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Giant Spider & Me, Vol. 1

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Giant Spider & Me is a gentle fantasy that’s tinged with whimsy and rue. The story focuses on Nagi, a perky tween who lives by herself in a well-appointed cottage, awaiting the return of her father from a mysterious trip. In his absence, she’s proved remarkably self-sufficient, growing and foraging for her own food and preparing delicious meals for herself. Our first hint that something is amiss occurs early in chapter one, when she stumbles across a mastiff-sized spider in the woods. Their initial encounter doesn’t go well — Nagi is understandably terrified — but her apprehension soon gives way to a unique interspecies friendship when she discovers Asa (her name for the spider) shares her passion for pumpkin dumplings and leisurely picnics.

What inoculates Giant Spider & Me from a terminal case of the cutes is the specificity of Kikori Morino’s vision. On a superficial level, Giant Spider & Me is a culinary manga that walks the reader through the process of making turnip soup and miso ratatouille while conveying the joy of sharing food with others. (And yes, recipes appear at the end of each chapter.) On a deeper level, however, Giant Spider & Me is a thoughtful reflection on what it means to share your home with an intelligent creature, recognizing the pleasures of such an arrangement while acknowledging the communication gap between species. Asa proves a lively and willful guest in Nagi’s house, scaling walls and punching a hole in the roof in its quest for greater freedom — a detail that frustrated cat owners will appreciate.

The other secret to Morino’s success is her artwork, which strikes an elegant balance between clarity and detail. She never explains what caused the apocalypse of the title, but hints at its devastation with small but important clues: a partially submerged city, a vigilante in a gas mask and military-issue poncho. Morino applies that same mixture of restraint and exactitude to her character designs; Asa is both menacing and cute, an eight-eyed, eight-legged creature whose terrible mandibles are balanced by a feather-soft abdomen and a puppy-like demeanor. By emphasizing Asa’s duality as pet and monster, Morino helps us see Asa as Nagi does while also helping us understand why other survivors take a dimmer view of Asa. Something tells me I might need a tissue or two before the series finishes its run. Recommended.

Giant Spider & Me: A Post-Apocalyptic Tale, Vol. 1
Story & Art by Kikori Morino
Translation by Adrienne Beck; Adaptation by Ysabet Reinhardt MacFarlane
Seven Seas, 180 pp.
Rating: Teen

Bookshelf Briefs 2/26/18

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Arakawa Under the Bridge, Vol. 2 | By Hikaru Nakamura | Vertical Comics – The conceit of the first volume was to show that everyone who lived under the bridge, including the supposed straight-man hero, was completely and utterly weird. This second book expands that to show that you don’t even have to be living under the bridge, as Rec’s father and underlings prove to be just as screwed up. That said, the best moments in this omnibus go to the already-introduced cast. Everything involving Maria is a delight, particularly her “helping” Rec in his deception. Rec becoming a schoolteacher is also a fertile ground for gags, as is the race. My favorite moments, though, are just the simple unfussy love Nino seems to have for Rec. It actually grounds the series. – Sean Gaffney

Behind the Scenes!!, Vol. 5 | By Bisco Hatori | VIZ Media – I couldn’t quite bring myself to abandon this series, and that may be a good thing, because volume five is quite a bit better than what’s come before. True, some things are treated in a very frivolous manner, like Ruka’s stalker who conveniently disappears after Goda thwarts him once, but some emotions ring true, particularly Ranmaru’s raging feelings of inferiority when it comes to Goda, whom Ruka, the object of Ranmaru’s unrequited affections, pines for unrequitedly and who not only protects her from the stalker but has superior design ideas at every turn. Of course, Ranmaru ultimately learns that Goda is so good at what he does because of hard work, not sheer talent, and by volume’s end he seems more driven to work hard himself. I might care enough to stick around a bit longer. – Michelle Smith

