Ash Brown

Manga the Week of 4/8

April 2, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: ‘Tis Spring, and a young man or woman’s thoughts naturally turn to manga. What pleasures await us next week?

Unlike Strike Witches (look, panties!), Arpeggio of Blue Steel is an honest to goodness spy thriller that just happens to feature girls who are battleships. This is likely why I’m looking forward to the fourth volume from Seven Seas.

And for those who prefer their manga with a bit more yuri, there’s the 2nd volume of school drama Citrus.

Vertical gives us a new volume of Ajin: Demi-Human.

ASH: If you don’t mind dark and violent, Ajin is shaping up to be a great series.

SEAN: The rest is Viz. We get a 3rd Assassination Classroom, one of my favorite new Jump licenses.

ANNA: I haven’t read the second volume yet, but I’m looking forward to catching up. This series is fun and quirky.

SEAN: And one of my absolute favorite Shojo Beat series comes to an end with the final volume of Dengeki Daisy. Will Kurosaki finally go bald? The most important question yet to be answered!

MICHELLE: There’s so much VIZ I am gonna be reading from this week, man. Definitely all the shoujo!

ASH: Wow, Viz really is releasing a bunch of great stuff next week! I’m due for a Dengeki Daisy marathon read.

ANNA: The main story wraps up pretty quickly, but there are a ton of side stories in this volume which I always like.

SEAN: Meanwhile, in Food Wars! 5, all our hero has to worry about is having his life ruined forever by not serving enough breakfasts.

MICHELLE: I fell a couple volumes behind on this one, and am looking forward to a Food Wars! binge.

SEAN: And there’s not only war among chefs, there’s also Library Wars, though I think its 13th volume may be a bit less serious than previous ones.

Meteor Prince also comes to an end, though with only two volumes it’s had less of a chance to addict us than Dengeki Daisy has.

ANNA: The first volume was adorable!

SEAN: If you aren’t picking up the 4th volume of My Love Story!! next week, there’s something terribly wrong with you. (Apologies to TMBG.)

MICHELLE: There certainly is.

ASH: Such an incredibly delightful series!

MJ: Agreed!

ANNA: Double Agreed!

SEAN: One Piece 74 promises to give us more action, intrigue, silliness, drama, and possibly fresh fruit as well.

Skip Beat! 34 once again asks the question “will this be the volume where the plot progresses?”.

MICHELLE: I don’t even mind if it isn’t.

ANNA: I don’t care either!

SEAN: Toriko hits Vol. 27, will it kill off its hero in a pitched battle? Unlikely.

Voice Over! is almost, but not quite, over as it hits double digits.

MICHELLE: I continue to be surprised I enjoy Voice Over! as much as I do, but I’m really fond of it. Maybe I like best the series with exclamation points.

SEAN: World Trigger 5 is a new volume of World Trigger.

Finally, there’s a 2nd Yukarism, a series that interested me more than I expected last time. Will Volume 2 keep it up?

MJ: I’m actually really interested in this. I think I liked this more than most critics, and I’m pretty happy to see more of it.

ANNA: The second volume delves more into the past live of the main character, and deals with some of the ramifications of reincarnation in the present. I’m enjoying it too.

SEAN: Manga over flowers? What’s your choice?

Manga Giveaway: Yukarism Giveaway Winner

April 1, 2015 by Ash Brown

And the winner of the Yukarism manga giveaway is… Haley!

As the winner, Haley will be receiving the first volume of Chika Shiomi’s manga series Yukarism as published by Viz Media’s Shojo Beat. Because Yukarism has a plot that prominently features reincarnation, I was curious to know what other reincarnation stories people have enjoyed and so asked participants in the giveaway to tell me. Check out the giveaway comments for everyone’s responses, and check out below for a list of reincarnation manga!

Some of the manga licensed in English featuring reincarnation:
07-Ghost by Yuki Amemiya
9th Sleep by Makoto Tateno
Angel Sanctuary by Kaori Yuki
Apollo’s Song by Osamu Tezuka
Aquarion Evol written by Shoji Kawamori, illustrated by Aogiri
The Betrayal Knows My Name by Odagiri Hotaru
A Bloody Kiss Tonight by Makoto Tateno
Bride of Deimos written by Etsuko Ikeda, illustrated by Yuho Ashibe
Ceres: Celestial Legend by Yuu Watase
Enchanter by Izumi Kawachi
Gate 7 by CLAMP
Genju no Seiza by Matsuri Akino
Himeyuka & Rozione’s Story by Sumomo Yumeka
Immortal Rain by Kaori Ozaki
InuYasha by Rumiko Takahashi
Kamunagara: Rebirth Of The Demonslayer by Hajime Yamamura
Kannazuki No Miko: Destiny of Shrine Maiden by Kaishaku
Mouryou Kiden: Legend of the Nymph by Tamayo Akiyama
Night of the Beasts by Chika Shiomi
NG Life by Mizuho Kusanagi
Ninth Life Love by Lalako Kojima
Oyayubihime Infinity by Toru Fujieda
Phantom Thief Jeanne by Arina Tanemura
Phoenix by Osamu Tezuka
Please Save My Earth by Saki Hiwatari
Pieces of a Spiral by Kaimu Tachibana
Sailor Moon by Naoko Takeuchi
Seimaden by You Higuri
Sengoku Nights written by Kei Kusunoki, illustrated by Kaoru Ohashi
Sherlock Bones written by Yuma Ando, illustrated by Yuki Sato.
Tower of the Future by Saki Hiwatari
Tale of a White Knight by Tooko Miyagi
Tuxedo Gin by Tokihiko Matsuura
Yukarism by Chika Shiomi
Vampire Game by Judal

I know for a fact that the above list is incomplete and that there are more reincarnation manga out there, but it’s probably a decent place to start for anyone looking for a reincarnation story to read. Thank you to everyone who shared your favorites with me; I hope you’ll join in for the next giveaway, too!

