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The last day of NYCC is usually the quietest, and this year was no exception, as I only had one industry panel to cover. This is not to say that it was without interest, however. I got to see Masakazu Ishiguro and Masahiro Ohno at the JManga booth, and asked a question that was totally irrelevant to the panel they were at on Friday: what the heck happened to Geobreeders? For those unaware, despite dying fast in America, the manga had continued till 2010 or so, but has been on hiatus since then. it turns out that the author, Akihiro Ito, has had health issues. Indeed, he apparently can no longer use his right hand. The hiatus is because he is teaching himself to draw left-handed so he can finish the manga. I was impressed.

I then waited in a long line for the Viz Media panel. I expected this to be about 75% anime, and I was correct. But that doesn’t mean it was entirely without interest. They showed a clip from the new Inu Yasha anime, and I was reminded once again that when she’s on her game, Takahashi is simply better than everyone else at showing ‘I yell at you because I love’. Kagome and Inu Yasha are adorable. There were also some Naruto clips, both for a new game and a new movie. They were talking about Neon alley, the new Playstation Network that has now gone live with lots of new anime shows (and not just Viz Anime either – they have Funimation’s One Piece, for example).

On the manga front, they mentioned the new titles that have just started on Shonen Jump Alpha, and once again indicated others were coming soon (I expect Assassination Classroom fans will be happy to hear that). They talked about the Barrage GNs coming out, as well as the new Rurouni Kenshin series. They’re also doing 3-in-1 releases for both Dragon Ball and D.Gray-Man (I may pick up the latter, as I never read it when it first came out). Inoue fans will be ecstatic at hearing they licensed Pepita: Takehiko Inoue Meets Antonio Gaudi, an artbook that was inspired by a recent trip to Spain. There were also three other licenses of note: Sunny, a new Taiyo Matsumoto series that runs in Shogakukan’s Ikki (see, folks? SIGIkki refuses to die!), which is apparently about an Orphanage. Fans of Tekkon Kinkreet will not be unhappy at all. There was also a Tiger & Bunny manga announced. Fans of the series may know there are several manga spinoffs of it in various titles; the one licensed seems to be a Kadokawa property, and runs in Newtype A. Viz will also be releasing a doujinshi anthology (clean, of course) with various artists contributing work.

Viz also has two new VizKids series, done with North American artists. Monsuno is running on Nicktoons, and Viz is adapting it. And Ugly Doll Comics has a lot of different artists, including James Kochalka. Both sound like they should be a lot of fun. Unfortunately, as with the SJA panel, there was no audience Q&A, but I got to say ‘Excel Saga’ at the panelists again as they left, which I’m sure was met with bemusement.

After that I attended the Moyoco Anno signing, where she was professional and nice (and remembered me from the question I asked at her panel!). Then I went home, as I was so tired I decided against sticking around for the last late panel.

NYCC was a lot of fun this year, and I enjoyed hanging out with MJ, Bridget, and the other manga bloggers. Given the sheer size of the event, I think the showrunners did a pretty good job, and there were no line issues or security gooning that I personally noticed. There were some choices I found questionable – Sir Terry Pratchett deserved better than the open-air stage he got, and was barely audible – but I will put those down to last-minute scheduling snafus. For the most part NYCC continues to be a professional, well-run con. I look forward to next year.

Day 2 of NYCC started off with Vertical’s Moyoco Anno panel. For those unaware, this is the artist behind Sakuran, as well as Happy Mania, Sugar Sugar Rune and Flowers & Bees. Josei is still struggling to find a voice over here in NA, so it was nice to see Anno-san tell us about her career. She notes her uncle is also a manga artist, and she wanted to draw from a very young age. She also learned about the nuts and bolts of the business from him. She started submitting to magazines at 15, and was published at 17. Mostly teenage romance, which was what she knew – the boyfriend in her first story was based off of her own.

She moved away from shoujo as it felt too unrealistic and no one really made mistakes or screwed up. Josei gives you more leeway in that regard. Ed noted her characters tended to dress fashionably, but Anno noted that’s because they cared about it. If she had a slob she’d dress them as a slob. She’s also written seinen manga for men, such as Flowers and Bees. She tries to make it less internal as men tend to get bored more easily and don’t like the emotional monologues. When asked about future licenses, she mentioned Jelly Beans and Love Master X, two of her earlier titles, as well as her current series, Ochibisan.

