Ash Brown

Tokyo Demons, Book 2: Add a Little Chaos

July 18, 2014 by Ash Brown

Author: Lianne Sentar
Illustrator: Rem
Publisher: Chromatic Press
ISBN: 9780993861109
Released: December 2014

For some very silly reasons, most of which are now unclear to me, initially I was hesitant to read Tokyo Demons, a trilogy of novels written by Lianne Sentar and illustrated by Rem. But after finishing the first volume, You’re Never Alone, I was hooked. I immediately went out and devoured all of the bonus content and side stories that I could find. Honestly, I hadn’t been so excited and captivated by a series in a very long time. Soon after, Tokyo Demons became one of the flagship titles for Chromatic Press. Tokyo Demons, Book 2: Add a Little Chaos was originally serialized online between 2012 and 2014. Later in 2014 it underwent final revisions and was collected into a single volume along with two additional side stories which delve further into the pasts of some of the characters. Despite my obsession with the series, for the most part I was able to restrain myself from reading Add a Little Chaos until the novel was completed. It was a difficult wait, and so I was thrilled when the second book was finished so that I could read it.

Kiyoshi has been rescued and Core’s attack on the Byakko gang at Kiseki was able to be fended off, albeit not without casualties. The survivors who have taken refuge with the Church and sided against Core are still in danger though. Under the influence of Pitch, a powerful and highly addictive drug that he was forced to take, and due to the trauma of his kidnapping, Kiyoshi is no longer the person he once was physically, mentally, or emotionally. In fact, after being caught up in something with even graver implications than the simple drug war it initially seemed to be, everyone has changed. Ayase, Jo, Sachi, and all of their friends and allies are fighting for their lives and none of them are unaffected by the violence surrounding them. They are doing all that they can with the limited information that they have to fight against Core and save the others of their group who are still caught within its grasp. Working with the Church’s resources, members of Byakko, and contacts within the police force, as well as with some unexpected aid from within Core itself, they may have a chance. But everyone has their own agendas and it’s becoming more and more difficult to know who and what can be trusted.

As with many second volumes in a trilogy, the situation the characters find themselves in quickly escalates from bad to worse in Add a Little Chaos. Tokyo Demons has always been fairly hard-hitting, dealing with heavy themes like psychological and physical abuse and violence, but Add a Little Chaos goes to some very dark places. I have come to care about all of the characters in Tokyo Demons immensely, many of whom are broken and damaged people with tragic pasts, horrible presents, and grim futures. They are all so incredibly desperate to be strong and to protect themselves and the ones that they care about the most. It’s absolutely heartbreaking to see them go about it in the wrong ways, even when they’re doing the best that they can and what they believe to be right. Some of them are able to find a few brief moments of comfort with one another that they cling to only to have them ripped away by the chaos enveloping them. With layers upon layers of loyalty and betrayal, each revelation in Tokyo Demons is shocking and gut-wrenching, not only for the characters who have to deal with the immediate consequences, but also for the readers who can do nothing but witness it all happen.

Tokyo Demons is a complex and multilayered series; many of the seemingly independent storylines which were introduced in the first volume are now beginning to crash together in Add a Little Chaos and additional plot developments have been set into motion. Tokyo Demons also features a large and diverse cast of extremely complicated characters. Their even more complicated connections to one another are critical to the story as well. How they deal with their own personal struggles impacts the people around them as well as the larger conflict in which they find themselves. Even considering all of the superhuman elements and psychic abilities involved in Tokyo Demons, what make the series so compelling and engaging are its believably flawed, exceptionally nuanced, and constantly evolving characters and the constantly shifting dynamics of their relationships. From the beginning of the series alone I could tell that the scope of Tokyo Demons was going to be huge. If anything the story only continues to expand with Add a Little Chaos and increase in its intensity. I am still absolutely loving Tokyo Demons and am both looking forward to and dreading its conclusion.

Manga the Week of 7/23

July 17, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 2 Comments

SEAN: There’s so much stuff coming out next week you’d think it was a first week of the month. Remember when Yen Press was just three or so titles a month?

We’ll start off with Dark Horse, who are still releasing Gantz, even as it’s up to Vol. 32 and surely running out of rubber bodysuits by now.

And look, it’s an old friend, MPD-Psycho, who have Vol. 11 out next week as well. This doesn’t quite have the cult following of Kurosagi Corpse Delivery Service (it lacks a lot of the humor), but is still very good for horror thrills.

ASH: It’s been what… almost three years now since the last volume was released? Glad to see that Dark Horse didn’t completely drop it.

MICHELLE: I have a couple of volumes of MPD-Psycho, but I haven’t been able to muster the courage to actually read them. Still, I’m also glad it’s still coming out!

SEAN: And Battle Angel Alita has its fourth omnibus. I will assume they’re still in the tournament arc, which I think went over 10 volumes eventually, right?

Vertical gives us another Moyoco Anno title with the one-shot In Clothes Called Fat. From what I gather, it’s a sharp look at body image pressure, low self-esteem and eating disorders. I expect it will be amazing.

ASH: I’m a huge fan of Moyoco Anno’s work, so I’m really looking forward to this release.

ANNA: This is really the only thing I’m wanting to pick up this week. Thanks again to Vertical for translating more Moyoco Anno!!!!!

MJ: This is a huge draw for me as well!

SEAN: Yen’s new light novel imprint, Yen On, gives us the first volume of Accel World. Apparently this takes place in the same world as Sword Art Online, just 20 years later, but it’s not really a sequel as such. It’s also famous for having a chubby male hero.

MJ: I’m interested in this, for sure.

SEAN: Black Butler must be feeling very jealous. Time was when it was the series with all the volumes in the NYT bestseller list. Now Attack on Titan has stolen all its thunder. Still, it’s up to Vol. 17. Can’t be bad.

MICHELLE: It’s pleasant. :)

SEAN: I’m surprised the Blood Lad omnibuses have been coming out so fast, given it’s a fairly recent series in Japan. I suspect this may be the ‘we’re caught up now’ volume, though. Always a treat in any format, though.

MICHELLE: Wow, this came sooner than I thought it would! Still, it does mean that the wait for the next one will probably be quite long, indeed.

MJ: This is always a favorite for me!

SEAN: Inu x Boku SS has been surprisingly serious, and I understand this volume will not change that one iota.

Is This A Zombie? Ends with its 8th volume. I presume we can say “yes” at last and move on.

We also have the 4th No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular! (aka WataMote). It’s hard to read, but even harder to type out the full title.

ASH: It can be rather painful to read. The series has some incredibly dark humor.

SEAN: Speaking of titles that have caught up with Japan, here’s Vol. 12 of Omamori Himari, which has every single plotline a male otaku could possibly want in one handy series.

And Vol. 21 of Pandora Hearts, which has also caught up with Japan, and has every single plotline a female otaku could possibly want in one handy series.

