Ash Brown

Manga the Week of 4/15

April 9, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: Welcome to a wonderful week of manga here on Manga the Week of. For those of you who don’t like variety, there’s variety!

Dark Horse has the first volume of Oreimo spinoff Kuroneko, for those remaining fans who weren’t completely put off by the ending of the main series.

Does anyone remember Aquarion? Anyone? Anime, around 2005? Well, for those who yearned for a sequel in manga form, One Peace is giving us Aquarion Evol. It’s a Comic Gene title, so expect weirdness.

ASH: I like weirdness!

ANNA: I think I watched the first episode of the show and thought that there were too many orgasms when the robots combined.

SEAN: 12 Beast is a new Seven Seas series. It runs in Dragon Age. It’s from the creator of Monster Musume. It sounds radioactive to me, but I know others love this.

Gakuen Polizi is more up my alley, though I wish it was a bit less inconsequential. The 2nd and final volume is next week.

And if you don’t like ecchi fantasy or fluffy lesbians, well, there’s a third Magical Girl Apocalypse, which should at least give you gore.

The title The World’s Greatest First Love may not mean much to BL fans, but if I said it was Sekai-ichi Hatsukoi, I’m sure you’d know exactly the series I mean. SubLime has the long-awaited first volume.

MICHELLE: Ah, now this is one I’ve actually heard of!

ASH: As have I!

MJ: Count me in!

SEAN: I loved My Neighbor Seki even more than I thought I would, and am delighted to see a 2nd volume next week from Vertical.

MICHELLE: I regret to say I haven’t gotten around to reading the first volume, but I definitely will one of these days!

ASH: You definitely should, My Neighbor Seki is absolutely delightful.

ANNA: This is on my list of things I need to read!

MJ: Mine, too!

SEAN: Case Closed still has more mysteries, and Shinich… sorry, Jimmy is still a little kid, even as we hit the 54th volume.

We’ve passed the halfway point in Deadman Wonderland, and Vol. 8 comes out from Viz next week.

And Itsuwaribito, a series that has a much longer run than I really expected, has Vol. 14.

Lastly, a new volume of Magi is always welcome. Next week we have Vol. 11.

MICHELLE: <3

ANNA: I have been stockpiling stray volumes of this here and there. One day I shall read them!

SEAN: And for those of you who don’t like manga… well, why are you reading this?

Maria the Virgin Witch, Vol. 1

April 8, 2015 by Ash Brown

Creator: Masayuki Ishikawa
U.S. publisher: Kodansha
ISBN: 9781632360809
Released: February 2015
Original release: 2010

I’ll admit, when I first heard about the manga series Maria the Virgin Witch, I was more than a little skeptical. I’m not particularly interested in witches, which seem to be nearly as common as vampires in translated manga these days, and the emphasis placed on the heroine’s virginity seemed like it could be a little suspect. But then I realized that Maria the Virgin Witch was by Masayuki Ishikawa, the creator of Moyasimon, a quirky manga about microbes and fermentation that I enjoyed immensely. (Sadly, only two volumes of Moyasimon were ever released in English.) If for no other reason, I wanted to give Maria the Virgin Witch a chance because of my love for Moyasimon. I’m very glad that I did; the first volume turned out to be a very promising and intriguing start to the short series. Maria the Virgin Witch, Volume 1 was initially published in Japan in 2010 while the English-language edition was released by Kodansha Comics in 2015.

During the first half of the fifteenth century, England and France were still locked in the Hundred Years War, many of the battles being waged on French soil. Maria is a powerful but young witch living in France. She abhors the killing and senseless violence and so does what she can to disrupt the conflict and protect the villages and people who live near her woods. She has discovered one particularly effective method: by sending an owl familiar in the form of a succubus among the leaders of the armies on the eve of major battles, they often lose their will to fight or their interest in the impending confrontation. However, sometimes more direct action is required and Maria will summon great beasts to wreak havoc and chaos on the battlefield. But causing such a spectacle carries with it the danger of drawing the attention of Heaven and the risk of incurring the wrath of the Archangel Michael. There is a proper order to the world, and Maria poses a threat to it.

Maria’s outlook on life (as well as her and her familiars’ character designs) does tend to be more contemporary than the rest of the manga’s setting, but I really like her as a character. She has strong convictions, and she is prepared to act on them, doing what she can to right the injustices she sees in the world. Michael and others criticize her for her interference and audacity; Maria is very forthright with her feelings and opinions. She is young, and perhaps a little naive, but I admire her earnestness. Despite her anger and frustration, she has yet to become embittered by the world. Maria honestly and wholeheartedly cares about people, especially those who are powerless or taken advantage of. Though some of her methods might not be considered to be particularly respectable by most, she and the people she protects believe her to be a force for good. Even so, Maria is considered to be a heretic by the Catholic Church, an institution for which she quite obviously holds no love.

Although Maria the Virgin Witch explores some fairly serious subjects—religion, morality, power dynamics, sexuality—the manga also includes a good deal of humor. Much of the comedy has to do with sex in one way or another, but some of it simply relies of the quirkiness of the characters. Maria, for example, is old enough to be curious about sex, but is still completely embarrassed at even the mere thought of seeing a man naked. As a result Priapus, the incubus she creates, is rather indistinct where it counts and is generally just put in charge of cooking and running errands. The first volume of Maria the Virgin Witch can be a bit crass at times (personally, I could have done without the repeated “cry for me like a little whore”-type comments), but overall the manga is a surprisingly layered work. The more I think about it, the more it grows on me, and the more I want to read the rest of the series. So far, Maria the Virgin Witch is a very interesting mix of historical fiction and fantasy that can be both entertaining and sobering.

Pick of the Week: Shoujorama

April 7, 2015 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: There’s a lot I like this week, but Dengeki Daisy‘s final volume is absolutely my pick of the week.