Bloom Into You, Vol. 4 | By Nakatani Nio | Seven Seas – The drama amps up in this fourth volume, which (as with previous volumes of this series) makes it more interesting. Touko’s self-hatred is really becoming harder to hide, as she not only reveals to Yuu the mask that she’s been wearing ever since tragedy struck her family, but also urges Yuu not to fall in love with her, as, of course, she hates herself. That said, it may be a bit late on that score, as Yuu might be asexual but she’s not aromantic. (There is a clever use of a word bubble to obscure a narrative text block that is fooling no one.) The play that is written, meanwhile, is a bit too close to Touko for comfort, and the ending feels off, which is why it’s good that Yuu may be trying to change that. I’m finally enjoying this quite a bit. – Sean Gaffney

Chihayafuru, Vol. 9 | By Yuki Suetsugu | Kodansha Comics (digital only) – One of the things I like best about Chihayafuru is that the less-advanced members of the Mizusawa Karuta club are allowed to make valuable contributions. After watching the Master and Queen matches, “Desk-kun” tells Chihaya she shares a skill with the intimidating Master—the ability to discern more one-character cards than others—and one can’t help but think she’ll go far if she develops it. Meanwhile, Kana takes the education of new first-year members in hand (and proves to be right that it’s the poetry that hooks them) and “Meat Buns” trains the cocky newcomer who only knows the Hokkaido variant of the game. Everyone’s changing and they all have different goals and priorities, but two constants are their love of karuta and my love of this series. – Michelle Smith

Delicious in Dungeon, Vol. 4 | By Ryoko Kui| Yen Press – The majority of this volume is dedicated to finally bringing down the red dragon that ate Laios’ sister, and it’s a pretty badass battle, showing everyone failing and succeeding in equal measure—it’s well-earned. Sadly, Falin is pretty much a skeleton by now, but that is not going to stop our heroes. This is actually a fairly odd development, one that requires a bit of a side story in the early part of the volume to set up so it’s not completely out of the blue. (It also shows off some worldbuilding, hinting at an ongoing plot beyond this book, which I suspect may have been the original “if this gets cancelled fast” ending. But the series is popular, so we get a menacing elf for a cliffhanger. This has become excellent. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 22 | By Yuto Tsukuda and Shun Saeki | Viz Media – Thanks goodness, the recipes at the end of this book do NOT ask the reader to cook with bear—the meat is changed to something more prosaic. The whole book is devoted to Soma’s battle, though we do also see a few shots of the new players in the Council of Ten, including Hayama, and also discover Megumi has to be judged by the eccentric Rindo. Soma’s got his work cut out for him, though, as his judges are all relatives of the Nakiri family, including Alice’s little sisters. The idea of Southern Fried Bear boggles the mind a bit, but the beauty of Food Wars is its ability to make anything sound delicious. And Soma’s bearburg steak may end up saving the day—depending on if Hayama will eat it. – Sean Gaffney

Girls’ Last Tour, Vol. 4 | By Tsukumizu| Ywn Press – It’s hard for one part of this fourth volume to not completely overwhelm the rest of it. For the most part, Chito and Yuuri ride their tank around, take a still-moving subway car to a brand-new part of the city, discover real, actual chocolate, and the like. But when Yuuri fires off a tactical nuclear weapon, destroying a large portion of the city off in the distance, your jaw drops. I am told the anime played this scene a bit more seriously, and rightly so—Yuuri’s laughter is appalling (and it’s meant to be, I think). This volume assures us that this is genuinely after the end of the world, and there’s not going to be a final scene where they’re rescued. I was not expecting a slice-of-life series with two cute girls to be so chilling. – Sean Gaffney

Log Horizon: The West Wind Brigade, Vol. 8 | By Koyuki and Mamare Touno | Yen Press – OK, turns out that Soujiro’s opponent isn’t quite Nureha, but some sort of golem controlled by a person of the earth with a penchant for evil. Strangely, said character later ends up as a small girl, and gets adopted by the West Wind Brigade and named Kuroe (to contrast with Shiroe and remind you why everyone in the WWB suspects Soujiro has a crush on him). The rest of the volume wraps up the events of the fourth book, giving more insight into the missing memories and some terrific facial expressions of Raynesia. The series just announced it’s ending in Japan, but this sort of side story doesn’t really need a definitive ending. “And the adventure continues” will do fine. – Sean Gaffney

Pick of the Week: At Last, Farming Manga!

