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Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 3: Adopted Daughter of an Archduke, Vol. 1

August 28, 2020 by Sean Gaffney

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

I was expecting great changes with this volume. When last we saw Rozemyne, she had had her past altered to make her the daughter of a noble, was then secretly adopted by another noble (who was also the archduke), and was getting ready to move to the noble part of town… while also maintaining her businesses, finding ways to employ the temple’s orphans, and assuming the role of high bishop. Some of the things that I was expecting did actually happen. Rozemyne had a bit of culture shock when she came across noble attitudes, and they in turn were unprepared for both Rozemyne’s health and her ways of thinking. She would start her high bishop duties and give lots of blessings, which would stun those who witnessed it both because of her age and then because of her ridiculous amounts of magic. What I did not expect, and this is totally a failure on my part, was Rozemyne organizing an idol concert.

Actually, there was a lot that did NOT happen in this book, which seems to want to give Rozemyne an easier time of it than the previous books. After the terrifying battle that ended book 7, this seems sedate by comparison. Rozemyne has to get used to her new family, including winning over Elvira, who is her new mother now… and it goes quite well, mostly as Elvira is a Ferdinand fanboy and will happily do anything he says, but also as Ferdinand has been grooming Myne this entire time to prepare her for her role as Rozemyne. (I will admit the grooming does worry me a bit. Given that Books 22 and 23 still show Rozemyne as a child, I don’t think romance is in the cards here, but it is suggested once or twice that Ferdinand and Rozemyne should be a couple, and please, no.) Ferdinand is even prepared for Sylvester’s spoiled son to not “get” that Rozemyne can’t run around, and has a solution – let her almost die in front of the boy.

Then there is the concert. I must admit, given what I’ve been writing about him in this review, I did feel Ferdinand sort of deserved what happened to him. That said, it’s also a terrific way to show that Rozemyne is not done coming up with innovative ideas just because she is now a noble. Her old ideas are also still going strong, of course, and I appreciated that Benno, Lutz, etc. did not simply vanish. (Myne’s old family appear slightly less, but they are also there, especially Tulli, who gets to learn manners from a most welcome tutor.) But Rozemyne needs money, and the idol concert was the best way to do it. I really enjoyed how she was able to spot, based on the reactions of the noble ladies to Ferdinand, that there would need to be attendants on hand for when they fainted. And the special final guest was also hilarious.

So far so good, then, but I expect trouble has not abandoned Rozemyne completely. In any case, if you enjoy books at all, light novels or no, this is a series that you should be reading.

Filed Under: ascendance of a bookworm, REVIEWS

The Extraordinary, the Ordinary, and SOAP!, Vol. 2

August 28, 2020 by Sean Gaffney

By Nao Wakasa and ICA. Released in Japan as “Hibon, Heibon, Shabon!” by ArianRose. Released in North America by J-Novel Club. Translated by Emily Hemphill.

It has to be said, the hero and heroine of The Extraordinary, the Ordinary, and SOAP! are firmly in the ordinary category, and I feel would not be able to carry a typical shoujo romance on their own. The feelings between the two are, thankfully, resolved in this second volume, as Lucia is finally made to realize that she is the one Celes loves, and Celes is forced to admit his feelings out loud and straightforwardly rather than hoping that Lucia magically understands his heart without doing anything. This is even resolved in a pretty typical way, involving the two being separated from the rest of the cast by a brief disaster and having to make it on their own to catch up. Don’t get me wrong, they’re cute and I’m happy to see them get together, but Lucia x Celes is not the reason this got licensed. There are a couple of other reasons, the first being the premise itself.

I said this in the review of the first volume, and I still feel this way: I really like the fact that this is an isekai that takes place from the POV of someone from the fantasy world itself. Lucia, being the heroine, is of course big of heart and able to read emotions easily (I am hoping this isn’t just because she’s the only woman in the group, but yes, it probably is), but she also has her soap powers. And those powers, as it turns out, are perfectly capable of taking care of the cursed land that they brought in Maria specifically to fix. This leads to a great crisis for Maria, which I’ll get into in a bit, but it’s also a really good look at how quick these sorts of novels are to simply reach out to modern-day Japan to grab a savior rather than trying to address things on their own. It’s made even worse given that there is a conspiracy going on about the fate of Maria, the summoned heroine.

