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Umineko: When They Cry, Vol. 5

February 1, 2014 by Sean Gaffney

Story by Ryukishi07; Art by Kei Natsumi. Released in Japan in two and 1/2 separate volumes as “Umineko no Naku Koro ni: Banquet of the Golden Witch” by Square Enix, serialized in the magazine Gangan Joker. Released in North America by Yen Press.

In Umineko fandom, there are two manga arcs that are considered to be the absolute best at adapting the source and adding actual expressions and action, and Banquet is the first of these (the other is End, if you’re curious). The artist from the first arc is back, but this one gives her far more to sink her teeth into, with Beatrice seemingly getting replaced as people actually bother to… solve the epitaph this time around! Meanwhile, given the first arc was Natsuhi-heavy and the 2nd focused on Rosa, the cover of the 3rd arc should not surprise you…

Yes, that’s Eva biting her pinky on the cover… and yes, that’s also Eva behind her grinning insanely. Sort of. We get flashbacks at the start of the book to Eva as a teenager, dealing with being the smartest of the siblings but having a father who’s an abusive misogynist and a brother who realizes this is basically the only way he can ever have power over her. The flashbacks blend together with the present, as Eva arrives in 1986 for the Conference, and we see teenage-Eva stay behind, acting as sort of a ‘inner voice’ for Eva, driving her forward and giving her help/admonishment.

The First Twilight takes out all the servants (plus Kinzo), leaving us with the parents for a far more extended period than we’ve seen before. Which, if nothing else, reminds us once again how toxic this family is, even as they’re trying to hide from a killer. Speaking of that Twilight, we also meet a few new people, Ronove and Virgilia. Ronove seems like your typical ‘demon butler’ sort, there to give small hints, dole out tea, and be a bit too gay for battler’s liking. (It is worth noticing that Genji’s last name is Ronoue.) As for Virgilia, we see at the start that she was Beatrice back when the Beatrice we know was a young girl, and has been hiding inside Kumasawa until she emerges to chastise her former student. There’s a lot of double identities here, which is quite important as the series goes on.

Speaking of the Beatrice we know, there’s a lot of interesting things going on with her. She’s still really cruel and nasty, to the point where the omnibus ends with Battler slapping her after she laughs at the antics down on Rokkenjima. At the same time, she’s far less aloof and more likeable here, and I’d go so far as to say she’s even cute. This is also the first time I’ve really been able to buy the flirting that she and Battler do. We also get some backstory on her supposed history on the island; we see her as a young girl at the start, and later on a teenage Rosa runs into Beatrice imprisoned in Kuwadorian, Kinzo’s secret mansion on the other side of the island he created because he’s just like that. Sadly, Rosa leads her off the edge of a cliff (by accident, I note, she’s not an abusive mother just yet) and she dies. And Beatrice notes in read that she’s definitely dead down there. Curiouser and curiouser…

This arc has been described as “Umineko for Dummies”, as the fans apparently told Ryukishi07 that he made the first 2 arcs too hard to figure out what was really going on (except, well, “it was magic”, which they were reluctant to say). Ergo, this one really is a lot more anvilicious with its hints to Battler/the reader, describing the idea of Schrodinger’s Box as a way to avoid answering the “magic vs. human culprit” question in the first place, the use of ‘imaginary friends’ and identity theft, and Beatrice as a shared title. This culminates in Eva managing to solve the epitaph (though Rosa was close behind, give her credit), and finding the gold, which really does exist. As a result, she inherits the title of Beatrice… or rather, her teenage self does. And when her teenage self realizes she is unwilling to share the gold with anyone else, well, the murders take an even more grotesque turn. One might even go so far as to say that this game as been hijacked…

So again, if you’re looking for human culprits here, the obvious question is “Can I trust what I’m reading? And who can I not trust?” By the end of this first omnibus, you should have a pretty good idea. This is another good (and huge) adaptation of a fun and increasingly convoluted story. Will we get to sympathize with Beatrice even more next time? If so, which Beatrice will it be?

Also, Yen, you tried, and I appreciate the reluctance to use the fan version everyone knows already, but “Karub Kamy Crokatch” is no “Sucker Merry Barrels”. Love Natsuhi’s reaction, though.

