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Sword Art Online Alternative: Gun Gale Online: Five Ordeals

November 14, 2021 by Sean Gaffney

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Gotta admit, this book was an absolute treat for me. After so many volumes of everyone having to fight each other, It really is fantastic seeing all the main characters team up, NOT fight each other, and work towards a united goal. There’s still lots of enemies to defeat, of course, and trust me when I say Shirley is still looking for any opportunity she can to snipe Pitohui, but for the most part this is the most relaxed and fun a SAO Alternative volume has ever been. There’s even a cute dog! That said, while I was very happy, it’s worth noting that this book is about a cast of young women who really, really, REALLY like to shoot at each other. They’re not SAO survivors, there’s no worry of real death, they just like the adrenaline rush, it excites them. As such, the ending of this book should have really been obvious. And yes, it also revolves around the cute dog.

After wrapping up Karen’s karaoke party of sad, with Elza telling everyone her life story (all lies, M gives us her true life story, though she tells him that may ALSO be lies), We hear about a new team event involving “five ordeals”. This will finally allow Llenn’s group to team up with SHINC (it’s made clear that Llenn really does regard the 4th squad jam as achieving her fight with them, despite the interruptions) as well as perpetual hangers-ons Clarence and Shirley. The ordeals themselves are introduces to us by a cute talking NPC dog (a Schipperke), who tells them it’s basically five tasks, all with different rules, different areas, and ascending levels of difficulty. Can they battle zombies, fight robots, ascend snow-buried buildings, and take on CYBER-DRAGONS?

So I feel it’s OK to mention this, as the website Does the Dog Die? is literally namechecked in the book: the dog doesn’t die. This is despite the entire final chapter revolving around the dog dying – it’s a very self-aware book, and allows us to actually get some depth to Miyu, who is allowed to be more than just the wacky comic relief here (though she’s that too, no worries). As for the rest, it’s what you expect from this series: the fights are awesome, the banter is fun, there’s a few betrayals, and the author cannot stop dragging his self-insert around like a corpse. It’s also fun seeing Llenn finally come to terms with the fact that just because she is a cute pink tyke doesn’t mean that she’s not just as scary or even scarier than Pitohui is. Seeing her wonder “wait, is this why everyone is wary of me?” may be the best joke in the book. And again, the entire relationship between Fukaziroh and the NPC dog was fantastic and even heartwarming, which is not really a beat this series is good at.

I suspect we get a Squad Jam next, but for a change of pace this was excellent. Enjoy our heroes working together in peace… even if they don’t want to really.

Filed Under: REVIEWS, sword art online

Accel World: Deity of Demise

November 13, 2021 by Sean Gaffney

By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

Well, technically Kawahara was correct, and the arc that lasted nine books ends here. That said,k I can’t see anyone really being satisfied with the way this arc ended. Last time I said that I didn’t really think Kawahara would do a “the bad guys win” arc, but he comes pretty damn close here, and while I get why Haruyuki did what he did, I expect that literally everyone is going to be angry with him when the next book comes out. As for the rest of the book, aside from one major problem, which I’ll get to later, this is pretty good. The beginning has things resolved by Haruyuki essentially pulling shonen bullshit out of his ass, which, well, given this is a shonen manga in light novel form, works fine for me. There’s also a lot of exposition about what to do next, who is the best person to do it, and, possibly most importantly, who will be feeding the owl when they all go on holiday.

Honestly, that’s one of the more tasteful Accel World covers. As for what happens, well, Haruyuki helps to free everyone from the latest certain death that White Cosmos has set up, but unfortunately, they’re going to have to try to free the massive monster, Tezcatlicopa, from White Cosmos’ control, which means hitting all six crowns at once with six swords. This is going to be even more difficult because White Cosmos manages to kidnap Haruyuki, meaning *he* is now the one essentially trapped and unable to do anything, the same as his comrades used to be. This means that everyone is going to have to achieve a lot of stuff without him. Worst of all, once Tezcatlicopa is freed, everyone realizes what a bad idea that really was.

