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Aho-Girl – A Clueless Girl, Vol. 1

July 21, 2017 by Sean Gaffney

By Hiroyuki. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Karen McGillicuddy.

Do you know, I actually tried to research the difference between Aho and Baka as I read this? Thanks to Ranma 1/2, I think ‘baka’ is far more prominent in my mind as the default meaning for ‘stupid idiot’, and I’d assumed that ‘Aho’ was a stronger, cruder variant. Turns out it’s just regional differences – Aho is Kansai, Baka is Kanto. Whichever one you use, though, you know coming in what sort of series this is going to be. And it does not disappoint. Featuring the incredibly clueless Yoshiko and a supporting cast who seem to be her foils but turn out to be just as weird as she is, this is a series designed purely for the 4-koma format. You will laugh, you will get frustrated with the lead, you will want to strangle her and then realize that her childhood friend is already doing it. It lives up to its title – “what if Haruhi Suzumiya were an idiot and Kyon had no impulse control?” might be a good descriptor.

There’s no real plot to speak of beyond ‘high school’. Yoshiko is the titular girl, who can be defined by the title. Akkun is her perpetually angry childhood friend, who thinks he’s the tsukkomi here but in reality is just as broken and likely would be arrested for abuse if this series weren’t so silly. There *is* a straight man, fortunately, in Sayaka, a nice and sweet girl who you feel bad for for having to appear in a series like this. Other characters include Akkun’s younger sister, who also has bad grades but unlike Yoshiko just seems to have normal attention problems; Yoshiko’s highly desperate mother, who despairs of her daughter ever getting a man and is not above date raping Akkun in order to get Yoshiko to achieve this; and the as-yet-unnamed Head Monitor, who has fallen for Akkun but seems completely incapable of dealing with it like a normal person.

That last descriptor seems to apply to the series, which runs on comedy, and therefore features people missing points, doing incredibly dumb things, and making amusing faces. Yoshiko is so out there that even the neighborhood elementary school children think she needs to stop playing and study. One gets the sense that she got a lot of this from her mother – Yoshie may be my favorite character, as what seems to be just “oh, my daughter is strange and I want to fix that” gets increasingly perverse – drugging Akkun so that she can teach her daughter how to rape him would be a line one should not cross except 1) it fails immediately, and 2) it’s completely ridiculous. Technically the weak point here is Sayaka, who is the standard cute shy young thing, but the series needs SOMEONE to be the baseline, so I’m fine with her too.

I’m not sure how well this will work on a regular basis – I was already pretty worn just reading one volume. It’s the sort of series that works best in a weekly magazine – collecting it is a bit too much at once. Still, lacki9ng a weekly magazine for Kodansha, here we are, and I think it’s amusing enough to satisfy readers who like funny 4-koma series.

Filed Under: aho girl, REVIEWS

Manga the Week of 7/26/17

July 20, 2017 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N 1 Comment

SEAN: Viz is done. Yen is mostly done. Quiet final week of the month, right? HA.

J-Novel Club has the 3rd volume of excellent fantasy The Faraway Paladin, which barely feels like a “light” novel at all.

Lots of Kodansha, starting with a Del Rey resurrection, next week it’s Princess Resurrection 16.

The 4th volume of All-Rounder Meguru hits digitally.

Descending Stories is a highly unusual license for North America, particularly in print, but I thought the first volume was pretty good, so am looking forward to next week’s Vol. 2.

MICHELLE: I plan to read both of these soon!

ASH: I’m still waiting, perhaps/probably in vain, for All-Rounder Meguru to be released in print, but I greatly enjoyed the first volume of Descending Stories!

SEAN: We near the end of Fairy Tail with its 61st volume.

More sports manga with the 3rd Giant Killing out digitally.

MICHELLE: It’s so good!

ASH: I’d really like to see this series in print, too!

SEAN: And we also have the 2nd and final Queen Emeraldas hardcover from Kodansha, whose first volume felt like a Wagnerian tragedy, which is… appropriate given it’s Leiji Matsumoto. Expect more lyrical deaths in Book 2.

