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My Week in Manga: January 11-January 17, 2016

January 18, 2016 by Ash Brown

My News and Reviews

It was entirely unintentional, but last week was apparently the week for sevens—both of my in-depth manga reviews last week were for the seventh installment of their respective series. They both happen to be manga currently licensed by Kodansha Comics, as well, which was also a coincidence. On Wednesday, I reviewed the seventh omnibus of Vinland Saga by Makoto Yukimura. The series continues to be magnificent. The seventh omnibus might be the last of the series to be released in English, which would truly be a shame. The volume does bring to a close one of the series’ major story arcs, but I really hope more of Vinland Saga will be able to be translated. The second review, part of my monthly horror manga review project, was of Yuki Urushibara’s Mushishi, Volume 7. Mushishi continues to be one of my favorite manga. I’m really enjoying my reread of the series and the opportunity to write about it in more detail. One other thing I wanted briefly to mention was a Kickstarter project to help Yamakiya Taiko, a wonderful youth taiko ensemble from Fukushima, raise money to defray the cost of their upcoming trip to the United States in March. I’ll actually be playing with the group a bit while they’re in Michigan, so I especially hope that the campaign succeeds.

Quick Takes

Core Scramble, Volume 1 by Euho Jun. I’ve been slowly making my way through Netcomics’ new series which is what brought Core Scramble to my attention. That and the promise of boys’ love mixed with science fiction, fantasy, and action. At this point, romance doesn’t seem to be the priority of Core Scramble, though there is some sexual harassment thrown in. Chaeun is a fairly average soldier—one of many fighting in a war against swarms of extra-dimensional monsters invading the planet—but he has developed a knack for surviving situations that many seasoned veterans would consider hopeless. His tenacity has impressed his comrades as well as those who would like to take advantage of the invasion for their own purposes. The first volume of Core Scramble spends quite a bit of time establishing the series’ setting, explaining how the world’s magic, science, and inter-dimensional portals function and interact. Infodumps are a regular occurrence and break up the flow of the story itself, but I suspect that this shouldn’t be as much of an issue for the series’ later volumes. Granted, there are only two more.

Deep Dark Fears by Fran Krause. What started out as a project to illustrate all of his irrational fears eventually evolved into an ongoing series of online comics in which Krause would not only draw his own fears but the fears submitted by his readers as well. Just over a hundred of those comics have now been brought together in the print collection of Deep Dark Fears, about half of them being newly published while the other half were selected by Krause as some of his favorites from online. While the subject matter can be disturbing and occasionally even grotesque, the comics themselves are actually quite charming. Krause doesn’t comment on or judge any of the fears but simply presents them as they are, irrational but still discomfiting whether they be based on known falsehoods learned as children or overactive imaginations as adults. Deep Dark Fears is a great collection of short comics about strange and bizarre fears. Some are only a single panel long while others may be a few pages, but they all leave an impression. I’m not sure if Krause has plans for additional print collections, but the series continues to grow online.

Witchcraft Works, Volumes 3-7 by Ryu Mizunagi. Although I quite enjoyed the first two volumes of Witchcraft Works, I recently realized that I had fallen behind in actually reading the series. After catching up I can say that there are still things that I like about the manga, but I also find myself slightly less enamored with it than I once was. Primarily, I continue enjoy the reversal of stereotypical gender roles. If it wasn’t for that, I think the series would have bored me fairly quickly, even despite its other entertaining quirks. With the seemingly endless of author’s notes, it’s obvious that Mizunagi has put plenty of thought into the world of Witchcraft Works, but it isn’t always incorporated well into the story itself which is unfortunate. This seems to especially be a problem during the series’ battle and action-oriented story arcs where it feels like the characters spend more time explaining things they already know to one another rather than fighting, though they do eventually get around to that, too. Witchcraft Works is a great looking manga, though, Mizunagi’s visual style working wonders with all of the magic and mayhem. But ultimately, I think what I want is a little more substance to accompany all the spectacle.

Bookshelf Briefs 1/18/16

January 18, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

Sean and Michelle are back with a bevy of briefs!

