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My Week in Manga: April 10-April 16, 2017

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My News and Reviews

Last week at Experiments in Manga was relatively quiet, but I did post the Bookshelf Overload for March. As mentioned in that post (and I think sometime prior to that as well), I’m currently in the process of changing jobs, so I’ve been a bit preoccupied to say the least. (If you follow me on Twitter, this largely explains my sporadic appearances there.) This week is my last week in my current position, so I’m understandably pretty busy with meetings and tying up loose ends and such. I still plan on finishing up and posting my review of the first volume of Nagabe’s The Girl from the Other Side sometime this week, but it will probably be towards the end.

Over the last week, Seven sees announced a couple more new licenses: Yoshikazu Takeuchi’s Perfect Blue novels (which were the basis for Satoshi Kon’s anime film of the same name) as well as Jin and Sayuki’s manga series Nirvana. Yen Press also had a slew of announcements: Natsume Ono’s ACCA 13 (probably the one I’m most excited about), Kudan Naduka and Nakoto Sanada’s Angel of Slaughter, Matoba’s As Miss Beelzebub Likes, Rihito Takarai’s Graineliers, Afro’s Laid-Back Camp?, Mufirushi Shimazaki’s The Monster Tamer Girls, Koromo’s A Polar Bear in Love, Matcha Hazuki’s One Week Friends, Fuse’s Regarding Reincarnating as Slime light novel (Kodansha Comics has licensed the manga), both the light novel and manga of Carlo Zen’s The Saga of Evil Tanya, Okina Baba’s light novel So I’m a Spider, So What?, Keiichi Shigusawa and Tadadi Tamori’s Sword Art Online: Alternative Gun Gale Online, Abec’s Sword Art Online Artworks artbook, Reki Kawahara and Shii Kiya’s Sword Art Online: Calibur, Mai Tanaka’s Terrified Teacher at Ghoul School, Kakashi Oniyazu’s Though You May Burn to Ash, and Ryousuke Asakura’s Val X Love.

As for crowdfunding efforts, Digital Manga will be launching its most recent Juné Kickstarter sometime later today in an effort to publish print editions of some of Psyche Delico’s manga which were previously only released digitally. (This is in addition to recently announced print licenses of Psyche Delico’s Even a Dog Won’t Eat It and Choco Strawberry Vanilla.) Another Kickstarter project to keep an eye on is Retrofit Comic’s Spring 2017 collection which includes Yuichi Yokoyama’s Iceland. (In general Retrofit Comics releases some great books, but this will be the publisher’s first manga to be translated.) Finally, the wonderful people behind Queer Japan are currently raising funds for the film’s post-production as well as some of the non-profit organizations featured in the documentary.

Quick Takes

Dawn of the Arcana, Volume 7Dawn of the Arcana, Volumes 7-13 by Rei Toma. I enjoyed the first part of Dawn of the Arcana a great deal and so was looking forward to reading the rest of the series. As the manga progresses it becomes less reliant on the standard fantasy tropes that form its base, although it never escapes them entirely. However, even considering this, Dawn of the Arcana is still a satisfying and enjoyable series. The story’s most dramatic plot twist I guessed at long before it was actually revealed, but there were still developments and directions that the story took that managed to surprise me. At times it felt like Dawn of the Arcana was only scratching the surface, as if the manga was only providing a summary version of a much more complicated narrative. The characters and story have depth to them, but not everything is thoroughly and completely explored, much of the more nuanced interpretations being left to the readers to form. I really liked Dawn of the Arcana. It can be heartbreaking–the characters’ struggling with circumstances that have no easy resolutions–but also thrilling as they find ways to take control of their own fates.

Murciélago, Volume 1Murciélago, Volume 1 by Yoshimurakana. I was forewarned about the violence, gore, and otherwise explicit nature of Murciélago, so I was well aware of what I was getting myself into by picking up the manga. Murciélago is ridiculous, absurd, extreme, over-the-top, and a great deal of fun if someone doesn’t have a problem with the series’ aforementioned blood and brutality. Interestingly, the risqué lesbian sex scenes which both open and close the first volume, while being deliberately lewd, scandalous, and outrageous are also entirely consensual and in a way are bizarrely one of the more wholesome aspects of the manga. The lead of Murciélago is Kuroko Koumori, a dangerous, murderous, and lecherous woman who has been sentenced to death for her crimes. Kuroko is a monster and is portrayed as such. (She’s an awful person, but I really like her as a character.) The only reason that she’s still alive is that the police have indefinitely postponed her execution in order to take advantage of her impressive skills as an assassin. So, yeah, Murciélago definitely isn’t a series for everyone, but I certainly plan on reading more of it.

