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In Another World with My Smartphone, Vol. 18

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by HJ Novels. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Any Smartphone book that manages to put Touya in actual danger is automatically more interesting than most. This one actually does it twice. Not that anything actually happens to him… remember what you’re reading. But the Mutant Phrase descend with an anti-God weapon that is so poisonous that it takes Touya out for three days, and later on an inadvisable attempt at waking an ancient weapon results in time literally being rewritten to make sure it didn’t happen… something Touya is aware of but no one else is. Unfortunately, neither of these crises serve to move Touya beyond his typical bland facade… generally the only thing that can do that these days is mentioning love, as per most awkward overpowered male leads in isekai. Sadly, the weddings are still a fair ways away, but at least we’re seeing a number of other plots starting to come together. Could the end be in sight? (Probably not.)

At the start of the book, the regular Touya world and the Reverse World finally merge together, and much of the rest of the volume is spent dealing with the political fallout from that. It does not help that the bad guys choose this moment to launch their ‘anti-Touya’ poison attack, which destroys one of the kingdoms we’d seen previously. (Not Touya’s own hand this time, so that’s good.) We actually get a few Phrase battles this time around, including Ende getting his revenge against the evil twins who mopped the floor with him last time. And we finally get an idea of what happened back in ancient times when the Phrase first invaded, and hopefully a way to avoid it happening again. In between there’s the usual wacky slice-of-life stuff… a young idiot prince comes by to show how strong he is and gets his ass kicked; Hilde’s sister fights a dragon; Sakura sings Freddie Mercury songs. The usual.

I admit, much as I grouse about the series when it’s doing things wrong like having Touya be history’s greatest monster, when it doesn’t happen there’s very little TO talk about in a review of Smartphone. Touya is bland. His fiancees, though they have more emotional range, are equally bland. There’s the royalty of the neighboring kingdoms… they’re pretty bland as well. This is sort of like a “slow life” series without the slow life part. The author says that we’re going to be fighting the Evil God next time, which is good, because when there are fights at least something is happening on the page. The wedding might also help, but that’s still a few books away. That leaves us with Touya wandering around doing Touya things, which is… boring. Dull. Nearly getting killed was the best thing to happen to him all book.

The series is still worth reading for the tiny little things that make it bearable – Sue’s Hammer Throw was great – but I suspect most readers, like me, are waiting for Touya to get married and simply paddling along ill that happens. 2 out of 5 Smartphones this time around.

Daytime Shooting Star, Vol. 4

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Daytime Shooting Star Volume 4 by Mika Yamamori

This volume of Daytime Shooting Star is focused on summer vacation. I really like the way the matte cover sets off the powdery pink blossoms used in the cover illustration for this volume. I’m so curious as to how this student-teacher romance manga will conclude, I’m guessing a giant time skip picking up with the high school characters post-college graduation. The volume opens as Suzume uses her intense knowledge of fish and extra cash to help out a strange but somewhat familiar man in the grocery store who has difficulty both shopping for seafood and remembering his wallet. When she drops by his house to get repaid for his groceries, she realizes that he’s Mamura’s father! Suzume gets a glimpse of Mamura’s very loud little brother, and she and Mamura are able to talk to each other again like friends.

Tsubomi ends up blowing out of town leaving a tornado of emotional devastation in her wake, as she seems to think it is appropriate to leave a note for her ex-boyfriend Shishio with the teenage girl who has a crush on him. Susume can’t resist the impulse to deliver it, and when she meets Shishio again, they decide to go on a group outing with her classmates to the aquarium, since Tsubomi enclosed an aquarium gift certificate. Of course, the day of the outing no-one else shows up, so the student and teacher are on a full-on solo date where Suzume gets to indulge in all the fish trivia questions she has ever dreamed of. Shishio continues to be fairly inappropriate but not doing anything physical beyond resting his head on Suzume’s shoulder. Even though he rejected Suzume’s love confession, it is clear that he’s still looking out for Suzume at school and in general acting protective and awkward at various moments. Suzume sees all this happening and becomes confused yet again. Fortunately there’s the school festival coming up that will provide a welcome distraction from all these romantic foibles, or amp everything up even more?

I continue to enjoy Yamamori’s stylish character designs. Suzume’s moments of introspection and insight as she’s attempting to get a handle on the world around her keeps Daytime Shooting Star interesting. It is easy to see how she’ll eventually grow up to be a formidable adult.

