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Caterpillar Girl and Bad Texter Boy

June 25, 2018 by Sean Gaffney

By Sanzo. Released in Japan as “Imomushi Shoujo to Komyushou Danshi” by Kadokawa Shoten, serialized in the magazine Gene Pixiv. Released in North America by Yen Press. Translated by Alexandra McCullough-Garcia.

I’m not sure what I was expecting going into reading Caterpillar Girl and Bad Texter Boy. I knew the basic premise, but that’s about it. I think I expected a cute, slice-of-life thing with heartwarming moments. I also expected by the end of the book everything would be back to normal. Neither of those things happen, and in fact the book goes to a lot of dark places that I wasn’t expecting. That makes it a richer experience, though, and even as I was reading along and going “holy crap”, I was appreciating what the author was doing, peeling apart the backstory of a hero that I honestly didn’t like at all at the start, and making you think twice about the love on his childhood friend, which goes from zero to obsession in the flashbacks. And then there’s the God who puts all this in motion. The book has a lot of balls in the air, but juggles them very well.

The book wastes no time getting into its basic premise. Suzume is pretty, accomplished, and popular. She is childhood friends with Akane, who is introverted, somewhat plain, and has a massive case of self-hatred. So when she confesses to him, his response is variations on “there’s no way someone like you could go for someone like me”. After which she promptly disappears… and then shows up in front of him as a giant human-sized caterpillar. No, this isn’t metaphorical this time around. She made a wish to a shrine god that she could be an ugly creature so that he wouldn’t have to worry about her being pretty and popular. The trouble is that she REALLY didn’t think this through, and can’t really grasp anything, food tastes bad, and she now feels totally useless. As for Akane, he still hates himself, but now he feels guilty. What’s more, turns out one of Suzume’s friends at school is in fact the God she was praying to… and she hates Akane.

The second half of this book, right about where we start to get the perspective of Ouga, the classmate and God mentioned above, ends up being so riveting that I don’t actually want to spoil it. Which, for those readers who know that I casually spoil absolutely everything, is really saying something. Seeing Akane’s backstory made me realize that he’s not just some whiny loser protagonist but has real built-up issues. We also see that Suzume’s love is incredibly unhealthy, both in her past as a human and in her present as a caterpillar, and as we head towards the ending (the book is complete in one volume) we realize that this is not one of those “happily ever after” books so much as “ever after”. There are no easy answers when you love someone so much you transform into a caterpillar for them.

This isn’t an easy read – the three leads all have difficult personalities that we have to deal with, and I think there are some readers who might have preferred the cutesy heartwarming story I thought we were getting going in. But I’m very happy I read this, as the emotional heft of it was fantastic.
Not your typical “monster girl” manga.

Filed Under: caterpillar girl and bad texter boy, REVIEWS

Outbreak Company, Vol. 4

June 24, 2018 by Sean Gaffney

By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

This is quite a short volume of Outbreak Company, and as such it doesn’t really do a heck of a lot to advance the forward plot. Its main thrust can be divided into three: 1) Due to the soccer game from last book being filmed and then leaked onto Youtube, Shinichi and company have to figure out how to cover up something that’s already gone viral; 2) Petralka is starting to burn out a bit, and her advisors aren’t really sure how to deal with a teenage empress; and 3) the author has realized that Minori hasn’t really had much of a backstory, and thus has Shinichi actually notice she’s uncomfortable when he calls her feminine and asks her about her past and background. In the afterword, the author says this was supposed to be Minori’s book but Petralka sort of shoved herself in; I think that may have been a good idea, as while Minori’s past is suitably sad, it doesn’t really tie into anything else. It’s there just for development.

Minori doesn’t even get the cover (she was the logical choice), as instead we have Magical Girl Petralka. Shinichi’s idea to stop the Youtube rumors is to put out a few more video clips that make it clear that this is a movie, and that it’s just CGI people saw. This dovetails nicely with Petralka needing a bit of distraction from the heavy weight of power, and so she ends up being the star. Unfortunately, as you’d expect from a girl who’s done nothing but rule the country or be prepared to rule the country, Petralka decides she likes life on the other side a bit TOO much, and needs to be smacked back with some harsh reality. These are probably the best scenes in the book, and show off the main reason why Outbreak Company is still a good read – Shinichi is very good at reading people, and figuring out what they need.

As for Minori, despite telling Shinichi about her past, and saying that she understands why the other girls have all fallen for him, there’s no indication that she has done the same, which is fine with me. She gre up as the Heir to the Dojo, but as iwth a lot of Heirs to the Dojo who are female, her dad wanted a boy and she can’t help but always be inadequate. Puberty also didn’t help, which is probably why Shinichi’s obsession wi8th her large breasts is not all that welcome (though I would not expect it to end either – this is still a Japanese light novel). That said, she gets to save the day when a large dragon attacks the film site (which is the one part of the book hinting at future plotlines, as the dragon seems to have been mind controlled by another nation), and hopefully she’ll feel more comfortable with herself as the series goes on.