Pick of the Week: Yoshinaga & More

March 30, 2015 by Anna N, Michelle Smith, MJ, Ash Brown and Sean Gaffney 1 Comment

ANNA: This week has the ending of a long-running series with Blade of the Immortal and a couple debut volumes. What looks good to you this first week of April? While there is plenty of manga coming out this week, the main volume that has my attention is What Did You Eat Yesterday? Volume 7.

MICHELLE: Yep, same here. As much as I admire Blade of the Immortal, my heart just belongs to Yoshinaga. I canna help it!

MJ: Same. Yoshinaga + food + relationships = the key to MJ’s heart. Forever. What Did You Eat Yesterday? can be my only choice this week.

ASH: I guess it’s up to me to make Blade of the Immortal an official pick! I’m always up for another course of What Did You Eat Yesterday?, but Blade of the Immortal holds a very special place in my heart as one of the first manga that I ever read. I’m looking forward to its conclusion.

SEAN: And as I hinted in Manga the Week of, my pick is the new Kodansha series Yamada-kun and the Seven Witches. If nothing else, I’m a sucker for delinquent stories.

What looks good to you this week?

Random Musings: Kôsen’s Lêttera at Sparkler Monthly

March 30, 2015 by Ash Brown

Studio Kôsen, also known simply as Kôsen, is a creative team made up of two Spanish artists: Aurora García Tejado and Diana Fernández Dévora. In Spain, they have been working together creating comics and drawing illustrations since 1998. Beginning in 2004, they started releasing translations of their work in English in the United States, but their comics have been released in other countries as well, including Germany, Poland, Italy, and Argentina.

I was first introduced to Kôsen through their comic Saihôshi: The Guardian, the English-translation of which was initially released by Yaoi Press in 2006. An amusing fantasy with magic and exciting sword fights to go along with its dramatic romance, Saihôshi is representative of what I’ve come to expect from and love most about Kôsen’s work: beautifully drawn, highly entertaining, sexy tales of adventure with a strong sense of humor.

One of Kôsen’s most recent efforts is the ongoing, original English-language comic Windrose, currently being serialized in the online multi-media magazine Sparkler Monthly. It’s a delightful series about a young Spanish lady named Danielle in the 17th century who, when her father goes missing, sets out to find him. In the process she becomes involved with a pair of travelers, Angeline and Leon, who have their own reasons for wanting to help Danielle.

And now there will be even more of Kôsen’s work at Sparkler Monthly! I am pleased to have the privilege to announce that the site will also be hosting Kôsen’s Lêttera, the comic that the duo was working on immediately before Windrose. The three-volume series was released in Spain between 2010 and 2014, but this will be the first time that Lêttera will be made available in its entirety in English.

Garnet Rune is a young, impetuous sorcerer whose tendency to abuse her magic for her own amusement and gain has gotten her into a bit of trouble—she’s been cursed so that every time she casts a spell, a poisoned mark appears on her body, slowly killing her. This forces Garnet to become more mindful of her actions, but it hasn’t really improved her attitude much. Though things don’t always go according to plan, she’s determined to lift the curse by any means necessary.

Lêttera debuts on Sparkler Monthly today with the release of the complete first chapter. The comic will continue to update on Mondays, Wednesdays, and Fridays—six pages a week—until the entire series has been released. Lêttera will be free to read online, but in the near future the ebook edition will be available for purchase. And, if we’re lucky, there may one day be a print edition of Lêttera in English as well.

Personally, I’m very excited to see more of Kôsen’s work translated, and I’m very happy to see Sparkler Monthly involved in making that happen. I was already a huge fan of Sparkler Monthly, but I’m thrilled with the magazine’s recent expansions to include even more comics. With magic, adventure, and a healthy dose of comedy, Lêttera should be a tremendous amount of fun and a great addition to the Sparkler Monthly lineup.

My Week in Manga: March 23-March 29, 2015

March 30, 2015 by Ash Brown

My News and Reviews

Well, it wasn’t really intentional, but last week at Experiments in Manga was apparently Viz Media week. Both of the in-depth manga reviews posted as well as the most recent manga giveaway feature Viz Media titles. The winner of this month’s giveaway will be announced on Wednesday, so there is still time to enter for a chance to receive Chika Shiomi’s Yukarism, Volume 1. The first review posted last week was of JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1, the very beginning of Hirohiko Araki’s long-running, outlandish, supernatural epic. It can be pretty brutal and the manga certainly won’t be to everyone’s taste, but I’m very happy to finally see it being released in English. Over the weekend I posted my review of Aya Kanno’s Requiem of the Rose King, Volume 1, a moody historical fantasy inspired by William Shakespeare’s Henry VI and Richard III. The debut of this series was one of the manga I was most looking forward to this year. I’m very happy to say that I loved it.

And speaking of Aya Kanno, it was recently announced that she will be one of the featured guests at this year’s Toronto Comic Arts Festival! (TCAF is currently the only large comics event that I attend.) Gengoroh Tagame, who was a featured guest in 2013, will be returning to TCAF this year as well. Ken Niimura (whose collection of short manga Henshin I thoroughly enjoyed and reviewed back in February) will also be an exhibitor. And since I mentioned Niimura, I would also like to point out Organization Anti-Social Geniuses’ interview with him from last week. Completely unrelated to TCAF, Seven Seas made a new license announcement—the first volume of Arata Yamaji’s manga series A Certain Scientific Accelerator is currently scheduled for release in October.

