Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Paying to Win in a VRMMO, Vol. 4

by

By Blitz Kiva and Kuwashima Rein. Released in Japan as “VRMMO wo Kane no Chikara de Musou suru” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

Despite the fact that everything I either wanted or predicted would happen in my previous reviews turned out to be wrong, this ended up being probably the strongest volume in this series to date. Once again Ichiro is somewhat sidelined, this time by design – both parties have asked him to stay out of their design battle, which he does. In addition, I had predicted doom if Nem ever met Iris in real life – and lo and behold, that happens right at the beginning of the book. It’s OK, though, because this book ends up being a bit of a character piece, looking deeply at the life of a rich woman with tremendous talent but few friends or social skills, and a bipolar teenager (she says so herself, I might add) with a lot of drive and slightly more friends and social skills, but far less talent and likely headed for burnout.

The parts devoted to Nem are quite good, if a tad predictable, and I appreciate that she has the self-restraint to crush Iris in the game rather than Airi Kakitsubata in real life. As for Iris, I’m starting to see why the author mentions fans after the first volume wondering where she was. She’s such a car wreck in action, with astounding highs and devastating lows, that everyone around her defines her mood swings as her most well-known trait. I also appreciated the narrative acknowledging that as she is, she likely doesn’t have what it takes to make it as a designer – that may change now that she’s friends with Megumi, but even Ichiro admits that she falls short on the talent side. (Speaking of design, I appreciate the detail that these books go into showing off the careers of Iris and Megumi and what goes into creating custom fashion – there’s a lot of little anecdotes that help the whole thing feel more realistic.) And best of all, Iris still isn’t remotely showing signs of falling for Ichiro. I love that she still regards him as really annoying more than anything else.

The battle itself is closer than you’d expect, but Nem is a newbie to the world of NaroFan, while Iris is more familiar with “how would a gamer react” rather than “how would a normal human react”, so she comes very close, though in order to do so she does end up humiliating Sakurako, whose new character ends up being exposed a bit too much for her comfort. (There are also a few lines where Iris mocks the “old” Megumi, and Megumi and Sakurako’s reactions make me wonder if the author was poking at his editors for saying that the light novel reader hates women over 25.) Even Felicia is getting development, showing that she’s ready to break away from her cousin and achieve great things on her own in the game, something which ironically finally garners praise from him that she’d long coveted.

As I said, the only one who seemed to stay exactly the same is Ichiro, though you might argue that for once he appreciated his tactlessness a bit more than usual. Still, the cliffhanger leading to the next book seems to indicate that we’ll see more of him in it. The series is only six volumes long, so I’m quite happy to see what happens next. I wasn’t even as irritated by Ichiro this time around as I normally am, although that could also be a flaw in the work, given who he is.

She and Her Cat

by

By Makoto Shinkai and Tsubasa Yamaguchi. Released in Japan as “Kanojo to Kanojo no Neko” by Kodansha, serialized in the magazine Afternoon. Released in North America by Vertical Comics. Translated by Kumar Sivasubramanian.

The first thing that occurred to me after I finished She and Her Cat was that I felt that it would have been a much better book without the cat. I later changed my mind, but it has to be said that those who pick this up thinking it’s another cute animal book like Chi’s Sweet Home will be brutally disappointed. The cat exhibits some signs of cleverness in it, but is pretty much just a cat in the end, and the relationship with a kitten is the weakest part of the volume. That said, the volume is still absolutely worth getting because of the titular She, an office lady named Miyu who lives in her apartment with her cat and her regrets, possibly not in that order. Her life is laid out for us by Makoto Shinkai, who apparently created this in 1999 as a 5-minute animation and then expanded on it with both this manga and another anime series.

The reason I came to appreciate the cat is the way that the cat is also serving as the eyes of the reader… but because it’s a cat, doesn’t really understand much from Miyu other than surface emotions such as depression, exhaustion, or happiness. We understand more as a reader, having lived through similar moments in our lives, but the empathy comes from seeing Miyu’s life in miniature, rather than through any monologue that she has. There are a few scenes we see without the cat, and they are conveyed normally through dialogue – the only way we see into Miyu’s head is via either the words she says or the cat’s thoughts. She starts off cheery if harried, then suffers through a deep depression as things at work go sour and she’s reminded that her other friends have married by now.

Because this was written by Makoto Shinkai, I was uncertain if it was going to have a happy ending or not. But he specializes more in bittersweet than anything else, so though Miyu may entertain suicidal thoughts while under the bridge towards the end, things mostly work out thanks to a Neko Ex Machina. I like the fact that we end with her life swinging back up again, doing a lot better at work, and rejecting the proposal of a co-worker because she doesn’t love him, rather than because getting married is what she has to do now. Miyu finds being an adult as hard as the rest of us do, but she’s muddling through with the help of her cat, and I think it’s very inspiring to those who deal with feelings of inadequacy and worthlessness. And of course there are also scenes of Miyu playing with her cat, rest assured.

