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Pick of the Week: Journeys and Windows

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SEAN: While I realize it may be too bleak for me to actually read, I can’t help but make HIRAETH -The End of the Journey- my pick this week. If nothing else, I’m sure its depression will be GORGEOUS.

MICHELLE: I’ve just learned that the tenth and final volume of The Night Beyond the Tricornered Window came out last Tuesday so obviously I must make that my pick this week. I love BL with lots of non-romantic plot and boy, does this qualify. In fact, there hasn’t really been any romance at all. I’d be surprised if that changes, as this final volume will presumably be fraught with curses and cult leaders.

KATE: I think Anna said it best when she described HIRAETH -The End of the Journey as “the type of critically acclaimed work that I think I will read but don’t get around to because I’m not in the mood for despair right now.” That sounds about right–I certainly want to support the author of Our Dreams at Dusk, but I’m not sure if I handle anything more serious than The Way of the Househusband at the moment.

ASH: HIRAETH is definitely something I’ll be keeping an eye out for if it ends up being released in print. Meanwhile, I’ll make Josee, the Tiger and the Fish my pick this week, though it sounds like another volume that you might need to be in the right mood to read.

ANNA: My pick for this week is my stack of unread manga!

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 6

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By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Alexandra McCullough-Garcia.

One of the strengths of this mostly ridiculous series is that I get the sense the author does not take it seriously. Now, I’m not saying it’s meant to be a comedy – the battles are clearly meant to be dangerous and deadly action sequences, and this volume in particular ends on a big downer of a cliffhanger. What I mean is that it doesn’t take the tropes seriously. It’s a harem genre with a passel of women all in love with our oblivious hero, but there’s no infighting or even any real anger about it – hell, the closest they get to being upset is when Misaki almost spills the beans on what they have to do every night after Arihito goes to sleep. There’s also the reality-bending power of fiction, where our heroes end up being the ones who always fight the strongest monsters, even when they’re told not to. But even then, after they win, they’re told “sorry, you really are that powerful, please have a special title.” It’s just… funny.

We pick up where we left off last time, with our party in a trap laid for them by Shirone, who unfortunately also appears to be trying to do a “suicide by dungeon”. This trap includes monsters that raise your karma if you attack them, and a named monster (of course) that can not only inflict pain on our heroes but also guilt of their past actions and present fears. And while they do end up escaping this and defeating the monster, it’s clear that Elitia is still feeling the aftereffects of this. Things aren’t really helped when they are asked to go to the 5th Level to help to subjugate a swarm of scorpion monsters… the 5th Level being where they were aiming for to try to rescue Elitia’s friend. The scorpion monsters and their leader prove to be fairly easy to take down. But the Simian Lord whose dungeon holds Rury proves, for once, to be too much for Arihito, and he pays dearly.

Despite that cliffhanger, this is possibly the most Rearguard volume of Rearguard ever. We get our heroes taking on THREE named monsters and defeating two of them, something that is almost becoming old hat. Everyone theoretically gets cool things to do, though I will admit that a lot of it is the narrative spewing game stats at us and then trying to figure out what they actually do in terms of visuals. More to the point, Arihito is the star of this series, and it’s made very clear that the narrative of this world knows it. There are other parties who were jealous of how fast he’s risen… then they see how he deals with The Calamity and they fall over themselves to apologize and grant him an even cooler title. As I’ve said before about this series, if you are a fan of light novels who takes them Very Seriously Indeed this must make your skin catch fire. It does not give two hoots.

That said… erm, hope Theresia is OK? Fortunately, we don’t have a year to wait for the next volume in the series as we did last time. Unfortunately, from what I’ve heard, the arc may go on even longer than that next volume. Still, I’ll be reading and enjoying.

Durarara!!SH, Vol. 3

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Ryohgo Narita has always struck me as someone who pays closer attention to his fandom than most other authors. His books all interlink in ways that fans love, of course, but here we delve even more deeply into fandom culture. Sometimes you’re so into something that you lose all reason, and sometimes you hate the idea of something so much that you… well, lose all reason. Not so much two sides of the same coin as opposite edges of the same side. And then there’s our new main cast. Deliberately introducing three new high school students who fit very much into the exact same slots that Mikado, Masaomi and Anri did in the previous books, Narita shows us that Kuon has a long way to go in trying to be the next Izaya, mostly as he doesn’t understand how much of what Izaya did was off the cuff, dangerous, and unplanned. As for Yahiro, after praising him for being a nice guy in the previous book, I may have to walk that back a bit.

