in the main series. This is the danger of catching up with the Japanese release, and I knew this meant that a lot of my time was going to be spent trying to remember who everyone apart from the main characters were. Little did I realize that that was going to be ALL of my time. This is the 2nd to last book in the series, and as such it has to gather everyone in the cast together for the big battle in the finale. And I do mean everyone – every single ally we’ve seen in the books to date pops up again, along with new characters we haven’t seen before, and they’re all written as if we remember who they are and are nostalgic to see them again. It’s exhausting. Fortunately, there’s BIT more going on than just setup.

A month after the end of the previous book, Miledi is still in a coma, which has everyone stressed out, especially Oscar, whose fighting abilities are actually being affected by his worry. Fortunately, she wakes up soon after the book begins. Unfortunately, she’s… a bit different. Yes, it’s We Want Our Jerk Back, the light novel. The largest chunk of the book is spent getting Laus, their newest ally, to the rest of them, as he’s being hunted by the entire church… including two of his own sons. (This is framed as a big reveal, but it’s telegraphed so badly I feel no remorse revealing it here.) Once he’s arrived, and Miledi puts everyone through RIGOROUS TRAINING, it’s discovered that three of their allies are going to be put to death publicly by the Church. So Miledi decides now is the time. the Big Battle. (In Book 6.)

The author apologizes for this book being so long, and he should. It’s too long, and a lot of this wasn’t needed. The “checking in with everyone who the Liberators ever met in prior books” section is a lifeless slog. Better were the scenes with Miledi waking from her coma, but she’s missing her annoying. Without it, she’s a cute adorable teenage girl in love with Oscar and not ashamed to say it. This is mined for much comedy, and for once it actually works quite well, especially her reaction once she returns to normal. Speaking of love, Miledi and Oscar don’t confess here, but that’s because they want to wait till after the battle – their feelings are known to each other. Oh yes, and there’s an incredibly annoying bunny girl in this as well, who seems to combine all the worst parts of Shea and none of the good points. The author loves to write “incredibly annoying but secretly goodhearted and awesome” people – indeed, the lesson of this book is that all of the Liberators are eccentrics – but sometimes I feel they overdue it.

So next up is the finale, and it’s not a spoiler to say that Everybody Dies – this is a prequel, after all. But it’s not the journey, it’s the destination, and so we’ll see how it all happens and how many times our heart can be broken. If you like Arifureta, you should read this, but be aware – it’s long and has boring bits.

Rascal Does Not Dream of a Dreaming Girl

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Yumemiru Shoujo no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

In my review of the last volume in this series, I mentioned I wasn’t aware of what happened in the next two books beyond it being sad. I’ll admit: I was lying. Generally these days, if you are following a series in any capacity on the internet, and the anime has already come out, there is no real way to avoid being spoiled. I didn’t have the main story beats of this book spoiled to me, but I knew what the last five pages would be, and so they are. That said, let’s not talk about those, let’s instead discuss the previous 250 or so pages, in which we find that Sakuta’s own adolescence syndrome has a very different cause from what he (and the reader) thought, learn exactly what’s going on with Shouko, and discover that it’s still hard to say you’re different from Bakemonogatari or Oregairu when you decide the best way for the hero to fix things is to sacrifice himself to save the girl.

Sakuta’s apartment is getting a bit crowded. Kaede is back, though with her “original” personality, and is struggling to catch up with the two years she’s lost. College-age Shouko is there, being very mysterious and Kasumi Tendo-ish. And Mai stays over once as well, because frankly the situation screams “my boyfriend is cheating on me with an older woman who’s also a middle-school student”, and who among us hasn’t felt agitated when that happened to them? The drama starts then Sakuta discovers that Shouko is back in the hospital – and getting worse. She has an old elementary school assignment about dreams for the future she never completed, as “die” would upset the teachers. Now it’s mysteriously being filled out… and the details seem to match up with college-age Shouko very well. Sakuta is concerned about the “get married’ part, though…

One of the more interesting things about this series is that it has all the wacky misunderstandings that harem anime usually has, but without any of the actual misunderstandings themselves. Mai and Sakuta are simply too sympatico with each other to really believe that there’s cheating or lying going on. Indeed, the fact that they’re so in tune with each other is what leads up to the tragedy in the final pages. Other than that, the most affecting part of the book for me may not have been the ending but everything leading up to it, as Sakuta drifts through school looking like a man who’s about to die. When even Kamisato is deeply concerned with him, in her own “drop dead” way, you know things are bad. And Rio and Mai’s scenes are even worse. Everyone seems to know what’s going to happen, but they also know that talking Sakuta out of this is next to impossible. As indeed it proves to be.

So what’s next? Well, if this were the movie, we’d only be halfway done. But it’s a book, so we’ve got to wait a few months. Rest assured I doubt it will kill off a main character, but I’m not as optimistic about its dreaming girl. Till then, enjoy an emotional gut-wrencher.

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 3

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

Generally with any slow life series you have to find the right about of balance between “nothing is happening because this is meant to be a slow life series” and “there are things happening because this is a narrative people will want to actually read”. It can be tricky, as many authors find. A lot of slow life books tend to lean towards the second of those two, where life is not really all that slow at all. This one doesn’t do that, but it needs to find the right time to dole out its plot. As an example, one of the main mysteries of the book is “when will Laetitia realize that her king and her wolf are in fact the same?”. Wait too little and there’s no tension, wait too long and you risk making Laetitia look dim. This book waits just the right amount, though what happens next is left open.

We get a couple of new additions to the cast here. Lelena is the daughter of former maid Krona, who is a bit busy being in jail to attend to her sibling, so goes to live with Laetitia, bringing along a cat and a guilt complex a mile wide. Also introduced is Liddeus, who is an incredibly stereotyped science nerd, only this is an otome game-style romance, so he’s a very handsome stereotypical MAGIC nerd. You get the sense he might actually be a love rival if he could for one moment get his mind off of spells, which he cannot. And there is, of course, all the politics – Laetitia arranges a tea party between the two queen candidates she’s already won over, and the other two who clearly scream “I am fodder for a later book’s plot”. This is pissing off the anti-beast person faction in the country, of course, and so they decide to take stronger measures to express their displeasure. Can Laetitia negotiate all this and still make delicious treats?

