Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Michelle Smith

Gaudy Night by Dorothy L. Sayers: A+

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gaudynightFrom the back cover:
When Harriet Vane attends her Oxford reunion, known as the “Gaudy,” the prim academic setting is haunted by a rash of bizarre pranks: scrawled obscenities, burnt effigies, and poison-pen letters—including one that says, “Ask your boyfriend with the title if he likes arsenic in his soup.” Some of the notes threaten murder; all are perfectly ghastly; yet in spite of their scurrilous nature, all are perfectly worded. And Harriet finds herself ensnared in a nightmare of romance and terror, with only the tiniest shreds of clues to challenge her powers of detection, and those of her paramour, Lord Peter Wimsey.

Review:
I’m trying to recall precisely when I first heard of Gaudy Night. It must’ve been somewhere around 2001 or 2002, because my first attempt to read the Wimsey series (I couldn’t just jump straight to the penultimate novel, after all!) occurred early in 2002. In any case, here is a book I’ve been waiting to read for at least eight years and, unlike so much else in life, it completely lived up to (and even exceeded) my expectations.

Because I blindly accepted the accounts of this book’s excellence, I didn’t read much about it before its time came. Therefore, it was an exceedingly pleasant surprise that the narrative is told from the point of view of Harriet Vane, a mystery novelist and long-time object of Wimsey’s affections. After discovering a couple of disturbing messages when attending her Oxford reunion, Harriet is later called back to the college to conduct a discreet investigation. While investigating the origins of poison-pen letters, foiling pranks, and settling into the academic life once more, Harriet also engages in many conversations with the members of the Senior Common Room on the virtues of a life devoted to scholarship as opposed to the traditional womanly duties, and uses the experience of her former schoolmates to help form conclusions about whether marriage is worth it. The overall message is an unapologetically feminist one, though some characters do persist in advocating for stereotypical gender roles.

Of course, this isn’t the first book to present Harriet’s point of view. Have His Carcase is similar, but it’s more breezy and amusing. This time, it feels like we really get to know Harriet inside and out and understand exactly what it is that keeps her from accepting Peter’s marriage proposals: her belief that she has so thoroughly messed up attempts at love (Peter first meets her in Strong Poison when she is on trial for killing her lover) that she had better give up, and, most strongly, the pesky feelings of gratitude toward Peter that would forever keep them on unequal footing. As fond as she is of Peter, she can’t really believe he would be happy with her or treat her as an equal, and it’s in this novel that he finally, finally manages to convince her that both are true.

Eventually, Harriet reaches a point in the case where it’s necessary to call for Peter’s assistance and it’s here that she begins to compare the kind of marriage he would offer as opposed to the variety more normally encountered. For example, Peter doesn’t want a sweet, uncritical, and dependent spouse: he wants an honest and independent one. “Anybody can have the harmony,” he says, giving voice to a lovely musical metaphor, “if they will leave us the counterpoint.” It takes a little bit for this to sink in, however. Instead of trying to dissuade Harriet from continuing the investigation when her life is in jeopardy, for example, Peter teaches her self-defense moves. He basically encourages all the independence she could ask for and more, giving her the freedom to risk the life she still believes she owes to him. Lastly, he reveals more of his own weaknesses, showing that he’s flawed and human, too. At last she realizes that he truly means to accept her as she is and when Peter proposes one last time, she accepts.

While the disturbances on campus and Harriet’s investigation are truly fascinating—I’m thinking particularly of the fabulous scene where the culprit is dashing about removing fuses from all of the buildings and casting everyone into darkness—it really is the relationship between these two that shines most brightly. In terms of intelligence and independence, Harriet and Peter perhaps the closest thing 20th century literature has to a couple like Elizabeth Bennet and Fitzwilliam Darcy. Without them, Gaudy Night would’ve earned a solid A, which is nothing to sneer at.

Reiterating that Gaudy Night is highly recommended is unnecessary at this point, but I do advise reading at least the Wimsey novels that have been linked to here before tackling it so as to have a better idea as to the origins of Harriet and Peter’s relationship and how they’ve circled around one another for the last five years. That’ll make the novel’s conclusion all the more satisfying.

Memories of the Future 1 by Wil Wheaton: B

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memfuture1From the back cover:
The away team returns from the planet with some very good news: it’s clean, it’s beautiful, it’s populated with friendly humanoids… and they really like to do the nasty.

“At the drop of a hat,” according to Geordi.

“Any hat,” Tasha says knowingly.

Picard sends a second, larger team down to the planet to see exactly how many hats they’re going to need.

From “Encounter at Farpoint” to “Datalore,” relive the first half of Star Trek: The Next Generation‘s unintentionally hilarious first season through the eyes, ears, and memories of cast member and fan, Wil Wheaton (Wesley Crusher) as he shares his unique perspective in the episode guide you didn’t even know you were dying to read.

Review:
I came a little late to Star Trek: The Next Generation. I don’t come from a family of Trekkies and didn’t know anyone who watched the original show, so I was not glued to my set for TNG‘s 1987 debut (like I’d later be for Deep Space Nine‘s). Instead, I got into it in 1992, when my brother was watching the episodes in syndication every afternoon and hanging TNG action figures (still in the package, of course) on his walls. I began watching with him and was soon hooked, acquiring Larry Nemecek’s The Star Trek: The Next Generation Companion so that I could read all about the making of the episodes and keep track of the ones I’d seen. (Side note: I still haven’t seen 1.5 of them, but I kind of like it that way. It makes it seem like it’s not quite over.)