Triton of the Sea, Omnibus 2Triton of the Sea, Omnibus 2 (equivalent to Volumes 3-4) by Osamu Tezuka. It has been a very long time since I read the first half of Triton of the Sea. So long ago in fact that I had forgot that I hadn’t actually finished the series yet. Fortunately, the manga was pretty easy to pick up again. I seem to like Triton of the Sea best when the story centers its focus on family. In the first omnibus, it was Triton’s relationships with his human family that really captured my attention and in the second it was his experiences as a new father that most delighted me. (It probably didn’t hurt that the baby merfolk were super cute.) Triton of the Sea is also a story of revenge. Triton is determined destroy the Poseidon clan for the sake of his people who have been nearly driven to extinction, his desire for retribution blinding him from seeing other courses of action that might allow the two clans to establish a lasting peace. This of course only serves to continue the cycle of violence that puts him and his loved ones in danger. Triton of the Sea isn’t Tezuka’s strongest or most notable work, but I did appreciate the themes that Tezuka was exploring with the series.

Wandering Island, Volume 1Wandering Island, Volume 1 by Kenji Tsuruta. The premise of Wandering Island is fairly simple: Mikura Amelia is a pilot for an air delivery service based in the Izu Islands that she and her grandfather established together. When he unexpectedly passes away, she understandably takes it pretty hard. While in mourning she discovers package among her grandfather’s belongings with an address on it that shouldn’t exist, leading Mikura to become obsessed with a search for a mysterious, disappearing island. Although there are some wonderful scenes of Mikura in flight, there’s not really much action in Wandering Island. Instead, the manga is rather leisurely paced with a contemplative and melancholic feel to it. Wandering Island is also beautifully illustrated, Tsuruta’s artwork being one of the series’ highlights. I love how Tsuruta is able to capture a sense of place and the people who live there. I’m not sure when or if the second volume of Wandering Island will be published in English (the Japanese edition itself isn’t even scheduled to be released until next month), but I would definitely like to see it translated.

Horses, Horses, in the End the Light Remains PureHorses, Horses, in the End the Light Remains Pure: A Tale That Begins with Fukushima by Hideo Furukawa. Fukushima has been on my mind lately which reminded me of the fact that I had yet to read Furukawa’s Horses, Horses, in the End the Light Remains Pure, one of the first major literary responses to the earthquake, tsunami, and nuclear disasters associated with March 11, 2011. The work is rather curious, but it’s also worthwhile and powerful. In part it’s a sequel of sorts to Furukawa’s novel Seikazoku (The Holy Family), which hasn’t actually been released in English. However, familiarity with that earlier work isn’t at all necessary. Horses, Horses, in the End the Light Remains Pure also delves into the history of Fukushima as a whole, both before and after 2011. But perhaps most importantly, it’s an incredibly personal memoir. Though he was away at the time, Furukawa was originally from Fukushima. Soon after the disasters struck, he traveled back to the area in order to witness the aftermath of the events himself. A fair amount of the volume is devoted to Furukawa’s profound experiences while on that trip, combining fiction, history, and biography in a compelling way.

Pick of the Week: Endings and Beginnings

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SEAN: An avalanche of stuff this week. Baccano!, Horimiya, Sword Art Online… so many things. I think I have to go with the final Fruits Basket, which has been a fantastic re-release, and one of the best shoujo out there. Buy it and be frustrated by the final side pairings!

MICHELLE: I love Horimiya and Liselotte and Fruits Basket, but my most exuberant squee is reserved for the latest omnibus of Yowamushi Pedal!

KATE: I don’t know much about Yokai Diary, though the cover art and promotional blurb irresistibly remind me of the kind of manga TOKYOPOP used to license by the truckload. Count me in for this one!

ASH: I’m definitely torn this week. Like Michelle, I’m probably most excited for Yowamushi Pedal (and the wait between omnibuses seems far too long), but like Kate, the debut of Ghost Diary has definitely caught my attention.

ANNA: Ghost Diary does look interesting, that will have to be my pick as well!