MICHELLE: I’ve been holding on to volume one ’til now, so I’m looking forward to reading this!

ASH: The first volume was terrific; I’m definitely on board for the finale.

SEAN: Springtime with Ninjas comes to an end with its 4th digital volume.

And there’s a 5th Tokyo Tarareba Girls digitally as well.

ANNA: I still need to read the first volume!

ASH: Print, please! (Sorry/not sorry to be a broken record. I’m thrilled these are all being translated, but I yearn for physical media.)

SEAN: Lastly for Kodansha, we have the 11th UQ Holder, aka Negima 2: The Search For Negi.

One Peace’s Maria Holic release has hit double digits with Vol. 10.

Seven Seas has a very large number of titles out next week, starting with the 4th Battle Rabbits.

A Certain Scientific Railgun 12, as you can tell by its cover, pairs up everyone’s favorite normal girl with one of the series’ more amusing villains. Will they bond? And can I avoid spoiling Index 15 in my review?

Generation Witch is the debut this week, a slice-of-life manga about witches that also seems to be a bit darker than the equivalent comparison, Flying Witch. It ran in Ichijinsha’s Comic Rex.

Hatsune Miku’s troubles continue with Vol. 2 of Bad End Night.

My Monster Secret is one of the more consistently funny manga coming out right now, so I’m definitely getting Vol. 7.

And a 3rd volume of The Seven Princes of the Thousand-Year Labyrinth, which takes less time to read than to type the title.

ASH: Heh.

SEAN: Speaking of awkward titles, enjoy Vol. 6 of The Testament of Sister New Devil.

Vertical gives us an 8th volume of cheery, kid-friendly, fluffy bunny manga Wolfsmund, and I am totally not lying like a rug at all.

ASH: It is such a heart-warming title! I mean, sometimes fire is involved…

SEAN: They also have a light novel based on the tragic romance manga Your Lie in April.

Viz does have a digital release for us, with the 2nd ēlDLIVE from the Reborn! author. (Hey, how about a digital release of Reborn! that finishes the series?)

Yen Digital has its own offerings next week, with Vol. 11s for Aphorism, Crimson Prince, and Sekirei.

Yen Digital also has new offerings. First we have Kuzumi-kun, Can’t You Read the Room?, a 4-koma title from Gangan Joker and is about a popular girl and a guy who simply cannot, well, read the room.

There’s also the debut of Now Playing, a title from Gangan Online that I don’t know much about except it has a Drama Club.

Yen On also has its light novel releases, starting with the 7th Durarara!!. Was Izaya killed at the end of Book 6? Sadly no, but he is in hospital. What will happen with our huge cast now?

And the 7th Kagerou Daze is subtitled From the Darkness, meaning I suspect we’re still not quite at a conclusion, though we are caught up with Japan, so it may be a while till the next one.

No Game No Life is down to twice a year, and this 6th book doesn’t even feature the main cast, as it takes place long in the past.

And with Vols. 8-10 of Sword Art Online out digitally, we are caught up, and therefore ready for Vol. 11 to come out print AND digitally next month.

Yen also has a couple of manga titles that weren’t in this week’s pile. First of all, Sekirei is getting a print release, and the first volume is out next week. If you like harem titles, this may be for you.

Lastly, enjoy wallowing in the teenage muck that is the 4th volume of Scum’s Wish. It is highly addicting muck, mind you.

MICHELLE: And far better than I’d initially expected it would be!

ASH: I was surprised, too!

SEAN: Is it too hot to read manga? Or are you getting one of these next week?

Filed Under: FEATURES, manga the week of

Honey So Sweet Volume 7

July 20, 2017 by Anna N

Honey So Sweet Volume 7 by Amu Meguro

Between My Love Story!! and Honey So Sweet, English manga readers certainly have some stellar current shoujo series that are standouts for being adorable and benign. I was struck by just how Nice with a capital N Honey So Sweet is with the seventh volume’s take on a typical shoujo plot of the girl who gets a crush on main girls boyfriend and attempts to drive a wedge between them.