For fans of Makoto Shinkai, this is an obvious buy. I’d also recommend it for those who find themselves muddling through the day somehow, and wondering if it’s OK to be living like this. Even if the reader doesn’t have a cat, they may find an answer here anyway. (Also, why don’t you have a cat? Cats are awesome!)

Manga the Week of 8/23/17

by , , and 1 Comment

SEAN: I can’t. I just can’t. How on earth is this much stuff coming out?

MICHELLE: And still none of it is 7SEEDS or Silver Diamond!

ANNA: Or Demon Sacred!

SEAN: Dark Horse gives us the 26th volume of the Vampire Hunter D novels.

ASH: I somehow managed to forget that the novel series was still ongoing.

SEAN: J-Novel Club has a 2nd volume of adorable family series If It’s For My Daughter, I’d Even Defeat a Demon Lord. Oh please stay an adorable family series…

Yes, there’s still more Del Rey rescues, with Princess Resurrection 17.

Somehow there is a new Animal Land out, Vol. 12. Only 9 months after 11! Is the series back on track?

ASH: Maybe?! The ending seems so close and yet so far away.

SEAN: Kodansha gives us a 4th volume of Chihayafura digitally. Will our ragtag bunch of karuta misfits get it together?

MICHELLE: Yay!!!!

ANNA: So excited!

SEAN: And there’s a 4th manga volume of Clockwork Planet, whose novel I enjoyed more than I did the adaptation.

Domestic Girlfriend hits Vol. 5 digitally as well.

As does Fire Force, which is print, and still not as good as Soul Eater, IMO.

Inuyashiki 8 comes out in print as well. It’s ended in Japan recently.

And Land of the Lustrous hopes to make slightly more sense with Vol. 2, but it will look gorgeous no matter what.

ASH: I’m looking forward to the beautiful mess.

ANNA: Maybe I’ll check it out from the library just for the pretty….

SEAN: The first debut next week is Love & Lies, which North American readers may find slightly familiar if they read it on the Mangabox app. It’s also got an anime coming out. The premise involves a Japan where everyone automatically gets an arranged marriage at 16.

Kodansha has a 2nd volume of Real Girl, meaning I should read the first, but TOO MUCH MANGA.

MICHELLE: I missed the first one, as well.

SEAN: The second debut next week is another of THOSE isekai adaptations. That Time I Got Reincarnated As a Slime is based on a novel Yen will be starting this December, and Kodansha’s adaptation runs in Shonen Sirius. The premise is… what the plot says.

ANNA: We live in interesting times.

SEAN: Lastly (for Kodansha), we get a 2nd digital volume of Tzuredure Children.

On to Seven Seas, who blissfully only have two releases next week. A Centaur’s Life has its own anime adaptation going on, which seems to be adapting a lot more than I expected, including scenes I was sure it would cut. This is the 12th volume.

There’s also a 6th volume of yuri potboiler Citrus.

Vertical has reached a dozen volumes of What Did You Eat Yesterday?. Will there be egg dishes? (Do eggs come in dozens in Japan?)

MICHELLE: !!!!!! I love when there are surprise things that weren’t on my radar.

ASH: I’m always read for more What Did You Eat Yesterday!

ANNA: Woo hoo!

SEAN: The rest of the list is Yen. They have a bunch of light novels. The 4th Asterisk War may not be the best of them, but my guess is that it’s the shortest.

A Certain Magical Index’s 12th volume is a ‘downtime’ book, with much of it taken up by wacky shenanigans. I suspect the cliffhanger will be less wacky, though.

The Devil Is a Part-Timer! has an 8th volume, and may finally be returning to Enta Isla for a bit.

Goblin Slayer’s 3rd volume features goblins being slayed.

The Irregular at Magic High School has a 5th volume that I would also classify as ‘downtime’, but we do get a Beach Episode out of it.

KonoSuba’s 3rd volume will, one hopes, be completely ridiculous.

Rokka: Braves of the Six Flowers has a 2nd volume, where we see how long they can extend the “one of us is a traitor” plotline.

And Sword Art Online’s 11th volume shows the ongoing adventures of Kirito and Eugeo training to become knights, this time complete with cute squire girls.

Yen manga also has one or two or twenty titles. Anne Happy has a 6th volume, and may be caught up with Japan by now.

Aoharu x Machinegun also gives us a 6th print volume.

ASH: The first volume was fun and I’ve been meaning to read more, I just haven’t gotten around to it yet.

SEAN: We have reached the final Blood Lad! You can tell it’s the final one as it’s not an omnibus, ending with a single-sized 9th volume. I will miss this underrated series.

BTOOOM! has an 18th volume, and I haven’t missed it at all, but it’s not going anywhere yet.

Delicious in Dungeon’s first volume was enjoyable enough, though I worry it will leave me with very little to review. Definitely getting its 2nd volume, though.

MICHELLE: I kept meaning to read the first, but now I’ll just have to review the first two together.

