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Game Review: Tanto Cuore

December 8, 2011 by Paul Beasi 8 Comments

Do you have what it takes to be crowned “King of Maids”?
Bits & Blips: Manga Bookshelf Edition

Tanto Cuore (Italian for “Much Heart”) is a deck building game originally released in Japan by Arclight Games with the English edition published by Japanime Games in the US. The players play the “masters of the house” and will employ maids and use their services to help them expand their mansion to ultimately win the game and become the “greatest master”, the proclaimed “King of Maids”. While I was admittedly uncertain that the theme was something that I would be interested in, after playing it I discovered that with only one minor exception the fan-service is minimal, the cards are tasteful, and on the surface the theme is rather innocent. But is it a good game? Yes!

Deck building games came into popularity with the creation of a game called “Dominion” by Donald X. Vaccarino in 2008. Since then, the genre has exploded with many other titles using this mechanism. Personally, I was not very fond of Dominion. There is little player interaction (although later expansions addressed this somewhat), the art is not particularly to my tastes, and the game play feels very mechanical and dry with few paths to victory. Tanto Cuore addresses all of these issues.

But first, a primer on the mechanics of a deck building game.

Deck building is something that players of collectible card games (CCG) and trading card games (TCG)—such as Magic, The Gathering and Pokémon—are very familiar with. However in a deck building game, constructing the deck is actually part of the game as opposed to the precursor to the game. Everyone starts out with the same cards in their deck; generally weaker cards that will be used to gain more powerful cards. Each turn you start with a hand of cards drawn from your deck, play some cards from your hand, perform actions based on what you play, and then move the used and unused cards to your discard pile and draw a new hand of cards. Each player then repeats these steps in succession.

I ♥ you!

When you need to draw a card and your deck is depleted, you shuffle the discards. Thus, you know which cards are in your deck but not where they are or what order they will come up in. The strategy is building a deck that contains cards that will help you achieve your goal of getting victory points. If your deck gets too big, it might take you too long to get the cards you need and the chances of getting all of the ones you want in one draw get worse. Therefore, another important goal is getting the weaker cards out of your hand or upgrading them to better cards. The mechanisms for this vary by game, but in the end the idea is usually the same: build an efficient yet powerful deck that will yield you the most Victory Points (VP) at the end of the game.

Gameplay:

In Tanto Cuore, there are three categories of cards available in the “town” (play area): Maid cards, Love cards, and Event cards. The Maid cards include maid chiefs, general maids, and private maids. The Love cards have a value of 1, 2, or 3 “love”. The Event cards include Bad Habit and Illness cards. Every player’s initial hand has 7 “1 love” cards and 3 “Colette” maid chief cards which do little but are worth 1 Victory Point (VP) at the end of the game. A turn is divided into four phases: the Starting phase, the Serving phase, the Employ phase, and the Dismiss phase.

On each turn, a player is allotted one “serving” (which means playing one maid card) and one “employ” (which means buying a new card with “love” cards). Certain cards you purchase may grant you additional bonuses, such as additional servings, additional employs, the ability to draw cards, or extra love. Some cards are also worth victory points simply for having them. It’s beyond the scope of this review to detail what all of the cards do, but learning how they interact with each other is crucial to winning the game. For example, playing a maid card that gives you +1 serving means that you’ll be able to play another maid card on this turn. If you chain several of these together you can do even more. Playing cards in the proper order to maximize their potential is therefore very important.

Sample Maid card

The private maids are special. They each have an ability that occurs during the start phase of your turn and are worth positive or negative VP. The deck has 10 unique private maids, two of which are visible at a given time and only one of which may be employed on your turn even if you have gained extra employment capabilities from other maids. These maids are placed in your “private quarters”. These are cards that are no longer in your deck but still count at the end of the game for scoring purposes. When you employ a private maid, you may place her in your private quarters or in the private quarters of one of your opponents. Each player may only have one active private maid at a time, so employing a new one will replace any previous one, eliminating that maid’s special ability (but not the VP—positive or negative, those will be scored at the end of the game).

The game comes with 16 different types of general maids. 10 of these will be selected for use in the game. There is a recommended starter setup in the manual for beginners, but you can choose the 10 maids to be used randomly, by a draft, or whatever way your group decides. In this way, the game will be different every time you play. You’ll have to adjust your strategy appropriately based on the cards that are (or aren’t) available.

Tanto Cuore offers alternate paths to victory which is one of the things I really like about the game. Purchasing the high end Chief Maid will earn you 6 VP and is a significant way to gain points. However, the private maids are worth varying amounts of VP and some of the general maids are as well. Also, some of the maids are “chamber maids”. These maids can moved to your private quarters by using one or two servings, depending on the maid. Doing this not only gets them out of your deck—which as you’ll remember from above can be quite useful—but there is also a “set collection” mechanic introduced in this game where having either a certain quantity or a certain variety of maids in your quarters will earn you extra points at the end of the game. This, however, leads me to the other method of player interaction in the game: Events.

Bad habits involve frogs?

Illness cards may be played by your opponents on any of the maids in your private chamber. If a maid is still ill at the end of the game, she will be removed from play and her VPs will be lost. Also, she will not count in any of the sets she may have been a part of. Finally, if your private maid becomes ill, her special ability will not occur during your start phase. There are several ways to remove illness cards from your maids depending on the cards that are in play. Also, you can always choose to discard a “3 love” card to cure a maid, but this is a very painful choice since “3 love” cards cost 7 love to employ. Still, it might be worth it. Interestingly, you may also play an illness card on one of your own private maids if you don’t want the negative victory points or effects this maid has.

Finally, your maids may acquire “Bad Habits” from your opponents. Bad habits are worth -1 VP each at the end of the game unless you have four or more of them, in which case they are worth -2 VP each. Like illnesses, there are various ways to remove the Bad Habits from your private quarters.

The games ends when two of the maid piles have been depleted. Once this happens, the player who caused the game ending condition will finish her turn and the game is over. Sick maids are removed from the game and then victory points and bonuses are added up. Finally, the negative points for Bad Habits are applied. Whoever has the highest VP total is the “King of Maids”!

Artwork:

The cards in this game have extremely lovely artwork by 25 Japanese illustrators. Therefore, each card has a very unique look and style. While normally I would find this jarring in a game, I think it works very well here. In a way, it showcases the many different styles of drawing used in Japanese media. Who knew there were so many ways to draw a French maid?

