Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

I Saved Too Many Girls and Caused the Apocalypse, Vol. 10

by

By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

More volumes, more girls. And perhaps a sneak peek at the bad future that R keeps talking about. No, we’re not actually seeing said future – since the author is nothing if not predictable, I suspect that we’ll get that in Books 15 or 16, the final ones – but thanks to a ditzy and morally questionable angel, we do get a sneak preview of what the war of Rekka’s fiancees would be like. It’s not a pretty sight. Rekka’s girls have never been as tight-knit a group as, say, Rokujouma, but jealous glaring is all we’ve previously been a party to. Unfortunately, the girls he’s saved who are in love with him also happen to possess insane amounts of power, power which could easily be destructive in nature. And so when the limiters are taken off… well, thank goodness it’s limited to property damage this time. As for Rekka? Still acting clueless, though even he is finding that front hard to keep up with Iris in full throttle mode.

The girls in this book are: the aforementioned Angel, who needs “love energy” to survive, though “jealousy” might be more accurate, and too much of it leads to the plot; an intergalactic producer trying to have another big hit by producing a sentai show, which sounds like a good idea till Rekka falls on her lead actor and puts his back out; and a magical girl dedicated to love and justice, not in that order (at least not at first), who is somewhat started to find herself in the wrong genre when a kaiju starts to wreak havoc. Unlike the last big and dramatic arc, this one is fairly easy to resolve – indeed, the book’s very much on the short side, so one might say it’s a bit too easy to resolve. Since Little Apocalypse runs on cliches, it’s good to see they’re all present and correct here, as the magical girl, now in a sentai/kaiju story, powers up by others believing in her, a la “clap for Tinkerbell”. Unsurprisingly, Rekka believing in her has far greater an effect.

How much you enjoy this book might depend on how much you enjoy harem antics at their most obvious. This takes place on the first day of school, but we don’t even make it there, as Iris (helped along by the love angel) decides to take Rekka on a date to an interstellar amusement park. Iris hasn’t gotten as much to do lately, so this gives her some good face time, and as one of the most “forward” of the heroines she comes very close to actually, if not scoring with him, at least making him acknowledge her love. But it’s Vol. 10, not Vol. 16, so instead we get half a volumes of girls attacking each other (and Rekka). R spends much of the volume frustrated, and you can see why.

We have six books to go till the end, and I think even the author knows he can’t string this along forever. But he’s strung it along enough. This is a decent Little Apocalypse, with two of the three heroines being pretty likeable. I also enjoyed the theater references. Sides!

Bookshelf Briefs 10/23/18

by , and Leave a Comment

DAYS, Vol. 10 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Seiseki has advanced to the finals of the Tokyo tournament, where they’re up against Toin, the reigning champions. Before the game actually begins, we get a rather neat sequence in which Ubukata, who hasn’t given anything her all in years, works diligently to gain intel on Toin and develop a strategy for Seiseki. Yasuda-sensei does a great job ramping up the tension for the big game, and it’s great to see Tsukamoto’s training beginning to pay off. Now, not only can he steal a ball, he can evade a skilled defender and take a shot. His first attempt fails, and the volume ends just as he gets another, but it’s still very satisfying. I realize the protagonist’s gradual evolution in skill is the point of every sports manga, but I wholeheartedly appreciate it every time just the same. – Michelle Smith

Kuroko’s Basketball, Vols. 27-28 | By Tadatoshi Fujimaki | Viz Media – Another “darkest before the dawn” volume, this second to last omnibus of Kuroko’s Basketball can be rather heavy going, as it involves a lot of finding out things don’t work and then trying new things that also don’t work. As with a lot of sports manga, there is a whole hell of a lot of “that’s it, there’s no way they can come back,” with faces looking like it’s a literal death sentence. (Which it feels like, because sports.) Fortunately, we’re seeing that Seirin are at least keeping it from being a total blowout. And trying to be a Kuroko is harder than it looks, too. Next time’s the finale. Will our heroes win? It’s not always certain in Japanese sports manga. We shall see. – Sean Gaffney