Kafka on the Shore

January 31, 2014 by Ash Brown

Author: Haruki Murakami
Translator: Philip Gabriel
U.S. publisher: Alfred A. Knopf
ISBN: 9781400079278
Released: January 2006
Original release: 2002
Awards: World Fantasy Award

Haruki Murakami is an international best-selling author and one of the most recognizable Japanese novelists currently writing worldwide. Therefore, I find it somewhat surprising that I actually haven’t read much of his work. Before picking up Kafka on the Shore I had only read two of his books–1Q84 and Underground: The Tokyo Gas Attack and the Japanese Psyche–in addition to a small selection of essays and interviews. 1Q84 was my introduction to Murakami; it was both an incredibly frustrating and invigorating experience. I loved parts of the novel but strongly disliked others. 1Q84 probably wasn’t the best place to start reading Murakami, and so I’ve been meaning to give another one of his novels a try. I settled on Kafka on the Shore, originally published in Japan in 2002, for several reasons. It’s one of Murakami’s best-known works. Philip Gabriel’s 2005 English translation won the World Fantasy Award. The novel’s young protagonist basically runs away to a library. But mostly, I wanted to read Kafka on the Shore for the sake of one character, Oshima, with whom I happen to share quite a bit in common.

Fifteen-year-old Kafka Tamura, though that’s not his real name, has just run away from home. He leaves behind his father in Tokyo just as his mother and sister left the two of them behind more than a decade ago. Kafka’s plan is simple–travel to a faraway town and make a place for himself in a library. That’s how he finds himself in Takamatsu, over four hundred miles away from the home, father, and life that he wants to escape. There he seeks out the privately owned Komura Memorial Library where meets Oshima, an assistant at the library who takes Kafka under his wing. Meanwhile, strange events are unfolding around Kafka and the people in his life. Back in Tokyo, a man by the name of Nakata with the ability to talk to cats finds himself pulled into Kafka’s story. Though the two have never met they share a strange connection with each other that neither of them are entirely aware of or expected.

The chapters in Kafka on the Shore alternate between Kafka and Nakata’s individual journeys. Kafka’s chapters are written in first-person present, giving them a very intimate and immediate perspective, while Nakata’s are written in third-person past, creating more distance. At first the two stories seem to be completely unrelated, but as Kafka on the Shore develops the tales steadily draw towards one another and connect in shocking ways. Kafka and Nakata’s paths never directly cross but they do influence each other and those of the people around them. Ideas, concepts, and turns of phrase, not to mention actions and their consequences, echo throughout the novel, tying seemingly disparate events together into a cohesive whole. There is a lot of loneliness in Kafka on the Shore. The characters are searching and reaching out for these sorts of connections and relationships, both consciously and subconsciously. They are individuals yearning to find what is missing from themselves and from their lives, often disregarding time and reality in the process.

Much as with 1Q84, there were parts of Kafka on the Shore that I adored and other parts that I found immensely frustrating. In general, I preferred the earlier novel over its later developments. For me, Kafka on the Shore worked best when it was more firmly grounded in reality with hints of the unexplainable, mysterious, and strange rather than the other way around. As the novel progresses it becomes more confusing and dreamlike. That in and of itself isn’t problematic, but towards the end of Kafka on the Shore Murakami begins introducing bizarre elements seemingly out of nowhere that do very little to develop the plot or the characters. Readers looking for closure from Kafka on the Shore may be disappointed as there are plenty of threads left unresolved by the time the novel reaches its conclusion. Despite my frustrations with Kafka on the Shore I am glad that I read the novel. I appreciated the importance giving to books and the influence of music; I found the characters intriguing; and although the story goes a little off the rails, I liked Kafka’s peculiar journey of discovery and coming of age.

Fushigi Yugi Genbu Kaiden, Vol 12

January 31, 2014 by Anna N

Fushigi Yugi Genbu Kaiden, Vol 12 by Yuu Watase

I’m sure it sounds odd, but I was actually a bit nervous about picking up the final volume of this series that I’ve been enjoying so much, simply because I’ve been a bit frightened of the ending. I knew that plenty of deaths would be occurring. This is no big secret, since the heroine Takiko has been dying of tuberculosis throughout the series, and the presence of a couple ghostly Genbu Celestial Warriors in the first Fushigi Yuugi series gave enough hints towards inevitable tragedy that a certain air of melancholy has hung over this manga, giving it an additional theme that has offset all the fantasy adventure I’d expect from a Yuu Watase series.

When I put this volume down, I realized I was wrong to be nervous, because the ending was the best one possible given the set of circumstances the characters found themselves in. The final confrontation with the Qu-Dong army has arrived, and even though Takiko has married the Uruki, now Emperor of Bei-Jia, all the efforts of her Celestial Warriors aren’t going to fend off the eternal winter that is going to threaten all the people of Bei-Jia. The Celestial Warriors fight gallantly, but Takiko is determined to see her destiny as a priestess fulfilled, even if she ends up being consumed by the god that she summons. There are plenty of quiet moments between the characters mixed in with the battles, and each Celestial Warrior gets a bit of a sendoff. Tomite teases Takiko one last time. Hatsui is courageous in battle. Inami deflects volleys of arrows with her hair, arranged in a giant web. Naname undergoes an unexpected and meaningful last transformation.