This wasn’t the best volume of Outbreak Company, and it felt more like filling time than anything else. But there were still lots of good scenes and funny character bits, and it’s enough to tide us over till the next book, which I hope is more plot-heavy.

Filed Under: outbreak company, REVIEWS

Little Witch Academia, Vol. 1

June 23, 2018 by Sean Gaffney

By Trigger, Yoh Yoshinari and Keisuke Sato. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by JY. Translated by Taylor Engel.

Despite this being another franchise where I’ve never actually seen the anime, I knew quite a bit about it to begin with. It was a Kickstarter series that blew up into a full-fledged TV anime, it’s been described as “Harry Potter if they were all girls”, and Akko/Diana is the preferred ship, I am told. Other than that, I was ready to be charmed by this manga, which is coming out here under Yen’s “JY” line, so is definitely being marketed to younger readers. Which I can see, as kids will love this. It’s a good title for adults as well, though, and Akko makes a fun heroine – fallible and sloppy, but also filled with a love of life that puts a smile on your face. It also helps that she’s surrounded by a few snarkers to help take the sugary edge off.

The manga does assume to a certain degree that you’re already familiar with its source, but for the neophyte, there is an introductory chapter. Akko is a wannabe witch who’s bad at flying, trying to make her way to the Witchcraft Academy, rather unusual for a Japanese student. Through a series of misadventures, she meets two other students – the glasses-wearing, earnest Lotte and the sarcastic, droopy-eyed Sucy – and she ends up at the Academy, ready to follow in the footsteps of her idol Chariot. The rest of the book shows various Academy events, as we see that Akko is not the best student in the world, but makes up for it with lots of energy, drive and GUTS! In other words, despite being all girls, this is a perfect series to run in Shonen Ace, and it wouldn’t be too out of place in Jump either.

For fans of Diana, she’s not as prevalent in this first manga as I was expecting, but there’s enough of her here to see why fans really like to pair off the two of them – they’re very Usagi and Rei. I can also see the Harry Potter comparison, mostly as the three main characters map somewhat to Harry, Hermione and Ron, though Harry was never quite this hyperactive, and Quidditch is replaced by volleyball – where they aren’t supposed to use magic, but do anyway. If there’s a fault with the manga, it’s that it does feel something like a side story to the main anime – there’s no sense that this is going in its own direction, but filling in some gaps that the main story, which was animated, left out. That said, there are hints that we’re going to be getting a bit deeper, such as the cliffhanger ending to this volume.

If you like the anime, or have kids who did, I can’t see why you wouldn’t pick this up. As for me, it makes me want to try the anime to see what I’m missing.

Filed Under: little witch academia, REVIEWS

Sleepy Princess in the Demon Castle, Vol 1

June 22, 2018 by Anna N

Sleepy Princess in the Demon Castle, Volume 1 by Kagiji Kumanomata

This manga was an unexpected delight. I was initially curious about Sleepy Princess in the Demon Castle due to it being a Shonen Sunday title, which is a bit of a rarity. I feel like fantasy comedy series can be a bit hit or miss, but I found this title quite entertaining, mostly due to the way it subverts the whole idea of kidnapped princesses.

Syalis is the kidnapped princes in question and while the people in her kingdom pine for her and a idiotic knight vows to rescue her at the start of each chapter, she is solely concerned with getting some good rest. The demon castle lacks high quality pillows and bedding, and she is determined to secure what she needs by any means necessary. Syalis casually embarks on a reign of terror in the castle as she locates unique demons to use for her own purposes. She harvests fur from her guards, who look like fluffy teddy bears. She locates giant scissors and cuts off the body of ghosts in order to get some high quality fabric. Throughout most of the manga, her facial expressions are totally stoic, in contrast to the demons who are being driven frantic by her casual escape attempts. She also seems to have a knack for finding rare magical objects and repurposing them as sleep aids. There’s really only one joke in this manga, but it is executed very well. The unique character designs of the demons and the expanding cast of characters keeps the manga entertaining, even though the plot points in each chapter are so similar. I’m not sure how long the central joke can be sustained, as this series lasts for several volumes, but the first volume was so entertaining I’m definitely going to give it a try.