Miyabe has a crush on Taiga, and she proceeds to pursue him in the relentless and clueless way that only someone in the grips of first love is capable of. She shows up when Nao and Taiga are about to share some precious time alone, and she even starts trying to copy Nao’s hairstyle and outfits in an attempt to get Taiga’s attention. Nao at first doesn’t bring up her own feelings of jealousy, because she’s afraid of being viewed as petty and selfish. But she eventually realizes that it is much better to be honest. Taiga is fairly clueless about what Miyabe is up to for far too long and things start getting out of hand. It is heartwarming to see Futami trying to intervene to distract Miyabe from her poorly executed boyfriend stealing plan.

As the ineffective boyfriend stealer, Miyabe ends up getting treated with a great amount of compassion when all her strategies don’t end up working out. A marginal character in a situation who would serve as a distraction or be quickly forgotten in a less benign manga ends up having her feelings and friendship acknowledged. There’s something so human and hopeful about Honey So Sweet, it is the perfect manga to read if you need something to offset any cynicism you may be feeling.

Filed Under: Manga Reviews, REVIEWS Tagged With: honey so sweet, shojo beat, shoujo, viz media

Legend of the Galactic Heroes: Stratagem

July 20, 2017 by Sean Gaffney

By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Tyren Grillo.

Well, I did ask for more politics, and we get it here, though there’s not really a lot of political backroom dealing. Instead, what we get is Reinhard sitting back, letting everyone else hang themselves, and then strolling in and taking everything over. I’m still not quite sure we’re supposed to like Reinhard or not, and certainly his casual lack of empathy as he sacrifices people for his own ends can be chilling, but there’s no doubt that at the end of the day he can make the decisions that lead to the Empire gaining power, whereas Yang Wen-Li is never going to be that person (much to Yang’s own relief, I suspect). It can be a bit uncomfortable to read – “what if the Space Nazis were the best option?” is essentially where were’ going with this current plot – but it’s certainly fascinating.

Yang in particular is not having a very good book. He’s back at his Death Star, but the fight that comes to him is just a diversion, and he knows it. Moreover, Julian has been transferred away from him , and though Yank knows that right now it’s the best thing to do, particularly as he needs someone he can trust on Phezzan, it’s not doing wonders for his psyche. Julian is not only the son he never had, but also his minder, and Yang is now required to do things like wake himself up. The horror! Sadly, while Yang can figure out exactly what’s going to happen, he can’t do much to stop it – indeed, the first third or so of the book doesn’t even have him in it. Julian does get to be awesome when he gets to Phezzan, but it’s preventing further damage control more than anything else.

Speaking of Phezzan, the trouble with trying to play both sides against each other in a never-ending war while you sit back and make money off of it is that sooner or later you may get called out by one of the sides. The scenes where The kidnapping of the emperor occur are probably the most amusing in the book, as Reinhard solves almost all his problems by literally doing nothing, allowing the resistance to escape with the World’s Brattiest Emperor, a 7-year-old child with no impulse control and a tendency to bite. This of course gives Reinhard a good excuse to send every ship he has to attack the Alliance, and install an 8-month-old girl on the throne as the new emperor. Even his enemies are sitting back and staring at how much everything just comes together for Reinhard here.

You may notice we have a new translator, though I didn’t see any appreciable difference in quality. A lot of the time Legend of Galactic Heroes is written like a musty old history textbook, and that comes across very well here, though it may annoy some people not used to this sort of narrative. Legend of Galactic Heroes is never going to be a series that inspires obsessive love, but it is noble and staid, and wears its empire building on its sleeve. We’ll see how the chips fall next time. And will Reinhard and Yang ever meet face to face?

Oh yes, and Rupert dies, probably because he’s in a Wagnerian novel series and his name is Rupert.

Filed Under: legend of the galactic heroes, REVIEWS

Anonymous Noise Vol. 3

July 19, 2017 by Anna N

Anonymous Noise Volume 3 by Ryoko Fukuyama

I’ve found Anonymous Noise both intriguing and frustrating due to some of the overly contrived coincidences (even for shoujo manga). However with the third volume either the storytelling has settled down a bit or it just took a couple volumes for my suspension of disbelief to kick in, because I found myself smiling more while I was reading this manga instead of feeling snarky.