Quick Takes

The Man of Tango by Tetuzoh Okadaya. Originally licensed but never actually published by Aurora’s Deux Press, I was very happy when Sublime Manga picked up Okadaya’s boys’ love manga The Man of Tango. The English-language edition of The Man of Tango includes the story’s debut one-shot as well as previously unpublished material, making it the most complete version of the manga currently available. Though technically a boys’ love manga, with its burly character designs and emphasis on physicality, the tone of The Man of Tango is fairly masculine and the volume feels more like a gay manga. (Interestingly enough, Okadaya apparently didn’t even know what BL was before being invited to create the story.) As can be safely assumed from the title alone, tango plays a very prominent role in The Man of Tango. Dance is portrayed as a means of passionate expression and communication. Angie is a skilled dancer who teaches Argentine tango in Japan. Although he has been in many relationships, it isn’t until he meets Hiro, who exhibits a natural talent for tango, that he has completely fallen for someone.

Say I Love You, Volumes 5-6 by Kanae Hazuki. I become more and more impressed with Say I Love You the more I read of the series. Hazuki has captured the turmoil and insecurities of adolescence incredibly well. Sometimes the characters do seem a little wise or mature for their age, but generally the series remains well within the realm of believability. At the very least, the constantly shifting and messy interpersonal relationships of the series feel very realistic. Say I Love You excels at character growth and development. The recent introduction of new characters have complicated matters greatly for Mei and Yamato. Kai has started to develop feelings for Mei and he tends to be honest to a fault, which results in a significant amount of drama and strife as Yamato struggles with how to deal with his jealously. Another source of discord is Megumi. Her advances were rejected by Yamato and so she is doing everything that she can to disrupt Mei’s friendships and make her miserable. Mei, who is still learning to have confidence in herself and in her relationships with other people, is particularly susceptible to this sort of attack.

xxxHolic, Omnibuses 3-4 (equivalent to Volumes 7-12) by CLAMP. I only read the first few volumes of xxxHolic when it was initially being published in English by Del Rey Manga, so the material included in these omnibuses is completely new to me. While Watanuki still tends to be extreme in his reactions—quickly moving between utter joy and absolute despair—for the most part the tone of xxxHolic has started to even out and the balance between the series’ humor and the horror is better. There continue to be comedic elements, but the manga’s more serious nature has come to the forefront. Though frequently it’s deliberately cryptic, at times the manga can actually be fairly thought-provoking. xxxHolic has turned out to be far less episodic than I thought it was going to be. Some of the chapters don’t have a dramatic or direct impact on the story, but an overarching plot has developed. The series also ties in with Tsubasa: Reservoir Chronicle, but the connection between the two manga occasionally seems a little forced. I find that I enjoy xxxHolic more when it’s completely free to be its own work.

Requiem of the Rose King, Volume 1

March 29, 2015 by Ash Brown

Creator: Aya Kanno
U.S. publisher: Viz Media
ISBN: 9781421567785
Released: March 2015
Original release: 2014

The English-language release of Aya Kanno’s Requiem of the Rose King was one of the manga that I was most looking forward to in 2015. Several of Kanno’s series have previously been translated into English—Soul Rescue, Blank Slate, and Otomen—all of which are quite different from one another, and Requiem of the Rose King is different still. I tend to enjoy Kanno’s work, but I was particularly interested in Requiem of the Rose King because the series is based on William Shakespeare’s Henry VI and Richard III, the first tetralogy of a series of plays that dramatize the Wars of the Roses, a dynastic conflict over the English crown in the fifteenth-century. I adore Shakespeare (I actually used to perform monologues competitively as part of my high school’s speech and drama team back in the day) and so was excited to learn about Kanno’s adaptation and thrilled when Viz Media licensed it. Requiem of the Rose King, Volume 1 was first released in Japan in 2014 while Viz’s English-language edition was published in 2015.

Young Richard is the third son of the Duke of York, a man who many believe to be the rightful successor to England’s throne. The current king, Henry VI, inherited rulership from his father as a child, but the Lancasters are accused of usurping the crown when their house executed King Richard II for treason. Richard desires nothing more than to see his father crowned king and as his son to prove himself worthy of his noble lineage. But Richard’s fate is a troubled one. His body, not fully male, is considered to be deformed and weak, a sign of demonic influence. He is plagued by nightmares, visions, and seemingly prophetic dreams. Richard is adored by his father and loved by his older brothers, but his mother despises him, believing his cursed existence to be a harbinger of evil and death and ashamed of her role in bringing him into the world. Whether or not it is because of Richard’s presence, that world is about to descend into chaos and civil war as the Yorks and the Lancasters vie for the crown.

Requiem of the Rose King is not a strict adaptation of Shakespeare’s plays. Instead, Kanno uses them as a source of inspiration, remixing, as she describes it, the characters, dialogue, and settings of Shakespeare’s originals to create a distinct work of her own. The manga’s English translation is excellent. With their refined formality and elegance, the patterns of speech, dialogues, and monologues are reminiscent of Shakespeare without necessarily quoting directly from his plays. A reader does not at all need to be familiar with Henry VI or Richard III to enjoy Requiem of the Rose King. One of the most striking differences between Requiem of the Rose King and Shakespeare’s dramas is the portrayal of Richard. At this point in the series, Kanno’s Richard is a much more sympathetic character than Shakespeare’s ever was. However, there is still a tense and ominous atmosphere that surrounds him in Requiem of the Rose King. It is very clear that the first volume of the manga is a prelude to even grater tragedies to come.