Remember the slasher plotline at the start of this series? It’s back, sort of, only with hammers. Someone is going around dressed as a character from popular franchise Owl of the Peeping Dead (not based on any real-life series, the author assures us) and hitting people with hammers. No one’s dying, but they’re getting hospitalized. Several people would like to see this stopped. Erika and Walker, who are offended that someone is destroying the reputation of a beloved series. Shizuo, who doesn’t really care until the attacker hits Tom, and then cares A WHOLE LOT. And Ran Izumii, who also hits guys he hates with a hammer, and is upset that someone is stealing his shtick. Hunting down this attacker… or, as it turns out, attackers… are Celty, as always, Yahiro, who’s nice and strong and also weird as hell, and Horada, who is comic relief.

So if Kuon is not Izaya, is he Masaomi? That fits him a little better, to be honest, especially the desire to have people hit him after they realize how involved he is in everything. Still, if you’re trying to be an expy of another character, perhaps don’t pick the only one of the trio so uninteresting he’s been written out? As for Yahiro, he overlays with Shizuo, of course. Certainly better than he does with Mikado, as Mikado is his polar opposite. That said, the last section of the book made me realize that Yahiro reminds me more than a little of Elmer from Baccano!. That’s that vague sense of ‘what the actual fuck?’ that comes across whenever you have to deal with Yahiro for a lengthy period, though it doesn’t help that Kuon’s actions are so contradictory to begin with. He’s certainly the most interesting of the new characters, especially since Himeka pretty much sits this book out.

Next volume promises the return of at least two of the original trio.. But till then let’s enjoy the chaos, and be relieved that DRRR!! can still inspire laughter and badass fighting.

Bookshelf Briefs 3/25/22

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Anyway, I’m Falling in Love with You, Vol. 2 | By Haruka Mitsui | Kodansha Comics (digital only) – For the most part Anyway, I’m Falling in Love with You is your standard shoujo romance manga. Somewhat derpy protagonist is surrounded by several male childhood friends who have all grown into bishounen, and two of them have feelings for her. She, of course, is clueless in the way of love. What makes this series slightly different, though, is that it’s set in 2020 and the characters are affected by the COVID-19 pandemic, particularly the cancelation of school events they’d really been looking forward to. (I note, though, that nobody wears a mask or socially distances at any point.) Another unusual aspect is that we’ve now glimpsed a couple of the characters ten years in the future, which is pretty neat. I will likely continue with this one, though I hope it’s a short series as that would probably work best. – Michelle Smith

The Case Files of Jeweler Richard, Vol. 1 | By Mika Akatsuki, Nanako Tsujimura, and Utako Yukihiro | Seven Seas – I didn’t know much about The Case Files of Jeweler Richard going in, but I’d seen it described as a mystery, so that plus the title plus what looked to be a somewhat eccentric protagonist with an earnest helper lead me to expect something Sherlockian. I thought somehow that Richard and Seigi would be solving murders. That is not the case, however. In the first half of this volume, Richard helps Seigi track down the woman from whom his grandmother stole a pink sapphire ring 50 years ago. In the second half, a client’s request for a valuation of a ruby leads only to some resolution in her romantic life. Is… is that it? Is that all this series is? I did learn some stuff about gemstones, but I must admit I’m disappointed. I’ll give it another volume in case this one’s just a warmup. – Michelle Smith

Hello, Melancholic!, Vol. 1 | By Yayoi Ohsawa | Seven Seas There have been quite a few band club manga out there, and I dare say one or two yuri band club manga. But the trombone taking a starring role is a new one to me. Minato is huge, plays a huge instrument, and is a bundle of introverted, cringing nerves, having had a traumatic experience in her past that has left her trying to fit in in high school… and failing, just like everyone else who has to try to fit in rather than just doing it. Fortunately, she meets Hibiki, who is a positive, excitable bundle of energy, and wants Minato in her band no matter what. But that will mean getting past Minato’s walls… something that might be helped a bit by Minato clearly crushing on her sempai! This was cute and fun, and Minato’s introversion is well-handled. – Sean Gaffney