MICHELLE: And *cuffs*. Right, MJ? :)

MJ: YES, CUFFS. Also, everything else. And I’m sure I don’t need to tell anyone I’ll be gobbling this up as soon as it hits my doorstep.

SEAN: Soul Eater begins its final arc in Vol. 21, and I am here to tell you that it will be AMAZING.

And for those who want a kinder, gentler Soul Eater, here is the 3rd Soul Eater NOT!, compiling chapters that have been available digitally for a few months now.

Lastly, Umineko: When They Cry starts its 4th arc, Alliance of the Golden Witch. While Battler will still be around, his younger sister Ange is the focus here, now all grown up and trying to figure out what happened 12 years earlier. As you can see, she’s also a source of fanservice for manga artists. Maria’s tragic upbringing also gets a lot of attention here.

Is this enough? Or do you want even more manga next week?

Gakuen Polizi, Volume 1

July 16, 2014 by Ash Brown

Creator: Milk Morinaga
U.S. publisher: Seven Seas
ISBN: 9781626920309
Released: June 2014
Original release: 2013

I greatly enjoyed the first two manga series by Milk Morinaga to be released in English–Girl Friends and Kisses, Sighs, and Cherry Blossom Pink–and so was happy to see Seven Seas license one of her most recent series: Gakuen Polizi. The first volume of Gakuen Polizi was originally published in Japan in 2013 while Seven Seas’ edition was published in 2014. Currently, Morinaga is likely the best-represented yuri creator in English in that she now has the most titles available in translation. Granted, considering how few yuri manga have been released, especially when compared to other genres, that really isn’t too difficult. Still, her work has generally been well-received. Gakuen Polizi is a bit different from Morinaga’s other manga in English. She describes it as a “high school police drama” which is more or less accurate. The series has more of a buddy cop feel to it than it does romance or drama and is inherently more comedic as well.

Ever since she was young, Sasami Aoba has wanted to be a champion of justice, dreaming of crushing evil and helping the weak, and now she finally has her chance as an assistant police officer. Specifically, Sasami has been assigned to Hanagaki Girls’ High School as one of its polizi–a young undercover cop sent to investigate issues at problem schools. The only thing is Hanagaki doesn’t actually seem to have any problems. There’s no bullying, the students and staff are all very pleasant, and even the school’s newspaper has difficulty finding juicy material to report on. Hanagaki is actually the second assignment for Sasami’s partner Sakuraba Midori. Before Sasami’s arrival, and because the school is so peaceful, Sakuraba has had plenty of time on her hands, quite a bit of which she would spend distracting herself by drawing yaoi manga. But now with the less-experienced and overly eager Sasami constantly on the verge of blowing their cover as polizi, Sakuraba has more than enough to worry about.

Gakuen Polizi is kind of a strange mashup of genres. Since nothing much happens in the way of crime at Hanagaki, there’s not much for Sasami and Sakuraba to be doing in regards to police work. The series is generally lighthearted and often silly, especially towards its beginning. At first the cases at the school are fairly inconsequential–a dog with a penchant for stealing things, small squabbles between classmates, and so on. The second half takes a more serious turn, dealing with gropers and stalkers, but even then the humor in Gakuen Polizi is a prominent feature. Most of the comedy revolves around Sasami. She is very enthusiastic and passionate, but somewhat lacking in common sense. Sakuraba, in stark contrast, is more serious and reserved. According to the afterword, readers should expect more romance-related drama to come in the series, but there is very little of that to be seen in the first volume of Gakuen Polizi, though a chemistry between Sasami and Sakuraba has begun to develop.

It is fairly obvious that Morinaga is personally having a lot of fun with Gakuen Polizi. I found the first volume to be entertaining, but readers approaching the manga hoping for a series similar to Kisses, Sighs, and Cherry Blossom Pink or Girl Friends will most likely be disappointed. Though Gakuen Polizi has the potential for some drama and romance, so far the series tends towards the absurd and ridiculous. Morinaga’s artwork and character designs are cute, with particularly dynamic facial expressions that add to the series’ silliness. While I like the characters in Gakuen Polizi, I’m not attached to them in the same way that I was to the characters in Morinaga’s other manga. I do find Sasami, Sakuraba, and their friends to be amusing though. Gakuen Polizi isn’t meant to be taken too seriously. The emphasis is definitely more on the series’ comedy than it is on its believability. Overall, Gakuen Poilizi, Volume 1 was largely an enjoyable, fluffy read. Although I may not be desperate for more, I do look forward to reading the next volume.

Pick of the Week: The Anti-pick?

July 14, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 4 Comments

SEAN: Well… I was going to pick Terra Formars here, but after my Manga the Week of column, there has been a torrent of “Wait, wait, haven’t you heard about it?” that has made me reconsider. I shall see how it plays in my review, but am now reluctant to grant it a pick of the week. As such, I’ll grant my pick to a Seven Seas title, D-Frag!. I like goofy club comedies, and this one promises not to lean too heavily on the harem antics. Goofy girls being weird is pretty much just what I need in these hot months.

MICHELLE: I am totally in the same boat, Sean. I was completely unaware of the title’s unsavory reputation when I wrote of my interest in the title. So, instead I’ll recommend some more seinen from VIZ in the form of Naoki Urasawa’s Monster. This is a series that’s really at its best when consumed in large chunks, so I’m pleased to see it coming out in omnibus format. If you missed it the first time, now’s your chance!

ASH: I’m still interested in reading at least the first volume of Terra Formars to see what everyone is talking about for myself, but I’ll take an easy out and choose the third volume of What Did You Eat Yesterday? for my pick this week. I like the series best when it focuses on the characters and their stories, but the food is pretty tasty, too.

ANNA: I was unaware of the issues with Terra Formars too, so I’m going to highlight Alice in the Country of Clover: Knight’s Knowledge, because I’m guessing that this reverse harem title featuring a murderous knight with no sense of direction will be much much much classier.

SEAN: Pick of the Week: We’re Not Running Away, We’re Advancing In Reverse!

MJ: I might sort of be running away. I’ll take a look at Terra Formars, but I admit I’m pretty wary now. Instead, I’ll join Ash in picking the latest volume of What Did You Eat Yesterday?, which I will undoubtedly love. Fumi Yoshinaga has never truly failed me, and this series has charmed me to bits so far. Fortunately, I have pretty much equal parts love for the characterization and the food, so I’m happy no matter what.

What looks good to you this week?