Well, I mean, of course. Have you seen the title? Laetitia has two main weapons, her food and her animals, and she uses them both here. Indeed, she gains another furry friend, named Tweety, though if you’re expecting the Looney Tunes bird you may be disappointed – possibly the Hyde and Go Tweet version. Admittedly yes, she is also monstrously overpowered in her magic, which literally breaks the device they use to measure it. This is clearly more due to her reincarnation than to her innate powers (though we do get more “amusing” stories of her and her butler being abused as children by her siblings in the name of magic training. They look back on those days and laugh, so I suppose we must as well). And yes, by the end of the book Laetitia finally realizes – after the king gives it away – that King Glenreed and Lord Aroo are one and the same. She seems devastated this means no more fluffy petting. I am 100% positive she is mistaken.

I do wonder if we’re heading towards a war, and if so how this book would handle it. Bit hard to cook for your fluffy friends in a trench. Still, so far the book does quite a good job of walking the tightrope. I look forward to the next volume.

Manga the Week of 12/8/21

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SEAN: Busy busy busy! Almost forgot to type this up this week! What do we see?

ASH: Oh, do I know the feeling!

SEAN: Yen On has the 3rd volume of The Angel Next Door Spoils Me Rotten as well as Reign of the Seven Spellblades 4.

Yen Press debuts an artbook: AidaIro Illustrations: Toilet-bound Hanako-kun. This does exactly what it says on the tin.

ASH: I quite like the art in Toilet-bound Hanako-kun, so I’m looking forward to this collection.

Also out from Yen’s manga imprint: Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 2, The Eminence in Shadow 2, Final Fantasy: Lost Stranger 6, For the Kid I Saw in My Dreams 7, and The Saga of Tanya the Evil 15.

MICHELLE: As with much else, I do mean to get around to reading For the Kid I Saw in My Dreams someday.

ASH: I read the first few volumes and have the next few on hand, though I haven’t actually gotten around to reading them yet.

SEAN: Three debuts from Viz. Akira Toriyama’s Manga Theater is a massive, 625-page hardcover featuring a ton of short stories from the legendary Dr. Slump and Dragon Ball creator.

ANNA: That sounds like a great holiday present!

MICHELLE: I didn’t love Dr. Slump but really adored Toriyama’s COWA! oneshot, so might check this out.

ASH: Wow, that’s a lot of manga packed into one volume! Should hopefully be pretty good.

MJ: This is pretty cool!

SEAN: Kaiju No. 8 is a Shonen Jump + release that already is getting simulpubbed, and has HUGE buzz. A man who works on cleaning up after Japanese Godzilla monsters suddenly finds himself with new powers. Can he now achieve his dream of fighting them?

ANNA: Also intriguing.

ASH: Indeed! I’ve heard good things.

MJ: Okay, I’m ready.

SEAN: Rosen Blood is from Akita Shoten’s Princess, and if I said reverse harem vampire story would that get your attention?

ANNA: This fully has my attention, surprising no one.

We also get the final volume of Takane & Hana, the 18th, which is out in both a regular edition and a special edition which has a variant cover and an extra chapter. I’ll miss these goofballs.

ANNA: I’m behind on this series, but I am fond of it!

MICHELLE: I will miss them too!

SEAN: There’s also Chainsaw Man 8, Fullmetal Alchemist: Fullmetal Edition 15, Jujutsu Kaisen 13, Kaguya-sama: Love Is War 21, One Piece 98, Queen’s Quality 13, We Never Learn 19, Yakuza Lover 3, and Yona of the Dawn 33.

ANNA: Stoked for the excellence of Yona of the Dawn and the insanity of Yakuza Lover.

ASH: Always glad to see Yona on the list. I’ve been enjoying Queen’s Quality, too.

SEAN: Tokyopop has a 5th volume of Laughing Under the Clouds.

Square Enix has the 8th Hi Score Girl.

Seven Seas debuts Robo Sapiens: Tales of Tomorrow (Robo Sapiens Zenshi), a done-in-one omnibus from Kodansha’s Morning Two. This is a multi-award winning manga about robots and humans, and how far apart and close to each other they are.

MICHELLE: Sounds intriguing.

ASH: I’m here for it!

MJ: Same!

SEAN: Also from Seven Seas: CALL TO ADVENTURE! Defeating Dungeons with a Skill Board 3, DUNGEON DIVE: Aim for the Deepest Level 2, Hitomi-chan is Shy With Strangers 2, and Young Ladies Don’t Play Fighting Games 2.

Kodansha’s first print debut screams “this is actually Vertical”: Emma Dreams of Stars (Emma wa Hoshi no Yume wo Miru). A one-shot from Kodansha’s Morning, but it was originally published in France, and is about the first woman Michelin Guide Inspector.

ANNA: Ooh!

MICHELLE: I second that “Ooh!”

ASH: And thirded!

MJ: And I’ll just repeat, “Ooh!”

SEAN: Also debuting is Hitorijime Boyfriend, a one-shot from Ichijinsha’s Gateau and prequel to Hitorijime My Hero.

Kodansha also has a lot of print titles whose ebooks came out a week or two (or more) ago. We see Bakemonogatari 11, Blood on the Tracks 7, Don’t Toy With Me, Miss Nagatoro 9, Orient 6, Shaman King Omnibus 6, Shikimori’s Not Just a Cutie 7, UQ Holder 24, and When Will Ayumu Make His Move? 2.

Digitally our debut is My Master Has No Tail (Uchi no Shishou wa Shippo ga nai), a good! Afternoon series that has the unlikely teamup of a tanuki and a rakugo master.

ASH: Sounds like my kind of team!

SEAN: And there’s Chihayafuru 29, Kounodori: Dr. Stork 18, Love After World Domination 3, My Dearest Self With Malice Aforethought 11 (the final volume), Saint Young Men 14, Smile Down the Runway 21, With the Sheikh in His Harem 8 (also a final volume), and Ya Boy Kongming! 6.