I’m a Wolf, But My Boss Is a Sheep, Vol. 1 | By Shino Shimizu | Seven Seas – For the most part, this reads like a pretty standard office romance between two very awkward people, but it’s the animal characteristics and instincts that make it unique. Oogami is new to the department, which consists almost entirely of sheep… and he’s a wolf, which means they already think he’s going to go after them. He certainly does have the instincts to, but does an admirable job of holding back. As for Mitsuji, she has similar issues—in a board room filled with carnivores, she struggles not to be held back by her fear instinct. The two of them are clearly perfect for each other, but this is not the sort of series that wants to get them together right away, especially as we meet two possible “past romances” for both of them. Cute—Beastars but fluffier. – Sean Gaffney

Kageki Shojo!!, Vol. 4 | By Kumiko Saiki | Seven Seas – In this volume Sarasa runs into a problem that many actors have a tremendous problem with, which is what to do when you’re told to act it “as yourself.” She’s running in the relay race for the sports festival, unheard of for a first-year student, and the pressure gets to her till she realizes that the audience is not there to watch athletes race, it is there for a performance. After that, everything comes together. Meanwhile, Ai is forced to face up to the fact that not only does she now have friends, but she’s actually happy with that fact, something that blows her mind. We’re a long way away from the Ai of the first volume. There’s also a long side story showing what happens when a student longing to be a musumeyaku suddenly grows too tall… dreams are dashed. Very very good. – Sean Gaffney

Kase-san and Yamada, Vol. 2 | By Hiromi Takashima | Seven Seas – It’s been two years since the last volume, but I was able to pick up right where these two left off—still trying to be in a long-distance relationship and finding out it works best if you still see each other a lot of the time. So we have Kase taking a day off from practice to go to the festival and see fireworks with Yamada, and Yamada going to the beach lodge where Kase and her team are working to stay there as well. This actually leads to a scene where they are intimate with each other, which surprised me as I’d thought that when the series rebooted itself it was going to walk that back—nice to see the continuity is the same. As for Kase and Yamada, they’re an adorably sweet couple, as you’d expect—the readers would not want anything less. – Sean Gaffney

Rosen Blood, Vol. 2 | Kachiru Ishizue | Viz Media – In the second volume of this series I remain confused about the methods of vampirific human consumption, which involves a mysterious crystallization process, but this volume does deliver on providing even more gothic vibes as Stella needs to enter Levi’s brain for various reasons and is able to discover more about his past in a surreal dream sequence. Levi’s companions are revealed to be even more evil, and there’s plenty of dark seduction to go around. This series is best for readers who aren’t picky about plot details but enjoy pretty brooding vampires. – Anna N

Sex Ed 120%, Vol. 3 | By Kikiki Tataki and Hotomura | Yen Press – Last time I described the two teachers in this series as lesbians, but it turns out they’re both bi, and we do get discussion of the difficulties that bi folks face from others. As for Tsuji and Nakazawa, well, Nakazawa is only just coming to terms with her feelings, and Tsuji doesn’t want to ruin the friendship they have, so things are slow going. As for the Sex Ed part of the book, it’s still top notch, with excellent discussions of abortion and pregnancy, transgender people, and a deeper look into how LGBT culture works, particularly in Japan. I think they’d be great books to assign to high schoolers, though you might run into a few issues. The characters remain fun if slight, and I was rooting for the teachers in the end. This is the final volume, and the series in recommended. – Sean Gaffney

Skip and Loafer, Vol. 3 | By Misaki Takamatsu |Seven Seas – Mitsumi is starting to actually do things right, and her core circle of friends no longer has to be amazed at her newbie-ness. Honestly, her character journey may be done, which is good, as Shima still has a long way to go. He has A PAST, capital letters, and it’s getting in the way of his present, and also probably impacting the fact that he’s clearly falling for Mitsumi. That said, I’m not too sure that the plot matters too much to me, as this is a series that I enjoy reading for the vibe more than anything else. I also love Nao, Mitsumi’s aunt, who has clearly read other “wacky” manga before and makes sure that Mitsumi reminds her friends that Nao is biologically male in case of unfortunate assumptions. She’s also there to give good advice. – Sean Gaffney

