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Pick of the Week: Neverland

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SEAN: There are a few intriguing volumes out this week, and I’d argue Wake Up, Sleeping Beauty is my clear runner-up, but there has been SO much good buzz about The Promised Neverland that I simply can’t resist making it my pick of the week. I want to see what the fuss is about.

KATE: This week, I’m all in for The Promised Neverland. After seeing so many people praising it, I decided to check it out for myself and boy howdy — it’s a nail-biter! If you need more persuading, I’ve offered a more thoughtful explanation of why you should be reading Neverland here.

MICHELLE: This wasn’t on my radar until Ash posted the link to Kate’s review, and now I’m going to be picking it like everyone else! Wake Up, Sleeping Beauty and Drifting Dragons are debuts I plan to check out, as well.

ASH: Perhaps unsurprisingly, I’m in agreement with everyone else here! While there are a few things that I’m interested in this week, my pick absolutely goes to The Promised Neverland.

ANNA: I’m not going to break this pattern! The Promised Neverland looks very interesting, that’s my pick too!

Re: ZERO -Starting Life in Another World – Ex, Vol. 1

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Kevin Steinbach.

We’ve already seen DanMachi get a side story novel series licensed, but much as Aiz is theoretically the star of the novels, Bell Cranel is always lurking just around the corner. This side series for Re: ZERO is a different kettle of fish, taking place before Subaru’s arrival in Lugnica, with each volume (there are only two to date) focusing on a different side character with no chance of Subaru appearing. Given that my main issue with Re: ZERO is Subaru himself, I welcome this development with open arms. Instead we get the backstory for Crusch and Ferris, showing how they grew up together, along with a third member of their group who had just as big an impact – Fourier, a Prince of the Kingdom who has a crush on Crusch that is clearly visible from space, but hasn’t actually done about it. Of course, Re: ZERO readers know what happened to the entire royal family from the main series. Uh oh.

That said, the first half of this novel is relaxing and fun. Fourier reminds me a lot of Tamaki from Ouran High School Host Club, both in appearance and personality, and he makes a perfect third in the friendship with the emotionally reserved Crusch and the snarky tease Ferris. Also like Tamaki from Ouran, we see that when he gets serious he can move mountains, which helps immensely as the book eventually does turn deadly serious. The narrative implies that he has a special power that comes out in a crisis; unfortunately, as the entire Royal Family ends the novel dead (this can’t really be a spoiler, right? We already know it from the main series), we will likely never know what that power is. The final scenes of the novel are still heartbreaking even if you do know it’s coming, with excellent writing and one of the most tear-jerking “out of context” color pages I’ve ever seen.

Of course, Crusch and Ferris are the characters we know from the main series, and they’re good too. Ferris gets an abusive childhood that makes sense in terms of the plot but is still wretched, and his father is really a nasty piece of work. There’s also a plot twist I won’t spoil, which if nothing else shows you how abusers can justify their abuse even when covering up its true intentions. Crusch is, unsurprisingly, badass throughout, but the ability to see her inner monologue at times is very helpful, and obviously we now know what’s really driving her in her campaign for the Kingdom. There’s also some good development here for Julius, the knight mostly known in the main series for getting into nasty fights with Subaru. Here we see him get a sense of what being a Royal Knight really means, as well as seeing how clever people can sometimes hide behind “acting the fool” in order to not attract attention.

Basically, this is a must-read for any Re: ZERO fan. The second volume will feature Wilhelm and his own tragic past, and I cannot wait.

Idol Dreams, Vol. 4

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Idol Dreams Volume 4, by Arina Tanemura

I’m always up for any Arina Tanemura manga, but I do spend a great deal of time while I am reading Idol Dreams mentally preparing for disaster to strike, as the storyline of a hapless editor with no self confidence and few social skills reliving her teen years as an aspiring idol singer named Hikari with the help of magic pills just seems fraught with traumatic situations. This volume definitely went somewhat into the danger zone, as Chikage in her 15 year old persona decides to go out on at date with her fellow teen idol Ru. The volume opens with Chikage telling Tokita all about her teen romance plans, and he doesn’t point out the inherent problems of Chikage dating someone half her age very strongly, but he does ask the pointed question, “Are you going to tell him that you’re actually 31?” GOOD QUESTION TOKITA!