Attack on Titan Junior High, Vol. 4 | By Saki Nakagawa | Kodansha Comics – It continues to be difficult to tell the players without a scorecard in this spinoff that parodies every other spinoff as well. So we see Kuklo and Sharle having their own very silly adventures, and the canonically dead parents of Eren, as well as the “long-lost” sister of Krista/Historia, both show up and are as silly as the rest. That said, the series is not content to coast on running gags and repetition, and we see several types of humor I would not otherwise have expected—the most startling being a sequence where Sasha has to play the straight man to three people even more idiotic than she is. Attack on Titan is a giant goof, and the translation is as loose as ever, but it’s still fun. – Sean Gaffney

A Certain Scientific Accelerator, Vol. 2 | By Kazuma Kamachi and Arata Yamachi| Seven Seas – We’re still in the ‘let’s set up a bunch of chaos’ point in this manga’s story, so there’s lots of things introduced to hang a plot on. Estelle manages to revive the corpse of one victim to serve as a familiar and bodyguard, which is probably just as well as Accelerator is learning that after getting shot by Amai Ao there’s a limit to his own endurance. And one of the Misaka clones gets involved as well, though sadly it looks as though she is there purely to be in peril (you can tell as she’s not 10032, whose peril is limited to the Index series). Oh yes, and there’s a secret organization of thugs whose secrets are now coming out… far too easily. It’s chaotic, but Kamachi fans will find much to enjoy. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 3 | By Aya Shouoto | VIZ Media – Even though I generally like bittersweet, episodic supernatural tales, something about this volume seems unfocussed. First, we get the conclusion to the story about a ghostly classmate visiting Momochi House, which leads into a couple of chapters about an entity named Kasha. No one will really tell Himari much about him, so I don’t know if we’re being set up with a series antagonist or what. And then there’s a banquet in which Aoi/Nue is required to seal away a powerful demon. I liked this last story the best, even though Himari was eyerollingly impetuous, probably because it evoked a Natsume’s Book of Friends sort of tone. In the end, though this series isn’t great and the characters are still too shallow for my liking, I still enjoy reading it and plan to continue. – Michelle Smith

Honey So Sweet, Vol. 1 | By Amu Meguro | VIZ Media – I can’t really put into words what quality in a shoujo series makes me suspect it ran in Margaret or one of its offshoots, but Honey So Sweet definitely has it. Nao Kogure only agrees to go out with seeming delinquent Taiga Onise to avoid making him angry, but soon discovers the many sweet and thoughtful sides to him. That rumor about him starting a fight with upperclassmen, for instance? It was because they were tormenting a turtle, whom Onise has now made his adorable pet. It’s not overly cutesy, though, and though Onise seems like a real catch, Nao first has to get over her belief that she’s actually in love with her uncle. (Yeah, long story.) In the end, I enjoyed this very much and look forward to volume two! – Michelle Smith

My Love Story!!, Vol. 7 | By Kazune Kawahara and Aruko | Viz Media – I’ve often speculated during this series that Sunakawa might be asexual. Not that I expect a shoujo romantic comedy to actually make that choice, but his complete lack of romantic interest is featured here in this seventh volume, where we meet a girl who’s spent almost her entire life admiring him from afar. Notably this is extremely well handled—she’s not really called out for it, just shown how there are better ways, such as actually interacting with Sunakawa. In the end, though, he likes her but is not interested. Is it that he really likes Takeo? Or doesn’t like anyone right now? All this is interspersed with the usual adorableness of our lead couple, the main reason that folks read this series. – Sean Gaffney

Natsume’s Book of Friends, Vol. 19 | By Yuki Midorikawa | Viz Media – Natsume and his grandmother usually get contrasted in this series, and we see more of that here, as the interactions he has include not just close friendships like Tanuma and casual school friends he used to have like Shibata, but also reluctant working relationships with creepy yet effective Matoba. Of course, this doesn’t necessarily mean that Reiko is his polar opposite, but we do see in a flashback story how difficult she finds basic interaction, be it human or yokai. Even as she does good deeds, she insists that it’s for her own selfishness. You’d never catch our Natsume doing that. And of course, there are lots more wonderful and terrifying yokai sprinkled throughout. – Sean Gaffney