Question and Answer period discussed her work habits, inspirations for the lead in Happy Mania (she was quick to note it wasn’t based on her own experience). She was asked about researching Sakuran, and noted that her husband (that’s Hideki Anno, in case you were unaware) got her a book of poetry about customers at a teahouse that she found inspiring. I asked her about writing flawed characters but making them lovable, using Happy Mania as an example. She notes she made sure to give the heroine a more down-to-earth best friend to help ground that.

After this, I went to the premiere of the Rose of Versailles anime, and we saw episode 1. My favorite moment was probably, after Oscar’s father declares stridently he will raise her as a boy, seeing all the townspeople ask about the beautiful girl Oscar who was raised as a boy. Clearly hiding her gender is not something that needs to happen quite yet. Also, that big fight between Oscar and Andre was so subtextual you needed a smoke afterwards.

After the screening, scholar Susan Napier discussed the show as well as the manga, and noted its influence on so many Japanese girls – and boys, who would steal their sister’s manga and read it. Oscar was a unique heroine at the time, and paved the way for series like Sailor Moon and Utena. The manga also has yuri subtext, as well as a scene with a couple in a bed – still mostly forbidden when it first ran.

I got to Kodansha about 2 minutes late, but managed to see most of their big announcements. A Sailor Moon art book is due out in 2013. Japan is putting together this one with material from some of the previous artbooks, along with new art. It’s coming out in different countries, each of which will have country-specific art. Including North America. There’s also a box set collecting Sailor Moon 1-6 for those who haven’t gotten it yet. (Due to differing paper stock, they can’t offer it as a box only.) I also asked about the two short story volumes – Dallas said they will be releasing them after the series proper finishes. So rest assured Minako will be farting soon.

Fairy Tail is getting a speedup, it’s going monthly in print starting with V. 24, and faster in digital form, so it can catch up with Japan.

Then we got the new licenses. No. 6 is the first, a shoujo/josei manga from Kodansha’s Aria, which has some interesting alternative titles for young women. It’s a sci-fi dystopia with lots of conspiracy and thriller elements. Sankarea, a zombie romantic comedy from Bessatsu Shonen Magazine was also announced. I don’t know much about it, but it apparently has a cute if disturbing pillow plushie out in Japan already. And – at last – there is Vinland Saga, a seinen title from the author of Planetes that runs in Afternoon. Fans have been begging for this for years.

Kodansha also noted that Air Gear is going to get omnibused starting in May, with three to a volume. Lastly, for those who were wondering about the reissue of Battle Angel Alita Last Order (which moved from Shueisha to Kodansha, and this from Viz), it will have some new content for every volume as well.

JManga was next up, and Robert Newman had plenty of giveaways that kept the audience excited – even screaming. Luckily, he also had plenty of new things to talk about. JManga 7 has debuted, with 40 volumes available and 80 by the end of the year. It will have new chapters before the volumes come out for some selected titles, and they are trying to make it as un region-locked as possible.

They announced four more Del Rey license rescues, which they note they will finish. My Heavenly Hockey Club, Gakuen Prince, Fairy Navigator Runa, and Yozakura Quartet. I was pleased to see Gakuen Prince, as I wonder just how low it can go after the first three volumes.

A new title from Shodensha, Omae ga Sekai o Kowashitai nara, which will be released translated as If You Wanna Destroy the World. It debuted in Sony Magazine’s Kimi to Boku, but was picked up by Shodensha and moved to their Feel Young josei magazine.

Some more shoujo from Shueisha! In addition to the previously announced Pride and Crazy for You, they announced My Sweet Dragon, a 7+-volume shoujo series from Betsuma, about a priestess’s daughter who awakens a sleeping dragon – or dragon boy, at least. There’s also Yasuko to Kenji, another Betsuma series about a feuding brother and sister and their intertwining love affairs.

Robert Newman from JManga then put up a quick ‘and also these!’ slide, but only mentioned a few. One I noticed was Teekyu, an Earth Star title I’d mentioned in my license request last week. The biggie was probably Aoi Hana (Sweet Blue Flowers), a yuri title that many have been waiting for that runs in Ohta Shuppan’s Manga Erotics F. Neko Ramen and Elemental Gelade are both license rescues. There was also a few titles Robert just showed, which looked to me to be various BL and yuri one-shots.