My biggest concern was that the artwork was going to be too ecchi for me. While I don’t always have issues with ecchi, it’s not what I would be looking for in a game and it would make it difficult for me to introduce the game to my generally non-Otaku gaming group. Thankfully, most of the cards tend to be moe rather than ecchi. The maids all feel like real characters, even the more unusual ones like the “napping maid”. The love cards are a little suggestive and one of the private maids has a panty shot with a little more, ah, personal detail than I’d like, but I’ll give that a pass because the Esquine Forét card’s awesomeness totally makes up for it.

The recommended age on the box says 12 and up. I would say, like with anything, check it out first and then decide what’s best for your children.

Was that really necessary?

Tiny moe maid with extremely large weaponry! Yeah!

Drawbacks:

Like all deck building games, if you randomly select your cards you could end up with a combination that doesn’t work very well together. Conceivably, everyone’s final score could be negative. Generally this is not going to happen but it is something to consider.

Also, illnesses and bad habits are relatively cheap to inflict on other players, but very expensive (or impossible) to remove if the right cards are not in play. I don’t see this being a big problem, but it could frustrate some players. This wasn’t an issue in any of the games I played, but I could envision scenarios where it would be.

The only downside to the artwork is that the text is extremely small. You’ll definitely need to get your reading glasses out for this game.

Finally, the price. At $50 MSRP, it’s fairly expensive for what amounts to a large deck of cards. However, the street price at online shops is around $40 and when you consider that unlike CCGs and TCGs there are no booster packs and “rares” to be chasing after and thus no secondary market price inflation, it’s still a pretty good deal. Everything you need to play is in the box.

Conclusions:

Should you get this game? Yes! If you are fan of manga or anime (or a maid fetishist) and have not played games like this before, you might have a slightly steeper learning curve than your average hobby gamer but once you play through it a couple of times you should pick it up fairly easily. If you are a gamer and aren’t put off by the theme then I strongly suggest giving this game a try even if, like me, you aren’t a fan of Dominion. Tanto Cuore improves upon the core mechanics of a deck building game by adding alternate paths to victory and player interaction. The art is fantastic and the theme surprisingly works well even outside of Japan.

There are two expansions for the game which can be played alone or in addition to the cards in this game, but currently they are only available in Japan. The first expansion, Expanding the House, will be available from Japanime Games in early 2012.

Age: 12+
Length: 30-60 mins
# of players: 2 to 4

Designer: Masayuki Kudou
Pubisher: Arclight Games (Japan), Japanime Games (US)
Artists:

Tohru Adumi
CARNELIAN
COMTA
Takahito Ekuchi
Takuya Fujima
Takehito Harada
Akira Hayase
Kira Inugami
Ishigaa
kawaku
KEI
Souji Kusaka
Misa Matoki
Rin Minase
Miki Miyashita
Misoka Nagatsuki
Nana
Aoi Nanase
Hiroki Ozaki
Poyoyon Rock
Ruchie
Satoru Satou
Mushimaro Tachikawa
Yuiko Tokui
Ofuu Yamadori

Filed Under: Bits & Blips, Game reviews, REVIEWS Tagged With: board games, card games, games, tanto cuore

Manga Bestsellers: 2011, Week Ending 20 November

December 8, 2011 by Matt Blind 1 Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↑3 (4) : Sailor Moon Codename: Sailor V 2 – Kodansha Comics, Nov 2011 [464.5] ::
2. ↓-1 (1) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [461.5] ::
3. ↓-1 (2) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [451.0] ::
4. ↓-1 (3) : Yotsuba&! 10 – Yen Press, Oct 2011 [403.3] ::
5. ↔0 (5) : Black Butler 7 – Yen Press, Oct 2011 [399.0] ::
6. ↑2 (8) : Black Bird 11 – Viz Shojo Beat, Nov 2011 [380.0] ::
7. ↓-1 (6) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [376.5] ::
8. ↑6 (14) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [343.5] ::
9. ↑11 (20) : Maximum Ride 5 – Yen Press, Dec 2011 [337.1] ::
10. ↔0 (10) : Maximum Ride 1 – Yen Press, Jan 2009 [330.4] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 76
Yen Press 75
Viz Shojo Beat 69
Kodansha Comics 43
Viz Shonen Jump Advanced 37
Vizkids 32
DMP Juné 20
Tokyopop 20
HC/Tokyopop 17
Dark Horse 16

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,111.9] ::
2. ↔0 (2) : Black Butler – Yen Press [815.5] ::
3. ↑1 (4) : Maximum Ride – Yen Press [750.7] ::
4. ↓-1 (3) : Vampire Knight – Viz Shojo Beat [674.7] ::
5. ↑2 (7) : Pokemon – Vizkids [651.8] ::
6. ↔0 (6) : Black Bird – Viz Shojo Beat [648.6] ::
7. ↓-2 (5) : Naruto – Viz Shonen Jump [600.3] ::
8. ↑5 (13) : Warriors – HC/Tokyopop [538.5] ::
9. ↓-1 (8) : Highschool of the Dead – Yen Press [522.0] ::
10. ↔0 (10) : Negima! – Del Rey/Kodansha Comics [505.8] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↑3 (4) : Sailor Moon Codename: Sailor V 2 – Kodansha Comics, Nov 2011 [464.5] ::
2. ↓-1 (1) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [461.5] ::
4. ↓-1 (3) : Yotsuba&! 10 – Yen Press, Oct 2011 [403.3] ::
5. ↔0 (5) : Black Butler 7 – Yen Press, Oct 2011 [399.0] ::
6. ↑2 (8) : Black Bird 11 – Viz Shojo Beat, Nov 2011 [380.0] ::
7. ↓-1 (6) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [376.5] ::
12. ↓-1 (11) : Dengeki Daisy 7 – Viz Shojo Beat, Nov 2011 [304.1] ::
17. ↓-5 (12) : Highschool of the Dead 4 – Yen Press, Oct 2011 [281.4] ::
19. ↑15 (34) : Pokemon Black & White 4 – Vizkids, Nov 2011 [278.5] ::
26. ↓-13 (13) : Pandora Hearts 7 – Yen Press, Oct 2011 [241.6] ::