One-Punch Man, Vol. 4 | By ONE and Yusuke Murata | Viz Media – We continue to expand our superhero-filled world in this volume, and see it’s just as political and selfish as you’d expect—a lot of glory hounds. Saitama, of course, doesn’t care about any of that, which is a good thing, as even when he’s saving the city from being devastated by a meteor he still causes a huge ton of damage. Still, he’s getting noticed. Meanwhile, we see a few other minor heroes, and I realize that this is likely going to be one of those shonen series with a huge cast that I can’t possibly tell apart. The fact that it’s still only the fourth volume worries me. Still, as long as they keep the action scenes cool and Saitama funny enough, I’ll keep following along while scratching my head. – Sean Gaffney

Rose Guns Days Season One, Vol. 2 | By Ryukishi07 and Soichiro | Yen Press – I am again reminded that this is not at all a series that would have been picked up were it not for the name of Ryukishi07 attached to it. He’s not having to worry about mysteries here, or even all that much horror. Instead we get to see a bunch of scenes devoted to showing off the difference between an idealist and a cynic. The narrative, as well as the majority of the characters, is as cynical as they come in this Japan gone wrong. But the meta-narrative expects us to side with Rose and her desperate shiny hopefulness that everyone would be really swell if we all just helped each other. I am hoping that future volumes will give Rose depth to help us respect her position. – Sean Gaffney

Ranma 1/2, Vols. 23-24

January 17, 2016 by Sean Gaffney

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

Ranma fandom these days is a different beast from where it was in the halcyon days of 1996-1997. Then it was striding the anime world like a colossus, at least in North America, and not even Sailor Moon seemed to have quite as many people discussing or writing fanfics about it. Nowadays it’s a small fish in a big pond, somewhat forgotten but retaining a nostalgic glow. This has, however, allowed some newer aspects of fandom to infiltrate, notably the BL fandom. Back in the day there was BL, but it seemed to get drowned out by all the male fans arguing about which girl Ranma should end up with. The idea that the best man for Ranma might be Ryouga is something that is dealt with in this volume, albeit not in a serious way.

Ryouga comes across yet another magical item that will help him to win Akane, this time a fishing rod whose mark on a body leaves it with ever-increasing feelings of love. To be fair to Ryouga, he does seem to have moral qualms about using such a device to win Akane over. To be unfair to Ryouga, he tries it regardless. And when it hits Ranma, Ranma starts feeling very friendly indeed towards Ryouga. It starts off as washing his clothes and cooking for him, But as the mark expands, things get more serious, to the point where Takahashi feels obliges to urn Ranma female for the rest of the story. Akane, of course, becomes convinced that Ryouga is using the rod on Ranma because he can’t confess to him. Not exactly progressive, but honestly, this is exactly the sort of plot hook that many a BL story could work with. It’s also the best story of the first half of the book, which otherwise deals with annoyances such as Pantyhose Taro’s return (boring), Akane’s cooking (very boring), and Gosunkugi winning an enchanted suit of armor (really super boring and bad).

Luckily, the second half of the volume, is fantastic, and consists of one long story – indeed, there’s a cliffhanger, so it will carry over to the next volume. Herb is a villain who gives Ranma a challenge that he hasn’t really had to face in a long time, and his goofy yet deadly sidekicks Lime and Mint are just as dangerous – Ryouga is even brought to the point of death, though thankfully is able to triumph due to his super-depression. It allows Ranma to be clever and analytic again, one of my favorite sides of him, as he’s unable to see how Herb’s martial arts works – and how it’s actually LESS powerful than expected – without knowing the secret – like Ranma, Herb changes to female in cold water. This is the first time we’ve seen someone with the same exact curse as Ranma, and it helps to showcase their different styles – Herb has modesty, for one, something Ranma does not care about a bit. We also briefly see Ryouga and Mousse work together with Ranma, even if they have murderous motivation at the start. They make a good team.

Ranma sometimes seems a bit hoary and sexist (and homophobic as well) compared to some of the more popular works today, but Takahashi’s creativity usually shines through, and fans of the series will find most of this omnibus highly rewarding.

Mushishi, Vol. 7

January 15, 2016 by Ash Brown

Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345505590
Released: May 2009
Original release: 2006
Awards: Japan Media Arts Award, Kodansha Manga Award

Mushishi, Volume 7 by Yuki Urushibara was originally published in Japan in 2006. It was the first volume of the award-winning manga series to be released after the first of several anime adaptations began airing. 2006 was also the year that Mushishi earned Urushibara a Kodansha Manga Award, having previously won a Japan Media Arts Award in 2003. In English, the seventh volume of Mushishi was initially published in print in 2009 by Del Rey Manga and then was later re-released in a digital edition by Kodansha Comics in 2014 along with the rest of the series. Mushishi is one of my favorite manga and one of the first series that I made a point to follow and collect as it was being released in translation. I love the manga’s atmosphere, subtle horror, and the obvious influence that traditional Japanese folklore and legends have had on Urushibara’s storytelling in the series.