Although I eventually came to prefer DS9, TNG still holds a place in my heart. Like many people, I never did much care for the character of Wesley Crusher, but when I spotted Wil Wheaton’s episode reviews on TV Squad, I did read a few of them. In his introduction to Memories of the Future, Wheaton explains how the site lost a chunk of its funding and, therefore, the ability to pay him, but that he wanted to at least complete reviews for the first season, and so this book was born.

If you’re looking for a tawdry tell-all book, you’re not going to find it here. Wheaton doesn’t talk specifically about his castmates much, but when he does, he has nothing but positive things to say about them. Instead, his vitriol is reserved for the writers; he critiques the way various characters are written (Wesley, primarily, but also Worf and Troi, who are particularly one-dimensional during the first season) and points out many logic flaws and other problems with episode construction. I found his arguments to be compelling—especially how, contrary to many fans’ beliefs, Wheaton himself was in no way responsible for Wesley’s tendencies to save the day and be smug about it—and insightful.

There’s a chapter for each episode including a synopsis, quotable dialogue, obligatory technobabble, behind-the-scenes memory, bottom line, and final grade. The synopses are very snarky, though occasionally he’ll break from that mold to praise a particularly nice piece of acting. Many, many pop culture references abound—Strong Bad, Pulp Fiction, Animal Farm, et cetera—which is okay when I get them but rather annoying when I don’t. I have a feeling I was supposed to find some of the snark funny, but I never did, though I think there was a pretty clever/esoteric shabu shabu joke in there.

Memories of the Future is published by Monolith Press, which was founded by Wheaton “on the idea that publication should not be limited by opportunity.” I’m not sure, therefore, whether anyone else ever read and edited the book before its release. There are a few instances where an incorrect but not misspelled word is used—“marshal arts” or “when Picard apologies or something”—and a lot of inconsistency in the treatment of words that come after colons (don’t capitalize them unless they’re proper nouns!). Also, the header for each episode is accompanied by some grey bars with a lot of random numbers on them. I could never figure out whether they have any significance; perhaps they’re supposed to look like an Enterprise computer display or something? In any case, some tighter editorial controls would’ve provided a bit more polish.

(Update: After realizing that the numbers never go above 26, I tried my hand at cryptanalysis. All I could figure out is that the letters for the Introduction spell “Wesley.” Beyond that, it’s either gibberish or a code too complex for a lazy person like me to bother with.)

Ultimately, while I had some complaints I still wished I had volume two immediately on hand after finishing this one and I wish, too, that Wheaton will continue beyond the first season. While he is occasionally (and rightly) critical of some aspects of the show, his perspective is undeniably interesting and, above all, affectionate.

Additional reviews of the first volume of Memories of the Future can be found at Triple Take.

Serenity 2: Better Days by Whedon, Matthews, and Conrad: B

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serenity2From the back cover:
When the Serenity crew uncovers a heaping pile of cash—marking their first successful heist—they divulge their most outlandish fantasies, and look forward to a little R&R in a tropical paradise. Unfortunately for these space cowboys, someone is hot on their heels in search of a prize more precious than money.

Joss Whedon, creator of Buffy the Vampire Slayer, joins Brett Matthews and Will Conrad—the team that brought you the smash hit Serenity: Those Left Behind—with a new chapter in the lives of Malcolm Reynolds and his roving band of space brigands in Better Days.

Review:
While Serenity: Better Days is the second comic miniseries based on the TV show Firefly to be released, I am not sure whether its events take place chronologically after the end of the show or not. The one thing that would help establish its place in the timeline—Inara’s decision to depart the ship—is not mentioned at all, nor is any reference made to Shepherd Book’s wish to leave (first stated by him in Serenity: Those Left Behind). While the story works just fine without knowing when it happens, this still bugs me a little bit.

The plot of Better Days is extremely simple. For once, things go well and the crew of Serenity is suddenly rich. Several members share the way they plan to spend their money in scenes that nicely capture the warm, family-like times the crew occasionally shares. Meanwhile, the Alliance is looking for Mal (when are they not?), though this guy is special in that he’s one of Inara’s clients, and a builder whose drone Mal stole is out for revenge. I must admit that this peril did not interest me very much, though I’m used to looking past occasionally lame plots in Whedon shows in favor of character interaction. The best character goodness happens here between Inara and Mal, especially in their final scene together, though there’s also some nice continuity between Wash and Zoe as well as an intriguing tidbit regarding Inara and Simon.

Will Conrad is back as the artist for this miniseries, and seems to have a little better feel for the characters now. The likenesses are more consistent and Inara is vastly improved, finally meriting some impressively realistic close-ups of her own. Although a new cover was created for this trade paperback, the original covers of the three comic issues—forming a triptych that depicts the crew lounging atop sacks of money—are reproduced within.

I have now read all of the Firefly-inspired comics currently in existence and enjoyed them a good bit. Any time Dark Horse would like to make more, I’ll be happy to give them my money.