Chikage is nervous about her upcoming date and gets some tips from one of her coworkers. Quite frankly, as a reader, I was nervous about this date too as it seems like a horrible idea, but my anxiety was blunted somewhat when Ru decided to cross dress so his fans wouldn’t recognize him. Chikage and Ru go out, looking like a couple of girlfriends. Really, the only possible happy ending for this manga is for Chikage to not emotionally damage any of the teenagers she’s hanging out with, and gain enough confidence to actually become a functional adult. There are some slight signs of progress with her adult life in this volume, as she shows how adept she is at dealing with an editorial emergency at work.

As Chikage learns more about Ru, she realizes that she can’t continue to go out with him, but she chooses to break up with him in a particularly cruel way. Chikage’s lack of emotional intelligence is leaving plenty of distress in her wake, but I’m not sure if she realizes what she’s doing. I do miss Tanemura’s more teenage-centric manga, but I’m certainly curious about what will happen next in Idol Dreams.

SP Baby, Vol. 1

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By Maki Enjoji. Released in Japan as “SP x Baby” by Shogakukan, serialized in the magazine Petit Comic. Released in North America by Viz Media. Translated by JN Productions.

The cover for SP Baby (the ‘x’ has been removed from the North American title, for reasons that are unclear, particularly as the SP is not particularly obvious – I think it stands for Security Police) is meant to be viewed horizontally, I think. with the front and back together showing us the lead couple. It’s a good summary of the power dynamics of the couple itself, like many manga romance covers. Tamaki is the heroine, and she has her hand extended to stop some unseen person from coming closer, while the other is shoved up against the wall. Her face doesn’t make it clear if she’s guarding her charge from an attack or trying to stop anyone seeing him with his arm around her. Meanwhile, Kagetora is the hero, and is a ninja who… wait, he’s not a ninja? Nonsense, he’s named Kagetora. All manga characters named Kagetora are ninjas, it’s a rule. In any case, he’s standing there with one arm around Tamaki’s waist and the other posed artfully in the air, staring at the reader with a smirk that makes me worry he’s going to say something like “My bodyguard – I think I’ll keep her”. It is a great cover for showing exactly what you get in the manga itself.

Despite the occasional snark in the above paragraph, I found SP Baby enjoyable more than I expected. Tamaki is fairly hapless, but it’s in a likeable, realistic way. She’s looking for work but has an extreme case of bad luck, and it has a tendency to get others hurt. Her only close people seem to be her younger brother (who’s a non-entity) and her childhood friend Natsu, who is tall, good-looking, likes the heroine but seems to be unaware that she is into him. He’s also a blond in a josei series, never a good sign. One day while looking for work, she spots a man being chased and attempts to stop his attacker… who it turns out is actually the man’s bodyguard, trying to get him to do some unpleasant task. Turns out Kagetora is the nephew of the prime minister, so has a lot of people after him for various reasons. And whatever bad luck Tamaki may have, she can also kick. So Kagetora hires her to be another bodyguard for him. But is this really the first time they’ve met?

The author previously did Happy Marriage?!, and I get the sense that if you enjoyed that you’ll like this, and if you didn’t it’s probably not your thing. That said, I did enjoy Happy Marriage?!, and I liked this as well, forced kisses aside. For one, I liked the fact that the forced kiss was immediately called out. I also enjoyed the various bits of bodyguard training we saw – Tamaki can kick, but she needs to learn more if she’s going to be able to protect anyone. And the couple is cute. You hope they get together. In fact, they’d better get together soon, the second volume is the last. Josei fans should have fun with this.

Also, if Kagetora is revealed to be a ninja in Vol. 2 I will laugh and laugh.

Legend of the Galactic Heroes: Mobilization

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By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Tyran Grillo.

These novels seem to have been alternating between political intrigue and space battles, and as you might guess that means the majority of this volume is the latter. And some fantastic space battles they are, showing off good strategies, the horrors of war (one of Those Two Guys is even killed off), and a battle of wits between Yang and Reinhard. As for who wins, well, as you can imagine, it’s not as clear cut as all that. There is a decisive winner of the war, though, and that leads to the scene that everyone has been waiting five books for, which is Reinhard and Yang meeting face to face. It’s not a very long scene at all, and the two respect each other but don’t really change their mind about much of anything. Still, it’s iconic, and I imagine must be one of the highlights of the anime series. Of course, there’s still five books to go in the main series, so the question is where does LoGH go from here?