The seventh volume of Mushishi collects four stories. Interestingly, the mushi in these particular chapters tend to be somewhat tangential to the real issues that the characters are struggling with. While the mushi have an impact on the way events unfold and develop, it is the interaction between people that forms the core of the individual stories. “Lost in the Blossoms” is about several generations in a family of skilled landscapers who obsessively care for the embodiment of a peculiarly beautiful and ancient cherry tree. In “The Mirror in the Muck,” a young woman falls ill after the man she loves leaves her behind, her love sickness putting her life in real danger. A young boy has become a host to a mushi that attracts lightning in “At the Foot of Lightning,” but the even greater problem is the nearly nonexistent relationship between him and his mother. The volume concludes with the series’ first multi-part story, “The Ragged Road,” about the head of the Minai, a clan of mushishi responsible for investigating forbidden mushi no matter what the personal cost.

While Mushishi generally tends to be episodic, “The Ragged Road” directly ties in with an early story, “The Sea of Brushstrokes,” collected in Mushishi, Volume 2. The Minai family serves under the Karibusa family which is responsible for recording and protecting information about mushi; the fate of both families is intertwined with that of the forbidden mushi. I especially like “The Ragged Road” because it further develops the world of Mushishi. The other three stories in Mushishi, Volume 7 technically do as well, but because they’re only loosely connected to previous chapters their contributions to the series’ lore generally add more breadth rather than depth. Still, bits of the characterization of Ginko, the manga’s protagonist, continue to be revealed with the telling of each story, showing just how much of an outsider he is even within the community of mushishi.

Although the plots of the individual stories collected in Mushishi, Volume 7 aren’t directly connect to one another, they do all share some similar themes. In some ways, the manga feels more horror-like than some of the previous installments of the series. Mushi in the case of this volume are creatures that can steal away a person’s senses, identity, life, or even soul. But as terrifying as that can be, the most chilling thing that Ginko encounters aren’t mushi but failed human relationships. I find these four stories to be some of the most heartbreaking in the series for that reason. Ginko is faced with situations where, while he can deal with the mushi, he is powerless to completely ease the distress of the people involved and their troubled families. However, as sad and tragic as some of the stories in Mushishi can be, there’s still an underlying sense of hope that in time people will be able to heal and move forward through their pain.

The Manga Revue: Idol Dreams and Monthly Girls’ Nozaki-Kun

January 15, 2016 by Katherine Dacey

Happy New Year! (Is it too late to extend that greeting to readers?) For my first column of 2016, I dove into my pile of unread books and chose two that I’d meant to review last year. The first is Arina Tanemura’s Idol Dreams, a body-swap comedy about a thirty-something office lady; the second is Izumi Tsubaki’s Monthly Girls’ Nozaki-Kun, a 4-koma series about a hunky high school manga artist who just happens to be the author of a popular girls’ comic.

Idol Dreams, Vol. 1
By Arina Tanemura
Rated T, for readers 13 and up
VIZ Media, $9.99

Chikage Deguchi is at a crossroads: once a pretty, popular high school student, she’s become a sexless, thirty-something office drone who’s mocked by her co-workers. After making a fool of herself at a high school reunion, Chikage’s childhood friend Tokita stages a unique intervention, offering Chikage a drug that transforms her into a 15-year-old girl for a few hours a day. Chikage then does what any self-respecting 31-year-old would do: she pursues a (part-time) career as a teen idol.