MJ: There’s a big part of me that wants to go with Ghost Diary but the cover art has me all conflicted… Do I trust Seven Seas enough to give it a shot? I don’t know. In the interest of safety, I’ll join Sean in celebrating the last of the gorgeous Fruits Basket omnibus series. I’m pretty thrilled with that.

The Demon Prince of Momochi House, Vol 8.

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The Demon Prince of Momochi House, Volume 8 by Aya Shouoto

This volume of The Demon Prince of Momochi House opens with a crisis, as Aoi hasn’t been able to reverse his usual transformation into the Nue, and he might be lost forever as his ayakashi form completely takes over. Himari has to go on a quest to try to find Aoi’s lost memories, which are her only hope of getting him back.

Himari first tries to locate Aoi’s family to see if there are any clues there that she can use to restore him, but her encounter with them takes an unexpected turn to the unsettling. There are always a few moments that stand out in each volume of this series when the combination of the otherworldly setting and lush detail of the art make the reader feel transported. In this one, as Himari travels into the ayakashi realm with her way lit by Nekobaba’s hairpin, she manages to find her way past a guardian who makes some references to her true name and her long-lost parents. Himari ends up at an archive for memories, which I found quite interesting as a librarian. She sees “drawers of thought” stretching into the distance and is faced with yet another choice – recovering some of her own lost memories about her past, or forgoing that choice to save Aoi. Of course, Himari doesn’t hesitate in trying to save her beloved friend.

Aoi’s memories show him close to the spirit world as a young child, even before his existence was bound to Momochi House. As Himari travels back, liberating her friend might prove more complicated, as the Nue embarks on a seduction campaign in order to preserve his existence. Demon Prince of Momochi House blends unsettling movements of supernatural mystery with some short sketches of character development and found family antics with Himari and the Momochi House spirits. Things seem to be turning in a darker direction now, but I’m confident Himari will find a way to persevere somehow.

Paying to Win in a VRMMO, Vol. 2

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By Blitz Kiva and Kuwashima Rein. Released in Japan as “VRMMO wo Kane no Chikara de Musou suru” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

Having established its premise and characters in the first book, the Paying to Win series goes about trying to tweak and fix a few things that weren’t as strong as they could be in the second. This involves a) introducing a new potential love interest who isn’t in middle school and Ichiro’s cousin, and is also able to be a little more critical of Ichiro’s callous lack of tact; b) have a flashback to show us how he managed to get so ridiculously leveled up before Asuha was able to join him, and also explain things like how he got a suit of armor that is literally a business suit. But most importantly, and most effectively, this second volume doubles down on showing you how obviously, knowingly, and teeth-grindingly irritating Ichiro is to everyone and everything around him, and the effect this has on both the secondary characters and the reader.

I cannot emphasize this enough: holy Mother of God, Ichiro is annoying. You will want to punch him in his cool, smug, self-satisfied face multiple times as you read this book. It’s far more clear in this second novel that it’s deliberate, and reader sympathy is meant to be with the young gamer and wannabe fashion maven Iris rather than him. He is the sort of character that, were he an antagonist or a villain, would receive the absolute best retribution possible, possibly while screaming “THIS CANNOT BE!!!”. Sadly, Ichiro is the hero, and the book’s whole purpose is that he really is this good at everything. Only King Kirihito was able to actually challenge him in the game, and since this is a flashback to the previous week, you know that he’s going to succeed at everything ridiculously easily here. That said, I liked his insistence that it doesn’t matter if Iris’ butterfly brooch is aesthetically good or not – he likes it, so therefore it’s fine.

Iris herself is a good character, far more developed than Asuha/Felecia, mostly as she gets to express everything the reader wants to. Every time Ichiro praises her creations, it sounds like he’s really calling them awful, simply due to how bluntly he speaks all the time. I liked the glimpses of her real-world life, and showing off how talented kids who are used to being the center of attention can get crushed when they go to a school that specializes in talented kids and realize other people are, in fact, better than they are. She also has a nice sense for biting retorts, as I’ve said. The author’s afterword says that webnovel readers have nicknamed her “the Evil God”, and I look forward to seeing why, though I can hazard a guess or two.