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SEAN: My pick this week is Silver Spoon Again!!, a touching story of a young man who dies from overworking himself as an agriculture student in Hokkaido, but is given the opportunity to go back and live his life again, and becomes an ouendan cheerleader for the school’s equestrian squad.

MICHELLE: Ha! I am behind that pick 100%!

KATE: I’m on Team Silver Spoon this week, but for selfish reasons: I’m hoping that Silver Spoon will be such a hit that Yen Press will rescue Hiromu Arakawa’s Hyakusho Kizuko and offer it in a snazzy print edition. JManga released the first volume in 2012 before folding up its tent, and I’ve always felt it deserved a second chance with American readers. Here’s a link to my original review; it has 100% more cow manure jokes than Fullmetal Alchemist.

MJ: I have been hoping for Silver Spoon so much for so long, that has to be my pick! Hiromu Arakawa is a manga goddess and I am always on her team. And hey, I will also get behind Kate’s argument. More Arakawa is always better!

MICHELLE: I’ll get behind it, too. There are definitely several JManga titles that I wish could find new homes.

ANNA: I’m also looking forward to Silver Spoon. I always feel like throwing a party whenever a manga I thought would never be available here gets released in translation.

ASH: Like everyone else here, Again!! and Silver Spoon are definitely at the top of my list this week. I’ve been waiting to read Silver Spoon longer, so I guess that’ll be my official pick, but I’m looking forward to the debut of both series a great deal.

Log Horizon: Homesteading the Noosphere

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By Mamare Touno and Kazuhiro Hara. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Taylor Engel.

At last, after four volumes that focused separately on various groups and their growth and development, everyone is back together and ready to deal with fresh new problems. Which is good, as there are quite a few fresh new problems. Westlande is about to go to war with Eastal, and the adventurers are caught up in the middle of things. They have to defend the young crown prince, Raynesia’s little brother, from assassination attacks. They’re being attackied by killer moths that put people into a deep sleep. Shiroe is feeling that he’s inadequate for the job (well, OK, that’s more a leitmotif for the entire series, as Akatsuki and Minori both point out). And, perhaps worst of all, due to various screwups in real life, will there ever be a Log Horizon Book 11? Yes, as it turns out, but we were wondering for a while there.

Shiroe’s inadequacies are part of a larger theme in this book of growing up and becoming an adult, and what that means to various people. For Serara, much as I might not like it, that means getting stronger so that Nyanta might notice her in a romantic way. (To Nyanta’s credit, his interest is still zero.) For Minori, it’s realizing that her feelings for Shiroe AREN’T romantic, and that they’re more a function of who she is and how she handles situations. For Isaac, it’s simply living from day to day, not really thinking deeply about things, and watching all the idiots around him. And then there’s Shiroe. He has to deal with Roe2’s letter, which goes into much greater detail about what sort of world they’re trapped in, and that it’s not just a weird “we’re caught in the actual game” thing. He has to think about how to get back home, and whether some people WANT to get back home. Nazuna describes him at one point as a “wimp”, and that’s true, but when he calms down and stops his self-loathing barrage, he can also be brilliant.

Towards the end of the book they find a sort of radio transmitter, which makes contact with Kanami and company, who are still making their way slowly to Japan, and who seem to have a surprise new member in their party. As I noted in the last book, it’s hard to focus on Kanami as a character as she’s designed to be “perfect”. As such, she instinctually comes up with the idea that Shiroe and the rest couldn’t – instead of thinking about how to get back home, think about how to connect the two worlds, so they can come and go as they please. For Kanami, this is simply because she wants to show her three-year-old daughter back on Earth the wonders of this land. For Shiroe and company, it’s a revelation – they can try to have their cake and eat it too.

There’s lots of other things that Log Horizon fans will enjoy in this book – the fights, as usual, are well-written but rely a bit too much on gaming terminology for me to really get deeply into them. At least I get some more Naotsugu/Marielle ship tease, which is nice. There are also a few appendices showing amusing and informative background on several things (Log Horizon is one of the few print-only series left from Yen On – it’s print-only in Japan too – and the appendices would certainly be a pain to convert.) As I indicated above, for various reasons (search Anime News Network for the author’s name if you’re curious), there was a huge gap between Book 10 and 11, which likely means we won’t see 11 for a while. But it’s coming out in Japan soon, and will answer a question many have been wondering: what’s Krusty been up to?