One of the things that I found a bit frustrating in the earlier volumes is that there were some characters functioning in silos to a degree that seemed somewhat ridiculous. The love triangle in the manga is clear, but if the three sides of the triangle haven’t each had a conversation with each other, it seems like the reader is just waiting around for the plot to progress. In this volume people actually talked to each other! They might have been lying dramatically the whole time, but a conversation happened. First, Nino and Miou hash it out a bit, as Nino has taken on Miou’s previous role as singer in Yuzu’s band while Miou moves on to work at a more professional level with Momo. Nino starts learning the guitar after Momo’s (female) manager gives her an old guitar of his. Nino continues to be incredibly inarticulate about her own feelings, and Miou helps her out by pointing out that she’s jealous of any woman who is close to Momo.

Yuzu’s angst is dialed up to 11 as usual as he struggles with his hopeless infatuation for Nino, and when he and Momo meet they finally figure out that they’ve been obsessed with the same girl/muse all along. Nino and Momo finally have a conversation where they confess that they USED to have crushes on each other. I enjoy the way Yuzu is in tune with his feelings far too much and while Momo might be experiencing a torrent of emotions, she’s much less self aware. So much angst!!! While the pacing of all these plot points still doesn’t feel as measured and natural as most of the other shoujo manga I read, the scenes of the characters performing have a tremendous energy that makes up for a lot. Really, one of the main things that won me over was the name and the costuming of Yuzu’s new band, which is hilarious. I’m looking forward to a band showdown coming soon.

Filed Under: Manga Reviews, REVIEWS Tagged With: Anonymous Noise, shojo beat, shoujo, viz media

Cardcaptor Sakura: Clear Card, Vol. 1

July 19, 2017 by Michelle Smith

By CLAMP | Published by Kodansha Comics

It’s been a long time since I read anything by CLAMP. After failing to love Kobato. and Gate 7, I just sort of drifted away from paying attention to what they were doing. When a beloved favorite got a new arc, however, my interest was piqued. And when Kodansha Comics not only licensed it, but released the first volume digitally months ahead of the print release, I might’ve squeed.

We rejoin Sakura Kinomoto as she begins her first year as a middle-school student. To her surprise and delight, Syaoran Li meets her on her way to school and announces that he’s back from Hong Kong and will henceforth be a permanent resident of Tomoeda. Everything seems to be coming up roses, except Syaoran looks troubled…

Soon, Sakura has a dream in which the cards she’s captured turn transparent and wakes to find it’s true. Her texts (yes, we’ve entered the modern age) seeking advice from Eriol in England go unanswered, and the next night, she dreams she receives the key to a new staff, which also comes to pass in reality. A couple of supernatural attacks follow, and Sakura is able to “Release!” the new key into the Staff of Dreams, with which she acquires two new cards. Kero and Yue are as clueless as Sakura is about what’s going on, but by the end of the volume, it’s clear that Syaoran and Eriol know more than they’re letting on and are probably colluding to keep Sakura in the dark about something.

It’s a cute start—not very different from what we’ve seen before, but it sure is nice to spend time with these characters again. What surprised me most, actually, was how much I loved seeing Kero-chan again. I seriously adore him, especially when he’s being sweet and supportive. Plus, the art is so lovely and familiar. I grew fond of the art style in xxxHOLiC, but this is the kind of art I associate more with CLAMP. I am a little worried this will turn out to be a disappointing sequel, but for now I’m keen to see how it develops.

Cardcaptor Sakura: Clear Card is ongoing in Japan, where two volumes have been released so far. Kodansha has made the first English edition available now in digital format, but it won’t see a print release until November.

Review copy provided by the publisher.

Filed Under: Manga, REVIEWS, Shoujo

Kounodori: Dr. Stork, Vol. 1

July 19, 2017 by Sean Gaffney

By You Suzunoki. Released in Japan by Kodansha, serialization ongoing in the magazine Weekly Morning. Released in North America digitally by Kodansha Comics. Translated by Erin Procter.