Ciao Ciao Bambino by Momoko Tenzen: B

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ciaociaobambinoI think I must be a Momoko Tenzen fan, because this is the second time I’ve been impressed by her ability to create compelling characters in a short story format (the first being Unsophisticated and Rude). Not only that, she’s able to write stories about romance between middle schoolers and teachers that aren’t completely icky (only mildly icky).

There are five stories in this volume, though the first four focus on the same set of characters: Kaname, a lecturer at a cram school; Yuuta, Kaname’s student, seven years his junior; and Kei and Mako, friends of Yuuta’s who have feelings for each other. What I liked about these stories is that Kaname and Yuuta take several years to get to a point where love is openly discussed, and although Yuuta is still too young (in my opinion) when they finally sleep together, his character is developed enough that it’s clear he’s not being taken advantage of by an adult in position of authority.

The fifth story, “Brand New Wednesday,” is about a tall kid named Kana—and seriously, both he and Yuuta must attend one of the junior highs from Prince of Tennis, because they’re far bigger than any ninth graders I’ve known—who is in love with his home tutor. I found the tutor’s perspective especially poignant here, as he realizes how fragile a love like this can be when the younger person has so much changing left to do in their life.

I admit to feeling a little guilty that I liked these stories as much as I did, given their subject matter, but Tenzen’s approach is not salacious whatsoever. If you can get past the squick factor, these stories do offer some truly touching moments.

Review copy provided by the publisher. Review originally published at Manga Recon.

Serenity 1: Those Left Behind by Whedon, Matthews, and Conrad: B+

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serenity1From the back cover:
Here’s how it is—in a universe filled with hearts and minds as cold and dark as the reaches of space, one small Firefly-class starship named Serenity takes its ragtag crew of mercenaries, outlaws, and fugitives in search of a job, any job, that’ll earn them enough cash to afford that most elusive commodity—peace.

Joss Whedon, creator of Buffy the Vampire Slayer, unveils a previously unknown chapter in the lives of his favorite band of space brigands in this prequel to the Serenity feature film—the blockbuster follow-up to Whedon’s cult-hit TV show, Firefly.

Review:
Serenity: Those Left Behind takes place shortly after the final episode of Firefly, “Objects in Space.” Inara has not left yet; while the ship is en route to her destination, they’re taking jobs along the way and though Mal proclaims this is necessary it’s Wash, who’s well acquainted with doing stupid things (like working a dangerous job when he could make a cushy living) to remain near the woman he loves, who realizes that he’s just trying to keep her around a while longer.

After one such job, a bank heist, goes poorly, the crew is offered another job by Badger: to retrieve a stash of cash left at the scene of one of the bloodiest battles in the war. Meanwhile, Dobson (the federal agent who appeared in the first episode of the series) is teaming up with the hands-of-blue fellows to track them down. It’s unclear whether Badger is in on this or not, but it all boils down to an ambush in a field of spaceship debris, no payoff, and Dobson’s death. Too, in the final page, we seem to be witnessing the moment that the Operative (from the feature film) receives the assignment to bring in River. Another important thing that happens here is that Book decides he needs to leave the ship. He’s an active participant in helping the crew escape at one point and later hits Mal, something that the Captain is ready to forgive but which Book is not.

For the most part, Will Conrad’s art is decent. In some panels, the characters don’t look much like the actors who played them—Simon and Inara fare pretty poorly in this respect—but Conrad is an absolute ace at close-ups. There’ll be a page, for example, with a vaguely Kaylee-looking person in a few panels and then, once you zoom into her face, it’s “Oh, now she looks like Jewel Staite!” This happens with Mal a few times, too, and there are also a few outstanding close-ups of River. Different artists have also contributed some color portraits of members of the crew. Again, Simon and Inara get the short end of the stick—are their actors just too pretty to be drawn easily or well?—while Book (drawn by Tim Bradstreet), Jayne (Brian Hitch), and Wash (Sean Phillips) look fabulous! Honorable mention goes to Jo Chen’s Kaylee who, while she doesn’t really look like Jewel Staite, is positively adorable.

All in all, while this isn’t as good or as fulfilling as an episode of the show, it’s really great to see all of these characters again and fill in a little background for where we see them in the movie. Now on to the second comic miniseries, Better Days!

not simple by Natsume Ono: A

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notsimpleFrom the back cover:
A story within a story,
A book within a book,
A tale about the search for family,
For an emotional home.

Ian, a young man with a fractured family history, travels from Australia to England to America in the hope of realizing his dreams and reuniting with his beloved sister. His story unfolds backwards through the framing narrative of Jim, a reporter driven to capture Ian’s experiences in a novel: not simple.

Review:
I normally reserve my comments about a comic’s art for somewhere near the end of my review, but since the fact that Natsume Ono’s style deviates from the manga norm is glaringly obvious, I thought I’d address it first. Her art is spare and kind of squiggly, true, and yet it’s absolutely perfect, adding to rather than detracting from the narrative. I honestly cannot imagine this heartbreaking story being illustrated in any other way; to pair it with pretty art would be too wrong for words, so don’t let the lack of same be a deterrent.

