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Bibliophile Princess, Vol. 2

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By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Alyssa Niioka.

The second volume of Bibliophile Princess also consists of three stories, but the biggest (and best) takes up the first 2/3 of the book. Prince Chris has to go away on kingdom business for several days, and so Elianna will be representing him at a noble’s hunting-dancing-and-being-rich party. Naturally the party turns out to be a web of intrigue, from the expected (Elianna, despite being officially engaged to the Prince, is still not very popular with many young women, leading to a lot of catty remarks) to the dangerous (Elianna is almost killed by a runaway boar, knocked from her horse, threatened with violence by an assholish noble trying to mack on one of her new friends, and locked in a room with another noble in an attempt to besmirch her reputation). Fortunately, Elianna is able to get through it with a nice combination of book-learning, air-headedness, and a surprising amount of muscle. Takes strength to climb those library ladders searching for books, after all.

The author knows that Elianna’s personality is the main reason we’re reading the book, and shows it off nicely. That said, she grows in this book, not quite floating through every situation like a dandelion puff. Indeed, a lot of what goes on in this book could be a life lesson in “don’t be so naive and oblivious”, as is pointed out several times, especially by her cousin Lilia, who stomps through this book in a perpetual state of aggravation, which is great. When several young ladies snipe at her, she actually does get that they’re being insulting now, even if she chooses not to bother to respond. And she remains dedicated to her ideals – there is a subplot here involving the warlike nation they decided to give aide to in the last volume, and how a lot of people on both ides would feel more comfortable if the aid were military rather than otherwise. Elianna defends herself wonderfully, the only time she gets emotional in this book when it doesn’t involve books.

The other two stories are shorter and also less successful. Glen has fit into his role as the series whipping boy very easily, but it doesn’t mean I want to read a whole chapter about it. His company whine about why they have bad luck with women – just listening to them should tell you. That said, I will also admit (and this applies to the main story as well) that Prince Chris can be… a bit exhausting. Dial it back a bit, guy. There’s also a “is Elianna pregnant?” scene here that wouldn’t work if anyone took two seconds not to be mad and simply think about Elianna’s personality. The second story is another one that shows two people who are deeply in love with each other but don’t think that the other one is, leading to misadventures in a locked warehouse and Elianna getting to show off how she can still be terrifying in the right lighting and when covered in red dye.

Still, the first story is what sticks with you, and it’s excellent. I’m not sure if the next volume will have Elianna and Chris’ wedding – it’s in the spring, we’re told, but that’s still months away here – but I am hoping that the series will continue to have Elianna doing what she does best. And perhaps kicking a few more guys in the balls, too. That was fantastic.

Shortcake Cake, Vol 8

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Shortcake Cake, Volume 8 By suu Morishita

Some shoujo series have fast-paced drama, and others have stories that unfold much more slowly like Shortcake Cake, which finally gets around to hinting at more details between the oddly hostile relationship between Riku and Rei. Morishita’s is so great at presenting her story with a slow, slice of life feel that I don’t feel annoyed at all that I was waiting until volume 8 to get a few more clues about Riku’s past.

Shortcake Cake 8

This volume is set during Christmas and New Year’s and Ten decides to take Riku on a date to her hometown, where she gives him a tour of all the places that were meaningful to her during her childhood, and they drop in on her parents and her older brother. It might be way too early for Riku to meet her parents, but he carries off the surprise visit with his characteristic aplomb. Ten and Riku enjoy actually being able to spend time together since they have to keep apart and pretend to not be dating at the boarding house. Ten wants to continue to support Riku and get to know him better, but she senses some inner pain that she’s not able to interpret or help with. Ten and Chiaki decided to team up to learn more about Riku because they both want to support him. Ten ends up reaching out to Shiraoka, who has a bit of a messy approach for telling them what he knows about Riku’s past, setting up a situation where they end up witnessing a painful family confrontation.

I always enjoy the way the story in Shortcake Cake is tied so closely with the seasons, as Ten and Riku share some cozy winter bonding time, the image of red lights on the snow suggests both festivities and danger, and the rain during a memorial services highlights the emotional state of the characters. Even when the characters are dealing with some heavy emotional burdens, the pacing and execution of Shortcake Cake makes it feel like a brief escape from the real world while reading it.