MICHELLE: Insert obligatory Chihayafuru rejoicing.

SEAN: J-Novel Club has a few series in print which, well, are mostly already out, but Amazon lists them as next week, so… anyway, it’s Ascendance of a Bookworm 10, I Shall Survive Using Potions! (manga) 5, Infinite Dendrogram 14, A Lily Blooms in Another World, My Friend’s Little Sister Has It in for Me! 1, Tearmoon Empire 2, and The Unwanted Undead Adventurer (manga) 2.

ASH: I am so far behind on my light novel reading, but there are some good ones here.

SEAN: Digitally we have two light novels debuting. Goodbye Otherworld, See You Tomorrow (Sayonara Isekai, Mata Kite Ashita), a post-apocalyptic journey series that looks a bit more serious than most recent isekai titles.

There’s also Private Tutor to the Duke’s Daughter (Koujo Denka no Kateikyoushi), the story of a commoner who was trying to become a court magician… but failed. Now his only recourse to avoid debt is a suspicious tutoring job.

We also see Lazy Dungeon Master 15 and the 7th Unwanted Undead Adventurer (manga version).

Ghost Ship has Call Girl in Another World 3 and Yuuna and the Haunted Hot Springs 16.

Denpa Books gives us The Girl with the Sanpaku Eyes 3.

And Dark Horse has the 3rd volume of Keep Your Hands Off Eizouken!.

Cross Infinite World gives us Reset! The Imprisoned Princess Dreams of Another Chance! 2 digitally.

Lastly, Airship has two digital-early titles: The Most Notorious “Talker” Runs the World’s Greatest Clan 2 and Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 3.

Too much, too marvelous, too marvelous for words. What titles make you dance?

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 1

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By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

I have not read the two other series that this author has out in English. Hazure Skill and Drugstore in Another World are both in genres that I’m gradually trying to read less of. But ‘syrupy sweet high school romance’ is still a relatively new genre in English-translated light novels. Honestly, the marketplace changes a lot these days, and yesterday’s down and outs are today’s up and comers. Remember 15 years ago when we all said sports manga was impossible to license? Even just five years ago I was saying that you couldn’t get a LN title licensed unless it had some sort of fantasy or supernatural plotline in it. But now here we are. That said, to be honest I picked this up because of the artist. Fly is best known here for Bottom-Tier Character Tomozaki, and this is in the same basic genre. That said, the two books are doing different things. Tomozaki is a deconstruction. This book is what it deconstructs.

Ryou is a typical light novel romance protagonist: nondescript, doesn’t have many friends, school skipper, thinks of himself in terrible ways. One day on the train he sees a girl being groped by a salaryman, and decides to make a scene and get the guy caught. Later, in school, it turns out that he’s sitting next to said girl in class… and that it’s Hina, his childhood friend. They had been inseparable in grade school, but in middle school she got super gorgeous and popular, and he got more self-conscious and so they drifted apart. But while he may have mostly forgotten about her, she certainly hasn’t forgotten about him. As the book goes on, Ryou starts to notice that Hina is asking to walk home with him, and making him food, and asking him out on dates. Does this mean… she has feelings for him? Nah, let’s not overthink this.

As always with this genre, whether you can tolerate it or not depends how much you like ‘oblivious’ teenage boys. I’d say it was unrealistic except I was also a teenage boy, and no, it really is this bad. That said, at least the series gets a confession out of the way by the end of the first book, even if it leads to “I’m not sure how I feel about you”. Hina is cute, and the reader is meant to understand her frustration with Ryou and sympathize, and it works pretty well. I also loved Ryou’s younger sister Mana, who does not have a shred of the standard “younger sister of the protagonist” character to her and is quite happy wingmanning for her brother, though buying condoms for him turns out to be a mistake. (There’s no sex in this book, sorry to disappoint. Everyone’s very pure.) And the love rival role is handled pretty well, as she’s good at analyzing Ryou and Hina and knows that’s why she doesn’t really have a chance.

There’s nothing outstanding about this book, and it doesn’t have a good gimmick like Tomozaki. But it’s decently written, and there are no terrible people in it yet. If you like the genre of “pretty girl tries to get guy to admit that someone might actually like him and it’s her”, this is a good one to try.

Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons, Vol. 3

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By 616th Special Information Battalion and Wuhuo. Released in Japan as “Doushitemo Hametsushitakunai Akuyaku Reijou ga Gendai Heiki wo Te ni Shita Kekka ga Kore desu” by K Lanove Books. Released in North America by J-Novel Club. Translated by Shaun Cook.

This is, as of my writing of this review, the latest volume in the series, and it’s been about a year and a half since it came out in Japan. I know that fans here in the English-speaking world tend to dislike those sorts of books, wondering why publishers would license it when it grinds to an unfinished halt. (The answer is almost always “because it was still ongoing when they licensed it”, in case you were wondering.) But yes, nothing is really resolved in this volume either – we’ve gotten up to the point where the “game” part of this would start, where the heroine is about to arrive at Astrid’s school. That said, I’m not exactly crying if this is all we’re going to get. The author loves writing morally bankrupt heroines, and even in a villainess light novel, a genre I’m particularly soft on, I think I’m starting to reach my limit with Astrid’s evil antics.

Astrid is still trying to figure out ways to avoid her fate (but not realizing that everyone loves her – it’s that sort of genre). She’s socking money away in a separate non-family bank account in case she has to go on the run. She’s getting familiars who are far more powerful than mere fairies. She’s conducting experiments on other students to see if they will murder small animals just because she tells them to. There’s a beach episode! You know, the usual stuff. Even as she tries her hardest to learn better magic/get more firepower, the world edges closer to the actual war that will likely trigger these events. And even her grades aren’t assured anymore, as she’s reaching the limits of what her previous life can achieve and realizing that science in another world is hard.