Robert discussed the Manga Translation Battle, which is now closed, and noted how popular it was. He then called for questions. Kadokawa’s titles were asked about, and Robert admitted they were there for informational purposes only – there aren’t any to purchase as of yet. My favorite question was about why they shouldn’t just go to Onemanga. I suppose you have to admire the gall. The answer was essentially “because that’s stealing”, only far more polite.

A break to recharge, and then off to Yen Press. Yen had a few issues before they even began. Due to various snafus, their panel was last minute. As a result, they were on the open-air unbound stage, and thus competing with some very loud competition. The panel also conflicted with Shonen Jump Alpha, so I only caught the first 10 minutes. Luckily, their announcements were all at the front, and I thank them for tolerating me taking off so fast.

Among the Japanese acquisitions were Doubt (which had previously been busted via an Amazon solicit), a horror/thriller with rabbit masks. It will be released in 2 omnibuses. Madoka Magica did incredibly well for them, one of the best sellers of the year, so they’ve managed to get the two spinoff sequels, Kazumi Magica and Oriko Magica, both of which ran in Houbunsha’s Manga Time Kirara Forward. Speaking of Houbunsha, they’ve announced the 2 remaining K-On! volumes, one dealing with Yui and friends in college, the other with Azusa’s new band in high school. Seeing that Alice in the Country of Hearts did well, they also found another Wonderland-style manga from Ichijinsha’s josei magazine Comic Zero-Sum. This is called Are You Alice?, and stars a young boy who ends up taking the name of Alice and getting embroiled in assassinations.

They’re doing a Soul Eater artbook, which will also have some B-Ichi stuff in it, and will have all the color pages from Gangan’s magazine chapters. They also noted the Collector’s Edition hardcovers of High School of the Dead were so popular they’re finishing the series, with help from Japan and also featuring some artbook-like extras. Lastly, they announced Square Enix was partnering with them to release titles digitally outside of SE’s own page, and so we can look forward to that soon.

I then booked over to the Shonen Jump Alpha panel, which had a long line, so it was likely for the best. The only new announcements were what we already knew about, Takamagahara and Cross Manage. That said, the BIG news was they are finally going day/date with Japan, and once that happens we should see more new titles. So don’t give up all hope, Medaka Box fans! They also discussed their digital starter packs, the 2013 Yearbook which goes out to subscribers this December, and some Yu-Gi-Oh cards.

I had mentioned I was gong to ask Katsura-san about why he’s so fixated on asses. Turns out I didn’t need to – once introduced, the panel brought it up constantly, and even said Dragon Ball’s creator Toriyama said he was famous for them. I was really starting to burn out at this point, so my notes are sparser. But I was impressed with his telling potential manga artists not to read manga, as it might make them too influenced. He also suggested reading manga they hate! He was asked about writing for shonen, and talked about Jump’s known obsession with the popularity rankings in the magazine. With seinen titles like Zetman, he doesn’t have to worry about that so much. He doesn’t use his own experience for his romance manga, but just tries to imagine how real teenagers would think. The panel also had heard that he was a fan of Western Comics, but this wasn’t true – he just watches the movie adaptations!

And then I staggered to the hotel to type this all up. Tomorrow is a very small day, but stay tuned to see what Viz Media has to say.

Today was, frankly, an exhausting day at NYCC, so let’s go right to the details of said day.

Started off with the Comic Book Legal Defense Fund panel. They’re actually doing a 2nd panel on Sunday (which I can’t make), but this was their general panel giving a history of comic censorship and litigation in North America. It went through the topics one would expect – Seduction of the Innocent, Bill Gaines’ testimony, R. Crumb and the underground movement – but Charles Brownstein is an excellent speaker and made it all seem fresh. Because it was pro-artist, history sometimes downplays the disaster that Gaines’ testimony ended up being. As the years have gone by, litigators have gone from arresting retailers, to artists, and now to readers such as Ryan Matheson – who will be at NYCC this Sunday to tell his story.