Oh, My Sweet Alien!

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By Kouji Miyata. Released in Japan as “Yome ga Kore na Monde” by Enterbrain, serialized in the magazine Harta. Released in North America by Yen Press. Translated by Sheldon Drzka.

This sort of premise will be very familiar to anyone who reads books or watches television, aliens aside. The story of a normal man who ends up marrying a wife who has a supernatural secret – or even is just of an amusing foreign nationality – has been around forever, and Oh, My Sweet Alien! is simply adapting that premise to suit its own needs. That’s not to say that this manga is dull – predictable, yes, but I was entertained throughout, mostly as the author manages to find a nice balance between the wife being a “funny foreigner” type and the wife being a genuinely weird, unnerving alien. It never gets too horrific – this is a sweet comedy, after all – but we do see the collection of human skins she has to wear to pass herself off in this world, and at home she’s not above using her tentacles as easily as she does her hands – in fact, more easily. As the story progresses and they have a child, the complications remain the same – predictable, but fun.

As we find out in a flashback, Nobuo, our young man, was abducted by aliens to be fitted with an implant, seemingly as some sort of rite of passage for a young alien girl (who is referred to as “the wife” throughout, I believe). Somewhat delirious from the abduction, and touched by the fact that she doesn’t want to give him the implant, he proposes to her, and they move in together. The rest of the book could be described as “wackiness ensues”, really. We get alien in-laws, Nobue’s grumpy mother, and two more aliens (from Venus, no less) hell bent on breaking up the couple by seduction. All of these could easily be rewritten from “alien” to “foreigner”, as I said, but seeing how :”alien” plays out is what makes this fun. I was a little frustrated at times (Madoka, the female alien homewrecker, can be quite annoying before she’s gradually toned down a bit), and the gratuitous nudity feels a bit out of place (without it, honestly, you could lower the age rating a bit), but the sweet moments are really sweet, and the humor can sometimes be fantastic – I loved the “I will reveal my secret” gag of the final chapter, for example.

Sadly, this is all we’re going to get of this title – the author died of a brain hemorrhage three years ago. It’s a shame, because of the many varieties of western publishers’ “Monster Girl” series that have been flooding the market faster than you can say Alice in the Country of Hearts, this was on the cute, fun side, and it’s nice to see one that stars a happily married couple who love each other despite all of the obvious differences. It’s not for everyone (I will mention the nudity again, there really is quite a bit of it), but fans of the genre should definitely give this a try.

Manga the Week of 2/28/18

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SEAN: The end of the month, and we celebrate by doing this list in reverse order, mostly because I want to lead with the Big One.

Yen Press is bringing out Silver Spoon, Hiromu Arakawa’s farming manga that is her big followup to Fullmetal Alchemist. The story of a young man’s coming of age at an agricultural university, it’s a personal favorite, and I have been begging for its license for years. Everyone NEEDS to read this.

MICHELLE: So excite.

ANNA: I am also excited!

MJ: This is so exciting to me. I, too, have been begging for this license forever, somehow missed it had even happened, and now I’m just awash in joy.

ASH: I also share in the excitement! I really enjoyed the anime adaptation, but I’m thrilled that the original manga will finally be translated, too!

SEAN: There are also a number of ongoing Yen Press series that are not Silver Spoon. Scum’s Wish 6; the 3rd and final volume of Rose Guns Days Season 3 (STEEEELLLLAAAAAA!); A Polar Bear in Love 2; an 8th volume of Log Horizon: The West Wind Brigade, whose end was recently announced in Japan; Girls’ Last Tour 4; Delicious in Dungeon 4; and Aoharu x Machinegun 9.

MICHELLE: I still have every intention of reading Delicious in Dungeon!

ANNA: Me too, but sometimes my intentions do not manifest in reality.

ASH: Delicious in Dungeon is one of my favorite series being published right now. I was also surprised by how much I enjoyed the first volume of A Polar Bear in Love, so I’m looking forward to reading more of that series, too.

