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Michelle Smith

Boys Over Flowers 26 by Yoko Kamio: B+

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boysoverflowers26From the back cover:
Tsukushi struggles to understand her feelings for Tsukasa, her on-and-off boyfriend, and he struggles to not destroy Tokyo. Will the man who came between them step aside? The meddlesome F4 try their hand at forcing Tsukushi and Tsukasa together. All the while Tsukasa’s mother’s spies are hot on their trail!

Review:
If I were to give a one-word reaction to the events of this volume, that word would be “hooray!” Tsukasa intercepts Tsukushi at a bus stop with Amon and makes another attempt at convincing her to be with him, saying, “I don’t want anyone but you. It has to be you.” While moved by his plea, Tsukushi remembers what will happen to her friends’ families if Tsukasa’s mother finds out they’re dating, and so she gets on the bus. Moments later, there’s a terrific scene where she comes running back and, honestly, I have goosebumps just typing about it!

While the fangirl in me would’ve loved a big epic declaration of mutual feeling, that would be completely out of character for these two headstrong people. Instead, awkward tension ensues. Tsukushi is unable to express herself adequately and Tsukasa worries that he has misunderstood yet again. What’s different now is that Tsukushi realizes they’re on the verge of falling into their same old pattern and actually comes out and tells Tsukasa that she wants to be with him. The catch is that she wants their relationship to remain a secret. Amon has bought them some time by telling Kaede’s minions that he and Tsukushi are dating, but the problem of her threats has yet to be resolved.

It’s truly great seeing these two together, and even small things like hugs are so hard-won that they are elevated into monumental moments. Even though they still have to face Kaede—a looming obstacle that has Tsukushi thinking that their happiness is “like standing over water, on a layer of thin ice”—at least they’ll (presumably) be doing so together and seem to understand each other at last.

This volume also picks up the friendship between Sojiro and Yuki, spawned a few volumes back when he helped her get revenge on the boyfriend that betrayed her. I really like how Kamio is handling this subplot. I’ve read a few other series where the heroine’s friends get some attention (Kare Kano and Love*Com come to mind) but only in Boys Over Flowers does it feel like a well-integrated part of the main storyline. In fact, I am downright happy to let Tsukasa and Tsukushi remain united for a while and shift the focus to fleshing out some of the supporting characters. I’d also like to see some kind of resolution to Rui’s relationship with Shizuka, who at least gets a mention here after being off the radar for quite some time.

Lastly, I must spare a paragraph to compliment the cover to this volume. While Tsukushi’s face looks a little frenzied, I love Tsukasa’s expression and the colors are gorgeous.

Boys Over Flowers 25 by Yoko Kamio: B

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boysoverflowers25From the back cover:
Tsukushi has an on-and-off romantic entanglement with a hothead named Tsukasa. Tsukasa has a sketchy relationship with his even more hotheaded mother, named Kaede. Kaede has hired a near sociopath to woo Tsukushi and destroy her son’s relationship with Tsukushi once and for all. Will Tsukushi fall for this?!

Review:
The fake “cousin” hired by Kaede, whose real name is Amon, is not my favorite character, but calling him a sociopath is pretty extreme. It turns out that, one his guise is dropped, he’s actually not a bad guy. Although he has a cynical outlook on love, and advises Tsukushi on several times not to go through suffering on Tsukasa’s account because their love can only last a maximum of a few years, he is still better able to understand her than most others and offers her a different kind of relationship, free from drama but also free from love.

While this whole idea of Tsukushi dating Amon seems mostly an attempt to postpone the inevitable moment when she and Tsukasa finally, irrevocably get together, it does still offer some worthwhile moments. Tsukasa has grown to see Shigeru as a friend, and has a couple of nice conversations with her, including one in which they finally seem to realize that their hyper-wealthy lives are not normal. Also, though he initially feels like there’s nothing he can do about Tsukushi dating Amon, he somehow (exactly how isn’t clear) resolves that he’s going to make Tsukushi his.