My main issue with this volume, and it’s one I’ve had with Sword Art Online before (which has finally managed to move past it), is that the whole book is from Haruyuki’s POV. This means that the entire 2nd half of the volume is made up of cool fights that the reader only gets to hear about second hand, as he can’t be in them. This is frustrating for him, but it’s murder for a reader, especially after sitting through endless exposition preparing for said fights. It made this volume feel a lot less exciting than it actually is. As for the cliffhanger, well, Harukuyi’s group of players all know each other in the real world and have forged eternal bonds of fellowship, so naturally the “thanks for playing you will forget everything now” ending is going to rankle. It’s also still very unclear what exactly White Cosmos is really up to, especially in regards to her relationship with her sister. Basically, this arc may have been 9 volumes long but I’m not sure we’re that much further along.

Still, the next book promises to be a corker… oh, we’re caught up? It’s not even out in Japan yet? Ergh. Yeah, wonderful, that makes this EVEN MORE FRUSTRATING. In any case, enjoy Haruyuki watching cool things happen far away from him.

Filed Under: accel world, REVIEWS

Sword Art Online, Vol. 23: Unital Ring II

November 12, 2021 by Sean Gaffney

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Definitely enjoying seeing this series now that Kawahara, a good 20 years older than his SAO Vol. 1 self, knowing his strengths and weaknesses and using them to good effect. There are heroines in peril here, but there is very little of the fanservicey “hero saves the girl from the predator” that we used to see constantly in this series. The humor is mostly character-based, and rarely feels forced. Kirito is powerful and tends to still get the “last boss kill”, but the nature of Unital Ring means he’s struggling a lot more, and he also has the grace to pass on some of his rewards to more deserving people. And we get, for the first time in the main series, Argo becoming a supporting player. Created for the Progressive novels and then put in the anime, manga and games, she’s always been a ghost presence in the main series itself. Now she gets a name – Tomo – and an agenda, which is more than just “tease Kirito constantly”. Though, well, she does that too, of course.

The plot is mostly a ‘rescue arc’ of sorts – everyone else in Kirito’s group was playing ALO when the Unital Ring changeover happened, but Sinon was in GGO, so she ends up being a long ways away from any of her allies. She’s confused, mistakenly branded as a PKer, caught dying of thirst in a desert, and forced to fight a massive dinosaur with the help of some bird people who don’t even speak Japanese. It is awesome, easily the best part of the book, and benefits greatly from the lack of Kirito’s POV. Elsewhere, Kirito’s party ad their log cabin are being reinforced, but a lot of players keep trying to attack him. Why? And Argo’s back (yes, she’s Tomo, but Kirito does not really make the switch so I won’t either), and is (unsurprisingly) now a crack reporter, here to rip open one of the more closemouthed folks in the cast – Kikuoka.

I’ve made no secret about my love of Argo, and though she doesn’t get much to do here, there’s a promise of more. I enjoyed the fact that her response to Kirito’s “where have you been all this time” was a polite “none of your business”, and also intrigued that (sorry, game continuity) she hasn’t been in ALO or GGO or even back in a game at all since the SAO disaster ended, though she hints that may change. In the meantime, it’s nice to see the cast work as a core cast, as opposed to being Kirito and his harem. Everyone apart from Alice and Asuna (who are minding the fort) gets something to do, with Yui being the most impressive. Now that she’s a physical part of Unital Ring (and could theoretically die if she’s killed, sorry, Shirou) she’s busy learning sowrds, learning magic, and basically becoming Little Miss Badass. Kirito is, needless to say, both proud and fretful.

So yes, this was a good solid volume, and I’m glad SAO has finally seemed to have matured, after several false alarms. Can’t wait for more.

Filed Under: REVIEWS, sword art online

Manga the Week of 11/17/21

November 11, 2021 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: Hey, remember when I totally screwed up? And did all of Seven Seas’s release dates wrong? No? Well. So everything you saw in LAST week’s Manga the Week of should have been on THIS list. Go look at the post for 11/10 for those. I will backtrack and do stuff that should have been on that list for this one. Apologies to Seven Seas.

