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Manhwa Monday: March Releases

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Welcome to another Manhwa Monday! I’ll get to the reviews in a moment, but first let’s take a look at some of this month’s upcoming releases. It’s all Yen Press this month (at least in print) but they are giving us plenty to look forward to. In March, we’ll see new volumes of Angel Diary, Very! Very! Sweet, Raiders, You’re So Cool, The Antique Gift Shop, and Time and Again.

My personal picks from the lot would be the next installment in JiUn Yun’s Time and Again (see my review of volume one here) and new installments of JiSang Shin and Geo’s Very! Very! Sweet and Lee Young-hee’s You’re So Cool, both in their sixth (and final, in the case of YSC) volume.

Meanwhile, NETCOMICS will be offering at least one new chapter of Sooyeon Won’s Full House (see my reviews of chapters one and two) and Youngran Lee’s There’s Something About Sunyool, both due on March 5th. …

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Confessions of a Former Scan Junkie

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I’m sure by now everyone has heard the news about Nick Simmons’ alleged (and meticulously documented) plagiarism in his fledgling comic, Incarnate. For those who haven’t, Deb Aoki has a collection of links and Twitter conversations here in her blog. As you’ll see from her post, discussion of plagiarism has segued into discussion of piracy. I was foolish enough to wade into the comments section yesterday evening, which turned out to be frustrating, exhausting, and really nothing else.

As I mentioned to someone later on Twitter, I was not nearly as anti-scanlation when I entered the conversation as I was when I left. In the end, the pro-scanlation crowd had turned me against them to the point where I not only could no longer see any merit in what they were saying, but was frankly disgusted by the idea of being part of the same fan community. I have some examples to share, but first, a confession: …

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Excel Saga Volume 2

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By Rikdo Koshi. Released in Japan by Shonen Gahosha, serialization ongoing in the magazine Young King OURS. Released in North America by Viz.

Volume 2 of Excel Saga starts to spin a bit more of its actual plot, though things are still in the beginning stages. (By the way, Viz and Rikdo Koshi have done original cover art for the first 4 volumes of the manga, ostensibly to help them sell. When presumably they didn’t sell, Viz reverted to simply using the original Japanese covers, starting with Volume 5.)

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The good news is we meet two more of our main cast in this volume. Dr. Kabapu makes an immediate impression. He looks odd, and he is odd. But he’s also immediately shown to be morally bankrupt, and willing to be an utter jerk for his own ends. If you ask me, he’s more of a villain throughout the series than Il Palazzo is, even though he is ostensibly ‘protecting the city’. (Of course, once Miwa Rengaya shows up, you get the feeling she’ll soon overtake both of them).

And then there’s Misaki Matsuya, who plays the resident ‘sensible’ woman throughout the manga. Rikdo Koshi is not generally above letting anyone, at any time, play the boke or tsukkomi as events warrant, and indeed the liner notes for Volume 2 note that Excel and Hyatt alternate boke and tsukkomi depending on the situation. Likewise, while Watanabe (at first) and Sumiyoshi CAN be sensible and level-headed, it’s Misaki who carries the brunt of whacking idiots and pointing out stupid things. In a manga with as many weirdos and idiots as this one, it’s welcome.

A couple of other things to note about her introduction: we see her briefly with a cute keychain plushie. Misaki’s addiction to cute plushies, besides being a nice break in her otherwise ‘perfect independent and strong woman’ persona, will continue in future volumes. It’s generally a way for Rikdo to make references to other series that are running alongside Excel Saga in Young King OURS. The other thing is that it’s revealed that she and Iwata were classmates in college. He’s far too informal with her, and she beats him constantly for calling her Misaki, with no honorific. Stay tuned for a lot more on these two…

Meanwhile, our heroines are doing what they do best. Working odd jobs, hailing Il Palazzo, making pathetic attempts to take over the city for the glory of ACROSS, and occasionally sniping at each other. That last is somewhat of a surprise, and won’t last; in a volume or two, Hyatt and Excel will have warmed up to each other, and Hyatt will end up being utterly deferential. (Excel’s true sniping partner will arrive in Volume 8.) Amusing gags here include Hyatt’s inability to not steal medicine, couples with Excel’s inability to resist the word ‘conquer’; yet another insane appearance by the Black Jack-esque doctor and his nurse; and Hyatt’s mysterious ability to avoid setting off any mines while walking through a minefield.

