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Bloom Into You: Regarding Saeki Sayaka, Vol. 1

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By Hitomi Iruma and Nakatani Nio. Released in Japan as “Yagate Kimi ni Naru: Saeki Sayaka ni Tsuite” by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash and Vincent Castaneda. Adapted by Jenny McKeon.

Bloom Into You is one of the bigger runaway yuri hits of the past few years, so the fact that it’s getting a series of light novel side-stories, particularly given it’s by the prolific Hitomi Iruma, author of Adachi and Shimamura (also coming soon from Seven Seas) should not really surprise me. But I admit I am surprised. Every time there’s a shift in the marketplace I always seem to be blown away. All the old chestnuts: “yuri won’t sell”, “light novels won’t sell”, “tie-in novels never get licensed” – all these are long since dead. Seriously, appreciate the market we live in now. You should especially appreciate it because it gives us this, the first in a projected three-volume series of novels about Sayaka, Touko’s best friend and winner of the “I absolutely want to read more about her” poll that I’m sure was taken internally at ASCII Mediaworks. This book serves as a prequel to the manga, showing us Sayaka’s early life – and, more importantly, her inner monologue.

The book is divided into two sections. The first introduces us to Sayaka at 11 years old, busily taking part in endless activities and trying to give off the impression of being a mature, serious person – even to herself. Her swimming lessons are part of this, but are broken up every time by an unnamed girl (I called her Uruka after a while, after the BokuBen girl with similar looks and personality) who wants to be Sayaka’s friend and find out more about her… and also about the heat that she feels within her body whenever she’s around Sayaka. This story was bittersweet and painful, ending with Sayaka literally fleeing the scene but also learning more about herself. The second, longer story takes place when Sayaka is 14 or so, and is about her relationship – touched in the manga – with her sempai (who does have a name, but Sayaka chooses to stick with sempai even when they are dating.) Sayaka does not initiate this affair, but certainly is the most deeply affected by it, something she slowly goes to realize as time passes.

The best reason to get this is Sayaka, who is captured perfectly here, showing off a serious, mature for her age girl who nevertheless still has a great deal of growing up and discovery to do about herself. We see this captured in the stories, as the reader is usually well ahead of her in terms of what’s actually happening in the other character’s heads – Sayaka has trouble figuring out what the other girl is thinking, but we do not. Frequently this an be, as I noted, very painful – seeing swimming girl’s nascent excitement and frustration around Sayaka is very identifiable, and I was upset as it became clear that, as this book is from Sayaka’s POV, we’d never find out what happened to her after the story. As for Yuzuki, Sayaka’s senpai, it’s clear to the reader almost immediate that she’s in love with the idea of a love affair more than anything about Sayaka herself. Still, she’s not a pure villain in this book, and her awkward “oh crap what have I done” moments are also squirm-inducing.

The book closes with Sayaka determined to move on and never fall in love again, a determination that doesn’t even last five minutes into high school as she meets Touko and is shot through the heart. The second book promises to show us Sayaka’s POV of events during the manga proper. Till then, this is essential for Bloom Into You fans, as well as anyone who likes well-told coming of age stories.

Yona of the Dawn, Vol. 21

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Yona of the Dawn Volume 21 by Mizuho Kusanagi

This is the last volume of the Sei story arc, and it has plenty of action interspersed with great quiet moments where bonds between the characters are affirmed. Everyone joins together to rescue Riri, leading to some surprising alliances. One of the highlights for me was seeing Hak’s reunion with the Wind Tribe, especially his adoptive grandfather Mundok. As Zeno and Jaeha search for Yona and find her cornered in the woods by enemy soldiers, Zeno comes to the rescue by literally dropping out of the sky to defend her. Su-Won is also inspecting the area and getting a full picture of the atrocities being committed. Riri shows her strength of character by being defiant even as the evil Lord Kushibi orders her execution. The attack begins as Su-Won’s group and Yona’s companions both stage parallel rescue missions, and the old bond between Su-Won and Hak is reactivated as they are able to wordlessly communicate across the battlefield in support of a single objective.