MICHELLE: I am finding it insanely difficult to pick from amongst quite a few favorites with new volumes out this week. Skip Beat!, Food Wars! and Voice Over! are all must-buys, but I continue to be absolutely charmed by My Love Story!!, so I’ll award its fourth volume my pick of the week. Clearly, exclamation points are the way to my heart. Unless you are BTOOOM!.

ANNA: There are so many good manga coming out this week, but like Sean I’m going to have to go with Dengeki Daisy. It is a heartwarming story about a high school girl and her protective school janitor/hacker. There were plenty of high-stakes thrills along the way, but at the core this is a series about a found family. If you haven’t checked out this series yet, what are you waiting for?

ASH: Well, since Shojo Beat already has a strong showing (I’ll definitely be picking up Dengeki Daisy and My Love Story!), I’ll mix it up a bit with something completely different, the most recent volume of the dark, suspenseful, and and action-packed Ajin: Demi-Human.

MJ: Since I think I liked it better than a lot of other manga bloggers, I will take this opportunity to give a shout for the second volume of Chika Shiomi’s Yukarism. I’m a big fan of the author, and I found the first volume intriguing enough to keep me looking for more. That’s my pick out of this shoujo-heavy week!

What looks good to you this week?

My Week in Manga: March 30-April 5, 2015

April 6, 2015 by Ash Brown

My News and Reviews

An interesting variety of things was posted last week at Experiments in Manga. First of all, I had the privilege and opportunity to announce one of Sparkler Monthly‘s most recent additions, Kôsen’s Lêttera, a three-volume comic that was originally published in Spain. The winner of the Yukarism giveaway was announced last week as well. The post also includes a list of manga that feature reincarnation. As for reviews, I took a look at Akira Arai’s debut novel A Caring Man which shared the inaugural Golden Elephant Award grand prize with Fumi Nakamura’s Enma the Immortal. Whereas Enma the Immortal is historical fiction with fantastical elements, A Caring Man is a contemporary crime thriller that by and large is very believable. Finally, over the weekend I posted March’s Bookshelf Overload, which features a slightly less absurd amount of manga than most months.

Elsewhere online, Organization Anti-Social Geniuses has been posting some great manga-related content, including recording of a panel with manga editor and letterer Abigail Blackman from the Castle Point Anime Convention and a quick interview with editor Brendan Wright about Dark Horse’s upcoming release of Makoto Yukimura’s Planetes. (I’m very excited for this license rescue! I already own Tokyopop’s edition of the series, but Dark Horse’s sounds like it will be great, so I’ll most likely be double-dipping.) And speaking of Dark Horse, the final volume of Hiroaki Samura’s Blade of the Immortal was released last week. Robot 6 has an interview with Philip Simon reflecting on the manga’s end. Chic Pixel has a guide on how to import manga cheaply from Amazon Japan. Throughout March, the Comic Book Legal Defense Fund posted a series of articles, Women Who Changed Free Expression, the last of which focused on the influential 24 Nengumi, or the Year 24 Group, as the female progenitors of shoujo manga.

Anime Boston took place over the weekend. Both Yen Press and Kodansha Comics had some pretty exciting announcements to make. Yen Press has licensed thirteen new manga, some of which will be digital-only releases. The two print releases that particularly caught my attention were the omnibus edition of Yowamushi Pedal, particularly surprising since it’s a sports manga that’s nearly forty volumes lone and still ongoing in Japan, and the yonkoma Monthly Girls’ Nozaki-kun which, if it’s anywhere near as good as the anime adaptation, should be fantastic. As for Kodansha’s announcements, Attack on Titan, Volume 16 will have a special edition. New licenses include Ninja Slayer Kills, two video game-related manga—Persona Q and Devil Survivor—and Junji Ito’s Cat Diary, which is the one I’m personally most excited for. Also revealed was the status of Vinland Saga, which had temporarily been suspended. Basically, only two more volumes are guaranteed to be released unless sales for the series improve. Vinland Saga is magnificent; if you haven’t already given it a try, this would be the time to do it!

Quick Takes

Barakamon, Volumes 2-3 by Satsuki Yoshino. While I largely enjoyed the first volume of Barakamon, I wasn’t particularly blown away by it. Still, I was interested in reading more of the series. I’m glad that I did, because it’s really starting to grow on me. Barakamon does have a little bit of a story to it—the once successful and respected calligrapher Seishuu has moved to a remote island to regain his composure and maybe find some inspiration—but mostly the series is about its characters and their interactions with one another. Even though he’s still a city-boy at heart, Seishuu has started to settle in on the island and isn’t nearly as out-of-place as he once was. The humor seems to now be a little less about the differences between country folk and people from more urban areas (although there still is plenty of that, especially when a couple of Seishuu’s friends and admirers from Tokyo show up) and more about the characters’ individuality and quirkiness. I am glad to see Seishuu relax somewhat and lose a bit of his arrogance from the first volume. In general he’s becoming a much more likeable character, which is probably part of the point of the series.

Cage of Eden, Volume 17 by Yoshinobu Yamada. Finally! The monsters have returned! Well, technically it’s only one monster (not counting the absolutely terrible people), but it’s a pretty big deal. The dinosaurs and creatures are some of the only things I actually like about Cage of Eden; they’ve been largely missing from the last few volumes, so I was glad to see them back in such a dramatic way. Most of the seventeenth volume is devoted to an intense, and most likely deadly, battle against a man-made, genetic monstrosity. Probably best described as a chimera, the creature is formidable and extremely dangerous. The students make some extraordinarily bad decisions when it comes to confronting the beast, which really makes me wonder how they’ve managed to survive for so long. (Granted, the body count in Cage of Eden is pretty high.) The fight hasn’t concluded by the end of the volume, though I suspect it won’t last too much longer. One of the good things about Cage of Eden suddenly focusing on action is there is less opportunity for the more obnoxious fanservice to interrupt the story. Some of the girls even get to put up a decent fight. (At least at first.)