Perhaps a romantic comedy? Unlikely, but it’s not an accident that each main character has a capable and beautiful young assistant. That said, Frederica’s feelings for Yang have been far more noticeable, whereas it’s harder to get a read on Hilda (as the two generals mirror each other, so do their aides). Given that, it’s unsurprising that Yang takes the plunge here, with perhaps one of the most awkward proposals ever recorded on paper. It’s still nice to see, and combined with the war being over you sort of hope that Yang gets his wish to settle down, retire, and become a historian as he’s always wanted. That is highly unlikely to happen, sadly. As for Hilda, she’s far more active in the plot, but any potential romance (which, given the differences between the Empire and the Alliance, I expect would be more a political than romantic arrangement) is scuppered by her actions here to ensure Reinhard’s safety, which are very clever, work 100%, and absolutely infuriate him. Reinhard has never grown up in many ways, and it’s never more clear than in the scenes at the close of the battle, where he can’t accept what’s actually happened.

As always with LOGH, there’s about twenty other things also happening. Much to my surprise, the bratty child Emperor has not yet been terminated with extreme prejudice, but he has been made completely irrelevant, which works just as well. Julian is back with Yang, though that also means he has to deal with Yang and Frederica getting together, which (as a teenager with a crush on Frederica himself) is vexing. And there is still politics and intrigue, mostly on the Alliance side – in fact, given this is the midpoint of the series, it seems appropriate that a decisive and crushing final victory… is completely averted, leaving everyone pretty unhappy.

As you may notice, I’ve been trying to be less spoilery than usual, because the joy of this volume really is trying to guess what’s going to happen. Of course, the amusing thing is that the main audience for these novels may be fans who have already seen the anime. That said, if you’re on the fence and you like dense, verbose space opera, you absolutely have to be reading this.

Knights-Errant, Vol. 1

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Knights-Errant, Volume 1Creator: Jennifer Doyle
Publisher: Chromatic Press
ISBN: 9781987988239
Released: November 2016
Original run: 2015-2016

Jennifer Doyle’s series Knights-Errant had its beginnings as a webcomic in 2009. It was Doyle’s first attempt at a long-form comic. Somewhat unsatisfied with how the story’s structure was developing, Doyle decided to reboot the series as Knights-Errant: Pavane. The subtitle was eventually dropped and Knights-Errant ultimately became a part of Chromatic Press’ online multimedia magazine Sparkler Monthly in 2015. As a beautifully illustrated, queer-positive historical fantasy with compelling characters and engaging story, Knights-Errant was a perfect addition to the lineup. In 2016, the first volume of Knights-Errant was released in both print and digital formats. The book is in full-color and collects the first three chapters of Knights-Errant serialized online between 2015 and 2016 in addition to content not previously released: a short comic, “Anton & Beppe,” exploring the backstory of those characters, and a short story, “Justice,” written by Doyle’s partner Ursula Wood and featuring the characters Kadeen and Oswald.

The city of Adigo in North Vetal is under siege by the army of its own king. The population is slowly starving, essentially being held hostage by an influential but traitorous margrave whose loyalty to his god comes before his faith in the monarchy. Not all of the margrave’s soldiers share or support their commander’s fervent beliefs, however. At least one guard, Beppe, is working to end the deadly impasse by conspiring with a criminal. Wilfrid, after some amount of convincing, has become vital to Beppe’s plans. Jailed for stabbing two men, Wilfrid is given a choice: certain death by hanging for the crime or almost certain death by attempting to guide the king’s forces into the city. But only the latter gives Wilfrid the chance of surviving long enough to seek retribution and exact revenge. Wilfrid’s fundamental goals may only temporarily align with those of the soldiers who are are hoping break the margrave’s self-destructive control over the city and its people, but it is a risk that they are all willing to take.

Doyle has on occasion described Knights-Errant as a “hate/love letter” to Kentaro Miura’s Berserk. While that influence and inspiration can be seen in the comic, Knights-Errant is more than just a response to a single series–it is a brilliant work based completely on its own merits and worth. One of the many things that I particularly love about Knights-Errant, and one of Doyle’s intentions behind its creation, is the inclusion of queer themes and representation. Notably in the first volume, Wilfrid’s gender is naturally complex and Beppe’s closest and most intimate relationship is with his fellow guardsman Anton. But these sorts of personal qualities make up only one aspect of the series’ believably imperfect and multi-faceted characters. The layered portrayal of both the antagonists and protagonists–many of whom are dealing with traumatic pasts, grim presents, and potentially tragic futures–is excellent. The evocative artwork, colored with subdued but striking tones, seems to effortlessly carry and support the emotional weight demanded by the story. However, in part due to the comic’s admittedly dark and sardonic sense of humor, Knights-Errant does manage to avoid being overly oppressive.