There is always a danger of disappointment when anticipating a manga to such a great extent, but I can honestly say that I loved the first volume of Requiem of the Rose King. It’s theatric and dramatic, with appealing artwork and interesting interpretations of historical figures. Because Requiem of the Rose King is based on plays that were already dramatizations of actual persons and events, the series isn’t rigorous in its historical accuracy. However, I find Kanno’s version to be both fascinating and immensely engaging. The manga is a bit fragmented in its storytelling, quickly moving from one scene to the next and to from time to time overlapping dreams and reality, but I feel this effectively reinforces the turmoil of the era as well as the unrest experienced by the individual characters. Requiem of the Rose King is a beautifully dark and compelling historical fantasy. I’m very much looking forward to reading the second volume and seeing how the rivalry between the Lancasters and the Yorks continues to play out.

JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Vol. 1

March 27, 2015 by Ash Brown

Creator: Hirohiko Araki
U.S. publisher: Viz Media
ISBN: 9781421578798
Released: February 2015
Original release: 1987-1988

Hirohiko Araki’s multi-generational epic JoJo’s Bizarre Adventure is one of the longest-running manga series in Japan. Araki began the series in 1986 and the manga is still ongoing at well over a hundred volumes. Between 2005 and 2010, Viz Media published the sixteen volumes of the third story arc, Stardust Crusaders, arguably on of the most popular, or at least well-known, parts of the series. In 2012, NBM Publishing released Rohan at the Louvre, a largely standalone manga related to Diamond Is Unbreakable, the fourth arc of JoJo’s Bizarre Adventure. Finally, in 2015, the first part of the epic, Phantom Blood was released in print in English by Viz in a beautiful, deluxe hardcover edition. Phantom Blood was originally published in Japan in five volumes between 1987 and 1988, but was reissued in three volumes in 2002. That release is the basis for Viz’s English-language edition. JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1 includes the entirety of the first volume and the majority of the second volume of the original Japanese release.

Jonathan Joestar, known as JoJo, is the son of a wealthy 19th-century English nobleman. He lost his mother while still an infant when the entire family was involved in a tragic carriage accident. JoJo survived, but his mother and the driver died and his father was severely injured. Years later, a young man named Dio Brando is sent to live with the Joestars. His father, who recently passed away, was the first person upon the scene of the carriage accident. Lord Joestar believes himself to be in Brando’s debt, under the mistaken impression that he saved his life, and so welcomes Dio with open arms. But Dio isn’t the upright character he often portrays himself to be. His intention is to destroy the Joestar family and take its wealth for his own using anyone and any means necessary, including a mysterious stone mask that grants vampiric powers. JoJo is the only person to suspect Dio isn’t all that he seems, and Dio is determined to make his life miserable. The two of them are raised as brothers, but despite JoJo’s initial attempts at friendship, there is no love lost between them.

JoJo’s Bizarre Adventure is a very aptly named series. Phantom Blood is strange and outlandish, proceeding at a breakneck pace with a tremendous amount of drama and flying fists. It’s not subtle by any means, but the series’ uninhibited, over-the-top nature is part of Araki’s style. Heightened action and drama often take precedence over logical consistencies or realism in the manga’s artwork and story. Devastating injuries that would maim or kill most people are easily disregarded or overcome by the series’ heroes and villains, although the pain and suffering they incur certainly leave an impression. JoJo and Dio fight it out on several different occasions in the first volume of Phantom Blood, each battle becoming increasingly more violent and destructive, and they are pretty bloody to being with. And that’s not even taking into account the psychological damage that also results. JoJo’s Bizarre Adventure can be brutal.

Dio is one of the most fabulous antagonists that I’ve come across in manga. Extraordinarily charismatic and completely without scruples, he makes an extremely dangerous opponent. But Dio does have flaws, and he is a much more interesting character because of them. While he is often unable to control his intense anger and arrogance, even at a young age he is able to hold people under his thrall. JoJo on the other hand, especially in comparison to Dio, is astoundingly honest, naive, and kindhearted, a gentleman through and through in both mind and deed. He uses his strength of character and impressive physical fortitude to protect his family and other people he cares about. JoJo’s repeated confrontations with Dio force hem to become even stronger as the series progresses. He grows into a formidable opponent in his own right with a firm sense of and desire for justice. The stark contrast between the two young men and the extreme dynamics of their relationship are a large part of what makes Phantom Blood such an engaging manga.

Manga the Week of 4/1

March 26, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 2 Comments

SEAN: No, this isn’t an April Fool, there’s actually quite a lot of manga out this week (not technically a ‘first week of the month’ as it’s the 1st – if that makes sense).

Another era passes, as Dark Horse puts out the final volume of Blade of the Immortal, about which I’m sure Ash can enthuse about much more than I can.

MICHELLE: Wow, how many long-running things have they finished recently? At least two, in my memory.

ASH: It’s finally here!! Nearly two decades after the first volume was released in English. I am indeed enthused.

SEAN: Dark Horse also has the 8th omnibus of Lone Wolf & Cub.

Kodansha has the 4th volume of Attack on Titan prequel Before The Fall, whose blurb makes it sound as if we’re in for more horrible things happening to good people, in the best prequel tradition.

And Fairy Tail 47 means I am now 10 volumes behind. Ah well.

The debut of the week is one I’m quite looking forward to: Yamada-kun and the Seven Witches. I had, years ago, done a license request for the author’s prior Shonen Magazine title, Yankee-kun to Megane-chan. I never got that, but this has much of the same characteristics that made it a fan favorite. Delinquents, body swaps, humor… what’s not to like? Crunchyroll also has a digital version, if you want to binge-read.