Lucifer and the Biscuit Hammer, Omnibus 2 (equivalent to Volumes 3-4) by Satoshi Mizukami. I wasn’t really sure what to expect from Lucifer and the Biscuit Hammer and reading the first omnibus didn’t help much with that, but I thoroughly enjoyed it. Sadly, I wasn’t nearly as taken with the second omnibus. I still enjoyed it, and I still plan on reading more of the series, but Lucifer and the Biscuit Hammer seems to have lost a little of its spark for me. Maybe I’ve just gotten used to its strangeness, but at the same time that’s also what I enjoy most about the series. Lucifer and the Biscuit Hammer is just so marvelously weird. At times the manga can be surprisingly dark, too, which I also appreciate. In the second omnibus, a slew of new characters are introduced as the identities of the rest of the Beast Knights are uncovered, although some of them are discovered to already be dead. All of them are rather eccentric with pasts that have some significant pain or sadness to them. The mage who plans on destroying the planet makes several appearances as well, and to some extent his motivations are explained, too. Much like the rest of the series, he’s not quite what one might expect.

Virtuoso di Amore by Uki Ogasawara. I was primarily drawn to Virtuoso di Amore for two reasons, the role that music plays in the boys’ love manga and the fact that it was created by Ogasawara. I enjoyed parts of her short and very smutty series Black Sun, currently the only other manga of hers available in English. (Techincally, Chronicle of the Divine Sword was at one point licensed, but I don’t think it was ever actually published.) Virtuoso di Amore follows Kenzo Shinozuka, a failed classical pianist (mostly due to his volatile temper), who has been hired by an aristocrat to live in his manor and play for him every night. His patron is Lorenzo Carlucci who, it turns out, used to attend the same music school as Kenzo. Lorenzo is determined to help Kenzo remake is name as a musician. I really liked the basic premise of Virtuoso di Amore as well as its dark ambiance and fervent drama, but Ogasawara’s storytelling is unfortunately disjointed and occasionally difficult to follow. For example, Lorenzo and Kenzo fall in love, or at least in lust, very suddenly, which makes me think their relationship at school must have been much more involved than is implied elsewhere in the manga.

Bookshelf Overload: March 2015

April 5, 2015 by Ash Brown

Compared to most other months, the number of manga that I had to find space for in March was relatively reasonable. I mostly stuck to preorders for manga, the major exception being the set of the now out-of-print City Hunter that I found. There were a few impulse buys when it came to novels and nonfiction, though. I did finally get my hands on Ajin: Demi-Human, Volume 3 by Gamon Sakurai. Technically released in February, my replacement copy arrived in March. (I’m pretty sure the first one that was sent to me was lost in a snow bank somewhere; I never saw it.) As for the manga that were actually released in March, I was particularly happy to see the third and final volume of Yaya Sakuragi’s boys’ love manga Hide and Seek. (I recently reviewed the first volume, which I enjoyed a great deal.) I’m always glad to see a new installment of Fumi Yoshinaga’s What Did You Eat Yesterday?, the seventh volume is the most recent addition to the series in English. But the manga I was most looking forward to in March was Aya Kanno’s Requiem of the Rose King, Volume 1. Actually, I was almost afraid to read it because I was worried that I would be disappointed. Fortunately, I loved the manga and can’t wait for the next volume.

Manga!
Ajin: Demi-Human, Volume 3 by Gamon Sakurai
Alice in the Country of Joker: Circus and Liar’s Game, Volumes 1-5 by Mamenosuke Fujimaru
Aquarion Evol, Volume 1 written by Shoji Kawamori, illustrated by Aogiri
Barakamon, Volume 3 by Satsuki Yoshino
Butterflies, Flowers, Volume 1 by Yuki Yoshihara
Cage of Eden, Volume 17 by Yoshinobu Yamada
Captain Ken, Volumes 1-2 by Osamu Tezuka
City Hunter, Volumes 1-5 by Hojo Tsukasa
The Drifting Classroom, Volume 8 by Kazuo Umezu
Hide and Seek, Volume 3 by Yaya Sakuragi
Knights of Sidonia, Volume 13 by Tsutomu Nihei
False Memories, Volume 1-2 by Isaku Natsume
Maria the Virgin Witch, Volume 1 by Ishikawa Masayuki
Master Keaton, Volume 2 written by Hokusei Katsushika, Takashi Nagasaki, illustrated by Naoki Urasawa
Manga Dogs, Volume 3 by Ema Toyama
Requiem of the Rose King, Volume 1 by Aya Kanno
Seraphim: 266613336 Wings by Mamoru Oshiii and Satoshi Kon
Tsubasa: Reservoir Chronicle, Omnibus 3 by CLAMP
What Did You Eat Yesterday?, Volume 7 by Fumi Yoshinaga
Yamada-kun and the Seven Witches, Volume 1 by Miki Yoshikawa

Comics!
100 Crushes by Elisha Lim
Grey Is…, Volume 1 by dee Juusan
In These Words, Volumes 1-2 by Guilt|Pleasure
Just So Happens by Fumio Obata
Last Man, Volume 1: The Stranger by Bastien Vives, Michael Sanlaville, and Balak
Only Words written by Tina Anderson, illustrated by Caroline Monaco
Sam Zabel and the Magic Pen by Dylan Horrocks
Stallion by Kôsen
Wayward, Volume 1: String Theory written by Jim Zubkavich

Novels!
Ascension by Jacqueline Koyanagi
Genocidal Organ by Project Itoh
I Want to Kick You in the Back by Risa Wataya
The Kappa Child by Hiromi Goto