Kusanagi’s skills with drawing action are particularly showcased in this volume, as the dynamic paneling for the action scenes ramps up the tension of the battle, with pauses that highlight the emotional stakes for everything that Yona and her friends are fighting for. I also appreciated all the battlefield banter between enemies as Hak and Guen-Tae get snarky with each other. As Kushibi realizes the full extent of his hubris, a shadow is cast over his face that mirrors the dark tones used in portraying the body count of the fight. As everyone recovers from the battle, Zeno has a hilariously off-kilter encounter with Su-Won, and Yona and Hak have a random encounter in the middle of the night that is equal parts hilarious and touching. As always, this was an extremely satisfying volume of Yona of the Dawn. It sets such a high standard, it almost seems impossible for it to keep getting better with each volume, but it does.

Manga the Week of 12/25/19

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SEAN: Yes, yes, I know almost none of these are actually coming out 12/25. But I’ve always used Wednesday’s date before, and have no desire to stop now! In any case, ‘Tis Christmas, and still no offers of pantomime. What have we got?

We start with J-Novel Club’s debut of Beatless. This sci-fi series is only two volumes long, but I hear each volume is really, REALLY long. Artificial humans, AIs that have passed humanity… but can it be bleaker than Alita? We shall see. It’s a co-production with Tokyo Otaku Mode.

ASH: Hmm… I do like a good artificial humans story…

SEAN: They also give us Campfire Cooking in Another World 4 and The Combat Baker and Automaton Waitress 3.

Kodansha’s sole print volume is the 10th and final volume of Happiness.

ASH: Oshimi’s work remains consistently engaging and disconcerting.

SEAN: No digital debut, as the title that was coming out got bumped. But we do see Altair: A Record of Battles 13, Drowning Love 15, Guilty 3, Heaven’s Design Team 4, and Princess Resurrection Nightmare 5.

MICHELLE: I thought volume one of Guilty was pretty good, even if none of the characters was sympathetic. I plan to read more.

SEAN: No debuts for Seven Seas either, but there’s a 10th Captain Harlock: Dimensional Voyage, a 4th How to Treat Magical Beasts, a 3rd Little Devils, Species Domain 7, and Toradora! 8 (the light novel).

The rest is all Yen Press. On the light novel side, we get two debuts, both spinoffs. Kingdom Hearts X: Your Keyblade, Your Story is another in the infinite Kingdom Hearts novels out lately.

The other arrival, after a few delays, is KonoSuba: An Explosion on This Wonderful World! This light novel spinoff is a prequel, showing us Megumin’s life pre-Kazuma.

Also from Yen On we get Baccano! 12, The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 2, I’ve Been Killing Slimes for 300 Years 6, and That Time I Got Reincarnated As a Slime 7. Baccano! feels very very tiny compared to those other LN titles.

ASH: Ha!

SEAN: There’s also two debuts on the Yen Press end. The one most interesting to me is A Witch’s Printing Office (Mahoutsukai no Insatsujo), an isekai about a women transported to another world who has to try to find the means to get home. It runs in ASCII Mediaworks’ Dengeki G’s.

ASH: I’m curious about this one.

MJ: Intrigued.

SEAN: And there’s Shadow Student Council Vice President Gives Her All (Fukukaichou Ganbaru), complete in one volume. Given that cover art, thank God. A sequel to Prison School, it ran in Young Magazine the 3rd.

And there’s a plethora of Yen Press Christmas Eve titles. As Miss Beelzebub Likes 8, Bungo Stray Dogs 13, The Case Study of Vanitas 6, Dead Mount Death Play 3, Goblin Slayer Side Story: Year One 3 (manga version), KonoSuba Explosion 3 (manga version), Plunderer 3, Shibuya Goldfish 6, Silver Spoon 12 (and Vols. 1-11 are out now digitally!), Sword Art Online: Hollow Realization 5, A Terrified Teacher at Ghoul School 8, Ubel Blatt 11 (the 12th and final volume, and the last chance for me to point out the irritating number scheme), Val x Love 7, and your name: Another Side Earthbound 2 (manga version).