Maria is designed to be disliked by readers at first, with the theory being that we will gradually come to understand her as she grows as a character. That’s a hard hurdle to clear, however, especially with anime and manga fans, where you never get a second chance to make a first impression. Fortunately, the series plans to follow through for us, though admittedly it does so by taking Maria down even lower. Not only has she been pulled into a scary fantasy world and threatened by deadly monsters, but it turns out the nicer, bustier maid girl can actually save the day better than Maria can. When she hears the prince and his brother discussing having her killed (it turns out later she’s missing crucial information, but honestly, not that much – I worry how the return to the kingdom will go), she lashes out at Lucia with possibly tragic consequences. Her redemption might go a tad fast (Lucia is the heroine and gets the majority of the chapters), but it is there and welcome.

This series ends with the third volume, which seems about right given we’ve purified two thirds of the points we’ve been supposed tom, and the couple have confessed. Lucia and Celes may be typical, but the book they’re in has enough spiky edges to impress.

Filed Under: extraordinary ordinary and soap!, REVIEWS

Infinite Dendrogram: The Forms of Love

August 27, 2020 by Sean Gaffney

By Sakon Kaidou and Taiki. Released in Japan by HJ Bunko. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

At long last, after a year’s time, including a volume of short stories and a prequel, we are back with the main plot of Infinite Dendrogram. The plot itself involves a lot of setting things up for future books, though we also get one we’ve seen before, which is that the admins do not all get along with each other, and some of them are perfectly willing to destroy people’s lives if it means that they get to see their players evolve into a higher and stronger level. Once again, you are trying to figure out: is this a game? Is this some world pretending to be a game? How “real” are the NPCs? Certainly Ray has no issue with treating them as real, something which the princess appreciates, as she’s trying to get her little sister married off and out of harms way. Sadly, she’s as socially inept as every other woman in Ray’s orbit, so goes about it in exactly the wrong way.

There is also another plotline going on, and to be honest it involves one of my least favorite parts of the short story volume, which is the woman who was spurned by her real-life lover, so goes around destroying couples. She’s finally out of jail, and desperate to meet Figaro, who everyone realizes she is desperately in love with. The issue is that everyone is pretty sure that Figaro would much rather duel her than woo her, if indeed he’s realized what she’s after at all. What follows is admittedly predictable, but also probably the best part of the book, and reminds you that it’s not always wise to assume that characters who are super-focused on one thing are ALWAYS focused on that one thing. And, if nothing else, certainly provides contrast with Ray Starling, who may be our hero but can’t even dress himself properly, let along realize how many girls like him.

It has to be said: Ray may be a college student, but in terms of emotional depth he’s more like Tsukuyo than, say, B3. He is a chuuni, something Nemesis is trying to point out to him when she desperately attempts to get him an outfit that does not scream “bwa ha ha” but can’t quite make it. Of course, it’s that straightforward chuuni part of him that also lets him win the day – going up against a villain who loves to watch people’s emotional reactions to things, especially if it’s tragedy, Ray is simply pissed off beyond all measure, and manages to not only hand the guy his ass but also terrify him. (Given he has constellation-based powers, I sort of wanted Lucy from Fairy Tail to show up and beat his ass.) Admittedly, given what we’ve seen of Shu (whose past as a sentai actor is gone into here) and his oft-mentioned, never-seen older sister, Nemesis may have a long wait.

As I said, there’s lots of setup here, and not all of it has payoff. This has the feel of a story that’s nowhere near done, and provided the anime didn’t kill the franchise, we should be able to enjoy it for some time to come.

Filed Under: infinite dendrogram, REVIEWS

Manga the Week of 9/2/20

August 27, 2020 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: It’s always September, somewhere in Manga Land! What do we have for you this first week of the month?

Cross Infinite World has a 2nd volume of Beast Blood.