Filed Under: Manga Reviews, REVIEWS Tagged With: Shonen, sleepy princess in the demon castle, viz media

Manga the Week of 6/27/18

June 21, 2018 by Sean Gaffney, Michelle Smith, MJ, Anna N and Ash Brown 1 Comment

SEAN: 65 titles. Sixty. Five. Titles. Next. Week.

MICHELLE: Holy crap.

ANNA: Yikes.

ASH: That’s amazing.

SEAN: Ghost Ship has a 5th To-Love-Ru Darkness and a 2nd volume of Yuuna and the Haunted Hot Springs, thus continuing to be the “Shonen Jump Titles Too Hot For Viz” publisher.

J-Novel Club has the 6th volume of If It’s For My Daughter, I’d Even Defeat a Demon Lord.

Kodansha’s got a lot. Print-wise we see some series we haven’t seen for a looooooong time. Air Gear (last seen one year ago) finally comes to an end with its 37th volume. L♥DK (last seen 10 months ago) has its 11th volume. And Missions of Love (last seen 13 months ago) has a 15th volume. This doesn’t seem to be “caught up with Japan”, so who knows why it’s been so long.

ASH: Oh, Missions of Love! I guess it has been a while, but I do find the series addictive.

SEAN: Other print volumes include a 4th Cardcaptor Sakura: Clear Card, a 10th Fire Force, and theoretically the print debut of Tokyo Tarareba Girls, though this isn’t on Kodansha’s own site, so don’t be surprised if there’s a last minute date change.

ASH: I’m very excited for the print debut of Tokyo Tarareba Girls, so I hope there won’t be much of a delay if there is one. I’m still reading Clear Card, too, even though I think the original Cardcaptor Sakura is the stronger series at this point.

SEAN: On the digital front, there’s another debut with the wonderfully titled The Quintessential Quintuplets (Go-Toubun no Hanayome). It’s a Weekly Shonen Magazine series about a kid who has to tutor… well, you can probably guess. Expect comedy.

And there is Ace of the Diamond 12, Beauty Bunny 6, Liar x Liar 3, My Brother the Shut-In 6 (this is a final, I think), The Prince’s Black Poison 6, and Tsuredure Children 10.

MICHELLE: Someday I’ll read My Brother the Shut-In, but predictably, it’s Ace of the Diamond that I’m most excited about.

SEAN: Seven Seas rarely buries us in piles of titles in the same week. Next week is an exception. We’ve got the final Captive Hearts of Oz (Vol. 4), a 13th volume of A Certain Scientific Railgun, the 2nd novel of Clockwork Planet in print (digital from J-Novel Club), a 3rd Devilman Grimoire, Freezing 21-22, Magika Swordsman and Summoner 9, Mononoke Sharing 2, My Monster Secret 11, Not Lives 9, and NTR – Netsuzou Trap 5.

ASH: It’ll be interesting to compare Devilman Grimoire to the classic Devilman manga now that that’s starting to be released in English, too.

SEAN: Not only that, but also several debuts! The big one is Claudine, the classic Riyoko Ikeda 70s shoujo manga. Complete in one short volume, it’s a fantastic read.

MICHELLE: I believe I detect a pick of the week contender!

MJ: Ooooooooh, yes, this.

ANNA: YAY!!!!

ASH: It’s one of my most anticipated releases of the year!

SEAN: Getter Robo Devolution is another take on the classic Getter Robo series. It runs in Bessatsu Shonen Champion, and is by the team responsible for the Ultraman manga.

If you like the How NOT to Summon a Demon Lord novel but wished you could see more of the fanservice, good news for you! Here’s the first volume of the manga adaptation.

If you love Monster Musume so much it drives you to create, then even better news – Monster Girl Papercrafts is coming out next week, presumably featuring designs from the ever-popular series.

ASH: Huh. I didn’t know this existed!

SEAN: And if you’re an old-school fan, enjoy a license that frankly no one was expecting. True Tenchi Muyo! is a series of three light novels that expand on the extended universe of the Tenchi OAVs that were so popular with your parents’ generation. (I know, shut up, Sean.) This first book focuses on Ayeka and Sasami’s parents.

On to Vertical. Speaking of novels, they have Hanamonogatari: Flower Tale. This is the 2nd book in the series not to be narrated by Koyomi Araragi. This story is narrated by Suruga Kanbaru, and has her dealing with a devil.

We have a 3rd omnibus of The Flowers of Evil as well.

Viz has a 4th digital release of The Emperor and I.

And the rest is Yen, but don’t even think that we’re done. Digitally we have a 6th Toilet-Bound Hanako-kun, a 17th Corpse Princess, and a 7th IM: Great Priest Imhotep.