Throughout everything that happens in this final volume, the connection between Takiko and Uruki remains strong and supportive. As a heroine, Takiko’s quiet and unwavering determination really sets her apart, and I thought that this series exhibited more maturity in storytelling than the first Fushigi Yugi series. This is one of my favorite Yuu Watase series, and that’s saying a lot since I’ve read and enjoyed most of her manga. I’ve read all the volumes of this series as soon as I’ve been able to get my hands on them, and the only thing that has marred the reading experience is the long wait between volumes! I really want to set aside some time and read the whole series again in a shorter span of time, to see what I think about it without having to wait months and years between volumes. Overall though, I don’t hesitate to recommend Fushigi Yugi Genbu Kaiden to anyone who enjoys fantasy and adventure shoujo.

Manga the Week of 2/5

January 30, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ

SEAN: Hey, for a first week of the month, this isn’t too bad! It’s under 20 titles! That’s practically nothing!

Kodansha brings us the 30th volume of Air Gear, which I haven’t read in about 27 volumes, but I seem to recall this may be around the point that they introduced President Obama as a character. Sadly, I doubt this hits the highs of the unlicensable Legend of Koizumi, but it tries.

MICHELLE: Man, it seems like Air Gear has been coming out forever.

ASH: Oh, Legend of Koizumi! I would totally read that.

SEAN: Alice in the Country of Joker: Circus and Liar’s Game has been hands down my favorite of the innumerable Alice spinoffs we’ve seen over the past 3 years. Volume 4 is out from Seven Seas this week, and I can’t wait.

ANNA: I enjoyed the first two volumes of this series!

SEAN: A Centaur’s Life turned out to be a bit less creepy than I was expecting, and seems very interested in its world building. We’ll see how much in can build in Vol. 2.

ASH: So far, the world building has been great in this series.

MJ: I’m trying to figure out whether “less creepy than I was expecting” is an actionable recommendation.

SEAN: New Seven Seas debuts always fill me with a combination of delight and dread, which resolves into one or the other once the title is read, like a Schrodinger’s Box. Light novel series, fantasy, loser protagonist, tsundere lead girl… we’ve seen these elements before – indeed, more than once – from Seven Seas licenses. We’ll see how Dragonar Academy goes.

On the other hand, a new volume of Toradora! cannot possibly make me happier. This is a great story with a top notch adaptation, funny characters and knows when to use humor and heart. An absolute must read.

Bleach. It’s Volume 59. It’s running through its final arc. Which may actually take 15 years. Recommended for Bleach fans.

A Devil and Her Love Song has only hit Volume 13, and yet this is its finale. I enjoyed this series with its blunt and broken lead couple and a good deal of humor with its darkness. An excellent Shojo Beat title.

MICHELLE: I’m definitely looking forward to reading the conclusion of this series.

ANNA: Me too. This was a great, slightly edgy Shojo Beat series.

SEAN: If you enjoyed Dragon Ball, and then enjoyed it again in the huge VIZBIG editions, well then why not buy it again in full color? Dragon Ball Full Color 1 actually appears to be Dragon Ball Z, meaning I’ve no interest in it. (I like my Goku goofy). But DBZ fans should greatly enjoy seeing it again with bright colors.

Happy Marriage?! 4 would appear to be the volume that reminds us this is a Petit Comic title, and earns its M rating. Good to see the couple finally getting close.

ANNA: Yay for shrinkwrapped josei!

MJ: Agreed!

SEAN: I somehow missed High School Debut when it first appeared, so am delighted that there is a 3-in-1 release so I can appreciate it again. Its heroine is apparently dense enough to rival Special A and Voice Over. I like cute but dense in my fictional manga heroines.

MICHELLE: I love, love, love High School Debut. I’d definitely rank its heroine about the one in Voice Over!.

ANNA: This is a wonderful series. It deserves to be reissued!

MJ: I adored this series and its heroine!

SEAN: Kamisama Kiss 14 takes us back to the past, as a new crisis forces Nanami to go back and find out how Tomoe got to be the way he is.

MICHELLE: It is my goal to get caught up on this soon!

ANNA: Another series from Shojo Beat that I adore.

SEAN: Nura: Rise of the Yokai Clan keeps chugging right along. Here’s Vol. 19.

One Piece’s 3-in-1 finally hits the end of Alabasta with Vol. 8.