And, okay, yes, this is kind of an antiquated idea, but somehow I love Tsukasa for this unwavering devotion. If both of the lead characters were floundering and uncertain, this series would be a mess. With the looming threat to her friends’ families if she gets near Tsukasa, Tsukushi certainly isn’t going to make the first move, so it’s up to him to help this story go somewhere satisfying. Even though I’m well aware that he’s a fictional character, I still want to cheer him on.

The Sharing Knife: Passage by Lois McMaster Bujold: B+

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From the front flap:
Young Fawn Bluefield and soldier-sorcerer Dag Redwing Hickory have survived magical dangers and found, in each other, love and loyalty. But even their strength and passion cannot overcome the bigotry of their own kin, and so, leaving behind all they have known, the couple sets off to find fresh solutions to the perilous split between their peoples.

But they will not journey alone, as they acquire comrades along the way. As the ill-assorted crew is tested and tempered on its journey to where great rivers join, Fawn and Dag will discover surprising new abilities both Lakewalker and farmer, a growing understanding of the bonds between themselves and their kinfolk, and a new world of hazards both human and uncanny.

Review:
After one book taking place primarily in the farmer world and another that focuses on Lakewalker life, Passage, the third book in The Sharing Knife series, finds Dag and Fawn working to bring those two worlds closer together. Having witnessed the loss of life caused by farmers’ ignorance of the warning signs of a forming Malice, and not willing to stay at a camp at which the validity of his marriage is questioned, Dag gives up his patroller life and decides to become an ambassador of sorts, explaining some of the most fundamental Lakewalker secrets to what farmers as will listen.

After a brief stay with Fawn’s family, Dag and Fawn (along with her brother, Whit) hit the road, visiting a few towns and eventually booking passage on the Fetch, a flatboat headed downriver to the sea. From there, they encounter a variety of (mostly) likable characters, like Berry (boss of the Fetch), Remo and Barr (a pair of disgraced young patrollers), and a bevy of other boatmen. Dag performs several impressive feats of healing, works out some finer details of groundwork, ponders some troubling questions, and makes a lot of rather repetitive speeches. The action picks up a little when Berry’s search for her missing father, brother, and fiancé yields some unexpected results, and Dag is ultimately forced to question whether farmers and Lakewalkers aren’t better off living separate lives after all.

Although parts of Passage are quite slow—like the speeches and the many discussions on the ethics of Dag’s developing abilities—it’s still my favorite of the series thus far, a factor I attribute mostly to the influx of new people. Suddenly, a series that has been almost exclusively about two characters has developed an ensemble cast, and I find it to be a big improvement. My favorite of the new characters is actually not so new—Fawn’s brother Whit has been around before, but really becomes a new person due to the things he sees and experiences on this journey.

Whit’s growth also serves a handy example for one of my favorite things about the series: women’s roles. Bujold manages to show women in positions of power—boat captains, patrol leaders—about as often as women living more domestic lives without making a judgment about which has more value. Whit, having grown up on a farm, is used to men being in charge, and early on accuses Fawn of being “just a girl.” Dag expertly turns this around to talk about all of the brave and valiant things his first wife, Kauneo, accomplished when she was “just a girl.” After witnessing Fawn’s practical cleverness on several occasions, and having his notions of gender roles challenged by Berry, with whom he falls in love, Whit comes to value Fawn’s input in a way that the rest of her family does not.

Despite enjoying Passage quite a bit, I find I have some trepidations about Horizon, the fourth and final volume in the series. I do like Dag and Fawn, but they weren’t the main attraction for me this time. I hope Berry, Whit, Remo, and Barr have significant roles in Horizon else I shall be disappointed.

Additional reviews of The Sharing Knife: Passage can be found at Triple Take.

A Great and Terrible Beauty by Libba Bray: B-

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greatterribleFrom the back cover:
Gemma Doyle isn’t like other girls. Girls with impeccable manners, who speak when spoken to, who remember their station, who dance with grace, and who will lie back and think of England when it’s required of them.

No, sixteen-year-old Gemma is an island unto herself, sent to the Spence Academy in London after tragedy strikes her family in India. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma finds her reception a chilly one. She’s not completely alone, though… she’s been followed by a mysterious young man, sent to warn her to close her mind against the visions.