My Hero Academia, Vol. 15 | By Kohei Horikoshi | Viz Media – Midoriya now has his internship, but it’s running him ragged, and he’s in danger of losing it. Before that, though, there’s a young girl that needs to be saved, one who seems to have a mysterious quirk that Overhaul is using. We thus get together several groups of heroes and interns, including Uraraka, Tsuyu and Kirishima, to try to rescue her. Unfortunately, that mostly means this volume is all setup and not much payoff. It is pretty nice if you’re a Kirishima fan, and he does really well here. I think the main issue with this volume is that everyone’s so down— Midoriya’s depressed the whole book, and Nighteye is moaning about his quirk as well. I suspect next volume will be ALL ACTION, which will help. – Sean Gaffney

Precarious Woman Executive Miss Black General, Vol. 2 | By jin | Seven Seas – This continues to give me exactly what I want from a title like this—lots of laughs. Our heroine is settling down a bit, but that’s only compared to the first volume—she’s still thinking up various ways to get closer to Braveman and is not going to let anything stop her. We also meet a few more heroes, who unfortunately find that just because the Black General is a comedy goofball does not mean she’s not dangerous, and they are brought down to size very quickly. The best chapters involve her infiltrating the Hero League to become Braveman’s sidekick—but her idea of “heroism” is as suspect as you’d expect. This has become a fast favorite of mine, as it puts a big grin on my face. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 3 | By Kagiji Kumanomata | Viz Media – Our favorite princess continues to barrel through her problems like a berserker, leaving mayhem and chaos in her wake—and, of course, amusement for the reader. She’s gotten a nice windowpane for her room, as well as a kotatsu and woolen underwear, as the season is changing to winter. In fact, Christmas is here. Fortunately, the manga is self-aware enough to know that the Princess is, if not completely evil, at least utterly amoral, and so she gets the equivalent of coal in her stocking. That’s not changing her ways at all, though, and she even goes outside the castle to try sleeping and tormenting in the fresh air. As long as you don’t care about lack of consequences, this is still hilarious. – Sean Gaffney

Takane & Hana, Vol. 5 | By Yuki Shiwasu | Viz Media – The culture festival concludes this volume, but really it’s all about the latter half of the book, as we’re introduced to Rino, a former underclassman of Takane’s who is harboring feelings for him, and she’s not all that fond of Hana. This culminates in a Christmas party the main cast is going to, where we discover Rino’s secret and her actual relationship with Takane. It’s hard to discuss this without spoiling things, but I was very impressed with the way it was handled, which is shockingly modern and forward thinking for Japan. As for Takane and Hana, Rino’s appearance forces Hana to admit a few things to herself, but honestly what we mostly get is why I read this in the first place—Takane and Hana digging at each other constantly. – Sean Gaffney

Tokyo Tarareba Girls, Vol. 2 | By Akiko Higashimura | Kodansha Comics – Being a fan of Princess Jellyfish, it’s probably not much of a surprise that I would seek out more of Higashimura’s work. And so I happily found myself reading Tokyo Tarareba Girls, a manga series about the lives of three thirty-something women as they struggle to come to terms with the fact that they aren’t getting any younger. All three of them find themselves asking “what if” over and over as they contemplate past decisions and lost opportunities. Their friendship, along with their frequent nights out drinking, tend to see them through the worst of it. While the first volume of Tokyo Tarareba Girls primarily focused on Rinko and the ups and downs of her relationships, romantic and otherwise, the second volume turns to those of her best friends Kaori and Koyuki. Tokyo Tarareba Girls is a lively manga with humor that both highly entertains and cuts to the quick. – Ash Brown

The Water Dragon’s Bride, Vol. 7 | By Rei Toma | Viz Media – Well, Asahi isn’t quite back at the start of this volume, as I said last time, but she does end up returning to the fantasy world and her water god. This causes her a lot of anguish, as she sees how much her family suffered while she was gone, and is slowly bonding with her brother. But in the end she can’t resist returning to him, and just in time too, as there’s a drought in the land due to his depression of Asahi’s departure. Of course, all is not well going forward, as the new mini-villain snatches Asahi away and transports her to the equivalent of the underworld. I’m not sure that we’ll ever return to Asahi’s family, but I’m glad we saw them, even as I’m also pleased she returned to her grumpy tsundere god. – Sean Gaffney

