By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.
This second volume of Realist Hero details a war fought on several fronts, and will no doubt delight those who enjoyed running campaigns in various roleplaying games. There are several ‘thinking outside the box’ moments that made me smile, most of which are lampshaded by excerpts from a future history book that show how the outside the box idea led to an idiom that is now in common use. And once again, I’m pleased w3ith how the cleverest ideas are not always left to Souma, the titular Realist Hero, and he’s occasionally allowed to be caught flat footed. That said, the thing that struck me the most about this second volume is that I was far more invested in the characterization than I was in the first volume, mostly due to one of the more subtle and unemotional nervous breakdowns I’ve seen.
(As a sidenote, if you’re going to have the cover of Vol. 2 feature the elf girl bodyguard, you might want to give her something to actually do in the book. Carla would have been more appropriate.)
Our king, Souma, may be a history expert who can map war scenarios onto old Japanese campaigns and spout Machiavelli with the best of them (though that thankfully happens less this time around), but he’s still a young man who grew up in modern Japan, and this whole King thing is wearing down at him. Interestingly, we never see this reflected in his own narration – it’s only when Liscia or one of the others is observing Souma that they note that something seems off about him. It’s also interesting to see how the polyamory is handled in this series – most of the other LNs I’ve seen with ‘multiple wives are legal’ scenarios mostly just have it as an excuse to not write jealousy, but Realist Hero looks into how its world handle this, and shows that the pecking order in such relationships is actually class-based more than anything else. It’s both amusing and disquieting to see Liscia pushing hard for Souma to take Carla as a secondary Queen, even showing off her hot body like a car dealer. Liscia and Carla are best friends who ended up on opposite sides in this war, and Liscia knows if Souma doesn’t marry Carla she’ll likely be executed.
The first book left several plotlines dangling for the second, and some of them are dealt with, though not all. Moreover, this second volume has quite a big open ending, as we don’t actually see what happens to Carla, her father, or any of the other nobles who rose up against Souma (bar the obvious cartoon villain nobles who get theirs at the end). Given the “realist” nature of this book, I’m not actually sure if Castor will be executed or not (Carla, being a young hot girl and friend to Liscia, I’m pretty sure is safe.) We get a few more details on the kingdoms and empires surrounding our Realist Hero’s kingdom, and are introduced to a few more potential future harem members. The series could go in any number of directions from here. The writing of Realist Hero is merely OK, and sometimes I suspect that what I’m seeing as subtle underplaying is actually just being dull, but I must admit that I want to know what happens next far more in this series than I do in other light novels.
(Also, more fantasy isekais need therapists.)
(Also also, did Liscia dramatically cut her hair just to stop me saying that she’s a duplicate of Red Saber?)
Even without knowing much about Dreamin’ Sun, I was sold by the fact that it’s an earlier series from Ichigo Takano, creator of orange, which I loved dearly. Dreamin’ Sun is more of a straightforward and comedic shoujo story in which characters do not contend with letters from their future selves or how to save a suicidal friend, but it still has a few poignant moments.
Yaichi is a single dad who works from home managing the rental property his parents left to him and his brother, Ryoji, after being killed in a car accident when the boys were teenagers. He considers his real job to be providing the best home he can to his daughter, Kana. On the day the story begins, Yaichi is expecting a guest—Mike Flanagan, the burly Canadian whom Ryoji married after leaving Japan ten years ago. Ryoji passed away the previous month and Mike has come to Japan to try to connect with Ryoji’s past and see for himself the many things he’d heard stories about from his husband.
It’s the story of Minare Koda, a waitress with a gift of fluency that catches the attention of a local radio producer, Mato. After secretly recording her drunken rant about her thieving ex and playing it over the air, he eventually takes the chance of giving her her own weekly show in a late-night time spot where she has the freedom to do some really kooky things. The first episode, for example, is a surreal audio drama about murdering said ex, Mitsuo. The next week, it’s time to bury the body on Mt. Fuji!
Yaichi is a single dad, earnestly raising his young daughter, Kana, whose life is upended by the arrival of Canadian visitor, Mike, husband to Yaichi’s estranged twin brother, Ryoji, who has just passed away. Yaichi greets Mike with awkwardness and not just a little homophobia, but is forced to invite him to stay after Kana, blissfully unaware of her father’s discomfort, insists that he must be welcomed into their home. Mike, stricken with grief, but anxious to connect with Ryoji’s family and childhood, gratefully accepts Yaichi’s grudging hospitality and settles into Ryoji’s old room. 
Asahi is spending a pleasant afternoon with her parents and she’s just about to go in and have some cookies when the backyard pond reaches out and ensares her, transporting her to another world. There, she meets a friendly boy named Subaru who unfortunately has some very ruthless parents, who immediately decide to offer Asahi to the water dragon god to obtain prosperity.
In elementary school, Shoya Ishida often engaged in foolhardy stunts to stave off boredom. When hearing impaired transfer student Shoko Nishimiya joins his class and causes disruption within the class, she becomes Shoya’s target. Initially, the other kids laugh at Shoya’s antics but when he goes too far and destroys several hearing aids to the tune of $14,000, they swiftly condemn him. Now he’s the one who’s ostracized and this status continues into high school, long after Shoko transferred out again. Full of self-loathing, he’s preparing to commit suicide, but a chance reunion with Shoko inspires him to try to change.
Back and forth things go, with this group continuing to try to establish themselves as friends without seeming to genuinely like each other much. Eventually, they decide to film a movie together. For one scene, they need to acquire permission to film at their old elementary school. Shoya is the unwilling emissary, and an encounter with his odious former teacher leaves him feeling so awful about himself that he ends up lashing out at all his friends, seemingly trying to drive them away as he feels he deserves. This has the unintended side effect of causing Shoko to feel like she’s the cause of his unhappiness, prompting a desperate act.
Less clear is what Oima was aiming for with their group of friends. Even though Naoka was far more outwardly nasty to Shoko, at least she was open about it and expressed a great deal of self-loathing because of her behavior. With the help of another friend, Miyoko, she is encouraged to have a bit more optimism, and will probably end up doing okay. Even though she could’ve been fleshed out further, I do like Naoka as a character. But man oh man, do I hate Miki. She makes everything about herself—at one point revising the bullying narrative so that she and Shoko were co-victims—and doesn’t seem to grow at all. Everything she does seems fake, because most of it is, and I was baffled when the boy she fancies declared her to be “kind” after some weepy episode. Miki should get hit by a bus.