MICHELLE: I have recently started and am enjoying the anime of Bungo Stray Dogs, which makes me wonder what I’ve been missing in the manga all this time.

ASH: Wow, that’s a lot of Yen! (Also, hooray, as always, for Silver Spoon!!)

MJ: (echos: Silver Spoooooooooon!)

SEAN: Happy holidays to all from Manga Bookshelf! What are you getting next week?

Konosuba: God’s Blessing on This Wonderful World!: Gamble Scramble

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

As expected, the relationship upgrade between Kazuma and Megumin we saw in the last book takes a step back here, with one or two exceptions – indeed, it’s a very ensemble cast-led work this time around. Continuing where the last book left off, Kazuma and company are asked to escort Princess Iris to another country, where she is supposed to meet her fiance, and also ask why they’re cutting off the money that they given them to help exterminate the demon lord. The country they go to is a gambling casino-style country, which is good news for everyone but Aqua, but they’re also cutting off funding because… they’ve made a deal with the demon lord? Can Kazuma help his “little sister” get the money her country needs and also avoid getting arrested? And what about the engagement?

There’s an excellent conceit behind the main plot, as it’s pointed out that Kazuma and company have already defeated so many of the Demon Lord’s generals that the rest of his forces are starting to panic. While it has its individual moments of failure and humiliation, KonoSuba has always made sure that our heroes win out in the end, and we’re seeing the fruits of that. That said, it also makes the enemy more desperate, as we see here with the nation of Elroad seemingly deciding to throw in with the Demon Lord to avoid getting wipes out in the war that is no doubt imminent. The other major plus in this book is seeing Princess Iris in action. While her personality is seemingly that of the typical “oniichan-worshipping younger sister”, Kazuma being the oniichan in question, she’s also from a long line of heroes, and has “borrowed” a legendary sword. As such, expect the action scenes in this book to be minimal – Iris is just THAT good.

As for the regulars, Aqua is back to her normal self after her high point of the previous book. Darkness gets a lot to do, and has a few good “masochism” moments, but continues to be hamstrung by the Dustiness side of her character requiring her to be the “straight woman” of the group. Megumin is, like Kazuma, taking their recent understanding in stride, with it only coming up when it needs to, but otherwise continues to show the growth and maturity (yes, really) that we’ve seen recently. Again I like the fact that, with one or two brief exceptions, Kazuma is really only into two women in the cast – Megumin (compatibility-wise) and Darkness (physically). We again get a few scenes showing he’s just not attracted to Aqua, despite her somewhat frustrated denial of this, and he really does seem to see Iris as a younger sister figure, to the point where he does not really get the fact that giving her a cheap plastic ring he bought in the country might be seen by her as something more than just a “a toy for my little sister”.

This is another solid volume in the series, with a few good laughs and fun times all round. It also helps advertise the side novels again – apparently Iris becoming Megumin’s “minion” and taking instruction from her comes from one of the Explosion books. Still, that series begins here soon as well, so hopefully we’ll see it one day.

Legend of the Galactic Heroes: Sunset

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By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Matt Treyvaud.

And so the Legend of the Galactic Heroes comes to a close. (There are five volumes of short story collections also out in Japan, but they don’t seem essential to the narrative.) The story ends because the two sides finally come together and try to negotiate a compromise between Empire and Federation – Parliamentary Democracy, which is presented as the best of both worlds, mostly. But you could also argue that the series is ending as the author is running out of characters to kill off. This is a doom-laden book, with a bunch of the main cast given their final moments. Some go out fighting, like von Schönkopf and Merkatz, nobly in battle. Some die like villains, taking out swathes of others as they succumb to a brain tumor (Rubinsky). Some appear to die almost because the author forgot to kill them off and they were running out of pages, like von Oberstein. Hell, even von Oberstein’s DOG, the one thing that made him vaguely human, is dying. And then there is Reinhard.