[more]

Preorders

8. ↑6 (14) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [343.5] ::
9. ↑11 (20) : Maximum Ride 5 – Yen Press, Dec 2011 [337.1] ::
13. ↑15 (28) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [299.4] ::
14. ↑12 (26) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [297.2] ::
38. ↑8 (46) : Naruto 53 – Viz Shonen Jump, Dec 2011 [202.1] ::
62. ↑3 (65) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [158.3] ::
63. ↑42 (105) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [158.1] ::
73. ↑11 (84) : Ouran High School Host Club 17 – Viz Shojo Beat, Dec 2011 [141.5] ::
81. ↑12 (93) : Fullmetal Alchemist 27 – Viz, Dec 2011 [129.8] ::
84. ↓-3 (81) : xxxHolic 18 – Kodansha Comics, Dec 2011 [123.9] ::

[more]

Manhwa

250. ↑455 (705) : Sarasah 4 – Yen Press, May 2010 [42.4] ::
266. ↓-130 (136) : Bride of the Water God 9 – Dark Horse, Oct 2011 [40.4] ::
272. ↑47 (319) : JTF-3 Counter Ops (ebook) – RealinterfaceStudios.com, Mar 2011 [39.9] ::
287. ↓-96 (191) : March Story 3 – Viz Signature, Oct 2011 [37.8] ::
463. ↑ (last ranked 9 Oct 11) : Legend 3 – Yen Press, Aug 2008 [21.8] ::
517. ↑128 (645) : March Story 2 – Viz Signature, Apr 2011 [18.2] ::
542. ↑71 (613) : Bride of the Water God 8 – Dark Horse, May 2011 [17.1] ::
601. ↓-245 (356) : Bride of the Water God 1 – Dark Horse, Oct 2007 [14.8] ::
647. ↑129 (776) : Laon 2 – Yen Press, May 2010 [13.2] ::
666. ↑ (last ranked 25 Sep 11) : Legend 4 – Yen Press, Dec 2008 [12.4] ::

[more]

BL/Yaoi

63. ↑42 (105) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [158.1] ::
66. ↓-19 (47) : Finder Series 4 Prisoner in the View Finder – DMP Juné, Aug 2011 [154.9] ::
68. ↑2 (70) : Seven Days Friday-Sunday – DMP Juné, Sep 2011 [150.9] ::
96. ↑41 (137) : Black Sun 2 – 801 Media, Dec 2011 [112.9] ::
106. ↓-2 (104) : Maelstrom (ebook) 1 – Yaoi Press, Jun 2011 [101.9] ::
132. ↑85 (217) : The Tyrant Falls in Love 1 – DMP Juné, Aug 2010 [83.3] ::
146. ↓-22 (124) : Private Teacher 1 – DMP Juné, Jan 2012 [76.7] ::
148. ↑21 (169) : Secrecy of the Shivering Night – DMP Juné, Dec 2011 [75.5] ::
152. ↑13 (165) : Private Teacher 2 – DMP Juné, Jan 2012 [74.3] ::
153. ↓-22 (131) : The Tyrant Falls in Love 4 – DMP Juné, Sep 2011 [74.0] ::

[more]

Ebooks

106. ↓-2 (104) : Maelstrom (ebook) 1 – Yaoi Press, Jun 2011 [101.9] ::
140. ↑41 (181) : Manga Cookbook – Japanime’s Manga University, Aug 2007 [80.3] ::
166. ↑78 (244) : Vampire Cheerleaders 1 – Seven Seas, Mar 2011 [65.7] ::
182. ↑81 (263) : Attacked on a Tiger’s Whim (ebook) – DMP Digital Manga Guild, Oct 2011 [57.4] ::
206. ↓-9 (197) : Aphrodisiac Kiss (ebook) – Animate/Libre, Sep 2011 [50.8] ::
272. ↑47 (319) : JTF-3 Counter Ops (ebook) – RealinterfaceStudios.com, Mar 2011 [39.9] ::
294. ↓-47 (247) : The Outcast 1 – Seven Seas, Sep 2007 [37.3] ::
386. ↓-50 (336) : Kanji de Manga 1 – Japanime’s Manga University, Jan 2005 [27.7] ::
395. ↑ (last ranked 4 Sep 11) : Amazing Agent Luna 1 – Seven Seas, Mar 2005 [26.8] ::
452. ↑34 (486) : Maelstrom (ebook) 3 – Yaoi Press, Jul 2011 [22.3] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Tales of the Gilbreth Family

December 8, 2011 by Michelle Smith

Mention the title Cheaper by the Dozen and most folks know it refers to a story about a family with twelve children. Before there were completely unrelated movies starring Steve Martin, however, there was the original book about the unique Gilbreth family, written by two of the children. This was followed by Belles on Their Toes, set after the death of the family patriarch, and later by several others, including Time Out for Happiness, a more serious family biography, and Rings Around Us, in which Ernestine writes about her own married life. Three out of the four are quite charming, and those aren’t bad odds!

Cheaper by the Dozen by Frank B. Gilbreth, Jr. and Ernestine Gilbreth Carey
When I embarked upon reading Cheaper by the Dozen, I figured I was in for a warm-hearted memoir about the clever antics of twelve mischievous kids living in the early 20th century. And I did get that. There are stories here about playing pranks on the psychologist evaluating their intelligence and about young boys saying impertinent things to guests at dinner, about rousting a peeping tom from a tree and manipulating the family council system in order to get a dog.

What I didn’t anticipate, however, was that the real purpose of the book is to lovingly depict the Gilbreth parents, Frank and Lillian. I am a sucker for awesome dads, and have loved quite a few, but Mr. Gilbreth might just take the cake. He’s voluble, loud, and charming, with a zest for life and learning that leads him to devote his career to developing time-saving measures for various industries. He teaches his kids all manner of things, from languages to Morse code to nifty multiplication tricks, and at first it seems like he’s doing this just to satisfy his own curiosity—and, yes, that’s part of it—but in reality, it’s so that they’ll be able to get along without him and not be a burden to their mother when he is gone. For, you see, he hasn’t told them that he’s got a bad heart.

There is much to smile and laugh at in this book, but the end had me sobbing. In a good way. In the way that makes you want to read the book again so that you can love it even more intensely. I feel like fans of this book could meet each other and exchange a single word—mumblety-peg—and understand each other perfectly.