There are some cool set pieces in this. Astrid’s battle with the fenrir is pretty cool, and he seems to be a cool wolf familiar, albeit one that doesn’t really care if she’s got no soul. It is occasionally amusing seeing Iris having to deal with her friend’s crushes, and trying to help them along by drugging the crush to get a result… but not TOO much. Astrid’s mother, again, seems to know exactly what her daughter is doing despite Astrid’s best efforts to conceal it, and I wish we’d see her more than once a book. But yeah, I think I have reached my limit on watching “what if the villainess reincarnated decides to be more villainous” as a plotline. It doesn’t help that there are other areas of the book also starting to annoy me – Iris’ former bullies are now stealing her used underwear, because nothing says teenage lesbian crush like making it creepy.

This author pretty much does this type of character, regardless of the genre, and if you enjoy Her Majesty’s Swarm you’ll probably like this as well. If you like Villainess books, though, feel free to stop, as I’m going to.

Bookshelf Briefs 11/30/21

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Gabriel Dropout, Vol. 10 | By Ukami | Yen Press – Possibly the best chapters in this volume of Gabriel Dropout are the ones dealing with hypnosis, as (to no one’s surprise) Satanya is very vulnerable to it. That said, what happens is more like the Looney Tune where Elmer is hypnotized by Bugs Bunny—all of a sudden it’s Raphael who has to be the boke in order to get her back to normal, and the results are hilarious mostly as it’s so rare to see her as the victim in all of this. In fact, Raphael has a bad volume in general, as we also meet her butler back in heaven, who is, well, a bit of a perverted stalker. hat said, Satanya does not escape being the buttmonkey all volume… though, as we see in the back half, her parents are not really that much better. Still funny. – Sean Gaffney

Interviews with Monster Girls, Vol. 9 | By Petos | Kodansha Comics – Sorry, everyone, still no major focus on the teachers and why they are not banging each other like drums, though at least we get the date. Instead the focus is on Hikari and her sister Himari, as we finally get their backstory here and it’s a lot more serious than you’d expect. Indeed, Hikari is out of character the whole book, being in a depressive funk as she tries to (somewhat) fight against her vampire heritage, not really accepting that drinking blood is gonna have to be like other people taking a daily pill—something she can’t get away from. As always, the writing is sensitive and caring, with the monster girl as metaphor coming across strongly. I just hope we don’t wait another sixteen months for the next book. – Sean Gaffney

Komi Can’t Communicate, Vol. 15 | By Tomohito Oda | Viz Media – The majority of this volume is devoted to Isagi, a girl running for student council president despite the fact that (like most of the cast in this series) she has terrible communication skills, and comes off as brusque and rude. Fortunately, Komi needs friends, dammit, and she’s not going to let rejection get in her way. She also has Ase, her closest friend, who gives the best anti-campaign speech ever, and (as with a lot in this manga) it turns really heartwarming. And of course we continue to crawl towards drama as Manbagi gets closer to admitting she likes Tadano. If you saw the anime and thought twice about buying the manga, Yamai’s barely in the series anymore. Give it another shot. – Sean Gaffney

Never Open It: The Taboo Trilogy | By Ken Niimura | Yen Press – Having greatly enjoyed Niimura’s previous work, including but not limited to Henshin, I was thrilled to find out about Never Open It. The volume collects three distinct stories of varying lengths, Niimura retelling and reimagining three traditional Japanese folk tales: “Urashima Taro,” “Ikkyu-san,” and “The Crane Wife.” While the tales are independent from one another, they do all share a central plot element in which the characters are instructed to never open something—a chest, a pot, a door. Niimura’s artwork and narratives meld European, American, and Japanese influences in beautifully expressive ways. The illustrations are primarily black and white, but Niimura uses red as a spot color to spectacular effect. Red is the color of blood and fate in these comics, heightening the drama and impact of Niimura’s visual storytelling. Never Open It is a marvelous collection; Niimura’s talent for creating engaging and striking comics is clear. – Ash Brown

No Matter What You Say, Furi-san Is Scary!, Vol. 1 | By Seiichi Kinoue | Seven Seas – If you like Komi Can’t Communicate, this has a very similar premise, though the personalities are not the same. Furi-san has a harsh, “yanki girl” face but is really a sweet girl who has to take care of her siblings a lot. She has a crush on her seatmate… but all he sees is her looking terrifying! “Misunderstandings happen” is literally the entire plot, but it’s cute enough, and it opens up a bit more when Furi actually makes a friend who realizes that she isn’t really as scary as all that. There’s a plethora of this sort of manga around lately, so only read it if you like the genre, but it’s good if you do. Plus, who can resist those blushing faces? – Sean Gaffney

Sex Ed 120%, Vol. 2 | By Kikiki Tataki and Hotomura | Yen Press – This continues to be much better than expected, and gives some excellent advice throughout. This is not only advice that reminds you that real life is not like porn fanfics, but also how to deal with pick-up artists (and define them) and long discussion of how to negotiate consent and how it’s not as easy as yes or no. The main cast continues to be small but varied, with a teen lesbian couple (who get a chapter to themselves explaining how they got together), an adult lesbian tease couple (the two teachers, who also get a chapter to themselves, though it’s just one-sided for now), an asexual student, and… well, and the BL fan, who seems to be the default goofy one. Give it a try, much better than you’d expect. – Sean Gaffney

We’re New at This, Vol. 9 | By Ren Kawahara | Kodansha Comics (digital only) – There’s a clever resolution to the cliffhanger from last time, as it turns out that everyone is right and everyone is wrong—Ikuma’s coworker is ready for a more serious relationship, but he’s NOT ready for cohabitation. It’s handled quite well. Other than that, we get more of what we read this series for—these two being absolutely syrupy sweet. There’s a costume party where Ikuma is easily able to identify his wife despite their best attempts to disguise it, and memories of holidays past, with Sumika being somewhat envious of Ikuma’s loud and boisterous yet loving family. We’ve caught up to this series so it’s not out as often, but it’s still a great read. – Sean Gaffney

Young Ladies Don’t Play Fighting Games, Vol. 1 | By Eri Ejima | Seven Seas – The school and uniforms reminded me a lot of Maria-sama Ga Miteru, and that’s not by accident—this is definitely a yuri manga. The gorgeous queen of the school turns out to be a game addict, and the commoner girl trying to start over and be an “upright young lady” discovers this… but she’s a former game addict herself. The trouble is, games are very, very banned at this boarding school. As the two of them try to find a way to play each other while also hiding from THE LAW (aka house mothers), will they also realize that they’re also really attracted to each other? Another one of those “better than it sounds” yuri titles, this one relies on excellent pacing and two great leads. – Sean Gaffney