Other than Iris, the main reason to plow through this book despite Ichiro is the writing style – it’s funny and assured, and the narration has its own distinct voice, something I always enjoy. This is also due to the translation, of course, which is excellent – probably my favorite J-Novel Club translation to date in terms of noticing the quality (though Sera did get gendered at one point, which only serves to remind us how ridiculously difficult it is to avoid giving away gender in English). Recommended to anyone who loves seeing smug jackasses win effortlessly and be smug about it. Also, bonus points for having Voltron show up, only one volume after the SAO sentai team parody.

The Water Dragon’s Bride, Vol. 1

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By Rei Toma. Released in Japan as “Suijin no Ikenie” by Shogakukan, serialization ongoing in the magazine Cheese!. Released in North America by Viz Media. Translated by Abby Lehrke.

Holy catfish, this is dark. Don’t be thrown off by the cutesy picture of the heroine looking adorable on the cover, this is a fantasy that comes close to pure horror at times. Starting off with every parent’s worst nightmare, we move from crisis situation to crisis situation, and it’s a small miracle that Asahi (the aforementioned heroine) manages to be as strong as she does throughout. The water dragon in question is one of those “what are these strange things called human emotions” types, who has to be reminded of things like “humans eat in order to stay alive” She manages to find a good friend in a small village, but sadly Subaru’s mother comes from the School Of Evil Moms (TM) and Asahi ends up in probably worse trouble than if she’d just stayed hidden. There’s a lot going on here, so it’s a good thing you can’t tear your eyes from it.

We actually start off in modern times, as Asahi is a normal and seemingly somewhat spoiled girl who ends up being literally dragged into her family’s backyard pond by a wave of water and winds up in a fantasy-style world. (I have a sneaking suspicion the parents will never be seen again, and shudder to think of their reaction to their daughter literally vanishing when they turned away briefly.) Luckily, she meets Subaru, a nice young kid about her age. Sadly, she has pink hair and purple eyes, something that this world does not seem to have run across, and therefore must be EEEEEVIL. As a result, they perform a ritual to the local Water God and offer up Asahi, which is to say they tie a large rock to her ankle and throw her to the bottom of the lake. Then she meets the Water Dragon, who reminds me a bit of Ayame from Fruits Basket. Sadly, it’s Ayame before he grew up and wised up, so he’s pretty much a callous jackass.

Things move on from there, and I won’t keep describing the plot, but I will once again say that there’s some amazingly traumatic stuff in here, and the artist captures it beautifully. Asahi’s sacrifice, the starvation, the skeletons in the water, the hallucinations of each other that she and Subaru see… there’s a good reason this runs in shoujo/josei hybrid Cheese! and not, say, Ribon. That said, it’s not all doom and gloom, mostly thanks to Asahi’s basic spunky personality, as even when she’s despairing she still tries hard. And there are a few laughs in the book, mostly involving the Water God getting roundly mocked by the other nature gods for being, well, a petulant manchild. I have no doubt that his maturation, with the help of Asahi, is the point of this book. That said, Asahi is about 8-9 years old, so if it does end up being a romance I’m rooting for her kid friend rather than the God. I suspect a timeskip in the near future.

In short, I was somewhat blown away by this new series. Dark it may be, but I can’t wait to read more.

Manga the Week of 4/19

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SEAN: It’s another one of those weeks next week. Hunker down.

We start off with J-Novel Club, which has the 3rd volume of Grimgar of Fantasy and Ash. This is the first book that wasn’t adapted to the anime (which stopped with Book 2), and is apparently even more grim than Grimgar normally is.

Kodansha has its usual plethora of digital-only license rescues next week. Alive 13, Gakuen Prince 11, Pumpkin Scissors 10, and Yozakura Quartet 9.

ANNA: I liked some of these when they were coming out, but probably not enough to snag them as digital only. Still, this is so nice for fans of these series who were left in limbo before!

SEAN: If you enjoy Attack on Titan’s anime adaptation, which has just started up again, Kodansha has Attack on Titan: The Anime Guide.

And Attack on Titan: Before the Fall has now reached double-digits, and still has more plot to go.

ASH: Overall, I do like the Before the Fall manga more than I like the original light novel; it seems more well-developed to me.

SEAN: Kodansha had some digital-only debuts THIS week, which I didn’t mention last week as Kodansha didn’t announce them till the day they came out, much to my frustration. The first is Domestic Girlfriend, a shonen romantic drama from the creator of fan-favorite GE Good Ending. It’s the shonen equivalent to those “shoujo potboilers” I talk about.