Nonfiction!
The Book of Yokai: Mysterious Creatures of Japanese Folklore by Michael Dylan Foster
The Fall of Language in the Age of English by Minae Mizumura
How to Take a Japanese Bath written by Leonard Koren, illustrated by Suehiro Maruo
Miyamoto Musashi: His life and Writings by Kenji Tokitsu

Anime!
Dear Brother, Boxes 2-3 directed by Osamu Dezaki

A Caring Man

April 3, 2015 by Ash Brown

Author: Akira Arai
Translator: Marc Adler
U.S. publisher: Vertical
ISBN: 9781935654179
Released: 2011
Awards: Golden Elephant Award

A Caring Man is Akira Arai’s debut novel and his first book to be translated into English. The novel was brought to my attention primarily because it, along with Fumi Nakamura’s Enma the Immortal (which I absolutely loved), shared the inaugural Golden Elephant Award’s grand prize. A Caring Man and Enma the Immortal are two very different novels, but they are both engaging. Both novels were also released in English by Vertical. The purpose of the Golden Elephant Award was to “produce and publish promising entertainment stories in multiple languages in the global arena.” With that in mind, the jurors from the first award committee were from Japan, the United States, China, and Korea. It was this emphasis on global appeal that inspired Arai, who had previously worked in the music and film industries, to submit A Caring Man. After winning the award, the novel was simultaneously released in 2011 in Japanese and in English with a translation by Marc Adler.

On August 26, 2011, Japan fell victim to an unprecedented tragedy. Without any sort of warning, bombs strategically placed within Tokyo Tower were detonated, bringing the massive structure toppling down, killing and injuring a huge number of people. The special investigation team, a joint operation between the police force’s Criminal Investigation Department and the Public Security Bureau, is treating the incident as a terrorist attack. However, no group has emerged to claim responsibility for the bombing and the team quickly runs out of leads. There seems to be no concrete motive for the attack beyond a perverse desire to destroy for the sake of destroying. Mariko Amo is a freelance photographer working for scandal and gossip magazines who captured the fall of the tower on film, nearly losing her life in the process. Soon after she is given the opportunity to write a feature article on Yoshio Iizuka, a seemingly upstanding young man who recently established the Society of Victims of Abuse for the Prevention of Abuse. Little does she know that he is the very mastermind behind the Tokyo Tower attack.

A Caring Man deals with some very heavy subject matter. In addition to the attacks of terrorism and mass murder, personal killings and more intimate violence, such as child abuse, are also present in the novel. Yoshio himself was a victim of such abuse. Mutilated and abandoned as a newborn infant, he still carries scars on his body. He uses these and his story to gain empathy from others, employing his striking intelligence to manipulate them even further. Yoshio has an odd sort of intensity and charisma; he knows just what to say and how to act to exploit and control other people. A Caring Man, which takes its title from the characters used in Yoshio’s name, in part explores the mind and nature of a psychologically dark, twisted, and damaged young man. Yoshio’s plans are terrifying, and even more frightening is the fact that he has the abilities and influence needed to actually carry them out. The bombing of Tokyo Tower is only intended to be a dramatic prelude to even greater tragedies to come.

The story of A Caring Man is largely seen from three distinct perspectives, although they do intersect at various points in the novel when major players come into contact or become more deeply involved with one another. Those perspectives also reflect the prominent viewpoints of many modern-day crises. Yoshio and the cohort of young men aiding and in some cases nearly worshipping him form one faction as the perpetrators. The detectives, police, and other law enforcement officers are the investigators and protectors, while the third group consists of Mariko and other members of the media and press. They are the observers, chroniclers, and witnesses with the power to influence the opinions of the general public. Overall, A Caring Man is a well-written and engaging novel, particularly impressive as it is Arai’s debut. A few of the plot twists towards the end weren’t as believable or as effective as the rest of the novel, but otherwise A Caring Man is a solid crime thriller with an intense psychological component.

Manga the Week of 4/8

April 2, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: ‘Tis Spring, and a young man or woman’s thoughts naturally turn to manga. What pleasures await us next week?

Unlike Strike Witches (look, panties!), Arpeggio of Blue Steel is an honest to goodness spy thriller that just happens to feature girls who are battleships. This is likely why I’m looking forward to the fourth volume from Seven Seas.

And for those who prefer their manga with a bit more yuri, there’s the 2nd volume of school drama Citrus.

Vertical gives us a new volume of Ajin: Demi-Human.

ASH: If you don’t mind dark and violent, Ajin is shaping up to be a great series.

SEAN: The rest is Viz. We get a 3rd Assassination Classroom, one of my favorite new Jump licenses.

ANNA: I haven’t read the second volume yet, but I’m looking forward to catching up. This series is fun and quirky.

SEAN: And one of my absolute favorite Shojo Beat series comes to an end with the final volume of Dengeki Daisy. Will Kurosaki finally go bald? The most important question yet to be answered!

MICHELLE: There’s so much VIZ I am gonna be reading from this week, man. Definitely all the shoujo!

ASH: Wow, Viz really is releasing a bunch of great stuff next week! I’m due for a Dengeki Daisy marathon read.

ANNA: The main story wraps up pretty quickly, but there are a ton of side stories in this volume which I always like.

SEAN: Meanwhile, in Food Wars! 5, all our hero has to worry about is having his life ruined forever by not serving enough breakfasts.

MICHELLE: I fell a couple volumes behind on this one, and am looking forward to a Food Wars! binge.

SEAN: And there’s not only war among chefs, there’s also Library Wars, though I think its 13th volume may be a bit less serious than previous ones.

Meteor Prince also comes to an end, though with only two volumes it’s had less of a chance to addict us than Dengeki Daisy has.

ANNA: The first volume was adorable!

SEAN: If you aren’t picking up the 4th volume of My Love Story!! next week, there’s something terribly wrong with you. (Apologies to TMBG.)