If you, like me, have ever thought, “Why don’t more stories have sad endings?” then not simple is the manga for you. That’s not even a spoiler, really, since the structure of the story reveals the fate of Ian, the hapless protagonist, practically immediately. The book begins with a conversation between Jim, a writer, and Ian, in which Jim announces, “You’re going to be my next novel.” From there, a prologue depicts the end of Ian’s story, in which he is a drifter looking to keep a rendezvous with a woman he met years earlier, before shifting back in time to chronologically cover his life from childhood until the moment he leaves for the meeting.

The hardships and misfortunes of Ian’s existence are beyond many, and just when you think it couldn’t get worse, it does. Growing up in Australia as the child of a drunken mother and absentee father, he’s extremely close to his sister, Kylie. When Kylie is sent to prison for robbery—her means for funding a new life with Ian by her side—he’s left alone at home, and after his parents divorce, ends up living in London with his mother. Upon her release, Kylie finds him there and they have the briefest of brief reunions before she sends him back to Melbourne to be with his dad and promises that they’ll meet again once he achieves his dream.

Years pass. Ian has always loved running, and his dream is to break a certain runner’s record. He and Jim originally met when Jim was assigned to interview him, and they reconnect when Ian’s peculiarly jubilant response to placing fourth in a race attracts the notice of Jim’s editor. Ian, having achieved his goal, now feels free to seek out his sister. His search is long and disappointing, hindered by a series of terribly unlucky near-misses and a set of relatives that don’t care much about Kylie or Ian, let alone helping them achieve a reunion.

If this sounds like just about the most depressing story around, that isn’t far off the mark. And yet, it never strays into implausible territory. Ian is a likable guy—a strangely pure and innocent person who is, simultaneously, somewhat of an enigma—but the stresses of his life begin to take their toll and the final time he shows up at Jim’s place, after an absence of two years, the change is palpable. For years, he’s been matter-of-fact about the horrible things that have happened to him, but finally is so worn down that he’s become haggard and yearns only for the warm personal relationships that have been denied him. Jim’s an interesting observer, as well, ignoring his own family about as strenuously as Ian searches for his. If there’s anything I could complain about with not simple, it’s that we don’t learn more about Jim’s particular circumstances.

Depressing or not, not simple is masterfully told and completely unforgettable. If I had to sum it up in one word it would be this: haunting.

Review copy provided by the publisher.

Black-Winged Love by Tomoko Yamashita: A

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blackwingedloveAs in her excellent Dining Bar Akira, Tomoko Yamashita has created in Black-Winged Love a set of boys’ love stories focusing more on a universal aspect of human relationships rather than what goes on between guys in the bedroom. Each story relates in some way to the difficulties of communication, be it the crippling fear that keeps gay men from confessing their orientation or feelings to those they care about or the problem of convincing someone of your sincerity when sexual kinks keep getting in the way. By turns, these seven stories are amusing, disturbing, sexy, and heartbreaking.

My favorite in the amusing category is “It’s My Chocolate,” which is the story of a closeted gay man, Minori, who still lives at home because he feels a responsibility to help look after his many younger siblings. He’s gotten used to self-denial in order to keep the peace at home and feels that coming out to them would be impossible. The dam finally breaks and he blurts out all of his grievances in a heartfelt and thoroughly undignified manner, resulting in a wonderfully low-key response from his mother.

“A Villain’s Teeth” is an extremely interesting story with some disturbing elements, though they thankfully don’t dominate. The tale begins with daughter of a yakuza boss informing his long-time devotee, Yuikawa, that her father is dying of cancer. She’s convinced Yuikawa is in love with her father and encourages him to seize this final opportunity to let him know his feelings. Because of his laid-back demeanor, she can’t quite understand why Yuikawa has chosen the life of a thug, resulting in a marvelous panel in which Yuikawa replies, “Young lady, I am a thug.” His claim is proven a few pages later when he violently deals with an underling who’d thought to involve him in a plot against the ailing boss. It’s rather disconcerting to see graphic violence so casually perpetrated in a BL story, but definitely sets this story apart.

The title story offers the most complicated and fascinating relationship in the volume. “Black-Winged Love” involves a masochist named Futakami who has declared his love to a hot-headed coworker named Nakazu. Knowing Futakami’s special quirk, Nakazu doesn’t take the confession seriously and whenever he gets angry about it, Futakami starts swooning. In another’s hands, this situation might be played for comedy, but Yamashita approaches the problem seriously, getting inside Futakami’s head to show that he genuinely loves Nakazu, but that his fetishes—like a pair of black wings shielding his heart—keep getting in the way. I always love stories in which the obstacle keeping two people apart comes from within, and Futakami’s anguish at his own inability to express what he really feels is positively heartbreaking.

Artistically, Yamashita’s style continues to remind me of est em. Her men all look like men, with no weepy uke types in sight, though a few of them do greatly resemble characters in Dining Bar Akira. Most stories have no sexual content whatsoever, but when such moments do occur, they’re understated and brief. One special feature I really like is the gallery of deleted scenes that appears at the end of the book, including an epilogue of sorts to one of the stories.

The two BL works by Tomoko Yamashita currently available in English are some of the best the genre has to offer. I hope we see more of her other creations—including this josei title—in the near future!

Review copy provided by the publisher. Review originally published at Manga Recon.