Accel World: The Snow Sprite

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

Everyone has things they’re good and bad at, and realizing that is one of the best ways to stop being frustrated. To Reki Kawahara’s credit, I think he’s aware of his strengths. He writes good battle scenes. Especially these days, when he’s got years of experience that Sword Art Online (which, let’s remember, is mostly ported from his almost 20-year-old webnovel) does not. And this, the 21st volume of Accel World, finally gets to the big fight against White Cosmos that we’ve been waiting for for about a year now. As such, it should not be too surprising that this is one of the stronger volumes we’ve had in Accel World for some time. It also helps that, in among the action, which is exceedingly well-timed, there are also several plot beats that we’ve had hanging around for a while now that we actually get answers to. Not everything, of course – the reason White Cosmos are doing all this is left vague – but enough that the emotional payoff of the book is very satisfying.

We’ve spent a lot of time taking all sorts of precautions to make sure that Nega Nebulus are as prepared as possible to attack White Cosmos. It should therefore be no surprise to find that everything goes spectacularly wrong almost immediately. The group is forcibly taken to the Unlimited Neutral Field, then it’s transformed into a Hell Stage. 90% of the cast are caught in a “kill you over and over till you permanently die” trap, though fortunately no one permanently dies. Indeed, the biggest twist of the book is someone NOT dying. Sort of. In amongst this, Silver Crow and Lime bell are able to escape, but there are endless numbers of traps still waiting for them… heck, even the upper strata where Haruyuki can confab with Metatron proves to be attackable by our villains. How can they possibly win?

This isn’t all just fights, of course. The reason the fights work well in these books is the emotional beats we get along with them. Chocolat Puppeter helping to given everyone a leg to stand on, and also providing the best cliffhanger ever. Magenta Scissor, still in the throes of her heel face turn. Trilead Tetraoxide, outside the palace for the first time in the series, kicking a lot of ass. The villains are no less impressive. Kuroyukihime’s sister does not put in an appearance, of course, but we do get the snow sprite of the title, as well as a Rose Red to go with her, who proves a bit more noble than their counterparts. And there’s also the reveal on who the major power behind all these surprise moves is, why they’ve been coerced into doing it and who their parent is. It’s a great emotional climax.

So, well done, excellent book in the series. Next volume promises to be the equivalent of a Phoenix Wright trial, which could be very awesome.

Pick of the Week: Big Big Waves

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SEAN: It’s possible I’m not on the same WAVElength as the rest of the group, but I’m going to channel my inner nerd and pick the final (no really, finally final) volume of Haruhi-chan. A silly gag manga that may end up more remembered than its parent series, it gave us tiny Ryoko, balloon dog Taniguchi, and a ton of silliness.

KATE: As someone who teaches a class on the history of radio, I feel morally obligated to choose Wave, Listen to Me!! as my PotW. I also want to bang the drum for the new edition of Svetlana Chmakova’s Nightschool, which ticks so many boxes for tween readers that it should be part of any school library’s collection.

ANNA: I’m picking Wave, Listen to Me!! too, I’m curious to check it out!

MICHELLE: I am extremely happy that Wave, Listen to Me! is getting a print release. I read and loved the first three volumes in their digital editions, so it’s a clear choice for pick of the week. I’m also happy volumes four and five are now on the print schedule for fall!

ASH: As a close follower of Hiroaki Samura’s work in English, there really can be no pick of the week for me other than Wave, Listen to Me! I expect it to be more along the lines of Ohikkoshi rather than Blade of the Immortal, but either way, I’m thrilled to have it in print.

MJ: I’d like to echo what Kate said! My pick this week has to be Wave, Listen to Me!, no doubt. But I’m very happy to note the return of Nightschool and I hope it might generate new interest in the series!

The Weakest Manga Villainess Wants Her Freedom!

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By Kazuki Karasawa and Masami. Released in Japan as “Maou-gun Shitennou no Saijaku Reijou wa Jiyuu ni Ikitai!” by the author on the Shosetsuka ni Naro website. Released in North America digitally by Cross Infinite World. Translated by Charis Messier.