I’m not really spoiling anything by talking about these deaths, as the book is still written like a history textbook from the future, so frequently talks about “this was the last time he would visit this planet”, etc. That said, you’d have to be reading the series with very narrow vision not to realize that Reinhard wasn’t going to make it to the end of it. Honestly, he hasn’t been the same since the death of Yang Wen-Li, and he knows it. What’s more, it may be his fatal flaw that finally kills him off. No, not the disease that he’s had for ages that finally gets a name but might as well be “Love Story disease”. Instead it’s his leaping off to battle against Julian’s forces one last time, despite knowing that he’s running a fever and choosing to hide it from everyone. The end of the war means peace, which means no more battles, which means that Reinhard is pretty much going to be out of his depth – something he admits at his deathbed, as he notes Hilda will be a much better leader as she’s the politician.

There are several cool space battles, including one where Julian and company essentially storm Reinhard’s ship as if it were a boat to try to get to him and negotiate, and another where we see Annerose, Reinhard’s sister, protect Hilda from terrorists (don’t worry, she doesn’t die). But for the most part the best moments are the speeches and dialogues, as with most of this series. A lot of the book discusses von Oberstein, whose methods continue to sacrifice the few to save the many, but in the worst, least honorable way possible, to the point where other Admirals try to punch him. He’s an unpleasant person but a great character, and I wish his death had more impact – perhaps the anime improves on this. Oh yes, and Julian and Katerose hook up, though her lack of presence in the final big scenes reminds me that LOGH tries to give us some good female representation but struggles at it.

I’m very happy that we were able to get the entire series out here in North America. It’s a classic, though admittedly more known here for the epic 80s anime, and worth reading to see how authors who aren’t Leiji Matsumoto handle a Wagnerian space opera sort of story, albeit one with a dry historical filter. A noble finale.

Pick of the Week: Still Dreaming

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SEAN: An embarrassment of amazing stuff this week. I could choose any one of half a dozen books. But I’ll go with the 4th and final Our Dreams at Dusk, which has been such an amazing series. Recommended for everyone.

MICHELLE: I definitely look forward to reading Our Dreams at Dusk, but this week I’ll award my pick to Our Dining Table, which looks absolutely adorable. Seven Seas really is putting out some stellar titles these days!

KATE: I whole-heartedly agree with Sean: Our Dreams at Dusk is a genuinely moving story, told with nuance and grace. If the Manga Bookshelf team’s ringing endorsement isn’t enough to persuade you to read this series, check out Sean’s thoughtful reviews of volumes 1-3 at A Case Suitable for Treatment.

ASH: Wow! This week really is full of amazing releases, which makes it incredibly hard to choose just one as my pick. Our Dreams at Dusk is an incredible series, as is Vinland Saga and To Your Eternity. I’m also really looking forward to Our Dining Table and the debut of the previously unlicensable Saint Young Men. But the first thing that I’ll be reading – and therefore my pick this week – is Junji Ito’s manga adaptation of No Longer Human.

ANNA: I totally plan on reading Our Dreams at Dusk one day, and I’m excited for more Vinland Saga. The manga I’m most excited about reading this week though is Saint Young Men, I’ve been holding out for the print edition for a long time.

MJ: I’ve absolutely got Our Dreams at Dusk on my to-buy list, and I’m also pretty excited about Junji Ito’s No Longer Human, but like Anna, I’ve waited so long for a US print release of Saint Young Men, that just has to be my pick for the week.

Our Dreams at Dusk: Shimanami Tasogare, Vol. 4

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By Yuhki Kamatani. Released in Japan by Shogakukan, serialized in the magazine Hibana. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Ysabet MacFarlane.

After three volumes that are brilliantly written but also somewhat fraught and filled with frustration, it was wonderful to see how this final volume of Our Dreams at Dusk has so much acceptance in it. It’s in Tchaiko’s present, when he finds that the distance he’s been deliberately keeping between himself and his dying partner’s family doesn’t have to be that way. It’s in the past, where we get Someone-san’s feelings of wanting to be alone and “unlabeled”. And of course it’s in Daichi and Saki’s wedding, as Saki is accidentally outed to her parents and they both have to deal with the fallout… which is not as bad as initially feared. In the end even Misora is able to make peace with Tasuku after getting an apology, and then an apology for apologizing (which I really liked), and shows up at the wedding dressed to the nines. And, of course, there’s still the amazing artwork as well. It’s a conclusion that should satisfy almost everyone.