Despite occasionally feeling overwhelmed by new titles, I am grateful to the publishers putting out digital-only series for choosing some series that are clearly experiments, titles that would not have a remote chance of being licensed in print over here but can perhaps reach some kind of an audience digitally. We’re seeing long-running sports titles, some experimental josei, and now we have Kounodori, a series from Kodansha’s flagship seinen magazine about an obstetrician who helps expecting families when he’s not busy being a secret, mysterious piano player. Back in the day, I used to go buy a random Japanese manga magazine from Kinokuniya, crack it open, and see what was in there that we weren’t getting here. This is a classic example. It’s episodic rather than having a continuous plot, goes in for dramatic lectures and births rather than fight scenes, and the art style has characters whose looks are less cute and more natural.

“But is it good?”, I hear you cry. I’d say yes, it definitely is good, provided that you come at the series aware that at its core, this is a melodrama. In fact, it pretty much verges on soap opera. There’s little humor, and those who dislike authority figures moralizing over people in difficult circumstances may dislike the first story especially. But I’d say overall I really enjoyed reading it. The overdramaticness and small stakes help to give it a tense feel that goes along with the plot, as the story is basically “what new crisis is putting a pregnant mother in jeopardy?” over and over again. We start with a poor mother, abandoned by her boyfriend, who has not had any prenatal care until she’s ready to give birth – she is dressed down rather sharply by our titular doctor. The longest story in the book has a wife giving birth prematurely, with all the dangers inherent in that process, and lots of discussion of what’s safest for the mother and the child. A chapter on gonorrhea shows us the dangers of adulterous guys, particularly when their cheating causes harm to their unborn children. Lastly, we get a stripper who needs to have a C-section, and is horrified as she says it would ruin her career.

I’ll be honest, I’m still not quite sure why he also moonlights as a piano player, except to make this something other than a standard medical drama. We do get a bit of Kounodori’s past – he grew up as an orphan, and was bullied – but that mostly serves to show us how he’s grown into a fine compassionate man. There’s also a lot of emotions in this, with the exception of Kounodori himself. The husbands are twitchy, the wives are yelling, and his fellow obstetrician looks to constantly be on the verge of breaking down. And at times the moralizing that Kounodori is prone to can be annoying. But for the most part, I really enjoyed reading a type of series I never thought I’d see over here. I suspect, given its ‘story of the week’ nature, that you can dip into the books at any volume, but the first is always a good place to start.

Filed Under: kounodori, REVIEWS

Bluesteel Blasphemer, Vol. 2

July 18, 2017 by Sean Gaffney

By Ichirou Sakaki and Tera Akai. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Kevin Steinbach.

In general, I tend to divide up books to review on this site into four categories: Great, Adequate/Good, Adequate/Bad, and Bad. The first and the last are obviously the easiest to review, as there are any number of things that you can say about them to show why you think they’re worth reading (or, in the case of the bad books, not worth reading). Adequate/Bad is tougher, but at least you can usually get away with a laundry list of things that the title is doing wrong. But oh dear, those books which are good but that’s about it. You really have to work at the review, because “good but that’s about it” makes the reader not want to read a book. But they *are* good, and very readable. It’s just there’s really nothing that stands out and makes you go “wow, that made buying this book worth my time’. Such a series is Bluesteel Blasphemer, which is adequate. HIGHLY adequate.

This second volume picks up (after a short setup prologue) right where we left off. Yukinari is settling in uncomfortably as the new erdgod of Friedland, and trying to figure out how to make the village prosper, less by sacrifices and more by irrigation and trade. He’s accompanied by Dasa, who fulfills both the Rei Ayanami clone and Clingy Jealous Girl types in one; Berta, whose love/worship of Yukinari continues to be vaguely disturbing – it makes sense for her character given how she was raised, but I’d really like her to get a hobby or two; and Fiona, the de facto mayor of the village, who sometimes acts as a tease but more often fills the straight man role. We also add Ulrike, who is the main familiar of the erdgod the next village over, a giant forest/tree who uses humans whose lifespan is at an end to become its familiars (Ulrike is seen in the prologue, a cute young kid who dies by getting impaled on a tree. Fortunately, she was impaled by the right tree). Together, they fight against a cadre of grumpy priests whose job is suddenly gone, and some grumpy soldiers who are still trying to be zealots.