ASH: I loved the first volume and am looking forward to the next a great deal.

SEAN: There is also a 3rd Demonizer Zilch, which I keep forgetting Yen puts out.

More series whose premise I just couldn’t get past, we have a 7th First Love Monster.

Girls’ Last Tour will have an adorable post-apocalypse in Volume 2.

ASH: I didn’t find the characters overly compelling, but I did really like world and environment of the series.

SEAN: High School DxD is not dead, it merely seems like it after this recent hiatus. It returns with Vol. 9.

Kiss and White Lily for My Dearest Girl has a 3rd volume of what will no doubt be adorable yuri stories.

Log Horizon: The West Wind Brigade does not have yuri, but it does have Soujiro, so there’s a tradeoff. This is Volume 6.

Murcielago’s 3rd volume will no doubt have yuri, but if you see “If you liked Murcielago, you may also like Kiss And White Lily for My Dearest Girl”, something is screwy with Amazon’s algorithms.

ASH: HA! Someone may be in for a surprise.

SEAN: Re: Zero’s 2nd arc has its 2nd manga volume, and no doubt features Subaru dying.

Rokka also has a manga adaptation, and it’s up to Vol. 3.

Vol. 3s are popular these days! We also have a 3rd Spirits & Cat Ears.

And double digits for Trinity Ten… um, I mean Seven.

Ubel Blatt also hits double digits with its 9th omnibus. If that makes no sense, you don’t know Ubel Blatt.

Lastly (thank GOD), a 6th omnibus for Yowamushi Pedal.

MICHELLE: Yay! This is a good week!

ASH: Yay, indeed! Yowamushi Pedal isn’t released nearly as often as I wish it was.

SEAN: You must be getting SOMETHING from this morass. What is it?

Random Musings: Seven Years of Experiments in Manga

by

As of today, I have been writing at Experiments in Manga for SEVEN YEARS. And of those, four have been spent as a contributing member to Manga Bookshelf and its cohort of blogs. I have spent much of this past year trying to find a balance between my writing and reviewing and the multitude of other responsibilities requiring my focus and attention. I had to cut back significantly on my posting, more than I really would have liked, but was still largely happy with what I was able to achieve both with Experiments in Manga and in other areas of my life. Among other things, over the past twelve months I’ve been granted the rank of shodan in traditional Okinawan karate, was hired for a new job at a different library, and started teaching introductory taiko classes. It’s all been rather tumultuous. But perhaps most importantly, at least for the sake of this post, I am now able to celebrate the seventh anniversary of Experiments in Manga!

Unlike past years, there weren’t really any big projects or special features at Experiments in Manga this time around. In fact, much to my dismay, I actually even stopped writing in-depth reviews for a few months. However, I re-found some of my inspiration to write after reading and reviewing the eighth omnibus of Makoto Yukimura’s Vinland Saga after which I finally started to post long-form features a little more regularly again. Other reviews from the past year that were personally memorable or meaningful to me in some way include those for the marvelous children’s book Are You an Echo?: The Lost Poetry of Misuzu Kaneko, Yeon-sik Hong’s autobiographical manhwa Uncomfortably Happily, and most recently Kazuki Sakuraba’s soon to be released novel A Small Charred Face. I also continued two annual features that I especially enjoy, my random musings on notable releases for the year and my Toronto Comic Arts Festival adventures.

I started writing at Experiments in Manga seven years ago as a way to more actively engage with the online manga community. To some extent, I was successful with that. Not all of my experiences have necessarily been positive ones, but Experiments in Manga has given me the opportunity to meet and interact with a wide variety of people that otherwise I never would have. I especially cherish the friendships that have been fostered because of it. While I primarily write for myself, I also love sharing my excitement for manga and such with people; it makes me incredibly happy to know that at least from time to time others have found Experiments in Manga interesting, entertaining, or useful.

And so, while I am celebrating seven years of Experiments in Manga, it is with some amount of sadness that I am also announcing my semi-retirement from manga blogging. I will continue to regularly write at Experiments in Manga through the end of 2017, but once 2018 arrives I will no longer be actively posting here. However, I’ll still be a contributor at Manga Bookshelf, chiming in on the Manga the Week of and Pick of the Week features, and starting in January my quick takes on manga will be included as part of the Bookshelf Briefs. I’ll likely be a little more active on my Twitter account, too, using it as an additional outlet for my thoughts on a variety of topics. This all was an extremely difficult and even heart-wrenching decision for me to make, but while I remain conflicted, I do feel that it was ultimately the right choice. There are a number of different reasons behind it, but perhaps the most obvious is that the demands on my time only seem to increase with every year that goes by. And at this particular point in my life, I find I most want to return to my roots in music and to be able to devote more of my attention to studying, performing, and teaching taiko.