Sakura Hime comes to an end with Volume 12. Does this mean we are in some strange world with no ongoing Tanemura manga? Well, next month should take care of that problem.

MICHELLE: What, is there a new one? I do not keep up with Tanemura.

ANNA: Is that the reissue of Kamikaze Kaito Jeanne!? My favorite Tanemura series EVER!!!!!!

MICHELLE: Oh! Right! I still have my CMX volumes, so the VIZ version wasn’t really on my radar. I have very fond memories of the anime, too.

SEAN: Toriko also keeps chugging right along. Here is Vol. 20.

And Voice Over: Seiyu Academy is at Vol. 3, and I have a sneaking suspicion will continue to have its heroine want to sound cute and adorable.

Anything here tickle your fancy?

Weekly Shonen Jump Recap: January 20, 2014

January 30, 2014 by Derek Bown Leave a Comment

I think this was one of those rare weeks where I enjoyed all the chapters. Well, almost all, there was one or two I didn’t care much for. But I can’t say there were any terrible chapters this week. I’d almost say I’d rather have a week where all the chapters are good rather than one or two chapters be amazing while all the others are terrible.

Unfortunately we start the week off with one of the less than great chapters, which during my first read through did not bode well for the week.

Seraph of the End Ch. 009
Pro Tip: If you want me to give a chapter a good review, perhaps consider not starting it with underage nudity. When I started reading this series I thought that we would be subjected to many things, but I never would have thought blatant underage fanservice would have been something I’d have to deal with. I guess my naiveté got the better of me this time around. Still, this makes me wonder how exactly Shokugeki no Soma is too risqué for the manga when they just published some pretty heavy nudity in this manga.

Besides getting off to a bad start, and the attempts at humor falling as short as always, the rest of this chapter wasn’t actually terrible. The fights were good, we had a decent enough twist halfway through the chapter. So overall it was the most tolerable Seraph has ever been. Though it does raise questions such as why the Imperial Demon Army would abandon people outside their walls. Sure maybe they don’t have space. But they aren’t exactly abandoning these people to death per say. They’re abandoning them to become the nourishment of the enemy. Last time I checked it was good strategy to deny your enemy resources whenever possible. Ancient armies would often slash and burn their own crops to deny sustenance to their invaders. I doubt vampires would be very hard to fight if they were denied food. So methinks the Demon Army is fairly incompetent. Not only are the abandoning their own people, but they’re doing it in a way that only makes the enemy stronger.

One Piece Ch. 734
I’ve been waiting for Cavendish to get that little extra something that would round him off as a character. He was already better than expected, but still missing that extra flair that Bartolomeo had gotten several chapters ago. And this week we finally got it. Cavendish having a split personality may not be the greatest twist, but I think that’s because I may be unfairly comparing him to Bartolomeo who is easily my favorite character of the arc.

This week is another chapter that mostly spends its time setting up the final climax of the arc. I can’t say how long it will last for, but we are moving into the phase of the story where characters start pairing off for battles. And considering we haven’t seen all of Doflamingo’s group I’m particularly looking forward to what happens next week.

Naruto Ch. 661
This week, despite Madara going on about stuff we’ve already heard about, was actually pretty good. We’ve got plenty of dramatic tension with Naruto in the process of dying to make up for Madara’s verbosity. And to make things better Madara finally does what I’ve wanted to do this entire series! So all things considered this chapter is a win.

Bleach Ch. 564
I’m a bit worried that Kubo is going to go the route of “Everyone gets a power up because they didn’t actually know their bankai’s name”. It works once, and only once, but if it happens again it will only be because Kubo likes power ups, even when it makes absolutely no sense.

Still, seeing Renji actually win a fight makes this chapter worth our time. Though I will miss his previous bankai, which I thought was really clever, if underpowered.

World Trigger Ch. 046
After seeing an incompetent army in Seraph, it’s nice to see some competency in Border. The majority of the chapter focuses on figuring out how to defeat their enemy. And since it’s done in an intelligent way with the setbacks caused not by the incompetency of the characters, but rather by the advantages of the enemy, gives me hope for the future of this manga. It’s just good writing to have setbacks in conflict be caused by the enemy and not because the enemy hasn’t done anything special, the main characters are just moronic. So yes please, more intelligent characters please.