For it’s at Spence that Gemma’s power to attract the supernatural unfolds; there she becomes entangled with the school’s most powerful girls and discovers her mother’s connection to a shadowy, timeless group called the Order. It’s there that her destiny waits… if only Gemma can believe in it.

Review:
It’s 1895, and sixteen-year-old Gemma Doyle has finally got her wish and has come to London. It’s not how she’d envisioned achieving this goal, however, as it occurs only after her mother, who’d been steadfastly diverting Gemma’s pleas to leave India and see London for quite some time now, kills herself under mysterious circumstances. With Gemma’s father incapacitated by grief, she is largely left in the charge of her grandmother, who promptly ships her off to Spence, a boarding school where she will be made into a proper (read: obedient) lady.

While all of this is going on, and while Gemma is being bullied by a group of influential girls at school, she’s having disturbing visions and receiving warnings to quit having them from a handsome Indian boy named Kartik. Eventually she both befriends those girls and decides to disregard Kartik’s warnings entirely. The girls learn of a powerful group of women, the Order, and decide to reenact some of their rituals, not realizing at first how very real it all is. Things get out of hand, as magical dabbling often does, and the consequences are rather grim.

I’ve got mixed feelings about A Great and Terrible Beauty. On the negative side, it takes quite a while before the story makes sense. It’s not clear, for example, whether Kartik’s warnings ought to be heeded and Gemma is a fool for disregarding them, or whether he is simply trying to keep her from developing her powers as she should. As a result, I couldn’t tell whether I ought to find Gemma willful and annoying or cheer her on, which was a problem again later when she is shown some magical runes and then promptly told she mustn’t ever use them, yadda yadda. Well, you just know she’s going to, and at least I found her rationale for finally giving in kind of sympathetic, but we’re subjected to all kinds of petulant wheedling before that point. The ending is also rather strange in that I don’t understand how Gemma doing one thing causes another to happen.

On the positive side, I like the atmosphere of the school and its grounds as well as the evocation of the time period. The book is at its most compelling when it focuses on the plight of women in this era: little is expected of them save for placid compliance—no real academics are taught at Spence, for example—and they are often used as bargaining chips in marriages not of their own choosing. Each of the four girls in the new Order is unhappy with her lot in some degree, summed up nicely in a ghost story as told by former bully, Felicity:

Once upon a time, there were four girls. One was pretty, one was smart, one charming and one… one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood, big dreams… They were all dreamers, these girls. One by one, night after night, the girls came together and they sinned. Do you know what that sin was? No one? Their sin was that they believed, believed they could be different, special. They believed they could change who they were. Not damaged, unloved, cast-off things. They would be alive, adored, needed, necessary.

But it wasn’t true.

I listened to A Great and Terrible Beauty as an unabridged audiobook, and I’d be remiss if I neglected to praise the excellent narrator, Josephine Bailey. She does a truly amazing job in giving each character a distinctive voice—so much so that it’s hard to believe at times that it’s one person behind them all. Her performance is one of the most impressive I’ve ever heard and I’ve heard quite a lot.

At this point, I am unsure whether I wish to continue with the series. In its favor is the fact that I already own the other two books in the trilogy, but since I find the plot rather muddled and the protagonist quite irritating at times that’s about all it has going for it at the moment. Besides my completist nature, that is.

Boys Over Flowers 24 by Yoko Kamio: B

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boysoverflowers24From the back cover:
Tsukushi has been unconscious for two days and wakes up in Tsukasa’s cousin’s home! This terrifying man saved her life and now he’s courting her! What is the secret behind this mysterious cousin who so closely resembles Tsukasa, and what could be the reason for his intense hatred of Tsukasa? Why does Tsukasa not know anything about him?

Review:
I find I’m kind of running out of things to say about this series. Each volume is usually a combination of good scenes between Tsukushi and Tsukasa and silly plot happenings that often border on ludicrous. Volume 24 manages to be pretty decent without much direct interaction between the two leads, at least.