The Water Dragon’s Bride, Vol. 7 | By Rei Toma | VIZ Media – I’ve enjoyed The Water Dragon’s Bride from the beginning, but the series has gotten even better in recent volumes. I think Toma-sensei is getting a little better at expressing everyone’s feelings now that the Water Dragon God is beginning to experience some of his own, so that Subaru ends up with some strong character moments of his own even though the bulk of the story is about Asahi’s time back at home and how much she misses the Water Dragon God. I seriously got verklempt when she impulsively decides to return (leaving her poor, adorable little brother behind) and the Water Dragon God simply cannot contain the strange emotion he finally identifies as joy. She has changed him for the better, and I very much look forward to seeing how the final volumes in this story play out. – Michelle Smith

Captain Harlock: The Classic Collection, Vol. 2

by

By Leiji Matsumoto. Released in Japan as “Uchuu Kaizoku Captain Harlock” by Akita Shoten, serialized in the magazine Play Comic. Released in North America by Seven Seas. Translated by Zack Davisson. Adapted by Snati Whitesides.

This second omnibus of Captain Harlock settles down a bit, with a lot less goofy comedy but also without the tragedy that I was expecting. What we end up getting are a series of scenes/arcs of the Arcadia and its crew going after the Mazon in deep space, and having adventures. It reminds you that manga titles back in the day were far more concerned about any casual reader being able to pick up and follow along even after missing the previous seven months. There’s not a lot of intercontinuity here. That said, it’s certainly not dull; once you get your head around the Harlock pacing and remind yourself that these characters don’t speak, they declaim, you can see why Captain Harlock is still a beloved character today, even as he spends the entire book talking with his computer or getting upset about (seemingly) being saved by his hated enemies.

The cover art has the Mazon Queen, who spends most of this volume standing in her place of power and trying to get more inside information on Harlock and company. At one point a Mazon pilot, who seems to be not quite as fanatical as the others, boards the ship and speaks briefly to the crew, finding them “united in body and heart”, much to the horror of the seemingly heartless Mazon Queen, who in reality is about as cold and ruthless as the Cybermen in Doctor Who’s 80s period, which is to say not at all. A lot of the conflict in Harlock tends to be glossed as “men” (Harlock and his crew) vs. “women” (the all-female Mazon), and we get to see the men be the ones who are stronger because of their emotions and bonds, while the cool, heartless women are doomed to never understand. Harlock’s crew does have two women in it, of course, and possibly my favorite sequence of the book was seeing Kei pretending to be in trouble and letting herself get rescued by Daiba to satisfy his grumpy male ego. This is laid out explicitly so that the reader gets it. That said, I’d feel better about Matsumoto’s handling of women if he didn’t draw most of them looking the same.

At one point the Arcadia is almost destroyed by a gravity planet, and is rescued at the last second. Harlock thinks it was the Mazon who did it, and is suitably angry and humiliated – it’s not just Daiba, Harlock too has an ego that is easily bruised. The Mazon Queen, though, is also wondering who it was that saved Harlock, because it didn’t seem to be them either. As a result, there is a tiny bit of forward plot motion in this volume that is otherwise a series of static paintings. I think there’s one more omnibus of this series, and I’m interested to see if it wraps up nicely and neatly, or if its ending is open. In the meantime, if you like classic manga, you should give this a read.

Added bonus for Doctor Who fans: the Sontaran fighter who makes an appearance. (OK, he’s not meant to be Sontaran, but come on, look at him.)

Pick of the Week: Psycho vs. Piano

by , , , and Leave a Comment

ASH: Were I a reader of digital manga, my pick this week would most likely be the debut of Forest of Piano. Alas, that is not yet to be. Fortunately, I’ve also been greatly looking forward to the release of Mob Psycho 100, so that’s what I’ll be choosing this time.