Knights-Errant is a nuanced tale of politics, religion, intrigue, and revenge. It’s amazing how high the stakes have already risen in the first volume with the main players and the beginnings of the underlying plot having only just been introduced. The fate of a city and the lives both within and outside of its walls are at stake, and the threat of psychological and physical violence that the series’ main characters must personally face is tremendous. The entire situation is extremely volatile and everyone knows it–whatever happens next will not only have a major impact on the people who are directly involved, it may very well change the course of history for the kingdom as a whole. The tension and pacing in the first volume of Knights-Errant is magnificent, the intertwining complexities of the characters’ individual stories unfolding within the context of a much larger narrative developing on an even grander scale. Everything about Knights-Errant is intense in the best way possible, from the sophisticated dynamics of the characters’ relationships, to the intricacies of the plot and fully-realized setting, to the dramatic and expressive artwork. The comic is incredibly easy to recommend.

Anonymous Noise, Vol. 5

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Anonymous Noise Volume 5 by Ryoko Fukuyama

I think Fukuyama should give other mangaka lessons on designing compelling covers. The cover for this volume of Anonymous Noise features a great image of Miou rocking out with her guitar. Speaking of Miou, in my mind, I think the best possible ending for this series would be for Nino and Miou to forswear all men, and run off to form an all girl supergroup. This being shoujo manga, I think the series is going to continue along with some conventional love triangles until everything is resolved.

I tend to prefer Anonymous Noise when it focuses more on the music than the romantic drama aspects of the story, so I was looking forward to this volume, where Nino and Yuzu’s band In No Hurry goes up against Momo and Miou’s Silent Black Kitty in a battle of the bands. At 5 volumes in, I’m still not finding the romance storylines in this series very compelling, as Nino is revered as a muse and pulled back and forth by her two childhood friends as though they are squabbling over a shiny toy. I did enjoy seeing Nino’s determination as she approaches practicing for her big concert, and there was a great scene of sassy comebacks as the rival bands unexpectedly find themselves on a radio show together, where they argue about who is the most angsty. I wish the series had a few more self-aware humorous bits like this.

Momo has an emotional confrontation with Nino right before she’s about to perform, which is an action I think is so overwhelmingly selfish, it causes me to not be very invested in the whole Nino/Momo romance that this series has built up over several volumes. Nino’s reaction to her emotional trauma is to take her fugue-like state while singing to the next level, and she responds with an incredible performance, even if she is emotionally out of control. The art is consistently super stylish, and I enjoy the dynamic performance scenes of Nino scream-singing. While I might not be very invested in the romance side of Anonymous Noise, it reliably brings the drama with every volume, and I do enjoy the series when the focus is centered more on the music that the characters all love.

Forbidden Scrollery, Vol. 1

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By ZUN and Moe Harukawa. Released in Japan as “Touhou Suzunaan ~ Forbidden Scrollery” by Kadokawa Shoten, serialized in the magazine Comp Ace. Released in North America by Yen Press. Translated by ZephyrRZ.

Seemingly this manga is simply another in a long, long line of titles that can be summed up as “supernatural experts deal with the yokai problem of the week”. The star of the show, or at least the character who the events revolve around, is Kosuzu, a perky and slightly ditzy seller of rare books. The land she (and the rest of the cast) live in, Gensokyo, seems to exist somewhere in yokai land, and finding books that actually exist “in the human world” is a big deal. Of course, just because the books may have existed in the human world doesn’t mean they can’t be big trouble. There’s letter-eating bugs, and sentient smoke, and all sorts of yokai that are not precisely evil but are definitely troublesome. Fortunately, Kosuzu has a group of friends to help her out whenever things get too out of control. In fact, at times it feels as if the friends are the real stars that the reader paid to see…

Yes, as most readers are no doubt aware, this is not merely another generic youkai manga, but in fact that first manga licensed here in the West based on the hideously popular bullet hell game Touhou Project. And the reason that so much attention is devoted to Reimu and Marisa is that they are the overall stars of the franchise – Kosuzu was created specially for this title. There are, thankfully, some explanatory endnotes detailing who’s who of the major characters. Sometimes this isn’t needed – the vaguely antagonistic friendship/rivalry between Reimu and Marisa is pretty self-evident from the text, but sometimes things can be a bit confusing. When Reimu meets Mamizou, the unsettling supernatural tanuki girl, it’s clear they have a past history, but that is presumably part of another piece of Touhou lore.