The second is a more familiar face: GTO: Paradise Lost has its first volume out. This has been running on Crunchyroll’s manga list for some time. It features Onizuka… in jail?

MJ: Hmmmm, I’m always a fan of GTO, so I may check this out.

SEAN: Back to next week: Kiss Him Not Me! has also reached double digits, and will likely go longer now that Kae has been reassured she doesn’t have to worry about stringing her guys along.

Maga-Tsuki has 13 volumes, and this is the 7th, so it’s the halfway point.

And there’s a 4th Welcome to the Ballroom, which I expect features our lead collapsing in exhaustion.

MICHELLE: Heh.

ANNA: Already behind on this series!

SEAN: One Peace has more than one title out this week! The first is the 4th volume of heartwarming, oddball, and sort of creepy Kuma Miko.

And there’s a 7th volume of Rise of the Shield Hero, for those who like isekai-style male power fantasies.

Seven Seas has an 11th Dragonar Academy.

Ghost Diary is the debut from Seven Seas, a supernatural fantasy from Dengeki Daioh that, at 3 volumes, is at least short. That said, it looks more on the Ancient Magus’ Bride end of the spectrum.

ASH: I’m really curious about this one! (Also, I didn’t realize it was only three volumes.)

ANNA: Huh, that sounds manageable.

SEAN: I missed a SuBLime title last week; they also have a 2nd volume of Spiritual Police.

MJ: Somehow I must have missed this first volume. But based on the title alone, I’m inclined to check it out.

SEAN: Vertical Comics gives us a 4th volume of Immortal Hounds.

Viz has a double dose of Tokyo Ghoul. Not only do we get the 12th volume, but we also get another novel based off the series, called Past.

And now let’s jump into Yen, starting with the light novels from Yen On. The Asterisk War has a 3rd volume of magical school battles.

Baccano! has a 4th volume the last one to be adapted to the anime. That said, the anime cut about half the novel from its adaptation, so there’s lots of new content for fans to get into here.

Black Bullet’s 6th volume wraps up another two-volume arc. Will it be depressing? Bet on it.

The Devil Is a Part-Timer! has a 7th volume that is composed of short stories set towards the start of the series.

Goblin Slayer’s 2nd volume promises a lot more… well, goblin slaying.

The Irregular at Magic High School’s 4th volume will wrap up its tournament arc, and is a very long book. It would be the longest out this month except…

Is It Wrong To Try To Pick Up Girls In A Dungeon? tops it, with this 8th volume (ALSO composed of short stories) hitting 400 pages or so.

KonoSuba rolls out its 2nd volume only two months after its first (I think the first was meant to be December), and hopefully will be as hilarious as that first volume was.

The debut novel is much anticipated. Rokka: Braves of the Six Flowers, a fantasy with heroes and stuff that… OK, I know extremely little about, but I look forward to finding out.

Sword Art Online has a 10th volume, and Kirito is still stuck in Alice-land. Will he and Eugeo be able to rescue her? And will our other regulars get mentioned at all?

MJ: i have fallen way behind in my SAO reading… going to have to fix that.

SEAN: As for Yen’s manga titles, there’s a 10th Akame Ga KILL!.

Alice in Murderland has a 6th volume of very very pretty looking murder.

Aoharu x Machinegun has a 4th print volume.

ASH: So far I’ve only read the first volume of Aoharu x Machinegun, but I found it entertaining and so plan on reading at least a few more volumes.

SEAN: And A Certain Magical Index’s 9th manga volume is adapting the 7th light novel.

Fruits Basket’s Collector’s Edition comes to an end with the 12th and final omnibus. Given the series only had 23 volumes, I expect there will be a lot of extra content at the end to fill it out.

ASH: I’m really glad that Fruits Basket is back in print again. I’ve been meaning to give it a re-read; looks like the time is right for that.

MICHELLE: There was at least one fan book, and maybe two. So I guess a bunch of that stuff will be at the end.

MJ: So much love for this. So much.

ANNA: Looking forward to fan books!

SEAN: Horimiya’s 7th volume will have great romantic comedy and hopefully not have the binding fall apart on me like the 6th volume did.

ASH: Oh, no!

MICHELLE: Yay, Horimiya!

SEAN: KonoSuba also has a 3rd volume of its manga adaptation.