Airship, in print, has My Status as an Assassin Obviously Exceeds the Hero’s and Didn’t I Say to Make My Abilities Average in the Next Life?! Lily’s Miracle.

Digitally we see Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 3.

Cross Infinite World has the 2nd volume of Apocalypse Bringer Mynoghra: World Conquest Starts with the Civilization of Ruin.

Ghost Ship already has out Double Your Pleasure – A Twin Yuri Anthology. Twincest: the manga. Yaaaaaay.

ASH: Goodness!

MJ: Oh dear.

SEAN: As well as the 8th and final volume of Destiny Lovers.

J-Novel Club debut a new title, Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte (Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endo-kun to Kaisetsu no Kobayashi-san). Two guys playing a game with a villainess suddenly realize that her fiance can actually HEAR their commentary on the game! Can they change the outcome?

Also coming out next week: Are You Okay With a Slightly Older Girlfriend? 6, Ascendance of a Bookworm Fanbook 2, Demon Lord, Retry! 7, Min-Maxing My TRPG Build in Another World 2, the 2nd manga volume of My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ—, Otherside Picnic 6, and the 2nd manga volume of Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons.

ASH: I’m certainly behind, but hooray for more Bookworm fun!

SEAN: Kodansha, in print, has Drifting Dragons 10 and Sweat & Soap 10.

ASH: I’m reading both those series right now, so this is a good Kodansha week for me.

SEAN: Digitally, the debut is Anyway, I’m Falling in Love with You. (Dose Koi Shite Shimaunda), a Nakayoshi title. From the author of I Fell in Love After School, this is straight-up reverse harem fun.

MICHELLE: I am easy to please and this cover is cute so I will check it out.

ANNA: I do enjoy reverse harem fun.

MJ: As do I.

SEAN: Also debuting is Arakawa Under the Bridge. It had come out print-only years ago, now enjoy the digital.

ASH: I enjoyed this series, so am glad that it’ll be more accessible to even more people now.

SEAN: And we get Blue Lock 9, Cells at Work: Platelets! 4 (the final volume), Medalist 3, Mr. Bride 4, and Quality Assurance in Another World 4.

One Peace has a 3rd volume of Farming Life in Another World.

Seven Seas has some debuts. That are already out, please see above.

THE EXO-DRIVE REINCARNATION GAMES: All-Japan Isekai Battle Tournament! (Chou Sekai Tensei Exo Drive: Gekito! Isekai Zen Nihon Taikaihen) is from Mag Garden’s MAGCOMI, and is a parody of the genre, as isekais have become bread and circus tournaments for spectators.

A Life Turned Upside Down: My Dad’s an Alcoholic (You to Bakemono ni naru Chichi ga tsurai) is an autobiographical essay manga from Champion Cross. It’s complete in one volume.

ASH: That’s certainly a tough subject, but I’ve heard good things about the manga.

MJ: I suspect this is an important story to tell.

SEAN: And there’s Bite Maker: The King’s Omega 3, The Girl From the Other Side: Siúil, a Rún 11 (the final volume), Karate Survivor in Another World 2, Species Domain 11, The Strange Adventure of a Broke Mercenary’s 2nd manga volume, and Time Stop Hero 2.

MICHELLE: I am several volumes behind on The Girl from the Other Side, but that just means I have a nice little chunk to read up until the end. I hope it’s happy but it’s hard to see how just now.

ANNA: I really liked the first few volumes but stalled out on this series. I’m curious to see what you think of the ending.

ASH: I’m a few volumes behind, too, but I really do love this series.

SEAN: Back to things actually coming out in the future, Square Enix has Wandering Witch’s 3rd manga.

SuBLime has a surprise non-2nd week of the month release with Sayonara Game. A one-shot from Shinshokan’s Dear+, it’s a baseball BL story?