Altina the Sword Princess, Vol. 13

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

A lot of Japanese fantasy novels tend to take place in “Europe with the serial numbers filed off”, and Altina the Sword Princess is no exception. That said, in terms of the haves versus the have-nots, one look at the map provided at the front of the book will show that the country belonging to our heroes is head and shoulders above the others. Sure, the battle against Britannia was rough, and Hispania seems to be doing the same sort of piracy that Spain was said to be doing back in the days when massive Empires controlled Europe. But Belgaria, the equivalent of France, is not really hurting either. Especially with its new King on the throne, who is not a dissolute reprobate. Unfortunately, what the new King is is someone who will only want eternal war. As a result, the new head of the army Altina and her strategist are headed down south to try to stop the equivalent of Italy from taking several highly prized cities.

Several surprises await Regis and Altina in this book. First of all, Britannia has finally decided to overthrow its current Queen after that disaster of a campaign and is looking for the next in line… who happens to be traveling incognito with our heroes. Secondly, the generals that have made up the fighting force in the south so far seem… slightly off. The Sixth Army is to be praised for having few casualties… but that’s mostly as it keeps retreating. The Eighth Army is at least more gung ho… indeed, their own general seems a little TOO gung ho. And what’s more annoying, the land and cities that are being lost are some of the most fruitful areas in Belgaria in terms of vegetables and wheat… meaning princes are going up due to shortages. The piracy is not really helping. Given all this, it’s no wonder that stopping Elenore from hitting on Regis is low on Altina’s priority list.

With every volume in this book the stakes have gotten higher, and I appreciate the book calling this out. First of all, we get real dead soldiers here, as Regis has to force the other armies’ hands with his own strategy, while at the same time fighting the Etrurian Army. He can’t rely on tricks and schemes to win the battle anymore… he has to find a way to get peace. Which means that he and Altina have got to do something about Latrielle, because the moment they achieve results here they’re told to invade Hispania. Latrielle will not be happy unless he’s fighting someone, the antithesis of what Altina wants. Something has to give soon, and it’s likely going to mean civil war. We also get some good discussion here on ways to fail but not get removed from your post… unfortunately, with Regis in charge, that changes swiftly. Both southern Generals are a different variety of infuriating, so this is for the best.

So, will the next volume be in not-Spain? Or will the gears of war start turning inward? If you like military fantasy, this continues to be a must buy.

Manga the Week of 3/30/22

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SEAN: The end of March, and manga is presumably going out like a lamb.

ASH: I’m not so sure about that…

SEAN: From Yen On we get the one-shot Josee, the Tiger and the Fish (Joze to Tora to Sakanatachi), a short story collection which includes the title story, which has been made into a movie. For fans of Yen’s other one-shot novels that can be summed up as “beautiful but sad”.

ASH: I’ve heard good things about this one.

SEAN: Also from Yen On: Konosuba: God’s Blessing on This Wonderful World! TRPG, which turns the world of KonoSuba into a tabletop role playing game, and features the authors of KonoSuba and Re: Zero doing a playthrough of it.

And we get The Greatest Demon Lord Is Reborn as a Typical Nobody 7.

From Yen Press, we see the debut of Cross-Dressing Villainess Cecilia Sylvie (Akuyaku Reijou, Cecilia Sylvie wa Shinitakunai node Dansou suru Koto ni Shita), the manga version of the light novel also published by Yen. It runs in Comic Flos.

Yen also gives us If the RPG World Had Social Media… 2 (the final volume), Let This Grieving Soul Retire 2, Overlord: The Complete Anime Artbook 2, Phantom Tales of the Night 8, Teasing Master Takagi-san 14, and Uncle from Another World 4.

ASH: I really need to catch up with Phantom Tales of the Night.

SEAN: Udon Entertainment has Steins;Gate: The Complete Manga (it got bumped) and Otherworldly Izakaya Nobu 10.

Tokyopop gives us the 2nd volume of I Was Reincarnated as the Villainess in an Otome Game but the Boys Love Me Anyway!.

Seven Seas has two debuts. Sheeply Horned Witch Romi (Youkaku no Majo Romi) is from Young Dragon Age, a manga where everyone in the world has fallen asleep except: 1) sheep; 2) a witch with sheep horns, and 3) the sempai with a crush on her!