MICHELLE: Hmm.

ASH: I’ve heard really good things about this series. (Also, are witches the new vampire?)

ANNA: I think mermaids and fairies are the new vampire!

SEAN: Udon is putting out another manga version of classic literature, with The Scarlet Letter.

Vertical’s Prophecy wraps up with its 3rd volume. Have the guys with paper bag masks considered crossing over with the animal mask folks from Doubt/Judge/etc?

What Did You Eat Yesterday? has a 7th volume, with more food and cooking, and perhaps also some plot as a side dish.

MICHELLE: Yay!

ASH: Double yay!

MJ: Triple YAY!!!

ANNA: Quadruple YAY!!!

SEAN: Lastly, we have a 6th volume of Wolfsmund, which never fails to put a smile on the face and a song in the heart. I believe Vertical is seeing if they can sell the rights as a musical.

ASH: That would certainly be something.

SEAN: Are you buying manga on the 1st of April, or just avoiding the Internet as sensible people do?

Manga Giveaway: Yukarism Giveaway

March 25, 2015 by Ash Brown

While February seemed to last forever, March felt like it sped by pretty quickly—it’s already time for the next manga giveaway at Experiments in Manga! (Part of the reason it seems to have arrived so soon is that this is one of the earliest days possible for a giveaway to start in any given month.) February’s giveaway focused on immortals, characters whose bodies don’t die, which got me to thinking about a slightly different version of immortality, reincarnation. And so for this month’s giveaway, you’ll all have a chance to win Chika Shiomi’s Yukarism, Volume 1, published in English by Viz Media. As always, the giveaway is open worldwide!

Whether or not you believe in reincarnation, it makes for some very interesting storytelling. In a way, it’s a sort of immortality—a person’s soul or very self is born and reborn over and over again. Generally, that person does not initially realize they are a reincarnation, but as they become aware of their past lives and memories their current lives and relationships are significantly impacted. Saki Hiwatari’s Please Save My Earth, Kaori Yuki’s Angel Sanctuary, and Chika Shiomi’s Yukarism are a few of the manga series exploring some of the implications of reincarnation that immediately come to my mind. (Interestingly enough, they all happen to be shoujo manga, too!)

So, you may be wondering, how can you win a copy of Yukarism, Volume 1?

1) In the comments below, tell me a little about your favorite manga dealing with reincarnation. (If you haven’t read a reincarnation story, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you go! With one week to submit comments, each person participating in the giveaway can earn up to two entries. If needed or preferred, comments can also be emailed directly to phoenixterran(at)gmail(dot)com and I will then post them here in your name. The winner of the giveaway will be randomly selected and announced on April 1, 2015.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Yukarism Giveaway Winner

Pick of the Week: Abundance

March 24, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: There is far, far too much here that I’m interested in, including many debuts. That said, my pick this week is a final volume, as I won’t be able to choose it again later. Soul Eater started slow for me, with the bizarre and surreal art keeping me going through the early volumes till I got to appreciate the bizarre, surreal characters more. Now it’s ending at Vol. 25, and I will miss it greatly.

ASH: Despite it being a big week for manga release, my pick is an easy choice for me. Like Sean’s, it’s also a final volume (although of a much shorter series). With it’s phenomenal artwork, fascinating, well-developed characters, and death-defying story, I am absolutely thrilled to be able to get my hands on the fifth volume of The Summit of the Gods.

MICHELLE: I’ll cast my lot with Love at Fourteen this week!

MJ: Okay, wow, I almost skipped out on this column today (moving week chaos), but holy cow are there a lot of promising manga for me to choose from! Yes, I’m interested in continuing/finishing series like the The Summit of the Gods, Love at Fourteen, and Sword Art Online: Progressive (how’s that for variety?), but there are also a few debuts that have really got my attention. Though I had mixed feelings about Olympos, I can’t deny that I’m looking forward to Angel of Elhamburg, the latest from that artist. And there’s no way I’m missing out on Kaori Yuki’s Demon From Afar, because c’mon. But I think I’ll throw my vote this week to the latest import from Zero-Sum, Karneval. Despite mixed reports from readers so far, I’m afraid that I just can’t resist the call. It’s beckoning, and I must answer.

ANNA: There’s so much coming out this week it is hard to pick! But out of all the manga coming out this week I’m probably most interested in Karneval, so that gets my pick as well.

What looks good to you this week?

My Week in Manga: March 16-March 22, 2015

March 23, 2015 by Ash Brown

My News and Reviews

Two more reviews were posted at Experiments in Manga last week. Only one was of a manga, but the other book does include illustrations! I’m a little behind in reviewing the series, but I finally wrote up my impressions of Fumi Yoshinaga’s What Did You Eat Yesterday?, Volume 6. (Just in time for the seventh volume to be released later this week!) There’s some really nice character development for Shiro and, as always, delicious-looking food. The second review posted last week was for Haikasoru’s anthology of short fiction Phantasm Japan: Fantasies Light and Dark from and about Japan which collects twenty-one horror-tinged stories. It has a great range of contributions and authors and is an excellent followup to the The Future Is Japanese anthology.

I’ve been busy at work and the taiko performance season is ramping up, so I’ve not had much time to pay attention to the manga news over the last week or so. (Let me know if I missed something good!) However, I did see that Manga Brog posted a translation of interviews of Inio Asano and Daisuke Igarashi from the magazine Manga Erotics F in 2012. And speaking of Asano, Vertical Comics apparently made a license announcement a couple of weekends ago—an omnibus edition of Asano’s A Girl on the Shore. Asano’s Nijigahara Holograph left a huge impression on me last year, so I’m really looking forward to reading more of his work in English.