Liselotte & Witch’s Forest has a 4th volume, for a double shot of Takaya.

And everyone’s favorite guilty pleasure, Scum’s Wish, has volume 3.

ASH: I was surprised by how much I enjoyed the first two volumes.

MICHELLE: Me, too.

SEAN: Taboo Tattoo has a 6th volume, and I’m sorry this is starting to sound like a broken record, but I have little to say about these titles.

And I believe this is the 3rd and final volume of survival game manga Tohyo Game.

Finally, Yowamushi Pedal gives us a 5th omnibus or this cycling manga and its desperately earnest hero.

ASH: Woo-hoo! I enjoy Yowamushi Pedal so much! I wish there wasn’t such a wait between omnibuses.

MICHELLE: Same! For a series so long, even the omnibus treatment is going to take forever.

SEAN: That’s a ridiculous amount of manga. Are you getting any?

Bookshelf Overload: March 2017

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Well then, I managed to acquire a rather large number of books in March. Unexpectedly, most of them weren’t even manga. In part this was due to a bunch of comics that I had previously backed on Kickstarter showing up last month. I can also thank both online retailers and my local comic book store for offering some massive discounts throughout March. (On top of that, I have a tendency to buy books when I’m under stress. Seeing as I’m in the process of transferring from one job to another, there’s been a fair amount of added stress lately, too.) But as for the manga I picked up in March: I was particularly delighted to come across Mitsuru Adachi’s Short Program, which has been out of print for a while now. I also decided to give Kazune Kawahara’s High School Debut a try since I’ve been enjoying My Love Story!! so incredibly much. I was admittedly a little surprised to come across The Secret Devil-chan, Volume 1 by Emu, the first book to be released under Digital Manga’s new PeCChi imprint. The book has actually been available since September I think, but only directly from Digital Manga; I wasn’t sure if any of the publisher’s titles were still being released outside of it’s own web stores. And while 100 Manga Artists isn’t manga it certainly is manga-related. I didn’t realize it at first but it turns out the volume is actually a revised and updated edition of Manga Design which was released back in 2004 (and which I also own). I haven’t had a chance to closely compare the two, but 100 Manga Artists is nevertheless an interesting resource.

Manga!
Bungo Stray Dogs, Volume 2 written by Kafka Asagiri, illustrated by Sango Harukawa
Crimson Shell by Jun Mochizuki
Food Wars!: Shokugeki no Soma, Volume 16 written by Yuto Tsukuda, illustrated by Shun Saeki
Hana & Hina After School, Volume 1 by Milk Morinaga
High School Debut, Volumes 1-5 by Kazune Kawahara
Kaze Hikaru, Volume 24 by Taeko Watanabe
Kiss and White Lily for My Dearest Girl, Volume 1 by Canno
Maid-sama!, Omnibus 3 by Hiro Fujiwara
New Lone Wolf and Cub, Volume 8 written by Kazuo Koike, illustrated by Hideki Mori
One-Punch Man, Volume 11 written by One, illustrated by Yusuke Murata
The Prince in His Dark Days, Volume 3 by Hico Yamanaka
Persona 3, Volume 3 by Shuji Sogabe
Prison School, Omnibus 6 by Akira Hiramoto
The Secret Devil-chan, Volume 1 by Emu
Scum’s Wish, Volumes 1-2 by Mengo Yokoyari
Sherlock: A Study in Pink by Jay
Short Program, Volumes 1-2 by Mitsuru Adachi
Sweetness and Lightning, Volume 4 by Gido Amagakuure
That Wolf-Boy Is Mine, Volume 2 by Yoko Nogiri