Denpa snuck out a release last week, though apparently the print comes a bit later. The Girl with the Sanpaku Eyes (Sanpakugan-chan wa Tsutaetai) is a Gangan Pixiv manga about a girl with “mean eyes” and her travails. Our own Kate Dacey reviewed it here.

ASH: Thanks for the review, Kate! I’ve been curious about this one.

MJ: I have, too!

SEAN: No debuts for J-Novel Club this week, but a whooooole lotta other stuff. In print, we get An Archdemon’s Dilemma 7, the first Ascendance of a Bookworm manga (I guess that’s a debut), Infinite Dendrogram 8, My Next Life As a Villainess 3 and Sexiled 2.

ASH: I’ve been enjoying the Bookworm novels, so maybe I should give the manga a try, too. As for the second volume of Sexiled, I’m really looking forward to getting my hands on it.

SEAN: Digitally, there’s By the Grace of the Gods 4, Full Metal Panic! 8, The Greatest Magicmaster’s Retirement Plan 6, Kokoro Connect 10, The Master of Ragnarok & Blesser of Einherjar 12, The Unwanted Undead Adventurer 6, and A Very Fairy Apartment 4.

Kodansha has some print for us. Knight of the Ice 3, L*DK 15, Living-Room Matsunaga-san 4, The Quintessential Quintuplets 10, Saint Young Men 3, To Your Eternity 12, and Waiting for Spring 13.

MICHELLE: I’ll be reading several of those, and am especially eager for more Knight of the Ice.

ASH: Oh! It’s a good Kodansha week for me, too!

MJ: I need to catch up with both Knight of the Ice and Saint Young Men.

ANNA: Glad for the reminder about Knight of the Ice, I’m already behind!

SEAN: There’s also digital. The debut is That Time I Got Reincarnated (Again!) as a Workaholic Slime (Tensei Shite Mo Shashiku Datta Kudan), another spinoff of that popular series. This one is only 2 volumes long.

And we get All-Rounder Meguru 16, Cells at Work: Bacteria 3, My Boss’s Kitten 6, Smile Down the Runway 13, Stellar Witch LIP☆S 2, To Be Next to You 9, and Yuri Is My Job! 6. (The last will have print later, I imagine.)

MICHELLE: I’ve been getting caught up on To Be Next to You and liking it a lot.

SEAN: Seven Seas debuts Cube Arts, a “gamer invited to beta test a game that is more than it seems” story. It ran in Shinchocha’s Comic Bunch.

Digitally there is a light novel debut: ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!. A much requested yuri light novel title, this apparently starts off very dark (expect slavery), but has good buzz.

ASH: Hmmm, a yuri light novel could be intriguing.

SEAN: Seven Seas also has, in print, Makeup is Not (Just) Magic: A Manga Guide to Cosmetics and Skin Care, as well as the 3rd Arifureta: I Heart Isekai and My Monster Secret 21.

ASH: I’d actually like to give Makeup is Not (Just) Magic a read.

SEAN: Square Enix gives us a 2nd volume of My Dress-Up Darling.

ASH: Whoops, I haven’t actually read the first volume yet, so I’ve already fallen behind.

MJ: Oops, same!

SEAN: Tokyopop debuts Ossan Idol! (Ossan (36) ga Idol ni naru Hanashi), an adaptation of a novel that runs in Comic Pash!. A Middle-Aged Man, bullied most of his life, turns his life around and gets buff, cool and handsome… but is unaware of this. Now he’s been scouted. This looks pretty fun.

Vertical has two debuts. The first we saw a digital release of earlier, but now the Weathering With You manga gets a print release.

MJ: I didn’t read this in digital, but I enjoyed the movie and I tend to like manga adaptations of Shinkai’s work, so I really should check it out.

SEAN: The other one, With a Dog AND a Cat, Every Day is Fun (Inu to Neko Docchi mo Katteru to Mainichi Tanoshii) is definitely for animal lovers. Expect “indie” art styles, too.

MICHELLE: Definitely checking this one out.

MJ: Okay, want.