Yen On has two debuts this month, both spinoffs. If you like Sword Art Online but wish it didn’t star Kirito and were written by someone else, I have great news. Sword Art Online Alternative: Gun Gale Online is a new spinoff series by the creator of Kino’s Journey, and focuses on original characters playing the game introduced in the 5th and 6th SAO books.

MJ: I wasn’t really interested until you said Kino’s Journey, and now I’m like… MUST HAVE.

ASH: That does add some promise!

SEAN: The other is Is It Wrong to Try to Pick Up Girls in a Dungeon Familia Chronicle: Episode Lyu. This focuses on the elf with the tragic past we’ve seen in several books of the main series.

Speaking of DanMachi, we also have a 6th volume of the Sword Oratoria spinoff novel that looks at Loki’s group.

And there’s also a 14th Accel World, an 8th Irregular at Magic High School, a 4th volume of The Isolator, and a 7th Re: Zero, which should be a whale of a time. (I’m sorry.)

Yen Press also has several debuts this month. Caterpillar Girl and Bad Texter Boy (Imomushi Shoujo to Komyushou Danshi) is complete in one volume, and stars a boy who has trouble communicating and the girl he rejected, who is now a caterpillar. I must admit, I want to know more.

MICHELLE: That is quite the concept.

ANNA: Hmmmm.

ASH: My curiosity is piqued.

SEAN: Hatsu*Haru is a long-running shoujo title from Shogakukan’s BetsuComi, about a popular boy who finds himself falling for someone for the first time. Anna should be very interested, I expect.

MICHELLE: My ears always perk up when Yen Press releases some shoujo.

MJ: I’m interested too, I think.

ANNA: A shoujo manga about popular boy falling for someone for the first time????????!!!!!!!!!!!!

SEAN: Little Witch Academia is best known for its popular anime. Yen has licensed the manga, which runs in Shonen Ace. This is being marketed as part of the children’s line, but should also definitely appeal to manga fans.

Shibuya Goldfish is a pure horror title from Square Enix’s Gangan Joker. If you think the world being eaten by goldfish is a silly premise, this book will soon set you straight. It looks creepy as hell.

MJ: Wow.

ASH: That’s right up there with some of Junji Ito’s concepts; I guess we’ll see if it’s executed as well!

SEAN: The Strange Creature at Kuroyuri Apartments (Kuroyuri-sou no Henna Wikimono) is also supernatural, but this falls more into the pure comedy end. A demon needs life experience. A young landlord needs to not be bored. Can they get along?

Stupid Love Comedy (Rabukome no Baka) is an omnibus collecting all three volumes of this shoujo series from Kodansha’s Aria. It’s a reverse harem series, this time starring a manga writer.

MICHELLE: Hm.

ANNA: I sure do enjoy reverse harem.

SEAN: Think we’re done? There’s also ongoing Yen titles! On the ‘spinoff of light novel’ front, we see only two contenders next week: Goblin Slayer’s 3rd manga volume and Kagerou Daze’s 10th.

But there is also Aoharu x Machinegun 11, As Miss Beelzebub Likes 2, Big Order 5, BTOOOM! 21, Bungo Stray Dogs 7, The Elder Sister-Like One 2, Horimiya 11, Mermaid Boys 2, Monster Tamer Girls 2 (final volume there), One Week Friends 3, Prison School 10, Silver Spoon 3, Smokin’ Parade 4, A Terrified Teacher at Ghoul School 3, Though You May Burn to Ash 2, and Today’s Cerberus 9.

MICHELLE: Yay for Horimiya and Silver Spoon!

MJ: Silver Spoon! Silver Spoon!

ANNA: Wooo!!!!

ASH: I’m following quite a few of these series, but Silver Spoon is the one that I’m most looking forward to reading this time around!

SEAN: Assuming you haven’t aged to death after reading all that, are there any titles you’re getting? One? Two? Twenty-five?

ASH: I’m afraid to count.

Filed Under: FEATURES, manga the week of

Napping Princess: The Story of the Unknown Me

June 21, 2018 by Sean Gaffney

By Genji Kamiyama. Released in Japan as “Hirunehime ~ Shiranai Watashi no Monogatari ~” by Kadokawa Shoten. Released in North America by Yen On. Translated by Yota Okutani.

We’ve been getting a lot of these sorts of books lately, the novelization of a popular animated film. Well, for some definition of popular – your name sort of hovers above everything else. But we’ve also gotten The Boy and the Beast, and we’re getting Fireworks: Long Title Here in the summer. And now we have Napping Princess, a book that adapts the film of the same name that came out in 2017. It’s a quick, breezy read with a likeable lead heroine and a few very interesting plot twists about two-thirds of the way through. It does, however, suffer from a problem that I really didn’t notice with the other books of this type. This sort of book is meant to enhance or add to the experience for those who saw the movie, and also make those who haven’t seen the movie want to see it. The problem is that after finishing Napping Princess, I’m left with the opinion that the movie is probably better. Which is an issue given I’ve never seen the movie.