To conclude, I would like to thank everyone who has supported me and Experiments in Manga over these last seven years–my readers, colleagues, contributors, friends, family, publishers, industry contacts, the creators I’ve met, and anyone else who has taken the time to care, participate, comment, provide feedback, or share. Experiments in Manga truly couldn’t have lasted this long without your encouragement; I am incredibly grateful and appreciative of you all. Writing here has been an illuminating experience and I’ve learned a lot along the way. I’m also going to miss it tremendously. Experiments in Manga and I have had our ups and downs, but I am honestly proud of some of the things that I have been able to accomplish both with and through it. Going forward I won’t be writing as much, but I will certainly be reading even more and hope to continue finding ways to share my love of manga, Japanese literature, and all of the other wonderful things that mean so much to me.

One Piece, Vol. 83

by

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

One of the most obvious things that a reader will pick up on when reading any given volume of One Piece is how much fun Oda must have while creating it. Jump manga in general is very good at showing off the author’s joie de vivre, but Oda in particular makes you think of the title as a giant rollercoaster of pure wow. In particular in this volume, the scenes in the Seducing Woods are amazing, being a combination of childhood dreams of everything being alive and talking to you (including all the sweets you eat), and the horror of everything being alive and talking to you, INCLUDING THE SWEETS YOU EAT. The revelation of how the woods, animals, and everything in Big Mom’s world speak is mind-numbingly horrific, but Oda breezes right by it, content to give us more running around and punching things as a distraction. It works, but in lesser hands this would have been tonally deaf.

Luffy and company are still trying to rescue Sanji, of course, but the woods keep them busy most of the volume, so we’re not there yet. Sanji is not having a good time, though. The rest of his family has arrived, including his father, who is a nasty guy whose skills are also equal to his son, it would seem. Once again, you get the feeling that Sanji could really do some damage if he’d only take the limiters off himself – usually it’s “I won’t fight women”, but here it’s “I’ll never fight using my hands” that’s his handicap, and it’s why he now is wearing exploding handcuffs. There is genuine sadness here as well, though, as we see Sanji’s abusive childhood, and realize why he would much rather think of Zeff as his father figure than this guy who’s willing to barter his “useless” son for political gain.

As for the fights, well, Luffy gets most of the action, as usual, though Nami fares better than she normally has in recent times, using her new Climatact with gusto. The big trump card, though, turns out to be the vivre card she got from Lola back in the Thriller Bark arc – Lola, it turns out, being one of Big Mom’s endless children. I always love it when One Piece manages to tie in a plot point that happened years and years ago, though it does require the reader to be well versed in the lore. She and Luffy also bounce off each other very well – there’s no romance in One Piece, of course, but I can’t imagine LuNa shippers being too upset with what they get here. Carrot and Chopper fare less well, though there are hints that they will be more proactive in the next arc.

Wilol Luffy and company get to Sanji? Will they even meet up with Brook and Pedro, who were the advance guard? And what of Charlotte Pudding, Sanji’s bride, who likes him well enough but seems perfectly willing to let Luffy rescue him. And of course, given Big Mom is one of the Four Emperors, it’s not going to be all that simple, especially given that she can destroy whole towns when she gets hungry. My guess is this arc has a long way to go before it ends. Luckily, it’s One Piece, so we will always be entertained.

Bookshelf Overload: July 2017

by

I ended up picking up a few more things than I had initially planned to in July (including more anime series than usual). Partly to blame was the huge month-long anniversary sale at RightStuf. Granted, some of the items that I ordered during the sale didn’t arrive until August, so they won’t be found in the list below. Also not represented (although perhaps they should be) are the books that I bought as replacements for some of the materials that I already owned but lost to water damage from a radiator leak last month. But as for the manga to arrive in July that do appear on the list below that I was especially happy to see, there was Kentaro Miura’s Berserk, Volume 38 (the previous volume was published in 2013), Shigeru Mizuki’s Kitaro and the Great Tanuki War (technically released in June), and Izumi Tsubaki’s Monthly Girls’ Nozaki-kun, Volume 8 (which continues to be a delight). I also finally got around to picking up Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: Izakaya: Pub Food, the final volume of the series to be published in English. July had a fair number of interesting debuts in store for me, too, including Gou Tanabe’s H.P. Lovecraft’s The Hound and Other Stories (a nice addition to the horror manga available in translation), Yuki Fumino’s I Hear the Sunspot (a truly lovely manga), and Haruko Ichikawa’s Land of the Lustrous, Volume 1 (which, if nothing else, has stunning artwork).