Outbreak Company, Vol. 12

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

I feel that I’ve said a lot when reviewing Outbreak Company that the book starts off badly and gets better as it goes along till a good climax, and that holds true here as well. That said, the annoying parts of the book are very annoying. I haven’t used the word ‘queerbaiting’ when reviewing this series, mostly as it’s highly unlikely the author is doing it deliberately to bring in BL fans. (Then again, given that afterword, I may be wrong.) But for the most part the book is content to view Garius the way that Minori does – as a product of BL fantasy that she can ship with either Shinichi or newcomer Rubert – without ever explicitly having Garius say that he’s gay or state he is gay. It may sound like it’s so implied that they don’t have to, but that’s the point – the BL subtext is slathered on with Minori-vision, making it hard to take seriously. There’s no gay characters here, just a bunch of heavy breathing.

I may be more annoyed than usual as Garius and his supposed homosexuality are front and center in the plot this time. The prince of a neighboring country that is on good terms with Eldant has arrived to propose marriage to Petralka. He apparently knew Garius when they were younger, and it is heavily hinted they were lovers in college – again, with just enough plausible deniability that, should the author want, he can satisfy fans that might be put off by that – and the implication is he’s doing this to get close to Garius. The other half of the plot, which works MUCH better, is that Rubert’s country are very much prejudiced against non-humans, and an alliance between the two countries is bad news for most of the cast. Plus there’s the fact that Petralka loves someone else. Can Shinichi get over his obliviousness and self-hatred long enough to solve this new problem? And will Minori ever shut up?

Shinichi’s low self-worth – still stemming, he says, from getting rejected by the girl he likes for being a creepy otaku – has hovered over the entire series. You’d think, after saving the world multiple times and having at least three different women, and possibly more, in love with him that he might be gaining more self-confidence, but the lack of communication about his real feelings – which is the same reason that he can’t recognize the girls are in love with him – has kept him from seeing that he’s changed. This is frustrating to the reader, and also to Hikari and Matoba, who see him as a standard harem lead and want to kick him in the balls. Fortunately, his opening up to Petralka about his past may have helped to trigger something – she and Myusel are far more open about the love triangle they’re in (sorry, Elvia, you were never going to win this one) and the cliffhanger ending is that Shinichi finally figures this out.

Will this affect the plot going forward? Well, we’ve still got 6 more volumes and an ‘after story’ volume to go, so I suspect not all that much. Till then, please enjoy a new Outbreak Company, irritating and teeth-grinding as it still is.

Invaders of the Rokujouma!?, Vol. 28

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

The author admits that this was supposed to be the last book but it got too big, so it’s split into a two-parter with a cliffhanger ending. It also gives some extra attention to Clan and Maki, two of the last to join in the Koutarou sweepstakes, and therefore the ones with the least development with him. That said, Clan going with Koutarou to the past gave her a leg up on the others, and Maki got a book of her own as well. The plot machinations involved mean we get a “greatest hits” compilation with those two, which is sweet and reminds you of why you like them, and also writes them out… at least for now. Because the girls are disappearing, starting with those two, and no doubt that feeds into the final book of the “main” series. Fortunately for the reader, they seem to know what’s going on, even if Koutarou doesn’t. It’s probably connected to the ancient ruins he fell into in the first book.

The main thrust of the book is not the disappearances, though, but Forthothe going public. After spending so much time trying to cover up the existence of alien worlds, and parallel magical worlds, and underground dwellers, they’re all coming out at once, and Earth is trying to deal with the fallout. And I do mean all of Earth – the fact that all this cool stuff is centered on Japan means that other countries are upset, and are not going to simply smile and nod. As a result, we have spies following our heroes around trying to prove their connections to everyone. Mostly this happens because, well, Theia used Forthothe’s own past as part of her drama club show, so it has everything written down. Koutarou, Maki and Clan’s job is to make the spies think the girls – particularly Kiriha and Yurika – are normal. They do a good job.

Though the book has not explicitly made this a “everybody wins” sort of series, that’s clearly the way that it’s heading, and the books have set this up very well, emphasizing the close bond everyone has with each other. That said, I do also appreciate that everyone is not magically OK with everything – when, in the classroom, Koutarou and Maki have a telepathic conversation, we see the other girls jealous of their closeness. One of the running themes of the series is that each of the girls desires what the other one has – Harumi wants to be roughhoused with, Clan wants to be cared for, everyone wants the closeness that Koutarou and Yurika or Theia have… they’re not a hive mind. Or at least not yet… if the disappearances and the “globes” that we see at the very end are anything to go by, Koutarou may have to handle this final crisis by himself.