Setting aside the question of whether anyone would voluntarily relive their teenage years, Idol Dreams has a bigger problem: tone. Arina Tanemura can’t decide if her story will revel in its absurdity or play things straight, and veers wildly between wacky show-biz hijinks and clumsy office scenes that are meant to establish just how awful Chikage’s adult life is. In the afterword to the story, Tanemura cheerfully vents her frustrations at being asked to do “a magical girl series for adults” without recourse to “too much screentone,” “gags and comedic touches,” or “super-stylish atmosphere.” Oddly enough, I don’t think these restrictions are the true source of the problem; if anything, Tanemura’s artwork is more polished and appealing in Idol Dreams than in Phantom Thief Jeanne or I.O.N. The real issue is the lead character: Tanemura never really explains why temporarily impersonating a 15-year-old would solve any of Chikage’s issues, especially since Chikage’s teenage alter ego is a wet noodle, too. The underlying message seems to be that recapturing youthful beauty is a pathway to empowerment–not a particularly novel or uplifting idea, given the developed world’s obsession with Botox, face lifts, wrinkle cream, and 17-year-old models.

The bottom line: I never thought I’d say this, but Idol Dreams is the rare Tanemura manga that would benefit from more zaniness and sparkly backgrounds.

Monthly Girls’ Nozaki-Kun, Vol. 1
By Izumi Tsubaki
Rated T, for teen readers
Yen Press, $13.00

Monthly Girls’ Nozaki-Kun is a textbook example of what happens when a great idea bumps up against the limitations of a restrictive format. The set-up is comedy gold: tenth-grader Chiyo Sakura confesses her romantic feelings to hunky classmate Umetarou Nozaki, only to have him casually respond, “Do you want to come to my place right now?” Flustered, Chiyo agrees but is surprised when Nozaki doesn’t put the moves on her; instead, he puts her to work on a chapter of his hit shojo manga Let’s Fall. Chiyo’s attempts to extricate herself from Nozaki’s employ or clarify her feelings for him only make things worse, as Nozaki is both romantically inexperienced and genuinely obtuse.

So far, so good: the concept provides plenty of fodder for jokes and pratfalls. The four-panel format, however, locks each character into a holding pattern in which he or she is doomed to repeat the same behavior over and over again. The supporting cast is big enough to prevent Monthly Girls from reading like a month’s worth of Cathy or Garfield strips, but the rhythm of every gag is virtually the same, whether author Izumi Tsubaki is introducing a new character, poking fun at shojo manga cliches, or demonstrating just how socially inept Nozaki really is; long stretches of Monthly Girls read like a Henny Youngman set, albeit with stranger–and funnier–material. Take my manga… please!

The bottom line: Some of the jokes are genuinely funny, but the series already feels like it’s chasing its tail by the end of chapter three.

Odds and Ends: Organization Anti-Social Geniuses has a new look, a new name, and a new URL. You’ll now find Justin Stroman and the gang at http://www.theoasg.com/. Manga vlogger Pluto Burns took a break from reviewing books and conducted a great interview with Carolina Manga Library founder Laura Mehaffey. If you’re not familiar with the good work that Mehaffey and her staff are doing, click here to learn more about this traveling book collection.

Reviews: Sean Gaffney, Anna N. and Michelle Smith post their first Bookshelf Briefs column of 2016. On the agenda: D-Frag!, My Love Story!!, Pandora Hearts, and Saki. Elsewhere on the web, Rebecca Silverman and Kory Cerjak review the first volume of Yowamushi Pedal, my pick for Best New Manga of 2015.