SEAN: The rest is Viz, mostly. No debuts, but lots to look at. For shoujo stuff, we get Daytime Shooting Star 8, Kakuriyo: Bed & Breakfast for Spirits 6, Love Me Love Me Not 4, Not Your Idol 2 (not a final volume, but the series is on hiatus in Japan after this), Skip Beat! 44, and Snow White with the Red Hair 9.

MICHELLE: I intend to read every single one of these, sooner or later. I didn’t realize that about Not Your Idol, though. That kind of stinks.

ASH: It’s a good shoujo week! I thought the first volume of Not Your Idol was excellent, so at this point I plan on reading the rest whenever it may be released.

MJ: Yes, same for me. Apparently my role in this week’s column is to point to whatever Ash says and repeat, “same.”

ANNA: It is a great week for shoujo! I’m sort of glad I didn’t read the first vol of Not Your Idol if it is on hiatus. I’m also especially happy to see a new volume of Skip Beat!

SEAN: On the shonen end, we get Demon Slayer: Kimetsu no Yaiba 16, Dr. STONE 13, Dragon Ball Super 10, Haikyu!! 40, Kaguya-sama: Love Is War 16, One Piece: Ace’s Story 2 (final volume, and also a novel), and SPY x FAMILY 2.

MICHELLE: My love for Haikyu!! is pretty well documented at this point, so I will instead squee about how cute and great SPY x FAMILY is.

ASH: Likewise! Those are the two series from this batch which are getting most of my love this week.

ANNA: Nice, I need to read more SPY x FAMILY

SEAN: Lastly, Yen On had one August title skitter all the way into September: the 9th So I’m a Spider, So What? novel.

Which of these make the best titles to hide in your textbook while class is going on?

Filed Under: FEATURES, manga the week of

Arifureta Zero, Vol. 4

August 27, 2020 by Sean Gaffney

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

I do sometimes worry that the author of the Arifureta series has forgotten why we’re reading it in the first place. In regards to the original series, it’s to see Hajime’s ludicrous overpowered antics and the wacky banter between him and his companions, and with Zero it’s the exact same thing only it’s Miledi. The main series has more harem romance to it than Zero, which seems content to tease only Oscar and Miledi and not have it go further, but, well, romance isn’t why I read it, at least. And, in regards to this volume of Zero, while I can appreciate the author writing some really cool battle scenes because he enjoys it, with lots of the bad guys and good guys bringing out increasingly ludicrous powers, fight scenes are not why I read Arifureta either. Sadly, that makes this volume a big ol’ slog, as a good eighty percent of it is battles.

We head into the forest that we’ve seen in Arifureta’s 2nd volume, home of the Beastmen, and here (at least at the start) at the height of its powers. Well, half the group are here. Things have gotten dangerous enough that Miledi’s Angels split up at this point, with Oscar and Vandre helping to settle everyone from the last book, while Miledi and the others head to the forest, there to meet their next potential Liberator, and also try to stop the battle, as the Church has gotten there first. Speaking of the Church, Laus is continuing to have doubts over what they’re actually doing, and things are not helped by the Church’s religious fervor taking on more and more aspects of brainwashing. Can he continue to fight for something he doesn’t believe in any more? Or should be change sides and joining the Liberators.

I will admit, which I said that I wanted more wacky antics and less fights, when we DO get wacky antics, I’m not sure they’re the ones I wanted. Lyutillus is the Elven Queen of the forest… and also a masochist. The author admits she’s meant to be a mirror to Tio in the main series, and given Tio is my least favorite of the girls in that, I wasn’t really going to be enjoying this. Better was Miledi’s usual stuff – when she’s deliberately trying to be annoying to distract the mood, it’s fantastic, and her confrontation with Laus towards the start of the book was absolutely hilarious. Laus, in fact, is the best thing about this book, as his loss of faith is very well handled. I’ve long since come to terms with the fact that the gods are villains in this world, therefore the fact that everyone in the Church tends towards being a monster is hardly a surprise. I am quite interested in seeing how this switching sides works out going forward.