The 29th volume (31st in the series – remember the .5s!) has the original “main” cast on the cover, as befits an ending volume. Of course, it’s not ending. But this is a good setup for a sort of finale. Fans of the series should enjoy it. Also, it’s quite short.

Pick of the Week: Househusbands

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SEAN: This week I’m torn between small children and yakuza husbands, so my pick is split between the 5th Ascendance of a Bookworm light novel and the second volume of The Way of the Househusband.

MICHELLE: I’m all in for The Way of the Househusband, personally, though I’m also intrigued by MabuSasa, the latest digital shoujo from Kodansha.

KATE: My pick is also The Way of the Househusband, a classic fish-out-of-water comedy that finds fresh ways to mine the gangster-goes-straight concept for laughs. Read it… or else!

ANNA: Way of the Househusband for me as well. The first volume was hilarious, looking forward to more of the same.

ASH: Who am I to argue with everyone else? The Way of the Househusband is unquestionably my pick this week, too.

MJ: Well, I’m certainly not going to be the one to destroy the consensus this week. The Way of the Househusband it is!

Kobold King, Vol. 1

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By Syousa. and sime. Released in Japan by Legend Novels (Kodansha). Released in North America by J-Novel Club. Translated by Fatuma Muhamed.

I find myself saying “this is a book of two halves” quite often, but it fits with this one as well, so I’m going to stick with it. Our hero is Gaius, a huge ex-soldier who has left his position in the kingdom for reasons that are hinted at but never quite fully explained, and gone back to his home village… which was destroyed long before. He’s come to put his relative’s ashes to rest. Then he comes across a monster trying to kill what sounds like a child in the woods, but turns out to be a Kobold, which is to say a cute puppy that walks on two legs and talks. She takes him to her village, which is recovering from an attack by humans, and he starts off as a prisoner. But gradually he endears himself to everyone there, and life is wonderful… at least until humanity reinserts itself into his life. From there, the book takes a much darker and more tragic turn.

Frankly, Gaius fits in much better with the kobolds than he does with other humans, and not just because he’s one-quarter troll. He’s a huge bear of a man, really sweet and nice but also tends to act without thinking and does not do well with politics or tactics… you can sense why he left the kingdom, in the middle of a tactical war, without really being given the gist. He’s also one of those “I smile but it looks scary” types. The best part of the book is the first third or so, which is just him and the kobolds, as he ingratiates himself and proves indispensable to them. The middle sags a little by adding a few “this is more like anime” sort of characters – his ex-adjutant is a half-elf who’s in love with him, something which everyone can see except him. There’s also his adopted daughter Darke, whose backstory is not revealed till the end, which means mostly she irritates, as she wants to be Gaius’ first lover. And there is a teenage dwarf, Emon (his name is a pun on Doraemon), who wants to be a strong and brave warrior.

After a middle third of these three joining the cast, the humans (who had already driven the kobolds from their first village and killed a great number of them) return to finish the job. I knew there would be another battle, but I wasn’t expecting it to get so dark – Gaius’ attempt at negotiation is an utter failure, and characters we’ve come to care about die or are permanently disabled. That said, it serves to emphasize the aims of the book, which is “war is hell” and “humans are bastards”. There’s a battle for a throne between two royal family members, and though we never see either royal, both sides look pretty bad to me. The kobolds are dismissed as “monsters” and therefore creatures to be exterminated. We meet a band of evil adventurers (an excellent part of the book that shows off the dark side of adventuring after reading all those isekais) and see how each one is individually the worst.

So in the end this is a good book in getting Gaius to stand up and fight again, rather than simply retreating, but it’s a downer, frankly. Fortunately, it does not seem like the sort of series that’s going to run and run, so things should resolve soon. Worth a read.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 14

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Winifred Bird.

This was long. Hideously long. Even by the standards of DanMachi, which has had some very long books, it’s long. It’s longer than Book 8, the previous record holder. It’s longer than almost all the Tanya the Evil books. Arguably, it uses its length wisely, which may come as a surprise given how much of it is just straight up monster fights. But it doesn’t just have fight after fight with no purpose. Each of the fights is meant to develop the character of one of the regulars, mostly Bell and Lyu, who do the heavy lifting in the book, but also Welf, Cassandra, and the rest of the other party who are desperately trying to find them. It earns its length. That said, I do think it could have bee a BIT shorter. I love the way the author writes fights, but by the end of the book I felt like Bell and Lyu do, i.e. mostly dead.