MJ: I’m listening…

SEAN: Tokyopop has Ossan Idol! 5.

Udon has the 2nd omnibus of Steins;Gate 0.

Viz gives us BEASTARS 15, Children of the Whales 18, Hell’s Paradise: Jigokuraku 11, Urusei Yatsura 12, and Zom 100: Bucket List of the Dead 4.

ASH: Whoops! BEASTARS has gotten away from me; I didn’t realize how much catching up I have to do!

SEAN: Yen On has Death March to the Parallel World Rhapsody 15 and The Greatest Demon Lord Is Reborn as a Typical Nobody Side Story: The Wonderful Life of a Typical Nobody.

Yen Press debuts the manga version of Reign of the Seven Spellblades (Nanatsu no Maken ga Shihai suru), which runs in Shonen Ace. I love the novels, so the manga should also be great.

ANNA: I’m a little curious about this!

Also debuting… sort of… is Is It Wrong to Try to Pick Up Girls in a Dungeon? II, the sequel to the first manga, but let’s face it, it’s just a continuation with a different artist.

We also have Solo Leveling 3, Toilet-Bound Hanako-kun 11, and A Witch’s Printing Office 5.

ASH: I still need to read Solo Leveling, but I’m ready for more Toilet-Bound Hanako-kun!

So, as I try to forget this list and the previous one ever happened, what are you buying?

Filed Under: FEATURES, manga the week of

Altina the Sword Princess, Vol. 11

November 11, 2021 by Sean Gaffney

By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

It’s actually surprising how little Altina the Sword Princess has leaned into the usual anime cliches. It’s very concerned with its sort-of-Europe worldbuilding, and therefore there’s no real room for a lot of bath scenes or accidental groping. I say it’s surprising because this is, after all, the author of How NOT to Summon a Demon Lord, a series begun after Altina had started and which eventually grew so popular it may have led to Altina’s extended hiatus. In any case, all that changes here, as Regis, in order to avoid getting caught by Latrielle’s troops, has to disguise himself as a woman. And he makes a very good woman indeed. Cue a lot of “I didn’t know you were into that” jokes, with furious denials. Fortunately, like most everything in this series, it serves the purpose of keeping the plot going, as Regis, now that he has made a mortal enemy, has to do everything possible to stop Latrielle becoming the next Emperor.

We pick up where we left off last time, with Regis and Fanrine being horribly murdered by Latrielle’s soldiers. Except of course they are not – their deaths are faked and they’re spirited away by Jessica and Franziska, who are trying hard to be big bad mercenaries but can’t quite be evil enough. That said, headless corpses, both of whom turn out to be men, is not going to fool the army for long, so Regis goes into disguise to try to get more evidence against Latrielle. The only thing that can really stop him becoming emperor now is for the news of his patricide to come out, but unfortunately all they have is secondhand rumors, mostly as the maids and staff who were there when it happened are all quietly murdered too. Fortunately they also have the Grand Chamberlain, who is under house arrest not avoid him talking. That said, if they had an ally who was ALSO a prince, house arrest might not be too hard to get around.

If you’re wondering how Altina is taking all this, well, she is actually in this book, fear not. She received news of Regis’ tragic “death in battle” and doesn’t believe it one bit but it’s annoying enough to make her take a large part of her army and head over to where Latrielle is, leaving us with a cliffhanger confrontation. (There’s also a side story which shows that being the Sword Princess is possibly the best thing that ever happened to her, as she’s useless at everything else. It also shows the whole “maids have to put up with sexual harassment” thing is bullshit if your superior officer can punch you unconscious. Other than that, as the author admits, this was a lot of talk and moving pieces around and not a lot of action, though that looks to change in the next book.

Altina is the definition of a ‘solid’ series – you’ll never rush to read it the day it comes out, but it’s always good.