Nisekoi Ch. 106
Sometimes seeing fictional characters suffer is hilarious. And considering that Nisekoi is all about the facial expressions for me I have to rate this chapter quite high. There was almost an overload of great faces Chitoge made throughout the chapter. And the resolution of her lost hairband was perfectly paced for a one chapter story. It seems a lost art among manga to write single chapter stories. Which is a bit of a shame, but probably happens because writing an ongoing narrative is an easier way to keep interest. One still needs to write it well, but I think the individual chapters need to be much better in single chapter stories to get readers back the next week. An ongoing story, while good, can have some chapters that are setup and don’t have proper payoff at the end, and readers will come back because they want to know how it all wraps up.

Dragon Ball Z Ch. 047
One of my big peeves with Dragon Ball is how a lot of the problems are made worse because Goku refuses to end the threat in favor of getting a better fight. It makes him seem dumber than he actually is, but at least this time around Goku acknowledges that his desire to keep Vegeta alive is a bad idea. It doesn’t make it any smarter but there’s something to be said for someone that knows they aren’t very smart vs. someone who has no clue.

With the fight finally over we can get back to some more character moments before we move on to the next conflict. Personally I prefer those chapters so I look forward to next week.

Like I said, this was a good week. Even the series I normally love to hate were actually enjoyable on their own merits and not because of the joy I get from ripping them apart. Though in the case of Naruto, again, it’s because I’ve wanted to do what Madara does at the very end of the chapter for years now.

If you want to hear more, check out the Manga^3 Podcast Archives.

Higurashi: When They Cry, Vol. 24

January 30, 2014 by Sean Gaffney

Story by Ryukishi07; Art by Karin Suzuragi. Released in Japan as “Higurashi no Naku Koro ni: Matsuribayashi-hen” by Square Enix, serialized in the magazine Gangan Joker. Released in North America by Yen Press.

When we last saw Rika, she had just recovered her memories of previous lives… or so we thought. As it turns out, the cliffhanger wasn’t that she was missing a bunch of memories, but just missing one specific world: the last one, the Massacre arc. Realistically this makes absolutely no sense, but dramatically it’s necessary, so that “this” Rika can have Hanyuu explain things all over again to her (which also shows us the strength of Hanyuu’s resolve), and also so that Rika can have the appropriate surprised and amazed reactions when things actually start going her way.

For once the adults get the cover image, as we see Akasaka, Tomitake, Irie and Ooishi walking in a determined fashion. And most of the first half of this volume revolves around their own concerns. Akasaka can finally release the guilt from past lives of forgetting about Rika by showing up in the nick of time (Rika even lampshades this, torn between sobbing in happiness and being angry), Tomitake is forced to realize that yes, he may be in love with a psychologically disturbed woman who will be killing him later on, Irie finds that just because Rika’s the Queen Carrier does not mean that everything can’t go wrong if she dies, and Ooishi deals with the very real and adult concern that if this turns out to be a lot of fuss over nothing, he’ll lose his entire retirement pension and be ruined. Oh yes, not to mention his reaction to finding the Sonozakis are not, in fact, behind everything.

Takano also gets some POV here, and it’s as horrifying as it is revelatory. What starts out as being honest anguish about her feelings for Tomitake (this is likely the first time she’s ever fallen in love, so she simply has no idea what to make of it) turns into a PTSD-laced loathing that ends with her flashing back to the orphanage – again – and realizing that if she’s screwed up her Grandfather’s Research because of this “kill everyone” plan, than it would be better for everyone if she’d died back there. Still, by the end of this volume, she’s back in the driver’s seat, and Tomitake is captured.

Ryukishi07 includes a lot of shonen GAR (look it up on Urban Dictionary) in this volume, which does not *quite* go over the top. Partly it’s because much of it is subverted by the bad guys ruining everyone’s amazing moments – only Akasaka succeeds in being too cool for the room. Tomitake’s daring and dramatic escape… ends with him captured. Shion’s noble self-sacrifice to let the others get away… ends with her being hostage bait. Just as with the Massacre Arc we kept almost getting a happy ending only to see it vanish, here we almost have things end in tragedy a lot. Luckily, Akasaka is the exception to this rule, as he gets to swoop in with the dramatic rescue, which is so filled with cliche that Rika decides to doodle on the ground rather than watch any of it.

(By the way, Yen translators, nice job with Akasaka as the speeding bullet and Tomitake being more powerful than a locomotive. Too bad Shion can’t jump all that high.)

Speaking of the Sonozaki twins, they get the cover art that wasn’t used here (it’s on the inside front), and a lot of the focus towards the end is on them. Shion arrives in the story late and upset that she was kept out of the loop, but that’s sort of been her role throughout almost all of these worlds, with only Massacre being the exception. I was surprised that she outright stated to Mion that she wanted to be the “big sister” again to protect her – I’ll assume this is sotto voce, though who knows, maybe Mion actually told them everything about the permanent switch at some point – and amused at her noting to Keiichi that she can’t teach him to use a Kalashnikov in time to stop the bad guys. (It’s not that hard – she’s likely bluffing.) For KeiMii fans, by the way, Shion outright tells Keiichi Mion is in love with him, and his reaction is less “wait, what?” and more “why are you bringing this up now?” Keiichi, Mion and Rena really need to have a long talk after this is all over.