The Saint’s Magic Power Is Omnipotent, Vol. 5

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

The Saint’s Magic Power Is Omnipotent may be an atypical light novel in some ways, but it is still an isekai when you get right down to it, and that means that the isekai cliches are still there to be walked into. Our heroine has ended up in the fantasy equivalent of medieval Europe, as is typical for these sorts of books. She really misses the taste of home, with good old fashioned rice and miso, as is also typical. Generally these sorts of books fall into two types: either our isekai’d Japanese person tries to make rice and miso and the like themselves in the kingdom or they hear about a country far across the ocean that just happens to have the exact foods they’ve been looking for (and sometimes samurai, but hopefully the Saint series isn’t going there). We get the latter here, as Sei happens upon a slow boat from China – or its fantasy version – that gives her the meals she’s been craving for so long.

After discovering not only that her cooking can deliver magical power ups to those who consume it, but also that Turkish Coffee is being imported nearby, Sei is on a cooking tip. She also has to do something about her cosmetics company, which has become so popular that the nobles are taking *too* much interest in it. As a result, she has a new umbrella company founded for future Saint developments. Disguising herself as the daughter of said company’s head (which is, in reality, her) she travels with Johan to a nearby port town to track down the rice she’s wanted to find for so long. Getting a hold of this proves to be an adventure in itself, and features Sei almost giving away who she really is multiple times. Then, back at the capital, she has an even more dangerous event lying in wait… her debutante ball.

After waiting nine months between books 3 and 4, the wait between books 4 and 5 hasn’t even been one month. Which means I have a bit less to say than I normally do, as I just talked about all this. I will note that Sei’s aversion to romance is starting to not only get on people’s nerves, but to be a genuine problem. Albert is trying to be aware of her feelings and courting her at the speed of a glacier, but she’s the Saint, and is also very much of marriageable age. She can’t simply stay in the back of the research lab and make potions for the next ten years. She manages to get through the ball designed to introduce her to society, but is terrified of dancing with any men she doesn’t know. Fortunately, the palace agrees with her – they certainly don’t want other nobles getting a chance to woo her. Given the author does not really seem to care much about the romance in this series, I’m not sure where this plot will go, but it’s what is interesting me most at the moment.

All this plus Sei teaches Aira how to make a magical Coleman Stove. Thankfully, Vol. 6 of The Saint’s Magic Power Is Omnipotent is not coming out in December. That said, I’m still interested.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 2

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

After a first volume that seemed to take 200 pages to finally get to its point, we finally have a bit of meat to its sequel. There’s a lot going on here, both in terms of more action, more ongoing backstory and plot development, and more of a daughter who loves her father perhaps a bit too much. Note, as I said last volume, that isn’t the way you think it is. Unlike seemingly every other daddy-adopted daughter series out there the past few years, there are no romantic or sexual feelings here at all. But it is true that when Angeline is around her father, she tends to regress several years and act like a spoiled kid. Not to mention that she puts her dad on a massive pedestal. Of course, he does actually seem to deserve some of that. By now the reader realizes that his description of himself as just some guy with a sword is absolute crap. But then, he is living in Backwater Town, USA.

The start of this book is indeed the promised vacation, with Angeline and her two companions staying for a while and enjoying Belgrieve’s hospitality. That said, things can’t stay slow life forever. There’s a young albino girl and her stoic companion who are proselytizing in the big city, and seem to be secretly evil. And when Belgrieve and his daughter’s party arrive in the Bordeaux capital, they find that roads to their remote town are not as easy as they’d like as the local lord is kicking up a fuss. Indeed, the local noble, Count Malta, is actually allying himself with the religious duo, and his goal is simple: kill Helvetica off so that things can go back to how they should be, with nobles having all the power and abusing the common people. Can Angeline and the others save the royals?

Two points to make. First of all, we are getting a harem here, it’s just not the usual one we see in fantasy light novels. Belgrieve isn’t attracting lovers, he’s attracting girls who want a father figure. With the exception of Helvetica (who still really wants to marry him, and has annoyed Angeline by being obvious about it), the girls in this series are the kind who want a pat on the head or a shoulder carry. Even Charlotte, the Ilyasviel von Einzbern clone we meet in this new volume, seems to suddenly realize revenge is wrong after just a brief moment of being treated like a daughter would. Secondly, this book gets quite dark in places, and it works very well. The evil noble is exactly the stereotype you’d expect, but it’s Helvetica’s character who does the heavy lifting here, as she realizes what it truly means to lead for the good of the people and makes some hard, bloody choices. Hope to see more of her.

Angeline returns to the capital at the end of the book, so I assume the third one will be in two different places. Till then, though, this volume improves on the first, and is a great one if you love dads being great dads – to everyone.

Slayers: Delusion in Crimson

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

It can be somewhat annoying to come at the Slayers novels from someone who grew up with the anime and realize how a huge chunk of them are Lina, Gourry, and one-off characters. Zelgadis and Amelia stuck around for a bit, as did Xellos, but they’re gone now. We’ve had Luke and Mileena come in with an attempt to add a new supporting duo to the cast, but they’re more of the ‘we keep running into each other’ sort than actual party members. They’re also not in this particular book either. We do get a villain from two books ago… but she doesn’t appear, she’s just an offscreen catalyst. It can be rather disheartening. Where’s the wacky fun times? Where’s Lina accidentally destroying things? Where’s Gourry being rock stupid? But this isn’t the anime, these are the light novels. And because of that we get something here which the anime almost never tried to do unless it was a huge world-shattering crisis: we get a straight up tragedy.