Tsukushi is pursued by a guy who claims to be Tsukasa’s cousin, though he pretty quickly reveals himself (to the reader) to be more than he’s letting on. Tsukushi’s rich friends are suspicious and take it upon themselves to investigate, and though this involves a bunch of mistaken notions about detecting, it’s all still kind of sweet.

The best part of the story at this point is kind of underplayed. Tsukasa has already asked Tsukushi if she’s never once regarded him as just a guy, and seeing a rival version of himself without all the rich boy baggage is bothering him. In an attempt to prove how normal he is, for example, he decides that he is going to travel by train. The experience is almost entirely played for comedy, but there is one moment with Akira where Tsukasa asks, “Akira, I’m not very different from these other guys on the train, am I?” Alas, he doesn’t get the answer he wants.

Once the truth about the cousin is revealed, Tsukushi gets good and fired up and demands to see Kaede. While she’s feeling rebellious, I’d like to see her finally confess her love to Tsukasa, but I have a feeling that’s still several volumes away, at least. Sigh.

Click 5 by Youngran Lee: B-

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Book description:
While Jinhoo doesn’t believe Heewon’s declaration that Joonha is actually a girl, his girlfriend, Hyejin, manages to catch a glimpse of Joonha in his school uniform. Will she share that information with Jinhoo, and risk him leaving her for his former best friend?

Review:
The status quo is upheld in this volume. Not much really happens aside from Hyejin becoming convinced that Joonha is a girl, but because of her own insecurities—we see in a side story about her that she has always felt Jinhoo valued Joonha more than he did her—her first thought is that Jinhoo is going to leave her. I can’t really like Hyejin much, or any of the characters for that matter, but I do have a little bit of sympathy for her, at least.

A diagram of the relationships in this series would be pretty amusing. Here’s how they stand at this point: Joonha is attracted to his/her best friend Jinhoo (who is going out with Hyejin, who hates Joonha), a new friend Taehyun, and a former love interest Heewon (who is now going out with Taehyun’s lackey, Jihan). With whom will Joonha end up?! Seeing as how I can’t stand Heewon at all, I’m really hoping it isn’t her. The pull towards Jinhoo is strong, but I think I actually prefer the idea of Joonha teaming up with Taehyun and getting away from the angst of the past.

In terms of redeeming qualities, Click doesn’t really have a lot aside from its sheer addictive potential. The premise is silly, the story’s kind of stagnating, and I don’t really like anybody, but I still want to know how it all ends.

Papillon 3 by Miwa Ueda: B-

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papillon125Ageha grew up in the shadow of her beautiful twin sister, Hana, but lately, with the help of her school counselor, Ichijiku-sensei, she’s been gaining confidence. As volume three begins, Ichijiku and Ageha have begun dating, but it doesn’t last long, as devious Hana dupes Ichijiku into believing she’s Ageha and behaves obnoxiously on a date, causing him to call off the relationship. He eventually figures things out, but getting dumped (even mistakenly) is fuel for Ageha’s insecurities, and more drama ensues. Hana, meanwhile, continues to impersonate her sister, using that guise to test her boyfriend’s fidelity.

Papillon has some pretty significant problems. In this volume, for example, it’s completely ridiculous that Ichijiku does not recognize Hana for who she is. She dresses differently, addresses him informally, doesn’t respond to the nickname he’s given Ageha, and behaves like a selfish wench. Ageha and Hana’s boyfriend also fall victim to her tricks without hesitation. With everyone being so incredibly easy to manipulate, I find myself actually rooting for Hana!

The main problem, though, is that I just can’t cheer on the budding relationship between Ageha and Ichijiku because he is a school counselor and she is a student. When Hana’s ruse prompts him to suddenly become a stickler for the rules and declare that a relationship between them is impossible, I think he’s actually making the right call.

Despite these complaints, though, Papillon still somehow manages to be an entertaining read. Part of it is the art, which is quite attractive, and part of it is Hana. I simply must see what deceitful plan she’ll come up with next.

Review copy provided by the publisher. Review originally published at Manga Recon.