MICHELLE: Here’s the lamb content we’ve been waiting for.

ASH: Ha!

MJ: Wait, wait, I’m HERE for the sheep.

SEAN: Yakuza Reincarnation (Ninkyou Tensei: Isekai no Yakuzahime) is a Sunday GX title. A yakuza badass is killed and reincarnated in another world… as a beautiful girl! This will not stop her from kicking ass.

ASH: As reluctant as I am to admit it, I am intrigued by this isekai variant.

ANNA: This does sound amusing.

SEAN: We also get The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files 4, Chronicles of an Aristocrat Reborn in Another World 4, The Dragon Knight’s Beloved 2, THE EXO-DRIVE REINCARNATION GAMES: All-Japan Isekai Battle Tournament! 2, I Am a Cat Barista 2, My Next Life as a Villainess Side Story: On the Verge of Doom! 2, Reincarnated as a Sword: Another Wish 2, and Unicorns Aren’t Horny 2 (the final volume).

ASH: I need to catch up with the various Ancient Magus’ Bride spinoffs, too.

SEAN: No print debuts for Kodansha, but we do see The Hero Life of a (Self-Proclaimed) “Mediocre” Demon! 3, Something’s Wrong With Us 7, and UQ HOLDER! 25.

Two digital debuts. Bootsleg is a Shonen Sirius series from the artist best known for Yozakura Quartet and the Durarara!! novels. A young man whose family – and limb – were taken from him by a seeming serial killer meets up with the one person who might be able to stop them.

HIRAETH -The End of the Journey- (Hiraeth wa Tabiji no Hate) is from the creator of Our Dreams at Dusk, and runs in Morning Two. A woman despairing over the death of her best friend attempts suicide… and finds herself in another world! This is apparently great, though also dark – Kodansha’s blurb comes with a content warning for suicide ideation.

MICHELLE: Hm. The Our Dreams at Dusk link is very compelling.

ASH: That it is.

ANNA: This sounds exactly like the type of critically acclaimed work that I think I will read but don’t get around to because I’m not in the mood for despair right now.

MJ: Oh, this sounds perfect for my mood.

SEAN: Also digital: Elegant Yokai Apartment Life 23, The Great Cleric 8, Stellar Witch LIP☆S 5 (the final volume), Tying the Knot with an Amagami Sister 2, and Zatsuki: Make Me a Star 2.

MICHELLE: I need to check out some of these.

SEAN: J-Novel Club has some more print editions. We see Ascendance of a Bookworm Part 2 Vol. 2 (manga), Infinite Dendrogram Omnibus 4, Marginal Operation 9, My Friend’s Little Sister Has It In For Me! 3, and Tearmoon Empire 4.

Speaking of Tearmoon Empire, the 7th volume is out digitally next week. We also see Culinary Chronicles of the Court Flower 5, Dahlia in Bloom: Crafting a Fresh Start with Magical Tools 3, Forget Being the Villainess, I Want to Be an Adventurer! 2, and Invaders of the Rokujouma!? 39.

Ghost Ship gives us Booty Royale: Never Go Down Without a Fight! 5-6.

A new light novel from Cross Infinite World: Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound (Isekai Teni Shitara Aiken ga Saikyou ni narimashita – Silver Fenrir to Ore ga Isekai Kurashi wo Hajimetara). Dead salaryman. Huge overpowered wolf. Relaxed slow life. Fluffy headpats. This book knows what the audience these days wants.

Lastly, Airship debuts I am Blue, in Pain, and Fragile (Aokute Itakute Moroi), another tearjerker from the author of I Want to Eat Your Pancreas. This is the early digital release.

ASH: Glad to see Yoru Sumino’s work is still being translated. (Though, like so many things, I need to catch up…)

SEAN: Also out ahead of print: Disciple of the Lich: Or How I Was Cursed by the Gods and Dropped Into the Abyss! 3, Drugstore in Another World: The Slow Life of a Cheat Pharmacist 5, and The Haunted Bookstore – Gateway to a Parallel Universe 3.

What manga makes you want to go out like a lamb? Or a sheep… lots of sheep manga lately.