MICHELLE: There certainly is.

ASH: Such an incredibly delightful series!

MJ: Agreed!

ANNA: Double Agreed!

SEAN: One Piece 74 promises to give us more action, intrigue, silliness, drama, and possibly fresh fruit as well.

Skip Beat! 34 once again asks the question “will this be the volume where the plot progresses?”.

MICHELLE: I don’t even mind if it isn’t.

ANNA: I don’t care either!

SEAN: Toriko hits Vol. 27, will it kill off its hero in a pitched battle? Unlikely.

Voice Over! is almost, but not quite, over as it hits double digits.

MICHELLE: I continue to be surprised I enjoy Voice Over! as much as I do, but I’m really fond of it. Maybe I like best the series with exclamation points.

SEAN: World Trigger 5 is a new volume of World Trigger.

Finally, there’s a 2nd Yukarism, a series that interested me more than I expected last time. Will Volume 2 keep it up?

MJ: I’m actually really interested in this. I think I liked this more than most critics, and I’m pretty happy to see more of it.

ANNA: The second volume delves more into the past live of the main character, and deals with some of the ramifications of reincarnation in the present. I’m enjoying it too.

SEAN: Manga over flowers? What’s your choice?

Manga Giveaway: Yukarism Giveaway Winner

April 1, 2015 by Ash Brown

And the winner of the Yukarism manga giveaway is… Haley!

As the winner, Haley will be receiving the first volume of Chika Shiomi’s manga series Yukarism as published by Viz Media’s Shojo Beat. Because Yukarism has a plot that prominently features reincarnation, I was curious to know what other reincarnation stories people have enjoyed and so asked participants in the giveaway to tell me. Check out the giveaway comments for everyone’s responses, and check out below for a list of reincarnation manga!

Some of the manga licensed in English featuring reincarnation:
07-Ghost by Yuki Amemiya
9th Sleep by Makoto Tateno
Angel Sanctuary by Kaori Yuki
Apollo’s Song by Osamu Tezuka
Aquarion Evol written by Shoji Kawamori, illustrated by Aogiri
The Betrayal Knows My Name by Odagiri Hotaru
A Bloody Kiss Tonight by Makoto Tateno
Bride of Deimos written by Etsuko Ikeda, illustrated by Yuho Ashibe
Ceres: Celestial Legend by Yuu Watase
Enchanter by Izumi Kawachi
Gate 7 by CLAMP
Genju no Seiza by Matsuri Akino
Himeyuka & Rozione’s Story by Sumomo Yumeka
Immortal Rain by Kaori Ozaki
InuYasha by Rumiko Takahashi
Kamunagara: Rebirth Of The Demonslayer by Hajime Yamamura
Kannazuki No Miko: Destiny of Shrine Maiden by Kaishaku
Mouryou Kiden: Legend of the Nymph by Tamayo Akiyama
Night of the Beasts by Chika Shiomi
NG Life by Mizuho Kusanagi
Ninth Life Love by Lalako Kojima
Oyayubihime Infinity by Toru Fujieda
Phantom Thief Jeanne by Arina Tanemura
Phoenix by Osamu Tezuka
Please Save My Earth by Saki Hiwatari
Pieces of a Spiral by Kaimu Tachibana
Sailor Moon by Naoko Takeuchi
Seimaden by You Higuri
Sengoku Nights written by Kei Kusunoki, illustrated by Kaoru Ohashi
Sherlock Bones written by Yuma Ando, illustrated by Yuki Sato.
Tower of the Future by Saki Hiwatari
Tale of a White Knight by Tooko Miyagi
Tuxedo Gin by Tokihiko Matsuura
Yukarism by Chika Shiomi
Vampire Game by Judal

I know for a fact that the above list is incomplete and that there are more reincarnation manga out there, but it’s probably a decent place to start for anyone looking for a reincarnation story to read. Thank you to everyone who shared your favorites with me; I hope you’ll join in for the next giveaway, too!

Pick of the Week: Yoshinaga & More

March 30, 2015 by Anna N, Michelle Smith, MJ, Ash Brown and Sean Gaffney 1 Comment

ANNA: This week has the ending of a long-running series with Blade of the Immortal and a couple debut volumes. What looks good to you this first week of April? While there is plenty of manga coming out this week, the main volume that has my attention is What Did You Eat Yesterday? Volume 7.

MICHELLE: Yep, same here. As much as I admire Blade of the Immortal, my heart just belongs to Yoshinaga. I canna help it!

MJ: Same. Yoshinaga + food + relationships = the key to MJ’s heart. Forever. What Did You Eat Yesterday? can be my only choice this week.

ASH: I guess it’s up to me to make Blade of the Immortal an official pick! I’m always up for another course of What Did You Eat Yesterday?, but Blade of the Immortal holds a very special place in my heart as one of the first manga that I ever read. I’m looking forward to its conclusion.

SEAN: And as I hinted in Manga the Week of, my pick is the new Kodansha series Yamada-kun and the Seven Witches. If nothing else, I’m a sucker for delinquent stories.

What looks good to you this week?

Random Musings: Kôsen’s Lêttera at Sparkler Monthly

March 30, 2015 by Ash Brown

Studio Kôsen, also known simply as Kôsen, is a creative team made up of two Spanish artists: Aurora García Tejado and Diana Fernández Dévora. In Spain, they have been working together creating comics and drawing illustrations since 1998. Beginning in 2004, they started releasing translations of their work in English in the United States, but their comics have been released in other countries as well, including Germany, Poland, Italy, and Argentina.

I was first introduced to Kôsen through their comic Saihôshi: The Guardian, the English-translation of which was initially released by Yaoi Press in 2006. An amusing fantasy with magic and exciting sword fights to go along with its dramatic romance, Saihôshi is representative of what I’ve come to expect from and love most about Kôsen’s work: beautifully drawn, highly entertaining, sexy tales of adventure with a strong sense of humor.