MICHELLE: Those are definitely my top two pics, too, but I can’t help but feel that by Kodansha releasing so much Forest of Piano at once, I’m already somehow behind on it. Mob Psycho 100 seems a little easier to commit to at the present moment.

SEAN: Actually, given the page counts, it’s 7 omnibuses, so probably 14 volumes. And yeah, I’m gonna be so far behind. Love you, seinen piano manga, but Mob Psycho 100 for me as well.

KATE: What Michelle said!

ANNA: Like everyone else, I’m torn between Forest of Piano and Mob Psycho 100. But due to me feeling extra guilty about being so far behind in other digital titles like Chihayafuru, that just pushes me further in the direction of Mob Psycho 100.

Clockwork Planet, Vol. 4

by

By Yuu Kamiya, Tsubaki Himana, and Sino. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by fofi.

This volume gives a lot of attention to Halter, who has tended to serve as the realist and voice of reason for our little band of terrorists. To be fair, this role seems to be his by default; Naoto and Marie are such shiny idealists it’s a wonder you can look straight at them without going blind, RyuZU would destroy the world if Naoto asked her to, and as for Vermouth… yeah, let’s not. So it’s fallen to Halter to explain that, in fact, the world does not end up being sweet and caring just because you wish really hard. Especially when they’re in the steampunk Thailand, where anything and anyone can be bought and sold. So it’s not a big surprise when he turns out to “betray” Naoto and Marie in order to make sure that they aren’t, well, killed in eighteen different ways. That said, while Halter may be the sensible one of the goup, that’s only by a matter of degrees. Because this group is, to a man, utterly broken. In a gaming sense.

The cover girl is TemP, the newest of RyuZU’s siblings to show up, but she’s arguably the weak point of the book, being something of an airhead and lacking a purpose in life beyond “get revenge on her sister” and “be silly”. No, as ever, it’s the main group that commands the most attention, particularly the way that they react to each other. We’ve seen this before, but it’s spelled out explicitly here: Naoto, Marie, AND Halter all think of themselves as being “normal” people surrounded by insane geniuses who do the impossible every day. Since Naoto thinks of his hearing as something that’s typical, he can’t appreciate that he does what no one else can do. Marie’s own self-deprecation frequently gets in her way whenever she runs into a fresh new obstacle. And, as we really see in this volume, Halter is not merely a bodyguard and mercenary, he is possibly THE bodyguard and mercenary, able to take out whole divisions by himself with ease. Each of the three help each other in this book (indeed, Marie helping Halter is almost framed religiously), and are reminded that they can’t stop chasing in Y’s footsteps, but have to create something new. Be artists, not artisans.

At the end of the book we’re headed further west, and it’s definitely open ended. The afterword talks about the anime that was being made, and does mention the 5th book being written in among its goofiness. That said, it’s now nearly three years on, and there’s still no 5th book in Japan. One of the two authors has been dealing with health issues, and also writing the (more popular) No Game No Life books, which have also had lots of delays. The other author (who you get the sense wrote most of this book, if only as it’s slightly less lewd than the other three) started another series for Kodansha in 2017, but that also seems to have stalled out. And so we may be left with this as the final volume, and it’s not too bad a way to go out. You get the sense that Naoto and Marie will eventually achieve the heights they dream of, and manage to have the whole of RyuZU’s siblings around them. As to how that happens… well, the reader is invited to spin their own tale.

Yona of the Dawn, Vol. 14

by

Yona of the Dawn Volume 14 by Mizuho Kusanagi

I always put down each volume of Yona of the Dawn feeling like Kusanagi has just served up a master class in plot and character development, but I felt that way even more in this volume, which shows Yona traveling to visit the Water Tribe and confronting some very serious issues along the way. As soon as they arrive on Water Tribe land, Jaeha takes the opportunity to invite Hak along to visit the Red Light District, because the women of the Water Tribe are legendary for their beauty. Yona’s cloaked reactions as this conversation unfolds underscores how much she cares. Hak turns Jaeha down, and Jaeha heads out to explore the city solo, sensing that something is very wrong with the town. He meets up with a couple ladies, who burn some suspicious incense and offer him some of the special local rice wine. Jaeha goes along with everything, as he suspects that someone is watching both him and the girls.