Manga!
The Ancient Magus’ Bride, Volume 7 by Kore Yamazaki
Berserk, Volume 38 by Kentaro Miura
Blame!, Omnibus 2 by Tsutomu Nihei
Bungo Stray Dogs, Volume 3 by Kafka Asagiri
Don’t Be Cruel: Plus+, Volume 1 by Yonezou Nekota
Food Wars!: Shokugeki no Soma, Volume 18 written by Yuto Tsukuda, illustrated by Shun Saeki
Fruits Basket, Omnibus 2 by Natsuki Takaya
Hana & Hina After School, Volume 2 by Milk Morinaga
H.P. Lovecraft’s The Hound and Other Stories by Gou Tanabe
I Hear the Sunspot by Yuki Fumino
Kitaro and the Great Tanuki War by Shigeru Mizuki
Land of the Lustrous, Volume 1 by Haruko Ichikawa
The Legend of Zelda: Legendary Edition, Omnibuses 3-5 by Akira Himekawa
Love Com, Volumes 5-13 by Aya Nakahara
Million Tears, Volume 1 by Yuana Kazumi
Monthly Girls’ Nozaki-kun, Volume 8 by Izumi Tsubaki
Oishinbo, A la Carte: Izakaya: Pub Food written by Tetsu Kariya, illustrated by Akira Hanasaki
Princess Jellyfish, Omnibus 5 by Akiko Higashimura
Samurai Crusader, Volumes 1-3 written by Hiroi Oji, illustrated by Ryoichi Ikegami
Twinkle Stars, Omnibus 3 by Natsuki Takaya
Your Name, Volume 1 written by Makoto Shinkai, illustrated by Ranmaru Kotone

Comics!
The Backstagers, Volume 1 written by James Tynion IV, illustrated by Rian Sygh
Blood Brothers: Hermanos de Sangre written by Fabian Rangel Jr., illustrated by Javier Martin Caba
Electric Ant, Issue 1: Your First Kiss edited by Ryan Sands
For When You Can’t Sleep at Night by Skye Ali
Husband & Husband, Volume 1 by Aaron Ferrara
Living Space by Elise Schuenke
Loved & Lost written by Tyler Chin-Tanner
Ravina the Witch? by Junko Mizuno
Rutabaga the Adventure Chef, Book 2: Feasts of Fury by Eric Colossal
Stages of Rot by Linnea Sterte

Novels!
Gosick, Volumes 1-2 by Kazuki Sakuraba
Legend of the Galactic Heroes, Volume 4: Strategem by Yoshiki Tanaka
Your Name by Makoto Shinkai

Anime!
Captain Harlock Space Pirate: The Complete Series directed by Rintaro
Death Parade: The Complete Series directed by Yuzuru Tachikawa
Gangsta: The Complete Series directed by Shukō Murase
Gosick: The Complete Series, Part 1 directed by Hitoshi Nanba
The Story of Saiunkoku: Season 1, Parts 1-3 directed by Jun Shishido
Space Dandy, Seasons 1-2  directed by Shinichirō Watanabe
Yona of the Dawn, Parts 1-2 directed by Kazuhiro Yoneda

Bookshelf Briefs 8/15/17

by and Leave a Comment

The not-so-brief edition!

Akuma no Riddle, Vol. 5 | By Yun Kouga and Sunao Minakata | Seven Seas – How much you enjoy this final volume of Akuma no Riddle may depend on how much you enjoy stories having a happy ending even if they have to pull the logic out of their asses somewhat. The anime finished long before this, but the beats are essentially the same, as is the result. That said, the manga is definitely making things a bit more “yuri,” and since that is the main audience for this series, I imagine fans will appreciate that if nothing else. Also, we have some really hot women in suits on the cover, and that’s worth the price of the book in and of itself. In the end, this is the lesser of the two “assassination classroom” titles, but that doesn’t mean I didn’t enjoy it—I had a lot of fun. – Sean Gaffney

Assassination Classroom, Vol. 17 | By Yusei Matsui | Viz Media – The first two-thirds of this is fantastic, as we see the class square off against each other to decide whether they will try to continue to kill Koro-sensei, or work on saving him. While lots of people get to show off their previously unseen chops, we’re all here for Nagisa and Karma, and we are not disappointed. There’s some backstory that mostly amounts to “we were good friends but grew apart,” but they also represent two very different kinds of assassins. As you may have guessed, Nagisa wins the day. The last third of the manga is a bit ridiculous, or as ridiculous as you can get in this essentially ridiculous series, but I’m prepared to shrug my shoulders and hum “Pigs in Space” while we power through it. Top-flight shonen. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 19 | By Yuto Tsukuda and Shun Saeki | VIZ Media – Central continues its “mop-up” campaign against Totsuki’s various research societies, and the volume begins with the last one of the day, during which Ryo Kurokiba manages to provide the only win out of 33 challenges for our heroes. That battle is interesting, as always, though there seems to be a bit more fanservice than usual, but what’s really fascinating is the cliffhanger ending. After unwittingly helping in a Central-style lesson by serving as sous chef for Eishi Tsukasa (current first seat of the Council of Ten), Soma ends up impressing him so much that Eishi invites him to join Central. Of course that doesn’t go well, and the volume concludes with the challenge: if Yukihira loses, he has to join Central as Eishi’s right-hand man, but if he wins, he gets first seat. Either way, it’s quite a big deal! – Michelle Smith