Comics!
Ancestor by Matt Sheean and Malachi Ward
Arclight written by Brandon Graham, illustrated by Marian Churchland
The Best We Could Do by Thi Bui
Big Mushy Happy Lump by Sarah Andersen
Bones of the Coast edited by Shannon Campbell, Jeff Ellis, and Kathleen Jacques
Check Please!, Year 2 by Ngozi Ukazu
Crossed Wires, Volume 1 by Iris Jay
Compass South written by Hope Larson, illustrated by Rebecca Mock
Daughters by Bianca Bagnarelli
Extended Play by Jake Terrell
For the Love of God, Marie! by Jade Sarson
Hit: 1955 written by Bryce Carlson, illustrated by Vanesa R. Del Rey
Honor Girl by Maggie Thrash
Ignition Zero, Volume 1 by Noel Arthur Heimpel
Lafcadio Hearn’s The Faceless Ghost and Other Macabre Tales from Japan written by Sean Michael Wilson, illustrated by Michiru Morikawa
Larimar by Michael K
Last Man, Volume 4: The Show by Bastien Vivès, Michael Sanlaville, and Balak
Letters for Lucardo, Volume 1 by Noora Heikkilä
No Exit by Annie Mok
O Human Star, Volume 2 by Blue Delliquanti
Perfect Hair by Tommi Parrish
Power & Magic by Joamette Gil
Pretty Deadly, Volume 1 by Kelly Sue DeConnick and Emma Ríos
Princeless: Raven the Pirate Princess, Volume 1 written by Jeremy Whitley, illustrated by Ted Brandt and Rosy Higgins
Sakana, Volume 1 by Mad Rupert
Secure Connect by Carta Monir
Spacejinx, Volumes 1-2 by Ocicatsy and Wensleydale
Sprawling Heart by Sab Meynert
Sticks Angelica, Folk Hero by Michael DeForge
Wayward, Volume 4 by Jim Zubkavich and Steve Cummings
The Whipping Girl by Nuria Tamarit
Wilde Life, Volume 1 by Pascalle Lepas
Witchlight by Jessi Zabarsky
The Woods, Volume 1 by James Tynion IV and Michael Dialynas
The Worrier’s Guide to Life by Gemma Correll
The Worst by Molly Mendoza

Artbooks!
100 Manga Artists edited by Amano Masanao and Julius Wiedemann
Infecta by Michael K
Otomo: A Global Tribute to the Mind Behind Akira by Various

Novels!
Dream of Ding Village by Lianke Yan
The Graveyard Apartment by Mariko Koike
Orbital Cloud by Taiyo Fujii
Pachinko by Min Jin Lee
The Silent Dead by Tetsuya Honda

Anthologies!
Revenge: Eleven Dark Tales by Yoko Ogawa

Anime!
Kyousougiga directed by Rie Matsumoto

Skip Beat!, Vol. 38

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Skip Beat! Volume 38 by Yoshiki Nakamura

Skip Beat! is always emotionally harrowing, but after 38 volumes, there are plenty of different character relationships and plot points that can be explored for maximum drama. This volume finally confronts Kyoko’s relationship with her mother. After seeing the ways Kyoko has been damaged by her abandonment as a child throughout Skip Beat! up until this point, this confrontation is a long time coming, and Kyoko’s reactions and resilience show just how far she’s come.

This volume of Skip Beat! starts out with Sho being an idiot, because a little bit of comic relief is useful before delving into childhood trauma. Kyoko and Ren are also firmly locked into the misunderstandings and delicate emotional balance that causes any interaction between them to be weighted down with layers of unspoken feelings, elements of comfort, and pure anxiety. Kyoko’s encounter with Ren is helping build up her up psychologically, and she comments “I’ll prepare myself body and spirit, since I’ll be fighting a psywar in a blizzard”.

As Kyoko heads towards meeting her mother, she’s keeps her “Love Me” stamp with an infinite number of points that she received from Ren close by, like a token to take into battle. Kyoko first has a conversation with one of her mother’s co-workers in leading up to the main event. Kyoko begins to wonder about her father, and if her mother Saena experienced something similar to the rejection that she experienced from Sho, that kicked off her desire for vengeance. Saena is caught up in biases and assumptions, thinking that Kyoko dropped out of school and that she had a physical relationship with Sho. Saena’s stubbornness and strong facade makes it difficult to communicate with her.

As Kyoko and Saena face off, Nakamura’s portrayal of demons lurking in the background of the conversation and dramatic micro-expressions shows the charged nature of the confrontation. Their conversation is interrupted by flashbacks of a younger Saena struggling to make her way as a lawyer, and seemingly torn between her job and the idea of love. While Saena’s backstory might place her actions in context, it doesn’t really the cruel way she abandoned her daughter. This storyline is obviously going to be stretched out over several volumes, and I have to admit I’m feeling more anxious about Kyoko than I have in awhile! I’m hoping that the maturity that she’s built up over time helps her deal with whatever emotional bombshell her mother is about to drop. Skip Beat! continues to be extremely rewarding for readers, and I’m happy it is still going so strong after 38 volumes.