Quick Takes

Attack on Titan, Volume 14 by Hajime Isayama. The cover of the fourteenth volume of Attack on Titan has a Western flair to it (“Western” as in the genre) and, surprisingly enough, so do the contents. I found the introduction of the trappings of the American Old West to be a little bizarre in a setting that has largely been European-influenced, but it is what it is. I never expected there to be a guns-blazing saloon shootout in Attack on Titan, but it is an admittedly exciting scene even if it does feel a little out-of-place. Also somewhat surprising, not a single Titan makes an appearance in the volume except for flashbacks. The series’ focus has shifted from the fight against the Titans to the conflict inside of the walls as humans are pitted against each other. The Survey Corps is in the process of trying to reveal some major conspiracies to the general public, schemes that the Military Police and government would rather not come to light, so things get pretty violent. All in all, even considering the odd Western elements, it’s an excellent volume of Attack on Titan with some great action sequences, character development, and plot progression.

Fairy Tail, Volumes 44-46 by Hiro Mashima. The Tartaros arc of Fairy Tail continues with these three volumes of the series. Fairy Tail is facing off with a guild of demons which is attempting to eliminate all magic except for its own curses. For the most part, it’s battle after battle without too much story development. Major sacrifices are made by Fairy Tail (sadly, some of them lose their significance and impact when Mashima doesn’t completely follow through with them), and a new antagonist is introduced, the extremely powerful King of the Underworld, Mard Geer. Reading Mashima’s afterwords at the end of each volume, it seems as though he has tried to carefully plan out the important events and battles of Fairy Tail. Even so, it feels as though the series meanders getting from one major plot point to the next, almost as if Mashima is making the story up as he goes instead of having a definite endpoint in mind. However, the fights can be exciting and the characters continue to evolve, or at least power up. I was pleased to see the forty-sixth volume turn the manga’s focus back onto Gray, though, bringing his most recent story arc to a satisfying conclusion.

Sankarea: Undying Love, Volume 10 by Mitsuru Hattori. There have been parts of Sankarea that I’ve really enjoyed, and parts of the series that I really have not, but overall the tenth volume frustrates me more than anything else. Mostly it’s because of the narrative structure and the fact that several important backstories are crammed into the volume. I almost wonder if Hattori realized that he was running out of time to bring the series to a proper conclusion. (There is only one more volume after this one.) It is good to finally find out more about Chihiro’s grandfather and all of his research into bringing the living back to life. And there are some great horror elements to that particular story, as well. I just really wish the revelation hadn’t taken the form of a huge infodump given by a conveniently revived zombie. However, I did like the different art styles that Hattori used to distinguish Chihiro’s memories of his mother and the story about Chihiro’s grandfather from the rest of the manga. And I am curious to see how Sankarea will end. It’s been a strange if somewhat uneven series about zombies and love, part horror manga and part romantic comedy.

Phantasm Japan: Fantasies Light and Dark from and about Japan

March 20, 2015 by Ash Brown

Editor: Nick Mamatas and Masumi Washington
Publisher: Viz Media
ISBN: 9781421571744
Released: September 2014

Phantasm Japan: Fantasies Light and Dark from and about Japan, edited by Nick Mamatas and Masumi Washington, is the second anthology of short fiction curated specifically for Haikasoru, the speculative fiction imprint of Viz Media. Phantasm Japan, published in 2014, is a followup of sorts to the 2012 anthology The Future is Japanese. A third anthology in the loosely-related series, Hanzai Japan, is currently being complied. I rather enjoyed The Future Is Japanese and so was looking forward to the release of Phantasm Japan. The anthology collects twenty-one pieces of short fiction, including an illustrated novella, from seventeen creators in addition to the two introductory essays written by the editors. Most of the stories are original to the collection, although a few of the translated works were previously published in Japan. Much like The Future Is Japanese, Phantasm Japan promised to be an intriguing collection.

With a title like Phantasm Japan I had anticipated an anthology inspired by yokai and Japanese folklore. And while the volume does include such tales—Zachary Mason’s “Five Tales of Japan” (tengu and various deities), James A. Moore’s “He Dreads the Cold” (yuki-onna), Benjanun Sriduangkaew’s “Ningyo” (mermaids and other mythological beings)—it incorporates a much broader variety of stories as well. The fiction found in Phantasm Japan is generally fairly serious in nature and tone and all of the stories tend to have at least a touch of horror to them, but they range from historical fiction to science fiction and from tales of fantasy to tales more firmly based in reality. Pasts, presents, and futures are all explored in Phantasm Japan. The authors of Phantasm Japan are as diverse as their stories. Some make their homes in Japan while some hail from the Americas, Europe, or other parts of Asia. Many are established, award-winning writers while others are newer voices. In fact, Lauren Naturale’s “Her Last Appearance,” inspired in part by the life of kabuki actor Kairakutei Black, marks her debut as a published author of fiction. I also personally appreciated the inclusion of both queer authors and queer characters in the anthology.

Other than being a collection of fantastical stories, there isn’t really an overarching theme to Phantasm Japan. However, some of the works do explore similar concepts, but use wildly different approaches and settings. In addition to the stories influenced by traditional lore, like “Inari Updates the Map of Rice Fields” by Alex Dally MacFarlane, there are those that reflect more contemporary concerns like Tim Pratt’s “Those Who Hunt Monsters” which mixes online dating, fetishism, and yokai. Ghost of various types make appearances throughout Phantasm Japan, from the supernatural haunting of Seia Tanabe’s “The Parrot Stone” to the biohazard-induced hallucinations of Sayuri Ueda’s “The Street of Fruiting Bodies.” Joseph Tomaras’ “Thirty-Eight Observations of the Self” is in part reminiscent of stories about living ghosts. Possessions are seen multiple times in the volume as well. In “Scissors or Claws, and Holes” by Yusaku Kitano, creatures are intentionally invited into a person’s body in order to exchange memories for visions of the future while in Jacqueline Koyanagi’s Kamigakari a consciousness is shared by a man and something that isn’t human as a result of an accident.