My Week in Manga: July 7-July 13, 2014

July 14, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week, though neither of them were actually for manga. First up was Yasutaka Tsutsui’s The Girl Who Leapt Through Time, which collects two of his stories: The Girl Who Leapt Through Time and The Stuff That Nightmares Are Made Of. The Girl Who Leapt Through Time is one of Tsutsui’s most well-known and beloved novels and was the inspiration for Mamoru Hosoda’s 2006 anime by the same name, which happens to be one of my favorite animated films. I also reviewed Dan Mazur and Alexander Danner’s Comics: A Global History, 1968 to the Present. It’s an extremely informative volume and highly recommended for people who are interested in the history of comics, including manga. I wasn’t online much last week, but I did notice that Revealing and Concealing Identities: Cross-Dressing in Anime and Manga, Part 6 was posted at The Lobster Dance, focusing on Fumi Yoshinaga’s marvelous series Ōoku: The Inner Chambers. If there were any big announcements or other noteworthy news items that I missed, please do let me know!

Quick Takes

Andre the Giant: Life and Legend by Box Brown. Growing up, I knew of Andre the Giant from his role as Fezzik in the film The Princess Bride, only later learning about his professional wrestling career. Andre Roussimoff was a literal giant of a man–at one point over seven feet tall and over six hundred pounds–who also suffered from acromegaly, though he wasn’t diagnosed with the condition until he reached his twenties. Brown’s thoroughly researched biographical comic captures Andre’s life and legacy, revealing just how human the legend really was. Like anyone else, he had his strengths and his flaws. Because of his size the life he led was an unusual one and he was treated differently, and not always kindly, by other people. Surprisingly, Andre the Giant: Life and Legend is actually one of the very few works devoted to Andre. It’s a collection of stories and anecdotes about the man beginning with his childhood in France and then following him through his globe-spanning career as a professional wrestler as well as his time on the set of The Princess Bride. The comic is very well done and includes a bibliography in addition to notes on the sources used.

Bokurano: Ours, Volume 1 by Mohiro Kito. One summer, fourteen seventh graders and a fourth grader participating in a nature school program wander into a seaside cave where they discover a strange man holed away who invites them to play a game. They will be placed in charge of piloting a giant robot in order to fight massive alien invaders. Except that the game they’ve agreed to play turns out to be much more real than any of them counted on. This early in the series it’s a little difficult to get a good feel for all of the characters since there are so many of them, but it seems that as they each have their own opportunity to pilot the robot more will be revealed about them as individuals. It also looks like the series will have a fairly high death count, too, even when it comes to main, named characters. Bokurano: Ours has a dark ambiance as well strong psychological elements. Though there are grand battles, the real drama of the series revolves around how the children respond to being granted such enormous power. Some delight in the chance to wreak havoc while others are more hesitant, understandably concerned about the strange situation they’ve gotten themselves into.

Monster Musume: Everyday Life with Monster Girls, Volumes 2-3 by Okayado. At its heart, Monster Musume is an unapologetic, ecchi harem series. Readers looking for nuanced characters or plot from the manga will be sorely disappointed. And considering the amount of uninhibited fanservice, highly suggestive scenarios, partial nudity, and nipples on display, I continue to be surprised that Seven Seas is able to get away with calling Monster Musume a series for older teens. Initially, I wondered if monster boys existed in the manga since the series focuses almost entirely on monster girls. They actually do, but that fact isn’t confirmed until a bunch of otaku orcs appear in the third volume. In addition to the orcs, plenty of other liminal races have been introduced as well: slimes, mermaids, zombies, ogres, cyclops, shape-shifters, and so on. Not all of the liminal ladies become love interests for Kimihito, the series’ protagonist and host family for many of the visiting monster girls, which is a good thing. Monster Musume is an extraordinarily silly and trashy manga that can actually be a lot of fun for those who don’t mind its blatantly sexualized content. Its monster girl gimmick sets it apart from other harem manga, but probably won’t win anyone over who doesn’t already read the genre.

Soul Rescue, Volumes 1-2 by Aya Kanno. I’ve really enjoyed Kanno’s other manga currently available in English (Blank Slate and Otomen), so when I discovered that Tokyopop had also published one of her series I made a point to track it down. I believe Soul Rescue was actually Kanno’s debut manga, too, which made me even more interested in reading it. Honestly, it’s a bit of a mess. The artwork is nice, even though the pages are very full, and I liked the characters and basic premise of the story, but it doesn’t quite pull together as a whole. Renji is an angel with a propensity towards being overly violent, and so he has been temporarily banished to Earth in order to mend his ways. Another angel, Kaito, has been sent along with Renji as his supervisor to keep him in check and prevent him from doing too much damage. Renji will be allowed to return to Heaven after rescuing the souls of 10,000 humans. (Kissing is somehow involved in all of this.) By the end of Soul Rescue, he’s only saved two, maybe three souls. Though there are recurring characters, the series is largely episodic with almost no overarching plot arc or real conclusion. Kanno doesn’t seem to be concerned with consistent time periods or settings in the manga, either. Modern cities, Medieval kingdoms, and fuedal Japan, all with their own anachronisms, exist simultaneously.

White Guardian by Duo Brand. I’m fairly certain that White Guardian was Duo Brand’s first professional boys’ love manga; it was also their first manga to be released in English. White Guardian includes many elements found in the pair’s other manga that I’ve read, namely swords, sex, and fantasy. Granted, in the case of White Guardian, it seems to be more of a historical setting than it is strictly fantasy; there are no supernatural aspects or magic involved in the plot. The kingdom of Landa is suffering from internal conflict and corruption which the Crown Prince is determined to address with the aid of the famed General Sei. Prince Linth is a bit of an oddball, lighthearted and earnest if a bit naive. He’s also strangely accepting and forgiving of his own rape, which happens multiple times over the course of the short manga. Happily, there’s some consensual sex to be found in White Guardian, too. The manga has some actual plot to go along with its smut as well. I’ll admit to being fond of court intrigue, espionage, and battles, which are all present and play their own roles in the story. White Guardian is followed by its sequel Crimson Wind which was also released in English, though it’s a little more difficult to find at this point.

Knights of Sidonia directed by Kobun Shizuno. I have been enjoying Tsutomu Nihei’s Knights of Sidonia manga a great deal, and so when the anime adaptation was announced I was immediately interested in watching it. Of all places, the series was exclusively made available for streaming in English through Netflix with both a dubbed version and a subbed version. Overall, the anime was a fantastic adaptation. It hits all the major plot points and highlights of the manga, and in some cases it was actually easier to follow what was going on. The anime is very faithful to the original without slavishly adapting the source material to a new medium. As should be expected, the pacing of the story is slightly changed and the visual impact of the anime is different from that of the manga. However, I was never completely sold on the 3D CG animation style. Though the backgrounds, environments, and many of the special effects looked great with it and were sometimes even stunning, the movements of the characters occasionally would feel just a little off. It did seem to improve as the series went along, but maybe it was just that I was finally getting used to it. I do look forward to seeing the second season.