Belles on Their Toes by Frank B. Gilbreth, Jr. and Ernestine Gilbreth Carey
Where Cheaper by the Dozen serves as loving tribute to Frank B. Gilbreth, Sr., Belles on Their Toes is “primarily the story of Mother.” Overshadowed somewhat by her charismatic husband in the previous book, Lillian shines here as a strong and capable mother defying social conventions and attitudes by taking up the reins of her husband’s business in order to secure sufficient income to not only keep the family together but send each child to college, as Frank wanted. There’s a marvelous passage early on that explains how Lillian overcame her timidity that left me sniffling.

There was a time when Mother wept easily, when she was afraid of walking alone at night, when a lightning storm would send her shuddering into a dark closet.

All that ended the day Dad died. It ended because it had to end. It ended because of the realization that what she really feared was that something would separate them.

Well, what she feared had happened, and tears would not wash out a word of it. So she gave his speech in London and presided for him in Prague. And she was not afraid any more.

I get a bit verklempt now, just typing that.

Belles on Their Toes also focuses a lot on the oldest daughters, as they develop into women and eventually bring beaus home to meet the family. I’m particularly fond of sensible Martha, who has no idea she’s become shapely and sought-after and devotes herself to principles of frugality. That’s not to say that pranks and mischief are entirely absent, however! Near the end, the pace of the story picks up a great deal, skipping over some of the middle children to cover the high school graduation of the youngest (Jane), followed by a family reunion in which three of Lillian’s grandchildren are christened in the same church as their parents.

It’s a very satisfying conclusion and most people would probably feel content to stop here. With a little research and a couple of interlibrary loans, however, I’ve unearthed a couple of other books about the family that are less well known.

Time Out for Happiness by Frank B. Gilbreth, Jr.
Whereas the first two books “stressed the comical aspects of raising a big family by Motion Study methods,” Time Out for Happiness puts the emphasis on Frank and Lillian’s work in the field of “scientific management.” You might think this sounds dull, but actually there are enough amusing anecdotes and big personalities (like “plump and boisterous” Frank) to make for quite an absorbing read.

Time Out for Happiness also dwells more on the family backgrounds for Frank and Lillian, as well as the early days of their courtship and marriage. Some of the material is familiar, but most of it is new. (Interestingly, a few small details are different here, like which child made what remark or what handyman Tom named his cats. Were those embellished the first time around?) I welcomed the insight into what Frank and Lillian were hoping to accomplish with Motion Study, especially the fact that Lillian was very much an equal partner.

Indeed, while gregarious Frank initially captures one’s heart, by the end one realizes how truly remarkable Lillie was. For a woman to get a Master’s degree in 1902 (followed by a PhD in 1914) was no small feat, and she was the first woman to receive honorary membership in several influential engineering societies. After Frank’s death in 1924, Lillie continued to espouse the Gilbreth method for over 40 years, eventually earning the public recognition of their endeavors that she’d long been seeking.

The one drawback to reading this book is that it makes one feel a serious underachiever. There were so many opportunities to think and do new things in the early 20th century that I don’t know now whether such chances simply don’t exist anymore or if I am just not personally bright enough to see them.

At any rate, this may be a more factual account of the family history, but it’s no less entertaining.

Rings Around Us by Ernestine Gilbreth Carey
Out of the four books on the Gilbreth family that I read, I liked Rings Around Us—the story of Ernestine’s married life—the least. I found it to be lacking the warmth of the earlier books, and I’m not sure whether to attribute that to the lack of Lillian or to the lack of Frank, Jr. as writing partner. Probably it’s a combination of both.

In September 1929, when she is a 21-year-old working girl in New York City, Ernestine Gilbreth meets Charles Carey. They hit it off immediately and are married in 1930. The book recounts their many apartments in the city, the many nurses they hire to take care of their daughter while Ernestine works, and the eventual decision to move to Long Island, where the kids have plenty of friends and room to roam and where the Carey parents experience the joy of tending a garden and the sorrows of home maintenance.

The problem is… Charles (called “Chick” by Ernestine) is a product of his time, in that he is a sexist git. He frequently makes comments about women and though he occasionally condescends to help Ernestine with meals and dishes, his attitudes eventually begin to wear off on his son. Ernestine chafes at his notions, but doesn’t get her dander up as much as I would’ve liked. But no matter, because she herself is sizeist. Many, many times she describes a person by their weight, be it the nurse whose bosoms she compares to watermelons or the dance teacher her daughter adores, “all two hundred pounds of her.” This attitude, too, wears off on the kids, as a later chapter dwells upon a game they invent wherein you score points for spotting fat people on the beach. The game is called “Whale.”

Nice. Really nice. Thanks for leaving me with a sour taste in my mouth, Ernestine.

Filed Under: Books Tagged With: Ernestine Gilbreth Carey, Frank B. Gilbreth Jr.

PR: JManga offers free Sherlock Holmes

December 8, 2011 by MJ Leave a Comment

Until December 27th, sign up for a paid subscription at JManga, and you’ll be awarded with the free first volume of Toya Ataka’s adaptation of Sherlock Holmes, now available on the site.

About Sherlock Holmes (from JManga’s website):

Story
Holmes is the master of deduction. His partner is just as keen. He is Watson.

About Volume 1
In a London cloaked in darkness, the Shadow Masters and their nightmarish crimes run rampant. Up against them, as they use the shadows to commit impossible crimes, is none other than the handsome young detective Sherlock Holmes and his partner Watson. In a city controlled by evil, an overwhelming battle of logic unfolds as Holmes takes on the ethereal-like shadow creatures one by one!! Is Holmes’ shadow really his own!?


I suspect very few of you are unfamiliar with Holmes and Watson, nor is this the first graphic novel adaptation of Arthur Conan Doyle’s novels. How well does this one hold up? There’s only one way to find out!

Click here for all the details from JManga.

Filed Under: NEWS, UNSHELVED Tagged With: JManga

Guest Feature: Mary Stayed Out All Night

December 7, 2011 by Sara K. 5 Comments

Guest Feature: Mary Stayed Out All Night

Mary Stayed Out All Night is the manhwa that Sooyeon Won, the artist responsible for Let Dai, Full House, and The Devil’s Trill, is currently producing. Considering how much of Sooyeon Won’s work has been published by NETCOMICS, is it quite possible that they will license Mary Stayed Out All Night too.