Boys Over Flowers 23 by Yoko Kamio: B

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boysoverflowers23From the back cover:
Tsukushi ends her visit at her parents’ quiet seaside home and returns to Tokyo. She is welcomed back with a “girls’ night out” and ends up meeting a ton of guys! Unfortunately, they all turn out to be losers. In fact, one of the boys is downright terrifying and bears a striking resemblance to a certain curly-haired ex-boyfriend! Could they be related?!

Review:
The fishing village story line wraps up fairly decently, actually, with some nice awkwardness between Tsukushi and Tsukasa (in which she has trouble not confessing her love), the “No-Account” dude being reunited with his girlfriend, and, back in Tokyo, the Makinos being given use of a condo by Shigeru. It turns out that all of Tsukushi’s rich friends wanted to lend her accommodations and had talked about it at length to figure out whose generosity would put the least strain on her. Aww.

Of course, Tsukushi is determined to get a job so that the Makinos no longer need depend on Shigeru and so that she can fund her brother’s high school ambitions. Sakurako dangles the carrot of a high-paying job that she knows about and manages to get Tsukushi to attend a group date along with Shigeru and Yuki. These scenes with the four girls hanging out (and trying to help Tsukushi forget Tsukasa) are a lot of fun and I hope we see more of them together. I can even forgive the ridiculousness of encountering a Tsukasa look-a-like on the date and Tsukushi’s subsequent moron moment as she keeps mistaking him for Tsukasa.

As usual, the final scene of the volume offers some particularly scrumptious angst between our two leads. It’s worth noting that Tsukasa, who had said that if the two-month dating experience didn’t work out that he would let her go, is being true to his word and not exerting any effort to get Tsukushi back. I’d like this scene better if the Tsukasa look-a-like didn’t show up at the end, but it still serves to acquaint Tsukushi even further with her true feelings, so I can’t complain much.

I can complain about the Story Thus Far, however. Usually, this is pretty decent but this time it contains errors. It says of the final chapter in volume 21 that “Tsukushi does not reveal the real reason for leaving Tsukasa, and instead, tells him that she no longer loves him.” Er, that’s completely untrue. She specifically mentions his mother and the threats on her friends’ families. Also, how could you tell someone you no longer love them if you’ve never told them you love them in the first place? What she did do was allow Tsukasa to think calling things off was easy for her because she had no feelings for him.

Boys Over Flowers 22 by Yoko Kamio: B-

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boysoverflowers22From the back cover:
Tsukushi has left her on-and-off boyfriend Tsukasa, his mansion, her school, and Tokyo altogether! Down and out, she heads for the seaside village where her family has gone to live and work. Unfortunately, her parents are about to be run out of town. Just then, visitors from Tokyo arive!

Review:
What a disappointment! After the awesomeness at the end of the last volume, I was expecting something much better than this. Instead, we get a ridiculous plot where Tsukushi flees to the fishing village, where her incredibily annoying parents have told everyone that Tsukushi is engaged to Doumyouji and are racking up bills with the expectation that he’ll pay them. She also meets a slacker surfer guy who is waiting around for the girlfriend who left him to return and who has garnered a reputation as a “no-account.” Inexplicably, everybody in the village seems irate that Tsukushi is hanging out with this dude, and there’s a completely dumb scene where they all turn out at her parents’ house to confront her.

Meanwhile, Tsukasa is reverting to his violent ways, threatening his friends with bodily harm when they come to talk to him about what’s happened and being cruel to a girl who takes advantage of Tsukushi’s absence to confess her feelings for him. This, at least, is better than the fishing village story line and I kind of love the scene where Rui, having seen Tsukushi on TV (some kind of program was filmed at the beach and had Tsukushi in the background), goes to goad Tsukasa into going to see her, pushing all the right buttons by exaggerating her frail condition.

Ultimately, the best part of the volume is the ending, in which Rui and Tsukasa turn up at the village just in time to prevent some angry mob action. Yes, it’s completely goofy, but that Rui came himself (thinking he had failed to motivate Tsukasa) is actually pretty sweet. I’ve learned my lesson, however, and shan’t be anticipating any greatness out of the next volume just because this one ends well.