And so at the end of this volume, Rika is rescued, and things are looking up for everyone except Tomitake, who’s been captured by the bad guys. Next volume is the final one (of the main series, that is… please license Dice-Killing, Yen) and so we will at last see what we’ve been waiting for so long: a happy ending. In any case, this penultimate volume is filled with humor and heart, and fans will love it.

Manga Giveaway: Vinland Saga Giveaway

January 29, 2014 by Ash Brown

The end of the January is drawing near, which means it’s time for the first manga giveaway of the year! In my excitement for its release, I accidentally managed to end up with two copies of the second omnibus of Makoto Yukimura’s Vinland Saga. But my mistake is your gain–this month, you all have the opportunity two win a brand new copy of the volume! Already it’s one of my favorite manga of the year. As always, the giveaway is open worldwide.

So, where I currently live in Michigan, it has been an extremely cold and snowy winter. It’s seems oddly appropriate then that Vinland Saga, Omnibus 2, with the snowstorm on its cover, was released this season. Perhaps it shouldn’t be too surprising, seeing as the series is about Vikings and all, but there’s actually quite a bit of snow in Vinland Saga. It’s not just there to look pretty or save on inking, either. Snow, and winter, has a significant impact on the story itself as battles are waged in the cold and people going about their day-to-day lives simply try to survive the elements. This got me to thinking about other manga that I’ve read in which snow plays an important role. CLAMP’s Shirahime-Syo: Snow Goddess Tales, series like Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, and some of the stories in Yuki Urushibara’s Mushishi immediately spring to mind, but there are definitely more snowy manga out there.

So, you may be wondering, how can you win a copy of Vinland Saga, Omnibus 2?

1) In the comments below, tell me about your favorite scene in a manga that either involved or was set in snow.
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s really that easy. For this giveaway, each person can earn up to two entries. There will be one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on February 5, 2014. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Vinland Saga Giveaway Winner

Attack on Titan, Vol 1

January 28, 2014 by Anna N

Attack on Titan Vol 1 by Hajime Isayama

At this point, given the ubiquity of Attack on Titan on manga best seller lists, reviewing it is a bit like reviewing the air, but I decided to finally get around to reading this series when Mangablog alerted me to the crazy deal for the kindle edition of the first volume that was running recently. Sometimes I have no trouble reading manga on my Kindle Paperwhite, but I had more difficulty figuring out what was going on with the art with the reduced size, and quickly switched over to reading this manga on my iPad instead.

I’ve been reading a bunch of post-apocalyptic fiction recently, just because there are so many YA dystopian novels out there, and I’m also in the middle of reading Justin Cronin’s The Twelve. Attack on Titan is an interesting twist on the dystopian genre as many years into the future humanity has retreated into walled cities in order to protect themselves from the Titian, giant zombie-like humanoid creatures who enjoy eating human flesh. Eren is in many ways a fairly typical brash and opinionated shonen hero, whose close companion is a quieter and seemingly more pragmatic girl named Mikasa. Eren is worried about the complacency his town seems to be developing, as Titans haven’t attacked it for a long time.

Sure enough, a devastating attack on the town follows, as a Titan bigger than anyone has seen before easily breaches the wall, causing panic and confusion in the town where few humans are equipped to deal with a direct attack. Years later, Eren and Mikasa are ready to take their work assignments in the town, and they have to choose the safer duty of directly protecting the townspeople or joining up with the riskier survey corps. Eren wants to avenge his family, and Mikasa is quietly determined to follow him in order to protect him.

By far the weakest element of Attack on Titan is the art. The characters are drawn stiffly and not in proportion. For much of the time Eren and his comrades are yelling at each other, with facial expressions that don’t have very much variation. At the same time, the more detailed renderings of the Titans are plenty creepy, with their musculature visible on their bodies due to lack of skin, wide jaws, and shark-like rows of teeth. In contrast to the art, the worldbuilding in Attack on Titan is excellent, and it is clear that Isayama has spent plenty of time plotting out the events in his future history, thinking through the weapon systems and defenses the humans have constructed, and setting up the relationships between the characters in an interesting way. The first volume ended on a cliffhanger that was both shocking and weirdly refreshing from a manga plotting perspective, making me wonder a bit if Attack on Titan is going to be serving up a bit of metacommentary about manga plot cliches. Even though the art was fairly awkward, I was still able to follow along with the action sequences, and the Titans were genuinely unsettling, with their grimacing silence and habits of eating people in one gulp. I’m a little leery of taking on such a long series, but I can certainly see why Attack on Titan is so popular.