The Story

Our heroine is an ordinary young woman. She makes the ‘mistake’ of getting involved with a young man who is both handsome and a movie star, a popular singer, rich, a prince, or some other glorious thing. When they first meet, they do not get along. And somehow, another handsome, popular, wealthy, or high-class young man gets involved.

Of course, these young men are not equal. One of them has a higher social status than the other. I will henceforth refer to the higher-status one as ‘overdog’ and the lower-status one as ‘underdog’.

Polyandry is awkward

Through a contrived set of circumstances, the heroine has to move in with and/or get married to at least one of these young men. Perhaps it is because she has financial problems, or perhaps because her family made her do it. While many people would love to live with/marry handsome, popular/wealthy/high-class young men, because the heroine was forced into this situation, her plight is sorrowful.

a picture of Jung-In and his girlfriend

Overdog is not interested in the heroine at first. He even has a girlfriend that he has real feelings for. But he falls in love with our heroine, and covers up the fact that he is in love with her, saying that he only agreed to the arrangement for convenience or some social reason.

A picture of Kang Moo-Kyul with a microphone

Underdog, on the other hand, is much more open about his feelings for our heroine. Our heroine is his first love. Whereas overdog is about as supportive as a block of ice, underdog is always there to offer our heroine a shoulder to cry on. Of course, even though underdog is not as popular/wealthy/high-class as overdog, he is still sufficiently so to attract the attention of other girls.

Sometimes comedic, sometimes dramatic, sometimes tragic, the heroine and the young men cry, tease, yell, whisper, argue, run, chase, kiss, cuddle, flirt, woo, manipulate, beg, lie, confess, etc. all for the reader’s entertainment.

That is an accurate plot description of Mary Stayed Out All Night. This also happens to be an accurate plot description of Goong. And there are a lot of sunjeong manhwa for which this plot description would be at least 75% accurate.

If you like other manhwa of this type, you would probably like Mary Stayed Out All Night. If you dislike this type of manhwa, Mary Stayed Out All Night probably would not change your opinion. There are two things which make Mary Stayed Out All Night stand out from other manhwa of this type.

Kang Moo-Kyul

A picture of Kang Moo-Kyul

I generally find the characters in Mary Stayed Out All Night uninteresting, with a major exception: Kang Moo-Kyul.

Kang Moo-Kyul is like a patch of grass which, after being stomped upon, straightens right back up. It is hard to put him in a bad mood, and even harder to keep him in a bad mood. Under circumstances which would have the leading males of most shojo/sunjeong comics convulsing with angst, he thinks about the situation, fixes what he can and stays calm. While he might not go back to his usual cheer right away, he recovers faster than most of his sunjeong/shoujo-male-character peers would. Of course, being about as mature as a typical 25-year old, he is more mature than most of those peers.

The word which best summaries Kang Moo-Kyul’s personality is ‘free’. He is not a conformist; he feels no obligation to do things the conventional way. He is also not a rebel; he is perfectly happy to do things the conventional way when it happens to be what he wants to do anyway. According to him, the best way to go to a wedding is to arrive on a kindergarten school bus – with the kindergarten students on board. And this freedom is what attracts other people – both his fans (his band – “Strawberry Corpse” renders death metal music in a cheerful and silly way) – and Mary herself.

Of course, while grass springs back quickly after being stomped upon once, it does not spring back quite as high the second time. After being stomped upon too many times, it does not spring back up at all. Kang Moo-Kyul gets stomped on a lot in the story. Furthermore, it is hinted that Mary’s father was a lot like Kang Moo-Kyul as a young man, so he presents of a vision of what Kang Moo-Kyul might become in the future – an unhappy future. While Kang Moo-Kyul’s spirits are still high, they are slowly sinking.

The Artwork

This is what I truly love about this manhwa. The Taiwanese edition shows off the artwork very well, with its enlarged page size. In fact, Sooyeon Won fans, even those who cannot read Chinese, should seriously consider buying the Taiwanese edition, or the Korean/Japanese editions if the production values are equally high.

First of all, the artwork is extremely expressive. It is the equivalent of casting top-notch actors to bring the story to life. Look at these examples:

Mary is not exactly happy

Kang Moo-Kyul is looking at something

Kang Moo-Kyul is looking at something else

Mary looks content

Jung-In is distressed

Jung-in is having a bad day

Mary weeps

A couple of minor characters are not getting along at this moment

Mary is happy

Kang Moo-Kyul bites his nails

Mary puts her hand over her nose and mouth

The shading, color, and layout are the equivalent of hiring a top-notch director and top-notch designers to bring the story to life.

Kang Moo-Kyul is woken up by one of his band mates.

Notice the following things:

1. The way the band-mate is standing over Kang Moo-Kyul as he is lying down.
2. The way the top-right and bottom-left panels are boxed, whereas the top-left and bottom-right left panels are not boxed.
3. The way that Kang Moo-Kyul rises in the bottom-right panel – as if he were swinging on a pivot located at the bottom-right corner of the page.

These elements individually provoke visual interest – the perspective of standing versus lying down, the mix of boxed and un-boxed panels, and the movement as Kang Moo-Kyul rises. However, they combine together to lead the readers’ eyes in a diagonal line of sight from the top left to the bottom right – and diagonal lines of sight are almost always more dynamic than horizontal or vertical lines of sight.

There is also sporadic use of color. The rarity makes the moments where color is used special. My favorite use of color is this page.

Mary and Kang Moo-Kyul kiss on Cheju island

Individually, both of these colors would read as ‘black’, but used together they are clearly distinguishable. It is a lot more subtle than using two pigments which would never be read as ‘black’, and really highlights how this moment is different from other moments in this manhwa, yet is very much in the flow of the story.

This was too subtle for my camera, so I had to tweak the image into order to make the effect visible, and my tweaks are quite crude. Nonetheless, it is at least possible to see what I am writing about.

And there is a moment which displays Sooyeon Won’s skill particularly well.