In/Spectre, Vol. 5 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – This is based off of a novel, and I’d be very interested to see what it was originally like. The manga does a very good job of managing to keep things interesting given that this is nothing but talk, talk talk the entire way through. The way this is done is by dramatizing the events that Kotoko is theorizing about as if they are happening (which leads to one of the few moments of humor in the book when Kotoko sets up Saki as the prime suspect) interspersed with Kuro fighting Steel Lady Nanase in the background, which is a well-choreographed if somewhat tedious fight—by its very nature it’s going to last the whole book. The next volume is the final one—will our trio pull it off? – Sean Gaffney

Kaze Hikaru, Vol. 25 | By Taeko Watanabe | VIZ Media – Every year, I am so happy when a new volume of Kaze Hikaru comes out and every year I get so annoyed with its main character. It’s to the point now where the series would genuinely be improved by her sudden demise. But yet, I do so love the deep feelings of love and loyalty between Hijikata, Okita, and Kondo, and those are enough to overlook Sei’s foolishness. She’s once again getting all bent-out-of-shape over bushi discipline which, again, she should’ve known to expect when she joined the troop. But she just can’t help making an undignified scene trying to spare an accountant guy his fate when money goes missing. At least in the end, she sees that Hijikata is not actually cruel, the accountant shouldn’t have been a bushi either, and the real culprit was a creep. If only it’d stick and she’d mature some. Oh well. I’ll still be eager next year, I’m sure. – Michelle Smith

Maid-sama!, Vols. 17-18 | By Hiro Fujiwara | Viz Media – As is appropriate for a two-volume omnibus, this is definitely divided into two halves. The first one shows us Misaki coming to Usui’s rescue, and it’s as ridiculous as you might have expected, complete with her trying to jump off a great height because she knows he would easily do it. (She sustains light injuries herself.) The second half shows us that after all this time the true antagonist is still Misaki herself, and her need to be respected warring with the fact that she works in a maid cafe. Once she gets over this and is able to tell everyone how proud she is to do that, there’s nowhere else for the series to go, so it ends with a wedding, albeit ten years in the future. Far more variable than expected, but overall I enjoyed it. – Sean Gaffney

Miss Kobayashi’s Dragon Maid, Vol. 4 | By coolkyousinnjya | Seven Seas – And this is where my enjoyment of the lead character and vague yuri is completely overshadowed by my dislike of stupid fanservice and annoying villains needing to be redeemed. Ilulu proved to be even more annoying than her introduction at the end of the last volume suggested, and I also groaned and slapped my head at the ‘let’s give Kobayashi a penis’ chapter. At times the series can still be intriguing, such as the chapter showing us how Kobayashi met Tohru on that drunken night, or the occasional depth Kobayashi receives. But it’s just not worth trawling through endless pages of ridiculous breasts and screaming lolis to get to it. Sorry, but this is the end for me. – Sean Gaffney

My Hero Academia, Vol. 9 | By Kohei Horikoshi | Viz Media – Over the past few months, it’s become clear that we have a new contender to take over the “Big Three” position now that both Naruto and Bleach have ended, and that contender is My Hero Academia, which has gotten staggeringly popular. And with good reason, as reading this volume shows us the author at the top of his game, with several villains infiltrating our heroes’ training camp and attempting to abscond with Bakugo. Things get very rough for a while, mostly as, being heroes, the kids need permission to fight back with all their strength. But once they do, great things happen, particularly with Midoriya, who remains the star of this ensemble. If you haven’t read this series yet, please start now. – Sean Gaffney

Nisekoi: False Love, Vol. 22 | By Naoshi Komi | Viz Media – As expected, Marika is written out, though in the end she’s not killed off OR married off—she’s sent to Pittsburgh, the only place that can cure the unnamed Love Story Disease she seems to have. But not before we get a thrilling rescue attempt with lots of wild fighting and far more helicopters than you’d really expect. Meanwhile, in terms of the only two girls who matter (sorry, Tsumugi), Onodera is still not QUITE ready to confess, but is trying to warm Raku up to it. I doubt that will go well. And Chitoge and Raku have another disaster of a date where she keeps completely misreading what he wants, which isn’t helped by his not really knowing. We’ve got three more volumes after this, so SOMEONE needs to get a clue soon. – Sean Gaffney

Scum’s Wish, Vol. 4 | By Mengo Yokoyari | Yen Press – We’re just about midway through this series, and I’m starting to wonder if it’s going to turn dark and tragic. Hanabi is travelling down a spiral that I’m not sure she’s able to control, and Minagawa is not helping there at all. Probably the most intriguing moment in the manga comes when Minagawa is bored out of her gourd on a date with Kanai… till he accidentally calls her Hana-chan, and it’s as if all of a sudden it matters to her. One thing that the author excels at is showing us the tempestuous fire of desire and sexual heat without ever, ever having it connect into anything resembling love. It’s so sordid, and again, I wonder how long things can go without someone snapping and a murder or suicide occurring. Addicting. – Sean Gaffney