Tchaiko gets the majority of the focus in this volume. We learn about his partner, who’s dying an in a hospital, and see some of their life together, which looks wonderfully happy. Despite that, Tchaiko goes to visit him only when his family isn’t there, as he doesn’t want to insert himself into their lives – Seichiro has a son from a previous marriage (he had broken up with Tchaiko at that time) and they’re finally talking to each other again, so Tchaiko doesn’t want to get in the middle of that. But that’s not what Seichiro wants, and (as it turns out) not what his son wants either. Through Tchaiko, we also get a better handle on Someone-san, who (appropriately, as it turns out) has been around the periphery of this manga but never seemed to be a main cast member. In a flashback, she admits to Tchaiko and Seichiro that she’s asexual, but doesn’t want to be explaining that every minute of every day, which leads Seichiro to suggest she “wants to be no one, someone from who-knows-where”. It’s a great moment.

Speaking of Someone-san, I would be remiss if I didn’t talk about how far Tsubaki has come over the course of this manga. From being the remote object of Tasuku’s attraction to a somewhat uncomfortable participant in Cat Clutter’s world, he’s also the one able to point out crucial insights, such as when Someone-san makes cafe au lait for the group, and they’re all startled to see her getting involved. Tsubaki points out that she’s still a human being, a label that is both correct and as broad as possible. This leads to Tasuku inviting her to Daichi and Saki’s wedding despite knowing she won’t be there, and saying that her being someone is enough for him – and so is the distance, which doesn’t have to be less OR more. As for Tsubaki, at the end of the book he feels far more comfortable being Tasuku’s friend, and Tasuku’s acceptance by others and acceptance of himself has led him to grow enormously as well.

The book ends with a death and a wedding (and I didn’t even get into the reaction of Saki’s dad, which once again plays into “I know intellectually what my reaction should be, but it’s much harder when it’s my daughter we’re talking about”, but is really heartwarming), and it feels an appropriate place for the story to stop. It was an incredible journey, and this may be my choice for the manga title of 2019. Everyone who loves manga should be reading it.

Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!, Vol. 2

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By Ameko Kaeruda and Kazutomo Miya. Released in Japan as “Onna dakara, to Party wo Tsuihou Sareta no de Densetsu no Majo to Saikyou Tag wo Kumimashita” by Overlap Novels. Released in North America digitally by J-Novel Club. Translated by Molly Lee.

As we start the second volume of Sexiled, things are looking good for Tanya and company. They’re celebrities now, heralded by the women in the city for what they did. They’re now guiding other parties to grow and learn. But, of course, there’s still the inherent sexism of everyday life. Some of the parties they’re guiding just want to show off in front of them. Sexual assault is framed as “she was asking for it by wearing that outfit.” Promises of marriage are extorted by drugging a girl. Even fashion is against them, as Tanya is told that only men can wear swords at the palace ball… even though Tanya is there as a bodyguard. And then of course there is Laplace’s behavior, as lately she’s seem distracted or even depressed at times. Why was she sealed up in the first place? And is is possible for her to also get revenge?

As with the first book, the writing here reminds you of the sort of thing that women deal with every day. The first half is filled with frustrating assumptions and casual misogyny that makes our heroine’s brains burn. Katherine, the fox-sorceress who was a minor antagonist in the first book, has joined Lilium, and she proves to be an excellent addition to the party, gaining confidence, inventing popcorn chicken, and also helping save the day so that things don’t have to end with a lot more deaths. Because the back half of this book is a lot more serious than the first one. Many of the relationships in this book are abusive, including the princess of the realm, as well as Laplace, whose determination to stand up against her abuser is very well done. I also liked how the kissing was reframed as plot-relevant (and Tanya noting that it was non-consensual at first, even if she ended up not minding it), and this leads to an excellent callback at the climax of the book.