Fairy Tail 8-9 by Hiro Mashima: B

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fairytail8The battle between Fairy Tail and rival guild Phantom Lord rages on. Two of Phantom Lord’s elite group, Element 4, have been defeated, but Gray must finish off his opponent (Juvia, a lovelorn lady possessed of rain magic) while a wounded Erza summons the strength to achieve a victory of her own. Though they’ve foiled part of Phantom Lord’s plans, however, Lucy still ends up getting kidnapped by Gajeel, the Dragon Slayer of Phantom Lord.

After some encouragement from Erza, Natsu heads to Lucy’s rescue and several chapters of fighting between he and Gajeel ensue. Unfortunately, I didn’t find these very fun to read, since there seemed to be more speedlines than usual and sometimes the action was confusing. Also, there was an unnecessary pervy spectator who kept commenting on Lucy’s undies whenever the latest explosion of battle happened to toss her about.

While this is going on, the headquarters of both Fairy Tail and Phantom Lord are destroyed, at which point the Fairy Tail guildmaster, Makarov, recovers his powers and proceeds to be a great badass. A subsequent investigation by the Magic Council finds Fairy Tail innocent in the affair, but Lucy feels responsible (it was, after all, her wealthy father who hired Phantom Lord to retrieve her in the first place), so she heads home. I really like how this chapter plays out; I was all set for a tiresome and angsty, “Oh no, it’s my fault. You’ll all be better off without me” story where her friends have to show up and convince her that she’s worthy. Instead, Lucy goes home simply to tell her dad that if he pulls anything like that again, he’ll have made an enemy of her and Fairy Tail, which is like her second family and, so far, much better than her first one.

fairytail9Upon her return, Lucy, Natsu, Gray, and Erza officially become a team and handle a couple of episodic missions without straying too far from home. I really like that most of the focus these two volumes has been on Fairy Tail itself, which has presented many opportunities to introduce or flesh out other members of the guild. The latest character to merit that treatment is ladies’ man Loke, who has a rather surprising backstory and needs Lucy’s help in order to continue to survive. Help that she, I might add, very competently provides (although it is managed a little too easily, I thought). Even though Mashima continues to use Lucy’s appearance for fanservice, he is, at least, allowing her to grow in confidence and general usefulness as the story progresses. At first, it was inconceivable that she could be an equal member of a team with powerhouses like Natsu, Gray, and Erza, but now it doesn’t seem so unlikely at all.

Although it has its ups and downs, Fairy Tail continues to offer a fun escapist story that works on a few levels; if you aren’t thrilled by the requisite shounen battles, then perhaps Lucy’s impassioned speech about finally finding acceptance will be more your cup of tea. Or maybe it’ll be the giant cow-man. Who knows?

Review copy for volume nine provided by the publisher.

Beast Master 1 by Kyousuke Motomi: B+

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beastmaster1From the back cover:
Leo Aoi looks like a crazy animal with wild eyes—and no one at his new high school will go near him! He does seem to have a special connection with animals, though, which intrigues overzealous animal lover Yuiko Kubozuka. In reality, Leo isn’t as frightening as he appears, but Yuiko finds out that he goes berserk whenever he sees blood! Will Yuiko be able to get through to Leo during these violent fits? Or will Leo’s ferocious side eventually devour her?

Review:
I initially didn’t expect much from Beast Master but, like other reviewers before me, I found it to be surprisingly adorable.

It’s the story of an enthusiastic animal lover named Yuiko Kubozuka whose attempts to hug and squeeze various furry friends all end in disaster. One rainy day, after her attentions have driven her pet cat up a tree, a bloodstained boy with wild eyes rescues the kitty then runs off. As always happens in shoujo manga, the boy, named Leo Aoi, turns up as a transfer student in her class the next day. The other students are all frightened of him, save Yuiko, and when some thugs arrive to seek retribution for a fight in which Leo thrashed several of their compatriots, it’s Yuiko who explains his circumstances and, with her natural ability to get along with anyone, handily converts the main thug, referred to simply as “Boss,” into a recurring ally and resource. She’s less successful in deflecting the violent intentions of another gang, though, and Leo ends up going into a berserker mode and nearly biting a classmate until Yuiko soothes him.

What follows from there is a series of chapters in which Yuiko is threatened and Leo’s bloodlust is triggered. Simultaneously, she uses her social skills to introduce him to others and show that he’s not really a bad guy, despite what his appearance may indicate. What makes this different than other series in which “heroine requires rescue” is a common theme is that sometimes Yuiko is able to take down the suspicious person herself, even if that person is actually Leo’s guardian, Toki. Sometimes, unfortunately, she’s a liiiiitle stupid, like when she decides that she’s capable of calming a violent stray dog despite much evidence to the contrary and a sincere warning from Leo. I found this lapse in reasoning especially disappointing, because up until then Yuiko had seemed competent and quick-thinking.

Leo himself is completely endearing, much more like a kitten than a wild beast and transparently overjoyed to have met a kind person who isn’t afraid of him. His plight actually reminds me a lot of Sawako from Kimi ni Todoke: he looks frightening until he smiles, at which point he’s utterly transformed. In fact, Leo in chibi mode bears a striking resemblance to Sawako in the same state; is this a case of long-lost manga siblings?! My very favorite moment in the volume comes in a rooftop scene when Leo, wanting to cheer up a depressed Yuiko, puts his arms around her so that birds will land on her like she’s always wanted. It’s very, very sweet.