UQ Holder, Vol. 11 | By Ken Akamatsu | Kodansha Comics – There’s a lot of stuff happening in this book. Yukihime rejects Touta as she still loves Negi, we find out Negi was possessed by the big bad from Negima! and has been suffering the last 20 years, Fate and Eva are trying to save and kill him respectively, both thinking they carry out his true wishes, and finally far more of the Negima! cast are still around than we’d previously thought—indeed, Zazie’s even turned into a shipper. But no, at the end of the day this is the volume that tells us that Karin was actually Judas Iscariot, her immortality a result of betraying Christ, who Touta, seeing Karin suffering because of that, offers to punch in the face the next time he sees Him. I… don’t know where to begin. What the what? – Sean Gaffney

In Another World with My Smartphone, Vol. 4

by

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Our little smartphone novel has grown up to a degree, and it’s something I view with very mixed feelings. Sure, we still have the occasional plotline that is just “Touya and friends lackadaisically do relaxing things’, but I can’t really call this a pure and innocent isekai anymore. It’s reached puberty and is trying to act up. Oh, rest assured, there’s no actual sex or anything. That would require losing an audience that the author is not prepared to lose. But Touya just seems a bit more cynical in his dealings with things, and he’s thinking about women a lot more than he did (though not quite to the extent of that short story in Vol. 2). On the bright side, the villains all still clearly delineate themselves into ‘evil’ and ‘SUPER evil’, so we don’t risk sympathizing with them at all then Touya destroys them. Rest assured, that will never change.

Yes, that’s right, there’s a new girl on the cover, and a new addition to the harem, though I’m amused that Touya describes his four fiancees as his “core team”. Lu is a princess of a neighboring kingdom, and personality-wise is very shy and blushy, similar to Shinobu from Love Hina. As we meet her, her kingdom is on the verge of a military takeover, with the general of the kingdom deposing the emperor and taking power with the help of a summoned demon adn some artifacts that make him almost invincible. That said, Touya barely reacts to this challenge, figuring out fairly quickly how to deal with him, though I’m not sure it’s a method he’ll ever use again. As a result the emperor is back on the throne, and Touya gets a very willing Lu as a reward, though he once again pleads for everyone to wait till he turns 18. (Yumina and Lu’s fathers plotting to use Touya politically is one of the best parts of the book, as Touya is always at his best when thrown off from his usual blandness.)

Elsewhere, Touya rescues a group of slaves and frees them up to become employees of the bookstore/cafe he creates, which ends up turning into a far-too-long joke about all the women in the entire kingdom being fujoshi (this was OK), and Touya thinking “no homo no homo!” about 865 times (this was not). We also resolve the ‘surely she’s a long lost noble’ plotline involving Renne, the runaway girl Touya took in as a maid in an earlier volume. Surprise! She’s a noble whose now-dead mother ran away from her family to marry an adventurer. This is also not as funny as the author would like, relying on a lot of jokes about Renne’s aunt Carol being a Christmas Cake. Oh yes, and the obnoxious nobles in Yumina’s own kingdom show up again, this time with a murder plot that will attempt to implicate Touya so that they can have their son marry and rape Yumina, possibly not in that order. When Touya hears about this, his response is… impressive, if a bit shocking. It seems out of character given he’s so mild-mannered, but given the circumstances I can’t blame him. Oh yes, and he’s awarded his own (tiny) kingdom, and builds a castle to go with it.

Overall this was a highly variable volume of Smartphone, which can’t simply rely on pure charm anymore and is therefore trying to decide what to do next. It works best when not crawling through the drudgery of anime cliches like “she’s angry people think she’s old” or “everything thinks he’s gay”. I’m still interested in the series, but honestly, I would not blame those who were having light, breezy fun with it for stopping here.

Also, he names his attack griffons John, Paul, George, and Ringo. Because of course he does.

Pick of the Week: Heroes and Villains

by , , , and Leave a Comment

KATE:: For most readers, this week’s pick is a no-brainer: it’s the final volume of Tokyo Ghoul, which reaches its gory climax with volume fourteen. I never got on the Tokyo Ghoul train myself, so I’m more inclined to pick the latest installment of I Am a Hero, an even gorier series that manages to breathe fresh life into an undead concept by putting an unreliable narrator in the center of the action. (For the curious, I reviewed volume one.)

SEAN: Well, I mean, Tokyo Ghoul: re starts in October, so… in any case, I’m going to pick the 5th and final volume of Akuma no Riddle, a yuri manga that takes place at a school but is not like the 80 other yuri manga being released that take place at schools. I enjoyed this more than I expected, and I think it will benefit from a mass reread.

MICHELLE: There isn’t a whole lot that appeals to me this week, I’m afraid. So, even though I haven’t started the series yet, I’ll pick the fifth volume of All-Rounder Meguro to show support for Kodansha’s digital sports manga offerings.

ASH: Although I haven’t actually played very much of any of the games in the franchise, the release that I’m probably most curious about this week is the Assassin’s Creed manga adaptation, largely because I’ve greatly enjoyed Oiwa’s past adaptations.