The book is divided into two halves, or rather one third and two thirds. The first third features the rest of the cast down in the dungeon on the 26th floor trying to survive without Bell, and finding strength beyond simply supporting him in his own dream. Welf in particular comes off well here, making an even more magic sword than his others, but Cassandra has perhaps the best emotional arc of the section, even if I’d have liked a bit more payoff where everyone actually admits she was right. Which, yes, goes against her character name. The second part of the book features Bell and Lyu down on the 37th floor, where Bell has to battle Killer Sheep Skeletons, The Juggernaut that he thought they’d killed off earlier back for revenge, a battle arena filled with infinitely spawning monsters, and perhaps most dangerous of all, Lyu’s suicidal tendencies.

Lyu’s backstory is finally given in full here, and it’s pretty much what I expected. It’s broken her to such an extend that, experiencing almost the same events as well as Bell seemingly trying to throw his own life away to save her (which happens… I lost count, but a LOT in this book) is making her want to give up, and the only reason she keeps trying is she wants to save Bell and see him safely off before she allows herself to be destroyed. It’s heartbreaking, and those who wanted Lyu to be a bit more emotional will be happy but also sad. (That said, I could have done without the comedy epilogue with her losing her top… but I guess after the emotional wringer you needed SOME comedy.) As for Bell, he’s had other books that have helped to show off his development more, and this is more Lyu’s. Here he’s just the almost indestructible rabbit that will save everyone in the world. Of course, this also means that Lyu has fallen in love with him. Honestly, given the sheer amount of focus she’s gotten in this series, she may be second only to Aiz in the “what if it’s not Hestia?” love interest sweepstakes.

Thankfully, the next book in the series looks to be much shorter than this, and also less emotionally devastating. Unfortunately, it’s not scheduled yet for North American release, so it may be a bit. Till then, this is one of the best books in the series, assuming you survive the read.

Bookshelf Briefs 1/16/20

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Anonymous Noise, Vol. 18 | By Ryoko Fukuyama | Viz Media – Welp, I was wrong. Romantically, the final pairing is not what I expected. That said, romance, as always in this series, takes a back seat to the music, and musically the pairing is exactly what I expected. It’s actually quite interesting to see the basic “final volume” beats of a shoujo manga framed in terms of career and musical partner, while the heroine actually ends up with someone else. It’s quite a choice. Elsewhere, the book wraps up the one remaining unresolved pairing. But most of all for me, it goes back to its roots and shows what I loved most about it—Nino screaming the songs like they’re primal. I’ll miss this series, and am interested in what the author is going to do next. – Sean Gaffney

Bakemonogatari, Vol. 2 | By NISIOISIN and Oh!great | Vertical Comics – One thing about the artwork in this manga adaptation, particularly of its lead character, is that it does not shy away from how relentlessly creepy and sexually harassing Araragi can be. The novels made you question how much of it was a narrative device, the anime framed it as so over the top it was almost parody, but the manga makes you squirm at seeing Araragi’s face as he simultaneously beats up and pervs on a little girl. This second volume finishes Hitagi Crab and gets almost halfway through Mayoi Snail, and does a good job at making itself distinct—here the park is a normal park, not the grandiose wonder as seen in the anime. Provided you can tolerate Araragi, an excellent adaptation. – Sean Gaffney

Daytime Shooting Star, Vol. 4 | By Mika Yamamori | VIZ Media – Believing that Shishio has gotten back together with his ex, Suzume tries to see it as an opportunity to forget him. It’s not true, though, and after her friends arrange for them to have an aquarium date, Shishio starts acting different around her. I certainly don’t want him to return her feelings, but it’s also pretty shitty that he treats her like she’s special and gives her false hope when he has already rejected her. At least he’s aware of this. There’s a great sequence where they both stop themselves from calling out to the other in the hallway, trying to avoid falling into their typical patterns, but by the end he’s rushing to rescue her from overbearing upperclassmen and falling pots. I really, really am enjoying this series, but continue to hope that she’s eventually going to get over him once and for all. – Michelle Smith

Dirty Pair | By Haruka Takachiho and Hisao Tamaki| Seven Seas – I was both looking forward to this and also dreading it, and in the end the dread won out. I suppose every generation gets the Lovely Angels it deserves. It’s not as if the original novels did not have Kei and Yuri walking around in Bikini tops and short shorts and cracking wise, and they do here as well. And the novels did indeed have the “we are psychically bonded and get hints about solving crimes that way” jazz as well. But this manga adaptation takes the fanservice to eleven, with the Angels making out and getting orgasm faces as they use their psychic powers. The plot of these is essentially very similar to the originals, and the basic “they solve the mystery, but everything is destroyed” premise is still there and valid. That said, the fanservice makes me recommend this only to hardcore fans of the Lovely Angels. – Sean Gaffney