This book does not want to be messing around with the heroine’s past life – Truck-kun is on Page 1. In fact, because Elle doesn’t remember anything about her past life except the manga she was obsessed with, it’s mostly irrelevant. This leads to what I think is the strongest reason that I enjoyed Weakest Manga Villainess so much: Elle, our heroine, is a selfish, overdramatic tsundere twintail brat before she gains memories of how she’s killed, and afterwards… she’s exactly the same, only her selfishness (which the narrative hints was never as big as all that) is shown to be slightly better. She’s mostly been busy researching her magic (good at huge spells, bad at fine tuning), loving the Demon Lord, and kidnapping people to be her servants. Now, though, she wants to avoid her death, which starts with confronting the Demon Lord himself. And this… opens up a whole new can of worms.

As I said before, Elle is a treat. The author’s afterword tells us to love her because she’s cute, but honestly I love her because she’s fun. Her brief guilt over kidnapping a bunch of foreigners and making them wait on her is assuaged by, seemingly by accident (but actually by instinct) the fact that all of those people had miserable lives when they were taken and consider Elle their savior. As such, any guilt about her past actions leaves town, and the rest of the book is made up of her planning how to escape the Demon Lord, set up her own town with her as the grand sorceress mayor of Elle Village, a fact the reader will soon learn because she repeats it over and over while posing. Unfortunately for her, it turns out that she is far more valuable to the Demon Lord than “killed off first as she was the weakest” would imply, so escaping may be hard.

The supporting cast is also fun. Because this story is done in one volume, the love interests are limited to two: Julius, the guy on the cover, one of her fellow villains who finds himself fascinated by Elle, and Laurent, a young teen she rescued from a barren village who now devotes himself to learning magic so he can help her. I was amused by the running gag (well, not ha ha funny) of Julius always being ready to use lethal force and attack at a moment’s notice simply as he has no experience with trusting anyone. Bakarina fans may find one thing familiar: Elle is still assuming that the pairings will go the way that they did in the manga, so is oblivious to the fact that Julius is over the moon for her.

The stakes end up being relatively low here, mostly due to Elle’s magic abilities and the shoujo manga heroine’s healing powers. Indeed, a few people I was sure would be bumped off end up fulfilling an entirely different manga cliche. I suspect Elle is voiced by Rie Kugimiya. Or possibly, given how much the heroine feels like a younger, red-headed Rin Tohsaka, by Kana Ueda. The series will not win any originality awards, which is not surprising give it’s part of the “villainess tries to change her fate” genre. But it’s fun, reads impressively fast given its length, and has a heroine that I really loved experiencing.

Urusei Yatsura, Omnibus 6

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By Rumiko Takahashi. Released in Japan in two separate volumes by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz Media. Translated by Camellia Nieh.

Every fan has their obsessive favorite minor character. Usually more than one. I have two when it comes to Takahashi’s work. I’ve already discussed Akari Unryuu, Ryouga’s girlfriend in the later parts of the manga in my reviews of that. As you might have guessed, my favorite Urusei Yatsura character makes their debut in this volume. No, not Kotatsu-neko, though he sort of amusingly stoic. No, not the school principal either, though it is funny that both he and Kotatsu-neko debuted around the same time. No, it’s Shutaro Mendo’s younger sister Ryoko, introduced here as essentially an agent of chaos in a series entirely composed of agents of chaos. Ryoko is fickle, bored, and also a sociopath, happy to trigger her brother’s fears of the dark, annoy him by flirting with Ataru, or simply toss a hundred grenades out her window because it’s fun. Most North American fans experiences her Ranma knockoff, Kodachi Kuno, first. Accept no substitutes, though, Ryoko is best unfiltered.

Having established most of the regulars by now, Takahashi is starting to experiment with her work, dialing up some things and ramping back some others. Ran, who’d vanished for a while, is back on a semi-regular basis. So is Rei, and we start to get the start of the eventual Ran/Rei pairing when we see the one thing that’s sure to win Rei over: food. (Lum’s cooking, usually lethal to Ataru, is implied at times to also be lethal to actual aliens – she fills the ‘can’t cook’ stereotype box.) Oyuki is starting to be the soft-spoken yamato nadesico, but is still wearing her battle bikini rather than her kimono. And she’s dipping back into Japanese history again – this is the first book to feature new, never before officially translated manga material, and I can imagine 1990s Viz translators wanting to cut the chapters where Ataru is Zenigata (no, not the Lupin one). Nowadays, there are actual endnotes to explain things like Ryoko’s kuroko attendants (being a drama major, they are another reason I love Ryoko).