…I say that, but we know how this is going to end – the main cast all dead (bar Miledi’s soul) and branded as heretics. The bad guys win is the premise of this. But we’ve still no idea how long it’s going to be, and I’m happy to see it play out. As long as it’s not just fights. Or creepy sexual gags. Sigh. Not gonna have much luck there, am I?

Filed Under: arifureta, REVIEWS

Full Metal Panic!: Continuing On My Own

August 26, 2020 by Sean Gaffney

By Shouji Gatou and Shikidouji. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

Fans of the anime did not notice this as much, but the main series of Full Metal Panic! Novels very quickly dropped most of the humor from the series. Metatextually, the reason for this is the author started a series of side story volumes with short stories that contained all the wacky shenanigans and being hit with paper fans that anyone would need. Indeed, they even did a separate anime series, Fumoffu, that adapted many of these. But they also funneled some of them into the main series, which is good, because without it the series gets unmistakably grim. As this volume attests. The author urges in his afterword that we should not call it depressing, but yeah, sorry, it is depressing. This story of a child soldier whose hands are stained with blood and a girl who is essentially an esper superweapon has reached the point where “high school” has to end. And so it does.

Even the school is aware of this – early in the volume, Sousuke is approached by the outgoing Student Council President, who notes that he’s used his position to cover up Sousuke’s very obvious paramilitary activities, but the incoming council won’t be able to. Unfortunately, before he can do anything about this, Leonard has made his move, destroying most of Mithril and taking out several minor members of Tessa’s crew (so far, Mao and Kurz seem OK). As this happens, Leonard shows up at Kaname’s apartment and tells her “come with me”, and when she refuses and she and Sousuke flee, he responds by taking the school hostage and strapping bomb to Kyoko. Make no mistake about it, this is a supervillain who knows how to get what he wants. Much as Sousuke would wish otherwise, you can guess how Kaname responds to this.

As I said, this book is another series of gut punches, as Sousuke’s support structure is decimated, the school he’s grown fond of now knows who he is, and the woman he loves is now in the hands if the enemy. The final scene involves him showing up in class after all this has occurred, to the horror and disgust of most of the students, and telling them that he plans to bring Kaname back, and also to hate him rather than her. Understandably, because he loves Kaname he also wants to protect her “normal” life. That said, Kyoko’s in the hospital, the staff of the school is, blame or no, unlikely to let Kaname return… I dunno, I feel we’ve turned a corner here. In any case, I expect the next book will involve trying to figure out where Kaname is – I really hope she gets to do something besides be a damsel.

I’ve left out the battles here, which are quite well written and awesome – by this point, the author was writing with an eye for the anime, and it shows, though he’s always had a bit of that in his works. We do also get one major casualty in this book, which I don’t want to spoil, but after everything that’s happened in the last four it feels sadder than I expected. This remains a solid series, but there will be absolutely no bear mascots going forward – FMP is serious business.

Filed Under: full metal panic!, REVIEWS

Neon Genesis Evangelion: Anima, Vol. 3

August 26, 2020 by Sean Gaffney

By Ikuto Yamashita. Released in Japan as “Shin Seiki Evangelion Anima” by Kadokawa Shoten, serialized in the magazine Dengeki Hobby. Released in North America by Seven Seas. Translated by Nathan Collins. Adapted by Peter Adrian Behravesh.

Fans of the Evangelion Anime light novels will be pleased to hear that there is not quite as many millions of people turning into pillars of salt in this volume. Indeed, the focus turns a bit narrower, as we are very much concerned with battling the enemy, which has stolen Shinji’s heart. That said, are they an enemy? The various troops certainly think so, and the nations have now teamed up to battle the Angels and their spinoff monsters. Unfortunately, biblical imagery is still the main way to attack in this series, and so very quickly no one is able to understand one another, reminiscent of the Tower of Babel. As for Shinji… who is the real Shinji? Is it the one who’s fighting in Super-Eva for most of the volume, with at least one Rei there next to him (though not always the SAME Rei)? Or is it the heart that makes someone who they are?