Chris Kirby on vol. 1 of 7 Billion Needles (The Fandom Post)
Karen Maeda on vol. 7 of Assassination Classroom (Sequential Tart)
Matthew Warner on Ayako (The Fandom Post)
Sheena McNeil on vol. 1 of Bloody Mary (Sequential Tart)
Megan R. on CLAMP School Detectives (The Manga Test Drive)
Justin on Confession (The OASG)
Kate O’Neil on vol. 5 of Demon from Afar (The Fandom Post)
Sean Gaffney on vol. 3 of Emma (A Case Suitable for Treatment)
Sean Gaffney on vol. 1 of Honey So Sweet (A Case Suitable for Treatment)
Ash Brown on vol. 3 of JoJo’s Bizarre Adventure, Part 1: Phantom Blood (Experiments in Manga)
Sheena McNeil on vol. 19 of Kamisama Kiss (Sequential Tart)
Ken H on vol. 1 of LD♥K (Sequential Ink)
Rebecca Silverman on vol. 1 of Livingstone (Anime News Network)
Lori Henderson on vol. 1 of Monthly Girls’ Nozaki-Kun (Manga Xanadu)
Dustin Cabeal on vol. 2 of My Hero Academia (Comic Bastards)
Sean Gaffney on vol. 1 of Of the Red, the Light, and the Ayakashi (A Case Suitable for Treatment)
Kane Bugeja on vol. 3 of One-Punch Man (Snap 30)
David Brooke on vol. 4 of One-Punch Man (AiPT!)
Dustin Cabeal on vol. 4 of One-Punch Man (Comic Bastards)
SKJAM! on vol. 18 of Rin-ne (SKJAM! Reviews)
Ken H. on vol. 9 of Say I Love You (Sequential Ink)
Helen on vol. 1 of Student Council’s Discretion (The OASG)
Patrick Moore on vol. 8 of Tiger & Bunny (Bento Byte)
Che Gilson on Tokyo Ghoul (Otaku USA)
Marion Olea on vol. 2 of Tokyo Ghoul (No Flying No Tights)
Frank Inglese on vols. 8-9 of Vagabond: VIZBIG Edition (Snap 30)
Ash Brown on vol. 7 of Vinland Saga (Experiments in Manga)
SKJAM! on vol. 7 of Vinland Saga (SKJAM! Reviews)
Megan Rupe on vols. 1-2 of Yo-Kai Watch (No Flying No Tights)

Honey So Sweet, Vol. 1

January 15, 2016 by Sean Gaffney

By Amu Meguro. Released in Japan as “Honey” by Shueisha, serialized in the magazine Bessatsu Margaret. Released in North America by Viz.

In general I try to avoid reading back cover copy when I get a book, as it frequently tends to spoil the entire volume, particularly with manga titles. That said, I wouldn’t have to worry about that with Honey So Sweet, which wastes absolutely no time telling us what our premise is. Bad boy delinquent is secretly a big sweetie pie. We’ve seen this before, and not just in shoujo, and if that’s all there was to this title I’d likely be saving it fro a Brief review and moving on. But it also has the heroine, Nao, who is shy in all the worst ways – life has left her with an intense desire to avoid conflict, and so when Taiga confesses to her the initial reaction is “if I say no, he’ll kill me’.

I’ve talked before about how difficult it can be to keep readers from abandoning a series when you write someone with major character flaws. To be fair, it is easier to do so when your heroine is of the wallflower variety than if she’s a selfish ball of temper. But Nao is the early parts of this volume is someone that is seemingly making all the wrong choices in an effort to just slide by in life – and she knows it, as she keeps repeating it to herself. Her parents have passed away at an early age, and much of her narrative monologue is done as communication with their souls in heaven. Her She’s living with her mother’s younger sister, who she has a massive complex for since he took her in and has sacrificed quite a bit for her. And she (not surprisingly) always seems depressed.

So it’s great seeing Taiga slowly manage to get Nao to have fun, and show actual effort, and elicit feelings from her that aren’t “go along with him because SCARED!”. We learn less about him in this volume, except that he tries a bit too hard to help out everyone, particularly Nao, but that’s the point – he’s the nice guy at heart, and you have to look past his face. By the end of the volume, Nao’s uncle is remarking on the fact that she’s smiling a lot more these days, and it’s a great thing to see, as now we can see her moving forward in life and doing things she’s good at.

In many ways this is very typical shoujo romance – we’ve seen Taiga’s sort in hundreds of other titles. We have two others who form a core group with our hero and heroine, and one is the tsundere hothead guy who speaks before he thinks, which again we’ve seen before. The other is Kayo, who’s grumpy, stoic, and seemingly written as a gift to me – I really want to see more from her in future volumes. Together they don’t make this title unmissable, but they make it enjoyable, and by the end Nao has developed enough so that you’re rooting for her as well.

Manga the Week of 1/20

January 14, 2016 by Sean Gaffney, Ash Brown, Michelle Smith and MJ 1 Comment

SEAN: Next week’s releases really run the gamut of styles and genres. Let’s see what we’ve got.

Kodansha gives us a 2nd volume of Devil Survivor, meaning I am now officially behind.

And a 5th A Silent Voice, which I am definitely caught up on.

ASH: A Silent Voice continues to be a very strong series.

SEAN: And there’s also a 6th Yamada-kun and the Seven Witches. I am also caught up here. Will we see more witches?

ASH: Time will tell!

SEAN: On the Seven Seas end, we have a 2nd volume of Golden Time, from the Toradora! author.