Assassination Classroom, Vol. 15

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By Yusei Matsui. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Tetsuichiro Miyaki. Adapted by Bryant Turnage.

(This review talks about *that* spoiler, the one everyone already knows, but I thought I’d warn you anyway.)

Now that we have the North American Weekly shonen Jump magazine, serializing the popular series at the same time they come out in Japan, surprises are very difficult to hold on to. Doubly so here, as the anime has also aired. But at the time when the Kaede Kayano revelation came out, it was quite a surprise, trust me, and everyone went back to look at their previous volumes to see if this was something truly planned fro the beginning or something that the author came up with on the fly. He helpfully tells us that it’s the former, showing us tiny specs of art that hinted that Kayano was Not What She Seemed. And this extends forward as well, as Kayano is in reality the younger sister of the class’ former teacher, who she alleges that Koro-sensei killed. How that happened is apparently part of the next volume. Yusei Matsui really ties this together beautifully, making it one of the best volumes in this already excellent series.

I’ve complained a few times about how, given she’s the closest thing we get to a female lead among the students, Kayano’s character has been somewhat flat. Now it turns out that this was not only deliberate but engineered on her part, trying not to attract too much attention and therefore setting herself up as the cute but plain friend of the real “main character”, Nagisa. The flashbacks not only show the lengths she went to to engineer her attack on Koro-sensei (who, as she reminds us herself, she named in the first place), but also the tremendous pain that hiding her altered state has caused her over the past several months. It’s been the perfect acting job. That said, sometimes you can get too caught up in your role, and Nagisa sees what Kayano isn’t letting herself – that she really has had fun in this class, made true friendships, and most importantly, has seen that Koro-sensei is maybe not the sister-murdering monster she thought.

This leads to the funniest scene of the volume, where Nagisa has to stop a dying Kayano from burning out her brain due to overuse of her tentacled form. He does this by a callback to Irina’s ‘foreign language techniques’, essentially kissing her into submission. Not only is this great ship fodder for fans of this pairing (and no doubt very annoying to Nagisa/Karma fans), but we also see Irina saying that he could have done better, the other students muttering that *they* could have done better, and Karma and Rio getting pictures and video of the whole thing on their cellphones, because they are glorious assholes. The entire scene just calls out how well-written the whole series is.

There are other things going on here, mostly in the first half. We learn about the principal’s past, which shows – surprise! – that he’s a former idealist who had tragedy turn him to the dark side. And the Peach Boy play, which is hysterical and also features a glorious moment where they discuss Kayano acting in a lead role, and she quickly ducks and says she’ll be in charge of props. (Highlights of the play discussion also include Irina suggesting the student’s do a strip show, and Karma suggesting Nagisa act in drag as Sada Abe (which Viz, wisely probably, forces the curious to Google). If you avoided the series before because it looked too silly or the premise was sketchy, you should definitely catch up, as it’s top tier Shonen Jump. And if you already read the weekly chapters and saw the anime, buy this anyway, as the reread factor is high.

Pick of the Week: ‘Tis the Season to Be Jellyfish

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MICHELLE: There are a lot of Kodansha releases that I’ll be picking up this week, both digitally and in print, but the one I look forward to the most is the fourth Princess Jellyfish omnibus. It’s always amusing, but offers character development, too!

SEAN: Yeah, out of everything here the thing I most want to read is definitely Princess Jellyfish, though I am intrigued by the new Fujishima title as well.

KATE: I don’t know if I can choose between the fourth volume of Princess Jellyfish and the second volume of Tokyo Tarareba Girls–that’s a little like being asked which of your kids you like best, y’know? Still, deciding between two Akiko Higashimura titles is a great dilemma to have. I’m also intrigued by Toppu GP, even if the title irresistibly reminds me of Ed Sullivan’s old mouse sidekick, so I’ll be checking that out, too.

ANNA: I am also going to throw in for Princess Jellyfish, although I need to read the 3rd volume too. Just more Princess Jellyfish to enjoy!

ASH: Princess Jellyfish is the obvious pick for me this week, too! Of course, I’m very happy to see the gorgeous new edition of Revolutionary Girl Utena finally make its way onto the shelves as well.

MJ: I’m rather torn this week, but I think I will also need to go with Princess Jellyfish. That Utena set is really alluring, though.