If I were to pinpoint things I didn’t care for with this book, it would be the same as the last – the harem stuff feels false and tacked on, and I wish it would go away. Other than that, this is a very smooth, easy to read book. I enjoyed the motivation of the other erdgod, and how a village that doesn’t have much beyond LOTS OF WOOD might turn to it as an alternative to more modern-day thinking like medicine. I liked the examination of what happens to the priests after Yukinari takes over, particularly in regards to the orphanage that suddenly doesn’t have villagers paying to feed its orphans. I liked the vaguely evil foreshadowing going on between the evil old priest and his stacked alchemist which will clearly become the climax to the final book. And the slingshot was hilarious.

So this is a good, solid book that fans of the light novel genre will enjoy, particularly if they like Kamen Rider-style books. But if you’re thinking “I need to cut back on light novels, what would be good?”, this series also comes to mind immediately. I’m happy it’s not 20+ volumes, I can tell you that.

Filed Under: bluesteel blasphemer, REVIEWS

Bookshelf Briefs 7/17/17

July 17, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

Anonymous Noise, Vol. 3 | By Ryoko Fukuyama | Viz Media – I was wondering at some point reading this volume if we could simply make the series 200 pages per volume of Nino screaming into a mic. The scenes where she does so are so electrifying, they draw you in so much, that it makes the rest of the teen drama feel a bit less by comparison. Honestly, the series can also be exhausting, because Nino is just so MUCH—not just the singing, but everything she does is to the point of collapse and pain, and it makes you desperately want to tell her to slow down. I think the creator would do well to follow that advice as well—I could use a lull somewhere in here. But man, does this book ever succeed at showing the power of music. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 4 | By Tsunami Umino | Kodansha Comics – We’re making progress here—Hiramasa and Mikuri seem to be able to admit to themselves that they’re falling in love, and both want things to be a bit more physical. But oh my God, the communication problems here are enough to ruin a reader’s enamel. I appreciate the slow burn here, but it’s hard not to bang your head against a wall every time these two think about finally opening up and hashing everything out, and then deciding not to. I do like the fact that they’re both equally at fault, really—Mikuri may be the viewpoint character but she compartmentalizes so much of what’s happening that accessing real emotions is proving difficult. Even hugs may not help here. – Sean Gaffney

Ghost Diary, Vol. 2 | By Seiju Natsumegu| Seven Seas – This title still walks a fine line between pandering and creepy, and it still remains on the creepy side, which is good, given it’s meant to be a horror manga. The Kukuri and Tatsumi chapter was probably my favorite, giving some depth to those two, even as it revolved around some pretty strange shenanigans (and twins who reminded me of the Sonozakis). Less successful is Mayumi, who too frequently falls into the garden variety tsundere mode, which frankly just isn’t enough by itself anymore. The series is at its best when it’s wrong-footing us and making us not completely trust Chloe, but there’s less of that here, and therefore I’d say it’s not as intriguing as the first volume. But it’s still worth a read for horror fans. – Sean Gaffney

Hana & Hina After School, Vol. 2 | By Milk Morinaga | Seven Seas – Last time we saw how fast Hina fell for Hana, adn this time it’s Hana who, by the end of the volume, is questioning how she feels about her friend. Hana doesn’t not have the past experience Hina does, though, so it may take longer. Of course, the fact that Hina has experienced rejection in the past leads her to try to distance herself from Hana, and so much of the volume has them not working together (their new co-employees are, shall we say, not as good). Fortunately, it’s all resolved by the end, in time for a festival with fireworks. That said, where would a yuri title be without the return of the ex-girlfriend? She doesn’t make a full appearance in this book, but she’s on the fringes, so I’m sure volume three will be all about her. – Sean Gaffney