Yona of the Dawn 14

Yona and her crew rescue Jaeha and go out to investigate, learning that the Kai empire is flooding the town with a drug called Nadai. Yona is determined to stay and fight the drug traffickers, even though Jaeha urges her to leave. The leadership and confidence Yona has developed over the course of 14 volumes has me confident that she’ll leave the Water Tribe lands in a better state than when she arrived. Yona’s group also attracts the attention of some local dignitaries, Ladi Riri and her two companions Ayura and Tetra. Riri first thinks that Yona is suspicious, but eventually realizes that the groups have similar goals. Seeing Riri’s assessment of Yona shifting as she learns more about her just serves to underscore Yona’s strength. There’s time for a little bit of situational comedy as Riri is horrified that Yona routinely sleeps outside, surrounded by men.

After some army battles in the last volume, there’s a return to close action sequences featuring Yona’s determination as well as the unique abilities of her protectors. This volume ends on a cliffhanger, but I’m very curious to see how Yona and her companions change and grow after being challenged by the situation in the Water Tribe kingdom. I’m also happy to see Yona getting some more female friends as she continues her travels.

MachiMaho: I Messed Up and Made the Wrong Person into a Magical Girl!, Vol. 1

by

By Souryu. Released in Japan as “Machigatta ko wo Mahou Shoujo ni Shite Shimatta” by Shinchosha, serialization ongoing in the online magazine Kurage Bunch. Released in North America by Seven Seas. Translated by David Musto and Wesley Bridges. Adapted by Jennifer Geisbrecht.

Longtime readers may be rather surprised I’m reviewing this at all, as I’ve made no secret of my distaste for the current genre of “Magical Girl Splatter”. Technically starting with Madoka Magica (which I have far less of a problem with), the more recent Magical Girl titles – all meant to be read by teen or adult men – seem to have an audience that wants to see cute girls get mentally broken and then killed off in gory ways. It’s not so much a deconstruction of the genre as a carpet bombing of it – “see, girls? THIS is what happens to magical girls! Dream of something else!” So I was not all that thrilled when I saw that Seven Seas had picked up another take on “magical girls for men”. And indeed, for the most part that’s exactly what this is. Still, there’s at least something here that made me finish the title and be curious for more.

Myu, one of those classical magical girl mascots who speaks cutely and acts as a catalyst for the plot, is being chased by a killer demon. Myu needs to find a magical girl fast, and spots a seemingly cute young girl with princess girls. Quickly it makes her the chosen one… whereupon she pulls out a cigarette and starts smoking, complaining about her teacher and acting like a stereotypical delinquent. Whoops! The demon shows up, and honestly she’s able to give it a good pounding just using her own power and lust for violence. She’s not really all that happy with the transformation either, given it strips her in the classic magical girl tradition. Now Myu has to deal with a grumpy, video-game obsessed heroine and continue to fight the bad guys… whose attacks now center entirely on Earth, allowing other mascots to take a vacation and leave it all to Myu. Even worse, the class president of another school has been turned into a dark magical girl… maybe? Who’s the dark one here?

First things first: after reading only about 15 pages of this title, you will have more panty shots than most other series put in an entire volume. If you thought “this is one of those authors where everything else he’s ever done has been porn”, you’d be absolutely correct. There’s also a relatively high body count, as (typically for the “male” magical girl genre) there are lots of victims gorily killed by the demons… or indeed by the magical girls… who don’t magically come back to life later. All of that said… it is nice to see that Kayo, the titular magical girl, is not here to be anyone’s tragic victim, and the delinquent guy who’s in love with her is essentially her lackey and whipping boy. (As a sign that this is not meant to be taken entirely seriously, the “pointy delinquent hairstyle” he sports is a wig, and he’s actually a bishonen underneath it.)

I don’t recommend this to anyone but the intended audience, let’s get that straight. That said, if you’d like a somewhat lighter, or at least more amusing, tone of nihilism in your magical girl splatter manga, MachiMaho is entirely up your alley.