Overall, Beast Master is adorable and, though it employs a few shoujo clichés, unique. It’s not quite a romance yet, but I have no doubt that the second and final volume will take care of that!

Review copy provided by the publisher.

Crimson Hero 12 by Mitsuba Takanashi: B

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crimsonhero12From the back cover:
With one of their ace players injured, Nobara and the Crimson Field girls must fight harder than ever. Their challenge is the Newcomers’ Tournament, and their performance in this venue will determine just how far the team can go. But Nobara’s distracted when she learns that one of her not-so-secret admirers seeks to crush Yushin and destroy the boys’ team!

Review:
The girls’ team has done fairly well in the Newcomers’ Tournament, but losing Tomo to injury means they’ve got to hurriedly train a stand-in just to have the minimum number of members required to play. Meanwhile, when Nobara is injured during one of those “locked in the gym storage room” scenes followed by a “creepy stalker tries to corrupt me but I’m protected by my virtuous true love” rescue, this puts them at enough of a disadvantage that they end up finishing in 13th place, though they’re not entirely out of the running as far as their dream of reaching the Spring Tournament goes.

Despite the fact that the finals round of a tournament is underway, most of the volume actually centers on the love triangle of the series. Haibuki’s solicitude after Nobara’s incident with the stalkery guy makes her feel even more guilty for not telling him about her proto-relationship with Yushin, and she begins to think it wouldn’t be so bad if he knew. Yushin decides to handle things himself and, after the boys win their tournament and Haibuki both compliments Yushin on his captainship and the team on their general awesomeness, Yushin judges that the time is right.

I’ve never really liked Haibuki much, but the way he reacts to this news makes me want to smack him. I mean, nobody would react well to finding out they’ve been duped for months, but he plays the role of the wounded party to the hilt, moving out of the dorm in a huff and considering an offer to transfer to another school. I would’ve been more sympathetic, perhaps, if Takanashi-sensei hadn’t depicted him so woodenly during crucial scenes; an opportunity to really make us feel the horrible pain of betrayal was squandered there. Still, even had she done a better job, I still would’ve ended up hating him for immediately ringing up Tomo, whom he knows still has feelings for him. Don’t mess with her heart, you ass! I could get behind the storytelling decision to transition Haibuki into more of a villainous role, but I have a feeling we’re supposed to believe his actions are the result of profound heartbreak and not simply self-pity.

Crimson Hero may not be the best Shojo Beat has to offer, but I do still like it enough to want to follow the story, even if I can’t really get invested in the romantic plotline. I think I’d like it more if it were simply about Nobara and Yushin trying to strike a balance between loving each other and simultaneously pursuing their goals of volleyball greatness. If I’m lucky, Haibuki really will transfer out and leave the two of them alone, but I don’t think that’s very likely.

Review copy provided by the publisher.

Matilda by Roald Dahl: A

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matildaFrom the back cover:
Matilda is a genius. Before she was three years old she was reading the newspaper. By the age of four, Matilda was reading classics by Jane Austen and Charles Dickens. By the time Matilda becomes a student at Crunchem Hall, she’s bored stiff. When Matilda’s teacher, Miss Honey, tries to get her moved up a few grades she runs up against the Headmistress, Miss Trunchbull—two hundred pounds of mean, nasty, kid-hating bully.

Can even a genius like Matilda survive the rampages of Miss Trunchbull—or should she come up with a crafty plan to rid the school of the bully once and for all?

Review:
Matilda Wormwood is a genius, though her idiotic parents are completely incapable of recognizing this fact. Just when she’s about to start school, her father badmouths her to the cruel headmistress, Miss Trunchbull, who thereafter persists in having a negative opinion of Matilda, even after the girl’s teacher, Miss Honey, describes what a phenomenal child she is. When Matilda discovers that she possesses the ability to help the desperately poor Miss Honey and get back at Miss Trunchbull simultaneously, she leaps at the chance.

I really do think Dahl is remarkable among writers of children’s fiction for being able to craft stories that are equally appealing to children and adults. For example, although Matilda is moved to seek revenge against some odious adults in her life, grown-ups in general are not portrayed as villains, since her closest confidante is Miss Honey. And though the humor is clearly geared for children, it’s never stupid or crude and Matilda is generally polite and thoughtful. Probably a lot of this has to do with Dahl’s being British; I’ve seen plenty of obnoxious American tales about smug children humiliating adults and Matilda is nothing like them.

That said, how I wish I had discovered Matilda when I was ten! Like the lead character, I was the bookish daughter of TV-inclined parents, though at least mine were generally encouraging. I also had a dreadful experience in fourth grade of being presumed guilty by a teacher of something I didn’t do simply because I was away in Gifted class at the time and, unlike all of my other classmates, had not been given the opportunity to deny the accusations. Reading about Matilda and the similar plight in which she finds herself probably would’ve buoyed my spirits enormously at the time and made me feel less powerless.

I’ve now read and enjoyed two books by Dahl, which has spurred me to consider embarking on a more comprehensive effort. Stay tuned!