SEAN: We also have new light novels! Psycome comes to an end with its 6th and final volume (there’s apparently a short story collection as well, but I wouldn’t hold your breath). Log Horizon’s 10th volume catches us up with Japan, so it may be a while before Book 11. And there’s also a 6th Re: Zero, a 5th volume of the DanMachi spinoff Sword Oratoria, a 2nd volume of The Empty Box and Zeroth Maria, and Vols. 4-5 of Kieli out digitally.

And speaking of digital, Yen has new digital volumes of Toilet-Bound Hanako-kun (4), Saki (14), IM: Great Priest Imhotep (5), Gesellschaft Blume (5), Corpse Princess (15) and Aphorism (14).

ASH: Saki!

SEAN: Viz also has a digital release, with a new volume of The Emperor and I.

Vertical Inc. gives us Nekomonogatari (White), which wraps up Tsubasa Hanekawa’s character arc by giving us a book narrated by her. Can the series hold up without Araragi’s eccentric and teenage-boy riddled monologues? Probably.

Vertical Comics gives us a 2nd omnibus of The Flowers of Evil.

Udon gives us the 2nd volume of Infini-T Force.

Seven Seas’ debut is another print release of a J-Novel Club digital novel series. Clockwork Planet will also be familiar to manga fans from Kodansha’s release, and anime fans from a relatively unpopular series. The novel is worth reading, though.

ASH: I’m really liking this partnership between J-Novel Club and Seven Seas.

SEAN: We also see Unmagical Girl 2, Freezing 19-20, a 2nd Devilman Grimoire, and most importantly for Manga Bookshelf folks, an 8th volume of The Ancient Magus’ Bride.

MICHELLE: I now have a stack of The Ancient Magus’ Bride on my desk, courtesy of my local library!

ASH: Always glad to see a new volume of The Ancient Magus’ Bride! I also rather liked the first volume of Devilman Grimoire, though that series is a different beast entirely.

SEAN: Kodansha has some great print releases next week, with a 13th Kiss Him, Not Me! (still making me wonder if the pairing will stick), a 7th Clockwork Planet (the manga), and a 2nd volume of the Clear Card sequel series to Cardcaptor Sakura.

MICHELLE: I hope a bit more happens in this volume of Clear Card.

SEAN: The big debut, though, is Again!!, a manga by one of the creators of Yuri on Ice. If you always wanted to see Peggy Sue Got Married but with Japanese Ouendan cheerleaders, this is the title for you. I’m looking forward to this quite a bit.

MICHELLE: I might possibly be even more excited about this than Silver Spoon!

ANNA: AHHHHHHHHHH!

MJ: This sounds awesome.

ASH: Doesn’t it though?! This should be great.

SEAN: Kodansha Digital surprised us by announcing they were putting out a digital release of Dragon Head next week – all 10 volumes of this seinen thriller classic.

ASH: I was pleasantly surprised by this announcement! Dragon Head goes a little off the rails here and there, but overall it’s a great post-apocalyptic survival series. I’m glad to see it legally available in English again.

SEAN: There’s also new volumes for PTSD Radio (4), Pitch-Black Ten (3), My Brother the Shut-In (2), and My Boyfriend in Orange (3).

J-Novel Club debuts a new series called [New Life +] Young Again in Another World, which features the usual suspects you expect with a series that has “In Another World” in its title, but the gimmick is that the protagonist lived to be 94 before he was reincarnated.

They’ve also got a 2nd volume of Walking My Second Path in Life, whose first volume I really enjoyed. Plus, female protagonist!

And Ghost Ship has a 3rd volume of the “racier than the very racy original” sequel To-Love-Ru Darkness.

Aside from the must buy that is Silver Spoon (and, if I’m honest, you should get Again!! as well), what are you picking up next week?

Silver Spoon, Vol. 1

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

It’s honestly hard not to get a bit choked up reading this first volume of Silver Spoon, one of the manga licensing holy grails of the last few years. Cries of “it’s a new series by the creator of Fullmetal Alchemist! What’s stopping them?” were met with the response of “It’s a FARMING manga”. But here we are, and finally, seven years after its debut, we have Silver Spoon, a farming manga, in our hot little hands. In fact, I was rather surprised to see that “from the creator of Fullmetal Alchemist” is nowhere on the covers. It’s possible, of course, that they did not want to give mistaken impressions – fans of the fantasy action movie that FMA was much of the time would likely be taken aback a bit by this slice-of-agricultural life series. But in the end I think that’s fine, as Silver Spoon stands out on its own without any help. It’s a truly refreshing series.