Invaders of the Rokujouma!?, Vol. 16

by

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

We’re now in the 2nd half of this long series of light novels, and the author is taking the time to wrap up the plots. Sanae was first, mostly as her plot tied into others and was fairly easily resolved. Yurika and Maki’s has honestly barely been touched beyond introducing various strata of evil magical girls, and there’s a sense there’s much more to it. Theia’s is, most like, the main plotline, and thus is not wrapping up anytime soon. And that leaves Kiriha’s, and unfortunately, it’s really not as good a climax as I’d like. I mentioned last time that Kiriha’s antagonist was a classic laughing villain type, and thus he’s pretty dull. He’s so dull that the more interesting villains assisting him just wander off when it becomes clear he’s going down. We’re also introduced to “surprise villain”, but he barely ties into the cast and no one really cares. The battle scenes are cool, though.

The plot is divided into two parts, as Kiriha and Koutarou head underground to deal with the villains trying to use a giant earthquake machine to destroy the world (the fact that I had to type that sentence out in a review that is not about MST3K says a lot about this arc), while Theia and her group head to the machine itself to try to destroy it. Everyone gets to use their powers to do something cool, and we get to see that the reason our heroes are always able to succeed so easily is their empathy and compassion. There’s a lost of discussion of justice in this book (actually, there’s a lot of lecturing about justice in this book), and the idea that justice means you are doing the right thing only works if you’re not, say, a cackling madman convinced that the right thing is to RULE THE WORLD!

Honestly, when all is said and done this feels like the ending to a sentai series or something like that. Even Kiriha is not immune to the tropes, giving Koutarou her trading card back in a blatant “I am going to sacrifice myself and die so that you can all be happy” ploy, which the reader will be unsurprised to hear gets her yelled at by EVERYONE afterwards. The addition of the sentai rangers also helps to sell this as being along the lines of a pastiche, which is fine in and of itself, but if we’re genuinely resolving the issues that make up Kiriha’s arc in the series (as we seem to here), it feels rather undercooked. There is a very nice scene at the end, despite some Yurika abuse for comedic affect again (could be a concussion… eeeeh, she’ll be fine) where Kiriha essentially proposes while admitting the status quo has to stay the way it does. The romance in this series is still well handled.

The next volume appears to be a “let’s do a lighter book” type, as it’s summer and we’re all going on a vacation. I look forward to that, but I also look forw3ard to getting back to the alien and magical girl plots, both of which seems to have more dramatic heft than the underground dwellers did.

Plus-Sized Elf, Vol. 1

by

By Synecdoche. Released in Japan as “Elf-san wa Yaserarenai” by Wani Books, serialization ongoing in the magazine Comic Gum. Released in North America by Seven Seas. Translated by Jennifer O’Donnell. Adapted by David Lumsdon.

As those who follow me on Twitter know, I frequently make comments about manga as I’m reading them, before I do a review. This are usually glib, off-the-cuff, and not meant to be taken seriously. Case in point: while reading Plus-Sized Elf, I noted that it was an odd combination of a fetish manga and an exercise manual, and several people actually sounded more interested in it than they were. So I want to clarify here: we’re talking about 85% fetish manga and 15% exercise here. You have to really, really like seeing large breasts, large butts, and the women who possess them, as they’re on pretty much every page. That said, when I heard that this was a title that ran in Comic Gum, I was actually expecting much worse than I actually got. Plus-Sized Elf is, in the end, goofy fun, and far more interested in gazing at plump girls than in doing anything sexual with them.

That’s our heroine on the cover, clutching her McDonald’s fries and glaring at us. She’s Elfuda, an elf (the names are not exactly world-beaters in this title) who has come to the human world to eat, because additives and preservatives are unheard of in fantasy land, and things TASTE SO GOOD with them. Unfortunately, this means she’s gained more weight than she’d really like. She ends up at an osteopath clinic and meets Naoe, a young man who does a combination of massage therapy and diet/exercise advice. After taking care of her horribly out-of-alignment bones, he recommends a diet that works… at first, but Elfuda quickly backslides. As the title goes on, we meet more fantasy creatures that are hanging out in Naoe’s town, all of whom have various reasons for being on the hefty side: a dark elf who’s standing at her job all day, a mandragora girl whose large flower on her head (and possibly other large things) leads to poor posture, an ogre who loves booze, etc.