And the debut of The Testament of New Sister Devil, which sounds like it might hit every single current popular fetish out there, and a few more besides. We’ll see if I’m wrong.

Vertical gives us A Girl on the Shore, a complete omnibus of an Inio Asano series from the cult and sadly cancelled Manga Erotics F magazine. It’s Inio Asano, so I expect good, if depressing, things.

MICHELLE: This should be interesting.

ASH: I’m very much looking forward to this release.

MJ: Okay, this. Yes, this.

SEAN: And there’s a 6th volume of My Neighbor Seki, which is possibly the antidote if you’re read too much Inio Asano at once.

ASH: Ha!

SEAN: Viz gives us a 5th Master Keaton volume, having pushed it back from its original December release date.

MICHELLE: I need to resume my catchup efforts!

ASH: As do I!

MJ: Always welcome!

SEAN: And a 7th Monster Perfect Edition.

MICHELLE: Yay, Monster!

ASH: Monster is one of my favorite Urasawa series. I’m so glad to see it back in print!

SEAN: And Terra Formars has reached double digits with Volume 10.

Most of Yen’s stuff is the week after next, but two novels seem to be coming out next week as of this writing. Pandora Hearts has finished its Caucus Race light novels with the third volume, so at least MJcan’t get any further behind.

MJ: Oops?

SEAN: And there’s a 2nd volume of Strike the Blood, which will hopefully feel more genuine and less calculated than the first volume did.

Does something from this list sing to you? Crying out, “read me and be sad yet enriched”? Or perhaps “Read me and get suggestive succubi who say oniichan a lot”?

Vinland Saga, Omnibus 7

January 13, 2016 by Ash Brown

Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612628035
Released: September 2015
Original release: 2013-2014
Awards: Japan Media Arts Award, Kodansha Manga Award

I honestly believe Makoto Yukimura’s Vinland Saga to be one of the best manga series currently being released in English. An epic tale of revenge, idealism, and the tremendous cost of violence, Vinland Saga is an incredibly engaging work with impressively compelling characters. In addition to being a personal favorite of mine, over the course of its publication the series has also won a Japan Media Arts Award and a Kodansha Manga Award among other honors. Kodansha Comics has been releasing Vinland Saga in English as a series of hardcover omnibuses. The seventh omnibus, released in late 2015, collects the thirteenth and fourteenth volumes of the manga originally published in Japan in 2013 and 2014 respectively. The seventh omnibus of Vinland Saga also includes two exclusives: the continuation of “Ask Yukimura,” where Yukimura responds to questions about the series, and a four-panel tribute comic by Faith Erin Hicks, another creator whose work I greatly admire.

After years of hard labor, Thorfinn’s freedom was near at hand until he and his fellow slave Einar became involved in an escape attempt. They helped Arnheid, Ketil’s favorite slave and mistress, aid her enslaved husband as he tried to run away from another farm. The attempt failed, resulting in multiple deaths. Now the three of them—Thorfinn, Einar, and Arnheid—must face the terrible consequences of their actions. Meanwhile, Ketil and his sons are returning from Jelling with King Canute and his finest warriors following close behind. In addition to dealing with his slaves, Ketil must also prepare for Canute’s inevitable attack before the farm falls into chaos. Canute plans on taking Ketil’s farm and wealth for his own in order to expand his kingdom, determined to create a paradise on earth for all who suffer from war and violence. Although he would prefer a peaceful resolution, Canute is more than prepared to stake his claim through questionable political maneuvering and force.

Like so many of the other omnibuses of Vinland Saga, the seventh is brutal and at times even gruesome. The artistic detail and research that Yukimura has applied to the portrayal of the day-to-day lives of eleventh-century nobility, warriors, merchants, and slaves has also been applied to the battles and wars they wage. Men and women are beaten to the brink or point of death; limbs are severed; skulls are crushed; eyes are gouged out—Vinland Saga is an intense and violent series. But that violence isn’t idealized or glorified by Yukimura. Even while an individual’s martial skill and battle prowess are respected and admired, violence is shown to be the truly terrible and destructive force that it is, not just physically, but mentally and emotionally as well. Some of the most important themes in Vinland Saga revolve around violence, how it impacts people and society, and whether it can be avoided or whether humanity is trapped in a never-ending cycle of bloodshed.