Filed Under: altina the sword princess, REVIEWS

Tearmoon Empire, Vol. 6

November 10, 2021 by Sean Gaffney

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

It can be hard to let go of a gimmick, especially when the gimmick in question is the main reason you got readers in the first place. One reason everyone loved Tearmoon Empire 1 was not only the dissonance between Mia’s own thoughts and actions and what everyone ELSE thought of these, but also the snarky narrator constantly pummeling her. I’d theorized before that the narrator was hired by future Mia to try to slow the publishing of hagiographies about her. That being said… Mia has grown and matured a little bit, and I feel now that the goofy “she only thinks about herself and food” shtick is holding her back. And the narrator, especially when he’s making fat jokes, is starting to grate. Most importantly, though, I’m starting to feel like all the other cast members Mia has misled: if you ignore Mia’s intentions and the narrator, this remains a fantastic read, filled with intrigue, action, character building, and plot twists. Mia being a dumbass and the narrator pointing it out all the time isn’t needed anymore.

Mia is in the background for this cover picture, which is a good thing, as it shows us that Bel is, finally, going to get some actual attention. Much of the book is about Mia trying to avoid her own assassination in various ways, though honestly she mostly just avoids thinking about it, as she doesn’t want to get anyone else in danger. So we get things like a massive mushroom hunting party in the nearby forest (where she accidentally discovers deadly poison mushrooms that were what killed off a large number of people in the prior timeline) and preparing for the Holy Eve Festival, which we do not get to see because, of course, Bel is kidnapped in order to force Mia to leave the island and then kill her. There’s only one thing Mia can do… exactly what they say, hoping that if she managed to rewind time once she’ll be able to do it once she’s killed again.

Not to spoil or anything, but Mia is not killed off again, this is not that kind of time loop book. And I’ve complained about the parts of the book I didn’t like above, so let me talk about what I did like. Sometimes Mia’s thought processes are wonderful, such as when she discovers Bel is kidnapped and tries to think of the many very good reasons that going after her is a mistake… all the while getting dressed up and preparing to leave, because unconsciously she knows she’ll never abandon her granddaughter. Bel is basically a shoujo protagonist here, winning over the villains by the power of being sweet and kind, and it’s adorable. The villain is obvious and hammy, but hey. There’s also some good worldbuilding here, showing us the underside of the Yellowmoons and also a few flashbacks to the previous world, where everything went terribly. And the chase and fight scenes were wonderful, and also introduce a new minor villain who I hope we’ll see again, along with his huge puppies… OK, wolves.

So yeah, I don’t expect Tearmoon Empire to drop Mia being thought of as smart when she’s really thinking about cookies, or the narrator pointing out how her altruism is bullshit, but I’d like more of the growth we saw in Book 4-5. Also, I have no idea why the narrator is insulting her “mushroom outfit”. She looks stylish! That’s clearly a raffish cap!

Filed Under: REVIEWS, tearmoon empire

Pick of the Week: Frieren vs. Ciguatera

November 8, 2021 by Katherine Dacey, Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

KATE: I’m intrigued by the cover of Cigureta, so that’s on my must-buy list, but I’ll also be adding the second volume of Mao. The first volume was uneven, but there were some weird and intriguing ideas that made me hopeful that this series is more like InuYasha than Rin-ne.

SEAN: Despite the presence of my beloved Tearmoon Empire, I am going to give the pick this week to Frieren: Beyond Journey’s End. I’m always happy to see a new Shonen Sunday series, and this one has a lot of hype as being a sort of “after the world is saved, what next?” story.

MICHELLE: I am intimidated by the comparison to Inio Asano, but it’s definitely Ciguatera for me!

ANNA: I’m always curious about Shonen Sunday titles, so it is Frieren: Beyond Journey’s End for me.

ASH: While I am likewise intrigued by Ciguatera, I think I may be even more curious to see how Frieren: Beyond Journey’s End plays out. That being said, I finally got around to reading the first volume of I Belong to the Baddest Girl at School and I’m looking forward to reading more of that series’ ridiculousness, too.