Our hero is Yuugo Hachiken, who has arrived at an agricultural high school up in Hokkaido, the only student in the school who doesn’t come from some kind of farming background or family. We don’t learn his circumstances right away, except to see that he doesn’t seem to have a purpose in life. The other students definitely all are goal oriented – they have to be, given the nature of the industry they’re all in. Hachiken is an excellent student, but he’s also far too serious and tends to suffer from “if I don’t get straight A’s and the 1st place in class I am a failure” syndrome. Here, though, he’s thrown head first into farming life, with the help of the cute girl who “rescues” him after he chases a runaway animal on his first day and gets lost, Aki Mikage. He’s immediately smitten, but romance is on the back burner here. The main thrust of the series is seeing Hachiken learn about animals, farms, and the cycle of life, and trying to come to terms with it.

Arakawa grew up on a farm, and it shows. The attention to detail here is fantastic, and even though there’s a lot of exposition you never feel bored. Hachiken too is a well thought out protagonist. He’s uptight, and seemingly the sort of person you’d expect to break after a few days of the grueling work the kids have to put in at the school, but while he whines a lot, he never thinks of giving up. (And the one time he tries to slack off he’s quickly put in his place.) Moreover he’s quite happy to tutor the other kids in things like math and the like, and already seems to be showing signs of “trying to do it all”. The rest of the cast is also introduced well – Mikage is sweet and upbeat, the baseball-playing Komaba is stoic and serious, etc. Fans of Fullmetal Alchemist may find the gym teacher a bit familiar as well. And the animals are fun as well, particularly the horses – though there are hints there may be piglet drama coming up soon.

After waiting so long for this series, I am so happy to report that it doesn’t disappoint. It’s a relaxing, easy read, and you’ll also learn a lot about animal care. I urge everyone to go and buy this, as I desperately want it to succeed. Highly recommended.

How NOT to Summon a Demon Lord, Vol. 2

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By Yukiya Murasaki and Takahiro Tsurusaki. Released in Japan as “Isekai Maou to Shoukan Shoujo Dorei Majutsu” by Kodansha. Released in North America digitally by J-Novel Club. Translated by Garrison Denim.

The second volume of this series picks up right where the first one left off, both in terms of the plot and in terms of my feelings about it. It’s rare to see a series that has so many of the things that I dislike in it be something I still want to read, but there you have it. I want to find out what happens next to Diablo, Shera and Rem. I find the pacing and narration easy to read. The book is occasionally funny, and the battles are well done. On the minus side, we double down on “this is why slavery is OK here”, complete with explanation of how it would work if good, nice people were in charge of slaves. We get another in a long line of villains who are meant to be as evil as possible, though for a change this one is not written by Reki Kawahara. He still works in rape threats AND incestual feelings, though. That said, honestly, for fans of this sort of book? This volume delivers the goods.

Shera got the cover of the first book, so Rem features here, even though the plot revolves around Shera. Her brother is trying to force her to return to the Elven Kingdom and become a broodmare (with him, which makes the whole thing even ickier), first trying threats, then using a mind control that is so painfully obvious that the only person it would ever work on is an insecure Japanese hikkikomori with no social skills who is pretending to be an over the top demon lord. Lucky for him! (In all seriousness, Diablo’s “mask” slips quite often in the dialogue, and he frequently sounds less like a demon lord and more like a typical tsukkomi-style protagonist. No one really remarks upon, this, so I’m not sure if it’s just sloppy writing or a deliberate attempt to show his “Diablo” is not as perfect as he’d like – certainly by the end of the book Rem seems to be seeing through him.) Naturally, Diablo, once he snaps out of it, goes to Shera’s rescue, but then he has to take on the very powerful Governor of the city they’re staying in.