This leads us to the two major plot points that will become important over the whole series. The first is Excel’s superhuman endurance and abilities. At first, you think that it might be merely manga exaggeration – this is a comedy, after all. But gradually, as Excel gets blown into the air by mines, drowned in the middle of oceans, and forced to lift unconscious robots, that she’s simply more than a mere insane human.

The other thing that is introduced here is Il Palazzo suffering from what appears to be multiple personalities. There’s voices talking to him in his head yelling at him about enemies, and he sends Excel and Hyatt on missions and then seems to be completely ignorant of what he’s done. This too will be important later on, and was in fact also used in the anime version (though it was taken in a different direction). This is probably a good thing, as Il Palazzo on his own tends to be fairly drab, spouting rhetoric and pulling ropes on trapdoors. An air of mystery adds to his character.

And of course there are endnotes by Carl Horn. I know fans who buy manga sight unseen just for Carl’s notes.

This is a fun, funny manga, with weird wacky situations, and you get the sense that a big confrontation is set up. To be continued!

Presenting NANA Project #5!

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Today I’d like to point you to the latest installment of The NANA Project, in which Danielle Leigh, Michelle Smith, and I dig into NANA volumes 9 & 10! I can honestly say I have never had more much fun with this project than I did this time around, and that’s saying a lot. From Danielle’s introduction: “This time around we all discuss the harsh world of fame, MJand I then subject the character of Yasu to relentless psychoanalysis, while Michelle awes us all with her new “hair theory” of NANA!”

While participating in this month’s discussion, I was reminded more than ever just how emotionally resonant this series is and how true-to-life its characters are. I think the fact that the conversation gets a bit heated here in installment #5 is a real testament to that. Must performing artists choose between career and love? Is “want” an essential element of happiness? Check out NANA Project #5 for all this and more! …

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Kamichama Karin Chu vs. Shugo Chara!

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I have a review offsite this morning in today’s Manga Mini’s column, for the final volume in Koge-Donbo’s Kamichama Karin Chu, published by Del Rey. Though I have found plenty to enjoy in this series during its run, things fell apart a bit over the last few volumes, limiting its appeal for adult readers, in my view.

What this series mainly suffers from, however, is inevitable comparisons between it and Del Rey’s other currently-running magical girl series, Shugo Chara! which unfortunately blows it away on pretty much every front–plot, characterization, art, you name it. Perhaps the most obvious disparity between the two, however, is in its depth of messaging, especially for female readers.

Karin’s focus throughout the series is to grow up to be a wife and mother… and a powerful god, of course, but a wife and mother first. Even in this volume’s final side story, she is portrayed as a poor student who strives to bring up her grades only so that she can get into the same high school as her future husband. Shugo Chara!‘s Amu, on the other hand, is focused on discovering her own talents and desires, torn between the many paths open to her, none of which ultimately have to do with boys. Don’t get me wrong, here. There’s nothing objectionable about a woman being a wife and mother, and certainly homemaking is one of Amu’s options as well. I think offering girls a variety of choices, however, is a much stronger way to go and much more in tune with the dreams of young girls today.

Interestingly, too, though Amu fights alongside the Guardians, a group made up of both boys and girls, Karin’s fellow gods are all boys whose help she requires in nearly every battle. While I appreciate messages of cooperation (teaching kids that they should fight all their battles alone is supremely unhelpful), it really does matter that Amu’s backup is consistently mixed-gender and I think that sends a much healthier message to both girls and boys.

Am I trying to paint Shugo Chara! as a feminist series? No. I’m really not. But I do think it offers a great deal more depth in its portrayal its young female protagonist and the world around her than can be found in Kamichama Karin Chu, by a lot.

Thoughts? Disagreement? Please feel free to comment!

Kamichama Karin Chu, Vol. 7

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By Koge-Donbo
Del Rey, 176 pp.
Rating: T (13+)

Karin and Michiru traveled to the future in volume six to try to stop Kirihiko Karasuma (in Jin Kuga’s body) from creating the future they’ve worked so hard to avoid. As they arrive in volume seven, they discover that Kazune has come along as well, despite the loss of his Apollo ring. Together, the three of them face Kirihiko in a final battle to save their futures and bring everyone together again, including loved ones who have been fighting against them.

Time travel is a messy thing indeed and though it has been a major element in the story all along, things begin to unravel here with Karin meeting up with her future self and the Chronos Clocks suddenly taking on new power that seems a bit too conveniently manipulated to make things turn out just right. Everything about this volume feels strained, from its rushed romantic moments to its anticlimactic final battle, as though mangaka Koge-Donbo was forced to wrap things up just a bit too quickly.