One of the recurring themes that I found particularly appealing in Phantasm Japan was the power of memories and stories to shape, create, define, and redefine reality. In Gary A. Braunbeck’s “Shikata Ga Nai: The Bag Lady’s Tale,” a tailor from a Japanese-American internment camp is responsible for passing on centuries worth of history. In “The Last Packet of Tea” by Quentin S. Crisp, an author struggles to write one last story. Project Itoh’s “From Nothing, With Love” (which re-convinced me that I need to read everything that he has written) is about a very specific cultural touchstone and the life that it has taken on. As with any short story collection, some of the stories are stronger than others and different stories will be enjoyed by different readers. Some contributions to Phantasm Japan are readily accessible to just about anyone, such as Nadia Bulkin’s “Girl, I Love You” and Miyuki Miyabe’s “Chiyoko,” but then there are more challenging works like Dempow Torishima’s exceptionally bizarre and grotesque novella Sisyphean. As for me, I enjoyed Phantasm Japan as an anthology. I liked the range and variety in the stories collected, and my reading list has certainly grown significantly because of it.

Manga the Week of 3/25

March 19, 2015 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 4 Comments

SEAN: Oh dear.

First off, it may not be in stores yet, but Kickstarter backers have gotten their two volumes of Tezuka’s Captain Ken from DMP. One of his early 60s shonen series (though, as with most of his series for kids, there are darker undertones), it’s complete in 2 volumes.

Kodansha stuff next. Air Gear 33. Roller blading! Pretty girls! Um…

Genshiken 2nd Season has its 6th volume out. The old cast has been slowly infiltrating the new series, even after graduation. Will this continue to be the Madarame Harem Show?

ASH: I’m a bit behind in this series, but I’ve enjoyed what I’ve read so far.

SEAN: Sankarea comes to an end with its 11th volume. Will all end well, like a good romantic comedy? Or will everything go horribly wrong, like a good horror manga?

And Ken Akamatsu gives us a 4th volume of Negima sorta-sequel UQ Holder.

Ponent Mon has the 5th and final volume of Summit of the Gods, for those who enjoy manly seinen mountain climbing manga. As everyone should.

ASH: I am absolutely thrilled to have this entire series in English.

MJ: This, yes, this!

SEAN: Alice in the Country of Joker’s Nightmare Trilogy comes to an end with, appropriately, Vol. 3. Will Alice and Nightmare find happiness? Can they overcome obstacles? Can they overcome the poor artwork? Will this have half a volume of short stories and Crimson Empire at the end of it? Is Alice in the Country of Hearts the new vampires? Can Heironymus Merkin ever forget Mercy Humppe and find true happiness?

MICHELLE: I would be very proud of myself if I caught this reference, but alas.

SEAN: The rest of this list is Yen, despite us being nowhere near the end. Let’s start with the Yen On imprint, as they have the 3rd Accel World light novel.

MJ: I’ve fallen behind on this, but I’m looking forward to catching up.

SEAN: I tend to forget about all of Yen’s Kingdom Hearts manga releases, but they’re big hits, and now Yen On has Kingdom Hearts: The Novel.

Sword Art Online: Progressive is not just a reboot of the series with an added focus on the world of Aincrad and more POV for heroine Asuna, it’s also huge – this first volume is much longer than Yen On’s other SAO books.

MJ: Yes!

SEAN: Not only do we have the 3rd Accel World novel, but also the 3rd Accel World manga.

Did you like Olympos? Or at least think it was really pretty? The same author’s Angel of Elhamburg is out next week. I do enjoy josei, especially from Shodensha, but I have a feeling this will be a Depressing-O-Rama.

ASH: Pretty and depressing? I’m in.

MJ: Sounds like my cup of tea.

SEAN: Given we’ve had eight volumes of Are You Alice? and it’s still not over, I fear we’re asking the wrong question. Perhaps Why Is Alice? Or How Is Alice? Does Alice Live Here Anymore?

Big Hero 6 is not only an Oscar-winning film, it’s also a manga, with Kodansha putting out the first (only?) volume next week.

Bloody Cross has a 6th volume out as well.

MICHELLE: Already?! Man, time flies.

SEAN: I made fun of Demon From Afar’s first volume for pretending to be something other than a Kaori Yuki manga till the blood-filled cliffhanger when we see no, it is a Kaori Yuki manga. I anticipate Vol. 2 will be darker.

MJ: Aaaaah, hm.

SEAN: Finally… no, just kidding, we’re still nowhere near finally. Next, we have the debut of another light novel/manga combo license, with the manga coming first. The Devil Is A Part-Timer! has Satan working in a fast-food joint,so I suspect ‘lighthearted’ is the order of the day.

ASH: The anime adaptation was actually pretty entertaining; I’m looking forward to checking out the original novels.

SEAN: Just in time for the anime adaptation that starts in April, here’s a 7th volume of The Disappearance of Nagato Yuki-chan. Hope you like heartwarming!

I’ve been mocking the glut of vampire manga lately, so it’s only fair to say I quite enjoyed He’s My Only Vampire, and am looking forward to this 2nd volume.