Comics: A Global History, 1968 to the Present

July 11, 2014 by Ash Brown

Author: Dan Mazur and Alexander Danner
Publisher: Thames & Hudson
ISBN: 9780500290965
Released: June 2014

Comics: A Global History, 1968 to the Present was published by Thames & Hudson in 2014. Written by Dan Mazur and Alexander Danner, both of whom are involved in comics as creators, educators, and scholars, the volume is one of the few works that attempts to outline a comprehensive history of the comics medium on a global scale, though it has a particular emphasis on the comics traditions from North America, Japan, and Western Europe. I first learned about Comics: A Global History when I came across an essay by Mazur on early shoujo manga, which excerpted and expanded sections from the book. My curiosity was piqued. Although I now have a particular interest in manga, I first started out and still enjoy reading American comics. My experience with comics from other regions of the world is somewhat limited, but those that I have read I have liked. I simply enjoy comics, regardless from where they originate. That being said, I’m not actually very familiar with much of their history, and so Comics: A Global History appealed to me immensely, especially considering that it is heavily illustrated as well.

Comics : Global History is divided into three parts (“1968-1978”, “1978-1990”, and “1990 Onward”) and nineteen chapters in addition to a preface, introduction, notes, bibliography, index of creatives, and index of comics. The preface puts the volume into context and notes its limitations, though the authors have tried to present as comprehensive a history as possible of comics from the three major comics cultures. They identify 1968 as the year in which “a number of creators in Japan, America, and Europe began to aggressively demonstrate that comics could be more than an ephemeral vehicle for children’s entertainment” and the year in which a rise in comics-as-expression was seen. It was for those reasons that 1968 was selected as the starting point for their modern history of comics. The introduction provides a brief overview of the state of comics worldwide in the postwar era and of the development of comics for an adult audience. Five chapters in Comics: A Global History are specifically devoted to American comics, five address manga (including an entire chapter on Osamu Tezuka), four present European comics, and four take a more general, border-crossing approach.

No matter how thorough it would be impossible for a single volume to address every single detail of something as complex and wide-reaching as the history of the comics art form, but from what I can tell, Mazur and Danner have done an excellent job covering the major trends, noteworthy movements, critical events and developments, influential creators, and important works in Comics: A Global History, paying attention to both mainstream and alternative comics and markets. The individual chapters can largely be read separately and follow a loose chronology rather than adhering to a strict timeline, allowing the authors to address related topics in a more thematic fashion and logical progression. There is some analysis, criticism, and review to be found in Comics: A Global History, but the volume focuses more on chronicling what was happening where, when, and by whom than it does on in-depth critique. What Comics: A Global History may lack in minute detail it makes up for in its wide breadth.

Comics: A Global History is an impressively informative and valuable text. My only real complaint is that it’s lacking a topical index. However, the chapters are presented and formatted in such a way that, combined with the two existing indices, makes the volume fairly easy to browse or search for a particular subject. I learned a tremendous amount by reading Comics: A Global History. While the volume doesn’t go into extreme detail, it does provide an excellent overview of the history of modern comics and presents enough information that readers could pursue anything that particularly captured their interest. At least I know that my reading list has certainly grown substantially as a result. Comics truly are a global art form. Though different geographical regions each have their own histories and traditions, over time they have also influenced one another. Comics: A Global History is a fantastic introduction to comics and how they have developed over the last several decades and how they continue to evolve internationally as a medium of expression.

Manga the Week of 7/16

July 10, 2014 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ 6 Comments

SEAN: Mid-month always tends to bring the oddest stuff. Anything unusual here?

First off, Seven Seas apparently delayed the release of Alice in the Country of Clover: Knight’s Knowledge 1 at the last minute, after we went to press. It’s actually out next week.

ANNA: I hope it features Ace murdering people and getting lost in the woods.

SEAN: Fairy Tail hits its mid-life crisis, as the Big 4-0 hits. Will Erza needs to buy a really big car and drive around with the wind blowing through her hair?

Seven Seas debuts a new series, with the first volume of D-Frag!. This apparently is a high school club comedy, starring one guy and a bunch of weird girls. Despite that, I’ve heard good things about it, as the emphasis is firmly on weird.

There’s also the 2nd Devils and Realist, where I suspect my ongoing enjoyment will hinge on the ridiculous denial our hero continues to exude. Do not disappoint me, manga.

ANNA: I found the ridiculous denial much more amusing than I was expecting with the first volume.

ASH: The first volume was rather amusing.

SEAN: And we have the 6th volume of fantasy/video game encyclopedia pastiche World War Blue.

Vertical gives us a 3rd volume of seinen manga What Did You Eat Yesterday?, which I’m hoping might have a bit more characterization and a bit less cooking this time, but I suspect that’s not in the cards.

MICHELLE: Phew! Finally something on this list that I will be buying for sure!

ANNA: YAY! TAKE MY MONEY, VERTICAL!!!!!!

ASH: Mine, too!

MJ: What they said, plus extra exclamation points! !!!!!!

SEAN: If you didn’t catch the suspense, tragedy, and all around terror from Urasawa’s cult classic Monster, now is the time to pick up the new Perfect Edition omnibuses.

MICHELLE: I’m glad to see this series getting a re-release. I liked it quite a bit!

ANNA: I’m looking over at my stack of unread 20th Century Boys and feeling vaguely guilty.

MICHELLE: I have a stack just like it, I’m afraid.

ASH: Personally, I like Monster just a bit more than 20th Century Boys. I’m really happy to see it back in print.

MJ: I’m thrilled about this release, since I am one of those who missed it the first time around.

SEAN: And speaking of tragedy, Viz’s new seinen debut is Terra Formars (spelling intentional), a sci-fi story of colonizing Mars which goes horribly, horribly wrong. I’m greatly looking forward to this title, even though I know it will likely gut me a lot of the time.

MICHELLE: I tend to like grim, seinen sci-fi, so I am definitely looking forward to this.

ANNA: This sounds intriguing.

ASH: Terra Formars is a series that I’ve been looking forward to, too. (Plus, I happen to have a thing for Mars…)

MJ: I’m definitely on board with this!

SEAN: What excellent yet depressing manga are you reading this week?

The Girl Who Leapt Through Time

July 9, 2014 by Ash Brown

Author: Yasutaka Tsutsui
Translator: David Karashima
U.K. publisher: Alma Books
ISBN: 9781846881343
Released: May 2011
Original release: 1967

One of my favorite animated films is Mamoru Hosoda’s 2006 The Girl Who Leapt Through Time which was inspired by Yasutaka Tsutsui’s short novel The Girl Who Leapt Through Time, originally released in Japan in 1967. Tsutsui is an award-winning and extremely well-known author of Japanese science fiction, though Western audiences are probably more familiar with the various anime and live-action adaptations of his works. The Girl Who Leapt Through Time is one of Tsutsui’s most beloved and popular stories. It has been the basis for several television series, films, and manga in addition to Hosoda’s anime. The novel, translated by David Karashima, was released in English by UK-based publisher Alma Books in 2011. The English edition of The Girl Who Leapt Through Time is based on the 2009 republication of the volume which collects Tsutsui’s story The Stuff That Nightmares Are Made Of as well as The Girl Who Leapt Through Time.