Filed Under: PICK OF THE WEEK

High School DxD: Hellcat of the Underworld Training Camp

November 8, 2021 by Sean Gaffney

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

(with apologies to Professor Peter Schickele)

Each time I read a new volume of High School DxD I am filled with this feeling of anticipation, a feeling of exultation, a feeling that… this new volume can’t possibly be as horny as the last one. But so far… Yeah, I know, shut up, Sean, you’re yelling at a series for 13-year-old teenage boys for talking about tits too much, and I get it. I try to recalibrate my standards for these books. Heck, the hot springs scene was even mildly amusing once those standards are recalibrated. But God Almighty, the way that Issei levels up or gets more powerful in this series makes your jaw drop. Leaving aside that the key to unlocking his new super move is to poke Rias’ nipples, there is everything about the climax of the book, where a dying Issei suddenly attains the zen-like ability to hear women’s breasts talking as separate personalities. I… what was the author on when he came up with this? I can’t even say “Oh, Japan” here. WHAT?!?!

Koneko’s on the cover, and actually gets some backstory here, though she gets less to do than I’d like. Our main cast travel to the underworld to train at Rias’ vast estate, meet her parents, and end up fighting a new Rating Game against Sona and Saji, the student council faction. Sona wants to make demon society less class-based, and is being ridiculed for the very idea, so naturally her team wants to win badly here. That said, our heroes are the protagonists. Can they be powerful enough to get past Sona’s cleverness? Maybe, but it’ll take Issei having to fight a dragon everyday, as well as Koneko having to confront her past… literally, in the form of her sister. And of course there’s Saji, who is to Sona what Issei is to Rias. He has a dream of being a teacher… and is very pissed that Issei has groped more boobs than he has.

If you leave out the tits, this is a very normal shonen battle manga. Issei is told that unlocking his Balance Breaker is the sort of thing that’s usually done in a crisis position with strong emotions behind it. We then get what is obviously meant to be just that, with Koneko’s sister attacking her and Koneko feeling tremendous self-hatred. If Issei were in Strike the Blood, this would be where he would talk about “:this is my fight!” and level up. But Issei is in High School DxD, so it’s not enough to be feeling righteous fury, he also has to be getting super horny. Hence the nipple poking. The fight between Issei and Saji is the best part of the book, pure shonen manliness and shouting about each other’s dreams… then Issei gains the ability to hear women’s breasts talking, and any drama and excitement drains out of the body.

As for why I’m still reading this, I’m not really sure. I want to actually see what happens next? Unfortunately, what happens next will likely involve more ridiculousness. But as long as it also has cool fights and some romance that isn’t pure sex, I’ll probably get the next one.

Filed Under: high school dxd, REVIEWS

My Friend’s Little Sister Has It In for Me!, Vol. 4

November 7, 2021 by Sean Gaffney

By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

Despite the presence of some of the worst metaphors in the world, this is a better volume than the previous one, mostly because it doesn’t keep hammering on Sumire’s love of young boys. It essentially wraps up the plot from the previous book in the first half, leaving the 2nd half to delve deeper into one of the characters who we’ve been waiting to hear more about: our narrator, Akiteru. Well, sorry to break it to you, but we still don’t learn all that much about him. That said, it’s a good examination of his mindset and how he views himself compared to the others in the group, and a reminder that sometimes middle management really *is* the best skill to have. And of course there’s romance – Akiteru may be slowly (very, very slowly) catching on to what love actually feels like, and iroha reminds the other two heroines that she is still Best Girl round these parts.

Of course, given that Iroha has been on the cover of every volume to date, the idea that this is an ‘equal harem’ series is ridiculous. We start off where we left off, with Akiteru and Iroha in the shrine of love. Unfortunately, the shrine of love does not come with a toilet, so any deep sexual yearnings will have to wait. And, in any case, the real issue resolved here is Sumire’s desire to be an artist warring with her desire to be a teacher. It helps that, in the best Japanese tradition, her stern, unyielding grandfather turns out to be quite yielding after all. Then our heroes finally get a beach vacation, at Canary’s private beach house. Of course, there’s a catch. While brainstorming a new character, Canary essentially comes up with it herself. And also is better at forcing Sumire to work. And their “ghost” writer too. Is… is there anything for Akiteru left to do?