The Nine Tailors by Dorothy L. Sayers: B

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theninetailorsFrom the back cover:
The nine tellerstrokes from the belfry of an ancient country church toll out the death of an unknown man and call the famous Lord Peter Wimsey to confront and contemplate the good and evil that lurks in all of life and in every human’s actions. Steeped in the atmosphere of a quiet parish in the strange, flat fen country of East Anglia, this is a tale of suspense, character, and mood by an author critics and readers rate as one of the great masters of the mystery novel.

Review:
Before I checked The Nine Tailors out of my local library, I was laboring under the misapprehension that it would feature a nonet of suit-making suspects. Imagine my surprise when instead of haberdashery, I got campanology, as the title actually refers to the nine tolls of a church’s largest bell (dubbed Tailor Paul) that announce the death of a male adult in the parish.

When Lord Peter Wimsey is stranded in the village of Fenchurch St. Paul over New Year’s Eve while awaiting repairs to his car, he is drafted by the kindly yet absentminded rector to fill in for a sick man for a nine-hour spate of change ringing to celebrate the new year. Wimsey proceeds on his way the following day, but when a body turns up in the parish some months later, the rector writes to ask whether he would be willing to assist the local investigators. Although the cause of death cannot be determined, it’s obvious that the body didn’t find its way into someone else’s freshly dug grave on its own. Wimsey is intrigued and very quickly works out that the case might have something to do with a jewel theft that occurred 20 years ago.

On the whole, I found The Nine Tailors to be an entertaining read. It doesn’t provide any new character development for Wimsey—he doesn’t seem to show much emotion when Harriet Vane’s not around—but offers a nicely puzzling mystery in a quaint and unusual setting. While I found the identity of the dead man relatively easy to guess, I was genuinely surprised by the ultimate solution. Two things dimmed my enjoyment of the title somewhat. First, each chapter is prefaced by an instructional quote about change ringing and egad, are these passages both boring and confusing! Second, the local official seems to be a bad influence on Lord Peter, because the two of them together spend a great amount of time concocting various scenarios that would make all the clues fit together. I’m sure that’s human nature and all that, but I suppose I subscribe to Sherlock Holmes’ caution against theorizing in advance of the facts.

Gaudy Night is finally next, and I’m feeling pretty giddy about that, though I really hope I don’t find it disappointing after hearing so much good about it. You may expect a review before the year is out!

Tsubasa: Those with Wings 3 by Natsuki Takaya: B-

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tsubasawings3After a disappointing start and lackluster middle, Natsuki Takaya finally delivers a mostly satisfying conclusion in this, the final volume of Tsubasa: Those with Wings.

We begin with Kotobuki and friends (sans Raimon, who is prohibited from leaving the country by a bomb in his brain) in Japan, where they conveniently meet the Tsubasa’s creator and learn the secrets of its origin. After several tedious chapters featuring characters sitting around and talking, the plot picks up when Raimon is captured by the army. Kotobuki wants to rescue him but lacks confidence so Rikuro, a mysterious boy who has helped her on a few occasions, shows up and replays Raimon’s past for her so that she can see how much she has helped him already. Painful backstories are Takaya-sensei’s forte, and Raimon’s proves to be unexpectedly touching.

From there, the story morphs into an enjoyable sci-fi action tale, with Kotobuki making her way through a sprawling military complex to rescue her love and ultimately facing off against the big villain (who, of course, has angst of his own). Along the way, she lends encouragement to allies and enemies alike, showing a profound resemblance to Tohru Honda from Fruits Basket. Indeed, this quote about Kotobuki could easy apply to Tohru, as well:

She isn’t supposed to have the time to be worrying about anyone else right now. Still… her foolishness somehow always winds up becoming much-needed support for someone else.

Coming back to the same themes and character types might, in some creators’ hands, feel like uninspired regurgitation, but with Takaya it feels more like someone playing with and fine-tuning ideas. If nothing else, Tsubasa: Those with Wings is interesting as a milestone on the way to a greater work.

Review copy provided by the publisher. Review originally published at Manga Recon.

Heat Wave by Richard Castle: B

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heatwaveFrom the front flap:
A New York real estate tycoon plunges to his death on a Manhattan sidewalk. A trophy wife with a past survives a narrow escape from a brazen attack. Mobsters and moguls with no shortage of reasons to kill trot out their alibis. And then, in the suffocating grip of a record heat wave, comes another shocking murder and a sharp turn in a tense journey into the dirty little secrets of the wealthy. Secrets that prove to be fatal. Secrets that lay hidden in the dark until one NYPD detective shines a light.

Mystery sensation Richard Castle, blockbuster author of the wildly bestselling Derrick Storm novels, introduces his newest character, NYPD Homicide Detective Nikki Heat. Tough, sexy, professional, Nikki Heat carries a passion for justice as she leads one of New York City’s top homicide squads. She’s hit with an unexpected challenge when the commissioner assigns superstar magazine journalist Jameson Rook to ride along with her to research an article on New York’s Finest. Pulitzer Prize-winning Rook is as much a handful as he is handsome. His wisecracking and meddling aren’t her only problems. As she works to unravel the secrets of the murdered real estate tycoon, she must also confront the spark between them. The one called heat.