The Girl Who Leapt Through Time was originally serialized between 1965 and 1966 before being collected in 1967. The titular girl, Kazuko, discovers that she has gained the ability to slip through time and space after fainting in her high school’s science lab. Although the power has its advantages, it’s not one that she wants. She wishes that her life would go back to normal and that her two closest friends and classmates, Goro and Kazuo, would be able to treat her in the same way that they always have. Initially Goro is skeptical of Kazuko’s newfound ability, at least until she is able to offer him proof. The more laid back Kazuo on the other hand takes the whole situation in stride; at first he doesn’t seem to be bothered by it at all. The Girl Who Leapt Through Time is a charming story, but I will admit that I largely prefer the anime’s version of the tale. Many of the scenes are similar between the two, but the novel is much simpler and more direct. Even so, I can understand why Tsutsui’s original has inspired so many other creators—it’s imaginative science fiction with just the right touch of romance.

Whereas The Girl Who Leapt Through Time is science fiction, The Stuff That Nightmares Are Made Of leans more towards realistic psychological horror. The story follows Masako, a young woman who has started to avoid visiting her friend Bunichi’s household, though she can’t quite recall the reason why she has been staying away. After helping to dispel some of the fears of her younger brother—showing that his wild imaginings are rooted in real world happenings—she decides to face and investigate the causes of her own. Initially Bunichi teases Masako, but realizing that she really is frightened he agrees to accompany her on her mission, getting quite a scare in the process. Considering the short length of The Stuff That Nightmares Are Made Of, Tsutsui is able to incorporate an impressive number of story twists. Masako is an appealing lead—smart and clever, though perhaps a little reckless and with room to grow and mature. Her willingness to confront her fears and to improve herself is admirable, but it can also cause some problems for her and the people around her, too.

Although The Girl Who Leapt Through Time and The Stuff That Nightmares Are Made Of are two, unrelated stories, they do share some similarities. The protagonists are both intelligent, likeable young women, for one. Tsutsui’s style has a subtle, understated humor to it and the writing is simple and straightforward, making both stories approachable for younger readers. Each of the tales has a bit of romance in addition to a quickly paced plot. (The entire volume can fairly easily be read in one or two sittings.) But what I found to be the most striking commonality and difference between The Girl Who Leapt Through Time and The Stuff That Nightmares Are Made Of was Tsutsui’s use of and approach to the themes of memory and truth. Both are important elements in the two stories, but are handled oppositely: The Girl Who Leapt Through Time carries a sense of nostalgia over the loss of memory, the truth ultimately being hidden while in The Stuff That Nightmares Are Made Of it is only after a particular memory is regained that the truth is completely revealed.

Pick of the Week: Shounen Favorites

July 7, 2014 by MJ, Sean Gaffney, Ash Brown and Michelle Smith Leave a Comment

MJ: It’s a fairly money-saving week for me, as there isn’t anything on the docket strongly compelling me to buy (except maybe the latest 07-Ghost), but it’s easy for me to make a recommendation. This week brings us the second-to-last 3-in-1 release of Hiromu Arakawa’s Fullmetal Alchemist, a long-time favorite of mine, and one of only two shounen series to have made my personal top ten back in 2011. As Sean mentioned in this week’s column, every volume of this series is essential, and this is because Arakawa’s writing is so deft, there’s almost nothing wasted. Everything is important, and everything leads us to the series’ well-earned conclusion. If you’ve avoided this series because of its popularity, or for any reason at all, this is a great time to reconsider! I truly love Fullmetal Alchemist.

SEAN: Being a tad uninspired myself, I too shall go with an old favorite, the third omnibus of Ranma 1/2. Nothing makes me feel 23 years old again quite like Ranma, which back in the mid-to-late 90s was everyone’s favorite obsession. I’m not sure it can catch hold for a new generation, but these early omnibuses, now unflipped and with higher quality scans, are a great way to find out. Also: my god, I hate Mousse.

ASH: Well, since both Fullmetal Alchemist and Ranma 1/2 have already been mentioned (two great series that I heartily enjoy), this week I’ll pick another shounen series which shows some promise. Granted, parts of The Seven Deadly Sins make me roll my eyes a bit, but I do have a weakness for well-choreographed, epic battles.

MICHELLE: As I mentioned in the column, I’m feeling in a bit of a Takahashi mood, and the title that most appeals to me this week is volume 15 of chronically low-key RIN-NE, which I always find pleasant and undemanding. Perhaps that sounds like damning it with faint praise, but sometimes that’s exactly the sort of read I’m looking for.

What looks good to you this week?

My Week in Manga: June 30-July 6, 2014

July 6, 2014 by Ash Brown

My News and Reviews

The first week of the month tends to be a little slow at Experiments in Manga (at least it feels slow to me). Granted, there were still three posts last week. The Juné Manga Giveaway Winner was announced, which also includes a list of some favorite Juné manga. June’s Bookshelf Overload was posted. (My wallet thanks me that June was a little less ridiculous than the last few month have been.) And finally, the first in-depth manga review of July goes to Battle Royale: Angels’ Border. Written by the author of the original Battle Royale novel, the volume collects two side stories about the girls who try to survive the death match by banding together at a lighthouse. Angels’ Border is surprisingly romantic, but if you know anything about Battle Royale, you know that things don’t end very well for almost anyone involved.

There were plenty of things that I found to read online last week. Here’s a quick list of a few of the posts that I thought were particularly interesting: Ryan Holmberg takes a look at Hayashi Seiichi’s pop music manga, specifically focusing on “Flowering Harbour” (which is now available in English!) Moyoco Anno was interviewed by Publishers Weekly. The Beautiful World has created a Transgender Manga Masterpost. J. R. Brown has a fascinating article about what can be gleaned by paying attention to the details of ukiyo-e prints. And Justin has a rant about the state of manga in translation that is worth reading. Also, Anime Expo was last week and there were a ton of announcements. Sean has a good roundup of the licenses at A Case Suitable for Treatment.

Quick Takes

Cowboy Bebop: Shooting Star by Cain Kuga. Of the two Cowboy Bebop manga, Shooting Star was actually the first to be released in Japan although it was the second series to be published in English. Technically, it also preceded the Cowboy Bebop anime series, which I hadn’t previously realized. However, it’s still based on the anime. Kuga was given free rein with the characters and story, which makes Shooting Star not exactly a retelling but more like an alternate version or universe. The manga isn’t as dark as the anime (though there’s humor to be found there as well), and the story is somewhat different, but the basic premise of near-future bounty hunters in space remains. Frankly, though vaguely entertaining in places, Shooting Star just isn’t as good as the anime, the action can be difficult to follow, and the slapstick is a little too silly for my taste. Shooting Star will most likely be of interest to established fans of the Cowboy Bebop anime as a curiosity more than anything else. Even though Shooting Star mostly stands on its own, people who haven’t seen the anime probably won’t get much out of it.