If, on a street, a woman was running in tears, a man was chasing the woman, and a second man was staring blankly, most bystanders would pay attention to the woman and the man chasing her. They would not even notice the man blankly staring. Look at this:

Jung-In sees Kang Moo-Kyul chasing Mary

Sooyeon Won directs the readers attention to Jung-In and away from Mary and Kang Moo-Kyul. She does this by:

1. Only showing Jung-In’s eyes, and not showing Mary’s face (the tears would grab too much attention).
2. Putting Jung-In in the center.
3. Shading Mary and Kang Moo-Kyul while keeping Jung-In looking bright. The human eye tends to move away from dark things and towards bright things.

This moment is not about Mary or Kang Moo-Kyul – it is about Jung-In, and Sooyeon Won makes sure that the reader knows that. And having a very compelling subject (a man chasing a woman in tears) yet managing to pull all of the attention to a different subject is in itself very dynamic.

Conclusion

While I am most impressed by the artwork, the story is solid, the jokes are funny, and Kang Moo-Kyul more than compensates for the blandness of the other characters. I sincerely hope that NETCOMICS or another publisher will put this out in English, and sooner rather than later.


Sara K. has previously written the following guest posts for Manga Bookshelf: Why You Should Read (and Want More) Evyione:Ocean Fantasy part 1 and part 2. In order to have something to read on the train, she brought her copies of volume 3 and 4 of Mary Stayed Out All Night to the peak of Filial Son Mountain (yes, she even brought them up the ladder).

Filed Under: FEATURES Tagged With: manhwa, mary stayed out all night

Manga the Week of 12/14

December 7, 2011 by Sean Gaffney

‘Tis Christmas, and still no offers of pantomime! No worries, though. We may not have Aladdin’s Wonderful Lamp, but there’s a nice healthy chunk of manga there. So what’s in store, Widow Twankey?

Kodansha features the 3rd volume of the re-release of Gon. If you haven’t read the adventures of the tiny dinosaur scrapper, now’s the time to catch up.

It’s the second week of the month, so Manga must be Starting On Sundays again. From Shonen Sunday this time around we get Vol. 8 of Arata: The Legend, Vol. 4 of Itsuwaribito, the 29th volume of Kekkaishi (that’s quite an accomplishment for a Sunday series!), and the 8th volume of Maoh: Juvenile Remix, pictured above doing their best anti-censorship pose, and with this volume’s remix by The Art of Noise. Meanwhile, from the seinen end of things, we get a new 20th Century Boys, which at Vol. 18 is almost nearing its climax at last. And Vol. 5 of House of Five Leaves, which will continue to feature people talking to each other a lot and people staring while not talking to each other at all. Sometimes at the same time! And for those who did not get it this week like the rest of us did, Naruto 53 is on Midtown’s list as well.

Lastly, presumably not arriving with the pile of Yen that came in this week, we have Vol. 2 of The Betrayal Knows My Name, which has mysterious men with mysterious powers hiding mysterious pasts. Mysterious!

Clap if you’re going to buy manga this week! Oh come on, that wasn’t loud enough! Clap harder!

Filed Under: FEATURES

The Documents in the Case by Dorothy L. Sayers (with Robert Eustace)

December 7, 2011 by Michelle Smith

From the back cover:
The grotesquely grinning corpse in the Devonshire shack was of a man who had died horribly—with a dish of mushrooms at his side. His body contained enough death-dealing muscarine to kill thirty people. Why would an expert on fungi feast on a large quantity of this particularly poisonous species? A clue to the brilliant murderer, who had baffled the best minds in London, was hidden in a series of letters and documents that no one seemed to care about, except the dead man’s son.

Review:
The Documents in the Case is the one full-length mystery novel penned by Dorothy L. Sayers that doesn’t star Lord Peter Wimsey. Before I’d read it, I knew of it merely as “the one with the mushrooms.” Now I’ll know it as “the really boring one with the mushrooms.”

For the most part, this is an epistolary novel in which letters written by the residents of a particular Bayswater address depict the state of family life before the death of patriarch and mushroom enthusiast, George Harrison (yes, really). Sayers expertly and efficiently depicts the character of each correspondent through their writing, including George himself; the young, flighty, and discontented lady of the house (Margaret); her deluded-to-the-point-of-insanity companion (Miss Milsom); the dashing artist tenant (Harwood Lathom); the deep-thought-having novelist tenant (John Munting); and George’s son from an earlier marriage (Paul), who has gathered the documents together in a bid to prove that his father was too much of an expert on mushrooms to have died from accidentally ingesting a poisonous variety.

Some of this is fairly interesting, some is irritating—seriously, although one can sympathize with Margaret for her repressive husband, she is still frequently too insincere and manipulative to bear—and some is downright tedious. Munting’s letters to his fiancée often lapse into pseudo-philosophizing, but the cake is taken by an extremely long and self-indulgent scene near the end in which Sayers uses a bunch of random professorial types as mouthpieces through which to espouse some theories on the origins of life. If I had a paper copy instead of an audiobook I would quote some of the dialogue from this section, but it will have to suffice it to say that my impatience caused me to hurl profanities at my innocent cassette player.

Eventually, this rambling conversation produces the means of proving the death was no accident, and then there’s a very brief postscript about how the culprit was hanged. The end.

Ultimately, I conclude that this one is only for completists. Completists, I wish I could say this was better, but perhaps it will be some small comfort to know that it is at least quite short.

Filed Under: Books, Mystery Tagged With: Dorothy L. Sayers

The Wallflower, Vol. 27

December 7, 2011 by Sean Gaffney

By Tomoko Hayakawa. Released in Japan as “Yamato Nadeshiko Shichihenge” by Kodansha, serialization ongoing in the magazine Bessatsu Friend (“Betsufure”). Released in North America by Kodansha Comics.

Every time I review a volume of this manga, I feel the need to explain my continued enjoyment of it. I enjoy the romance, while acknowledging it will likely never be satisfactorily resolved. I enjoy the comedy, which admitting that a lot of it is the exact same situation written over and over with variations. And I like the art, despite the author’s complete lack of attention to backgrounds and Sunako still being superdeformed much of the time. Despite all these flaws, I enjoy this manga as it’s a classic example of an artist knowing she has a narrow range and using that narrow range to her best advantage.