After this I had ‘Editors on Editing’ on my schedule, but I’d already covered a very similar panel yesterday. So I briefly dropped by to see Sir Terry Pratchett, who was promoting his new non-Discowrld book Dodger. Unfortunately, they’d put Terry at an open stage, with lots of other loud con activity going on around the hall. It led to severe volume problems unless you were right near him. I could only stay a few minutes, but Dodger sounds like a lot of fun – and reminds me I need to finish that reread of Oliver Twist.

Archie promised to be full up, so I ducked into the panel before it, which was on Digital Pricing. This was very much a North American comics discussion, with no mention of JManga or the manga publishing apps. They discussed trying to experiment further as the tech improves, with things like Motion Comics, etc. DRM was a large part of the discussion – people are very paranoid a lost license will mean their content will be removed and they’ll lose it, unlike print. The creators, you could tell, got what the audience was saying, but they aren’t giving in – DRM and Cloud is how they control piracy. “People like to own things” is not really enough of an argument to them. That said, the panel ended on an upbeat note as they talked about the next big challenges, discoverability and manageability. Indexing and sorting comics, as well as making sure people can find and acquire them with ease.

Archie then came barreling in, giving out its traditional free bag of publications. The real reason to go to these, however, is the panel itself – Archie knows how to put on a show, no matter who the publicity director is, and they also known how to make their enthusiasm contagious. On the panel were stalwarts John Goldwater, Victor Gorelick, and Dan Parent, as well as Michael Uslan, Batman producer and the mind behind the Archie Marries series that led to Life With Archie’s soap-opera magazine reboot.

Archie had a pile of stuff to talk about. The new Betty and Veronica artbook, which looks gorgeous. A line of Archie Cosmetics, out soon in Department stores and MAC stores. Best of Archie Book 2 is out (I bought that at the exhibit hall earlier), with more classic stories over all 6 decades of the show. Sadly, there’s more Super Duck in it as well. Archie Meets Glee is out next year, on the heels of Archie Meets KISS. They noted it was very easy to slot the Glee cast into the Archie mode. There’s an Archie Mobile Game due out soon, for phones and tablets, that sounds very much like your typical Japanese datesim (though no doubt squeaky clean). You go after Betty or Veronica, and your choices end up affecting how the other girl sees you. Should be out in the Spring.

It’s Sabrina’s 50th anniversary, and there’s a digital exclusive 50 Stories book out now at Archie’s digital site. They showed some test footage for a new Sabrina cartoon that’s in the works for Summer 2013, which is big on thrills and adventure. It’ll be on The Hub. Tania Del Rio’s manga-style Sabrina is getting collected into 4 graphic novels, the first of which will be out in February. Great news for those who loved her take on Sabrina.

At this point the announcements were coming even faster than I could type them. Kevin Keller will meet George Takei in his series. More Storybook Land Archie, with the gang as characters from nursery rhymes and other such literature. A new Josie comic is due in 2013. In Life with Archie, we’ll see Josie as well, and Kevin Keller will be running for Senate. Little Archie is getting a cartoon series. Married Life Book 3 will be out soon. They’re doing foreign editions of their digital apps – Archie in 13 different languages, including Chinese and Japanese, and also comics in Singapore. Even Hindi!

New Crusaders had a motion comic intro, and it’s very superhero-ish. There’s also a Sonic/Megaman crossover coming. To my surprise, this had never been attempted before. Q&A then occurred, with fans asking about the Jughead series (a reimagining of the series is coming next year), Katy Keene returning, Dilton getting a short series. Archie Marries Valerie will be getting a collection, of course – they noted it was the easiest of the three to write, and an audience member said their chemistry was “scorching”. Many happy Kevin fell in love – “He needs to get some” was called the takeaway quote of the panel. An interesting question about whether other countries would be unhappy with, say, Kevin. They note they can auto-detect countries and try to keep in mind any sensitive political/censorship issues. And, of course, someone asked about Jughead and romance. The panel merely laughed. As always, great fun was had by all.

After that long diversion, it was time to get back to manga, as it was Vertical’s panel. Ed walked us through the most recent announcements, then broke out the two premiere ones. Twin Knight is the sequel to Tezuka’s shoujo classic Princess Knight, though ironically it appeared 5 years before the rewritten PK that Vertical actually released – Tezuka redid his seminal series in 1963. Twin Knight ran in Kodansha’s Nakayoshi in 1958, and stars Sapphire’s twin children, who end up running into the same enemies and have to deal with the same gender-bending issues.