The book starts out as a fairy tale, set in a magical kingdom that builds cars. There’s a wishy-washy king, an evil Grand Vizier, and a princess locked in a tower who can do magic. In fact, that’s why she’s locked in the tower. On the other side of things, we’re also in slightly futuristic Japan, where our heroine is Kokone, who lives with her mechanic dad in the middle of nowhere and gets by on imagination and pluck. She also likes to sleep, and dreams that she’s the princess from the fantasy kingdom. These two worlds start interacting together when her father is arrested, supposedly for data theft from Japan’s largest car manufacturer, which her dad worked for years ago. Is this all a setup? What does it have to do with her late mother? And why is it that Kokone has this magical ability to mesh the fantasy world and the real world when she dreams?

To be fair, we never get a good answer to that last question. “Magical realism” is what we’re supposed to think, I suspect. As I said, the plot is fairly straightforward, being a chase sequence for an extended stretch. Our villain ends up being so lame that the author has to put in a narrative jibe noting how much of a cliched villain he’s become – I was expecting to see some sort of story about how he and Kokone’s dad used to be friends back in the day, but no, he doesn’t even get that. The most interesting part of the book was the way the fantasy world overlaid on the real one, as both Kokone and the reader realize about the same time that the casting is somewhat different than expected. (The reader may pick this up a bit earlier, frankly, as the romantic tendencies between the princess and Peach (yes, it’s lampshaded) make little sense if Kokone is the princess.) As with most dead moms in anime, I wish we’d seen more of Kokone’s mother.

As a novelization, this book works very well. Every time it had a major set piece, I kept thinking “I’d like to see this animated”. As a novel, though, I’m not sure it works as well. Still, it’s not actually bad – just slight. It would make a good summer beach read.

Filed Under: napping princess, REVIEWS

Short Takes: The Promised Neverland and Silver Spoon

June 20, 2018 by Katherine Dacey

Just a word to the wise: it’s impossible to discuss either Neverland or Spoon without divulging a few plot details, so be mindful if you’re the kind of person who hates–HATES–spoilers. Caveat lector!

The Promised Neverland, Vol. 4
Written by Kaiu Shirai, Illustrated by Posuka Demizu
Translated by Satsuki Yamashita
VIZ Media
Rated T+, for older teens

One of the pleasures of reading The Promised Neverland is its crack pacing: Kaiu Shirai and Posuka Demizu have a knack for the perfectly timed reveal and the pulse-pounding action sequence. Volume three was a rare misstep for the series, saddled with too many contrived plot twists, but volume four is a return to form, briskly setting the kids’ escape in motion. The story occasionally flags when Emma, Ray, and Norman explain the finer details of their plan to one another, but these moments serve an essential dramatic purpose, helping us appreciate how perilous their journey will be. These conversations also remind us how much the principal trio rely on one another for emotional support, a point driven home by the authors’ decision to sacrifice one of the main characters. (And I mean a main character, not a red shirt.)

Perhaps the most surprising thing about The Promised Neverland is its feminist subtext. In the final pages of volume three, Krone reveals that the brightest orphan girls are groomed for house mother positions. The full horror of this arrangement, however, only becomes apparent in volume four. In a few suggestive images, Demizu vividly conveys the grotesque sacrifices that Gracefield Manor’s female residents make in order to survive their twelfth birthday. A brief interlude set in a factory evokes the grim spirit of The Handmaid’s Tale, imagining a world in which young women are cruelly exploited for their fertility, then coerced into perpetuating the very system that oppresses them.

I know — I’m making The Promised Neverland sound like Terribly Serious Reading, but rest assured it isn’t. The story is, at bottom, a juicy prison drama in which the jailers are actual monsters and the prisoners pint-sized MacGuyvers. Though the subtext enriches the narrative, inviting multiple readings, the story never feels like an obvious parable about factory farming or reproductive rights. Recommended.

Silver Spoon, Vol. 2
Written and Illustrated by Hiromu Arakawa
Translated by Amanda Haley
Yen Press
Rated T, for teens

After an introductory volume in which Hachiken (a) fell face-first into poop (b) insulted his classmates repeatedly (c) joined the equestrian club just to impress a girl and (d) realized that the piglet he was raising would soon be bacon, volume two affords him a rare moment of grace. The students’ discovery of an abandoned brick oven prompts them to make pizza — something only Hachiken knows how to do. The act of cooking for so many people forces Hachiken to improvise, rather than plan, forcing him outside his academic and social comfort zone — and making his brief turn in the spotlight even more satisfying.