Horimiya, Vol. 8 | By Hero and Daisuke Hagiwara | Yen Press – There are some people who have complained that Horimiya isn’t as good as it was because it’s changed so much from its initial premise. I can sort of see what they mean, but I’m still really enjoying seeing these kids struggle through high school and try to have a relationship. Sex doesn’t come up again here, but we do get more of the weirdest BDSM relationship in all of manga, which is even weirder given it’s in public. The athletic festival is also amusing, if only as Hori does horribly as she’s so easily distracted. Bonus points for the ouendan costume as well. So yes, one could argue that the series is meandering a bit here, and needs real drama, but I also am happy just reading about these kinds being big doofs. – Sean Gaffney

Horimiya, Vol. 8 | By Hero and Daisuke Hagiwara | Yen Press – It’s Sports Festival time for Katagiri High! Even though Miyamura is a third-year student, it’s his first time truly participating, and he really gets into it, cheering for his teammates, competing against Hori, etc. In the end, he’s surprised by how much fun he had and I was surprised by how not tiresome yet another sports festival arc was. After this, we see the return of the relationship dynamic in which Hori wants Miyamura to be mean/rough with her. While I can appreciate seeing that sort of predilection depicted in a teen romance manga, what troubles me is that he’s clearly not enjoying it and only doing it for her sake. It’s also odd that none of their friends or classmates is showing concern, especially when Miyamura questions a love rival’s ability to hit her. I’m not sure where Horimiya is going with all this. – Michelle Smith

Interviews with Monster Girls, Vol. 5 | By Petos | Kodansha Comics – Two-thirds of this volume is devoted to the same school antics as the previous ones, as we see the cast of friends getting closer, our succubus teacher continuing to fail to seduce Takahashi-sensei, and any number of monster girl trivia items. The last third moves to an apartment to show the adventures of a college girl who happens to live with a Zashiki-Warashi, and the complicated feelings this stirs up in her, especially as it’s not as easy to deal with as it sounds. This is cute but feels irrelevant compared to the main plot—I wonder if the author is running out of things to talk about. Still, ‘cute’ is pretty much the brief for this series, and as long as there’s plenty of that I don’t think the readers will complain. – Sean Gaffney

Oresama Teacher, Vol. 22 | By Izumi Tsubaki | VIZ Media – What a fantastic volume of Oresama Teacher! The Super Bun impostor is revealed, and though in retrospect I probably should have guessed who was responsible, it didn’t make the resulting story (and backstory) any less satisfying. Plus, the final chapters of the arc featured Mafuyu in a pig mask (Super Ham!) and the members of the Student Council working together to find the culprit. After that, there are a couple of bittersweet chapters about the third years graduating that are quite nice, but I really wasn’t prepared for that penultimate page. This series is frequently very silly, but a beaming Miyabi telling Mafuyu that she’s his hero made me tear up instantly. It’s a rare series that’s only getting better at volume twenty-two! – Michelle Smith

Filed Under: Bookshelf Briefs

Pick of the Week: Polar Opposites

July 17, 2017 by Sean Gaffney Leave a Comment

MICHELLE: I’m a bit torn for my pick this week. Waiting for Spring is a shoujo debut I’ll be checking out, but it’s an unknown quantity. I’ve been burned before, so I think I’ll play it safe this week and go with Princess Jellyfish.

SEAN: I think I’ll play it safe too, because nothing makes me happier this week – in fact, I reviewed it already so it’s already made me happy – than the new Monthly Girls’ Nozaki-kun.

KATE: I’m torn between the compulsively readable Princess Jellyfish and The Hound and Other Stories. Although I’ve never been especially interested in H.P. Lovecraft’s writing, I do have a soft spot for horror manga. A quick glance at the preview suggests that Gou Tanabe’s artwork is crisp and atmospheric, so I’m leaning ever-so-slightly towards Hound for my pick of the week.

ASH: I’ll definitely want to read the next volumes of Monthly Girls’ Nozaki-kun and Princess Jellyfish as soon as I get my hands on them, but like Kate The Hound and Other Stories is what gets my official pick this week! (I tend to enjoy well-drawn horror manga.)

ANNA: New series are always something to celebrate, but I remember being totally amazed that Princess Jellyfish was licensed! Happy about the latest volume!

Filed Under: PICK OF THE WEEK

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