Haikyu!!, Vol. 36 | By Haruichi Furudate | VIZ Media – After losing the first set to Nekoma, Karasuno wins the second. As Furudate-sensei elegantly shows through a series of panels comparing past scoreboards to the current one, this is the first time that has ever happened. Indeed, throughout the volume, Furudate excels at conveying the significance of things, particularly when the most reserved players on each team experience a moment in which they recognize how much fun volleyball can be. Tsukishima actually smiles when he’s finally able to score a point against his rival/mentor Kuroo while Kenma, whose predictions are usually correct, is happy when Hinata is able to surprise him with a trick shot. And, in turn, Kuroo is happy that the friend who’s been indulging him all these years is finally enjoying himself. It’s all about appreciating the people who get you and who challenge you. I love this series so much. – Michelle Smith

Himouto! Umaru-chan, Vol. 8 | By Sankakuhead | Seven Seas – I always enjoy the way that there is slow, methodical character development for Umaru in these books. She may still be incapable of taking care of herself without her brother around, but she’s beginning to grow up and demonstrate she might be able to function in society. Of course, there is also the usual Umaru humor, particularly when dealing with Hikari, who not only looks and acts like Umaru but is trying to occupy the same place in her brother’s life. (Speaking of which, we also get more shots of Kanau, Hikari’s older sister and Taihei’s boss, who also might have a thing for him, though I suspect if there’s any romance in this series at all it will be with Ebina, who’s had longer to develop.) Cute, cute, cute. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 12 | By Aka Akasaka | Viz Media – I get the sense that the author has figured out how many volumes he wants this series to be now, as the pacing seems to have become more rapid. Not in terms of the gags, but in terms of the plot—Shirogane’s desire to resolve his relationship with Kaguya by the Culture Festival seems to mean it will happen next volume or the one after, and for once he seems quietly determined—I think committing to Stanford lit a fire in him. Elsewhere, Chika once again tries to cheat her way to victory and is punished, and also tries to teach Shirogane something easy and is punished. And there’s a chapter advertising the We Want to Talk About Kaguya spin-off, which… we’re not getting here. A lot of fun as usual. – Sean Gaffney

To Be Next to You, Vol. 1 | By Atsuko Namba | Kodansha Comics (digital only) – Nina Uemura is in love with her next-door neighbor, Kyosuke Tachibana, who has just started his first year of high school. She ends up witnessing the moment when one of his new classmates, Yuiko Asou, kisses him. This ultimately spurs Nina to confess, but when he goes in to kiss her, she freaks out. Meanwhile, Kyosuke and Asou seem to be getting closer. Because Asou is written so sympathetically (she’s genuinely a good person, and her once-kind boyfriend has become a jerk) and Nina comes across as quite immature comparatively, this manga so far reads like she’s the interloper onto Kyosuke’s love story. He’s moving ahead and she’s desperate to stay by his side, even if he’s entering a world that she’s not yet prepared for. It’s good stuff! I look forward to volume two. – Michelle Smith

Vinland Saga, Vol. 11 | By Makoto Yukimura | Kodansha Comics – It’s been a year and a half since the last omnibus volume of Vinland Saga was released. Somehow in that amount of time I had forgotten just how much humor Yukimura incorporates into what is otherwise an incredibly serious narrative. It helps keep the manga from becoming overwhelmingly bleak, but the balance of between the comedy and tragedy in the eleventh omnibus feels a little off—the jokes and occasional pop culture references (while entertaining) at times lessen the impact of the surrounding scenes. Even so, Vinland Saga remains an intensely compelling and powerful work. These volumes bring to a close the battle at Jomsborg. Throughout the conflict, Thorfinn repeatedly comes up against his decision to live without taking the lives of others. His resolve is severely tested when he confronts the man behind his father’s death and the warriors who likewise seek the deaths of Thorfinn and his companions. – Ash Brown

Manga the Week of 1/22/20

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SEAN: More January, More Manga.

ASH: Huzzah!

SEAN: J-Novel Club gives us another debut, Her Majesty’s Swarm (Joou Heika no Isekai Senryaku), again from Kodansha’s new Legend Novels imprint, and by the author “616th Special Information Battalion”. Yes, that’s the real pen name. A college woman who plays a game as an evil character is now trapped in a very similar world… as said evil character.