Boys Over Flowers 21 by Yoko Kamio: B+

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boysoverflowers21From the back cover:
Tsukasa’s mother, Kaede, is back! Can Tsukushi really stay in the home of the woman with whom she is at war?! Kaede takes a new and vicious tack in her obsession to tear Tsukushi away from her upperclass son. If Tsukushi can’t be bribed, then maybe Kaede can destroy the lives of Tsukushi’s friends! Tsukushi is forced to take extreme measures—but which course will she choose?!

Review:
Kaede’s return has everyone in turmoil. Tama, the elderly maid who has been instructing Tsukushi in her duties, manages to keep Kaede from kicking Tsukushi out of the mansion, but Kaede simply turns to other means at her disposal and pulls strings to threaten the jobs of the fathers of Tsukushi’s two closest friends. Ultimately, Tsukushi agrees to stop associating with the Doumyouji family in exchange for their jobs being reinstated.

At first, I found this volume to be kind of frustrating, despite some nice moments. The scene in which Tsukushi attempts to hide from Kaede under a table is painfully dumb, for example, and Tsukushi’s decision to give up Tsukasa seemed like just another way to extend the drama for a few more volumes. But then that last page!

That last page made me cry! I shan’t spoil it, but suffice it to say that this volume contains a couple of very important actions and realizations on Tsukushi’s part, and the impact is enough that I immediately forget all the silly business and enjoy reading the last half dozen pages several times over.

Black Cat 1-2 by Kentaro Yabuki: B+

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blackcat11 Black Cat is the story of Train Heartnet, who used to work as an assassin for a powerful organization called Chronos. After an encounter with a female bounty hunter (a.k.a. sweeper) named Saya (whom we only glimpse near the end of volume two), his outlook changed and he gave up that life. Now it’s two years later and Train has become a sweeper himself, collecting bounties on criminals with his partner, Sven. Train’s motto is “more money, more danger… more fun!” and his pursuit of the latter two usually means the duo doesn’t get much of the former.

Though the idea of the “protagonist who used to be a killer but has now become more kind” is not new to shounen manga, it’s employed a little differently in Black Cat. While many such heroes have made it their pledge never to kill again, Train has no problem with offing the criminal element, though he’s scrupulous about not harming innocents. This allows for the potential of a deadly showdown with his former partner, Creed, who was responsible for Saya’s death and upon whom Train has sworn to exact revenge.

After going after a few minor targets, Train and Sven are approached with a proposition by Rinslet, a notorious female thief. She’s been hired to steal some research data from a criminal bigwig, and wants Train and Sven to help make her job easier by capturing the bigwig first. They get the reward; she gets the loot; everybody’s happy. Of course, things don’t exactly go as planned, since the bigwig invokes Creed’s name and makes Train go rather nuts. Ultimately, Train and Creed confront each other, inflicting enough wounds to prove they are well matched as opponents but living to fight another day.

These first two volumes skillfully introduce Train’s past, his current circumstances, and the lingering threat of Creed and his band of revolutionaries (who seek to overthrow Chronos and want Train to join them) without inundating the reader with information. One of the best things about this series is the nebulous notion of “pacing,” which to me means that when I read it, it feels like I am watching a television show, with a variety of perspectives and camera angles and a natural flow to scenes and conversations. The story is also structured similarly, with the introduction of a villain who then retreats into the background for a bit while the protagonists get on with the daily grind of their occupation, calling, and/or duty.

My favorite aspect of the series, however, is the strength of the partnership between Train and Sven. It’s clear that these two trust each other professionally, but it goes deeper than that, as exemplified by Train’s reaction when Sven gets wounded during an attempt to apprehend a target. Their relationship actually reminds me some of Ban and Ginji in GetBackers, with the energetic but extremely powerful guy using the nickname –chan to refer to his more cerebral partner who possesses some sort of eye-related power (though this is only a hint so far in Sven’s case). That’s a pretty superficial comparison, but the overall affectionate feel is pretty similar.