Lina and Gourry arrive at a city that is telling any and all sorcerers to report to the local sorcerer’s council at once. Doesn’t say why, and does not appear to be from the government. Lina, who has just been through sorcerers trying to take over a city a book or so ago, thinks we’re seeing much the same thing here, and she’s mostly correct. She teams up with Aria, a young woman who is trying to rescue her sister from the lord who killed her fiancee and forcibly married her, and Dilarr, a passing adventurer who just seems to like Aria, though he does find Lina somewhat terrifying, to her displeasure – her reputation is now that death and disaster show up whenever she arrives. Sadly, this book does not really change that reputation. Once they arrive at the city where Aria and her sister Bell live, we get a Chthulhian nightmare featuring lots of monstrosities and lots of death.

Despite the fact that these books frequently seem as if they’re written without an outline by the author simply going to the typewriter and typing till he stops, there is some decent character work here, particularly in regards to Aria’s sister Bell. Set up as the unwilling victim through most of the book, the reality is far darker than we’d expect. The second ‘series’ of light novels were never adapted to the anime, and this one shows why – the sister who is forcibly married after her fiancee is killed sends her little sister off to safety because she loves her, but also has hatred in her heart, as her sister is safe and can be happy while Bell is trapped. It’s a very real look at family dynamics that can stem from a family member being abused. Unfortunately, Slayers is still a fantasy, not a realistic look at power dynamics and coping mechanisms, so we get a massive bloodbath.

As Lina and Gourry walk away at the end, both are subdued and disturbed, and the reader has to agree. This is on the darker side of the Slayers novels, a series which is already much darker than its anime equivalent. I hope the next book has a bit more jollity.

Manga the Week of 12/1/21

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SEAN: If there’s turkey hog dogs and turkey burgers, is there turkey manga?

ASH: I have no doubt.

SEAN: Airship, in print, has Grimgar of Fantasy and Ash 16.

And for early digital we get Drugstore in Another World: The Slow Life of a Cheat Pharmacist 4 and My Status as an Assassin Obviously Exceeds the Hero’s 3.

Cross Infinite World has Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace 3.

ASH: That is quite the title.

SEAN: This is already out and I missed it (it’s hard when the publisher only does a manga every few months), but Drawn and Quarterly has Red Flowers, from the legendary Yoshiharu Tsuge. Some of this was translated way back in the 1980s (remember Raw Magazine?), but this is a brand new version and looks excellent.

ASH: I got my hands on an early copy! It is indeed excellent.

SEAN: Ghost Ship has Do You Like Big Girls? 2 and Shiori’s Diary 2.

J-Novel Club has a digital light novel debut. Full Clearing Another World Under a Goddess with Zero Believers (Shinja Zero no Megami-sama to Hajimeru Isekai Kouryaku). Isekai. Weakest but actually the strongest. You know the drill.

Also out digitally: Arifureta Zero 5, The Master of Ragnarok & Blesser of Einherjar 18, The Unwanted Undead Adventurer 9, and Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons 3.

Kodansha, in print, has Blue Period 5 and Noragami: Stray God 23.

ASH: It’s been a while since I’ve read any Noragami; I should pick it back up again.

SEAN: The digital debut, which just had a Fall 2022 print release announced at Anime NYC, is The Iceblade Sorcerer Shall Rule the World (Hyouken no Majutsushi ga Sekai o Suberu – Sekai Saikyou no Majutsushi de Aru Shounen wa, Majutsu Gakuin ga Nyuugaku Suru), a Magazine Pocket series about a magical academy and the one commoner among aristocrats. But it turns out, despite not being a noble… he’s super powerful? Who’da thunk?

Also in digital only titles: ONIMAI: I’m Now Your Sister! 3 and Stellar Witch LIP☆S 4.

One Peace Books has the 6th manga volume of The Reprise of the Spear Hero.

Three debuts for Seven Seas. I Am a Cat Barista (Wagahai wa Neko de Aru, Shokugyou wa Barista) comes from Overlap’s josei magazine Comic Qurie. It’s a bartender helps people with problems sort of title… but the bartender is, of course, a cat.

MICHELLE: This made me think of Neko Ramen for the first time in years.

ANNA: It sounds cute.

ASH: It does!

SEAN: Magaimono: Super Magic Action Entertainment (Magaimono) comes from Young Magazine the 3rd, and is about a girl who searches for odd things suddenly finding herself in the middle of a VAST CONSPIRACY!

And A Tale of the Secret Saint (Tensei shita Daiseijo wa, Seijo de aru koto wo Hitakakusu) is the manga version of the light novel that Seven Seas has already released. It runs in Comic Earth Star.

ASH: I am duly intrigued!

SEAN: Also out: Alice & Zoroku 9, Arpeggio of Blue Steel 19, Citrus+ 3, Didn’t I Say to Make My Abilities Average in the Next Life?! Everyday Misadventures! 3, Muscles are Better Than Magic! 3, and My Senpai is Annoying 6.

Yen On has two debuts. The Girl I Saved on the Train Turned Out to Be My Childhood Friend (Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta) is by the author of Hazure Skill and Drugstore in Another World, but the genre seems to be more along the lines of something the artist, fly, would do. Childhood friends who’ve grown apart get closer because of… well, the plot.

The Otherworlder, Exploring the Dungeon (Ihoujin, Dungeon ni Moguru) is about a guy who is hired to join a team of experts and take on a dungeon in another world. The trouble is, after the transport, he’s the only one there. Can he find allies?

ASH: Seems to be a slightly different twist than usual.

SEAN: Also from Yen On: The Executioner and Her Way of Life 3, Goblin Slayer 13, and Rascal Does Not Dream of a Dreaming Girl (the 6th and saddest in the series).

Yen Press debuts Cheeky Brat (Namaikizakari), whose cover may remind you a bit of old Tokyopop shoujo manga. This is a long running Hana to Yume series (22 volumes so far) about a girl who hates a guy but has to deal with him anyway because he’s on the basketball team and she’s the manager.

MICHELLE: Oh man it really does remind me of old TOKYOPOP shoujo! It kind of looks bad but I feel this compulsion to read it anyway. That’s also like old TOKYOPOP shoujo.

ANNA: I might be here for this.

ASH: Same, if I am to be honest.

SEAN: And we also see Can’t Stop Cursing You 2, The Devil Is a Part-Timer! 17, Goblin Slayer Side Story II: Dai Katana 2, Golden Japanesque: A Splendid Yokohama Romance 3, I’m the Villainess, So I’m Taming the Final Boss 2, Lust Geass 4, and Reborn as a Polar Bear 6.