Ed’s other new license is a far more adult tome, this one from famed josei publisher Shodensha. Helter Skelter is an award-winning work from the magazine Feel Young, written by Kyoko Okazaki. This was a popular license request, and fans talked it up enough that Vertical went out and got it. A harrowing look at the fashion industry and what steps the heroine will take to crawl to the top of it, this is a mature work that is a “very Vertical” sort of release.

Some other details were provided about titles previously mentioned. Paradise Kiss 2 and 3 will have additional color pages. Flowers of Evil is doing better than they expected, Ed called it a “sleeper hit”, and noted its 7th volume just came out recently. It also has an anime out soon. Ed noted that Limit is the sort of shoujo work you don’t see picked up here too often, very much a thriller/horror piece. Gundam the Origin had the audience very excited – Ed noted the creator removed a lot of the dumb comedy and slapstick from the story, leaving it as a tense serious mecha piece. The books will be hardcover and gorgeous, but also limited – no reprints, get them right away. 11 volumes total. Wolfsmund is apparently a retelling of the William Tell legend, and the artist was previously an assistant on both Emma and Berserk. I jokingly asked if the series combined the two, but Ed said it felt like it did! The artist has Mori’s sense of impeccable research.

After this came Q&A. I asked about digital manga, they’re working on it. They want to do something other than an app like the other publishers. They also said that some of their novels are out digitally.

After a quick bite for dinner, I went to JManga’s author spotlight panel, which featured the artist of SoreMachi, Masakazu Ishiguro, and the editor at Young King OURS, Masahiro Ohno. This was a very relaxed, laid back panel and both guests were in a great mood. There were also many giveaways (the audience was quite loud). SoreMachi has 9 volumes on JManga, with the 10th due out soon. Ishiguro also does art for other writers. I was interested to hear that he enjoys series, but found that he excelled at short story format when he replaced other artists who were unable to meet deadlines. One of his Short Story collections, Present for Me, also just hit JManga. He then did some live art, a picture of Kon-senpai from SoreMachi, which impressed me with its speed.

Q&A began with some questions from Robert. We were all amused to hear that Ishiguro-san did a lot of his art while soaking in the bath, which led to a few bath-related questions. I asked Ohno about how they view the NA market – Shonen Gahosha has a lot of licenses over here through a variety of publishers. He said they do think of the Japanese audience first and foremost, but he’s interested in seeing what other countries’ artists could provide – you can submit some art to info@jmanga.com and they’ll forward it to him. And he’s another in a long line of popular manga artists who grew up loving Fujiko Fujio and Doraemon.

The last panel of the day I attended was Udon’s, which was moderated by Comics212’s Chris Butcher, who is their marketing director. I was intrigued to hear that Udon does a lot of stuff totally unrelated to artbooks and Capcom, which they dub “creative services”. Art for Sucker Punch, advertizing art for Inception, World of Warcraft artwork. They work closely with companies to comb through the old vaults looking for content. They’re doing that with Namco right now. They also use their Deviantart page heavily (under UdonCrew), and the audience seemed enthused about this.

The Evangelion artbooks got a lot of positive attention, as did the Read or Die artbook, which I’ll definitely be taking a look at. The Haruhi-ism artbook apparently had some extra colors used in Japan – moren than the usual 4-color – and so they’re taking the time to use that color as well over here, noting the vibrancy jumps out at you. Speaking of Haruhi, they announced two more artbooks here at NYCC. Spring/Summer and Autumn/Winter are, as you might guess, themed along seasons, and deal with anime-style art as seen in Newtype and such (whereas Haruhi-ism is devoted to Ito’s artwork). Those will be out in Spring/Autumn 2013.

They also announced a Growlancer artbook, which should appeal to Plastic Nipple… um, sorry, Plastic Little fans, as it’s by Urushihara. They do note that this is a PG-13 title, and not adult like some of the artist’s other works. There were 3 Vocaloid character-specific artbooks announced, which provides some rare official merchandizing for that media empire. Lastly, they’re teaming up with Blizzard for a World of Warcraft tribute book – similar to the Street Fighter ones – which will solicit artwork from artists to include. They’re expecting thousands of submissions. The dates are 11-1 – 1/15, if folks are interested.