As I said above, there’s something that so far is very obviously missing from this title, and that’s any sense that it’s a “harem” series. Naoe clearly appreciates full-figured women, and he can be seen blushing a number of times. But none of the girls who he helps and meets up with really seem to be that into him. This is not about a guy amassing a bunch of women, it’s about a bunch of women and the guy who hangs around them. The manga also manages to walk that fine line between finding amusement in Elfuda’s inability to resist junk food and keep weight off without actively mocking her for it. And a lot of Naoe’s advice is pretty good, too – there is a BIT of exercise manual in here, as I said. Again, this is still a title you should only get if you don’t mind fanservice – there’s several shots of the women eating food and getting massages that are basically orgasm face art. But if you don’t, Plus-sized Elf proved to be more fun than I expected.

Manga the Week of 10/24/18

by , , , and Leave a Comment

SEAN: October continues to push out new titles to break our banks.

First, I missed another release in last week’s list. Out tomorrow is the 6th Combat Baker and Automaton Waitress from Bookwalker.

Dark Horse has a debut I’m excited about. Mob Psycho 100 is by the author of One-Punch Man, and this time he’s also the artist. It runs in Shogakukan’s Ura Sunday, is based off the webcomic, and is about a psychic boy.

MICHELLE: Ooh, interesting!

MJ: This also sounds interesting to me!

ANNA: Me too!

ASH: Yup, count me in!

SEAN: J-Novel Club has some ongoing series, with a 4th Infinite Stratos, a 2nd Kokoro Connect, and a 3rd volume of The Unwanted Undead Adventurer.

Kodansha print debuts another Fairy Tail spinoff, Lightning Gods.

Kodansha digital is a different story. We begin with Forest of Piano, a series I never thought would make it over here. A long-running award-winning story about a piano prodigy, it ran in Morning magazine (actually, it debuted in Uppers, which tells you how old it is) and has its first seven omnibuses all debut digital-only next week. Will this be the title that forces Ash to buy digitally?

MICHELLE: Woot!

MJ: I don’t often buy digital either, but I kind of want this. Like, a lot.

ANNA: Wow, that sounds like something I should pick up.

ASH: Aaaaah, I really am going to start buying digital titles one of these days, aren’t I?

SEAN: On a more shoujo note, Mikami-sensei’s Way of Love is a Betsufure title about a girl who hasn’t had a love affair yet and her persistently annoying teacher who is likely the reason why. For those who like amusing jerk heroes.

And we have Ace of the Diamond 16, Defying Kurosaki-kun 5, Is Kichijoji the Only Place to Live? 4, Liar x Liar 7, and The Quintessential Quintuplets 5.

MICHELLE: I love Ace of the Diamond and one of these days I’ll read Kichijoji.

SEAN: Seven Seas has two debuts. Machimaho: I Missed Up and Made the Wrong Person into a Magical Girl! is not based on a light novel, despite the lengthy title. It runs in Shinchosha’s Kurage Bunch, and does not seem to be quite as dark as Seven Seas’ other Magical Girl titles. Violent delinquent turned magical girl is the premise.

Plus-Sized Elf is the other debut, from Wani Books’ Comic Gum. Given that it’s from Comic Gum, I would expect the fanservice to also be plus-sized. Also, despite the titular elf, I have a suspicion this is a monster girl title in general. It’s seemingly about an elf hooked on junk food.

ASH: I’ll admit I’m curious. Also, I will be very disappointed if there aren’t French fries.

Seven Seas also has Harukana Receive 2, Made in Abyss 4, Magical Girl Apocalypse 16, Nameless Asterism 3, and There’s a Demon Lord on the Floor 6.

Vertical Comics has a 4th omnibus of The Flowers of Evil.

Lastly, Viz has a 7th digital-only volume of élDLIVE.

I suspect Manga Bookshelf is thinking of pianos next week. How about you?