I Shall Never Return, Volumes 1-5 by Kazuna Uchida. Although the first volume of I Shall Never Return is a little shaky at the start (and parts of Ken’s stepfather’s backstory seem to be unnecessary and superfluous), overall I was actually rather impressed with this short boys’ love series. Ken comes from a broken home and is a high school dropout. His best friend Ritsuro was the only stable thing in his life but now they’re having problems, too. I Shall Never Return is filled with drama and deals with some very mature themes, such as abuse, drug use, prostitution, and rape. Terrible things happen and I was constantly waiting for something even worse. But there are also some wonderful moments of support, love, and acceptance. One of the things that I found particularly interesting about I Shall Never Return is that while it’s definitely a romance, the two leads actually spend much of the series apart from each other. Ritsuro remains in Japan while Ken travels to Singapore and then to India, trying to find a new start and become a better person. They have to deal with a long-distance relationship at the same time they’re coming to terms with their feelings for each another. It’s a believable and difficult process.

Knights of Sidonia, Volumes 8-9 by Tsutomu Nihei. Maybe it’s because the manga’s such a bizarrely quirky series–a strange mix of science fiction, horror, and romantic comedy–but I can’t help but love Knights of Sidonia a little more with each passing volume. Nagate, Tsumugi, and Izana make a marvelous and frequently awkward family unit. And even considering that Tsumugi is a monstrous human-Gauna hybrid, she manages to be endearingly charming, sweet, and adorable. Nagate continues to be socially inept, though certainly less so, and Izana has fallen more in love with him, which has triggered physical changes. The three of them together are simply delightful, forming a not quite love triangle. In direct contrast to the humor and cheerfulness surrounding the trio, humanity’s fight for survival against the Gauna remains terrifyingly intense and death tolls continue to rise. Sometimes the battles can be a little difficult to follow, but they’re always exhilarating. There are some definite sexual overtones to Knights of Sidonia in these two volumes, which are especially apparent in the artwork, but this appropriately adds to the series’ more disconcerting atmosphere.

This One Summer written by Mariko Tamaki and illustrated by Jillian Tamaki. The Tamakis are a pair of cousins who previously worked together on the award-winning graphic novel Skim. This One Summer is their second collaboration. The story follows Rose over the course of her family’s summer vacation at Awago Beach where they have always rented a cottage. Rose’s mother has become more distant over the last year and can’t seem to relax, creating a significant amount of tension. There are reasons for that, though, and Rose is more perceptive than her parents might realize. But because communication has broken down between them all, it may be a while before everything will be okay again. Meanwhile, Rose spends time with her friend Windy, enjoying the beach and bingeing on horror films that they probably shouldn’t be watching at their age. In the background another drama is unfolding among the local teenagers when one of the young women discovers that she might be pregnant. It’s heartbreaking to see how insidious sexism can be. In addition to the strong and effectively layered storytelling in This One Summer, the artwork is beautiful as well.

YowamushiPedal Yowamushi Pedal, Episodes 15-26 directed by Osamu Nabeshima. This set of episodes finishes up the Sohoku racing club’s grueling training camp and then launches almost directly into the Inter-High race, following the competition up through the first section of the first day and ending with one heck of a dramatic plot development. Yowamushi Pedal manages to be incredibly exciting, mostly due the intensity and passion of the characters and because it includes just a touch of the ridiculous. More characters and teams are introduced, and more backstories and rivalries are revealed in this part of the series, too. The animation is sadly a bit inconsistent, sometimes impressively good while at other times lacking in finesse. Although I enjoy cycling, I’ve never really followed road racing closely. I was surprised to learn just how much teamwork can go into it; I’d always assumed it was more of an individual event. I’ve also enjoyed learning more about some of the strategies involved in racing. (And I’ll admit, now that the weather is finally decent where I live I really want to get my bike out again and hit the road! Who says watching anime can’t be good for you?)

Battle Royale: Angels’ Border

July 6, 2014 by Ash Brown

Author: Koushun Takami and N-Cake
Illustrator: Mioko Ohnishi and Youhei Oguma
U.S. publisher: Viz Media
ISBN: 9781421571683
Released: June 2014
Original release: 2012

In 1999 Koushun Takami’s controversial cult classic Battle Royale was released upon the world, the novel soon after spawning a fifteen-volume manga adaptation illustrated by Masayuki Taguchi and inspiring two live-action films. I became a fan of the original novel after reading the 2009 English translation, and so was very interested to learn that Takami (with the assistance of N-Cake) had returned to Battle Royale with the manga Angels’ Border. Released in Japan in 2012, the collected volume includes two related episodes about the young women whose efforts to survive a brutal government sponsored death match by grouping together end in tragedy. The first story is illustrated by Mioko Ohnishi while the second is illustrated by Youhei Oguma. I was happy that Viz Media licensed Battle Royale: Angels’ Border, releasing the manga under its Signature imprint in 2014. Angels’ Border makes a nice addition to Viz’s other recent Battle Royale releases: The Battle Royale Slam Book, and a new English translation of Takumi’s original novel.

Every year a class of ninth grade students from the Republic of Greater East Asia is selected to participate in the Program. The students are given a small survival pack, a random weapon, and forced into a situation where they must either kill or be killed. In the end, only one person will survive. This year’s Program pits the forty-two students of Shiroiwa Junior High’s ninth grade, Class B against each other. Under the leadership of Yukie Utsumi, six of the girls band together, taking shelter in the lighthouse on the island serving as the Program’s arena. There they hope to avoid and wait out most of the violence. The group includes her best friend Haruka Tanizawa, who has recently come to the realization that she is in love with Yukie, though she hasn’t been able to confess those feelings. Another girl at the lighthouse, Chisato Matsui, has her own secret–she shares a special connection with Shinji Mimura, a star basketball player with smarts, good looks, and dangerous anti-government tendencies. But because she has joined up with the other young women for safety, it is unlikely that she will ever see him again.

People who have read the original Battle Royale, or who have experienced its adaptations, know very well how the incident at the lighthouse plays out; those who haven’t can probably very easily guess. Most (but not all) of the violence occurs off-page in Angels’ Border, but the characters still have to deal with its aftermath. The atmosphere at the lighthouse is strained but relatively quiet; the tension, fear, and despair is present even as the young women are resigning themselves to their fates. They witness the deaths of their fellow students and try to come up with excuses for the classmates who have resorted to killing one another, partly because they are in denial about what is happening and partly because the entire situation is incomprehensible to them. For a time they are safe, but every decision that they make for their own survival has an impact on the survival of everyone else forced to participate in the Program. The alliance formed by the six young women and their trust in one another are extraordinarily fragile things. None of them want to kill, but none of them want to die either, even though they know it will be impossible for all of them so survive. The result is a highly stressful and volatile scenario.