Lest Hachiken’s triumph seem a little too tidy, the rest of volume two sees him reverting to bumbling city slicker, as he gets lost in the woods looking for cell phone reception, gags at the sight of a newborn calf, and, yes, falls face-first into another pile of manure. Hiromu Arakawa sells these moments with her trademark over-the-top reaction shots; no one can distort or bend a human face with the same verve as Arakawa, who turns every setback, humiliation, and surprise into an opportunity to draw rivers of snot and tears. Though she excels at slapstick, Arakawa tempers the jokes with moments of real drama that make Hachiken realize just how much Komaba and Mikage’s families struggle to keep their modest dairy farms afloat. It’s these quieter moments that remind us just what a capable storyteller Arakawa really is, and make Silver Spoon more than just a gag manga with farm animals. Recommended.

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Comedy, Hiromu Arakawa, Shonen Jump, Silver Spoon, The Promised Neverland

A Certain Scientific Railgun, Vol. 13

June 20, 2018 by Sean Gaffney

By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer, Adapted by Maggie Danger.

I’ve talked before about how the Railgun manga is far more tied into its parent than most other spinoffs I’ve seen. For one thing, it actually feels like it’s written by Kamachi. Most spinoffs tend to have the original writer simply give approval to stories that the artist has come up with themselves (the Nagato Yuki spinoff is a good example), but events in this book and the previous one are interconnected with Index’s 15th novel. Not only that, they enhance the novel itself – the last book saw Frenda get the character development she never got in Index for obvious reasons, and allowed someone to actually grieve for her. And the use of Scavenger, the spinoff Dark Side group that’s appeared in both Railgun and the Accelerator spinoff, allows us to expand on the purpose of these dark Side groups: they’re broken kids who’ve been screwed over by authority, but not necessarily evil.

Touma wasn’t in Index 15, and readers of Railgun who always dread his spotlight-stealing appearances will be grateful to know he’s not in this volume either. This puts the focus on Mikoto, who is in heroic good guy mode here, even though she’s missing the rest of her core team. (I assume that Kuroko and Saten are helping Uiharu recover from her broken collarbone.) Misaki steps in admirably, though, and the two are almost getting along, though that thought may make Mikoto ill. (It’s notable that the only time Mikoto really gets (offscreen) pissed off is when Seike mistakes her for a guy. Femininity is always a touch point for her.) One of the best things in this volume is seeing Leader, the cold-mask-wearing Scavenger girl, constantly trying to outthink Mikoto as she assumes that she’ll die going against a SECOND Level Five, only to finally be won over by Mikoto’s innate niceness.

As for the main plotline involving Kuriba, it continues to get into the nature of existence in the Indexverse, and how that’s a fluid, individual and personal thing. Her doppelganger is rampaging as she knows that she does not, in fact, have a soul. This doesn’t seem to bother Mikoto, but once it’s clarified that living with that knowledge is agony and torture, she’s willing to help end her pain. And, as with almost every Railgun plotline since the beginning that hasn’t involved Touma, this all turns out to be the result of scientific experimentation gone amoral. I’m not sure how I feel about Misaki solving the problem by memory erasure, but then she’s always been a morally ambiguous girl herself – she’s never going to be the innocent sweetie pie Mikoto has at her core.

So we wrap up the Indian Poker arc here, and I assume the next volume will start a new one. 14 isn’t out in Japan yet, so expect another long wait. In the meantime, for Index fans who always liked Railgun better, this is a perfect volume for you – Mikoto really shines!

Filed Under: a certain scientific railgun, REVIEWS

The Magic in This Other World Is Too Far Behind!, Vol. 3

June 19, 2018 by Sean Gaffney

By Gamei Hitsuji and himesuz. Released in Japan by Overlap. Released in North America digitally by J-Novel Club. Translated by Hikoki.

I didn’t mention it in my review of the previous volume, but a large chunk of that book was taken up with the journey of the actual hero, Reiji, and his adventures trying to destroy the demons. Given that the basic premise of this book is that we leave the hero by the wayside and follow his secretly more powerful best friend, it’s impressive that the author it not only coming back to the hero occasionally but also treating him seriously. Reiji wants to help this world, despite the fact that he’s not from it and that everyone not in his party seems to be a cynical bastard of some sort. Admittedly, the more I see of Mizuki, his wannabe girlfriend and the third member of the “from another world” party, the more I think that she’s going to be turned to evil pretty easily, but hey. That said, the bulk of this book still follows Suimei as he arrives at a new city, buys a house, and meets yet another young girl.