So the question remains, is this readable and enjoyable to someone unfamiliar with the Touhou franchise? I think so. Pretty much all I know about Touhou can be summed up as “Cirno’s Perfect Math Class”, but I was able to move along here, mostly as I have considerable experience reading youkai manga. The cast are new to me, but their character tics are pretty well established – Reimu seems very lazy, for example. That said, I think I found Kosuzu the most interesting character – which makes sense, since this series is supposedly about her. It’s unclear how aware she is of the dangerous qualities of her books – certainly she seems to be hypersensitive to anyone damaging then, but that reads as “obsessive book lover” more than anything else. I want to see more of her.

I think Yen Press seems to agree with me that the series can be appreciated without any previous knowledge, as the Touhou references are limited to the endnotes – not even a “based on the hit game Touhou Project!” on the back cover. It’s supposed to succeed or fail on its own. There seem to be about 7 volumes, and I’ll certainly see how the next one is. For Touhou fans, obviously, but also yokai fans and fans of cute girls.

Manga the Week of 12/6/17

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SEAN: The first week of December seems like a cakewalk compared to the third, but that’s only a matter of degrees. Let’s see what we’ve got.

Dark Horse has an 8th volume of Blood Blockade Battlefront, whose 7th volume came out sometime in the 17th century, I believe.

ASH: That does sound about right.

SEAN: Ghost Ship is the new imprint for Seven Seas’ more racy titles, though honestly I’m not sure how they’re different from a lot of Seven Seas’ other racy titles. They begin with two Shonen Jump titles that Viz never bothered to pick up: To-Love-Ru, a sweet yet ecchi romantic comedy, and To-Love-Ru Darkness, its much racier sequel that verges on hentai at times. We get an omnibus of the first two volumes of the first series, and the first volume of its sequel.

ASH: I’m curious to see how this imprint develops. It’s also incredibly interesting to see Shonen Jump titles from a publisher other than Viz!

SEAN: J-Novel Club has another debut, this one called How NOT To Summon a Demon Lord. I believe the Japanese title mentioned slave magic, so I will withhold my thoughts till I see how it handles it.

ASH: I wonder if Seven Seas might eventually team up with J-Novel Club to print this series, too, since the manga adaptation has also been licensed.

SEAN: There’s also a 5th Mixed Bathing in Another Dimension, which has caught up with Japan so has longer wait times.

Kodansha has STUFF. The first digital debut is Drifting Dragons, which seems to combine dragons and cooking. It runs in good! Afternoon.

MICHELLE: Oooh! And next year we’re getting househunting dragons, too.

ANNA: That sounds fun!

ASH: I would totally read that.

SEAN: The other debut digitally is Ayanashi, a fantasy drama from Shonen Magazine R. World overtaken by monsters, our hero bent on revenge, can he open up to others?

Also out digitally we have Pumpkin Scissors 16 (the Del Rey rescue) Yozakura Quartet 19 (ditto), Altair: A Record of Battles 6, The Full-Time Wife Escapist 7, Hozuki’s Coolheadedness 3, and Real Girl 8. I haven’t even reviewed Wife Escapist 6 yet…

MICHELLE: It’s good!

ANNA: So far behind with Wife Escapist, but I still like it!

SEAN: Kodansha’s print debut is Wake Up, Sleeping Beauty, which is another shoujo title from Dessert but whose premise intrigues me.

MICHELLE: I am always willing to at least try Dessert titles, having liked a lot of them.

ANNA: Me too!

ASH: I am also rather intrigued.

SEAN: If you wanted to pick up the Attack on Titan: No Regrets series but decided to wait till it came out in a Complete Color Edition, have I got good news for you!

ASH: I’m not such devotee that I’ll be double-dipping, but I did like this (shoujo!) spinoff. This will probably be the definitive edition, though.

SEAN: And there’s a 7th Fire Force, which continues to not be Soul Eater.