Also, while it’s always been around, we’re really starting to see a lot more fourth-wall breaking here. Tezuka started this, of course, and Takahashi’s friend and colleague Mitsuru Adachi also does it. But Takahashi is as broad and blatant about it as with the rest of UY’s humor, with Lum appearing on the title page to complain that she’s barely in this chapter, and other characters complaining about Ataru not being in it at the start because he’s still in bed. UY is a performative manga that its characters know they’re in, but they aren’t actors. For the most part the stories are still one-shot chaotic messes, though sometimes chapters run into each other, such as the first part of the book detailing the students trying to leave school to get lunch outside campus, which ends up being the students simply ditching school entirely.

As these chapters were being written, the anime was also being created – it debuted in the Fall of 1981, right around the time the Ryoko chapters would have been in the magazine. As the manga goes on, there will be a little influence from one on the other – though less than you’d expect. Fans of the anime might be startled, though, by one chapter here early in the manga being the basis for the final episode of the anime. That said, even if you’re not an experienced UY fan, these volumes are still chaotic, funny fun.

Love Me, Love Me Not, Vol. 2

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Love Me, Love Me Not, Volume 2 by Io Sakisaka

At two volumes in, I’m not feeling quite as connected to the characters in Love Me, Love Me Not as compared to Strobe Edge, but Sakisaka is still doing a great job setting up a complicated and thoughtful teen romance drama. Yuna is still processing her feelings about the complex relationship between step-siblings Akari and Rio as she also deals with her own attraction to Rio. Yuna’s hesitation and introspection is prompted by the fact that she’s never experienced love outside of books. Rio also seems more attuned to Yuna than he is for girls who he has a more superficial relationship. He notices her being less shy around him, and figures out a way to set up their study group so she doesn’t feel hesitation about asking him questions. All along, Rio has encouraged Yuna to pursue a relationship with the boy she has a crush on, not knowing that she’s talking about him. Yuna’s love confession is unconventional, as she tells Rio about her feelings and says “Now, reject me.”

Rio reacts with a lot more compassion than he usually does with the girls who are attracted to him only for his looks, and Yuna deals with the aftermath. Both Akari and Kazu are impressed with Yuna’s emotional growth and general levelheadedness. While it is fairly easy for the reader to understand Rio, Akari, and Yuna, Kazu remains a perpetually cool enigma. Akari is fascinated by him, but he’s still a bit of a blank slate, defined only by his occasional blunt and insightful statements. I’m hoping that in the next few volumes his character becomes as well defined as the other series leads. This was a strong second volume, and I’m looking forward to seeing how the series develops. Sakisaka is great at capturing all the subtleties of emotion in her drawings, and even though much of this manga is people simply talking to each other in a variety of settings, her paneling and the emotional stakes involve keeps everything dynamic.

Sword Art Online, Vol. 19: Moon Cradle

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Well, having wrapped up the 10-volume Alicization arc, here we are back in the Underworld anyway. This book takes place in the subjective 200 years of time that Kirito and Asuna spent there before returning to the real world – in fact, it takes place in the first few months of those 200 years. There’s still a lot to be sorted out, mostly as the darklanders live in a barren wasteland (because it’s meant to be a game and they were meant to be evil) and the humans live in nice plentiful farmlands. Worse still, there’s a murder, something thought to be impossible. It quickly becomes clear that the murderer is trying to set things up so that there will be another war between the two groups. Can Kirito and Ronie find out who is behind all this? And can Ronie actually manage to confess to Kirito, something that seems to elude all the other heroines not named Asuna. Fortunately, she has a big advantage here: she’s the 3rd-person narrator, and the book is better for it.

Those who don’t like Kirito… well, first of all, why are you reading Vol. 19 of this series? But secondly, you won’t like this one, as he’s overpowered and also cheeky most of the time. It’s easy to see why Ronie loves him, and also easy to see why she feels inferior compared to Asuna, who is very much in the wise all-knowing mode here. She and Tiese have the same problem, but framed differently: Tiese is still in love with Eugeo, but he’s dead, and she can’t move on. Meanwhile, Ronie is in love with Kirito, who is in her face every day, but is also taken. In other words, Ronie falls into the same category as every other SAO heroine who isn’t Asuna (or, arguably, Alice). Ronie also has some doubts about her ability as a Knight, though those start to be resolved by the end of the book when she’s able to channel her inner Kirito and do seemingly impossible stunts.