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 5

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

If there’s one thing that these villainess stories make clear (and this is definitely a villainess story, even if our hero is the “piggy duke”), it’s that “you can’t fight fate” is not an option. You HAVE to fight fate, because fate has already written the otome game/webnovel/anime in question, and it has you being the villain and dying. Much of this book involves Slowe trying his best to stop the anime plot from happening and war from breaking out, and it’s very, very difficult. It does not help that Shuya, who has merely been a minor pain in Slowe’s side in the first few books, is an active antagonist here, being the ultimate in stubborn, wrongheaded anime “heroes”. Unfortunately, that will lead to disaster, so Slowe not only has to try to stop the city from being destroyed, but also has to try to stop Shuya from being possessed and massacring all his friends. Remember when this was just goofy classroom antics?

Slowe and Charlotte do NOT return to their home country, much to Charlotte’s annoyance, but instead are headed to the Dungeon City, Zenelaus, where Slowe hopes to stop war from breaking out. Unfortunately, he can’t exactly tell Charlotte that he knows how the anime went and that’s why they’re here. Alicia is here as well, mostly as Shuya has decided to help everyone in the city out as an adventurer, and is feeling like he’s really achieving something. Alicia just wants to go home, but she can’t convince Shuya to leave. Nor can Slowe. As for the event that kicks off the war, it involves a lich, a dullahan, and the Eye of the Crimson Lotus, who will stop this insidious plot even if it costs his life… in fact, he seems to regard the loss of his life as a fait accompli.

Most of this book is taken up with what is essentially a siege, but it also gives us a lot more insight into Shuya and how his mind works (even if it’s semi-possessed a lot of the time). As with a lot of anime antagonists, he wants to get strong and protect everyone he cares about. Also like a lot of anime antagonists, he mistakes “being the best” for “being strong” and every time he sees Slowe’s effortless OP powers he gets upset. Gotta be honest, Shuya is really goddamn annoying in this book, and I hope we get less of him in the next one. That said, another very interesting part of this book is the interlude we saw with Slowe seeing Shuya in school for the first time and taking an interest. It’s interesting because this is Slowe before he gets his memories of his past life, and, while passive and grumpy, we also see his insight that shows us why his downfall was such a tragedy.

This was not my favorite in the series, mostly as it relied a lot on a) big fights and b) Shuya being a dumbass. But it was still pretty good.

Kuma Kuma Kuma Bear, Vol. 9

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

Well, I did wonder in my last review if Yuna could solve problems by hitting things again soon. More to the point, we’re back at the dark end of this series again. Japanese media in general does not shy away from putting dark things into a show that’s ostensibly for children, as anyone who’s seen the end of the first season of Sailor Moon can tell you. That said, Kuma Bear is clearly written more for light novel adults than it is for kids the same age as the girls in it. As such, it can be very surprising to see things like “please come with me to investigate my master’s torture and murder chamber”. I mean, Non Non Boyori rarely deals with the death of everyone’s entire family, nor does K-On! have a string of child kidnappings. But something about “isekai”, putting something in a fantasy world that is not “modern”, makes the authors want to show us just how dark things can get. We’ve seen it here before. It’s still dissonant.

We wrap up the plot from the previous volume here. The party went well, so our evil noble’s evil grandson decides to solve the problem by having Misa kidnapped, and the kidnapper also punches Fina and Noa in the face while he’s at it. To be fair, evil kid’s dad is also kidnapping children of merchants as blackmail. That said, we really haven’t seen Yuna as mad as she is at the start of this book. She’s so furious that the entire city is terrified of her and her two bears tearing through going after the nobles, and its only Ellelaura that manages to stop her enough that she does not commit murder… something that Yuna, as per usual, only really recognizes and dwells on after the fact. The noble house here is pretty much what Yuna feared after playing so many cliches games and reading all these light novels like … well, like this one. The side stories are 100% serious, dealing with a maid who was blackmailed into working for the noble and her current mental state, which is not great.

After this, we have scenes of Yuna finally getting her ingredients from Wa and making mochi. Because of course we do, it wouldn’t be Kuma Bear without switching from serious to happy on a dime. We get warnings about the dangers of eating too much sugar, and we get piles and piles of stuffed bears given out. (Yuna seems to finally have come to terms with the bear onesie and her bear lifestyle in general.) The second half of the book has the guildmaster’s little sister Luimin come to get them because there’s a crisis at the elf village… a crisis which will presumably wait for Book 10, as the rest of this book is the journey there, which involves a group of adventurers and merchants who appear to be crooked, as well as Yuna showing off that crossing a raging river at high tide is nothing to a girl and her bears.