If you look at the girl on the cover, you might be thinking that the author is starting to come up with heroines by ticking a fetish box. And, based on the afterword, you might not be too wrong. Liliana is a young girl with many dark secrets who works for the city’s military police and is a bit shunned by the general populace, who are terrified of a) her magic and b) her general demeanor. Neither of those bother Suimei, and he also sees her playing with cute kittens, so he knows she’s good at heart. But it may take more than one book to help her, as the city has more problems than just a goth-loli with a bad rep. Nobles around the city are being attacked and falling into a coma – though oddly, all the nobles attacked seem to be stereotypical “evil noble” types. And worse, there’s a different summoned hero in this town, and the oracle has told Lefille to join him… and he also wants to add Felmenia, the heroine from the first book who has caught up with Suimei. Is he a hero? Or just amassing a harem?

There are a few more things in this volume that I wasn’t too fond of compared to previous ones. As I noted, Felmenia has caught up, which means we have three heroines in one book. That means the standard jealousy ensues, though it’s low-key for now. The reason it’s low-key is that Lefille is still in her little girl body, which is mostly mined for comedy, but even the author admits readers are asking for him to fix her soon. And sadly the author’s worldbuilding discussions of magic tend to come out at the worst possible times – in this particular case at the climax of the book, which leaves a reader wanting to skip to the point where they can read something other than magic history. That said, we’re only halfway through what I expect is a two-book arc, so things may turn around. Too Far Behind! is adding a few more generic harem fantasy tropes, but is still good enough that you should enjoy it.

Filed Under: magic in this other world is too far behind!, REVIEWS

Bookshelf Briefs 6/18/18

June 18, 2018 by Michelle Smith, Ash Brown and Sean Gaffney Leave a Comment

ACCA 13-Territory Inspection Department, Vol. 3 | By Natsume Ono | Yen Press – Sometimes you have to pick a side, even when you don’t want to. Jean really doesn’t want to, and it’s getting him in a bit of trouble, whether it’s being kidnapped by a group of terrorists mostly by accident, or trying to do his job while everyone wants him to be a spy and give them intel—including his boss, who gets pissed off at him at the cliffhanger. Jean, of course, reacts to this the way a Natsume Ono hero always reacts—with a world-weary stare, and in this case a lot of cigarettes. As for the actual coup, it’s still percolating, and I suspect we won’t get any actual revolution until Jean’s toured every single province. I also don’t expect he’ll be able to retire. A good title for Ono fans. – Sean Gaffney

After Hours, Vol. 2 | By Yuhta Nishio | VIZ Media – Seldom am I in the position of wishing a story gave me more angsty drama, but that’s how I feel about this second volume of After Hours. It’s reasonably interesting watching Kei and Emi come up with an idea for a big rave event and get their friends on board, but I could have done with less of that and more of Kei learning that Emi is still technically living with a boyfriend. She’s irritated and worried after the discovery, but we just don’t see into her head enough to suit me. At one point she dares to hope that perhaps Emi will choose her, but when that does happen, the moment lacks impact. Even if there had been one pause, one panel that lingered wordlessly on Kei’s face to show us her happiness and relief, I would be content. Oh well. One volume left! – Michelle Smith

Blue Exorcist, Vol. 19 | By Kazue Kato | Viz Media – After Shiemi rejected Rin in the last volume, is she now being written out of the manga? After learning a dark and tragic secret about herself (which we the reader are not yet privy to), she opts to drop out of the exorcist course, to the horror of all her friends. She insists she’ll still be at the school, but let’s face it, she would barely see them. Clearly it’s time for an awesome Christmas party! As for the rest of the book, we’re finally getting some real answers from Mephisto about the nature of the Baal and what they’re actually trying to achieve. Does this have anything ro do with Rin? I’ll be honest, I’d worry more about Yukio. Still good, though its infrequent release means I tend to forget what happened. – Sean Gaffney

Captive Hearts of Oz, Vol. 4 | By Ryo Maruya and Mamenosuke Fujimaru | Seven Seas – Last time I appreciated the lack of romance but felt confused by the plot. This fourth and final volume, the plot finally makes sense and I appreciate it, but I also now have a romance I really didn’t want. It’s made clear that Dorothy and Oz are not the same ones as the books by L. Frank Baum—though Dorothy is named after the Oz girl—I honestly felt the romance was added because the series is meant to be the sort that ends with a pairing. Ah well. The nature of the ending, which implies the return of Dorothy and Oz (like their namesakes) is reminiscent of the Alice in the Country of Hearts books. This is its spiritual successor, and likely the end of an era. It was decent. – Sean Gaffney