Generally, Angels’ Border can be read on its own, but it will probably appeal most to those who are at least familiar with Battle Royale. I hadn’t anticipated it when I began reading Angels’ Border, but both of the manga’s episodes are actually love stories. Granted, because they occur within the context of Battle Royale, they are both dramatic romantic tragedies. The first story is told by Haruka as she deals with what she sees as the futility of her feelings for Yukie as well as with the futility of the situation in which they find themselves. She reflects briefly on their past friendship, but generally the episode’s focus is on their unfortunate present and bleak future. The second story is seen from Chisato’s perspective. Much of it is devoted to a single encounter between her and Shinji six months before the start of the Program. Both episodes are more about the characters’ interpersonal relationships than they are about death and violence, although those are certainly a constant concern and bring those relationships into sharper focus. Both stories also talk about “forever,” which is heart-wrenching; “forever” for these young people will be a tragically short period of time.

Bookshelf Overload: June 2014

July 4, 2014 by Ash Brown

Compared to the ridiculousness of the last few months, the number of my June acquisitions is actually quite reasonable. For the most part I stuck to preorders, though there were a few splurges, too. As for out-of-print finds, I picked up the first five volumes of Naoki Yamamoto’s Dance Till Tomorrow (for some reason my library had the last part of the series but not the first part) and Venus Wars, Volume 1 by Yoshikazu Yasuhiko. (More of the series was actually released in English as floppies but never collected; if I like the first volume, I might try to track them down.) There were two preordered manga that I was particularly excited to get my hands on in June–Ayano Yamane’s Crimson Spell, Volume 4 and Showa: A History of Japan, 1939-1944 by Shigeru Mizuki–but my favorite thing from last month was probably Kazune Kawahara and Aruko’s My Love Story!!, Volume 1. In-depth reviews of books from June’s haul that you can expect to see soon will include my thoughts on Dan Mazur and Alexander Danner’s Comics: A Global History, 1968 to the Present, which is pretty great, as well as the Angels’ Border manga, which collects two side stories to Koushun Takami’s cult classic novel Battle Royale written by the author himself. I don’t buy anime as much as I used to, mostly relying on streaming services, but I definitely needed to own Flowers of Evil. Technically, it wasn’t released until July, but my copy arrived early. The first box set of Dear Brother (which I helped to crowdfund) is now available, too!

Manga!
Battle Royale: Angels’ Border written by Koushun Takami, illustrated by Mioko Ohnishi and Youhei Oguma
A Centaur’s Life, Volume 3 by Kei Murayama
Crimson Spell, Volume 4 by Ayano Yamane
Dance Till Tomorrow, Volumes 1-5 by Naoki Yamamoto
Dengeki Daisy, Volume 14 by Kyousuke Motomi
From the New World, Volume 4 written by Yusuke Kishi, illustrated by Toru Oikawa
Gakuen Polizi, Volume 1 by Milk Morinaga
Genshiken: Second Season, Volume 4 by Shimoku Kio
Honey Darling by Norikazu Akira
Knights of Sidonia, Volume 9 by Tsutomu Nihei
Missions of Love, Volume 7 by Ema Toyama
Mobile Suit Gundam: The Origin, Volume 6: To War by Yoshikazu Yasuhiko
My Love Story!!, Volume 1 written by Kazune Kawahara and illustrated by Aruko
New Lone Wolf and Cub, Volume 1 written by Kazuo Koike, illustrated by Hideki Mori
The Seven Deadly Sins, Volume 1 by Nakaba Suzuki
Showa: A History of Japan, 1939-1944 by Shigeru Mizuki
Venus Wars, Volume 1 by Yoshikazu Yasuhiko

Comics!
Arena, Chapter 2 by Himitsu Studio
Escapo by Paul Pope
Fearful Hunter by Jon Macy
Forming by Jesse Moynihan

Nonfiction!
Comics: A Global History, 1968 to the Present by Dan Mazur and Alexander Danner

Anime!
Dear Brother, Box 1 directed by Osamu Dezaki
Flowers of Evil directed by Hiroshi Nagahama

Film!
Bushido Man: Seven Deadly Battles directed by Takanori Tsujimoto
K-20: The Fiend with Twenty Faces directed by Shimako Satō

Manga the Week of 7/9

July 3, 2014 by Sean Gaffney, Michelle Smith, MJ, Anna N and Ash Brown 1 Comment

SEAN: It may not be hot where you are, but Connecticut? It’s hot. Too hot. Can manga save us from the doldrums of summer?

MICHELLE: I am in Florida. Such hot. Very yuck.

MJ: New England, also hot. And stormy. Which sounds sexier than it is.

ANNA: I will be in Central Illinois, which will be hot and humid!

SEAN: Digital Manga Publishing has another BL series trundle along, with Vol. 5 of multi-punctuated Hey Class President!!.

Kodansha unveils a slew of July titles. Seven Deadly Sins hits its third volume, and I have no doubt will give us a little more background on the newly-introduced Ban/Greed.

ASH: It took a few chapters to hook me, but at this point I’m looking forward to reading more of Seven Deadly Sins.

SEAN: Sherlock Bones has leapt forward in time to show our leads as adults (or adult dogs) right as the series hits its penultimate volume.

ASH: I was happy to see that the protagonists weren’t going to be stuck in high school forever.

SEAN: Fans of Akamatsu may have been keeping up with UQ Holder via Crunchyroll’s site, but for those who crave print, the 2nd volume also drops next week.

MICHELLE: I wish I had something to say about any of these, but I do not.

MJ: Same.

SEAN: And we have some more goodies from Viz. 07-GHOST has Vol. 11 come out, and I think the Manga Bookshelf team finds itself falling further and further behind?

MICHELLE: Yep. I look at the growing pile on my shelf periodically and remind myself that I need to read it.

ANNA: Me too! It is a really good series, I am looking forward to binging on back issues once I do start reading it.

SEAN: Speaking of impossible catchups, Case Closed is now at Vol. 51.

Fullmetal Alchemist is down to its last two omnibuses. If you get all nine, you’ll have the truly essential parts of this manga – which is to say, all of it.

ASH: Fullmetal Alchemist is great!

MJ: Yes, it is! And to Sean’s point, one of the things I love best about it is that, unlike a lot of long-running manga, it is a single, coherent story with a real beginning, middle, and end. Nothing is superfluous, so yes, every volume is essential.

ANNA: I need to finish this series one day! Actually, I think I’ll start by rereading from the beginning.

SEAN: The third Ranma 1/2 omnibus introduces a major antagonist (Cologne); a major antagonist/butt-monkey (Mousse); and a minor yet incredibly irritating thorn in Ranma’s side (Gosunkugi). All this plus the usual Takahashi comedy and non-romance.