One of Kôsen’s most recent efforts is the ongoing, original English-language comic Windrose, currently being serialized in the online multi-media magazine Sparkler Monthly. It’s a delightful series about a young Spanish lady named Danielle in the 17th century who, when her father goes missing, sets out to find him. In the process she becomes involved with a pair of travelers, Angeline and Leon, who have their own reasons for wanting to help Danielle.

And now there will be even more of Kôsen’s work at Sparkler Monthly! I am pleased to have the privilege to announce that the site will also be hosting Kôsen’s Lêttera, the comic that the duo was working on immediately before Windrose. The three-volume series was released in Spain between 2010 and 2014, but this will be the first time that Lêttera will be made available in its entirety in English.

Garnet Rune is a young, impetuous sorcerer whose tendency to abuse her magic for her own amusement and gain has gotten her into a bit of trouble—she’s been cursed so that every time she casts a spell, a poisoned mark appears on her body, slowly killing her. This forces Garnet to become more mindful of her actions, but it hasn’t really improved her attitude much. Though things don’t always go according to plan, she’s determined to lift the curse by any means necessary.

Lêttera debuts on Sparkler Monthly today with the release of the complete first chapter. The comic will continue to update on Mondays, Wednesdays, and Fridays—six pages a week—until the entire series has been released. Lêttera will be free to read online, but in the near future the ebook edition will be available for purchase. And, if we’re lucky, there may one day be a print edition of Lêttera in English as well.

Personally, I’m very excited to see more of Kôsen’s work translated, and I’m very happy to see Sparkler Monthly involved in making that happen. I was already a huge fan of Sparkler Monthly, but I’m thrilled with the magazine’s recent expansions to include even more comics. With magic, adventure, and a healthy dose of comedy, Lêttera should be a tremendous amount of fun and a great addition to the Sparkler Monthly lineup.

My Week in Manga: March 23-March 29, 2015

March 30, 2015 by Ash Brown

My News and Reviews

Well, it wasn’t really intentional, but last week at Experiments in Manga was apparently Viz Media week. Both of the in-depth manga reviews posted as well as the most recent manga giveaway feature Viz Media titles. The winner of this month’s giveaway will be announced on Wednesday, so there is still time to enter for a chance to receive Chika Shiomi’s Yukarism, Volume 1. The first review posted last week was of JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1, the very beginning of Hirohiko Araki’s long-running, outlandish, supernatural epic. It can be pretty brutal and the manga certainly won’t be to everyone’s taste, but I’m very happy to finally see it being released in English. Over the weekend I posted my review of Aya Kanno’s Requiem of the Rose King, Volume 1, a moody historical fantasy inspired by William Shakespeare’s Henry VI and Richard III. The debut of this series was one of the manga I was most looking forward to this year. I’m very happy to say that I loved it.

And speaking of Aya Kanno, it was recently announced that she will be one of the featured guests at this year’s Toronto Comic Arts Festival! (TCAF is currently the only large comics event that I attend.) Gengoroh Tagame, who was a featured guest in 2013, will be returning to TCAF this year as well. Ken Niimura (whose collection of short manga Henshin I thoroughly enjoyed and reviewed back in February) will also be an exhibitor. And since I mentioned Niimura, I would also like to point out Organization Anti-Social Geniuses’ interview with him from last week. Completely unrelated to TCAF, Seven Seas made a new license announcement—the first volume of Arata Yamaji’s manga series A Certain Scientific Accelerator is currently scheduled for release in October.

Quick Takes

The Man of Tango by Tetuzoh Okadaya. Originally licensed but never actually published by Aurora’s Deux Press, I was very happy when Sublime Manga picked up Okadaya’s boys’ love manga The Man of Tango. The English-language edition of The Man of Tango includes the story’s debut one-shot as well as previously unpublished material, making it the most complete version of the manga currently available. Though technically a boys’ love manga, with its burly character designs and emphasis on physicality, the tone of The Man of Tango is fairly masculine and the volume feels more like a gay manga. (Interestingly enough, Okadaya apparently didn’t even know what BL was before being invited to create the story.) As can be safely assumed from the title alone, tango plays a very prominent role in The Man of Tango. Dance is portrayed as a means of passionate expression and communication. Angie is a skilled dancer who teaches Argentine tango in Japan. Although he has been in many relationships, it isn’t until he meets Hiro, who exhibits a natural talent for tango, that he has completely fallen for someone.

Say I Love You, Volumes 5-6 by Kanae Hazuki. I become more and more impressed with Say I Love You the more I read of the series. Hazuki has captured the turmoil and insecurities of adolescence incredibly well. Sometimes the characters do seem a little wise or mature for their age, but generally the series remains well within the realm of believability. At the very least, the constantly shifting and messy interpersonal relationships of the series feel very realistic. Say I Love You excels at character growth and development. The recent introduction of new characters have complicated matters greatly for Mei and Yamato. Kai has started to develop feelings for Mei and he tends to be honest to a fault, which results in a significant amount of drama and strife as Yamato struggles with how to deal with his jealously. Another source of discord is Megumi. Her advances were rejected by Yamato and so she is doing everything that she can to disrupt Mei’s friendships and make her miserable. Mei, who is still learning to have confidence in herself and in her relationships with other people, is particularly susceptible to this sort of attack.

xxxHolic, Omnibuses 3-4 (equivalent to Volumes 7-12) by CLAMP. I only read the first few volumes of xxxHolic when it was initially being published in English by Del Rey Manga, so the material included in these omnibuses is completely new to me. While Watanuki still tends to be extreme in his reactions—quickly moving between utter joy and absolute despair—for the most part the tone of xxxHolic has started to even out and the balance between the series’ humor and the horror is better. There continue to be comedic elements, but the manga’s more serious nature has come to the forefront. Though frequently it’s deliberately cryptic, at times the manga can actually be fairly thought-provoking. xxxHolic has turned out to be far less episodic than I thought it was going to be. Some of the chapters don’t have a dramatic or direct impact on the story, but an overarching plot has developed. The series also ties in with Tsubasa: Reservoir Chronicle, but the connection between the two manga occasionally seems a little forced. I find that I enjoy xxxHolic more when it’s completely free to be its own work.