Seven Seas has 2nd volumes for Akashic Records of Bastard Magical Instructor and Captain Harlock: Dimensional Voyage, two series nothing like each other. We also get a 13th Dragonar Academy and an 8th Magika Swordsman and Summoner.

ANNA: CAPTAIN HARLOCK!

ASH: I liked the first volume! I will read more!

SEAN: Vertical has the 2nd and final Helvetica Standard volume, subtitled Italic.

And it’s the first week of the month, so there must be a ton of Viz. Two debuts. The first is Astra: Lost in Space, a Shonen Jump + series by the author of Sket Dance that looks to be a lot more serious than that title ever was.

The other debut is The Promised Neverland, a Weekly Shonen Jump series that I know little about except it’s become quite popular in Japan. Is it the new My Hero Academia?

ASH: I’m interested in both of these, but Kate recently posted a great review of The Promised Neverland, so I know which one I’ll be starting with.

SEAN: Shonen ongoing series! Assassination Classroom 19, Dragon Ball Super 2, Food Wars! 21, Haikyu!! 18, Kuroko’s Basketball 17-18, a 22nd One Piece 3-in-1, and the 4th Platinum End.

MICHELLE: Yay for food and sports!

ANNA: Indeed!

ASH: That is a pretty great combination, actually.

SEAN: Shoujo ongoing series! The 9th Bloody Mary, a 7th Everyone’s Getting Married (OK, that’s josei), and a 2nd Queen’s Quality.

ANNA: Excited for both Everyone’s Getting Married and Queen’s Quality!

ASH: Same! (Even though I’ve fallen behind…)

SEAN: It’s a mangatopia! What are you interested in?

Shojo FIGHT!, Vols. 1-2

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By Yoko Nihonbashi | Published digitally by Kodansha Comics

Neri Oishi was a great volleyball player in elementary school, when she was captain of a team that took second place in the national championship. At her prestigious middle school, however, she’s a benchwarmer, often tasked with picking up balls and doing laundry. One of her teammates, Chiyo, is vocally frustrated by the situation, since she played against Neri’s team and knows how good she is. After injuring Chiyo during an argument, Neri must play in her stead in a practice game. Try as she might to suppress them, her aggressive tendencies flare, and she ends up injuring a teammate. Disaster is further assured when her childhood friend/osteopath Shigeru chooses the boys’ bathroom as a treatment venue. Upon discovery (and subsequent misunderstanding), Neri is forced to resign from the volleyball club.

It’s a neat setup, introducing Neri in this environment where she’s not flourishing. By the end of the second volume, readers have learned about the childhood trauma that led to Neri becoming obsessed with volleyball as a means to forget, and the consequences that single-minded focus had on her relationship with her elementary teammates, all of whom bailed on their plans to attend middle school together. She also enrolls in Kokuyodani Private High School, where her sister attended and whose volleyball team is now coached by her sister’s former teammate.

Neri is ashamed of the selfish way she sometimes plays, and wants to change. She’s also absolutely certain that anyone trying to be friends with her is going to end up regretting it. To this end, she initially keeps her #1 fan, Manabu Odagiri, at a distance. Neri saved Manabu from bullies when they were kids, and Manabu has never forgotten it. It soon becomes clear that Manabu is now in the one in the position to help, urging Neri to try to talk to people instead of simply interpreting things in the worst way possible.

Manabu also ends up joining the volleyball team, despite being a total newbie, leading to the most enjoyable part of the series so far: a three-on-three game between the new first years. All of the firsties on the Kokuyodani team have distinct personalities (and, actually, the upperclassmen are seriously fun and awesome, too) and their different training styles are fascinating to watch, especially as Neri manages to drill Manabu in the basics while tasked with spending the first three days only on cleaning duty. Seeing Manabu succeed is gratifying, and I loved that, after Neri’s “mad dog” persona emerges during the game, none of her new teammates harbors a grudge about it.

I am very impressed with how vivid these characters are so far, and 100% addicted already. I also want to note that although the art style is a bit unconventional, it doesn’t take long to get used to it and after a while I stopped noticing it entirely. Although I will always love shounen sports manga, after Shojo FIGHT! and Giant Killing, seinen sports manga might be my new fave.

Shojo FIGHT! is ongoing in Japan, where it is up to fourteen volumes.

Review copies provided by the publisher