Review:
If you’re not familiar with the ABC series Castle, the premise is that famed mystery novelist Richard Castle has wrangled a standing arrangement to follow Detective Kate Beckett around on her cases as research for his new novel. They, and her underlings Kevin Ryan and Javier Esposito, solve a murder each episode. The cases are usually pretty lousy—someone seriously needs to start a drinking game (if they haven’t already) with instructions to sip every time an adulterous spouse is involved—but Castle’s charm and the witty banter amongst the sleuths makes the show quite entertaining. In the context of the series, Heat Wave is the book that Castle writes based on his observations and experiences. (Entertaining note: When Castle gives Kate a copy to read, he informs her that the sex scene is on page 105. It really is!)

In a nutshell, reading Heat Wave is exactly like watching an episode of Castle. Kate Beckett is the inspiration for Nikki Heat, and Ryan and Esposito have been renamed Raley and Ochoa. Castle’s even written himself in, in the form of a wisecracking journalist named Jameson Rook who, like Castle, never follows instructions to stay out of the fray when something potentially dangerous is going on. They’re investigating a case that involves marital infidelity (sip!) and a bunch of stereotyped characters like real estate tycoons, Russian mobster thugs, and discontent trophy wives. As in the show, the case is rather lame, but the humor and interaction between the characters make it an entertaining read anyway.

There are some differences, though. Beyond the mild profanity, sex, and heightened level of violence, there’s the matter of perspective. Castle, as the title would imply, is the main character of the series and the actor who portrays him, Nathan Fillion, steals every scene that he’s in. In Heat Wave, Nikki/Kate is the protagonist and is fleshed out to a far greater extent than the show manages. One thing bothers me: I’m not sure if we should assume that whatever is true about Nikki is necessarily true about Kate. We know that Castle has made up some things for the novel—like the aforementioned (and remarkably not icky!) sex scene, for example—so are his insights into Nikki automatically applicable to her television counterpart? If so, then this book is essential to understanding where Kate is coming from. If not, then it’s going to be confusing to reconcile the two.

I’m not sure how Heat Wave will fare with someone who’s never watched Castle. As a regular viewer, I found it impossible not to superimpose the actors’ voices and physical traits onto the novel’s characters and presuppose the same lighthearted tone featured in the series. There’s enough humor in the book that I think an outsider will get the feel eventually, but I worry that the lackluster mystery might turn them off before they discovered the amusing parts.

Ultimately, Heat Wave is very successful as a media tie-in book, going beyond a faithful adherence to the show’s story and characters to possibly offer valuable new information. As a stand-alone work it is perhaps less worthy of praise, but based purely on its own charms, I can still honestly say that I’d want to read more. Hopefully I’ll get that opportunity!

Additional reviews of Heat Wave can be found at Triple Take.

Manga Marching Orders, 11/30/09

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fromfar1Wow, y’all sure can pick ’em! The results of the last Manga Marching Orders post, in which I asked for help in deciding between several shoujo fantasy series that take place in other worlds, were overwhelmingly in favor of From Far Away, and now I see why: it’s awesome! You can find my review of the first five volumes here. I’ll definitely be continuing that series through to its completion—how I let it languish in my to-read pile for so many years is beyond me!—but in the meantime, I’m soliciting advice once again.

Recently, I read the first three volumes of Honey Hunt, which was my first time reading anything by Miki Aihara. I liked it a lot, and it made me intrigued about the series she’s best known for: the ultimate guilty pleasure of shoujo, Hot Gimmick. This, in turn, got me thinking about other shoujo/josei classics with possibly over-the-top/raunchy romance drama that I really should read.

Here, then, are the five series I’m trying to decide between. All are complete and owned by me in their entirety, inveterate hoarder that I am. I note, too, that 80% of these series were released in the US by TOKYOPOP. They sure don’t license them like they used to.

hotgimmick11. Hot Gimmick by Miki Aihara – shoujo, 12 volumes
Believe me, I have heard the complaints about this one. Forewarned is forearmed, they say, and since this series is still being talked about so often, I feel like I should experience its icky-yet-addictive blend for myself.

2. Peach Girl by Miwa Ueda – shoujo, 18 volumes but split into two series by TOKYOPOP
I want to read this for the same reason I want to read Hot Gimmick. I’ve been reading Miwa Ueda’s newest series, Papillon, and have seen other reviewers note its similarities to this earlier story. I remain ignorant of any recycled story elements, and this just won’t do!

3. Tramps Like Us by Yayoi Ogawa – josei, 14 volumes
I’ve heard many good things about this series and though I’ve read some josei, I’ve never read a josei series as long as this one. Plus, I’m always ridiculously excited to read about a heroine who has a career.

4. Happy Mania by Moyoco Anno – josei, 11 volumes
Connie mentioned this series recently in a review over on Manga Recon and it really intrigued me, especially when she said, “the series reveled in dragging the characters through all sorts of relationship miseries, then having them beg for more.” I went out and procured it (got a great deal on eBay!) based on her recommendation. I think it’d be fun to read about a succession of guys instead of just one true love. Sex and the City in manga form!

5. Mars by Fuyumi Soryo – shoujo, 15 volumes + 1 one-shot
From what I’ve heard about Mars, there doesn’t seem to be much really raunchy about it, but I’m willing to bet that in a series this long there’s going to be some major crazy drama somewhere along the line. I’m also intrigued by this mangaka in general; her seinen series ES: Eternal Sabbath looks really good, and I feel like I should read this one first to better appreciate the contrast.

Reader, help me choose!