Bookshelf Briefs 1/27/14

January 27, 2014 by Sean Gaffney, Anna N and Michelle Smith 1 Comment

This week, Sean, Anna, and Michelle look at recent releases from Yen Press, Viz Media, Seven Seas, Kodansha Comics, and Vertical, Inc.

Black Butler, Vol. 16 | By Yana Toboso | Yen Press – Ciel remains on assignment at Weston College, looking into the disappearance of one of Queen Victoria’s relatives. It’s been pretty fun to see Ciel in this environment, be it currying favor with prefects or befriending an earnest boy his own age. In this volume, he’s putting Sebastians talents to use in an attempt to perform well enough in the annual cricket tournament (despite a near-total lack of athletic ability) to earn an invitation to tea with the headmaster, who could hold all the answers. Okay, brilliant this isn’t, but I liked that it became a little like a sports manga (with players shouting out their moves, like “Rushing Violet Vapour, Purple Burnoutt!!”) and enjoyed the subtle Harry Potter references, like the appearance of a Hedwig clone and references to some of the actors from the movies. – Michelle Smith

A Bride’s Story, Vol. 3 | By Kaoru Mori | Yen Press – In this volume Mori shifts from mainly telling the story of Amir and her young husband Karluk to exploring what happens to the European researcher Mr. Smith when he travels to a town and has a chance meeting with Talas, a young woman who has been widowed many times. Talas’ mother in law views Mr. Smith as a last chance to ensure that Talas will be taken care of after she dies, and the young couple start developing a liking to each other in spite of all of the manipulations to throw them together. But as women Talas and her mother in law have very little autonomy or ability to decide how they are going to live their lives. As always, Mori’s painstakingly researched details combined with her facility for showing slice of live scenes in a market or herding sheep bring history to life. Amir and Karluk make a brief appearance, and we also see hints of the next Bride’s story as the young Pariya gets her own chapter as well. Delightful as always! – Anna N

Dictatorial Grimoire: Snow White, Vol. 2 | By Ayumi Kanou | Seven Seas – I must admit, I greatly enjoyed this volume while I was reading it. It’s a lot of fun, I really like the character of Hiyori, and the design of Rapunzel was incredibly striking. That said, there’s no denying that this is basically a series of shonen cliches wrapped up in a pretty-boys package, and so if originality is your goal, you can skip this. But as a tasty manga treat you’ll forget about 10 minutes after you read it, it’s pretty much dead-on. Snow White is amusingly snarky (the conversations between him and Hiyori are comedy gold), Otogi gets to find his missing resolve and start fighting again, and as a reward gets lots of BL tease with Cinderella. I’m actually very interested in what will happen i the next ‘arc, which seems to feature Red Riding Hood (also male, of course). – Sean Gaffney

Kimi ni Todoke, Vol. 18 | By Karuho Shiina | Viz Media – Sometimes when a volume of a manga gets too happy, I start to get worried. Let’s call this the Joss Whedon effect. Everything is going so well for Sawako and her friends and family in this volume that I actually checked to see whether the series was ending soon, because it definitely has that feeling. It doesn’t appear to be, so now I’m a little fretful. What’s going to happen to stir this all up?! I know; I really should be content with what we get here, because it’s been so well-earned. Sawako and Kazehaya are finally on the same page in their relationship, Ayane may finally have found the right guy, and Chizu is perhaps slightly less clueless than before. And I’m happy to see that the focus on female friendships is still going strong in Kimi ni Todoke, even with all the romance in the air. Unequivocally recommended. – Michelle Smith

Knights of Sidonia, Vol. 4, by Tsutomo Nihei | Vertical, Inc. – I really enjoy the way Nihei juxtaposes giant robots fighting giant gross aliens in space with hints of an overarching back story about the history of the colonization spaceship Sidonia. There’s a bit of the whole Battlestar Galactica “This has happened before, and it will happen again” theme in this volume as Tanikaze gets increased responsibility and is relied upon in battle more than ever, slowly acting more and more like he is going to live up to the legacy of his creator/father. The occasional bit of daily life on the Sidona is also included, making it clear that Tanikaze’s comments about loving the food, organisms, and people on the spaceship reflect his protective feelings. Hints of human and Guana experimentation continue to maintain the elements of horror that make this manga much more interesting than a simple space opera. Still highly recommended. – Anna N