What manga are you reading with cranberry sauce?

The Executioner and Her Way of Life: The Cage of Iron Sand

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

This series continues to go back and forth between things I quite enjoy and things that kind of irritate me, and in this book they’re about fifty-fifty, meaning it gets a reluctant recommendation. There’s far less Akari in here than I’d like, though her scene with Momo was the highlight of the book, and promises good things for the book after this. We also get an amusing new addition to the cast, a colleague of Menou’s who seems to be a airheaded flirt, though it’s implied throughout that this personality is a front. Which is a shame, as I liked it better than the personality that showed up later. There’s lots of cool fights, all of which seem to point to the value of “being pretty good at everything because of working really hard” rather than “has an innate natural gift”. Which I’d appreciate more if it was not undercut by the implication that the supposedly hardworking woman is in reality Very Special Indeed.

Menou and Akari are making their way through the desert, which turns out to be another area that was completely devastated because of a Japanese isekai gone horribly wrong. Things start off badly as Akari has already been kidnapped as the book begins, and Menou has to infiltrate a criminal organization to rescue them. There she runs into an old colleague from the orphanage, Sahara, and the three of them proceed to a nearby oasis city, with Menou now having to suffer the attention of *twp* bokes. Arriving at the city, she and Momo get the help of Princess Ashuna, who is essentially in this book to be cool and not much else. Unfortunately, she and Menou have to fight off a dangerous crime lord, so Menou sensibly leaves Akari back at the hotel. Which ends up being the biggest mistake she makes in the book.

The problem I have with Sahara is likely down to the character skewing away from my tastes. I really like the ‘sleepy ditzy flirt’ sort of character, and when Sahara is revealed to in fact be a ball of jealousy and envy, I wonder what the point was in having her be likeable for 3/4 of the book at all except to annoy me. Then again, when the reverse happens – i.e. when Akari gets her suppressed memories back – I actually tend to like her more, so hey. And yes, everyone is angry at Menou for being ‘the chosen one’, and Menou keeps insisting that she’s not all that great and is just a fairly normal person, which is fine except it’s pretty clear that she’s also got a past that’s been completely suppressed. Which just makes me more annoyed.

Basically, it’s hard to like anyone in this series because they could turn into something completely different down the road. I know that “change is a process” is the theme of the books, but there’s a bit TOO much change. Right now, Momo is my favorite character because she’s at least consistent. That said, sure, I’ll read more.

Also, naming the new character in your desert-themed book Sahara is kind of like naming your dog Spot.

Otherside Picnic, Vol. 6

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

After starting the series off showing us a terrifying, lethal, transforming Otherside, it is somewhat amusing to see that the parts of this book that actually do take place in the Otherside are the most relaxed. Essentially, Sorawo and Toriko decide to settle in and do some dry-walling, and they have a great deal of fun. They don’t have any terrifying experiences there because the real world, and the space between the real world and the Otherside, is scary enough as it is. Starting the book off with a Sorawo who seems to be a normal, non-urban legend loving college student, the book takes off running as our heroes battle T-san, a man dressed like a monk whose features seem to invite unreliable narration. Akari gets involved as well, and before we know it we’re dealing with someone who is perfectly happy to walk into their psychiatric hospital/prison and wreak havoc. This is Otherside Picnic: the Movie, kids, so buckle up for a roller coaster ride of thrills.

As you may have guessed, this book is one long story, involving a young (?) man (?) who is tall (?) and wears monk’s robes (?) and is currently in Sorawo’s college seminar. As I noted above, at the start of the book Sorawo has amnesia, her “Otherside” eye is not working, and she’s rather startled by these other two girls who seem to know her. That thankfully gets resolved quickly, and we’re back to our normal Sorawo who insists that she doesn’t really care about other people even if her actions belie this quite a bit. T-san the Templeborn is another urban legend, though the author, who I already suspect is making up all of their ‘cited sources’, admits this one is probably more fictional than the others. Instead of the Otherside, T-san is threatening the real world, erasing the connections between people and that universe with a shouted “HAH!”. Can they stop him in time? And are they going to need the help of an old enemy to do so?

Gotta admit, my favorite parts of this book are the parts with Runa Urumi, who is (possibly?) trying her best to be the Hannibal Lecter to Sorawo’s Clarice. She’s awake once more, bored out of her gourd locked up in DS Research, and promises to be a good girl if they just let her surf the internet a bit. Needless to say they are very distrustful of her, especially as remorse does not seem to be happening anytime soon, but a later scene where she ends up, somewhat reluctantly, helping the other inmates when T-san visits the facility makes me suspect this plotline is not going to be dropped anytime soon. As for Sorawo and Toriko’s relationship, it’s notable here mostly for Toriko’s jealousy when it comes to Akari, which is so obvious this time around that even Sorawo, never the brightest bulb when it comes to social cues, has to reassure her that she does not like Akari in that way. I also don’t see this plot going away anytime soon, though.

Oddly, for something that was supposed to be a grand movie version of the series, this was rather sedate, with only a bit of action in the final parts, and very little shooting of guns. This is, of course, because most of it took place in reality, and I suspect that the link between the two worlds will continue to fluctuate in future. But yeah, good book, go get it.

Anime NYC 2021, Day Three

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Ah, Day 3, the day when I realized that I am simply not equipped to be able to sit on a floor waiting for a panel for 5-6 hours per day. By the end of the day I was reduced to begging for a chair from staff (who were very helpful). Fortunately, I only had two panels for the day (apologies to Azuki, who I wanted to see, but I know Kodansha would be a huge line because of the Attack on Titan teaser, and also to Inside the Manga Industry, because somehow Yen managed to get scheduled against ITSELF), so there was not quite as much waiting, but I admit I am rather bone weary today.