And then I had to duck out, so apologies to Chris and company. Tomorrow will have even more news! Can I possibly survive? Well, yes, but to do so I will need sleep, which I will now go and do.

The two panels I went to on “Day 0” of New York Comic Con didn’t have any manga content, but definitely contained points of interest, particularly to me.

First I dropped by the “Editing Graphic Novels” panel, which was hosted by Heidi McDonald of Publisher’s Weekly, and featured editors from Vertigo, Lerner, First Second, Yen, and Oni. Yen talked about their Interview with the Vampire tie-in, and how to match a good artist with a story. This is, in fact, the artist’s first work. They also mentioned Nightschool, and noted Svetlana had “too many ideas” – even after pruning, it was still 4 books instead of the original 3!

Vertigo is an old hand at this sort of thing, and mentioned their new GN Right State. A graphic novel lets them get away from the ’22 pages then a cliffhanger’ problem that floppies have. Right State is political, and was timed to come out near the election. They also talked about Colleen Doran’s new work she’s doing art for, Gone to Amerikay, which is historical but also relevant to today’s world, something Karen Berger (Vertigo’s speaker) tries to work with.

Oni Press mentioned Crogan’s Vengeance, which is also a historical-themed manga with pirates. This artist actually had the first book completely thumbnailed when it was sold – when he did the third book, needing an outline first was a bit vexing. Naturally, Scott Pilgrim also came up. The editor considers it one 1200-page book that had to be put out in 6 parts. Also, as the series grew the editor was promoted, and had to find a balance between editing and the administrative aspect of Oni.

Lerner is a school and library publisher, so are usually looking for educational or younger comics. A Game of Swallows is a memoir of one harrowing night in Beirut, and was translated, but barely needed any editing. They noted they do sometimes have to censor, due to age groups – breasts, etc – but they were allowed to leave the guns in this story, of course. They also mentioned Chicagoland Detective Agency, which had the funniest part of the panel, as they came up with a ridiculous premise… that the execs loved, so they had to find a writer. Luckily, Trina Robbins loved the idea as well. Its artist is a webcomic artist, so had to adjust to the different ways of working – there’s actual editing this time! They also discussed how to give feedback and criticism to “a famous person” such as Trina.

First Second talked about its GN Sumo, and noted the way that mini-comics can be a good stepping stone to finding out if an artist can work with deadlines and larger publishers. The author, who did not really know how print runs worked, suggested each copy be hand bound – and that he could do it if needed. They talked him down from that. There’s also a comic due out next Spring, Relish – My Life In The Kitchen. It’s a biographical memoir that uses food as a bit of a mnemonic, and also has recipes.

Smaller publishers noted they mostly get creator-driven ideas, rather than farming ideas out. They also discussed working under the umbrella of a much larger company – such as First Second with MacMillan, or Vertigo with DC/Time Warner. They get to blame the “corporate overlords”. Lastly, there was a discussion of how to refer to what an editor does. Someone suggested it’s like the director/producer of a movie, and “project manager” is one one editor referred to it. More importantly, it’s a relationship between an editor and a creator – you have to make it work, know how to deal with people.

After this invigorating discussion, I waited for Hasbro’s My Little Pony: Friendship Is Magic panel. At the panel were Hasbro Execs Mike Vogel and Brian Lenard, producer Jason Thiessen and writer Meghan McCarthy. I had thought, given it was a Thursday panel, that it would be more marketing oriented. Nope, this was pure 100% fan panel. They got the ball rolling by discussing Equestria itself. The show isn’t a serial, but there’s a lot of world building within the self-contained episodes. They like to do subtle visual cues that point to future episodes, rather than have actual continuity. They also like that the new series is its own thing, and doesn’t reference the earlier 80s series. Hasbro gets premises and outlines to approve, and notes they do listen to the audience – though they will not be crossing over with Transformers. They discussed doing something with a human element to it (as in actual humans in the show), but it didn’t seem to fit. It’s a magical fantasy world, so they try to keep it low tech. Unless they don’t – see the DJ equipment, etc.