The book is still a light novel fantasy, of course. We briefly see Tanya and Laplace fighting goblins, and there is much discussion of mana and its ability in helping to attain immortality. The fight scenes are relatively simply but breezy, never getting too bogged down in spell creation or other pitfalls. There’s also a healthy dose of humor – I quite liked Nadine yelling “POW POW” in Tanya’s ear, and the smarmy tone of one of the jerks dealt with in the book is mocked by criticizing the very typography of his lines. There’s also a nice scene at the very end of the book which shows a young palace guard who was also inspired by Tanya’s party to chase after his own dreams, and his genuine gratitude and admiration of her feels like a “not all men” that’s actually earned for once. I will admit I think the art that comes with the book is merely adequate – there are some nice scenes of Tanya and Laplace in the middle of the book where the illustrations feel very flat. I wonder if we’ll get some fanart from others.

I’m not sure where the series goes from here – we’re caught up with the Japanese release – but I will definitely be devouring the next book in the series. Still an excellent takedown of misogyny as well as a good light novel fantasy.

So I’m a Spider, So What?, Vol. 7

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

(Note: This review, especially towards the end, gets more spoilery than usual as you can’t not talk about the end.)

I have to admit that “they battle a bunch of fighter jets in order to infiltrate a UFO with tanks and robots” was not really the plot I was expecting when I picked up the seventh volume of Spider So What. But, having finished the volume, I can’t say I’m too disappointed in it. We’ve seen robots and cyborgs in this series before, of course. It also helps to show off the true arrogant brokenness of Potimas, who manages to be an evil elf while at the same time being an embarrassed chuuni who can’t bear to see people using his old design specs that he made back in the day. There is not one moment in this book where you like him, and the relationship between him, White, and the Demon Lord helps to remind us that the “truce” between the later two is miles and miles ahead of the loathing and antipathy they feel for Potimas. They might even be… friends?

After accidentally freeing two world-killing pieces of tech from an underground bunker simply because of her insatiable curiosity, White and the rest of her merry band have to join forces to destroy it. Unfortunately, this means joining forces with Potimas, whose designs they’re based on, as well as the Pontiff and a group of local dragons. Most of the book is spent on the battle, with White’s chatterbox narrative voice, constantly belittling and mocking herself and showing self-doubt at every confrontation contrasting with how everyone ELSE sees her, which is to say an emotionless, morally ambiguous nightmare who is STILL GETTING STRONGER. There’s a lovely moment where White is in a fury and the Demon Lord wraps her in thread to stop her. White immediately teleports out of it, and while she’s calm again, she notes offhandedly the Demon Lord looks super surprised but doesn’t get why. This push and pull on her character is one reason this series works.

Then we get to the climax of the book, where the Demon Lord, Potimas, and White are faced with a bomb that is about to explode. There are really very few options that are available. Still, I suspect only White could come up with “swallow the bomb”, which causes a Daffy Duck-esque explosion but does not, remarkably, kill her off. Good thing too, as Vol. 8 is due in the spring. What’s more, she has now leveled up to the point where the “game system” part cannot help her anymore… she’s a god. “D” helpfully explains this, and decides to give her another name: Shiraori, which I will start using in future. (Notably, “D” does not suggest calling her “Wakaba”, supposedly her old name from Earth, and refers to her as “nameless spider”. This feels very much like ominous foreshadowing.) As a God, Shiraori as all the power she used to and more… but has to learn how to do everything without the “game world” help. Including walking on her new human legs. To her, this is very much “restarting from zero”.

So overall, a solid book of fighting, but the last fifth or so is dynamite (literally), with one revelation after the other. I can’t wait to see where things go next. (Also, when will we catch up to the other kids?)