Asuka certainly thinks so, though to be fair she spends almost all of this book in a sort of primal mode, her experiences from the second volume having merged her with her Eva (as the art within makes abundantly clear) and her personality vacillating between ‘small child’ and ‘adorable pet’. She’s got company, however, as with the Americans coming into the picture we’re introduced to Mari in this continuity. Mari has been experimented on by scientists, and now functions as a wolf pack, complete with actual wolves. She’s not quite as primal as Asuka, but it is noteworthy that the two are paralleling each other again. And Shinji ends up swapping Reis, as Trois’ self-sacrifice butts up against Quatre’s emotional instability and they essentially swap roles. This ends up being very good for Quatre, who was so angry she reminded me of Asuka at times, but I worry about Trois.

As you might guess by the fact that I’m actually discussing characters, this is a better volume than the first two when it comes to actual introspection and things that are not giant robot allegorical battles. Not that there aren’t plenty of those as well – they’re still the main reason to get the book. But this volume is not as frenetic as the first two, and pauses to take in Hikari and Toji’s romantic yet also battle-torn meeting (Toji also gets his arm back – which is both good and bad) and Misato briefly dealing with essentially being a damsel in distress for most of the second book. This book, as with the others, ends with a cliffhanger, and it will be interesting to see how it pans out – heck, this is Evangelion, we could actually see the Angel with Shinji’s heart take over the narrative as Shinji. It works metaphorically, after all.

There have been so many Eva spinoffs it’s hard to compare them. This is better than the first two books, but I’d still say it’s best for fans of the design and mecha work more than anyone else.

Filed Under: evangelion, REVIEWS

Fushigi Yugi: Byakko Senki vol 1

August 25, 2020 by Anna N

Fushigi Yugi: Byakko Senki Volume 1 by Yuu Watase

The Fushigi Yugi universe is one I’ve been following for a long time. Many of my earliest volumes are from the initial Viz release back in the early 2000s, so I felt very nostalgic reading the first volume of the last Fushigi Yugi story 20 years later. While there have been glimpses of Suzuno before in previous series and the anime, seeing an entire series devoted to her seems like a fitting way to finish out the Universe of the Four Gods.

This first volume is structured as a prequel within a prequel, giving the reader insight into Suzuno’s character as both a child and a young adult and setting up an intriguing conflict that I expect to see explored more in future volumes. As Fushigi Yugi: Byakko Senki opens, a young Suzuno is spending time with her parents. Her father has the volume of The Universe of the Four Gods, burdened with the tragic legacy of Takiko Okuda and her professor father. As the Great Kanto earthquake strikes, Suzuno is trapped in her burning house and her father sends her into the book in order to save her life. In the Universe of the Four Gods, Suzuno is clearly unable to fend for herself, but she meets up with some people who are surely going to be pivotal figures in her life – Neiran, a psychologically damaged woman who can turn into a tiger, and the brothers Kasal and Karm. After narrowly escaping being kidnapped, Suzuno travels for a little bit with her new companions who begin to suspect that she might be the fabled priestess of Byakko.

Suzuno travels back to her own world in the aftermath of the earthquake, and the story line shifts to show her as a young woman, quiet and artistic and plagued by enduring visions and memories of what she’s lost. A shy, retiring heroine forced to adapt to a mystical new world isn’t exactly a novel plot point, but the overtones of impending tragedy and Suzuno’s resilience in difficult situations immediately make her an engaging heroine. Watase’s art is always clear and engaging, and I’m looking forward to seeing her portrayal of Suzuno’s mystical warriors and the unique world of the Universe of the Four Gods. This first volume mainly established Suzuno as a fully-fledged protagonist and I’m fairly happy with that pacing even though I put it down feeling a little impatient waiting to get started on the rest of the story. While I think is possible to enjoy this series without reading other Fushigi Yugi stories, I think at minimum someone reading Byakko Senki should be familiar with Genbu Kaiden, and hopefully the main series that started off this 20 year old saga.