Otomen, Vol. 17 | By Aya Kanno | Viz Media – Well, I knew this volume was going to hurt, and sure enough, it did. Kiyomi’s emotional manipulation of her son reaches its zenith, and the fallout affects everyone around Asuka. Particularly Ryo. You know it’s a crisis when Ryo is suddenly cooking and sewing well. At the center of all of this is Asuka’s sense of identity, and how can he remain true to it and keep both his family and his love. Sadly, Asuka is making the wrong choices here, but then, it is the second to last volume of the series. It looks as if we’re setting up for a big finale speech, one that I suspect may get interrupted several times. The manga may be a bit melodramatic at times, but the characterization is solid (I’ve come to terms with every single male in the cast being a secret otomen by now) Bring on the final volume. – Sean Gaffney

Psyren, Vol. 14 | By Toshiaki Iwashiro | Viz Media – Oh dear, it’s an all-fighting volume of Psyren, where even the minimal word count I have to write for these briefs seems excessive. The writer enjoys trotting out the big book of shonen cliches, with “i was just holding back, now you’ve made me use my full power”, dead mentors, and “I can teach you how to do this, but it may destroy you.” Oddly, there’s also a subplot about how constant fighting is a bad end in itself, and when the main characters win, they think to themselves that destroying the other side is not a great feeling after all. Fighting to protect vs. fighting to destroy, fighting for a peaceful future world vs. fighting for the apocalypse that already exists… this is what Psyren’s been doing. I have a feeling next volume will be all fighting again, but as long as it heads towards that peaceful end, that’s fine.– Sean Gaffney

Sankarea: Undying Love, Vol. 4 | By Mitsuru Hattori | Kodansha Comics – The difference in cover art between the Japanese and American volumes has never been starker than it is here. And I honestly think I prefer this version, mostly as the moe antics are the least interesting part of this book. The best moments here are discovering more of Rea’s tragic backstory, and the constant war between Rea and her zombie desires – one she seems to lose more and more each time, despite the genuine love she seems to have for Furuya. It makes me curious to see how far this series can go. Given it’s also fond of fanservice and tsundere antics, can it really descend into pure horror and abandon its romantic comedy stance? And more to the point, will Rea actually kill anybody? That does seem to be a real turn=-off for many guys… though perhaps not Furuya, given his obsessions. – Sean Gaffney

Pick of the Week: Everything’s Gone Greenwood

January 27, 2014 by MJ, Michelle Smith, Sean Gaffney, Ash Brown and Anna N 2 Comments

MJ: There’s not much for me in this week’s haul, so I decided to take a look at what’s been coming out digitally from Viz… and wow, the choices are abundant! Some of my long-time favorites are mid-release in Viz’s digital store, including Yumi Tamura’s Basara (now up to volume 18), CLAMP’s X (omnibus volume 4), Kentaro Yabuki’s Black Cat (volume 20), and Yoko Kamio’s Boys Over Flowers (volume 11). But I’ve got my eye on Here Is Greenwood, Yukie Nasu’s shoujo take on boys’ dormitory life, originally published from 1987-1991—possibly my favorite period for shoujo manga. I missed this series when it was first published in English, and was thrilled to see that it is now available in its entirety (nine volumes) at vizmanga.com. I guess I know what I’ll be picking up this week!

MICHELLE: I had no idea that Here Is Greenwood was available digitally, but now that I do I must enthusiastically endorse it. MJ, I think you would seriously love this manga. There’s also a thoroughly charming OVA of the series that I am lucky enough (and old enough) to own on VHS. It looks like even more Shojo imprint titles have been added while I wasn’t looking… Doubt!! (from the creator of Seiho Boys’ High School) and W Juliet, for example!

SEAN: I can’t help but agree here. Here Is Greenwood is one of my favorite old shoujo titles, filled with humor and heart and more humor. Having it digitally is a huge win, and I definitely endorse it as pick of the week.

ASH: Well, here I was all set to pick Attack on Titan for the week and you all had to go and complicate things for me! I think I’ll probably stick with that, but I’d also like to throw in my support for Here Is Greenwood and all the other great out-of-print shoujo manga Viz is now releasing digitally.

ANNA: I’m now convinced that I need to read Here Is Greenwood! I’m going to pick a different Viz digital title though, Firefighter! Daigo of Fire Company M. I’ve read the first couple volumes of this series, and I’m very happy that all the shonen firefighting struggles are now available in digital format. My main memories of the first couple volumes was that there was plenty of passion and shouting about fires! I’m going to be buying some of this series for my iPad for sure.

What looks good to you this week?