Bookshelf Briefs 12/13/19

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Arifureta: I Heart Isekai, Vol. 1 | By Misaki Mori, based on the novel by Ryo Shirakome | Seven Seas – This pretty much delivery exactly what it promises, going through the first three Arifureta light novels in the style of a gag comic. There’s lots of Hajime and Yui being sickeningly in love, Shea getting beaten up, Tio being a pervert, etc. We even get golem-Miledi advertising Arifureta Zero, on sale in all good stores. It’s actually pretty fun, and keeps a good balance, not being too perverse while still staying true to the original, which is pretty perverse, and not hitting the same one-note gags—or if it does, pointing that out. Fans of the original should have a lot of fun with this spinoff. – Sean Gaffney

Arpeggio of Blue Steel, Vol. 15 | By Ark Performance | Seven Seas – The flashbacks continue here, but some of them are actually engineered, which is an excellent conceit. Haruna and Kirishima are shown the memories of how Kyouhei and Iori are invited to join the crew… and in the case of Iori, expand her backstory a great deal, as she’s a rich daughter who’s rebelling not just against her father, but everyone who sees the Fog as forbidden tech. After coming out of it (and Kirishima being sad she’s back to being a bear), they’re able to tell the others about what they experienced but can’t have them access the memories like a ship would. It’s just like being human! The second half of the book is not as interesting, but this remains the top of the line for girls-as-objects manga. – Sean Gaffney

Black Clover, Vol. 18 | By Yuki Tabata | Viz Media – We continue this long arc of humans vs. humans-possessed-by-elves, and there’s a lot of “I know you’re in there somewhere now fight dammit” to this book. Luck gets the brunt of the front end, and honestly, it reminds me of Black Clover‘s greatest strength AND biggest flaw: it’s so straightforward it verges on predictable. One bit I really liked was seeing Asta confront a somewhat dazed Sally (who’s lost her glasses) and convince her, perhaps, to be a mad scientist for GOOD instead of evil. Given that Sally is very much amoral rather than immoral, she can be swayed by this pitch. Oh yes, and the battle against Charlotte was probably the most interesting of the giant fight scenes we see. This probably worked better animated. – Sean Gaffney

The Ideal Sponger Life, Vol. 4 | By Tsunehiko Watanabe and Neko Hinotsuki | Seven Seas – A great deal of this fourth volume is dedicated to making it a bit more isekai-ish than it has been, as the forest is under attack by monsters, and the Kingdom has to figure out the best way to stop them. Fortunately, they don’t seem to have adventurers or dungeons here, so it’s back to good old-fashioned politics, as we need to see whose reputation would be helped or hindered by being the one to save the day or fail miserably. In other news, they’re getting better at making glass, Zenjiro is getting more proficient with magic, and we’re about to get two new characters… one of whom definitely seems like a new romantic rival. One of the better isekais out there. – Sean Gaffney

Murcielago, Vol. 12 | By Yoshimurakana | Yen Press – The solution to the person going around killing master swordsmen turns out to be very family-oriented, and also has a lot of possession involved. That said, the most entertaining part of this book may have been seeing Kuroko really struggling to win here—she admits several times that she’s having difficulties, whereas in past books you never really got a sense she was in danger. The final fight of the volume, leading to the cliffhanger, is especially good. That said, it looks like it will wrap up quick next time, if the preview is anything to judge by. In the meantime, you can also enjoy Reiko shamelessly showing off outfits for the reader and then having Kuroko pay for them because, well, she’s a cute girl. – Sean Gaffney

Nicola Traveling Around the Demons’ World, Vol. 1 | By Asaya Miyanaga | Seven Seas – There are now several manga translated into English with a similar underlying premise—a young woman or girl who is under the care of a non-human guardian. The execution in each can differ dramatically, however. (Apparently this is a sub-genre that I particularly enjoy, as I’ve loved all variations.) In the case of Nicola Traveling Around the Demons’ World, Miyanaga has created an exceedingly charming, delightful, and even joyful series. The title mostly sums up the work. Nicola is a young witch who has entered the demons’ world hoping to improve her magic. She’s not really supposed to be there, though, so a kind-hearted traveling salesman (and devil) named Simon has taken it upon himself to watch out for her. With each chapter being fairly episodic there’s not much of an overarching plot, but the magic and wonder of Nicola Traveling Around the Demons’ World builds and is consistently heartwarming. – Ash Brown