And if that’s not enough Takahashi for you, the 15th volume of Rin-Ne drops the same week, forcing unfortunate comparisons between its sedate, mild couple and Ranma 1/2’s violent, boisterous one.

MICHELLE: Some Takahashi sounds awfully appealing right now, actually.

SEAN: What manga cools you down the most?

Manga Giveaway: Juné Manga Giveaway Winner

July 2, 2014 by Ash Brown

And the winner of the Juné Manga Giveaway is…Muteee!

As the winner, Muteee will be receiving a copy of Flutter by Momoko Tenzen as published by Juné, one of Digital Manga’s boys’ love and yaoi imprints. Because it was June and the wordplay amused me, I decided to hold a Juné giveaway, asking those who were participating to tell me a little about their favorite Juné manga (if they had one). After ten years of publishing and over four hundred volumes of manga and novels, there are quite a few Juné titles to choose from. Because I enjoy making lists, I’ve gathered everyone’s responses (and added a few additional favorites of my own) below. Check out the giveaway comments if you want all the details, though!

Some favorite Juné manga:
Café Latte Rhapsody by Toko Kawai
Caramel by Puku Okuyama
Cut by Toko Kawai
Deadlock written by Saki Aida, illustrated by Yuu Takashina
Dear Myself by Eiki Eiki
Don’t Say Anymore, Darling by Fumi Yoshinaga
Hero Heel by Makoto Tateno
Gorgeous Carat Galaxy by You Higuri
I Give to You by Maki Ebishi
In the Walnut by Toko Kawai
Invisible Boy by Hotaru Odagiri
Kiss Blue by Keiko Kinoshita
Little Butterfly by Hinako Takanaga
Loveholic by Toko Kawai
Ludwig II by You Higuri
Maiden Rose by Fusanosuke Inariya
Men of Tattoos by Yuiji Aniya
The Moon and the Sandals by Fumi Yoshinaga
Mr. Mini Mart by Junko
Necratoholic by Maguro Wasabi
No Touching at All by Kou Yoneda
Only Serious about You by Kai Asou
Only the Ring Finger Knows written by Satoru Kannagi and illustrated by Hotaru Odagiri
Our Everlasting by Toko Kawai
Rin! written by Satoru Kannagi and illustrated by Yukine Honami
Same Cell Organism by Sumomo Yumeka
Seven Days written by Venio Tachibana and illustrated by Rihito Takarai
Solfege by Fumi Yoshinaga
Thirsty for Love written by Satosumi Takaguchi and illustrated by Yukine Honami
Time Lag written by Shinobu Gotoh, illustrated by Hotaru Odagiri
The Tyrant Falls in Love by Hinako Takanaga
Yellow by Makoto Tateno

Thank you to everyone who shared their favorites with me. There are a few manga on the above list that I actually haven’t yet read that I’ll need to track down now. Hope to see you all again for the next giveaway!

My Week in Manga: June 23-June 29, 2014

June 30, 2014 by Ash Brown

My News and Reviews

Another three posts last week! It’s the end of June, so I decided to have a Juné Manga Giveaway. The winner will be announced on Wednesday, so there’s still some time left to enter for a chance to win a copy of Momoko Tenzen’s boys’ love one-shot Flutter. Last week I also took a closer look at the two Gengoroh Tagame manga recently published by Bruno Gmünder, Endless Game and Gunji. (And speaking of Bruno Gmünder, more titles for its Gay Manga line have been announced! Look for Mentaiko Itto’s Priapus, Takeshi Matsu’s More and More of You, and Tagame’s Fisherman’s Lodge in English later this year.) Finally, I posted a review of Kaoru Ohno’s historical novel Cage on the Sea which is about the survival and eventual repatriation of the Japanese holdouts on Anatahan Island after World War II. It was a story that was sensationalized in the 1950s, but Ohno’s thoroughly researched novel is a much more nuanced portrayal of the events and people involved.

Quick Takes

Fairy Tail, Volume 38 by Hiro Mashima. While the battles and challenges could be entertaining, I’ll admit that I had started to grow a little weary of the Grand Magic Games arc of Fairy Tail. Thankfully, a secondary (which has now become primary) plot was introduced which has much higher stakes than who will be declared the winner of the tournament. The possibility of the world being destroyed by the return of the dragons is a pretty big deal, after all. The lengthy buildup of the Grand Magic Games pays off in this volume though as the tournament reaches its conclusion. Actually, I think it’s one of the better volumes of Fairy Tail to have recently been released. Most of it is devoted to the various battles which are taking place, the Guild members showing just how much they’ve grown and how strong they’ve become in a very dramatic fashion. Friendship, loyalty, and teamwork have always been vital to Fairy Tail, but it really shows in this volume. Even though there is a focus on the action and fighting, there are also some important plot twists and story developments in the thirty-eighth volume, too.

My Love Story!!, Volume 1 written by Kazune Kawahara and illustrated by Aruko. I absolutely adored the first volume of My Love Story!!–it’s funny and charming, and the characters are incredibly amusing and endearing. Although Takeo is heroic, enthusiastic, loyal, manly, and strong, he’s not traditionally good-looking, so people often overlook his better qualities. He falls in love easily, but all of the girls he likes fall for his attractive best friend Suna instead. (So far, Suna’s turned them all down, though.) But when Takeo saves a girl named Yamato from a groper on the train it seems as though his chance at love has finally arrived, if he isn’t too dense to realize it, that is. Takeo’s developing romance with Yamato is delightful, but his close friendship with Suna is marvelous, too. I’m not sure for how long the creators will be able spin the series’ basic premise without it feeling drawn out, but the manga is currently still ongoing at six volumes in Japan. Regardless, I’m looking forward to the next volume immensely; My Love Story!! is easily one of my favorite manga debuts of 2014.

Sankarea: Undying Love, Volume 7 by Mitsuru Hattori. Bub’s condition continues to decline, so Rea has decided to leave for the ZoMA research facility, hoping that her unusual form of zombism will provide a clue to save him. (Is it sad that an undead cat is actually my favorite character in Sankarea?) Chihiro isn’t about to let her go on her own though, in part because he still feels responsible for Rea and wants to protect her, but also because he’s very interested in visiting the “zombie holy land.” Sankarea is a quirky series which tries to balance horror and romantic comedy. This volume actually succeeds fairly well in that. Chihiro has always expressed interest in zombie girls, and he is very excited to meet more of them at ZoMA, which causes him to reevaluate his relationship with Rea. Does he like her simply because she’s a zombie? Would he still like Rea even if there was a way to revive her? Considering Chihiro’s reactions to the other zombies, I could actually see Hattori going either way with the story. The seventh volume is a solid addition to the series, and ends on a pretty intense cliffhanger.