It’s a mythological based world, which helps to make the show timeless – Twilight Sparkle will not be using Twitter. They also do have sometimes heated discussions about the show with Hasbro, much more than any other Hasbro property. (A clip from Hearth’s Warming Eve played here). They want to explore more of Celestia and Luna’s past, and note that there are three separate “pasts” in the show – Hearth’s Warming Eve, Discord, and Nightmare Moon – that aren’t worked out beforehand, but they try to fit together. This was not planned out in detail from the start. (At this point they joked about how it’s OK if they spoil Season 12, and noted Rarity and Spike were married after Equestria passed the Pony/Dragon Marriage Act.)

Not all the animals talk, and it was noted that what they try to convey is that it’s the “hooved animals” who can speak, while others, such as Angel Bunny, are mute/more of a normal animal type. They then discussed ensemble darkhorses, and showed a clip of Luna from Luna Eclipsed. Fans adore Luna, even though she’s barely appeared. Octavia took them entirely by surprise – they had no idea fans latched onto her. Vinyl Scratch, on the other hand, they knew would be loved. It’s all part of “the circle of pony”.

Discord, with a clip from The Return of Harmony. Dragonequus is unique to the series, and was designed by Lauren, who also suggested/requested John DeLancie in the role. It was the perfect combination of design, animation and voice acting. They noted DeLancie acts with his body like a stage actor, so sometimes managed to exhaust himself. There was lots of bits they had to cut out with Delancie, and Hasbro hinted it may be on a future DVD release. They also discussed him returning, though this read more like a troll.

Other villains were discussed, with a clip of Chrysalis from A Canterlot Wedding. Meghan scripted it, but was blown away by what the designer came up with – the holes in the legs, etc. Someone asked that she be made larger. The panel then teased about things Jason and Meghan wanted to write about in future. The griffon society was mentioned, insofar as we know nothing about their society. Luna’s abandoned moon colony? Is there something beyond Equestria? All things not yet written down (so not spoilers), but food for thought. Equestria’s map was deliberately left with unfinished bits so they could fill this in.

We then got a spoiler clip with the Crystal Empire, which I won’t spoil here, except to say that Pinkie Pie continues to be very Pinkie Pie.

They then opened the floor to questions, and discussed Lauren’s creating the pony personalities as archetypes, which makes them easy and fun to work with. Someone asked if the new season was only 13 episodes – rather than answer, Hasbro noted that everyone adores the show, and that episode number has nothing to do with popularity. Hasbro loved that this is an all-ages show that kids as well as adults can enjoy – they compare it to Pixar. Gilda was asked about, she simply hasn’t come up again yet. Star Swirl the Bearded would be hard to work with, given he’s in the past. If only they had a world with magic in it… The panel agreed that Fighting Is Magic looked really cool, though Hasbro of course cannot officially admit they have seen the awesome gameplay.

They love the bronies, but also like that they’re just a piece of an even larger all-encompassing fandom. Jason lives next to two young boys who wanted Rarity toys for their birthday, so they’re also crossing gender barriers at a young age. Even the Hasbro interns, who were very grudging about having to watch this, admitted they loved the Cutie Mark Crusaders. Official Video games and RPG-style FIM was brought up, Hasbro gave a ‘sounds like a good idea’ response. A fan asked about Fluttershy, Applejack and Scootaloo’s parents, and got no real answer, though it was noted when asked about Cadence and Shining Armor’s marriage having difficulties that that would have to be “A very special episode.”

A soundtrack CD was also brought up, and they’re considering it. Someone noted certain comparisons between Hearts and Hooves Day and Discord, and Jason noted “you know, we only do these panels with you guys to get ideas for future episodes.” They like to use Greek mythology, but note that they can also dip into other things. They are VERY excited about IDW’s upcoming comic series, and note that they’re working closely to make sure it “feels like Pony”. Pinkie Pie’s parents were brought up. “They’re still farming rocks. The rocks must keep flowing.”

Movie? “Mmmmmmaybe.” Broadway was also mentioned, the panel laughed. It was also noted that, despite using Flash rather than hand-drawn animation, it still took a great deal of time and effort. It’s all still frame by frame. They want to explore the nature of the “monarchy”, and how the power structure works. Lastly, Alicorns were brought up (or ‘pegacorns’, as they apparently called them before fans used alicorn so often they gave up and switched it in the scripts). They’re “special” ponies who will rarely be seen. Celestia’s age was not mentioned exactly, but it’s noted she is at least 1000, and looks fantastic for her age.

It was a fantastic Day 0, even with only two panels. Tomorrow, the manga coverage begins.