Since about Vol. 15 or so, the series has gotten into a pattern. The majority of the stories feature the stormy friendship/something more between grumpy Kyohei and twitchy Sunako, and yes, after 27 volumes, she’s still occasionally freaking out about his “brightness” and wanting to be a creature of darkness. Generally once every two volumes or so she will throw in a chapter about the stoic Takenaga and his gorgeous yet lacking in self confidence girlfriend Noi; or playboy Ranmaru and his far too tolerant fiancee Tamao. Once every 5-6 volumes we may see a chapter devoted to cute and sweet Yuki, who’s the guy on the cover of this volume, but generally not; the author doesn’t know what to do with him, really, as he’s far too normal. His own girlfriend is notably also very normal.

No one reads Wallflower stuff for normal. You read it for things like Sunako deciding that after the events of last volume she’s leaving the mansion again and working at a maid cafe… with the creepy otaku therein. (Word of warning: otaku are portrayed entirely negatively here.) Or Sunako getting possessed by a ghost – again, the others note – who wants to satisfy her desire to pick flowers with an incredibly handsome man (read: Kyohei). Or Sunako getting the flu and Kyohei being forced to take care of her, in what might be the most fanservicey chapter this story has had to date. Or even for the token Ranmaru story, where he is kidnapped by an S&M club and held for ransom.

The little things in each volume are what keep bringing me back. We actually see Sunako transform from superdeformed to her normal self (in three poses) in the first chapter, which once again makes us wonder about how this works in the ‘real world’. The chapter with the ghost shows off Kyohei’s reluctant caring side, as this particular possessive spirit isn’t as selfish as prior ones have been, and he can’t simply tell her to get out and give Sunako back. The chapter with Ranmaru is fun and horrible at the same time, as he blows off his fiancee, who is there to learn from Sunako how to make him delicious food, to date more cheating wives. Tamao is clearly ready to sacrifice a pile of money for his well-being, and though he is grateful, and seems to have some feelings for her (note she’s probably the only woman he won’t actually sleep with, and we all know what that means with playboys), we still question why she puts up with his assholish tendencies. (Luckily, Sunako is there throughout to make these points, as she gets kidnapped as well.)

Then there’s the flu chapter. I’m not the audience for this shoujo material. 18-19 year old girls are. And boy howdy, does this chapter deliver. Kyohei’s half-naked throughout, but that’s not the type of service we’re talking about, for once. No, this is all about the torrid sexual tension between these two epically stubborn people. Sunako’s flu-ridden fever dreams are about Kyohei kissing her, and it’s driving her insane. Kyohei, meanwhile, just wants her to change and get better, but she refuses to do anything she tells him and is generally a horrible patient. This culminates in his blindfolding himself and stripping her naked so he can change her sweaty clothes, which she finally acquiesces to. (It’s very noticeable that for almost 25 pages or so, she’s not superdeformed in the least). And then she runs out into the rain, and he’s going after her screaming that she’ll get more sick, and then they trip and fall on top of each other…

…and then a lightning bolt comes down from the sky and strikes the both of them, ending the chapter. It’s like the hand of God, but more accurately it’s the hand of the author, reminding us all that the manga is still running in Japan and she really does not want to resolve it at all. Sigh. Oh well, in this manga filled with frustrating characters and situations she has now rewritten at least five times each, we still find little oases of awesome. That’s why we keep coming back to this even after 27 volumes.

Filed Under: REVIEWS

Pick of the Week: Balanced Diet

December 5, 2011 by MJ, David Welsh, Katherine Dacey, Sean Gaffney and Michelle Smith 8 Comments

We’ve got a hefty haul at Midtown Comics this week, ranging from classic staples to contemporary 4-koma. Check out the Battle Robot’s picks below!


MJ: Heavy shipping weeks like this are nearly as tough for me as the bleak ones. From such a bounty of manga, I hardly know what to choose. As a bit of a completist, though, I admit I’m drawn to big finishes, and we have a pretty spectacular one this week. I’m speaking, of course, of the final volume of Osamu Tezuka’s Black Jack, arriving at Midtown Comics this week from Vertical. Based on the Akita Deluxe Edition mapped out by Tezuka before his death, along with three additional stories in the hardcover special editions of the first three volumes, Vertical’s collection is one of the most comprehensive in any language to-date. Above all, though, Black Jack is just a really great comic, and it’s pretty thrilling to have so much of it available in English, produced with the kind of loving care that Vertical gives to all its licenses. This final volume also features an appendix at the back, containing the original publication dates of the stories contained in Vertical’s editions, as well as a chronological listing of every story in the series, including those that were “sealed” by the author. For any fan of the series, this volume is a must-buy.

DAVID: I can’t say that this particular arc of Eiichiro Oda’s One Piece has been my very favorite ever, but a middling patch of One Piece is still superior to the vast majority of comics. I suspect that the 59th volume will be one of those heartbreakers that Oda can pull off when one least expects it. And I’m sure there will be some callback to it about six or seven volumes down the road that will break my heart all over again. For those who aren’t up to date, Luffy has been fighting like a demon to save his brother from execution, and, being Luffy, he’s ignited a huge war between the navy and pretty much every pirate in the world without even trying. We’re nearing the conclusion of that and – hopefully – the return of the regular supporting cast. I miss the Straw Hats something awful.

KATE: Though I heartily second MJ’s choice of Black Jack, my pick goes to Dawn of the Arcana, a new Shojo Beat title. Most early reviews were tepid, with critics grousing about the pace, the poor integration of the fantasy elements, or the author’s over-reliance on types (e.g. Brash Jerk with Heart of Gold, Fawning Admirer Who Would Throw Himself in Front of a Bus for You). Those are fair criticisms of Arcana, but I liked it nonetheless, as it features the kind of steely, smart heroine who can think her way out of a tough situation, rather than relying on her fists or her feminine wiles. I also happened to like the story’s brisk tempo; the author allows important information to be revealed through the natural unfolding of the story, rather than assaulting the reader with lengthy monologues about the setting or the characters’ histories.

MICHELLE: My pick this week goes to the seventeenth and penultimate volume of Bisco Hatori’s Ouran High School Host Club. I’m not blind to the flaws of this series—I groan often at the episodic hijinks—but I still nurture very fond feelings for it, and each volume usually contains just enough romantic progress from the two leads to leave me satisfied as I begin the long wait for the next installment. I can only assume that as the series draws nearer to its conclusion we will see less comedy and more romance, which will make me happy indeed. I love Haruhi and I really love Tamaki, so I want to see those kids work it out already!