Filed Under: Manga Reviews, REVIEWS Tagged With: Fushigi Yugi: Byakko Senki, shojo, shojo beat, viz media

The Girl with the Sanpaku Eyes, Vol. 1

August 24, 2020 by Katherine Dacey

Google the term sanpaku, and you’ll quickly discover why the word resists easy translation. In its most basic sense, sanpaku means “three whites,” a condition in which the iris sits a little higher or lower in the eye than normal, exposing more of the schlera. The significance of having sanpaku eyes, however, seems hotly contested, with some websites proclaiming it a curse and others declaring it evidence of great emotional turmoil. The heroine of Denpa Books’ newest series is neither doomed nor crazy, just deeply frustrated that her chronic Resting Bitch Face makes it difficult to show Katou, her crush, how cool and awesome she thinks he is.

Perhaps the most surprising aspect of The Girl with the Sanpaku Eyes is the artwork. The illustrations are rendered in a warm, pink palette that captures Amane’s agitation more effectively than deformations and sweat drops alone could do. The character designs are somewhat generic—Katou is a standard-issue shojo prince, right down to his mega-watt grin—but Amane and her siblings are drawn with genuine individuality, revealing their shared family curse: all three look meaner than they are. Amane, in particular, stands apart from her galaxy-eyed peers with her cat-like pupils and scowling expression that make her look more like a bosozoku gang member than a sweet, timid high school student.

Though artist Shunsuke Sorato convincingly shows us how flustered Amane becomes in Katou’s presence, there’s almost no dramatic or comedic tension in this series; by chapter three, it’s obvious that the sweetly hunky Katou likes Amane, too, and is eager to reciprocate her affection. Therein lies the biggest problem with The Girl with the Sanpaku Eyes: the story is so one-sided and predictable that it barely registers as a rom-com, since there’s almost nothing at stake in Amane and Katou’s exchanges. For middle-school readers navigating a first crush, Sorato’s storytelling approach will feel reassuring, but for older teens The Girl with the Sanpaku Eyes may be too anodyne to be truly engaging.

A review copy was provided by Denpa Books. Volume one will be released digitally on August 25th at the Denpa Books website and September 1st on additional digital platforms. The print edition will be released on September 15th.

THE GIRL WITH THE SANPAKU EYES • ART & STORY BY SHUNSUKE SORATO • TRANSLATED BY DAVID GOLDBERG • LETTERING BY GLEN ISIP • DENPA BOOKS • 128 pp. • NO RATING (SUITABLE FOR READERS AGED 10+)

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Denpa Books, Romance/Romantic Comedy

Pick of the Week: Listening to Space Waves

August 24, 2020 by Sean Gaffney, Katherine Dacey, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: A lot of my ‘mid-tier’ series are out this week, so its hard to have a pick. I guess I’ll go with Fiancée of the Wizard, because shoujo isekai have been pretty good lately.

KATE: Oof–this is one of those weeks where there’s so much choice I’m a little paralyzed! I’m excited for new volumes of Drifting Dragons and Wave, Listen to Me, but I’m also intensely curious about Sazan and Comet Girl (Sazan to Susei no Shoujo), a done-in-one sci-fi series that’s in… wait for it… color. So if I had to whittle down my list to one book, it would be Sazan and Comet Girl.

ASH: I’m definitely interested in Sazan and Comet Girl, but I’m holding out for the print edition. So, Wave, Listen to Me! will be my go-to manga this week, although I’ll admit to being intrigued by the debut of Fiancée of the Wizard and its pretty cover.

ANNA: Like Ash, I’m curious about Sazan and Comet Girl, but Wave, Listen to Me! is also my pick!

MICHELLE: I’m happy Wave, Listen to Me! is coming out in print, and Sazan and Comet Girl looks neat, but I’m most looking forward to the thirteenth volume of Waiting for Spring, in which the main storyline concludes. It’s a quiet sort of shoujo series that hasn’t made many waves and though I don’t expect any dramatic twists in the final volume, I like these characters and want to see how things wrap up for them.

MJ: Even with so much to choose from, I’m struggling to make a pick this week. But I think I’ll go along with Kate in choosing Sazan and Comet Girl, which was, for me, the most intriguing item on this week’s list!

Filed Under: PICK OF THE WEEK

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