Cardcaptor Sakura: Clear Card, Vol. 3 | By CLAMP | Kodansha Comics – Out of all of the manga by CLAMP that I’ve so far read, Cardcaptor Sakura is one of my favorites, so I was excited when I learned that a sequel was going to be released. For the most part though, Clear Card has yet to live up to its predecessor. The third volume of the series seems a bit more substantial than the first two, which is good, but the point of the manga remains unclear even considering the attempts at ominous foreshadowing. I’ll keep reading Clear Card though. Granted, that’s mostly out of loyalty to the original series than anything else. However, I do still love the characters and the artwork is lovely in Clear Card, too. I just hope that the manga continues to pick up a bit more momentum and weight and is able to distinguish itself as something more than just a sequel to Cardcaptor Sakura. – Ash Brown

DNA Doesn’t Tell Us, Vol. 2 | By Mintarou | Seven Seas – This is the second and final volume of the series, and it wraps up fairly quickly, trying to do its best to work in the “wild animals” even though our focus is still on our tame leads. It’s odd to realize that this is actually a school for animal girls in the basic sense—they graduate and move on to real life once they learn how to interact as a human, and the series ends with our girls as dorm leader and student council president. Other than that, the series is unambitious but not uninteresting, with several new animal girls getting attention, including a mole girl and a donkey girl. As for any suggested yuri? Nah, there’s nothing there. This was cute, but two volumes seems just about right. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 6 | By Canno | Yen Press – As this series does best, we spend some time catching up on people we’ve seen in prior volumes, and some time with new people, most of whom intermesh and entwine with each other. Jealousy is the order of the day here, as the effervescent Amane doesn’t really get why she can’t simply love more than one person, and the somewhat possessive Nina is bad at being straightforward about it. Chiharu and Izumi, meanwhile, are dealing with the uncertainty of a second love, especially when the old girlfriend is coming back. The characters in this all manage to have obvious flaws that can be mined for storylines without being annoying. (Though Nina comes close here.) Still good. – Sean Gaffney

Loveless, Vol. 13 | By Yun Kouga | VIZ Media – It’s been several years since the last Loveless volume, so I reread volume twelve before tackling this one, which helped a lot. Alas, it also served to remind me how much I like this series and wish for more. Sigh. We do get some interesting things here, though, like the conclusion of Beloved’s battle against Moonless—during which Seimei’s former friend informs him that his bond with Soubi is neither love nor strength—and Natsuo recounting the stories of Seven Voices Academy as told to him by his creator, including intriguing cameos by Soubi’s mother and Ritsuka’s father. She has information about Seimei, too, but we don’t get to see that yet. Nor do we get to see Ritsuka act on his determination to get Soubi back. I hope volume fourteen comes reasonably soon! – Michelle Smith

My Hero Academia, Vol. 13 | By Kohei Horikoshi | Viz Media – Sometimes, with a cast this big, some people are going to have to take a back seat for a bit. For My Hero Academia, it’s going to be Todoroki and Bakugo, the only ones in the class not to pass the exam—both due to anger issues rather than because of lack of ability. Well, technically another girl may have failed the exam as well—turns out that one of the other class members was our favorite blood-sucking, blushing villain in disguise, and she got some very interesting blood. Of course, before Bakugo can take a back seat, he has to confront Deku with something we’ve suspected he’s known for a while now—Deku’s quirk and how it relates to All Might. Time for MANLY FISTS to take the lead! Amazing series. – Sean Gaffney

Queen’s Quality, Vol. 4 | By Kyousuke Motomi | Viz Media – A lot of Queen’s Quality has to do with Fumi trying to survive with her basic personality intact, be it because of her past (involving amnesia) or her future (involving possibly being possessed by one or more queens). So honestly, the last thing she really needs is an attempt to drive her towards the dark side by putting her in Ataru’s mind, which is as bug-filled as you’d expect. She luckily has Kyutaro to help her, but honestly his love for her is as much of a hindrance as a help half the time. Still, the author is very good at making you want to see what happens next, and I don’t even mind that this isn’t a wacky comedy anymore. Also, love those Dengeki Daisy references! – Sean Gaffney

The Young Master’s Revenge, Vol. 2 | By Meca Tanaka| Viz Media – Again, this is a Meca Tanaka series, almost by definition “good but not great.” There’s a likeable heroine filled with denseness and pluck, as well as a frustrated hero who can’t decide if he’s trying to get revenge or seduce her. The best thing about this book was Tenma trying to figure out, in conversations with others, what love means to her and what kinds of love there are. It turns out Leo may need the same lesson, as the fact that he’s head over heels for Tenma has to be pointed out by his biggest rival. Will things change now that one of the pair is actually aware of this? We shall see. In the meantime, this remains a cute but slight shoujo series. – Sean Gaffney

Filed Under: Bookshelf Briefs

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