SEAN: And I will likewise pick a final volume, though this series does not quite have the blogger cred that Black Jack does. But K-On! has been improving volume by volume, and in the 4th and final volume (for now) of the cast’s exploits, we see the cast trying to deal with passing their exams, getting into the right colleges, playing their final school concert, and dealing with the worst horror of all – the school play! There’s still plenty of laughs here (I love the chapter where everyone thinks Ritsu has a secret boyfriend), but the emphasis is on adorable and heartwarming, with a few tears sprinkled throughout. It probably won’t change anyone’s mind if they hadn’t liked what came before, but for those who did, this is the best of the four volumes. See you in University!



Readers, what looks good to you this week?

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 12/5/11

December 5, 2011 by MJ, Michelle Smith and Katherine Dacey 2 Comments

This week, MJ, Michelle, & Kate look at new releases from Viz Media, Digital Manga Publishing, and Vertical, Inc.


About Love | By Narise Konohara and Tomo Ootake | Digital Manga Publishing – The unconventional cover on this one led me to expect a quirky story, but About Love is calm and melancholy as it depicts the friendship and romance between Asaka, a wedding planner, and Sasagawa, one of his first clients. What I found striking about this story was the lack of optimism from its protagonists—Sasagawa is convinced that Asaka only wants to be friends while Asaka is in love but has no intentions of ever revealing the relationship to his friends and family. Misunderstandings and work obligations conspire to keep the two apart and… I don’t know… usually one assumes a BL couple will ride happily off into the sunset, but I honestly am not sure that’ll happen here. Which is probably a good thing, right? Bucking convention and all that. In any case, it was an interesting read and I recommend it if you’re in the mood for something different. – Michelle Smith

Bakuman, Vol. 8 | By Tsugumi Ohba and Takeshi Obata | Viz Media – Bakuman‘s romantic entanglements have never been its strength, and unfortunately this volume is saddled with more than its fair share. Even more unfortunate is the authors’ portrayal of young novelist Aiko Iwase, a brilliant former schoolmate of our heroes, whose ambition is apparently driven entirely by romantic feelings for Takagi, but is presented without any of the genuine insight or sympathy granted to similarly love-obsessed artist Nakai. And while it’s admittedly pretty satisfying to see Nakai finally get smacked in the face (twice!) later in this volume, it’s even more of a relief to see Ohba and Obata turn the plot back to the craft and politics of the manga publishing biz, which is what really makes this series work. I’ll cross my fingers in hopes that we see more of this in the next volume. Still cautiously recommended. – MJ

Black Jack, Vol. 17 | By Osamu Tezuka | Vertical, Inc. – The final installment of Black Jack includes a mixture of good, great, and outstanding stories, the best of which feature Pinoko. I’d be the first to admit that Pinoko is my least favorite character of the series, as she’s always struck me as a nasty caricature of the Japanese housewife. In volume 17, however, Pinoko is forced to confront her liminal status as an adult — first when Black Jack tries to give her to a childless couple, then when her sister enters Black Jack’s life again. Both stories are an appealing mixture of humor, suspense, and pathos that cast this problematic character in a more sympathetic light; we feel Pinoko’s pain as she struggles to reconcile her eternally youthful appearance with her more mature feelings for Black Jack. As an added bonus, Tezuka stuffs these last stories with cameos from Phoenix, Ode to Kirihito, and Swallowing the Earth (to name a few), a lovely reward for his most devoted fans. – Katherine Dacey

I’ll Give It My All… Tomorrow, Vol. 4 | By Shunju Aono | Viz Media – After the crushing resignation of the editor who believed in him, Shizuo’s new editor—the embittered, no-nonsense daughter of a failed novelist—cuts him no slack, describing his work as self-indulgent justification for his own lifestyle. Surprisingly, Shizuo actually seems to listen, at least by the end of the volume, providing hope that the promised “Tomorrow” might actually be at hand. I’ve become frustrated with this series from time-to-time, as it vacillates between latching on to a real narrative and settling into the perpetual sitcom feel so common in comedic manga. But I do have some hope of it finally leaning towards the former, especially after this very strong volume. As usual, the series’ side characters are more interesting than its protagonist, but finally it seems like that protagonist might actually care. It’s fascinating to watch this series evolve in a way not dissimilar to our hero’s own journey, which may simply prove how brilliant it’s been from the start. Recommended. – MJ

The Innocent | By Avi Arad, Junichi Fujisaku, and Yasung Ko | Yen Press – I was initially baffled by the presence of quotes from Stan Lee and Sam Raimi on the back cover of The Innocent until a little research revealed that Arad is actually some kind of Marvel bigwig. Apparently, this is why he has the likes of Nicolas Cage proclaiming that his work “shows like an esoteric haiku by way of anime and Lichtenstein and achieves comic book poetry.” To which I say, “Um, what?” And also, “Were we reading the same book?” I found The Innocent to be uninspired, with unsympathetic characters, incredibly paper-thin villains, and incoherent action scenes. It’s possible that this could have been a cool story—it does feature a wrongly executed guy who comes back to life with a body made of ash, which he can manipulate in various nifty ways—but the flaws listed above prevented me from giving a hoot about any of it. – Michelle Smith

Real, Vol. 10 | By Takehiko Inoue | Viz Media – It’s been a long wait for the tenth volume of Real, but I am happy to report that the wait is well worthwhile! This volume maintains the sort of shounen-esque feel of volume nine, with a mixture of grand declarations, gritty determination, and talk of achieving one’s dreams, but without losing any of the realism that makes this series so compelling. It’s gratifying, really, to see a character like Takahashi discover a glimmer of aspiration at long last, and it’s surprising how possible Noyima’s seemingly unrealistic dream suddenly appears, now that his moment of trial has arrived. Inoue’s craftsmanship is as stunning as ever, and I’m constantly impressed by his ability to shift focus from character to character without ever losing the tension in even one of his delicately-overlapping storylines. Heavy as it can be, this series is always a pleasure to read, which is a true feat for any writer. It seems clear that this series will always be worth waiting for. Highly recommended. – MJ

Filed Under: Bookshelf Briefs

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