ANNA: There isn’t a whole lot out there that is appealing to me this week either, but I’m probably going to check out Cosplay Animal in the hopes that it is fun and trashy, so that’s my pick.

My Week in Manga: August 7-August 13, 2017

by

My News and Reviews

I shifted around my usual posting schedule at Experiments in Manga a little last week so, instead of posting July’s Bookshelf Overload, I ended up featuring my review of Kazuki Sakuraba’s most recent work to be released in English, A Small Charred Face. The book is scheduled to be released in September (I received an advanced copy from Haikasoru for review purposes), and is definitely worth checking out. I’m not especially interested in vampire fiction, but A Small Charred Face makes for a very interesting contribution to the genre and I loved the queerness present in the story. Sakuraba is probably best known as the creator of Gosick, which I’ve been meaning to read, but my introduction to her work was through Red Girls: The Legend of the Akakuchibas.

Elsewhere online last week: Justin of The OASG posted a transcript of Four Hundred Pages of Manga Every Single Week, a roundtable discussion held in July which was sponsored by Kodansha Comics and featured three of Weekly Shonen Magazine‘s editors, including the editor-in-chief; Anime News Network interviewed Akira Himekawa, the creative team behind most of The Legend of Zelda manga adaptations; Viz Media made a some licensing announcements while at Otakon including RWBY by Shirow Miwa, Takane & Hana by Yuki Shiwasu, and The Young Master’s Revenge by Meca Tanaka; Also at Otakon, Sekai Project, which is still relatively new to manga publishing, announced the acquisition of Keika Hanada and Kanemune’s manga adaptation of The House in Fata Morgana.

Quick Takes

Clockwork Apple by Osamu Tezuka. I’ll admit, I managed to burn myself out on Tezuka for a bit, so I’ve managed to amass quite a stockpile of his recently-translated manga which I haven’t actually gotten around to reading yet. Clockwork Apple is a collection of eight short manga originally published between 1968 to 1973. While they aren’t directly related to one another, they do share a similar tone, were generally intended for an adult audience (mostly seinen, I believe), and can all broadly be described as speculative fiction. The stories in Clockwork Apple tend to be fairly dark, dramatic, and serious. The visual humor, breaking of the forth wall, and self-awareness frequently present in Tezuka’s other non-comedic works are nearly nonexistent in the Clockwork Apple. (I don’t think the Tezuka’s Star System was applied, either.) Tezuka was personally having a difficult time in the late 1960s and early 1970s, so perhaps the tenor of these stories is partly a reflection of that. In general, I enjoyed the stories collected in Clockwork Apple even though the endings would sometimes be a little hit-or-miss or feel rushed. Each story would have at least one plot-altering twist, some had several, but occasionally those developments would come across as convenient rather than compelling.

Flesh-Colored HorrorFlesh-Colored Horror by Junji Ito. Most of Ito’s manga to have been translated into English are currently in print or have been recently reissued in a new edition and even more have been scheduled to be released in the near future. One of the few exceptions is Flesh-Colored Horror, the third and final volume in The Junji Ito Horror Comic Collection series released by ComicsOne. Currently, the volume can be a little difficult and expensive to find, but fortunately one of my local libraries had a copy. (I really hope to be able to find a reasonably-priced one of my own someday.) In addition to the titular story, Flesh-Colored Horror collects five of Ito’s other short horror manga. The six unrelated stories were originally published between 1988 and 1994 in Monthly Halloween, a shoujo manga magazine specializing in horror. Flesh-Colored Horror is a fantastic collection that is well-worth seeking out for either fans of Ito’s work or of weird horror in general. Ito has a way of starting with a simple and at times even mundane premise and twisting it into something truly strange and horrific. For whatever reason, while I greatly enjoy most of Ito’s work, I do find that I often prefer Ito’s older short manga over more recent collections; Flesh-Colored Horror continues that trend.

Giant Days, Volume 1Giant Days, Volume 1 written by John Allison and illustrated by Lissa Treiman and Whitney Cogar. I’ve been hearing good things about Giant Days for a while–the series has been nominated for multiple Eisner and Harvey Awards in the past, and several of my friends keep up with the comic–but I’m only getting around to reading it now. One thing that I didn’t realize about Giant Days, which initially started as a self-published webcomic before being picked up by Boom! Studios, is that it’s actually a spinoff of Allison’s earlier series Scary Go Round. I haven’t actually read Scary Go Round, but fortunately familiarity with that comic isn’t at all necessary to understand Giant Days. The comic largely follows three university students–Esther, Daisy, and Susan–who become close friends after living together in the same residence hall. The first volume seems to favor exploring the characters, their personalities, and relationships over having a strong overarching plotline. At times the comic feels somewhat disjointed and the scene changes can be rather abrupt, but the series has a good sense of humor and I do honestly like the characters. I think I would need to read a little more of Giant Days to really feel invested in their stories, but I greatly appreciate the inclusion of queer characters in the increasingly large cast.