Thankfully, the similarities between Black Cat and GetBackers do not extend to the art. Yabuki’s illustrations are clean and easy on the eyes, with a minimum of screentone and quite a lot of speed lines. Even without looking at the cover, one could probably tell that this series ran in Shonen Jump. Speaking of the cover, that’s the one area where Yabuki’s art becomes unattractive. Rinslet in particular looks much, much better in the interior art. One artistic element that does puzzle me is Train’s coat. What exactly are those brown things?! They look like miniature life boats but I have a sneaking suspicion they’re meant to be cat nipples.

Bizarre sartorial choices aside, what it all boils down to is that Black Cat is a lot of fun. The well structured story and the camaraderie between the leads elevates it beyond typical shounen fare and I’m definitely looking forward to seeing how the rest of it plays out.

This review was originally published at Comics Should Be Good.

Monkey High! 6 by Shouko Akira: B+

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monkeyhigh6Volume six of Monkey High! builds on issues between reserved Haruna and her cheerful boyfriend, Macharu, that began to develop in the previous volume. Macharu, in his optimism, keeps trying to help bring about reconciliation between Haruna and her distant politician father while the mere thought of her family woes is sufficient to ruin any fun Haruna might be having. Macharu’s friend Atsu, who also has feelings for Haruna, tries to take advantage of the situation to convince her that he’s a better choice, but in the end Haruna decides that it’s time to stop running from her family problems and face them head-on.

I’m always appreciative when the issues a couple faces come completely from who they are as people. Haruna and Macharu have had very different upbringings, and it’s clear that Macharu’s warm and loving environment has rendered him incapable of imagining the coldness with which Haruna’s father treats her until he sees it for himself. I also really like how clear the beautiful Haruna is about her devotion to the goofy Macharu and how she’s neither flustered nor tempted by Atsu’s attempts to woo her.

On the downside, the old shojo cliché of “Oops, I tripped and got to first and/or second base with you!” is employed not once but twice in this volume. In each case, it serves to get Macharu and Haruna thinking about the physical aspect of their relationship, which is good, but it’s too bad that couldn’t have been accomplished in a more original way.

Review copy provided by the publisher. Review originally published at Manga Recon.

The Brimstone Wedding by Barbara Vine: B+

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brimstoneFrom the back cover:
“It’s crazy thinking I can tell her,” says Genevieve Warner, thirty-two years old, thirteen years into a loveless marriage, and recently swept into her first passionate love affair. “She’s so old. She’ll have forgotten what sex is.”

But Stella Newland, the gracious, dignified, dying woman that Genevieve cares for in an English nursing home, has not forgotten. She knows all about love: its promises, its betrayals, its sometimes deadly consequences. She learned her lessons thirty years ago in a country house she owned, and owns still. When Genevieve confides in Stella, the old woman reciprocates by giving Genevieve the key to the now forlorn house, and by telling this young woman who will be her last friend, in the few minutes a day her failing strength allows, the story of her own erotic entanglement in adultery and worse, much worse.

Review:
Genevieve Warner, employed as a “carer” at a nursing home, feels a special affection for her charge, Stella, an elegant elderly woman who, unlike the other residents, seems firmly grounded in the present. As Stella’s condition worsens, however, she begins to confide in Genevieve about her adulterous affair of 20+ years ago and the truth behind the mysterious disappearance of film star, Gilda Brent. Parts of the tale parallel what Genevieve herself is going through as she is engaged in an affair of her own.

The Brimstone Wedding possesses a puzzling duality of attributes, in that it’s rather predictable at times yet still unforgettable. Most of the revelations in Stella’s story are easy to see coming, and one is often left merely waiting for the details to be revealed to Genevieve. Even so, the tale from the past is intriguing and the characters in the present so vivid that it’s hard to fault the story too much for going where one expects it to go. In fact, it’s done in such a way that I wonder whether Vine even intended for these revelations to be big twists at all.

The tone is different from other works by Vine (a.k.a. Ruth Rendell) that I’ve read recently. Mostly this is due to Genevieve, who has spent her life in rural Norfolk and has been raised to believe in all sorts of folksy superstitions, giving her a rather unique outlook. She’s also not weak and annoying like the heroine of The Keys to the Street, for which I am grateful. All in all, I enjoyed the book, and will certainly be reading more by this author in future.