We get not one but two babies in this book – Fanatio’s child at the start, who gets to be thrown hundreds of feet into the air and then caught, every baby’s dream, as well as the child of Iskahn and Sheyta, who shown off the two sides coming together and also sadly proves to be our baby in distress towards the end, though I suppose I should count myself lucky that there are no rape threats in this book. Indeed, with the lack of that and also the lack of a super evil sneering villain, this book shows off a maturity that the SAO series has lacked at times. This was, I believe, the last of the webnovel material to be adapted for light novels – which is important, because it means we’re moving past the sometimes amateurish writing from 15 years ago. And, as I said before, the book also reads better when not in first-person perspective. I wish he did that more often.

This is the first of a two-parter, and the next volume promises a bit more Asuna. Still likely filtered through Ronie, through, which is fine. I like her. SAO fans should find a lot to enjoy here, and SAO haters should find a lot of ammo.

Manga the Week of 5/27/20

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SEAN: It’s the end of May, and the schedule is still not back to normal, but we soldier on regardless.

ASH: Bring on the manga!

SEAN: Ghost Ship has Parallel Paradise 2 (digitally) and Yokai Girls 10 (in print).

I’m starting to give up on predicting when Kodansha’s “digital early” releases of their print books will come out. Theoretically we’ll see Cells At Work: Code BLACK 5 and Yuzu the Pet Vet 2.

That said, actually coming out in print are the first two volumes of Wave, Listen to Me!. Now with a polarizing anime!

MICHELLE: Yay!

ANNA: I want to check this out.

ASH: I’m thrilled this is being released in print!

MJ: Definitely ready to give this a look!

SEAN: Digital-only volumes are out for Altair: A Record of Battles 18, DAYS 18, I Fell in Love After School 4, and Watari-kun’s ****** Is about to Collapse 6.

MICHELLE: I’ve enjoyed I Fell in Love After School thus far. And of course I am here for DAYS.

SEAN: One Peace has the 2nd volume of The New Gate.

Seven Seas have three debuts, all digital-first. Makeup is Not (Just) Magic: A Manga Guide to Cosmetics and Skin Care (Make wa Tada no Mahou Janai no Beginners) is actually a josei title from Kiss, and sounds like one of those “The Manga Guide To Quantum Mechanics” style books. A young woman learns about makeup through her glamorous friend. It’s done in one, though there is an (unlicensed) sequel that came out this year in Japan.

ANNA: I am intrigued by skin care manga.

ASH: I’ll admit, I am, too.

SEAN: My Senpai Is Annoying (Senpai ga Urusai Kouhai no Hanashi) is a comedic romance that runs on Ichijinsha’s Comic Pool site. It’s the same magazine that has Wotakoi. Let’s hope it is as good as Wotakoi: the premise of “huge guy with his tiny office coworker who looks like a child” starts with a strike against it. (He’s the annoying one.)

ASH: Hmmm…

SEAN: And the first PENGUINDRUM light novel is out digitally. Yes, I know I said it was back in March. It got bumped.

ASH: Will be waiting for this one to be released in print, personally.

SEAN: Also out (digitally) are Adachi and Shimamura’s 2nd light novel, A Certain Scientific Railgun 15, and Miss Kobayashi’s Dragon Maid 9.

Vertical has a 4th Bakemonogatari manga out digitally, which should start the Suruga Monkey arc.

And now Yen Press, who nostalgically are releasing everything on the same week. This month is smaller than usual for them, though. And these ARE print (and mostly digital too).

ASH: Ah, remember the days?

SEAN: Yen On debuts – finally, it was originally scheduled for August 2019 – A Mysterious Job Called Oda Nobunaga. From the creator of I’ve Been Killing Slimes for 300 Years and You Call That Service?, this light novel seeks to answer the question “do casuals know enough about the Sengoku Period to know what this is talking about?”. It helps that the fantasy world this kid lives in doesn’t know either – when he gets “Oda Nobunaga” as his chosen calling, no one has any clue what it is. This could be a disaster, but it’s only 3 volumes long, so…

Also out from Yen On is The Alchemist Who Survived Now Dreams of a Quiet City Life 3, The Asterisk War 13, Death March to the Parallel World Rhapsody 11, Strike the Blood 15, and Suppose a Kid From the Last Dungeon Boonies Moved to a Starter Town 2.