Though this series has declined toward the end, diminishing its adult appeal, it is still a fun, whimsical choice for younger readers with a fairly powerful message about making one’s own fate. “We are all little gods,” reads the final page of the series proper. “Sometimes, we can even change destiny.”

Review copy provided by the publisher. Review originally published at PopCultureShock.

Manhwa Monday: Welcome, Sunyool!

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With just a handful of reviews to report this week, the big buzz among manhwa fans online is a new series from NETCOMICS, There’s Something About Sunyool by Youngran Lee, author of Click. Though Click has some fairly questionable qualities, a quick read through the three available chapters of Sunyool shows quite a bit of promise.

Born the illegitimate child of a big-time politician, Sunyool has been accepted officially into her father’s household as an adult and thrown straight into negotiations for arranged marriage. While the premise seems rife with cliché, the execution (so far) is anything but. What could easily be a typical rags-to-riches or fish-out-of-water story actually appears more likely to be a thoughtful, wry look at two young people from vastly different backgrounds learning to make a life together within the cold world of politics. Sunyool’s smart (occasionally cruel) sense of humor and self-awareness make her a very appealing female lead…

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Hikaru no Go 18 by Yumi Hotta and Takeshi Obata: B

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After the drama of the past few volumes, “the main storyline takes a holiday” (to quote the back cover) in volume eighteen and instead we get six short stories of varying quality.

A couple of stories, like those focusing on Akira Toya and Yuki Mitani, fill in some background for scenes from earlier in the series, and one revisits what’s left of Hikaru’s old middle school go club. Two others—about Asumi Nase, an insei, and Atsushi Kurata, a relatively young pro—serve to flesh out supporting characters and are the best of the bunch.

The sixth purports to be about Sai, and it was this story I’d looked forward to the most. Alas, it’s nearly the least interesting (Mitani’s claims top honors in that category), as it boils down to another case of “corrupt merchant trying to sell antique merchandise that Sai knows is fake.” I had hoped for a story from Sai’s life or perhaps from his time with his previous host, but instead we get a rehash of something we’ve seen as recently as volume twelve.

I’d be lying if I said these stories aren’t disappointing, coming on the heels of some very important plot developments, but I gather they’re meant to function as a palliative bridge between a dramatic story arc and whatever lies ahead, so I can’t fault them too much.

Review copy provided by the publisher. Review originally published at Manga Recon.

Goong, Vol. 8

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Goong, Volume 8
By Park SoHee
Published by Yen Press


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It’s one step forward, two steps back for Shin and Chae-Kyung, as the new openness shakily established between them is blown away by Shin’s resolve to remain Crown Prince–a reaction to the news of his mother’s pregnancy. Both Shin and Chae-Kyung fall back on their own worst habits, with Shin presenting the news as an irrefutable barrier to Chae-Kyung’s future freedom and Chae-Kyung rebelling with all her might. Taking advantage of the situation, Yul throws Chae-Kyung a lifeline, but will it really have the effect she hopes for?

Though Shin’s bullying and Chae-Kyung’s temper continue to be the real barrier to their happiness–both together and as individuals–it is the Queen’s pregnancy that exacerbates everything in this volume, putting Shin on the defensive (on behalf of both his mother and his wife) and making Chae-Kyung further aware of the gravity of her position. Having been asked to assume the Queen’s duties during her pregnancy, Chae-Kyung becomes more mired in tedious palace workings than ever, bringing a new desperation to the promise of divorce, though that promise has now been cruelly retracted.

That Yul finds a way to exploit this comes as no surprise (he is his mother’s son, after all) but it does shed some incredibly unflattering light on how far he is willing to go to get what he wants, even if it ultimately hurts the person he claims to love. “From the start, I had no interest in becoming King,” Yul says to his horrified mother as she struggles for his cooperation. “What I wanted was to take away the most important thing to Shin, because he took away everything important to me.”

Heavy tension and anticipation make this volume’s slow pace maddening to say the least, which is a real testament to author’s skill with consistent characterization. Though it might seem like it would be a huge relief to have these characters shake off their most damaging personality traits and just work things out already, the result would be utter destruction of everything Park SoHee has worked so hard to create. I, for one, am grateful that she has not taken that tempting, deadly road.

The one truly distressing thing about this volume is the re-emergence of Eunuch Kong, who remains this series’ most unfortunate trait. That aside, fans should find plenty to angst over and enjoy in the latest installment of Goong.

Review copy provided by the publisher.