Karneval is the omnibus release of the week for Yen, covering the first two volumes. It came out from Ichijinsha’s Zero-Sum, which is sort of the GFantasy of their company, i.e. a shonen/shoujo/josei/fantasy blend. It also features circus folks! Ha, bet you thought I’d say vampires.

MJ: You had me at “Zero-Sum.”

ANNA: Oh! This wasn’t on my radar before, but I am interested now!

SEAN: Another light novel/manga license where the manga comes a month early, Log Horizon features a group of MMORPG players startled to find themselves inside the game they’re playing. I would say it sounds like it’s for fans of Sword Art Online, but from what I hear the fandoms actually have a rivalry going on.

MJ: Heh, interesting.

SEAN: A second volume of Love at Fourteen is right up my alley after this influx of fantasy and supernatural titles we’re seeing.

MICHELLE: This is literally the one thing on this list that makes me personally go “Ooh!”

MJ: Yes, yes!

SEAN: If you wanted more from the spinoff Puella Magi Oriko Magica, then Yen has an Extra Story for you.

The end! The final volume of Soul Eater, one of my favorite recent shonen titles. I will miss your surreal art and exciting battles.

Sword Art Online: Fairy Dance has its manga reach its exciting conclusion, but, spoiler, still has the stupid birdcage.

Lastly (really this time), there’s a 9th volume of Triage X, which (checks cover art) is still Triage X.

Does something here excite you? Or are you seeing this pile, throwing up your hands, and going back to bed instead?

What Did You Eat Yesterday?, Vol. 6

March 18, 2015 by Ash Brown

Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781939130815
Released: January 2015
Original release: 2012

Fumi Yoshinaga’s series What Did You Eat Yesterday? is a manga that I’m very glad is being released in English. Part slice-of-life manga focusing on contemporary gay relationships, work relationships, and friendships, and part food manga, the series holds a tremendous amount of appeal for me. Plus, it’s created by Yoshinaga whose manga as a whole I tend to enjoy. I particularly appreciate the subtle and nuanced depth that many of her characters exhibit, which is certainly true of the characters found in What Did You Eat Yesterday?. The sixth volume of the series was originally released in Japan in 2012 while the English-language edition was published in 2015 by Vertical. Although this particular volume does have some translation issues—some awkward phrasing as well as questionable word choices (such as “pepper balls” instead of “peppercorns”)—generally Vertical’s release of the series has been great.

Although Shiro will soon be turning forty-seven, he still has room to grow and has only recently started to really become comfortable with his sexuality. He and his boyfriend Kenji have been living together for years but its a relationship that he has largely kept private. Shiro’s parents know he’s gay, as do a select handful of close friends, but he hasn’t mentioned it to his colleagues and he’s terrified of being found out by straight strangers. Kenji, on the other hand, is able to be much more relaxed and open about who he is. Happily, Shiro and Kenji have developed a good friendship with another gay couple, Kohinata and Wataru, which has allowed Shiro to become a little less anxiety-ridden in public. He continues to worry about appearances, and he’s still fairly reserved when it comes to outwardly demonstrating his affection, but it has become easier for Shiro to enjoy time spent with Kenji outside of the house, whether it be a major grocery shopping trip or a bento lunch picnic in the park.

Although I am a huge fan of food manga in general, and meals and their preparation are certainly a major component of What Did You Eat Yesterday?, what I find most appealing about the series is its characters and their lives. But the manga works best for me when the food and recipes tie directly into the plot and character development instead of being a more tangential element. Some volumes of What Did You Eat Yesterday? bring the characters and food together better than others, but overall the sixth is fairly successful in doing that. High-quality ingredients are given as gifts of thanks, meals are prepared as a way to offer comfort and support, recipes are modified when finances are tight, the qualities of a proper bento are debated, and more. Food is obviously important to the characters in the volume.

What Did You Eat Yesterday? tends to be fairly episodic, each chapter exploring a small part of Shiro and Kenji’s lives and featuring a recipe detailed enough that an adventurous reader or experienced cook could actually attempt to make the dish. However, recurring characters and continuing story threads do help to tie the series together as a cohesive whole. There may not be a grand, overarching plot to What Did You Eat Yesterday?, but there is still character and story development to be found. Each reappearance of an established character adds more depth to them as a person and reveals more about the complexities of their relationships with other people. Each volume of What Did You Eat Yesterday? explores more about Shiro and Kenji as well as about their families, friends, and coworkers. And with the sixth volume specifically, I’m especially happy to see Shiro becoming gradually more confident and accepting of himself.

Pick of the Week: Late. Late.

March 18, 2015 by Michelle Smith, Ash Brown, Sean Gaffney, Anna N and MJ Leave a Comment

MICHELLE: Even though I must admit that I haven’t gotten around to reading volume one of Master Keaton yet, I’m still gonna pick volume two this week, because Naoki Urasawa is involved and I like his stuff.

ASH: Another week, another batch of interesting manga. But I’ll admit, the release that I’m most curious about technically isn’t manga. Fumio Obata is an artist who was born and raised in Japan but who currently lives and works in the United Kingdom. I believe Just So Happens may be his first North American release, but the pages I’ve seen of it are beautiful.

SEAN: I’m fairly uninspired for this week, but will go for the third volume of Kokoro Connect from Seven Seas. The first two volumes impressed me in their realistic look at teenage hangups and worries, but the third takes a decidedly darker turn, and I was really surprised. Manga that surprise the reader these days should be cherished.

ANNA: I’ll also have to pick the second volume of Master Keaton. I’m hoping to dig into it this week!

MJ: I’m on board for Master Keaton and I admit a little curiosity regarding Servamp, but I think I’m with Ash this week. Just so Happens sounds pretty terrific.

What looks good to you this week?