In addition to the plot of Vinland Saga as a whole, violence and its effects are also crucial to the development of the individual characters. Many of them are trying to break free from the violence that pervades their lives, facing moral quandaries over how to enact their ideals. The characters of Vinland Saga aren’t safely philosophizing over what is ethical, they are literally risking their lives for what they believe in. But even when their ultimate goals are the same, they approach them differently. Canute is now in a position of power as king and will use any method necessary to ultimately achieve his earthly paradise. Thorfinn, on the other hand, is reluctant to use violent force in order to gain peace. And there are plenty of other characters in the series who fall somewhere between these two perspectives. Seeing the realistic interplay among all of these different worldviews in the series has been immensely engrossing. Vinland Saga is well-worth reading even in part, but I sincerely hope to see the rest of the series translated as well.

The Island of Misfit Manga, Monthly Comic Birz

January 13, 2016 by Erica Friedman Leave a Comment

My stated intention for writing the Magazine no Mori column is to introduce the western audience to the vast, complex mass of manga magazines that are published in Japan. Where we have Shonen Jump only, a visit to a major Japanese anime/manga store will paralyze a western fan with the sheer number of magazines to choose from. But once you get past the number of magazines, what really impresses is the variety. And that variety is what I hope you can see when you look at my column. Action, romance for guys and girls, comics for children, for adult men and women and some interesting, creepy, creative and weird stuff around the edges. Which brings us this month to Gentosha Publishing’s Monthly Comic Birz (月刊コミックバーズ) magazine.

Birz‘s major claim to fame here in the west is as the official home of Hidekaz Himaruya’s Hetalia – Axis Powers. And it totally fits the “island of misfit manga” feel that the magazine has always cultivated. I wasn’t at all surprised to learn that gothic horror Red Garden manga (illustrated magnificently by Kirihito Ayamura and written by Gonzo) has run in this magazine – it was worth reading for the clothes alone, as was Peach-Pit’s Rozen Maiden. Just about the time I came across the manga for Penguindrum (illustrated by Hoshino Lilly, written by Ikuhara Kunihiko as Ikunichowder) and Yurikuma Arashi (illustrated by Morishima Akiko and written by Ikuhara as Ikunigomakinako) which are running simultaneously right now, I suddenly realized that Birz series are probably better known in America as anime than as the manga that run in the magazine. Also interestingly, Comic Birz is the home to the most recent series by popular creator Kia Asamiya, Kanojo no Carrera, in which he is able to draw sexy adult women and sports cars to his heart’s content.

The website for Comic Birz has sample chapters for all the currently running stories, upcoming releases, an editor’s blog, and links to various other Gentosha magazines. The magazine costs 650 yen/issue ($5.47 at time of writing) for about 650 pages.

Comic Birz has, for at least the last decade, cultivated a sense of the weird, with one foot firmly in the Horror genre, as you can see by the cover illustrating this review. Birz comics are sometimes disturbing, often outrageous, occasionally violent and almost always unrepentant, which is what I especially like about it. They’ve also just invested themselves heavily in Yuri manga, which I know means we’ll get stuff that makes me cringe, but it’s also more likely to have murder and mayhem than blushing confessions. Phew.

Monthly Comic Birz from Gentosha Publishing: http://www.gentosha-comics.net/birz/

Pick of the Week: Unanimity

January 12, 2016 by Michelle Smith, Sean Gaffney, Anna N, Ash Brown and MJ Leave a Comment

MICHELLE: Well, Sean predicted it. My pick of the week is Requiem of the Rose King. While I’m linking to what my compatriots have said, go see why MJnamed this series her Pick of 2015.

SEAN: Unlike the rest of the team, I’m reading several things this week. But yeah, the one that’s clearly head and shoulders above the rest is Requiem of the Rose King. It’s an obvious Pick.

ANNA: I agree, Requiem of the Rose King is such a standout series it is my Pick as well!

ASH: Like Sean, there are actually several releases that I’m looking forward to this week, including Lone Wolf & Cub and His Favorite, but by and far the one that I’m most excited about is the third volume of Requiem of the Rose King. I’m adoring the series.

MJ: Since Requiem of the Rose King was my Pick of the Year, it can’t be a huge surprise that I’m in agreement with everyone else. That’s the Pick for me!