Yen Press has no new debuts, but they are putting out the first Collector’s Edition of Nightschool, the OEL series from Svetlana Chmakova.

MICHELLE: I had this idea that Chmakova was going to continue Nightschool at some point, but that doesn’t seem to have happened. Perhaps this rerelease is to remind people about the series and gauge interest? I certainly would read more!

ASH: It’s been a while, but I do recall liking Nightschook.

MJ: I would read more Nightschool!

SEAN: Hey, remember when I said that The Melancholy of Suzumiya Haruhi-chan 11 was the final volume? Back in 2017? Possibly as it had the word ‘FINAL’ on its cover? Guess what, folks, the real final volume is out next week. You can tell it’s really finally final as they’re running away while waving to the reader on the cover.

ASH: Ha!

MJ: Huh.

SEAN: We also get Death March to the Parallel World Rhapsody 9 (manga version), Happy Sugar Life 5, IM: Great Priest Imhotep 3, I’ve Been Killing Slimes for 300 Years 2 (manga version), Kakugurui Twin 6, Karneval 10, the 6th and final volume of Nyankees, Overlord’s 12th manga volume, Trinity Seven 20, and the 2nd Woof Woof Story manga volume.

What manga are you reading instead of going to a parade?

Baccano!: 2002 [Side B]: Blood Sabbath

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

I’ve talked before about the Japanese tendency to write the blackest of black villains, so evil and horrible that it ends up being absolutely fine when our heroes kill them off in morally questionable ways. In general, I’m not a fan of these, and tend to prefer more nuanced or morally grey types. That said, I have to admit, Narita writes these sorts of people better than most light novel authors. We get two classic examples here, but one’s a spoiler, so I’ll talk about the other. Bride is the leader of SAMPLE, a thoroughly disturbing religious cult descended from the same cult that tortured Elmer when he was a kid. Bride is abusing children, mentally breaking and drugging a woman (investigating them undercover) into submission, killing large numbers of people, and being gleeful about it the entire time. But he’s sort of horrifyingly fun. Possibly as the book avoids the rape threats so many other authors would throw in (Bride makes a comedic play at his drugged wife, but this seems staged.) He also contrasts with the other villain of the book, who is… less fun.

The first half of this book takes place on Exit, the ship going from Japan to New York, and the sister ship to the one Firo and company are on. Elmer, Sylvie, Nile and Denkurou (who gets his first significant role here, though to be honest he doesn’t do much except moon over Sylvie) are invited, supposedly by Huey, to the ship, and they all go because if they don’t, Huey would arrange it so they do anyway. There they don’t find Huey, but they do find the Mask Makers, who are also on the other ship, who have a plan to get revenge for a killing that happened 300 years earlier by capturing Elmer. And the passengers also include SAMPLE, Bride’s religious cult, who are there for Sylvie. As for Isaac and Miria… well, they still aren’t here, they’re back in New York. Which is probably why everything starts to go wrong for everyone on both ships. Even Firo, who tries to look cool in front of his family, does not really succeed.

Speaking of spoilers, there is a question about how much constitutes one. This series, after all, is mostly read by fans who have already spoiled themselves on this book and future ones. And indeed we get a big spoiler for (one assumes) future books given to us as part of the plot early on here: the Mask makers are supposedly getting revenge on Huey for killing Monica 300 years prior, which might come as a surprise to those who read the 1705 book. That said, it’s possible that the reader will be more distracted by the end of the book, which reveals who the real Big Bad of the entire Baccano! series is… and it’s someone that we thought had already been dealt with. Interlocking and interconnecting plots and characters are how Narita writes, but this particular book works very well at making you want to go back and read some passages in older books while also making you anxious for the next ones.

So a much better book than the first part, as is typical with Narita two-parters. Bobby is still annoying, though. So, next do we go back to 1710 to see the tragic fates revealed in this book? Or do we continue in the 21st century to see how Czes and his family deal with this new and horrifying threat? Of course not, that would be too easy. No, next time it’s 1931, as we go back to the Flying Pussyfoot and the immediate aftermath, in a plot that might seem very familiar to those who saw Baccano’s 3 OAV episodes…