If you enjoyed the light novels, this will please you just fine. If you enjoyed the anime… be aware they cut the darker bits. And if the mood swings bother you… please just bear with it.

Pick of the Week: Caught Hands and New Legs

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MICHELLE: I’m not wildly enthusiastic about anything this week, but I did enjoy This Wonderful Season with You enough to make Deko-boko Bittersweet Days my pick of the week. Even if it is TOKYOPOP.

SEAN: I have heard so much good buzz about Catch These Hands! that it’s definitely my pick this week. I will punch the yuri into you!

KATE: My pick: the final volume of Blue Giant, an entertaining series about a self-taught saxophonist who honks, squawks, and improvises his way to jazz greatness. If you haven’t tried it, now’s a great time to pick it up, both for the terrific cartooning and for the author’s impressive knowledge of music; Blue Giant is one of the only music manga that didn’t make my inner musician cringe. Now that’s saying something!

ASH: Blue Giant is a solid choice, for sure! However, my pick this week actually goes to The Song of Yoru & Asa, another manga that’s at least tangentially related to music, but that comes with far more content warnings. That being said, I’m also really looking forward to giving Catch These Hands and Run on Your New Legs a try, too!

ANNA: I do enjoy sports manga, and for that reason Run on Your New Legs is my pick!

MJ: It’s a tough choice for me this week, because I’m tentatively interested in a lot of stuff, but not overwhelmingly obsessed with anything. Still, Catch These Hands sounds too cute to pass up, so I think I’ll be going along with Sean this week!

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 13

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

As I mentioned last time, My Youth Romantic Comedy Is Wrong As I Expected is not a love story between the dour cynic Hachiman and the bubbly optimist Yui. You know it. I know it. Heck, even Yui knows it. But the series ends with the 14th book rather than the 13th, so this volume is devoted to giving our third protagonist as much screen time as it can get away with given that Hachiman is still its first person narrator. She’s on the cover, and she’s also helping Hachiman with his plan, which can basically be summed up as “do dumb Hachiman stuff in order to draw all the consequences to him”, only by now everyone’s savvy enough not to fall for it – not to mention it’s pretty half-assed to begin with. She and Hachiman make a very good team. Unfortunately, everything he does in this book is for Yukino’s sake. There’s a technical cliffhanger here, but no one in their right mind would believe it. Poor Yui.

Yui suffers mostly from being a bright-eyed optimist in a world of bitter cynics. This includes Haruno, who can’t even drink herself into oblivion; Hayama, who likens himself to a scratching post and has a streak of self-hatred a mile wide; Shizuka, who’s being transferred to a different school (as frequently happens in Japan) and desperately wants to see her manipulations actually pay off and not be destroyed; and even Iroha, our little agent of chaos, who spends much of this book boggling at Hachiman still trying to throw himself against the wall that is Yukino over and over again. He can’t help her with prom, mostly because of that bullshit co-dependence thing Haruno spewed out (Yui needing this explained to her was a highlight). What he can do is serve as a distraction, and honestly, that’s what most of this book is; it’s tap dancing in front of us trying to wait till the resolution in the 14th volume.

While I’m still irritated with Haruno, I will grant that her muttered aside in front of Hachiman did save the day, as he quickly realized what was going on with Yukino’s mother… well, quickly realized it after she tore apart his plan like tissue paper. The running gag in this book is that Hachiman’s plan is rather half-assed and pathetic, and no one seems to think it’s good enough – not even the business minded president of their neighboring high school, who is as annoying as ever but has also earned the punishment of having a crush on Orimoto, which I would not wish on anyone. As for Yukino, well, mostly absent, except for a few very important scenes. Words still need to be said. They aren’t. They’re implied – we have BUCKETS of implication in this book. But “a man’s pride” is not good enough.

All this and we still have enough time for the best written sibling relationship in light novels. This is a strong volume in the series, despite the fact that it feels like delaying tactics. Can’t get away with that next time.