I continue to like the relationship between Rem and Shera, who bounce well off each other, and are rapidly becoming close friends, much as Rem may not want to admit it. And while the fanservice is not my cup of tea (particularly the final “gag” involving the grasswalker adventurer who gets Diablo drunk and lives to regret it), it’s exactly the sort of thing that readers of this series would like to see. We’re also introduced to a Holy Knight named Alicia, who’s fairly straightforward and dull, and thus the epilogue pleased me as I’d been expecting something else to be going on with her right from the start. I suspect that the next volume will get back into the whole demon lord revival thing that had been a part of the first book. In the meantime, this is only for readers of harem isekai, I want to emphasize again. But I will be sticking around despite all the book’s faults, which is a positive thing.

Yona of the Dawn, Vol. 10

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Character development is something that you want to see in a good story. It’s something we’ve seen throughout Yona of the Dawn. For all that people were chanting “badass sword princess!” when the series was originally licensed, it’s taken a while for Yona to get from her sheltered princess to that point, and she still has a long way to go. And that means that character development happens even with the villains, provided they aren’t meant to be the standard “I am so evil I have to die” sorts. That’s why this volume is devoted almost entirely to Tae-Jun, the arrogant Fire Prince who has been dealing (badly) with thinking that he killed Yona back at the beginning of the series. He’s always been played for comic relief, and there’s certainly still some of that here – his puppyish devotion to Yona makes us uncomfortable but also makes us laugh. But there’s a larger story to be found here, which is the suffering that the kingdom has been going through.

Yona has slowly been realizing what she wants to do for this kingdom, but it’s not something that she’s really able to fully achieve as a bandit. Tae-Jun could really make more of a difference, though it’s worth noting that even he has to disguise it as “searching for the bandits and making the towns better as a result”. The peasant towns we’ve seen the last few volumes are really struggling, as every able young man is now gone to the army, leaving almost no one left to keep everyone eating and surviving. There’s a heartwarming moment with an old woman who bitches and moans about how bad Tae-Jun is at backrubs and everything else he tries to do, but Yona notes that it’s mostly just bluster. But later on, we hear that the old woman has died. This isn’t a magical cure, where Yona or Tae-Jun start to do the right thing and everyone magically gets better. People still die. People still suffer.

Tae-Jun’s soldiers are also seen throughout, and don’t have quite as much of a leap, as they go from “we are devoted to our lord even if he’s like this” to “we are devoted to our lord and oh look, he’s doing things now”. That said, they seem perfectly content to help the villagers as part of finding the bandits, once they get over their initial “if we come near them, we will get sick and die” phase. (Which, truth in manga, does actually turn out to be somewhat true – one of the soldiers seems to pick up a bad case of “con crud” fairly quickly.) As for Yona and the others, they realize that they need things that aren’t in the Fire lands, so are off to find them, and presumably to start a new arc. In the meantime, everyone who’s been reading Yona of the Dawn will enjoy this, and appreciate a more nuanced look at a former goofy villain.

Pick of the Week: Fish, Spiders and Distant Stars

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MICHELLE: By now, it probably goes without saying that I will definitely be getting the new volume of Chihayafuru, so I will instead pick Voices of a Distant Star. I never read it the first time around, but I remember MJreally loved it. The your name. movie made me cry buckets, so I bet I will probably love this story, too.

SEAN: I’m definitely picking up Voices, but my pick this week goes to Giant Spider & Me. A combination of food manga, sweet slice of life, and post-apocalyptic survival, it feels like every new trend we’ve had brought into one title.

KATE: I’m exited about the return of Voices of a Distant Star, and charmed by the idea of a slice-of-life story about a girl and her giant spider, but my must-read manga this week is Fukushima Devil Fish, a collection of short stories by Susumu Katsumata. And yes, the Fukushima of the title refers to the nuclear plant that experienced a partial meltdown after the 2011 Tohoku earthquake; according to publisher Breakdown Press, the anthology includes “two stories from the 1980s on the subject of ‘nuclear gypsies,’ the men who labor under oppressive conditions to maintain Japan’s fleet of nuclear power plants.”

ASH: I’m certainly curious about Giant Spider & Me since learning that it is in fact a food manga but, like Kate, Fukushima Devil Fish is what takes priority for me this week.

ANNA: There’s a ton of great manga coming out this week, but I’m most interested in Voices of a Distant Star, since I wasn’t able to catch it the first time it was released.