We also get Altina the Sword Princess 2 and Ascendance of A Bookworm 5.

ASH: I need to catch up on Bookworm.

Kodansha, in print, gives us Cells at Work! Code BLACK 3, I’m Standing on a Million Lives 5, Sailor Moon Eternal Edition 7, and The Seven Deadly Sins 36.

In digital releases, the debut is MabuSasa (Mabuichi-kun to Sasagawa-san), which runs in Kodansha’s shoujo title Palcy. a BL loving girl and a scary guy… can they bond?

MICHELLE: It could be cute!

ANNA: It does sound potentially cute!

MJ: I’d give this a look!

SEAN: There’s also Cosplay Animal 10, Defying Kurosaki-kun 14, My Boss’s Kitten 4, My Boy in Blue 14, and The Quintessential Quintuplets 11.

No debuts for Seven Seas, but they have the 5th Arifureta manga, Magical Girl Site 11, Nurse Hitomi’s Monster Infirmary 10, and Sorry for My Familiar 6.

Tokyopop has a 7th Konohana Kitan.

And Vertical has the 7th CITY.

Viz has Black Lagoon 11. Black Lagoon 9 came out in 2010. I think this series may have a bit of a problem.

MICHELLE: I really loved the first three volumes when I read them long ago, and this release makes me want to get caught up. But then I’ll be waiting years again for the next, most likely.

ASH: Black Lagoon can be really great, but the long wait between volumes can be really hard.

MJ: My memories of Black Lagoon are so fuzzy now…

SEAN: They also have Beastars 4, Children of the Whales 14, Levius/Est 2, No Guns Life 3, and The Way of the Househusband 2.

MICHELLE: Hooray for The Way of the Househusband! I need to check out Beastars, too.

ANNA: I need to catch up on Beastars, and I’m happy about Way of the Househusband 2, the first volume was hilarious.

ASH: Beastars and The Way of the Househusband are what I’m particularly excited about this week.

MJ: I need to catch up with both!

SEAN: And there’s a bunch of Yen. Yen On gives us The Asterisk War 12, Death March to the Parallel World Rhapsody 10, and Strike the Blood 14.

Yen also has, on the manga side, Angels of Death 9, A Certain Magical Index 20 (manga), Hatsu*Haru 10, DanMachi: Sword Oratoria 10, Karneval 9, Nyankees 5, Overlord: The Undead King Oh! 2, Reborn As a Polar Bear 2, and Teasing Master Takagi-san 7.

Manga? Manga!

Saint Young Men, Vol. 1

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Saint Young Men sounds like the set-up for a George Carlin routine: Jesus and Buddha spend a “gap year” on Earth, sharing an apartment in present-day Tokyo while wrestling with the temptations and banalities of modern life. The manga’s prevailing tone, however, is more silly than satirical, focusing not on big theological or philosophical questions, but mundane ones: how to stretch a monthly budget, where to find the best souvenirs, how to fend off drunken commuters.

Most of the humor stems from Hikaru Nakamura’s portrayal of Jesus and Buddha as opposites, with Jesus as a cheerful spendthrift with a fondness for t-shirts and tschotkes, and Buddha as a frugal “big brother” who agonizes over every purchase. The two have a kind of Ernie-and-Bert dynamic in which Buddha frequently chastises Jesus for his impulsive behavior, whether Jesus has purchased a “shinsengumi set” or wants to wear a pair of Mickey Mouse ears in public. Though their bickering provides most of the series’ comic fodder, there are also jokes about walking on water and turning water into wine, as well as a few sly pokes at Osamu Tezuka’s Buddha.

Anyone hoping to be outraged by Saint Young Men will be sorely disappointed, since its most blasphemous idea is that even Jesus and Buddha can’t resist the temptations of social media and shopping for melon bread. Anyone hoping for more insight into the human condition will likewise be disappointed, as Nakamura settles for easy laughs in lieu of real insight or religious critique—a missed opportunity, I think, since her premise offers plenty of latitude to reflect on Buddhist and Christian teachings, or the perils of modern-day materialism. A few good sight gags land well, but the manga’s eagerness to please blunts the edge of its best ideas. Your mileage may vary.

SAINT YOUNG MEN, VOL. 1 • STORY AND ART BY HIKARU NAKAMURA • TRANSLATION BY ALTHEA AND ATHENA NIBLEY • KODANSHA COMICS • 152 pp.