The main reason to read this series is still the two leads, who are the best thing about it. Akiteru may talk a good game about being logical and pragmatic, but he’s repressing an awful lot, and seeing how well Canary can seemingly do what he does every day gets him depressed and jealous. And, of course, it’s up to Iroha to do something about this. I like how her pep talk does help to cheer him up, but it’s not the actual solution – the solution is that Akiteru really *is* better at managing a bunch of eccentrics, as Canary finds out to her horror. (That said, she was doing this to test him anyway.) We’re also seeing secret identieis out in the open – Sumire now knows who Mashiro really is, and Ozuma has figured out who the “secret voice actress” is as well. This sort of series can’t resolve too quickly, but it’s nice to see it determined to move forward a plot point of two each volume.

There’s a cliffhanger that suggests the next book might be a bit more uncomfortable for Akiteru. Till then, this is a decent high school romcom with likeable characters, except for Sumire sometimes, and great dialogue, except for Sumire all the time. Seriously, “the dick in my heart won’t get hard”? That’s the metaphor you go with?

Filed Under: my friend's little sister has it in for me!, REVIEWS

Can Someone Please Explain What’s Going On?! ~The Contract Couple’s Happily Ever After~, Vol. 7

November 6, 2021 by Sean Gaffney

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Tara Quinn.

It’s all change for this 7th volume of Can Someone Please Explain What’s Going On?!. As you can see, there’s a new subtitle (sorry that I can’t find the Japanese romanji equivalent) that basically is the equivalent of “After Story” – the main story has ended, our couple are living happily ever after, now what? There’s a new translator (the series’ third). And, most importantly there’s a new narrative focus, which means that sadly we don’t get much at all of Viola as the narrator here. Given that at the end of my last review, which kind of tore the series apart, I said that I would keep reading because I loved Viola’s narrative charm, that’s quite a blow. Thankfully, the series also seem s to have backed off on most of the other things that I disliked in the last volume. It’s a lot fluffier and sillier than previous volumes, but that’s not a bad thing in this case. These are “extra” stories, they don’t have to try hard.

Don’t let the cover fool you, our happy main couple and their child are definitely supporting players in this – indeed, the child only shows up in a side story, as most of this takes place only a short time after the previous volume. The actual protagonists are the couple behind them – this is the story of Corydalis, Cercis’ best friend and adjutant, and Stellaria, Viola’s replacement chief maid after her regular maid takes maternity leave. They fall in love. It’s really quite cute… mostly. (I’ll get to that.) Despite the occasional seeming obstacle, everyone approves of the two of them. Both are very mature. There is no need to worry about contract marriages or mistresses here. It would be somewhat dull were it not for the back half, which features a hostage situation and the World’s Dumbest Bandits.

There’s always a ‘but’ with this series. This time there’s no fat jokes, Viola is not kept in the dark, and we don’t have “yay, another victory for white rich people!’. But we do have the book’s running gag, which is that Cercis starts a rumor that Corydalis is avoiding getting married as he’s gay, and the rest of the book has, every 4-5 pages, Cory having to say “I’M NOT GAY!’ in anger as everyone around him laughs. It’s meant to be funny and teasing, but it just reads poorly in this day and age. Other than that, this was a good return to form. As I said, this couple can be defined by their down to earth feel, and we also get some nice observations from the two of them of the events in this book, particularly the first volume where Cercis is still very much all contract, no marriage.

So yes, I’ll read the next bunch of After Stories, which looks like they’ll do what I thought this one would – tell the story of how Lettie Cercis and Viola’s daughter, came to pass. Nice save, though I’m still watching you with a weathered eye.

Filed Under: can someone please explain what's going on?!, REVIEWS

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