That said, I suspect fans who came to the Kodansha panel just for the Attack on Titan stuff came away a little disappointed, as most of it was just normal manga announcements. They pointed out the manga gallery on display at Anime NYC, which looked quite impressive as I walked quickly by it. (Look, Attack on Titan and I are exes and we don’t get along, OK?) They’re also encouraging people to tweet about the series with the #thanksattackontitan tag, which I’m sure will be SAFE AND FUN. And there were two other announcements: The Best of Attack on Titan in Color, which has an assortment of the best chapters in the series… well, in color. And also a box set for Part 1 of “The Final Season”.

The rest of the panel was blissfully Attack on Titan free. We got the December digital debuts, which makes me the that types up Manga the Week of posts very happy. My Master Has No Tail (Uchi no Shishou wa Shippo ga nai) runs in good! Afternoon, and is basically a Reese’s Peanut Butter Cup of a manga, containing not only tanuki but also rakugo masters! Shaman King: & a Garden is a spinoff series focusing on the women in the series, and it runs in shoujo magazine Nakayoshi. My Darling the Company President (Darling wa Shachou-kun) is a 6-volume josei series from Ane Friend, where an office lady finds the new company president is a boy that she used to tutor, but now… He Is All Grown Up. And Her Majesty’s Swarm (Joou Heika no Isekai Senryaku) is the manga adaptation of the novels J-NC have been doing, and runs in Suiyoubi no Sirius.

They then had a bunch of print announcements for the Fall of 2022. Which makes sense given how hard it’s been to get things printed these days. Wistoria: Wand & Sword is a new series by the writer of Is It Wrong to Try to Pick Up Girls in a Dungeon?, running in Bessatsu Shonen Magazine. Boy has no magic powers, but he does have a cool sword. Go Go Loser Ranger (Sentai Daishikkaku) is the newest series from Quintessential Quintuplets creator Negi Haruba, a Weekly Shonen Magazine series parodying the stock tropes of sentai shows, and starring a villain who is tired of being the “Villain of the week” sort. Run Away with Me, Girl (Kakeochi Girl) is a josei yuri series that ran in Hane Kiss. Two girls who dated in high school haven’t seen each other in ten years. Will things rekindle when they meet each other?

Shonen Note: Boy Soprano is from Morning Two, and is by the creator of Our Dreams at Dusk, which means it automatically should go to the top of everyone’s list. It actually came out before that series in Japan, though. The story of a boy with a lovely soprano voice, and what happens when puberty starts to change that. As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World (Tensei Kizoku Kantei Sukiru de Nariagaru – Jakushou Ryouchi o Uketsuidanode, Yuushuuna Jinzai o Fuyashite Itara, Saikyou Ryouchi ni Natteta) is a Magazine Pocket series about… aw hell, you know what it’s about. Miss Miyazen Would Love to Get Close to You (Ochikadzuki ni Naritai Miyazen-san) is a cute romcom from… Gangan Joker? Story there, I bet. In any case, delinquent boy, proper girl, love blooms.

Avant-Garde Yumeko is a one-volume series from Shuzo Oshimi, acclaimed creator of Flowers of Evil, Blood on the Tracks, etc. This one… doesn’t have quite the same feel. Yumeko is a girl obsessed with the male organ, and she has decided that art class is the best way to see it. This is only one volume, and… gotta say “Oshimi raunchy sex comedy” is not really what I was expecting, but hey. I have heard others say it “has the subtlety of a truck”. An Older Guy’s VR First Love (VR Ojisan no Hatsukoi) is also one volume, and ran in Ichijinsha’s Zero-Sum Online. 40-ish guy plays in the VR world as a female character, and grows closer to another female in the game. But will real life get in the way? I heard this is quite serious.

Kodansha also announced print versions of a lot of series we’ve seen digitally already, including The Iceblade Sorceror Shall Rule the World (starring former Frank Zappa singer and guitar player Ray White), In the Clear Moonlit Dusk, Shangri-La Frontier, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability, and horror favorite PTSD Radio. We’re also getting box sets! Sweat & Soap, Wotakoi, and Rent-a-Girlfriend for those. And omnibuses! Noragami, Fire Force, Ghost in the Shell, and No. 6. Ghost in the Shell is supposed to have all sorts of bells and whistles (no, don’t ask about the missing pages, the answer is still no). Noise from Tsutomi Nihei will be getting a print release. No Longer Human and Dissolving Classroom will be getting Complete Editions. And, to the annoyance of many fans in the audience, Don’t Toy with Me, Miss Nagatoro is also getting a box set.

Lastly, to show that Kodansha’s troll game is still A+, they announced an exciting release for Nisioisin fans! No, not Monogatari Off Season. No, not Zaregoto 4 & 5. Instead, we get Katanagatari, which had prevoiusly been released in hardcover omnibuses, as paperback omnibuses. See? Much better than Sodachi Fiasco. (Please put away those knives).

After this, I decided to check out the panel introducing Yen Audio! This had marketer Mark and editor Ivan, and also a special guest… Bryce Papenbrook! The voice of Kirito was there himself, so the usual Kiroto hate from fans was pretty much absent. We listened to a clip from the first Sword Art Online book, and he discussed the differences in acting for anime vs. acting for audio books – this was his first audiobook, something he has in common with the other actors we heard today. He loved it being first person, and also talked about having a bit more freedom with his delivery as he did not have to match the lip flaps of the animation. The second Sword Art Online audiobook has Cherami Leigh as Asuna being the narrator, but Bryce also comes back to do the Kirito stuff there.

He then left to go back to his autograph panel, and we got the rest of the audio hype. We heard clips from books already released, including Overlord, Solo Leveling, and The Saga of Tanya the Evil. And we got three new announcements! There are no narrators set just yet (though I would assume calls have been put in to J. Michael Tatum and Brianna Knickerbocker), but we got to hear that we’re getting Spice & Wolf, So I’m a Spider, So What?, and Rascal Does Not Dream of Bunny Girl Senpai. The last of those has never had an English dub, so it will be definitely interesting to see who they get.

And after this I took my leave, heading to the train to collapse and try not to fall asleep. Anime NYC 2021 was a con with lines both inside and out, but it was also a lot of fun, and attendance hit 50K despite COVID restrictions. They’ve already announced 2022, so (my feeble body permitting, I am utterly exhausted today) I will see them again.