Requiem of the Rose King, Volume 1

March 29, 2015 by Ash Brown

Creator: Aya Kanno
U.S. publisher: Viz Media
ISBN: 9781421567785
Released: March 2015
Original release: 2014

The English-language release of Aya Kanno’s Requiem of the Rose King was one of the manga that I was most looking forward to in 2015. Several of Kanno’s series have previously been translated into English—Soul Rescue, Blank Slate, and Otomen—all of which are quite different from one another, and Requiem of the Rose King is different still. I tend to enjoy Kanno’s work, but I was particularly interested in Requiem of the Rose King because the series is based on William Shakespeare’s Henry VI and Richard III, the first tetralogy of a series of plays that dramatize the Wars of the Roses, a dynastic conflict over the English crown in the fifteenth-century. I adore Shakespeare (I actually used to perform monologues competitively as part of my high school’s speech and drama team back in the day) and so was excited to learn about Kanno’s adaptation and thrilled when Viz Media licensed it. Requiem of the Rose King, Volume 1 was first released in Japan in 2014 while Viz’s English-language edition was published in 2015.

Young Richard is the third son of the Duke of York, a man who many believe to be the rightful successor to England’s throne. The current king, Henry VI, inherited rulership from his father as a child, but the Lancasters are accused of usurping the crown when their house executed King Richard II for treason. Richard desires nothing more than to see his father crowned king and as his son to prove himself worthy of his noble lineage. But Richard’s fate is a troubled one. His body, not fully male, is considered to be deformed and weak, a sign of demonic influence. He is plagued by nightmares, visions, and seemingly prophetic dreams. Richard is adored by his father and loved by his older brothers, but his mother despises him, believing his cursed existence to be a harbinger of evil and death and ashamed of her role in bringing him into the world. Whether or not it is because of Richard’s presence, that world is about to descend into chaos and civil war as the Yorks and the Lancasters vie for the crown.

Requiem of the Rose King is not a strict adaptation of Shakespeare’s plays. Instead, Kanno uses them as a source of inspiration, remixing, as she describes it, the characters, dialogue, and settings of Shakespeare’s originals to create a distinct work of her own. The manga’s English translation is excellent. With their refined formality and elegance, the patterns of speech, dialogues, and monologues are reminiscent of Shakespeare without necessarily quoting directly from his plays. A reader does not at all need to be familiar with Henry VI or Richard III to enjoy Requiem of the Rose King. One of the most striking differences between Requiem of the Rose King and Shakespeare’s dramas is the portrayal of Richard. At this point in the series, Kanno’s Richard is a much more sympathetic character than Shakespeare’s ever was. However, there is still a tense and ominous atmosphere that surrounds him in Requiem of the Rose King. It is very clear that the first volume of the manga is a prelude to even grater tragedies to come.

There is always a danger of disappointment when anticipating a manga to such a great extent, but I can honestly say that I loved the first volume of Requiem of the Rose King. It’s theatric and dramatic, with appealing artwork and interesting interpretations of historical figures. Because Requiem of the Rose King is based on plays that were already dramatizations of actual persons and events, the series isn’t rigorous in its historical accuracy. However, I find Kanno’s version to be both fascinating and immensely engaging. The manga is a bit fragmented in its storytelling, quickly moving from one scene to the next and to from time to time overlapping dreams and reality, but I feel this effectively reinforces the turmoil of the era as well as the unrest experienced by the individual characters. Requiem of the Rose King is a beautifully dark and compelling historical fantasy. I’m very much looking forward to reading the second volume and seeing how the rivalry between the Lancasters and the Yorks continues to play out.

JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Vol. 1

March 27, 2015 by Ash Brown

Creator: Hirohiko Araki
U.S. publisher: Viz Media
ISBN: 9781421578798
Released: February 2015
Original release: 1987-1988

Hirohiko Araki’s multi-generational epic JoJo’s Bizarre Adventure is one of the longest-running manga series in Japan. Araki began the series in 1986 and the manga is still ongoing at well over a hundred volumes. Between 2005 and 2010, Viz Media published the sixteen volumes of the third story arc, Stardust Crusaders, arguably on of the most popular, or at least well-known, parts of the series. In 2012, NBM Publishing released Rohan at the Louvre, a largely standalone manga related to Diamond Is Unbreakable, the fourth arc of JoJo’s Bizarre Adventure. Finally, in 2015, the first part of the epic, Phantom Blood was released in print in English by Viz in a beautiful, deluxe hardcover edition. Phantom Blood was originally published in Japan in five volumes between 1987 and 1988, but was reissued in three volumes in 2002. That release is the basis for Viz’s English-language edition. JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1 includes the entirety of the first volume and the majority of the second volume of the original Japanese release.

Jonathan Joestar, known as JoJo, is the son of a wealthy 19th-century English nobleman. He lost his mother while still an infant when the entire family was involved in a tragic carriage accident. JoJo survived, but his mother and the driver died and his father was severely injured. Years later, a young man named Dio Brando is sent to live with the Joestars. His father, who recently passed away, was the first person upon the scene of the carriage accident. Lord Joestar believes himself to be in Brando’s debt, under the mistaken impression that he saved his life, and so welcomes Dio with open arms. But Dio isn’t the upright character he often portrays himself to be. His intention is to destroy the Joestar family and take its wealth for his own using anyone and any means necessary, including a mysterious stone mask that grants vampiric powers. JoJo is the only person to suspect Dio isn’t all that he seems, and Dio is determined to make his life miserable. The two of them are raised as brothers, but despite JoJo’s initial attempts at friendship, there is no love lost between them.