The Brimstone Wedding was another recommendation from Margaret.

Fairy Tail 6 by Hiro Mashima: B

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From the back cover:
Hotshot Natsu and his cool rival Gray are fighting to stop a calamity demon from being revived by Gray’s fellow disciple Lyon and Zalty, a master of lost magic. But while they try to defeat the bad guys, the magical ice binding the demon keeps melting. Then a grudge between Fairy Tail and a rival guild turns to all-out war!

Review:
In the Author’s Note at the end of the volume, Mashima says that he doesn’t do much planning ahead with his story. I think that shows with the way the Deliora arc plays out. There are a couple of switcheroos that, while they very well may have been intended from the beginning, make me suspect a last-minute easy out. Also, Lucy’s sudden escalation in importance at the end of the volume comes out of nowhere.

That’s not to say the result isn’t entertaining, though. The battles between Gray and Natsu and their opponents are pretty fun, with some new ice techniques from Gray and a new kind of magic—the ability to control time as it relates to objects—for Natsu’s opponent. Shounen staples like having faith in one’s companions, preventing one’s rival/ally from completing a noble self-sacrifice, forgiving the enemies’ sins due to mitigating angst, and delayed-reaction spurting wounds abound.

Though it’s disappointing that our heroes face virtually no punishment whatsoever (aside from some very creepy spanking the Master administers to Lucy) for undertaking an S-class quest (played up as an offense worthy of expulsion), the story picks up a bit once they return home to find that Fairy Tail headquarters has been virtually destroyed by a rival guild called Phantom Lord. Throughout the volume, less prominent members of Fairy Tail had been introduced on the chapter splash pages, and just as I’d been thinking I’d like to see some of these folks get to do something cool they’re given an opportunity to do so in a rather awesome brawl when Fairy Tail pays the rival guild a retaliatory visit.

Even though Lucy’s capture at the end of the volume is not the most original shounen plot device, some of the Phantom Lord opponents look interesting, so I’m looking forward to what’s to come.

Boys Over Flowers 20 by Yoko Kamio: B+

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boysoverflowers20From the back cover:
Tsukushi has agreed to be Tsukasa’s girlfriend! But there’s a hitch—she’ll go out with him for only two months to see if she can truly love him. Tsukasa is off to a bad start when he ends up smacking the womanizing new boyfriend of Tsukushi’s friend, Yuki, at the end of a double date, making Tsukushi furious. Then Sojiro of the F4 helps Yuki by exacting a little revenge on her playboy boyfriend and the two wind up on a date together. Tsukushi is worried to death about Sojiro taking advantage of her good friend. The question is… who is using whom?

Review:
I had a really hard time grading this one.

The case for a B: There are some frustrating moments in this volume. Tsukushi doesn’t believe Tsukasa had a good reason for hitting Yuki’s sleazy boyfriend and lectures him about resorting to violence, only to do exactly the same when she encounters the guy herself. She does, at least, recognize that she was in the wrong. Also, her preoccupation with Yuki’s plight later on prevents her from noticing Tsukasa’s adorable awkwardness after an important development in their relationship, and in general, several promising moments fail to pay off as satisfactorily as one might wish.

The case for a B+: Enduring all of the frustrating moments makes the sweet ones all the better for being so hard-earned. I love how Tsukasa drops everything to help Tsukushi look for Yuki and how Tsukushi actively reaches out to hug him for the first time when he doubts their chances of succeeding as a couple. Later, when the two of them have been manipulated by Sojiro and Yuki to tail them on a romantic pseudo-date, there’s more good stuff, with Tsukushi earnestly asking Tsukasa to stay with her and saying, “I don’t know what I’ll do if you go.” Of course, Tsukasa is totally won over by her cuteness. Also, Tsukasa demonstrates how much he has changed by saying to Yuki, “And Yuki… find yourself someone better than this.” Tsukasa, actually kind of caring about Tsukushi’s commoner friend? Now, that’s progress!

In the end, the impact of the good scenes outweighs my frustrations, and I come down on the side of the B+. I have this feeling, though, that this sort of balance is going to be the norm until they finally, finally genuinely get together.