JoJo’s Bizarre Adventure is a very aptly named series. Phantom Blood is strange and outlandish, proceeding at a breakneck pace with a tremendous amount of drama and flying fists. It’s not subtle by any means, but the series’ uninhibited, over-the-top nature is part of Araki’s style. Heightened action and drama often take precedence over logical consistencies or realism in the manga’s artwork and story. Devastating injuries that would maim or kill most people are easily disregarded or overcome by the series’ heroes and villains, although the pain and suffering they incur certainly leave an impression. JoJo and Dio fight it out on several different occasions in the first volume of Phantom Blood, each battle becoming increasingly more violent and destructive, and they are pretty bloody to being with. And that’s not even taking into account the psychological damage that also results. JoJo’s Bizarre Adventure can be brutal.

Dio is one of the most fabulous antagonists that I’ve come across in manga. Extraordinarily charismatic and completely without scruples, he makes an extremely dangerous opponent. But Dio does have flaws, and he is a much more interesting character because of them. While he is often unable to control his intense anger and arrogance, even at a young age he is able to hold people under his thrall. JoJo on the other hand, especially in comparison to Dio, is astoundingly honest, naive, and kindhearted, a gentleman through and through in both mind and deed. He uses his strength of character and impressive physical fortitude to protect his family and other people he cares about. JoJo’s repeated confrontations with Dio force hem to become even stronger as the series progresses. He grows into a formidable opponent in his own right with a firm sense of and desire for justice. The stark contrast between the two young men and the extreme dynamics of their relationship are a large part of what makes Phantom Blood such an engaging manga.

Manga the Week of 4/1

March 26, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 2 Comments

SEAN: No, this isn’t an April Fool, there’s actually quite a lot of manga out this week (not technically a ‘first week of the month’ as it’s the 1st – if that makes sense).

Another era passes, as Dark Horse puts out the final volume of Blade of the Immortal, about which I’m sure Ash can enthuse about much more than I can.

MICHELLE: Wow, how many long-running things have they finished recently? At least two, in my memory.

ASH: It’s finally here!! Nearly two decades after the first volume was released in English. I am indeed enthused.

SEAN: Dark Horse also has the 8th omnibus of Lone Wolf & Cub.

Kodansha has the 4th volume of Attack on Titan prequel Before The Fall, whose blurb makes it sound as if we’re in for more horrible things happening to good people, in the best prequel tradition.

And Fairy Tail 47 means I am now 10 volumes behind. Ah well.

The debut of the week is one I’m quite looking forward to: Yamada-kun and the Seven Witches. I had, years ago, done a license request for the author’s prior Shonen Magazine title, Yankee-kun to Megane-chan. I never got that, but this has much of the same characteristics that made it a fan favorite. Delinquents, body swaps, humor… what’s not to like? Crunchyroll also has a digital version, if you want to binge-read.

MICHELLE: Hmm.

ASH: I’ve heard really good things about this series. (Also, are witches the new vampire?)

ANNA: I think mermaids and fairies are the new vampire!

SEAN: Udon is putting out another manga version of classic literature, with The Scarlet Letter.

Vertical’s Prophecy wraps up with its 3rd volume. Have the guys with paper bag masks considered crossing over with the animal mask folks from Doubt/Judge/etc?

What Did You Eat Yesterday? has a 7th volume, with more food and cooking, and perhaps also some plot as a side dish.

MICHELLE: Yay!

ASH: Double yay!

MJ: Triple YAY!!!

ANNA: Quadruple YAY!!!

SEAN: Lastly, we have a 6th volume of Wolfsmund, which never fails to put a smile on the face and a song in the heart. I believe Vertical is seeing if they can sell the rights as a musical.

ASH: That would certainly be something.

SEAN: Are you buying manga on the 1st of April, or just avoiding the Internet as sensible people do?

Manga Giveaway: Yukarism Giveaway

March 25, 2015 by Ash Brown

While February seemed to last forever, March felt like it sped by pretty quickly—it’s already time for the next manga giveaway at Experiments in Manga! (Part of the reason it seems to have arrived so soon is that this is one of the earliest days possible for a giveaway to start in any given month.) February’s giveaway focused on immortals, characters whose bodies don’t die, which got me to thinking about a slightly different version of immortality, reincarnation. And so for this month’s giveaway, you’ll all have a chance to win Chika Shiomi’s Yukarism, Volume 1, published in English by Viz Media. As always, the giveaway is open worldwide!

Whether or not you believe in reincarnation, it makes for some very interesting storytelling. In a way, it’s a sort of immortality—a person’s soul or very self is born and reborn over and over again. Generally, that person does not initially realize they are a reincarnation, but as they become aware of their past lives and memories their current lives and relationships are significantly impacted. Saki Hiwatari’s Please Save My Earth, Kaori Yuki’s Angel Sanctuary, and Chika Shiomi’s Yukarism are a few of the manga series exploring some of the implications of reincarnation that immediately come to my mind. (Interestingly enough, they all happen to be shoujo manga, too!)

So, you may be wondering, how can you win a copy of Yukarism, Volume 1?

1) In the comments below, tell me a little about your favorite manga dealing with reincarnation. (If you haven’t read a reincarnation story, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you go! With one week to submit comments, each person participating in the giveaway can earn up to two entries. If needed or preferred, comments can also be emailed directly to phoenixterran(at)gmail(dot)com and I will then post them here in your name. The winner of the giveaway will be randomly selected and announced on April 1, 2015.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Yukarism Giveaway Winner